Shared posts

22 Jul 00:02

zerostatereflex: Tangible Media MIT’s Tangible Media is coming...













zerostatereflex:

Tangible Media

MIT’s Tangible Media is coming along nicely,

“Almost like a table of living clay, the inFORM is a surface that three-dimensionally changes shape, allowing users to not only interact with digital content in meatspace, but even hold hands with a person hundreds of miles away. And that’s only the beginning.”

21 Jul 13:36

odinsblog: If I Die In Police Custody…In 2k15 America, Black...


If I Die In Police Custody




If I Die In Police Custody




If I Die In Police Custody











odinsblog:

If I Die In Police Custody…

In 2k15 America, Black people now have to proactively and publicly declare for the record that we, like anyone else, would neither lynch ourselves nor commit suicide while in police custody. 

This is (apparently) necessary now because if we are caught being human and - even once - state that we were even momentarily sad or depressed, that single statement alone can and will be used against us by corporate media and the police to blame us for our own murders…at the hands of the police.

#SandraBland  #SayHerName #BlackLivesMatter #JusticeForSandra 

(to hear all of these Black women’s voices and to watch their full videos, please go to the tumblr or twitter of youth activist/organizer, millennialau. see full videos here)

21 Jul 13:24

Australian weather bureau sees El Nino continuing into 2016

21 Jul 02:47

freegameplanet: Time Stands Still is a wonderful puzzle...

willowbl00

via Baron







freegameplanet:

Time Stands Still is a wonderful puzzle platformer that takes years to complete – four hundred year to be precise!

You play an ancient stone being who has foreseen a huge disaster that will take place in four hundred years time, and must travel across the land solving puzzles that involve the passage of time.  You’re not the most agile of creatures, but you do have time on your side – being made of stone means that you can stand and wait a LONG time.  This comes in handy in a variety of ways on your journey – from waiting for a tree to grow to letting the sea freeze over so you can walk on it.

It’s a very clever premise, well implemented and wrapped up in some charming pixel art animation.  Time waits for no-one, but if you’re made of stone there’s no rush!

Play The Full Game, Free (Browser)

20 Jul 20:06

sh4nked: I can’t handle this









sh4nked:

I can’t handle this

19 Jul 00:35

queerblackbuddhist: queerblackbuddhist: by QTPOC is a website...


Search by Genres



queerblackbuddhist:

queerblackbuddhist:

by QTPOC is a website you can use to find more than 475 books written by queer and/or trans people of color! Additionally you can:
- leave review for books you’ve read
- participate in and/or create online groups to build community 
- add suggestions to other books and authors that can be added to the site

I’ve been working on this project for 9 months now and it’s still a work in progress. However, I decided to post this now because I’m trying to raise funds to cover expenses while I’m in an intensive web development program (Coder Camps).

I’ve been making sites for years and many have failed (some even before launching) and I’m trying to turn that around. Coder Camps will definitely help me to not only get an actual career started (in an industry that is disturbingly only 1-2% black) but also help me get the skills needed to successfully create online spaces for my community!

i forgot to say that reblogs will also help a ton!

18 Jul 14:36

marauders4evr:DO YOU KNOW HOW LONG I’VE WAITED FOR THIS GIFSET!?

















marauders4evr:

image

DO YOU KNOW HOW LONG I’VE WAITED FOR THIS GIFSET!?

18 Jul 01:46

Photo

willowbl00

you guys.



17 Jul 19:27

Storytelling

by Kelvy Bird

Stories_v1c

Sharing the stage with Anthony Weeks and Liisa Sorsa at the IFVP 2015 conference in Austin, in a session on “The Ethics and Aesthetics of Storytelling” we asked the questions: What is it to be authentic in our work? And what is it, in our times, to visually tell stories?

The following is the original thinking behind my small piece of the pie; the hope is to expand this to add everyone’s contributions, including the 8-9 generously recorded images in multiple languages!

A colleague from China recently explained her culture’s symbol of Yin / Yang as ACCEPTANCE / DESIRE. I have been thinking a lot about how this might translate to the balance of the known (Yang) and unknown (Yin) and how, if, this shows up in our visual language.

I’d like to offer an expanded scale to storytelling that incorporates this inquiry. Referring to the iceberg framework (which you can see in more detail here) as scribes, we usually start at the tip of the iceberg, in words and direct images, revealing tiers downward – if we are lucky and skilled – into patterns of behavior, structure, mental models, and vision. We generally scale down. We start with the KNOWN, because it is more tangible and easier to grasp.

But if we orient instead from the UNKNOWN – the water, the greater surround, the place of ultimate holding – if we think of the container AS the water (think also of a womb) and if from the container we attend to the TONE of a group and work from there, we essentially invert our standard process. We practice bottom-up scribing and open the door to timeless storytelling – much, much larger than only one event, one tip of one iceberg, one story on any one given day.

In thinking this through and drawing the above image, i also saw the visual metaphor of trees, where in the rings, age is revealed in the count. The “one story” is the new life at the very center. The outermost ring contains and protects new life within. Also, there is the old tree-forest saying….  do we choose to focus on one part, one tree, or do we choose to look at the entire range?

Storytelling speaks to multiple ways of seeing; it is a snapshot in time and a growing body of snapshots over time.

Now to the application of this wondering. In the session near Berlin a few weeks ago, I joined a circle of about 40 Presencing practitioners. (You can read much more about this here.) The circle looks like the outer ring of the tree AND functions as water. Circle as social field, from which the structures and content rise.

Circle

Drawing on the wall was just the tip of the iceberg. I drew very little compared to the amount of time i was WITH people. I oriented IN the circle, WITHIN the room, OF the people.

I drew as – and only as – was called for by the container.

The void on the far right was the most poignant part of the picture, as it desperately wanted to stay empty. When the topic of earth came up in the room, another image echoed – visually, spiritually, and in content – from a 2012 session attended by some of the very same people in the more recent group. Two walls, years apart, a continued story. And thus revealed: two tips of two icebergs.

Creating_3
PMC_M4_01_Wall_Tabloid

This got me really excited. What potential! The thousands of practitioners in our field, in sessions all over the world, drawing chart after chart after wall after board, over days, months, longer stretches of time…

How many icebergs to surface? How many stories within stories within stories to be drawn?
As a supportive, fluid body, the storytelling in our hands seems limitless.

————————–

Anthony Week‘s stunning staging for the conversation:

Weeks

And Liisa Sorsa‘s equally impressive image from a presenation by Kristin Luck. Yowza!Sorsa

17 Jul 18:43

Common Questions About Our Online Harassment Report

by natematias

The process of reporting and responding to online harassment is the least understood and arguably most important part of the problem. Most of what we know about receiving harassment comes from the small number of people who are courageous enough to face the risk of telling their personal stories.

Maeve Duggan's recent Pew report about online harassment helps us understand the experience of harassment across a nationally-representative sample, but efforts by companies to address online harassment are still mostly secret. For all sorts of safety, legal, and business fears, companies are reluctant to reveal the details of how they enforce their policies around harassment and hate speech. So when Women, Action, and the Media approached me to analyze Twitter harassment reports collected over three weeks with the informed consent of participants, I knew it was a unique opportunity to grow our understanding of the problem.

Together with a truly amazing team, we were able add to the conversation:

  • user stories for designers on the people and situations involved in harassment reporting
  • summary statistics on who reports, including bystanders and delegates
  • summary statistics on what was reported
  • statistical tests of what kinds of harassment Twitter handled best and worst at the time
  • findings on systematic problems that need to be addressed to better support people facing harassment
  • a summary of the work and risks experienced by reviewers of harassment reports

The project, which was independent of any of our institutions, was quasi peer reviewed through a double blind revise and resubmit process. Our team spent many late nights and weekends on this project, and I'm proud of what we have achieved.

Responding to Questions about our Study

Many people online have written with questions and ideas coming out of our study. I've heard from:

  • Community & safety teams at several platforms have reported finding it helpful. I heard from staff at one major platform that our section on the work of dealing with harassment was especially helpful, since people usually come to them only to complain.
  • NGOs offering support for harassment receivers have found it helpful for thinking through their own initiatives.
  • Designers are finding our user stories helpful as they think about designing related systems
  • Groups engaged in wider arguments about online harassment, including people embroiled in the GamerGate controversy.

Especially among the GamerGate controversy, people have clamored for us to clarify some points from our report. I'll admit that I'm hesitant, after some GamerGate supporters flooded my Twitter (one later apologized) during my PhD qualifying exams. But I'm the lead author of this report, and I feel a responsibility to all of my readers, so here goes...

Q: Is The WAM! Study Representative of All Online Harassment Everywhere?

Our findings apply to the reports that were sent to WAM! in those three weeks. Our findings should not be taken as representative of some specific sub-group of Twitter, or even all of Twitter. We state this very clearly in our appendix, in great detail, but there has been confusion and misinterpretation, so I want to be very clear.

There are four kinds of evidence that can be used to understand online harassment, and they all have different strengths/limitations:

  • stories and collections of the harassment that individuals have received over time, like Anita Sarkeesian's archive of one week of harassment. Stories from notable individuals help a wide audience understand what the experience *can* be like, emboldening many others to say that they share the experience. Those stories and examples are important evidence and should be given our full attention. Since an individual's experience cannot be considered statistically representative, the voices of others who say they experienced similar things offer a powerful and important argument for how widespread that kind of harassment might be.
  • nationally representative survey techniques like Maeve Duggan's Pew report offer a statistically representative picture. When Maeve writes that "8% [of Adult Internet users in the U.S] have been physically threatened" online and that "7% have been harassed for a sustained period," she's making a claim that's representative of the US adult population. It's then possible, for example, to extrapolate from the size of the population to conclude that within Pew's confidence intervals, around 6.7 million adult Americans have been physically threatened online. However, Pew's study can't offer any visibility into the harassment reporting, reviewing or responding process.
  • reports to platforms or moderators. Most platforms decline to report even how many issues they handle, which makes it incredibly difficult to get a sense of how large the problem is, or how well companies are doing. By treating it as a trade secret or PR risk, platforms often hold back our ability to understand and address this problem. The one concern I *do* find compelling is the privacy risk of publishing this material.
    • Some platforms, especially those that rely on community support and which use pseudonyms, are more open. Wikipedia publishes the list of users who have been blocked, along with reasons. Moderators on Reddit often publish transparency reports to their subreddits, and have even developed tools to automatically publish moderation decisions. For the most part however, this kind of information is kept private by platforms.
    • This data is only representative of what people choose to report to companies. If people don't know they can report it, if they're worried about the personal consequences of reporting (in a domestic violence situation, flagging a Tweet might make things worse), or if they don't think the platform can help, then the platform will never see the report.
  • service prividers like WAM!, who offer help to receivers of harassment. There's a long history of research by orgs that offer support for victims of violence against women, and WAM! was adapting that tradition to social media. I wrote about this approach in my Atlantic article on mutual aid accountability in digital labor and environmental conservation. This data cannot support country-level or platform-level claims about people's experience of harassment. However, WAM!'s data does offer an inside view on the experience of reporting, reviewing, and responding to harassment, and our large sample compared to individual stories helps strengthen our understanding of this issue in aggregate. Finally, we *were* able to use this data to do statistical analyses of Twitter's handling of harassment reports.

Q: What Can Be Learned about GamerGate from The WAM! Study?

Very little. Since WAM! only had data about alleged harassment that was reported to it, our findings cannot be used to make any representative claims, positive or negative, about any specific subgroup online, including Gamergate. Did people submit reports to WAM! of alleged harassers that included user accounts that are allegedly associated with GamerGate? Yes. Did WAM! reviewers consider some of those cases to be worth escalating to Twitter? Yes. Does that mean that GamerGate is a movement dedicated to harassment? Our evidence can't answer that question and shouldn't be used to do so.

Many people have misunderstood the reason and findings of our GamerGate analysis. I can understand that; we had a subtle point to make, and since it was a minor point, we put our explanation in the appendix.

Here's why we included a GamerGate-related analysis: We expected that some people who want to ignore the issue of online harassment might look at WAM!s work in November and dismiss it as just part of the GamerGate controversy and therefore not important. We were also curious ourselves: since our sample was dependent on who chose to report to WAM!, what would it mean if most of the reports were associated with that one controversy? Was online harassment on Twitter a passing issue related to a particular conflict, or something deeper and longer?

To test this question, we used two data sources to look for GamerGate-related accounts among alleged harassers: a set of all #GamerGate tweets in December 2015, and the list of accounts on Randi Harper's ggautoblocker. Neither of these lists is statistically representative of supporters of the "GamerGate" movement -- finding representative samples of online social movements is a challenge no one has solved yet. But we thought they might offer a good rule of thumb.

When we saw how small the overlap was between these imperfect lists and our list of alleged harassers (12%), and when we saw how many people reported experiencing long-term harassment, we became confident that our findings were not limited to just this one controversy.

I want to be very clear here. Although our data does identify many reports of alleged harassment by accounts that have tweeted the #GamerGate hashtag or appeared in the ggautoblocker list at some time, our findings cannot condemn or vindicate the GamerGate movement. WAM! and its reviewers are free, if they wish, to make claims about GamerGate from their experience reviewing harassment (I don't think they have). But the research team has not investigated whether reports against alleged GamerGate participants were valid or not. We also haven't looked into whether any reported accounts were genuine participants in the GamerGate movement. Anyone who bases arguments specifically about GamerGate on our report is misinterpreting our findings

I have received several detailed questions from people who hope to use math to extract claims about GamerGate, who worry about our samples, or who vigorously question claims they believe we have made about GamerGate. Consider this my answer; it can't be done, and we didn't attempt it in our report.

I hold complicated, semi-appreciative feelings about people who have pointed this out, even when their critiques sometimes vigorously (and I think wrongly) demeaned our abilities and our work. While it's not pleasant to be berated for claims I never made, our detractors were at least trying to dissuade people from applying our findings where they do not apply.

Other Questions? If you have another question, please tweet your question to @natematias.

What's Next For Us?

Although the authors have moved on from this project, we're continuing to do related work. Charlie De Tar is working on ways to support people to learn to be good allies of those experiencing harassment. Whitney, along with Susan Benesch and Bruce Schneier, co-organized an international workshop on misogyny and the Internet. Amy is also working on projects related to our report.

I'm personally starting to focus on the issues of peer support and community moderation:

If you have further questions or are interested in any of my current projects, especially the lit review or the Reddit study, please tweet your question @natematias. I'm tied up with research this week, but I will try to respond as much as I can.

17 Jul 17:10

offugu: jem quality master post 











offugu:

jem quality master post 

16 Jul 23:21

tastefullyoffensive: Green hair + green screen. (photos via...



















tastefullyoffensive:

Green hair + green screen. (photos via morgandonor)

16 Jul 17:48

Photo



15 Jul 21:38

Photo



15 Jul 18:46

Cliff Diving: Dramatic Concrete Home & Pool Cut into Precipice

by Steph
[ By Steph in Architecture & Houses & Residential. ]

casa brutale main

File this dramatic cliff-hanging, swimming-pool-topped home called Casa Brutale under ‘fit for a villain in every possible way.’ Practically begging to be used as a base for unsavory characters in a film, this concrete residence set into the craggy hills overlooking the Aegean Sea is surprisingly modest and spare, free of flashy luxuries.

cas brutale 6

casa brutale 2

It doesn’t need to show off, really, when its very existence in this location packs such a powerful visual impact. You enter the home from a stairway on the ground level, descending into an interior that’s shielded from the sky only by the glass-bottomed swimming pool.

casa brutale 3

casa brutale 4

casa brutal 10

Anyone who swims in the pool is instantly turned into entertainment for the people watching from below, and the watery reflections cast over every surface are the main defining characteristic of the simple, open interior spaces. The entire cliff-facing facade is also made of glass further opens the home to the shimmer of water, this time from the sea.

casa brutale 9

casa brutale 7

OPA (Open Platform for Architecture) clearly heard the cries of ‘James Bond villain lair’ when their initial drawings were released, so they’ve worked a nod or two into the new renderings, including a requisite Ferrari.

casa brutale 5

“Case Brutale is a geometrical translation of the landscape,” say the architects. “It is an unclad statement on the simplicity and harmony of contemporary architecture. It is a chameleonic living space, created to serve its owner and respect the environment… in literal groundbreaking integration, Casa Brutal penetrates the landscape.”


Want More? Click for Great Related Content on WebUrbanist:

Hover Houses: 12 Cliff-Clinging Homes with a View

Swim to the edge of an infinity pool that feels as if it’s going to pour right out into the sea, or stand on a glass-walled balcony hanging off a ... Click Here to Read More »»


Shop in a Swimming Pool: Neglected Space Turned into a Store

Until recently, this indoor swimming pool on the vacant ground floor of a 1970s apartment building in Tokyo was just an empty space, dry and disused for years. ... Click Here to Read More »»


Extreme Cliff Living: Modular House Dangles Precariously

Only the uppermost portion of this ambitious five-level home is visible when approaching from land, preserving the views for others and making for one dramatic ... Click Here to Read More »»


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[ By Steph in Architecture & Houses & Residential. ]

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15 Jul 07:48

A Big Box With a Bigger Surprise

A Big Box With a Bigger Surprise

Submitted by: Unknown

Tagged: gifs , reunion , military
15 Jul 00:59

fuckyeahhotactress: Gillian Anderson

willowbl00

NSFW?



fuckyeahhotactress:

Gillian Anderson

15 Jul 00:58

maggiesox: anthfan: TOO SOON!! I AM A LEAF ON THE WIND.





maggiesox:

anthfan:

TOO SOON!!

I AM A LEAF ON THE WIND.

14 Jul 20:40

electricsexdoll: donut-give-a-fuck-about-abs: Yesterday,...











electricsexdoll:

donut-give-a-fuck-about-abs:

Yesterday, feminist writer and self-proclaimed fright bat Clementine Ford wrote about the misogynist crap published by Sunrise over the nude photo hacking of Australian women, who accompanied the story with the phrase: “When will women learn?”

The post went flat out viral. It’s struck a nerve with people everywhere, because she’s fucking right.

Blaming women for taking nude photographs instead of the total fuck bois who share and publish them contributes to rape culture. Publishing nude photos of people without their permission is a sex crime. It’s akin to digital rape.

This is 2015 and there’s a high, high chance that you or someone you know has taken a nude photo, either for themselves, or to send to someone they trusted.

Clementine Ford accompanied the post with a Facebook-appropriate, semi-nude photo, with the message “Hey #Sunrise Get Fucked” scrawled on her chest. She told the world without shame that she’s one of millions who have taken nude photographs.

And then, just because some COMPLETE AND UTTER MORONS DIDN’T GET THE POINT, douchebag after douchebag messaged Ms Ford, asking her for nudes.

Asking a stranger for naked photos is sexual harassment. Asking someone for naked photos because you’ve read her intelligent, bang-on post about victim blaming and consent is straight up fucking stupid.

Sunrise has since deleted their Facebook post, and Yahoo7 have apologised.

😔

14 Jul 20:36

thebestofallpossible: pipkrakes: saxifraga-x-urbium: mallotovc...







thebestofallpossible:

pipkrakes:

saxifraga-x-urbium:

mallotovcocktail:

faehrye:

achillesvevo:

I included the comments bc they’re hilarious, Anon. 

Comments feat. bridgottogelato

mallotovcocktail

for real, i love all of this

james dean had false teeth he is my hero

also “I had both of them that afternoon, and I came to the conclusion that white boys are so delicious. That time back in my dance studio ranks as one of the most celestial experiences of my life. Those two beauties transported me to heaven. I never knew that lovemaking could be so beautiful.”
- Eartha Kitt on her threesome with James Dean and Paul Newman

actually the original post doesn’t even have paul newman, which, yo

c00kie28
13 Jul 20:37

Photo









13 Jul 20:35

burdenedwithgloriousassbutt: just blue steel it out, chris







burdenedwithgloriousassbutt:

just blue steel it out, chris

13 Jul 01:02

benigoat: 4gifs:  [video]

13 Jul 00:22

Photo

willowbl00

I hope your days are great.



13 Jul 00:11

We can’t wait for 2016. 



We can’t wait for 2016. 

13 Jul 00:10

Sarah’s Scribbles

13 Jul 00:09

markruffalo: prepaidafrica: Forty year old Mize Juma Othman...



markruffalo:

prepaidafrica:

Forty year old Mize Juma Othman installs a new photovoltaic panel on a home in Matemwe village, on the Tanzanian island of Zanzibar. Othman trained for six months in India to become one of the first 13 “solar mamas” in Zanzibar, able to install, troubleshoot and repair the systems.

Zanzibar’s ‘Solar Mamas’ flip the switch on rural homes, gender roles

Photo Credit: Sam Eaton

This is so inspiring to hear about. Big change can be slow, frustrating, and imperfect but these small, positive changes can keep us going.

11 Jul 20:12

Saturday Morning Breakfast Cereal - The Village and the Tower

by admin@smbc-comics.com

Hovertext: This comic is an allegory for, of course, the 1896 presidential elections.


New comic!
Today's News:
11 Jul 17:04

liddo-cait: i reblogged this before but we actually started...

willowbl00

Remember that time we all decided to never play "Get Down Mr President" with Baron because Reasons?





liddo-cait:

i reblogged this before but we actually started playing this game and it has resulted in spilled drinks, flying cigarettes, and friends getting hit in the gut with 5lb crystal balls

it is fantastic

09 Jul 16:42

"Hannibal is the only show I know that gladly became a fan-fiction of itself. So quickly was the..."

willowbl00

Maybe worth checking out?

“Hannibal is the only show I know that gladly became a fan-fiction of itself. So quickly was the villain of the week format ditched for what the fans really wanted; two men being so in love that they almost forget they want to kill and eat one another, which is actually pretty sexy in itself if I may say. This show didn’t jump the shark. It ate it, then sailed on into the sunset.”

- here (via subtlecluster)