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Damiani.guilhermesfuhsauhfashusauhfuh q bosta
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October 13th, 2014: Remember the other day when an ONGOING MONTHLY SERIES starring SQUIRREL GIRL, written by me and drawn by Erica Henderson with colours by Rico Renzi got announced? YES. Well now I can talk about it some more, and here are interviews with me and Erica talking about it some more! – Ryan | |||
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While taking the first of three scheduled spacewalks aboard the International Space Station this month, the Expedition 41 team decided to make the most of their 6 hour and 13 minute spacewalk by taking some incredible photographs of their mission. Beforehand though, they made sure to turn the camera on themselves, capturing a few self portraits while hanging around outside of their vehicle almost 100 miles above Earth’s surface.
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The beautiful shots – including the self portraits – were taken by astronauts Reid Wiseman and Alexander Gerst with a Nikon D2X and a Nikkor 10.5mm fisheye lens, designed specifically for space photography. The remainder of the extravehicular activity (EVA) photographs have been shared alongside the self portraits on NASA’s own Flickr page.
Here are a selection of the photographs:
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If you’d like to keep up with the astronauts and the remainder of their Expedition 41 endeavors, you can do so on Wiseman’s and Gerst’s Twitter profiles, here and here, respectively.
(via The Digital Visual)
Image credits: Photographs by Reid Wiseman and Alexander Gerst, provided by NASA.

DUMBO Arts Festival

DUMBO Arts Festival

DUMBO Arts Festival
As part of this year’s DUMBO Arts Festival, sculptor Tom Fruin installed his famous plexiglass house, Kolonihavehus, in Brooklyn Bridge Park. The multi-colored house was lit from inside and temporarily inhabited by performance duo CoreAct who engaged in a collaborative physical performance that is described here by DUMBO:
The colorful glass house is inhabited by two performers, who portray everyday dilemmas and lifestyle paradoxes in a subtle manner. They have lost the ability to meaningfully discriminate, and are trapped in a long chain of procrastination, mirroring our current social patterns.
You might also recognize Fruin’s other renowned sculpture in DUMBO, Watertower. (via My Modern Met)

And they say I can’t land my first job unless I have any experience… #9gag
The future bullies its way into the traditional European countryside in German artist Jakub Rozalski's dystopian paintings. (more…)

The cinemagraph genre is one of the most exciting to follow because, unlike almost every other type of “photography” (in quotes since you they aren’t photos in the traditional sense of the word), it’s not yet oversaturated with phenomenal work.
Almost everywhere you turn you’ll find a great street photographer, or landscape photographer, or fine art photographer. But when you stumble across a master at creating cinemagraphs, he or she is one of only a handful. Julien Douvier is one such photographer.
As you might remember, earlier this month we featured a number of Douvier’s cinemagraphs of moving water.

Douvier is based out of Strasbourg, France, and his ability to combine well-crafted photographic compositions with just a touch of motion somewhere in the frame makes his cinemagraphs some of the most compelling we’ve run across.
Not limited by one genre, his photographs range from landscapes and nature scenes to street photography, sometimes augmented by only the slightest bit of motion, and at other times completely wrapped up by it. Below are some of our favorites from his sizable cinemagraph portfolio:


















To see more of Douvier’s work or follow along as he creates more, head over to his website or give him a follow on Tumblr and Behance.
(via My Modern Met)
Image credits: Cinemagraphs by Julien Douvier

Photographer Peter Stewart captures the pulsating neon guts of Hong Kong from a unique perspective. Standing at the bottom of dizzying skyscrapers and towering apartment buildings, Stewart offers us a glimpse of modern architecture as a force of nature. Each floor of the buildings he photographs looks like the ring of a tree, surreal in their orderliness.
In an interview with The Creators Project, Stewart explains how he chooses his subjects. “All it takes really is a keen eye for finding the beauty in the monotonous,” he says. “The everyday structures that we often fail to appreciate.”
The collection is called “Stacked – Hong Kong,” a fitting name. From some angles, the buildings almost look like life-sized Lego blocks. Oddly, the photographs do not impart a sense of claustrophobia, but rather a peaceful calm. The bright colors and little personal flourishes — a balcony-dwelling plant here, a line of fresh laundry there — are tell-tale signs of human life. It’s almost a little too calm — where are all the city’s inhabitants?
Still, rather than looking post-apocalyptic, Stewart’s portrait of Hong Kong is dreamy rather than dismal. It’s as though the city is asleep or simply waiting, holding its breath.
(via Design Boom)

The post Peter Stewart Captures Dizzyingly Vertical Portraits Of Hong Kong’s Skyscrapers appeared first on Beautiful/Decay Artist & Design.