Catherine Losing: The Serpent That Ate Its Own Tail commissioned for The Gourmand Issue Two (Food styling Iain Graham, set design Anna Lomax)
Chame sua namorada, esposa ou amante e mostre com atenção esse recado que vem a seguir.
Freedom’s all you got.
|ótimo sanduíche de pastrami, embora mal montado. a parte inferior do pão encharcou legal.|
|maravilha de arroz de galinhada do almoço do jiquitaia, que custa 39, oferecendo entrada, principal e sobremesa.|
Salute to the enduring spirit of the children of the slaves…
A lot of the men and women that had to endure this are still alive. Don’t let white people act like this is the distant past. It’s not.
American history. American present.
I didn’t want to reblog this because of how uncomfortable it made me feel and then I realized, that’s the exact reason I need to reblog it.
Look at these images, America. Look at them. This is your history. This is one of the things that has made you what you are. Do you know what these are from? Have you ever heard of the Detroit Race Riot of ‘43? Do you know about the Deacons of Defense? Can you imagine the kind of “crimes” that could necessitate beatings like the ones viewed here? Crimes like: being involved with a white woman. Being suspected of being involved with a white woman. Trying to vote. Using a white’s only bathroom. Integrating schools or churches or anything else.
Look at these images. This is your story and mine. This isn’t the distant past! This isn’t some kind of ancient history that we can gloss over. People who participated in these events—on either side—are still alive today. Their children and grandchildren may be reading this right now.
Look at them, damn you! Study them. Think about how they make you feel. How it must have felt for the victims. For their families. Put yourself back there. Imagine this. Picture living with this kind of fear.Look at these images.
Bolding is mine.
A new hope ?
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No I don’t know anything about that
Porque lembrar é resistir !
Because remember is resistance !
Tiananmen Square 1989
when i want to take credit for something i saw on 9gag but theres always that little icon thing
Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.