It must be tough to decide what to include when creating closed captions for movies and TV shows, because there are a lot of background noises, sound effects and character reactions that don’t really need to be included:
Having never consulted with someone who’s hearing impaired to find out if they like the inclusion of these sounds, I have no idea whether the folks who create the closed captioning include them because of popular opinion, because they’re trying to be as complete as possible, or simply to amuse themselves:
It’s been 20 years since Pink Floyd put out an album, so it’s about time for David Gilmour and Nick Mason to give the people something new to roll doobies on. And that time is now, because Rolling Stone reports that Pink Floyd is working on a new album called The Endless River set to come out this fall. This time around the announcement was not made via a giant airship, but with a casual aside on Twitter; here’s what guitarist David Gilmour’s wife/occasional Pink Floyd lyricist Polly Samson said on Saturday:
Samson’s claim has since been substantiated by a representative of Gilmour and by backup singer Durga McBroom-Hudson, who explained on her Facebook page that the album will consist entirely of unreleased songs from the recording sessions for The Endless River. (At the time, Mason said the group had enough leftover material for ...
A series of Animated GIFs excerpted from Journey to the Center of a Triangle (1977): another fabulous film by the Cornwells, created on the Tektronics 4051 Graphics Terminal. Presents a series of animated constructions that determine the center of a variety of triangles, including such centers as circumcenter, incenter, centroid and orthocenter. More on the Cornwells at http://www.afana.org/cornwell.htm
According to son Eric Cornwell, here’s how the film was made: The 4051 produced only black and green vector images, not even grey scale. The film’s scenes were divided into layers in the programming, one layer for each of the colors in the scene, and each was shot separately onto high-contrast fine-grained b&w film stock. The final scene in “Journey” had 5 layers: one for each of the four colored dots, plus one for the white triangle and line.
These five clips were then multiple-exposed onto color film on an optical printer, using colored filters to add the desired color to each black&white layer as it was copied. The resulting color was much better than a film of an RGB display would have been because the color filters on the optical printer allowed access to the full range of the color negative film, allowing much more saturated colors. All of that color is pretty much lost now, between prints fading and/or transfers to the VHS, and then viewing them on a computer screen which has a much more limited color gamut. Please imagine it all in bright, brilliant colors. (from Internet Archive)
EXCERPTS by OKKULT Motion Pictures: a collection of GIFs excerpted from out-of-copyright/historical/rare/controversial moving images. A digital curation project for the diffusion of open knowledge.
Here are some must-have books for baby’s first library. These are not only pictures of animals but include books with substance too. Many are great for six month old, but also good for older toddlers.
1. The Velveteen Rabbit
by Margery Williams
The Velveteen Rabbit chronicles the story of a stuffed rabbit and his quest to become real through the love of his owner.
2. Goodnight Moon
by Margaret Wise Brown
Goodnight Moon is an American children’s book written by Margaret Wise Brown and illustrated by Clement Hurd. It was first published in 1947, and is a highly acclaimed example of a bedtime story
3. The Giving Tree
by Shel Silverstein
‘Once there was a tree…and she loved a little boy.’
So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein.
4. Guess How Much I Love You
by Sam McBratney
“Guess how much I love you,” says Little Nutbrown Hare. Little Nutbrown Hare shows his daddy how much he loves him: as wide as he can reach and as far as he can hop
5. The Very Hungry Caterpillar
by Eric Carle
THE all-time classic children’s book, from generation to generation, sold somewhere in the world every 30 seconds!
5 More Books For Baby’s First Library
6. Oh, The Places You’ll Go!
by Dr. Seuss
A perennial favorite. From soaring to high heights and seeing great sights to being left in a Lurch on a prickle-ly perch, Dr. Seuss addresses life’s ups and downs with his trademark humorous verse and illustrations, while encouraging readers to find the success that lies within.
7. Oh, What a Tangle!
by Anita Pouroulis
Kiki is an artistic, little girl who’d prefer to do anything other than brush her hair every day. There are simply so many other better things to do! So it comes as no surprise when Kiki’s hair develops a tiny knot. But rather than wish it gone, Kiki nurtures that knot until it becomes something grand, something worthy of an incredible story.
8. But Not the Hippopotamus
by Sandra Boynton
A shy hippopotamus is hesitant to join in the fun that the other animals are having. But little by little, the hippo finds her courage. A fine and funny classic.
9. The Little Engine That Could
by Watty Piper
“I think I can! I think I can!” This well-loved classic tale of the Little Blue Engine who isn’t afraid to try has and will continue to inspire and entertain generations of children.
10. The Tale of Peter Rabbit
by Beatrix Potter
Mr. McGregor has two things on his mind when he sees Peter in his garden. One is the safety of his lettuces; the other is rabbit pie. Peter was carefully told not to go into Mr. McGregor’s garden, but some little bunnies have to learn things the hard way.
When Wilhelm Kieft tried to outlaw smoking in New Amsterdam in the 1630s, he brought on a unique protest. Washington Irving writes:
A mob of factious citizens had … the hardihood to assemble before the governor’s house, where, setting themselves resolutely down, like a besieging army before a fortress, they one and all fell to smoking with a determined perseverance, that seemed as though it were their intention to smoke him into terms. The testy William issued out of his mansion like a wrathful spider, and demanded to know the cause of this seditious assemblage, and this lawless fumigation; to which these sturdy rioters made no other reply, than to loll back phlegmatically in their seats, and puff away with redoubled fury; whereby they raised such a murky cloud, that the governor was fain to take refuge in the interior of his castle.
Wilhelm finally gave in — people could smoke, he said, but they had to give up long pipes. “Thus ended this alarming insurrection, which was long known by the name of the pipe plot, and which, it has been somewhat quaintly observed, did end, like most other plots, seditions, and conspiracies, in mere smoke.”
Even by Chicago standards the weather here in the midwestern U.S. has been bizarre and extreme lately. We’ve seen giant walls of fog caused in part by a bitterly cold winter that chilled Lake Michigan, and numerous lightning storms that last for hours. Local videographer Craig Shimala was filming a timelapse of a derecho from his home this week when he managed to capture a triple lightning strike on three of Chicago’s tallest buildings: Willis Tower, Trump Tower and the John Hancock Building. Even more incredibly, he filmed the same occurence almost four years ago to the day back in 2010.
To see more examples of our wild weather, check out recent photos by Nick Uliveri and Pete Tsai.
This G.I. Joe story where Clockspring, the tech guy, literally goes to Reddit and becomes an MRA and then talks to actual snake-themed terrorists because they’re the only ones who understand the pain of being friendzoned and ends up completely ruining everything, all of which actually happens, is fan-frigging-tastic.
G.I. Joe: Cobra Files v.2, by Mike Costa and Antonio Fuso.
At the age of 14, photographer Cory Richards had dropped out of high school and was technically homeless. His education, he says, was instead obtained through the observation of struggle. Through various forms of discomfort and adventure he would eventually become the first American to successfully summit an 8,000-meter peak in winter (Pakistan’s Gasherbrum II), and launch an incredible career in photography through the pages of National Geographic.
Brooklyn-based digital media company Blue Chalk recently sat down with Richards to discuss his motivations and driving desire to connect with the people he photographs. (via ISO 1200, PetaPixel)
The French poet Paul Valéry once said, “The purpose of psychology is to give us a completely different idea of the things we know best.” In that spirit, consider a situation many of us will find we know too well: You're sitting at your desk in your office at home. Digging for something under a stack of papers, you find a dirty coffee mug that’s been there so long it’s eligible for carbon dating. Better wash it. You pick up the mug, walk out the door of your office, and head toward the kitchen. By the time you get to the kitchen, though, you've forgotten why you stood up in the first place, and you wander back to your office, feeling a little confused—until you look down and see the cup.
So there's the thing we know best: The common and annoying experience of arriving somewhere only to realize you've forgotten what you went there to do. We all know why such forgetting happens: we didn’t pay enough attention, or too much time passed, or it just wasn’t important enough. But a “completely different” idea comes from a team of researchers at the University of Notre Dame. The first part of their paper’s title sums it up: “Walking through doorways causes forgetting.”
Gabriel Radvansky, Sabine Krawietz and Andrea Tamplin seated participants in front of a computer screen running a video game in which they could move around using the arrow keys. In the game, they would walk up to a table with a colored geometric solid sitting on it. Their task was to pick up the object and take it to another table, where they would put the object down and pick up a new one. Whichever object they were currently carrying was invisible to them, as if it were in a virtual backpack.
Sometimes, to get to the next object the participant simply walked across the room. Other times, they had to walk the same distance, but through a door into a new room. From time to time, the researchers gave them a pop quiz, asking which object was currently in their backpack. The quiz was timed so that when they walked through a doorway, they were tested right afterwards. As the title said, walking through doorways caused forgetting: Their responses were both slower and less accurate when they'd walked through a doorway into a new room than when they'd walked the same distance within the same room.
This “doorway effect” appears to be quite general. It doesn't seem to matter, for instance, whether the virtual environments are displayed on a 66” flat screen or a 17” CRT. In one study, Radvansky and his colleagues tested the doorway effect in real rooms in their lab. Participants traversed a real-world environment, carrying physical objects and setting them down on actual tables. The objects were carried in shoeboxes to keep participants from peeking during the quizzes, but otherwise the procedure was more or less the same as in virtual reality. Sure enough, the doorway effect revealed itself: Memory was worse after passing through a doorway than after walking the same distance within a single room.
Is it walking through the doorway that causes the forgetting, or is it that remembering is easier in the room in which you originally took in the information? Psychologists have known for a while that memory works best when the context during testing matches the context during learning; this is an example of what is called the encoding specificity principle. But the third experiment of the Notre Dame study shows that it's not just the mismatching context driving the doorway effect. In this experiment (run in VR), participants sometimes picked up an object, walked through a door, and then walked through a second door that brought them either to a new room or back to the first room. If matching the context is what counts, then walking back to the old room should boost recall. It did not.
The doorway effect suggests that there's more to the remembering than just what you paid attention to, when it happened, and how hard you tried. Instead, some forms of memory seem to be optimized to keep information ready-to-hand until its shelf life expires, and then purge that information in favor of new stuff. Radvansky and colleagues call this sort of memory representation an “event model,” and propose that walking through a doorway is a good time to purge your event models because whatever happened in the old room is likely to become less relevant now that you have changed venues. That thing in the box? Oh, that's from what I was doing before I got here; we can forget all about that. Other changes may induce a purge as well: A friend knocks on the door, you finish the task you were working on, or your computer battery runs down and you have to plug in to recharge.
Why would we have a memory system set up to forget things as soon as we finish one thing and move on to another? Because we can’t keep everything ready-to-hand, and most of the time the system functions beautifully. It’s the failures of the system—and data from the lab—that give us a completely new idea of how the system works.
Are you a scientist who specializes in neuroscience, cognitive science, or psychology? And have you read a recent peer-reviewed paper that you would like to write about? Please send suggestions to Mind Matters editor Gareth Cook, a Pulitzer prize-winning journalist at the Boston Globe. He can be reached at garethideas AT gmail.com or Twitter @garethideas.
ABOUT THE AUTHOR(S)
Charles B. Brenner is a second year graduate student in the Dynamic Cognition Laboratory at Washington University in St. Louis, where he studies memory, language, and event cognition. Jeffrey M. Zacks is Associate Professor of Psychology at Washington University in St. Louis. His laboratory studies perception, memory, brains, movies, and space.
The French poet Paul Valéry once said, “The purpose of psychology is to give us a completely different idea of the things we know best.” In that spirit, consider a situation many of us will find we know too well: You're sitting at your desk in your office at home. Digging for something under a stack of papers, you find a dirty coffee mug that’s been there so long it’s eligible for carbon dating. Better wash it. You pick up the mug, walk out the door of your office, and head toward the kitchen. By the time you get to the kitchen, though, you've forgotten why you stood up in the first place, and you wander back to your office, feeling a little confused—until you look down and see the cup.
O quadrinista argentino Ricardo Liniers Siri veio ao Brasil para cobrir, em desenhos, a Copa do Mundo para o jornal La Nación, de Buenos Aires. Criador de personagens como Olga, Enriqueta, os duendes, os pinguins e dono de uma cabeça fervilhante, o desenhista está fazendo uma cobertura espetacular do Mundial no Brasil.
Por um lado, os desenhos de Liniers nos ajudam a entender que brasileiros e argentinos não são tão diferentes quando o assunto é a seleção. Na verdade, todas as torcidas são iguais, e acompanham a Copa do Mundo com desespero, autocorneta amargor, e apagam tudo isso quando vem a vitória. Também sobrou cartum para a Fifa e para Robben, entre outros temas do Mundial.
Vale acompanhar o Twitter pessoal de Liniers, que publica diariamente seus desenhos sobre a Copa do Mundo.
And that’s just the stuff that made it into this article. I arrived at a conclusion that I wasn’t really expecting or prepared for: Lionel Messi is impossible.
In most post-apocalyptic films when the camera pans down the abandoned streets of New York or Tokyo, long after people have disappeared and the buildings have fallen into disrepair, we see nature again thriving. Trees and plants take hold in the sidewalks and wild animals like deer, bears, and lions stalk the ruins left behind by humans. But after descending the staircase at a vacant shopping mall in Bangkok, professional cook and photographer Jesse Rockwell discovered a wholly different take on beasts inheriting the Earth: fish. Specifically exotic koi and catfish, teeming by the thousands in a secret subterranean aquarium. Rockwell shares via his blog:
New World shopping mall, a four storey former shopping mall. Originally constructed as an eleven storey building. It was found to be in breach of old town Bangkok’s four storey limit on building heights. The top seven floors were demolished to adhere to building codes in 1997. In 1999 the mall burned due to suspected arson committed by a competitor in the area. The disaster resulted in several casualties, and the building has remained abandoned ever since. Not having a roof, the basement floor remains under several feet of water year round.
At some point in the early 2000s an unknown person began introducing a small population of exotic Koi and Catfish species. The small population of fish began to thrive and the result is now a self-sustained, and amazingly populated urban aquarium.
What an amazing discovery. It makes you wonder what else lurks in abandoned places around the world? You can see more of Rockwell’s photography over on 500px and on his website, Taste of the Road. (via James Theophane, The Verge)