I want one of those scenes in a dude bro film where “tomboy” chick has to wear a dress to go undercover or whatever, but instead of the guys drooling as she walks down the stairs, they’re like “k. U need to stop. Go put the cargo pants back on. You look super uncomfortable and awkward in that. Brutus, you go be the fake prostitute.”
I’m just imagining this super ripped guy called Brutus being like ‘YESSS!!! I’VE ALWAYS WANTED TO BE THE FAKE PROSTITUTE!! Now is my time to shine!!’
every year, some joker gets mcgonagall some cat toys as a present
every so often, when she’s feeling stressed, she opens the drawer that she secretly keeps them in, takes out the toys and puts them all over the floor, locks her office door and just goes wild
The parallels between Finn and Kylo Ren are the most direct (and stark) in terms of toxic masculinity. Finn seems to reject this toxicity, whereas Kylo Ren is constantly hung up on performing and proving himself strong enough. They are opposites: especially evidenced by the way they treat Rey – how they define themselves against the chief female presence of the movie.
Like Finn, Kylo Ren is also interested in and impressed by Rey. (And he also first meets her when she attacks him.) But instead of treating Rey like a person, Kylo acts out of aggression, objectification, and self-centeredness. He immediately immobilizes her, Force-faints her, and then carries her, bridal-style, to his ship: old-fashioned, exploitative, and gross. His language towards her is incredibly patronizing: “So this is the girl I’ve heard so much about…” He proceeds to insult her friends and threaten and torture her: violating her mind, using her as a tool but also relishing the show of his own power and the taking of something personal by force. “I can take what I want” is simultaneously a threat, a statement of power/entitlement, and a declaration of how Kylo fundamentally views Rey: an object, something controllable to serve his purposes. When the tables turn and Rey reads him, he is incredibly shaken by the subversion of his own authority and control, and when she escapes, he storms around looking for her in a blind rage, pursuing her with a weapon. Even as she’s beating him in the ensuing lightsaber battle, he has the gall to mansplain her own power to her: “YOU NEED A TEACHER!”
Unlike Kylo Ren, Finn uses Rey’s name throughout the movie. Kylo never calls her anything but “the girl” or “the scavenger,” even when addressing her. While Finn helps others without question, is vulnerable, and demonstrates affection, humor, feelings, and honesty, Kylo Ren is the opposite – all about projecting his own power and lashing out. He takes himself and his image incredibly seriously, valuing himself over others and their goals, treating underlings callously and with violence. Meanwhile, Finn accepts BB-8 as something deserving of his respect and speaks to the droid like a person.
While Finn easily cooperates with those around him, Kylo competes and chokes and throws tantrums, exchanging insults with Hux and belittling him at every opportunity, locked in a power struggle even with his allies. As Finn resists hurting the innocent and then straight-up defects over this, Kylo Ren is the one who orders their murders and then tortures his captives. Where Finn removes, and then ditches, his helmet at the first opportunity, Kylo Ren clings to his completely unnecessary, fabricated mask — a face that is not his own, versus Finn’s sincerity. It’s a powerful metaphor, putting on another face to become something else, to assume power. To disguise one’s true nature. The dark side, like gender, is performative — and the mask, in this case, is literal.
Kyle Baker 1985-1986: “It’s Genetic” from Marvel Age #31 - 60
Having landed an internship at Marvel somewhat effortlessly and being well-liked in the Bullpen, Baker could have been a shoo-in for a bright future at Marvel. The big problem is that Marvel is mostly in the superhero business, and Baker is the first to admit he’s not a big superhero fan.
I was still trying to be funny, and I had been submitting strips to syndicates with no luck. It’s very hard to get into a newspaper syndicate. Jim Shooter and Stan Lee both tried to help me get into the syndicate that does the Spider-Man strip. Shooter liked me — I was doing some Marvel stuff, too — but he felt that I was just all wrong for Marvel, because they didn’t do any comedy. So he was always trying to get me set up at the syndicate so he could get rid of me. [laughter] That was nice of him — I’m not knocking him.
During his time freelancing at Marvel, Jim Salicrup commissioned him to write a few one-panel gags about the X-Men, called “It’s Genetic” published sporadically in the pages of Marvel Age’s “Mutant Report” feature.
Baker did twelve of these comics over the course of a little over a year and it’s the first time we get to see him in his element. I have a fond memory of these comics and loved the way he drew such a short squat Wolverine.
the funniest part of the buzzfeed thing was the “how did watermelon become black people’s thing lol!” because that stereotype was literally created by whites after slavery ended because black people were finding ways to support themselves and one of the prominent ways was selling watermelon. So the watermelon became a sign of freedom and hope and in order to crush and humiliate the black people selling/eating/growing the watermelon, whites flipped it and turned into a representation of black people’s perceived laziness, childishness, uncleanliness and so forth. but yeah lol! that’s how it became a “black person thing”
I love Youtube. I could browse Youtube all day every day.
People on Youtube telling me how to do stuff. Makeup, science, towel folding, fixing a lawnmower. A whole world of beautiful people taking time to tell me how to do something. Why thank you.
amen! people ask me if my mother taught me how to knit. please. YOUTUBE. how to change a flat tire or check my oil. YOUTUBE. how to draw the perfect eyeliner wing. YOU fucking TUBE. my life skills come from The People.
