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07 Jul 19:37

BBC told to stop wasting time on climate change deniers and skeptics of proven science

by Chris Welch

Two months ago, John Oliver delivered a bruising critique of the way TV networks handle science coverage. And now an independent progress report from within the BBC seems to agree with his message: climate change deniers and other skeptics of established science deserve less time in front of viewers. "Impartiality in science coverage does not simply lie in reflecting a wide range of views," reads the report from BBC Trust. In recent years, over 200 BBC staff members have attended workshops designed to help them base editorial decisions around the "due weight" of science-related facts and opinions. "The Trust wishes to emphasize the importance of attempting to establish where the weight of scientific agreement may be found and make that clear to audiences."

To be clear, John Oliver didn't influence this opinion. The BBC has wrestled with striking the right balance for years now, with its recent progress report building upon a 2011 review that addressed accuracy and impartiality of science coverage. That review highlighted an "over-rigid" approach to impartiality that often gave "undue attention to marginal opinion" — the exact problem that Oliver latched onto when he blasted cable news for giving fringe opinions too much screen time. But critics shouldn't have their voices extinguished altogether. Instead, BBC Trust says reaching an ideal balance of coverage would allow viewers to make their own decisions and dismiss the crazies. It'd also give Bill Nye a breather in his endless quest to discredit their nonsense. "Audiences should be able to understand from the context and clarity of the BBC’s output what weight to give to critical voices."

07 Jul 19:17

@Arduino + Adafruit 2.8″ TFT Touch Shield v.2 miniature keyboard

by adafruit

Arduino UNO with a 2.8″ TFT Touch Shield v.2 (Adafruit) to create a miniature keyboard.

07 Jul 19:16

Tomomi Sayuda’s Mask of Soul Helps Overcome Fears of Public Speaking

by Kelly

Tomomi sayuda mask of soul fears public speaking designboom 03

I could have really used one of these during high school. And middle school. And that time I had to make a toast at a family party. Tomomi Sayuda’s Mask of Soul is designed to help those who suffer from a fear of public speaking, from designboom:

glossophobia is a medical term that refers to the fear of speaking in public. people who suffer from the anxiety develop symptoms of nausea, physical distress, and panic. in fact, 75% of the world’s population has some level of anxiety when forced to vocalize their thoughts to a group of strangers. with these facts, tomomi sayuda has created the ‘the mask of soul,’ a device that grants it user the psychological strength to project their thoughts and emotions to anyone in the near vicinity. in order to do so, the helmet hides the speaker’s identity and its microphone picks up their voice to play it aloud through a speaker located on top of the design. if the user needs to enhance their voice, a volume wheel is located along the brim. in its competitive setting the project takes the phobia one step further, inviting people to adopt another persona and shout insults at each other within the context of a championship tournament. the mask was influenced by the karaoke box, which enables participants to diminish stress through a primal releasing of energy.

Tomomi sayuda mask of soul fears public speaking designboom 04

Read more.

07 Jul 19:16

Vincent van Gogh, Skull, 1887-88 



Vincent van Gogh, Skull, 1887-88 

07 Jul 19:16

Vincent van Gogh, Skull, 1887-88



Vincent van Gogh, Skull, 1887-88

07 Jul 18:50

No, Rick Remender Did Not Write Falcon Having Sex With A 14-Year-Old In Captain America - Let's take a look, shall we?

by Jill Pantozzi
firehose

welp

Falcon

Captain America #22, by writer Rick Remender and artist Carlos Pacheco, caused an uproar last week. Why? Many were under the assumption a sex scene between Sam Wilson (aka The Falcon) and Jet Zola was actually a statutory rape scene. Soon, the hashtag #FireRickRemender surfaced on Twitter and many angry posts were written. There’s just one thing to clear up – in the comics, Jet is at least 23 years old. So why the confusion?

We first saw this story explained on The Daily Dot, who documented many of the reactions from fans on Twitter and Tumblr but also posted an image from the comic in question. Sam and Jet are seen waking up after presumably having sex together the night before. Sam is concerned/worried because “workplace romance” is frowned upon. On the first page of their exchange, Jet mentions drinking a certain wine on her 23rd birthday (at some point in the past, so she could be any age older than 23 at this point) in a short flashback to the events the night before. With that clearly spelled out, where did such widespread confusion come in (keeping in mind the internet has been known to divorce things from their original context)?

Tumblr user Khat broke it down in a great in depth post which also includes a few images from not just Captain America #22 but also issues leading up to it.

Falcon2

The story goes, Jet, along with her younger brother Ian and Captain America, have been living in Dimension Z. In that particular dimension, time moves faster than it does in the dimension Marvel characters normally live in. Khat seems to believe confusion comes in mostly if someone confused Jet with Ian, perhaps thanks to the artwork (a later Ian looks similar to how Jet was originally introduced) or just not following the series as a whole. “The two siblings, although they share the traits of being genetically modified to being perfect by their father, Jet and Ian are from different decades (or at the opposite ends of their shared decade),” Khat writes. “Ian, who’s merely still a child at around twelve years old is designed to look like a kid because he still is a kid. While you have Jet who looks like an adult because she’s no longer a child and hasn’t been for quite some time.”

Captain America himself aged while he was in the dimension even though only a short time has passed outside it. They actually did carbon dating on his uniform to let him know the exact time he was in Dimension Z – 12 years.

From the evidence Khat presented (which you should read through in full if you want all the details), and the full scene she posted here, it’s pretty clear this was two adults involved with each other. Though it’s important to mention while it was stated the character is now 24, Jet has been sexualized (like most female comic book characters) in the past when her age wasn’t as pinned down. For her power set, her skin can read the future but only if it’s bare, and unlike X-Men’s Rogue who covers up her skin until she needs to use her powers (mostly because she’s afraid of hurting people), Jet’s costumes have had her revealing much of that skin. Putting aside readers issues with Jet, many also have a problem with the writer putting Sam in a situation they feel is out of character for him.

Marvel editor Tom Brevoort had this to say when asked about the situation on his tumblr account:

First off, rape and the possibility of rape is an omnipresent danger for at least half of the population, and one that many people are extremely sensitive about. It’s a serious issue, and should never be taken lightly. But secondly, there are a few readers who are upset with Rick for slights real or imagined who have no compunction about misrepresenting the work he’s done in order to stir up anger among people, in the hopes of getting him fired…

I think readers are allowed to feel however they want to about a particular title and a particular creator, and to follow or not follow that title/creator as they see fit—and even to rail against it or campaign against them if they so desire. But this sort of behavior crosses a line for me, it is a disgusting use of the very real and very emotional concerns of a great deal of the population to further an agenda that has nothing to do with the issue in question—and those doing the campaigning know it. Just leaves a bad taste around our entire community.

This isn’t the first time Remender has stirred controversy over his work at Marvel and while not specifically mentioning #FireRickRemender after this current flare up, we believe this tweet is referencing what happened:

Thank you, all. In a moment of uncharacteristic sincerity, I was almost brought to tears by everyone’s support. Almost.

— Rick Remender (@Remender) July 7, 2014

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07 Jul 18:48

But WHAT CAN BE DONE: Dos and Don’ts To Combat Online Sexism

by Leigh Alexander
Courtney shared this story from Leigh Alexander:
<3 leigh

You may notice that a lot of things happen to do with sexism on the internet. Sometimes someone has done a sexist thing and people are talking about it. Sometimes someone has written an article about the time they experienced sexism and other people are having feelings about it.  Sometimes a particular woman or women is being harassed on Twitter and you are witnessing it.

As you know, sexism is bad, and when bad things happen, you might have feelings about it too. But how can you help? What should be done? Here is a guide:

DON’T: Tweet at women asking them “what should be done”. When someone is venting about systemic injustice, commandeering their attention with the question, “but what solutions would you recommend” is akin to walking up to a person who is on fire and asking them to bring you a bucket of water so that you can “help.”  

DON’T: Make the person who is clearly suffering from the effects of an unfair system do free work for you. If you need more information to understand what you see happening, you have ways of obtaining it: Look at someone’s profile and read their feed or their conversations. Look at links that have been posted. Google. Ask your own friends. You can find a Game of Thrones torrent from anywhere in the world, and you can find out what has happened or is being discussed without making people who are obviously upset or occupied explain it to you. Some people may have high public profiles and busy feeds; some people may even be experiencing stressful interactions, even threats. You are not helping by butting in with “link please” or “did I miss something.”

DON’T: Feel like you have to give a response. Sometimes people simply want to be heard and understood, and you do not need to prove you are a good person by offering a pithy reply or insincerely fist-shaking along. One component of sexism is that men tend to inherently expect that what they say is valuable, and that a statement from a woman cannot possibly stand alone without their contributions. It is totally and entirely possible that you might have nothing to add, and you could benefit from the conversations of those who do.

DON’T: Try to explain things. Understand that even if the person you are addressing is not an authority in her field (though she often may be, as sexism targets prominent women) you ought not automatically assume she needs you to let her know how things go in her field, unless she has asked. Experiment with the idea that her experience is not whatsoever about you and it’s not the time for you to attention-seek or offer an ‘alternative perspective’.

And absolutely don’t try to explain to a woman writer or speaker what sexism is or what is happening to her. She knows.

DON’T: Tone-police. Does she sound enraged, impatient, and bitter? Is she not being especially nice to all the people who have Tweeted at her to explain sexism, ask her how to solve sexism, or otherwise undermine the things she is saying? Too bad. You wouldn’t be nice either if you lived in a system which consistently conspired to remove your authority and devalue your work. No matter what happens, you are not the victim in the situation — do not re-center conversations on yourself and your needs and emotions by pestering angry women to talk more nicely to you.

Did she hurt your feelings? You’ll live. Ditch the passive aggressive “fair enough” and “I was merely trying to” and “as you wish” and all of this, leave her alone, and consider your obligation to be part of the solution to a system that has harmed her and made her angry. If you think women, particularly women who are public figures, should feel an equally-important sense of obligation to make you feel good about yourself while they are under stress, congratulations: You are part of the problem.

DON’T: Make stupid jokes. You might be one of tons of people Tweeting at her, tone is hard to read online, and you shouldn’t be putting anyone, especially someone who does not actually know you, in charge of figuring out your sense of humor when they are under stress. You might just be trying to lighten things up or cheer the situation, but let people be angry, let them have heated discussions if they want and need to. Imagine this: Your dog dies, and a stranger walking past thinks you should cheer up, or take it less seriously, and decides to joke about your dead dog. What would you think of them?

You aren’t the mood police, and joking when someone is upset just sends the message that you don’t want to take her feelings or challenges seriously.

DO: Express your feelings of support. When you see something unjust happen, say that you condemn it. When someone’s the victim of destructive sexist behavior, defend them– not in a brownie points-seeking way, directing your comments at the victim herself or copying women into your Tweets so that they know you’re a good guy — but in your own channels. When you see friends and colleagues passing on destructive opinions, challenge them. By engaging the issue yourself, you take responsibility.

DO: Consider the well-being of others. When a woman or group of women becomes the victim of sexist harassment in public, spotlighting them isn’t always helpful, even if it’s well-intentioned. Tweeting “Everyone currently spewing hateful bullshit @thisperson is a jerk” expresses a noble and true sentiment, but it also does two things:  puts the spotlight on @thisperson and the volume of hate speech circulating around her, and also risks attracting more jerks. Good intentions aren’t quite enough: Think about the impact your statement may have, and make sure you’re not just creating more social media noise for someone. You do not improve someone’s level of stress or overstimulation with a wall of five replies from you about how bad you feel for her.

DO: Boost the individual and her work, not her victimhood. No woman who experiences sexism in her profession wants to be known primarily for “being a woman who experiences sexism.” It is right to defend and support women, and it is right to condemn sexism, but sometimes the best way to do that is by supporting their work. Hundreds of hair-tearing tweets protesting all the terrible sexist things that are happening to so-and-so can actually have the same ultimate effect as sexism: In both cases, the woman is reduced simply to “victim of sexism”.

Instead of Tweeting “it sucks what’s happening to @thisperson, why are people so evil and why is this industry so terrible,” consider something more like “I support @thisperson, author of this impactful paper [link]” or “I respect @thisperson, one of the best speakers on [topic] that I’ve ever seen.” Be sincere and not flowery or excessive — sometimes when people are trying to diminish someone because of their gender, talking about their achievements instead is the best countermeasure. Keep the individual at the center of the story, not the people harassing her nor the fact of her harassment. Don’t say “it’s so brave, what you do.” Say “I like something you created.”

And remember, women are individuals who all do different kinds of work, not a hive mind of “women writers” “women programmers” or “harassment victims” for you to group together.

DO: Take on some of the battles. When you see someone attacking a woman — or even just asking the kind of obtuse “but why is this a problem” questions we’ve already discussed in point one, here — explain and correct. Provide resources. Injustice and inequality of all kinds happen because people don’t recognize or realize the myriad way society has written different, deeply-ingrained rules for some people versus others, and information and empathy are keys to solving that problem. It should not only be women and minorities who are in charge of disseminating this information and heading up this fight.

Offer to moderate your friend’s Twitter feed or her website comments at stressful times (if it’s someone you know personally, who would trust you with her login information). Empower yourself to do better than just watching things happen with angst and concern, feeling bad about yourself and wondering “what can be done”. Take the lead sometimes, especially when you see someone being assailed, and share the load.

DO: Be aware of your own power and how you can use it to help others. It’s tough for women when they speak or write about sexism, or become victims of public harassment, to see strangers on Twitter care about what is happening to them — but their male peers, the organization they work for, their colleagues and coworkers remain silent in public. Don’t just send her a nice note in private about how bad it looks like things are sucking and how you “have her back.” Actually have her back. Stand up in public and say that yours is not a professional infrastructure that allows women to be abused or treated unfairly. Say that so-and-so is a talented, valued asset you’re proud to work with or for.

The silence of our friends is so much more painful than the noise of our enemies, and when our bosses, important figures in our field, or colleagues do not come out to condemn sexism or acts of abuse against us it can be very lonesome — we get the message that sexism is our own problem, an inconvenient issue that no one wants to get their hands dirty with.

when men condemn sexism the response is universally approving — good man, brave man. When women talk about sexism, we get death threats. Men should use this advantage to the fullest: The essays guys often write about how sexism is wrong or how they came to understand their own sexism may set examples for other men, and that’s not unimportant, but it’s basically just patting their own backs if those men are not also signal-boosting and supporting the work of women colleagues, hiring women, and bringing attention to the accomplishments of the women in their field.

DO: Care about feminist issues all the time, not just when someone you like on Twitter seems to be being abused. Share and RT the stories and articles that have educated you so that others can learn from them. Regardless of gender, all of us have been sexist before and will probably be again, as sexism, like racism, is unconscious and related to the values we internalize in our societies growing up. If someone tells you you are being sexist or racist, it is not a slur against your character, but an opportunity to learn more about yourself and others. We should all be interested in continuing to read, learn and share with those around us. 

07 Jul 18:46

(via New Statesman | Stop clap-shaming first-time theatregoers...

07 Jul 18:35

Toby Froud’s New Puppet Film Returns Us to the Magical World of ‘Labyrinth’ and ‘The Dark Crystal’

firehose

via Tertiaryamtt: "mwip"

In case you missed it last week, Toby Froud, the baby in the striped PJs from the movie Labyrinth, grew up, moved to Portland for a job at LAIKA, and premiered his own fantasy puppet film on Saturday in collaboration with Jim Henson’s daughter, Heather. He might not have been raised by Goblin King Jareth (a.k.a. David Bowie in an explosion of lace and locks) and his goblin hordes in real life, but he came as close to it as possible, growing up the son of Brian and Wendy Froud, the reigning artistic royalty behind The Dark Crystal, Labyrinth, and an entire illustrated world of faeries and goblins with an international following.

In the few days before the screening of Toby’s Lessons Learned, the buzz grew so deafening that I think it’s worthy of its own phrase: the Froud Frenomenon. Our interview with him wracked up 100,000 visits in the first two hours, and has gone on to some 300,000. (For those who are interested, in our poll of favorite songs, “Magic Dance” is squeaking out “As the World Falls Down” by 3 percent, 38 percent to 35, after nearly 5000 votes from 45 countries and all 50 states.)

The screening itself was an event: folks dressed in faerie horns flying kites on the sidewalk, people of all ages flooding the lobby, tickets so oversold that the Hollywood opened the upstairs theater for a second simultaneous screening, and at the center of it, Toby with both his parents holding court in front of the film’s spectacular cast of puppets.

In other words, just as Toby has embraced the Froudian legacy of his parents, so too have the people embraced him as the goblin heir, with the hope that the wondrous world the Frouds created might once again grace theaters and imaginations. Call it 80’s nostalgia or a backlash to soulless CGI, but hand-made, hand-operated puppets still possess the magic to enchant like nothing else.

Brian, Toby, and Wendy Froud
Brian, Toby, and Wendy Froud

Lessons Learned screened as part of three puppet shorts produced by Heather Henson’s company, Ibex Puppetry, for its Handmade Puppet Dreams film series. It’s worth noting that the second short, “Melvin the Birder,” was a charming paper cutout work also created by Portlanders, Beady Little Eyes Productions, about a birder’s quest to photograph the elusive Mustard Billed Wood-pecking Belly Wiggler.

But the centerpiece was Lessons Learned, a 15-minute tale about a boy whose grandfather gives him a “lessons learned” box, a physical receptacle of sorts to collect all the things he learns in his life. The curious boy can’t help but look inside his grandfather’s box (now a trunk), only to be pulled into a musty storage room where his grandfather’s lessons (e.g. “when it rains, it pours”) are catalogued in boxes that come alive when the boy reads them. The boy eventually ends up in another world of stone spires and swirling mists, where he confronts Time and Fate as embodied by an old grey man and a female spider who is knitting the course of time, before his grandfather pulls him out.

Toby’s puppets pick up right where his parents’ creations left off (which is not surprising, given his father helped with their design and fabrication). They are fantasy made foam-flesh: pointed ears twitch, elfin eyes blink, our spider lady sports stacked spectacles for her eight eyes. The production values, too, are exceptional. No doubt thanks to the many LAIKA professionals who lent their skills, the camera work, editing, and sound design coalesce to create a world that feels just as mystical and captivating as The Dark Crystal and Labyrinth.

More than anything, it felt like an exciting beginning. The short is more of a teaser for a bigger story than a narrative complete in itself, but it’s a story and a world for which audiences seem ravenous. We can only hope that Lessons Learned signals a new Froudian/Henson collaboration, where new tales will immerse us, and a new generation of fans, in the fantastical world of Froud.

If you missed the world premiere, Lessons Learned will screen again as part of the Portland Film Festival in August. For those not in Portland, it has been selected as part of FilmQuest in Salt Lake in July, and will possibly play at festivals elsewhere pending acceptance. We'll be sure to update screening dates as we get them.


Every Thursday: The city's best arts and entertainment, can't-miss events, plus artist interviews and ticket giveaways. (See an example!)
07 Jul 18:19

BBC Accidentally Leaks Doctor Who Series 8 Scripts, Asks Fans Not to Ruin It for Each Other - "Spoilers!"

by Dan Van Winkle
firehose

"Apparently, the BBC just opened up a satellite office in the Miami, Florida area"

told y'all to #nevergo

dw capaldi set pic

Spoilerphobes, beware! The scripts for the first five episodes of Peter Capaldi’s run as The Doctor have leaked on the Internet, and the BBC is hoping that fans won’t spoil it for each other. Don’t Google. Google and you’re dead. Spoilers are fast—faster than you can believe. Don’t turn your back. Don’t look away. And don’t Google. Good luck.

How did this happen? Well, the simulcast of the 70-minute plus opening episode is partially to blame. The simulcast means that translations have to be prepared well in advance, so scripts were sent to BBC Worldwide’s new Latin America headquarters in Miami for translation. Someone there spread them around the Internet, where they’re apparently readily available for anyone with basic search engine skills.

The BBC issued a statement to RadioTimes asking Doctor Who fans who don’t mind spoilers to please not ruin it for everyone, saying:

BBC Worldwide is currently investigating a security issue around Doctor Who Series 8 where unfinished material has inadvertently been made public. We deeply regret this and apologise to all the show’s fans, the BBC and the cast and crew who have worked tirelessly making the series.

We would like to make a plea to anyone who might have any of this material and spoilers associated with it not to share it with a wider audience so that everyone can enjoy the show as it should be seen when it launches. We know only too well that Doctor Who fans are the best in the world and we thank them for their help with this and their continued loyalty.

You’ve been warned, everyone. Just think of River Song and keep your spoilers to yourself.

It also seems that the episodes themselves were leaked online but removed before they could be downloaded. Still, the first episode will premiere in Cardiff on August 7th, so the only way to get to the worldwide premiere on the 23rd without spoilers may just be to unplug your Internet for that month.

(via RadioTimes, image via BBC)

Previously in the vortex

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07 Jul 18:17

London Musician Turns CDs Into Playable Analog Records Using 1950s Recording Device

by Brian Heater

CD Records

London musician Aleksander Kolkowski has begun turning digital CDs into analog phonograph records using a Wilcox-Gay Recordette, a 1950s recording device designed to cut grooves into vinyl records. The process scratches off the CD’s optical information, but creates a record that can be played back on a turntable. Kolkowski has used the process to create recordings in a live setting.

It’s transforming a disposable media storage device made for cloned copying into a one-of-a-kind cult object.

77b0c8a77

photos via The Atlantic

via The Atlantic, WFMU

07 Jul 18:12

Fox News Advises Women To Ditch Feminism, Offers Tips To ‘Keep Your Husband Happy’

“If you are in your mid-30s or older the idea that you’re going to find yourself another husband, almost impossible. And if you don’t believe me ask your maiden aunt, she will tell you when she’d done feeding the cats.”
07 Jul 18:09

Photo





07 Jul 18:07

phaerosol: thinksquad: It’s Senate Bill 6301, proposes to...





phaerosol:

thinksquad:

It’s Senate Bill 6301, proposes to license bicycle “operators”.

First of all I want to stress, this is not a satirical piece from The Onion. This is an actual bill, sponsored by a Washington State Senator.

The bill proposes a yearly $20 bicycle operator fee for anyone 18 years or older who operates their bicycle on public street, road, highway, trail, sidewalk or other recreational facility. The operator must display their unique bicycle operator number. This number must be visible at all times, be at least 6” high and be made of reflective material so it is visible both during the day and at night.

Not following the particular rules in this bill is a traffic infraction punishable by:

1) $20 for the first offense;

2) $30 for the second offense;

3) $40 for the third offense;

4) The penalty for subsequent offenses shall be equal to the penalty prescribed for other traffic infractions as provided in the penalty schedule adopted pursuant to RCW 46.63.110.

http://www.myfreedomfoundation.com/blogs/liberty-live/state-senator-proposes-id-bicycle-operators

are you fucking kidding me!? Hey senate, fuck you!

07 Jul 18:03

Washington's weed shops are open for business

by Amar Toor
firehose

'including just one store in Seattle, Washington's largest city'

The state of Washington this week handed out its first licenses to approved marijuana vendors, nearly two years after voters decriminalized the drug for recreational use. As the Associated Press reports, the state sent emails to the first wave of applicants early Monday morning, telling them they can open for business as early as Tuesday, though the rollout will be limited. A spokesman for Washington's regulatory agency told the New York Times that only about 20 licenses will be issued during the first phase, including just one store in Seattle, Washington's largest city.


Supply shortage could lead to higher prices

Voters in both Washington and Colorado legalized recreational marijuana in November 2012, but the states have implemented their policies in very different ways. While Colorado moved swiftly to open retail weed operations — stores opened for business in January — Washington has proceeded more slowly, due in part to still-heated opposition from some local governments. Dozens of municipalities enacted bans and strict zoning rules on marijuana sales this year, amid fears that the industry may lead to higher drug use rates among children and higher costs for taxpayers.

There are concerns over supply, as well. The state began issuing licenses to marijuana growers in March, though fewer than 80 of the more than 2,600 applicants have received approval, and many say their harvest won't be ready when stores open this week. Vendors won't be allowed to sell marijuana-laced edibles, either, because state-licensed food producers haven't begun operations. Business owners and industry experts tell Reuters that retailers opening on Tuesday may sell out within hours, adding that prolonged supply constraints could lead to higher prices.

07 Jul 17:31

Great Job, Internet!: Physics proves it: Legolas was a filthy elven liar

by William Hughes
firehose

"or possibly, that elves in Middle-earth can see UV radiation. Maybe they cover that in The Silmarillion"

Legolas, elven member of The Fellowship Of The Ring and decorator of millions of teenage girls’ bedroom walls, has a lot to answer for. Elitism. Oliphaunt murder. Giving Orlando Bloom a film career. And now, thanks to a few physics calculations, we can add lying to the mix.

You see, there’s a scene in the novel of The Two Towers where Legolas, displaying typical elven smugness, counts a horde of approaching riders from dozens of miles away. But the following video, produced by popular YouTube channel MinutePhysics, makes it clear that, thanks to the way light diffracts when it enters the eye, the son of Thranduil is clearly fibbing about his ocular prowess—or possibly, that elves in Middle-earth can see UV radiation.  Maybe they cover that in The Silmarillion, we don’t know.

So far, there’s been no comment from the Tolkien estate about this breaking scandal ...

07 Jul 17:30

I apologize if I misread the Tumblr attributions, but re: Brave/Rapunzel, I think you wrote "And of course, the former Romans living and working in Scotland at the time would have no written record of their activities or appearance because no one cared." Please google: Roman soldier letters. The first result I got was from a POC, and was quite cool. Then add "Scotland" to your search. Look for the Vindolanda Letters. Again, I'm sorry if I misattributed that statement to you. Thanks.

firehose

"40,000+ ROMAN SOLDIERS IN SCOTLAND: WE’RE FREEZING PLEASE SEND MORE SOCKS."

AHHHH HA HA HA HA HA

AHHHHHHH HA HA HA HA HA HA HA HA

OH MY GOD

THERE’S SO MUCH DOCUMENTATION

Incoming mail (tablet 346) is also revealing: ‘I have sent you … pairs of socks from Sattua, two pairs of sandals and two pairs of underpants.’  It was obviously a bit cold for soldiers on the north-west frontier of the Roman Empire.

THE SOCKS ARE STILL THERE:

image

They wore them with sandals, apparently, before they gave up and went to boots.

I JUST CANNOT…I HAD NO CLUE ABOUT ANY OF THIS.

THEY JUST KEEP FINDING THEM:

image

40,000+ ROMAN SOLDIERS IN SCOTLAND: WE’RE FREEZING PLEASE SEND MORE SOCKS.

THIS IS THE BEST WRONG I’VE EVER BEEN.

07 Jul 17:28

Creative thinking


INCIDENTAL COMICS Words and Pictures by Grant Snider


INCIDENTAL COMICS Words and Pictures by Grant Snider

Creative thinking

07 Jul 17:26

Oculus Acquires RakNet Middleware & Open-Sources It

firehose

'RakNet provides networking support for C++/C# game engines in a high performance and cross-platform manner with easy integration. RakNet is used by Unity, Havok, Mojang, Sony Online, and many other game studios.'

which means facebook owns it too, or am I not understanding the Oculus acquisition

At the same time as announcing Oculus Connect, a new developer conference for the popular virtual reality gaming device, Oculus has shared they have acquired RakNet and open-sourced the software...
07 Jul 17:23

mis0happy: Japanese Food Pun stickers are now available in my...

firehose

via Matthew Koch

















mis0happy:

Japanese Food Pun stickers are now available in my shop

$6 for set of 7 stickers
Sizes range from 1-2 inches in width
Hand-cut & packed to order
Printed on matte sticker paper

punhusky.jpg

07 Jul 17:23

Where Borders Melt

by Geoff Manaugh
firehose

via willowbl00

[Image: From Italian Limes. Photo by Delfino Sisto Legnani, courtesy of Folder].

One of the most interesting sites from a course I taught several years ago at Columbia—Glacier, Island, Storm—was the glacial border between Italy and Switzerland.

The border there is not, in fact, permanently determined, as it actually shifts back and forth according to the height of the glaciers.

This not only means that parts of the landscape there have shifted between nations without ever really going anywhere—a kind of ghost dance of the nation-states—but also that climate change will have a very literal effect on the size and shape of both countries.

[Image: Due to glacial melt, Switzerland has actually grown in size since 1940; courtesy swisstopo].

This could result in the absurd scenario of Switzerland, for example, using its famed glacier blankets, attempting to preserve glacial mass (and thus sovereign territory), or it might even mean designing and cultivating artificial glaciers as a means of aggressively expanding national territory.

As student Marissa Looby interpreted the brief, there would be small watchtowers constructed in the Alps to act as temporary residential structures for border scientists and their surveying machines, and to function as actual physical marking systems visible for miles in the mountains, somewhere between architectural measuring stick for glacial growth and modular micro-housing.

But the very idea that a form of thermal warfare might break out between two countries—with Switzerland and Italy competitively growing and preserving glaciers under military escort high in the Alps—is a compelling (if not altogether likely) thing to consider. Similarly, the notion that techniques borrowed from landscape and architectural design could be used to actually make countries bigger—eg. through the construction of glacier-maintenance structures, ice-growing farms, or the formatting of the landscape to store seasonal accumulations of snow more effectively—is absolutely fascinating.

[Images: From Italian Limes. Photos by Delfino Sisto Legnani, courtesy of Folder].

I was thus interested to read about a conceptually similar but otherwise unrelated new project, a small exhibition on display at this year's Venice Biennale called—in English, somewhat unfortunately—Italian Limes, where "Limes" is actually Latin for limits or borders (not English for a small acidic fruit). Italian Limes explores "the most remote Alpine regions, where Italy’s northern frontier drifts with glaciers."

In effect, this is simply a project looking at this moving border region in the Alps from the standpoint of Italy.

[Image: From Italian Limes. Photo by Delfino Sisto Legnani, courtesy of Folder].

As the project description explains, "Italy is one of the rare continental countries whose entire confines are defined by precise natural borders. Mountain passes, peaks, valleys and promontories have been marked, altered, and colonized by peculiar systems of control that played a fundamental role in the definition of the modern sovereign state."

[Images: From Italian Limes. Photos by Delfino Sisto Legnani, courtesy of Folder].

However, they add, between 2008 and 2009, Italy negotiated "a new definition of the frontiers with Austria, France and Switzerland."
Due to global warming and and shrinking Alpine glaciers, the watershed—which determines large stretches of the borders between these countries—has shifted consistently. A new concept of movable border has thus been introduced into national legislation, recognizing the volatility of any watershed geography through regular alterations of the physical benchmarks that determine the exact frontier.
[Images: From Italian Limes. Photos by Delfino Sisto Legnani, courtesy of Folder].

The actual project that resulted from this falls somewhere between landscape surveying and technical invention—and is a pretty awesome example of where territorial management, technological databases, and national archives all intersect:
On May 4th, 2014, the Italian Limes team installed a network of solar-powered GPS units on the surface of the Similaun glacier, following a 1-km-long section of the border between Italy and Austria, in order to monitor the movements of the ice sheet throughout the duration of the exhibition at the Corderie dell’Arsenale. The geographic coordinates collected by the sensors are broadcasted and stored every hour on a remote server via a satellite connection. An automated drawing machine—controlled by an Arduino board and programmed with Processing—has been specifically designed to translated the coordinates received from the sensors into a real-time representation of the shifts in the border. The drawing machine operates automatically and can be activated on request by every visitor, who can collect a customized and unique map of the border between Italy and Austria, produced on the exact moment of his [or her] visit to the exhibition.
The drawing machine, together with the altered maps and images it produces, are thus meant to reveal "how the Alps have been a constant laboratory for technological experimentation, and how the border is a compex system in evolution, whose physical manifestation coincides with the terms of its representation."

The digital broadcast stations mounted along the border region are not entirely unlike Switzerland's own topographic markers, over 7,000 "small historical monuments" that mark the edge of the country's own legal districts, and also comparable to the pillars or obelisks that mark parts of the U.S./Mexico border. Which is not surprising: mapping and measuring border is always a tricky thing, and leaving physical objects behind to mark the route is simply one of the most obvious techniques.

As the next sequence of images shows, these antenna-like sentinels stand alone in the middle of vast ice fields, silently recording the size and shape of a nation.

[Images: From Italian Limes. Photos by Delfino Sisto Legnani, courtesy of Folder].

The project, including topographic models, photographs, and examples of the drawing machine network, will be on display in the Italian Pavilion of the Venice Biennale until November 23, 2014. Check out their website for more.

Meanwhile, the research and writing that went into Glacier, Island, Storm remains both interesting and relevant today, if you're looking for something to click through. Start here, here, or even here.

[Image: From Italian Limes. Photo by Delfino Sisto Legnani, courtesy of Folder].

Italian Limes is a project by Folder (Marco Ferrari, Elisa Pasqual) with Pietro Leoni (interaction design), Delfino Sisto Legnani (photography), Dawid Górny, Alex Rothera, Angelo Semeraro (projection mapping), Claudia Mainardi, Alessandro Mason (team).
07 Jul 17:21

What Lies Beneath: Skeletons Carved into Everyday Objects

by Steph
firehose

via willowbl00
"Previously known for his incredible skulls carved into the pages of books"

[ By Steph in Art & Sculpture & Craft. ]

Maskull Lasserre 1

Creatures large and small seem to have eaten their way out of the confinement of everyday items like rolling pins, axes, pianos and chairs in the hands of Montreal-based artist Maskull Lasserre. Previously known for his incredible skulls carved into the pages of books, Lasserre now reveals unexpected life (and death) within wooden objects.

Maskull Lesserre 2

Lasserre has carved crow skeletons, vulture skulls, rats, beetles and even a human ear out of found objects, often stacking more than one item together to produce the illusion that the sculpture is emerging from the wood. According to his CV, Lasserre’s sculptures “explore the unexpected potential of the everyday and its associated structures of authority, class, and value.”

Maskull Lesserre 3

Maskull Lesserre 4

“Elements of nostalgia, allegory, humor and the macabre are incorporated into works that induce strangeness in the familiar, and provoke uncertainty in the expected.”

Maskull Lesserre 5

In a two-part video interview with Liana Voia, Lasserre explains “When the remnants of life are imposed on an object, and that’s true especially with the carving work that I do, it infers a past history or a previous life that had been lived, so again where people see my work as macabre, I often see it as hopeful, as the remnants of a life.”

Maskull Lasserre 6

“Despite the fact that the life has ended, at least that life had a beginning and middle as well, so often by imparting these bodily elements to inanimate objects it reclaims or reanimates them in a virtual way.”


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[ By Steph in Art & Sculpture & Craft. ]

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07 Jul 17:21

Smoldered Shenanigans

by John
firehose

via Yousef Alnafjan

Smoldered Shenanigans

dude shoulda mined his own business
07 Jul 17:18

typeworship: Wales Millenium Centre Type and architecture make...











typeworship:

Wales Millenium Centre

Type and architecture make a great match but even more so when the type is elevated to be the main feature.

Last week I was at the Millennium Centre in Cardiff, Wales. This huge arts building celebrates its 10th birthday this year and was designed by architect Jonathan Adams to express “Welshness” and be instantly recognisable. The main frontage is clad in steel coated in copper oxide.

Inspired by Roman classical architecture, two ‘monumental’ poetic lines are emblazoned above the main entrance, formed from large windows which are illuminated at night.

The passages, by Welsh poet Gwyneth Lewis, read in Welsh: “Creu Gwir fel gwydr o ffwrnais awen”, which means “Creating truth like glass from the furnace of inspiration.” The English is “In These Stones Horizons Sing”.

Spot the beautifully formed Ff ligature.

Additional Photo credits:

07 Jul 17:18

owlturdcomix: We go forward.





















owlturdcomix:

We go forward.

07 Jul 17:15

#in the hands of almost any other actor#this would collapse the...

07 Jul 17:15

"I had a patient in the clinic who really did not want an abortion but who had no resources to cover..."

I had a patient in the clinic who really did not want an abortion but who had no resources to cover the costs of prenatal care or childbirth. She was single and without insurance coverage but made just enough money to be ineligible for state assistance. She already had outstanding bills at the hospital and with the local ob-gyn practice. No doctor would see her without payment up front.

We were willing to do the abortion for a reduced rate or for free if necessary. But she really didn’t want an abortion. Once I understood her situation, I went to the phone and called the local ‘crisis pregnancy center.’

"Hello, this is Dr. Wicklund."

Dead silence. I might as well have said I was Satan.

"Hello?" I said again. "This is Dr. Wicklund."

"Hello," very tentatively, followed by another long silence.

"I need help with a patient," I said. She came to me for an abortion, but really doesn’t want one. What she really needs is someone to do her prenatal care and birth for free."

"What do you expect us to do?"

I let that hang for a minute.



-

This Common Secret, Susan Wicklund

Crisis Pregnancy Centers often disguise themselves as medical facilities, with advertisements offering “help” with an unplanned pregnancy. Their main goal is to keep the pregnant person from having an abortion at all costs. Usually, all they’ll give you is a free pregnancy test, some baby clothes, and maybe a box of diapers.

The patient referred to in the quote was given free prenatal care and did not have to pay the financial cost of childbirth by a local anti-choice doctor. She would often stop by Dr. Wicklund’s office to let her know how she was doing:

"He always moans and groans about being tricked into [doing this]," she says. "Then he goes off on these tirades against abortion."

(via provoice)

07 Jul 16:45

Random Roles: Alan Tudyk on never playing the same role twice—except that one time

by Sonia Saraiya
firehose

now wash is sore beat

'AVC: Wash’s death scene in Serenity is an epic moment—it seems clear that Joss Whedon wanted to give you a really wonderful end.

AT: Yeah. Definitely. He set that up to have the biggest effect on the audience. It was a very heroic last flight. Sadly, a leaf on the wind—I just thought about this the other day—a leaf on the wind is dead. A leaf, if it’s not on the tree…'

Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what roles we’ll ask them to talk about.

The actor: Alan Tudyk has been that guy in seemingly dozens of films—the hilarious character who doesn’t necessarily add to the plot, but still feels like an indispensable part of the movie. He cleaned floors in Wonder Boys and taunted knights in A Knights Tale early in his career, and brought piracy to Dodgeball and flamboyance to Transformers more recently. He even took a turn with Disney, voice-acting in its last animated film, Frozen. But he’s best known for his character in Joss Whedon’s Firefly, where he played Hoban “Wash” Washburne, the Hawaiian-shirt clad pilot of the Serenity. Now Tudyk is playing another memorable supporting part in IFC Midnight’s Premature, which debuted ...

07 Jul 15:46

Super PAC to end all super PACs hits its $5 million funding goal

by Dante D'Orazio

A crowdfunded super PAC designed to end all super PACs has achieved its funding goal. The Mayday PAC raised $5 million from over 50,000 small contributions over the past couple of months. Added to the $5 million matching contribution it's expecting and the $2 million it pulled in this past May, the political action committee should have the $12 million founder Lawrence Lessig said it'd need to wield influence in five key House races this year.

Lessig, a Harvard professor outspoken against the state of campaign finance in the US, said in a blog post that "this may be this movement’s most incredible moment so far." He added, "We’ve got lots of ideas about how to make this work. We’ll be testing them and improving them and building lots that’s new. But you’ve raised the money. It’s time to get down to work. So stay tuned."

The Mayday PAC has garnered attention because of its tech-friendly crowdfunding approach and its unusual plan to achieve its aims by using the very type of campaign contributions it's combating. According to Lessig, the PAC will first work on a proof-of-concept project to elect representatives in five key House races who support campaign finance reform. (Those races have yet to be announced.) By 2016, the PAC hopes to get enough representatives elected to keep big money out of politics. A lot stands in the way before that comes to pass, but the very fact that Mayday has achieved its funding goal at least shows that Americans do care about the effects of money in politics.

07 Jul 15:33

You can no longer buy bus tickets with cash in London

by Kabir Chibber
A tube passenger holds a royal wedding commemorative Oyster card, bearing an image of Britain's Prince William and his fiancee Kate Middleton, at an entrance barrier in King's Cross station in London April 21, 2011. 750,000 of the cards which are a commemorative version of the widely used electronic device used to pay for train and bus tickets in London, went on sale on Thursday. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT TRAVEL ROYALS SOCIETY) - RTR2LH1X

Buses in London no longer accepted cash fares as of early this morning. To buy a ticket to take one of London’s beautiful new Routemaster buses, you’ll have to use a variety of methods that some public transport commuters outside the UK have never seen before.

You can use an Oyster card, the electronic card available since 2003 that holds multiple travel passes or simply cash, which is deducted every time you touch in and out of the Tube and bus system. Practically every Londoner has one. Transport for London said that only 0.7% of all bus journeys were paid for with cash anymore. To make sure older or vulnerable people don’t get lost, TfL has a “one more journey” feature for Oyster cardholders, which allows a single extra trip if you have insufficient credit. TfL said the move to cashless fares will save it $41 million a year.

Bus tickets in London can also be bought with contactless cards, which are part of all new debit cards in the UK. They don’t require signatures to spend up to £20, or $34 per transaction. That means all you have to do is tap it against the machine to buy a coffee and your sandwich, and also your bus ticket.

Contactless cards are becoming ubiquitous pretty much everywhere—except the United States. The number of these cards is estimated to hit 250 million this year, led by the UK, Australia, Canada, Japan, and others. But the US  has yet to adopt even the previous technology: chip-and-pin cards. These cards, where you type a code to authorize a transaction, were invented in 1996 and are standard throughout Europe and elsewhere. There are 1.6 billion around, but they remain mostly non-existent in the US. The lack of chip-and-pin adoption was partly blamed for the security breach of 40 million cards at retailer Target in January.

In New York, the country’s biggest metropolitan transport hub, commuters still swipe in to the subway and buses using a flimsy and fiddly Metrocard that holds no information other than the amount of money on the card. New York’s transport authority hopes to go contactless by 2020. By which point, London and other major cities will likely be on to the next big thing.