Vjuliao

O mundo continua a dar suas voltinhas por aí. Os malucos de plantão parecem que desistiram de vir encher o saco; mas por sorte ainda tem aqueles que resistem bravamente e colaboram com o melhor que a insânia consegue proporcionar. Assim, vemos mais uma edição do que o Planeta Bíblia pode trazer. Esta é a sua VOZ DOS ALIENADOS!

Jose Antonio DE Oliveira Oliveira
jaoliverrah@bol.com.br

satanás, eu te ordeno! Sai do André!
em nome daquele que vai te jogar no lago de fogo e de enxofre.
amém!

Pronto André! agora vc pode ter fé,
Se não vc tb vai pro lago de fogo e de enxofre. Duviiida, rapaz, não faça isso. Se satanás vai, imagine vc, que é cinza e pó.

Se arrepende, André. Rapidinho. E tenha Fé.
Sem fé, é impossível agradar o dono do lago.

André, vc quer ir pro lago de fogo. Lá, vc vai ter que obdc, tb.
Acredite, André, satanás vai pro lago de fogo pra aprender a obdc
André, vou parar puraquí.

Mais assim como o Sabino, eu te pego na próxima.
Seu diabinho satanaizado!!!!
Assim que eu te pegar de novo, vc vai ser transformado no meu irmãozinho querido. Até breve, seu fujão!!!!

Essa coisa gastou tempo para mandar este e-mail vagabundo. As pessoas realmente têm muito mais tempo livre do que neurônios.

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Lauro
yagamisaga@gmail.com
189.110.37.68

Vocês perdem tempo querendo colocar algo no blog, sendo que existe milhões de livros de História, comprovando que muitas coisas na Bíblia, foram colocadas apenas para retratar a história de um povo?

1. Nunca houve escravos no Egito.
2. Ninguém nunca ouviu falar de Jesus fora da Bíblia.
3. Babilônios, egípcios, hititas e assírios nunca viram nada das besteiras trazidas no relato biblico-harrypotteriano.
4.Estou esperando uma única prova de peixes comendo homens, jumentos falando, muralhas de Jericó rompidas, moretos voltando à vida na Palestina do século I etc.

E ainda muitos que postaram aqui, citam sobre fraude? Ilusão? Mentira? Pára!

Ele vai trazer as inúmeras provas que estamos errados.

Até parece que muitos aqui nunca estudaram história na vida.

Eu estudei. por que você acha que eu digo que aquela baboseirada toda é mito?

Leiam o livro: História de Israel. Lá está tudo bem explicado, pois a história e a arqueologia não tem como mentir. São fatos.

Não é o que Israel Finkelstein diz.

Querer provar não leva a nada, pois ainda a arqueologia e a história estudam e continuam achando fatos que comprovam o que é e o que não é verdadeiro! O que existiu e o que não existiu.

A Arqueologia encontrou o imenso tesouro de Salomão? Vestígios da Arca? Não, né?

Sabe o que deixo como pergunta, aqui é o seguinte:
Falam de tudo, mas cade a prova de vocês, que o Islamismo é muito, mas muito pior que o judaísmo e o cristianismo juntos? Prq vocês só tem olhos para duas religiões?

Falácia "o meu é ruim, mas o do vizinho é pior". Como se eu não falasse deles, também. Mas se crente tosco assim não leu nem o próprio livro religioso, quanto mais site cético.

Não existem apenas duas, como está acima. Se um blog é ateu, deve colocar TODAS as religiões, não apenas duas.

Então seu livro religioso deve aceitar TODOS os deuses.

Onde está os documentos e provas que o Islamismo é uma mentira muito pior, pois Maomé nunca recebeu nada de ninguém e isso nenhum ser humano fala. Incrível kkkkkkk. É medo? kkkkkk

http://ceticismo.net/category/religiao/islamismo-religiao-ceticismo/

Este meu comentário não defende ninguém, pois a história não tem religião e é exatamente isso que eu estudo sempre

Cof cof cof. Sei.

mas me admiro com muitas respostas sem cabimento de ambos os lados, pois não sabem usar sua razão para fazerem uma análise de todas as religiões juntas. Isso sim seria correto, analisar TODAS. Aí sim o blog é ateu.

E quem disse que este é um site ateu?

Postado em A maior invenção da indústria da fé

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Amanda
amandacaiana@hotmail.com
177.96.220.22

Em primeiro lugar Deus independente da religião é com letra maiúscula e vc nunca viu:
1 – Paralíticos andar

http://ceticismo.net/2013/09/11/carpinteiro-faz-magica-e-devolve-as-maos-a-criancas-amputadas/

2 – Cegos voltarem a enxergarem

http://ceticismo.net/2013/02/16/fda-aprova-comercializacao-de-olhos-bionicos/

por que são milagres de Deus

O único deus que existe é, portanto, a CIÊNCIA!

e pessoas boas podem sofrer como qualquer mas,no final serão recompensadas por serem boas.

Os filhos de Jó que foram assassinados por seu deus é um perfeito exemplo, né? Ah, mas Jó ganhou outros, aqueles eram versão 1.0

Até Einstein um dos maiores físicos de todos os tempos uma pessoa realmente muito inteligente acreditava em Deus.

http://ceticismo.net/2008/05/13/carta-revela-que-einstein-desdenhava-a-religiao/

Ps:Deus ama todos nós!!!Espero que a sua forma de ver o mundo mude!

Isaías 45:7 — formei a luz e criei as trevas, busco a felicidade e suscito a infelicidade. Sou eu o Senhor, que faço todas essas coisas.

Postado em Jesus Cristo, um mito bíblico

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Devenir Roberto Pires
dr.deveniradvogado@ig.com.br
186.244.60.211

- Uma coisa é certa, ao escrever o título e a matéria acima, vc, simplesmente parece que não tem certeza do que diz.
- Seu texto tem claras manifestações nazistas, vc, simplesmente misturou tudo, querer relegar o passado é um direito, mas, querer atacar o povo judeu, “israelitas”, é desconhecer a história humana e pior do que isso é julgar-se superior!

Código Penal

Art. 138 – Caluniar alguém, imputando-lhe falsamente fato definido como crime:
Pena – detenção, de seis meses a dois anos, e multa.
§ 1º – Na mesma pena incorre quem, sabendo falsa a imputação, a propala ou divulga.
§ 2º – É punível a calúnia contra os mortos.
Exceção da verdade
§ 3º – Admite-se a prova da verdade, salvo:
I – se, constituindo o fato imputado crime de ação privada, o ofendido não foi condenado por sentença irrecorrível;
II – se o fato é imputado a qualquer das pessoas indicadas no nº I do art. 141;
III – se do crime imputado, embora de ação pública, o ofendido foi absolvido por sentença irrecorrível.

- Somente pessoas desprovidas de bom senso escreveriam um texto como o que vc escreveu, falta conhecimento, falta experiência de vida, não queira fazer das vitimas verdadeiros algozes, vc, tem todo o direito de pensar o que quiser, mas, ao escrever saiba respeitar a fé, a dignidade de um povo, e, sobretudo não saia atirando pedras para todos os lados

Me acusar de nazista pode, né?

há inocentes que foram banhados em sangue, que foram torturados, mortos

Em nome do cristianismo, frise-se.

respeite a memória de um povo que foi perseguido e massacrado sem piedade alguma por pessoas que se achavam os donos da verdade!

Todas elas cristãs.

Postado em Jesus Cristo, um mito bíblico

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E a cereja do bolo vai para…

alisooon
alissonjheverson66@gmail.com
200.199.94.226

Eita vey nem sabia que esse filme era brasileiro assisti ele na aula de historia com minha class classe e naum sabia disso mas valew…

Isso foi postado em 300 de Esparta – A guerra Filme x História

Eu mereço!

Artigos relacionados:

1. Voz dos Alienados 63
2. Voz dos Alienados 54
3. Voz dos Alienados 43

Fantastic work by Edvige Faini.
















Keywords: digital sci-fi science fiction concept spaceship environment art illustration design by professional concept artist from italy edvige faini matte painter ubisoft singapore the aaron sims company

brucesterling:

*How entirely terrible to be quietly circling some minor-league, well-behaved star, innocently doing a little astronomy, and then realizing that something like this was about to happen.

vimeo:

Full Turn by ECAL

A new project from ECAL gives 3D volume to 2D graphics and the result is like a high tech flip book.

The global success of McDonald’s shows that, like politics, fast food is local. Though that often involves little more than slapping a “Mc” on the local favorite—e.g. McSpicy Paneer in India, McMollete in Mexico, Le Croque McDo in France—that seemingly foolproof formula helped it keep growing through the global downturn (pdf, p.11).

Burger King is one-upping McD’s, though, as reported by RocketNews 24. Instead of bastardizing national foodstuffs, Burger King is going a step further. With the rollout of Kuro Ninja (“Black Ninja”) (pdf), BK Japan is burger-ifying a national icon (complete with an inexplicabe protruding tongue):

How does a fast food chain fashion a ninja out of a burger? First, naturally, by blackening the bun. This is achieved not by leaving the toaster on too long, but by coloring the dough with bamboo charcoal. BK’s approximation of a ninja tongue is a long slab of bacon flopping lewdly out of the burger (again, we’re baffled by the idea that long tongues are typical of ninjas.) The rest is a hash brown patty and the regular fixings, topped off with Chaliapin sauce (named after a Russian opera singer), as RocketNews24 explains. As of October 25, Kuro Ninja can be had for ¥680 ($6.93).

This may be part of BK’s “commitment to menu innovation,” which management emphasized in its Q2 earnings call. The company seems intent on grabbing market share from the far more popular McDonald’s. BK added 20 stores in Japan in 2012, bringing the total to 64.

That commitment probably explains why Kuro Ninja isn’t a totally new invention. If its sire was the Kuro Burger—a ebony-bunned Whopper slathered in “Black Flavored Ketchup” (ketchup plus garlic and squid ink)—the dam appears to have been Big Bacon Whopper (that’s where the “tongue” originated). BK Japan’s menu of out-there items also includes its “Garlic Meat Beast” and Double Garlic Cheese line, BK RiNGO, a beef hamburger dressed with cinnamon-dashed apple chunks, and the fried pumpkin, bacon, beef and mixed-nut sauce melange that was BK Pumpkin.

But given how frequently it’s been rolling out wacky new sandwich concepts, BK Japan might have a problem with taking innovation too far. This time? Well, you be the judge.

unwinona:

Can’t decide…

Murder…

Or hug….

I’m gonna go with MURD—no, wait, hug.  I’m going with hug.

VANUATU


SAMBURU


MAORI


KALAM


HULI


MASSAI


KARO


HIMBA


KAZAKH


YALI

awkwardsituationist:

BEFORE THEY PASS AWAY

"in 2009, i planned to become a guest of 31 secluded and visually unique tribes. i wanted to witness their time honoured traditions, join in their rituals and discover how the rest of the world is threatening to change their way of life forever. most importantly, i wanted to create an ambitious aesthetic photographic document that would stand the test of time, a body of work that would be an irreplaceable ethnographic record of a fast disappearing world. i didn’t start this project anticipating that i could stop the world from changing. i purely wanted to create a visual document that reminds us and generations to come of how beautiful the human world once was." - jimmy nelson

the tribes seen here (in only ten of the over 500 photos found in his book) are: (1) the peoples of the vanuatu islands, found southeast of the solomon islands; (2) the samburu of northern kenya; (3) the maori of new zealand; (4) the kalam of eastern new guinea; (5) the huli of the new guinea highlands; (6) the maasai, who live in kenya and tanzania; (7) the karo, who live on the eastern banks of ethiopia’s omo river; (8) the himba of the kunene region of northern namibia; (9) the kazakhs of western mongolia; (10) the yali of the baliem valley region of papua indonesia.

Animals Being Jerks (Part 3)

Previously: Part 2, Part 1

beconinriot:

Progressbar by Vincent Broquaire (artist on Tumblr Via)

GIF by Be Con In Riot

The idea of designing inflatable environments to display the beauty of light and color started with a structure called “Eggopolis” — a project built in 1990 that led to the creation of the Architects of Air (AoA) company. Today, AoA staff have designed and constructed six luminariums, or walk-in mazes of domes and tunnels. The plastic monuments have been featured in hundreds of events and are currently taking tours through locations worldwide.

See, and share, more photos in the Inflatable Luminariums gallery and Luminarium Photos group.

Photos from rapapazi, Darrell Godliman, by_irma, malbdd, ~Jek~, DaveKav, Wampie., Mcal C, traveltt, j.limon, ©Christofoto, and Alwyn Ladell.

Here’s a Halloween idea for those of you who already did the “Heath Ledger” Joker, the “Heath Ledger Nurse” Joker, and the “I’m Going to Do The Jack Nicholson Joker Ironically While Everyone Else Does the Heath Ledger Joker” Joker. Fashionably Geek featured this New 52 Joker, courtesy of Cinema Makeup School, which is virtually guaranteed to give everyone you love a heart attack on October 31st, or October 26th, or whenever the hell we’re supposed to celebrate Halloween this year. We hate weekday Halloween. 

Morning Roundup is less frightening below the fold, but we have links to SFF podcasts, tips for dressing your pet for Halloween, and some horror movies you may have missed!

[And an epic Rubik’s Cube performance!]

Read the full article

The folks over at Shanks FX (previously) and PBS Digital Studios put together this great DIY video on how to make giant bubbles including some cool slow motion clips of enormous bubbles popping at night. They even invented a “bubble control wand” with an array of small fans. Another helpful tutorial is NightHawkInLight’s How to Make Giant Bubbles.

non-volerli-vittime:

chocolate-eating math-people broke the universe

joqatanarama:

lonelygrey:

explosivemarbles:

YOU HAVE NO IDEA HOW SATISFYING THIS GIF IS TO ME

life answers

provided by tumblr

one by one

This is Knotworking…

Sempre me perguntam por que eu falo que Noruega é sinônimo de Heavy Metal. Vejam o gráfico:

Acho que agora está tudo esclarecido.

Ornamental (wood & metal) turning in late 18th century France was an art form most associated with the upper ranks of society and particularly the royal court. Publishing a how-to manual on turning under your own name in the 1790s against the backdrop of the French Revolution wouldn't have been the most sensible of life choices because the author's association with the hated aristocracy would be printed in black and white for all to see.

So the true author of The Turner's Manual - 'Manuel du Tourneur' - (the eminent lawyer, Louis Georges Isaac Salivet) decided against using his own name on the title pages of the first two volumes when they were released in 1792 and 1796, respectively (together making up the 1st edition).

Instead, Salivet employed two allonyms (like pseudonyms, but real people), Louis-Eloy Bergeron and his son-in-law, Pierre Hamelin-Bergeron, with whom Salivet was said to be at least acquainted, if not actual friends. There is no record as to whether or not the substitutes agreed to their names being used in this way. Citations online are divided between authors Salivet and Bergeron, but the latter probably dominates.

Salivet (or perhaps one of the Bergerons) was said to have owned a Paris firm "that sold rose engines, tools, lathes and materials for turning. This seminal work contains numerous engravings of various objects and patterns from which to model both turning equipment and turned objects." [source]

There appears to be only occasional commentary available online with respect to the technical qualities of the volumes. There are sparse references to its having merit in the first half of the 19th century both because it was an assiduous chronicle of continental development in the field of lathe-work and turning, and because there was no comparable literature available at the time in England (in fact, I don't think Salivet's Manual was fully translated** until just a few years ago). The 'Manuel du Tourneur' was specifically aimed at the amateur craftsman with the machines, models and techniques outlined relating to woodworking (most) and metalwork, with modest primers on glass engraving and ivory work.

A musical instrument journal article - predominantly a translation of text - about the flute and related instrument machining (illustration plate seen above) found inconsistencies in some of Salivet's descriptions and measurements. They conclude he wasn't a flautist himself, but very probably had obtained descriptions from (a) Parisian flute-maker(s), and he didn't have the background to adjust the information for context.

The revised 2nd edition of 'Manuel du Tourneur' (1816) was enlarged to include an atlas volume containing engravings by Nicolas Louis Rousseau from drawings by Gallet. The earlier edition had a smaller series of illustrations after designs by Louis-Jacques Goussier (known for his technical drawing contributions to Diderot's 'L'Encyclopédie' and illustration redesigns for 'Les Anatomies' by Vesalius). The atlas contains more than seventy regular and hand-coloured engravings in total.

**Just prior to posting this entry I found details about the 2010 translation of the Bergeron/Salivet 'Manuel du Tourneur' into English, and the following quote is found here (it's only mentioned at a couple of sites, both listed among the bullet points down below):

"The Society of Ornamental Turners has released in hardback a translation of Bergeron's 'Manual du Tourneur'. Volumes I and II are text only and contain no plates; the third volume often (called the 'Atlas') contains all the Plates referred to in Volumes I and II. Editor Jeremy Soulsby has translated the previously un-translated 239 pages as well as extensively revising the style and content of the earlier works so as to clarify obscure terminology and techniques. He has fully indexed the volume and provided a glossary and extended notes.

As described from the SOT website: 'First published during the turbulent times of the French Revolution, Bergeron's Manuel du Tourneur or The Turner's Manual has been admired for over two hundred years as a comprehensive record of all the tools, machinery and techniques required by an eighteenth century amateur wishing to establish a fully equipped workshop for the hobby of turning. This, the second volume of text which uses the 1816 revised and expanded second edition by P. Hamelin-Bergeron, is available for the first time in an English translation. It deals with the more elaborate elements of the subject and gives instruction in the use of the complex lathes of the period which were used to make many of the artefacts now to be seen in museums'."

• 'Manuel du Tourneur' is available online in full through the Swiss National Collaborative Libraries host portal, e-rara. [note the links lower left to each of the three volumes; thumbnail page views are available]
• Woodworker's Manuals 1900 and Before.
• Books on Ornamental Turning from *Ornamental Turning - The online resource for "OT" enthusiasts*.
• Bergeron at Circuitousroot (commentary on the article below & web edition listings).
• Bergeron book translation listing at The Society of Ornamental Turners - contains more information and sample pages {SOT homepage}.
• 'Bergeron on Flute-Making' by Michael Wright IN: The Galpin Society Journal (Vol 29. May 1976. pp. 26-34).
• Amazon listings for Salivet publications.
• Previously: The Wood Book and, more generally: Machines.
• Thanks John!
• This post first appeared on the BibliOdyssey website.

lisbon.

Like photographs pulled from an old shoebox in a dusty attic, Michael Paul Smith’s photostream is filled with images echoing warm memories of mid-twentieth century America. Many who view his photos of vintage cars and familiar buildings are often hit with nostalgia. That feeling, however, quickly leads to bewilderment upon learning the truth: Michael’s pictures aren’t real!

“When I tell people my photos are actually models — just little cars on a table that I’ve recreated — they’re shocked,” Michael tells The Weekly Flickr in the accompanying video. “It’s a great moment. I really do love it!”

Motivated by a fascination with the mid-twentieth century era and a desire to catalog the past, Michael set out to build and photograph fictional, miniaturized scenes from the 1950s.

“The ’50s and ’60s had a sense of hope about them,” Michael says. “Television had come in, new cars came out every year and everyone avidly looked at science fiction hoping to get a glimpse of what the future was going to be like. The future was tangible, and it just made it worth while getting up in the morning to see what was going to come down the pipe next. It was an amazing time.”

As a kid, Michael was an avid model car collector. He’s started out building cheap model cars and later advanced to diecasts and truck models. Over time, he became aware of how cars changed; this evolution fascinated him and piqued his interest even further.

“As I began collecting cars, I became curious to see where it all came from,” Michael recalls. “It was mainly from the ’40s, ’50s and ’60s. And after awhile, I could identify the things that changed. So I started collecting as many tangible objects as I could from the past – wallpaper, linoleum and rugs – mainly as a keepsake. When my collection got so large, I started making models and setting them up as realistic as possible. Photography naturally started to come in when I wanted to document everything. And that’s how it all started!”

Today, Michael’s model car collection consists of over 300 cars — most of them prominently displayed in Elgin Park, the fictitious town he created for his series.

The town consists of a dozen or so scale model buildings, which Michael mixes and matches to create many different sets. He carefully inserts his model cars into specific scenes and photographs them against outdoor backdrops in and around his hometown of Winchester, Massachusetts.

“The process of creating a photo is interesting,” Michael says. “I like to mix the old with the new and sort of juxtapose everything. For example, I’ll have a ‘57 Mercury and set it up against a carwash model I created. Honestly, it’s just kind of playing. It’s creative play.”

Elgin Park has everything: a train station, a supermarket, even a movie theater. One thing, however, it does not have are people — an intentional move on Michael’s part.

“From the very beginning, I decided that there will be no people in Elgin Park,” Michael explains. “I felt that having people interfere in the photograph, and the rest of the scene sort of disappears. I didn’t want that. Now, viewers can get involved in the photograph itself.”

And viewers have gotten involved — millions in fact! They’ve made Elgin Park into a tourist destination, attracting over 20 million views, all via cyberspace, since January 2010. A number, even today, Michael still can’t believe.

“For a long time, I never showed my photographs to anyone,” Michael says. “I just thought people wouldn’t get it. Seemed kinda quirky to me, you know? Here’s a grown man with little model cars and buildings that he’s creating. But after a couple years, stuff was just languishing on my computer. It was brought to my attention that Flickr existed, and so I posted them, and within a couple months, there were about one million hits. It’s unreal.”

The reactions have also been overwhelming. Many of them citing nostalgic memories of “coming home” and “good times.” Michael received touching messages from viewers saying they started crying while looking at his photos — all of them happy tears.

“There was a doctor who contacted me who said he showed my photographs to Alzheimer’s patients,” Michael says. “And what they did, much to his surprise, was it started a dialogue between the patient and the doctor. These images would trigger an emotion or a memory, and it was one of the first times these people were coherent. So I’m clearly touching very deep nerves and cords, and that was not my original intent.”

“Overall, this entire process thrills me, and it fills my heart,” Michael admits. “It just fills my heart to put this out there for everyone, and they enjoy it.”

Visit Michael’s photostream to see more of his photography.

Want to watch more video episodes? Check out how a photographer aims to trick the eye his ‘Strange Worlds’ photography.

Do you want to be featured on The Weekly Flickr? We are looking for your photos that amaze, excite, delight and inspire. Share them with us in the The Weekly Flickr Group, or tweet us at @TheWeeklyFlickr.

dallonscreams:

charmedsevenfold:

snoozlebee:

lepetitdragon:

tenaciousbee:

destroyer:

WHAT’S GOIN’ ON!

Everyone else can go home

OMFG

omg lol

best cosplay of all time

I love that the cheekbones are drawn on her face.

warning: my policy for this blog is to repost this every time it pops up on my dash

can we take a moment to appreciate the fact that every troll cosplayer in this picture is a terezi

OH MY GOD YES

As part of an absurdly clever advertising campaign orchestrated by ad agency M&C Saatchi Milano for insurance firms Europ Assistance IT and Genertel, a giant submarine was installed near the city center as if it had suddenly burst through the street. The carefully orchestrated stunt which unfolded on October 1st was complete with a live reenactment meant to reinforce the idea of safeguarding yourself and posessions against unforseen events. Read more over on Designboom. All images courtesy M&C Saatchi Milano. (via It’s Nice That)