Scientists had a pigeon, hawk, and owl fly over super-sensitive microphones to measure how much sound was created by their flapping. Owls are known for their silent flying abilities and this is demonstrated by the barn owl in the GIF above. Watch the video
Cooper Griggs
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Scientists had a pigeon, hawk, and owl fly over super-sensitive...
Cyberlegs project wants to equip amputees with robotic limbs
taikonaut:humanoidhistory:Fifty years ago today, cosmonaut...
Cooper Griggsvia Burly.Thurr
Fifty years ago today, cosmonaut Alexei Leonov made history when he stepped outside the Voshkod 2 spacecraft and became the first person ever to walk in space. As a small step, as a great leap, Leonov’s 12-minute spacewalk was an adventure for the ages — and it almost killed him.
The BBC has the story of how his spacesuit started inflating into a death trap:
At this point the cosmonaut realised something was wrong. The lack of atmospheric pressure in space had slowly caused his spacesuit to inflate like a balloon. He recalls:"My suit was becoming deformed, my hands had slipped out of the gloves, my feet came out of the boots. The suit felt loose around my body. I had to do something.”"I couldn’t pull myself back using the cord. And what’s more with this misshapen suit it would be impossible to fit through the airlock."In five minutes he would be in the Earth’s shadow, and plunged into total darkness. Without telling ground control, the cosmonaut decided to bleed half of the air out of his spacesuit through a valve in its lining. This risked starving his body of oxygen, but if he couldn’t get back inside the capsule, he’d be dead anyway.
Leonov let out a little oxygen at a time to reduce the pressure. But as he did so, he started to feel the first hints of decompression sickness.
“I began to get pins and needles in my legs and hands. I was entering the danger zone, I knew this could be fatal.”He started coiling the cord in order to haul himself back. When he finally reached the airlock, he pushed the camera in, grabbed the sides and lurched through head first.The extreme physical exertion had caused his temperature to soar; he was now at risk of heatstroke and sweating uncontrollably. The globules filled his helmet, obscuring his vision.Leonov was supposed to re-enter the airlock feet first. Getting in the wrong way meant he had to turn himself around in the cramped space to make sure the umbilical cord was inside and the hatch was locked.He says: “It was the most difficult thing: I’m in this suit and I had to turn around in the airlock. But with the perspiration, I couldn’t see anything.”"I don’t normally sweat much, but on that day I lost 6kg in weight.”After curling around in his bulky suit, in such a narrow space, Leonov finally made it back inside the craft.(BBC)
Jesus Christ that’s most of my phobia list right there.
"And I goddamn refuse to be dragon bait. I’m as capable of rescuing you as you are of rescuing me...."
- Tom Robbins
Researchers can now 3D-print nose cartilage in 16 minutes
Cooper GriggsSoooo, you could basically pick your nose and have an in and out procedure?
Uber cars now outnumber yellow cabs in New York City
Cooper Griggsholy crap, I had no idea the numbers were like that
Stanford scientists make leukemia 'grow up' and eat itself
Photo
Cooper Griggstime for a kitty diet
(via hairyharmony:myhdlife)
Cash Out Your Dead
DJ Jay Smooth Mistaken for White Guy
Cooper Griggsoops
No Bar to Success
Colorful Psychedelic Installations of Sugar and Candy by Pip & Pop
“I saw a dream like this” at Australian Experimental Art Foundation, Adelaide 2013. Photos by Andre Castellucci and Pip & Pop
“I saw a dream like this” at Australian Experimental Art Foundation, Adelaide 2013. Photos by Andre Castellucci and Pip & Pop
“Through a hole in the mountain” at MT Kurashiki, Japan 2014. Photos by Keizo Kioku
“Through a hole in the mountain” at MT Kurashiki, Japan 2014. Photos by Keizo Kioku
“Candy Lab” at Mediamatic, Amsterdam, Netherlands 2014. Photos by Willem Velthoven and Pip & Pop
“Candy Lab” at Mediamatic, Amsterdam, Netherlands 2014. Photos by Willem Velthoven and Pip & Pop
“Candy Lab” at Mediamatic, Amsterdam, Netherlands 2014. Photos by Willem Velthoven and Pip & Pop
Australian artist Tanya Schultz creates immersive wonderlands using the sweetest materials: colorful sugar and candy. But along with the hundreds of pounds of sugar, the miniature worlds, which are reminiscent of mythological lands made from food, often incorporate as many ingredients as there are colors. Working under the pseudonym Pip & Pop, Schultz uses everything from glitter and pipe cleaners to beads and figurines to create her psychedelic installations, which have been exhibited all around the world.
Pip and Pop began as a duo in 2007 but since 2011 Schultz has been working alone, or sometimes collaborating with other artist or creative companies, to create her elaborate installations. Check out what she’s been up to recently and allow yourself to be transported to imaginary worlds where sugar rains from the sky and streets are paved with candies. (via Cross Connect)
T-Mobile will pay off devices for switchers and keep promo plans for good
Tesla can now sell its cars directly to consumers in New Jersey (updated)
Cooper Griggsyay progress
White House exempts itself from Freedom of Information Act
Cooper GriggsNot cool.
via Bewarethewumpus
Remember back in 2008 when President-elect Obama promised to run the most transparent White House in history? Well, you might remember, but President Obama seems to have forgotten. In celebration of Sunshine Week, the White House has decided that the Freedom of Information Act doesn't apply to it. USA Today:
"This is an office that operated under the FOIA for 30 years, and when it became politically inconvenient, they decided they weren't subject to the Freedom of Information Act any more," said Tom Fitton of the conservative Judicial Watch.
...
White House spokeswoman Brandi Hoffine said the administration remains committed "to work towards unprecedented openness in government."
The White House also issued a promise (a "categorical pledge" were the official words) that there would be no reduction of the chocolate ration.
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Project Manager after successful Go Live
Cooper Griggsvia David Pelaez
by m0dl3r
Original Patent For Perforated Toilet Paper On A Roll Solves Over Vs. Under Debate Once And For All
Cooper Griggsvia Bewarethewumpus
After pitting loved ones and enemies alike against each other for what feels like all of human existence, it seems we may finally have a definitive winner in the “over vs. under” toilet paper draping debate.
Though there are still likely to be those who remain loyal to the “under” side of the line, as writer Owen Williams points out on Twitter, Seth Wheeler’s original patent for his perforated toilet paper invention in 1891 shows the paper in an “over” position, indicating that that is how it’s meant to be used.
The patent for toilet paper should settle the over vs under debate pic.twitter.com/arZl6l6ALn
— Owen Williams (@ow) March 17, 2015
Indeed, another drawing from the Google patents database shows the paper on the outside of the roll as well:
Wheeler’s Albany Perforated Wrapping Paper Company was the first in the world to make perforated toilet paper, originally patenting that idea in 1871 (PDF) before the 1891 patent added the roll aspect.
And it seems even back then, Wheeler knew people would be prone to using too much paper in the john.
“In carrying out my invention the sheets of paper are only partially separated, having their points of attachment arranged in a novel manner, whereby each sheet will easily separate from the series as it is drawn from the roll, there being no litter occasioned, and any waste of paper is thereby prevented,” he wrote in the patent.
neil-gaiman: upworthy: There Were Too Many Deer In The Forest....
Cooper Griggsvia Nathan Fhtagn
When the deer killed off the forest, they decided to let the wolves loose to fix it. We had no idea what exactly we had done.
If you haven’t seen this video, take a few minutes and watch it. You will be happy you did.
Glassy Pools of Used Motor Oil Reflect the Architectural Splendor of a Swiss Church
La Mise en Abîme (2013, used oil, metal) / All photos courtesy We Find Wildness
Created by Swiss artist Romain Crelier, La Mise en Abîme (an idiom that communicates the same thing as “a curveball,” but means, roughly, “to have put into an abyss”) was a visually arresting artwork installed on the floor of the Bellelay Abbey in Switzerland back in 2013. The piece is comprised of two shallow pools of used motor oil that function as mirrors, reflecting the architectural details of the surrounding interior. The crude juxtaposition of recycled oil and the impeccably preserved aesthetic of a 12th century church wasn’t lost on the artist who referred to the piece as “monochrome paintings using a despised substance.” You can see more photos on We Find Wildness. (via We Find Wildness, This Isn’t Happiness, thnx Kathy!)