Yield, 54″ x 72″, oil and varnish on canvas, 2014.
When encountering paintings by artist Samantha Keely Smith (previously) it’s nearly impossible to escape the mystery and gravity depicted by a violent clash of abstract brush strokes. Ocean waves crash atop foreboding bodies of water, plumes of fire seem to battle clouds in the sky, and swirling storms shield distant secrets just over the horizon. Smith refers to her paintings as ‘internal landscapes,’ part of an ongoing examination of an externalized inner conflict. “My newer works try to boldly portray the struggle I’ve always tried to address in my work between order and chaos, dark and light, and positive and negative impulses,” Smith shares, “along with addressing what feels like a shifting and unpredictable landscape due to global warming.”
Headlong, 56″ x 72″, oil and varnish on canvas, 2015.
Crux, 50″ x 60″, oil and varnish on canvas, 2015.
Interference, 56″ x 60″, oil and varnish on canvas, 2015.
Manifold, 60″ x 72″, oil and varnish on canvas, 2015.
Clearing, 56″ x 72″, oil and varnish on canvas, 2015.
Issue, 60″ x 72″, oil and varnish on canvas, 2015.
Pulse, 60″ x 72″, oil and varnish on canvas, 2016.
Samantha in the studio working on Kindred, 2011. Photo by Thomas Feiner.
‘A Century of Revolt’ Taxi Fabric interior designed by Kunel Guar.
When thinking of decor inside an American taxicab, your imagination is probably limited to an LED payment screen blaring annoying ads and maybe a pine tree air freshener dangling from a rearview mirror. In India, a new firm is thinking a bit more creatively by helping cab drivers completely transform the interior of their taxis with original art by local designers. Mumbai-based Taxi Fabric creates cloth interiors printed with vibrant designs that cover nearly every inch of a vehicle’s interior from the ceiling to the door panels and even the seats themselves.
Taxi Fabric is an interesting hybrid of interior design, advertising, and promotion of local culture, with a number of benefits both to the cab driver and the artists. Drivers report that after applying the designs to their vehicles, passengers often tip more and remain in the cabs longer. Artists in turn have their work seen by a large new audience and are easily identified by a prominent label on the back of every seat.
From the Taxi Fabric website:
Taxis in India, particularly in Mumbai, are not only the most convenient form of transport but have also become an iconic piece of culture. Although much attention is given to each taxi by its driver – to make it stand out from his competitors – very little thought is given to the fabric used on the seats. The designs that cover the taxi seats are often functional and forgettable and with the outstanding design talent Mumbai has to offer, this shouldn’t be the case.
Design, as a job or even simply something studied at school, is unfortunately not widely recognised in India. Older generations don’t understand it- design to them, just performs a function. Many people don’t know that design can create a real impact. With so few spaces for young people to show off their skills, it’s hard to change that perception.
Hovertext: The fact that I'm depressed is a consequence of a singularity billions of years ago!
Jesus: every server’s nightmare. (via eraser411)
Finalmente o The Present foi liberado na internet. Depois de participar de mais de 180 festivais de filmes e ganhar mais de 50 prêmios, é com muito orgulho que lhes apresento a primorosa obra do Jacob Frey. Lembrando que isso foi possível graças a um leitor (desconhecido) que traduziu a tirinha e colocou no 9gag e, principalmente, a Natalia Freitas (animadora brasileira que estudava na Alemanha), que fez todo o contato, participou da produção, lead texture e ainda colocou uns eater eggs no curta Hoje ela trabalha na Disney.
Pra quem quiser ver/lembrar da HQ -> Perfeição