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18 Aug 20:11

greeneuphorias: Man what?! After a stressful and hot day and...

Courtney shared this story from Super Opinionated.













greeneuphorias:

Man what?! After a stressful and hot day and waiting in line around the corner of The Howard Theater, we were able to experience the powerful energy of the artists associated with Wondaland Records. Artists Janelle Monae, Jidenna, St. Beauty, Roman GianArthur, and Deep Cotton. The wait was totally worth it. All of these artists together put on such a versatile show I felt like I paid for it! And the most powerful part of the show was everyone singing Janelle Monae’s song “Hell You Talmbout” which is an ode to the unarmed black victims who have been murdered unjustly at the hands of police brutality. I felt so much energy from this song as I have recently been feeling drained and depressed by so many of these murders happening. I hope you enjoy these photos and please remember Black Lives Matter. 

“This song is a vessel. It carries the unbearable anguish of millions. We recorded it to channel the pain, fear, and trauma caused by the ongoing slaughter of our brothers and sisters. We recorded it to challenge the indifference, disregard, and negligence of all who remain quiet about this issue. Silence is our enemy. Sound is our weapon. They say a question lives forever until it gets the answer it deserves… Won’t you say their names?” -Janelle Monae

18 Aug 20:11

This is Fossil’s Android Wear smartwatch

by Chris Welch

Fossil, the watchmaker that's carved out a home at Macy's, JCPenney, and other retailers, is getting into the smartwatch game. The company previously signaled plans to release an Android Wear device, and today Fossil showed off its upcoming products. Yes, "products" because there's more than just a smartwatch headed to retail; Fossil is also working on a connected band and another, connected watch that's not quite as high functioning as a full-on smartwatch.

But the Android Wear timepiece is definitely the most interesting thing here. Fossil didn't offer a long glimpse, but you can see the watch's silver finish, leather straps, and yes — it's got the same black bar / "flat tire" look as Motorola's Moto 360.

Engadget Intel stuff

Engadget Intel stuff

Fossil's collection of upcoming, connected devices. (Photo: Engadget)

Fossil says that all of the products will be available by the holidays. Specific pricing and release dates haven't yet been revealed. Each product is powered by Intel hardware, with today's demonstration coming at Intel's Developer Conference.

18 Aug 20:09

The happiest place on earth, Banksy’s Dismaland













The happiest place on earth, Banksy’s Dismaland

18 Aug 20:08

Walter Elias DisneyThe FBI Vault



Walter Elias Disney

The FBI Vault

18 Aug 20:08

Newswire: Another Period gets another season

by Kayla Kumari Upadhyaya

Bring out the celebratory cocaine wine, because Comedy Central has renewed Riki Lindhome and Natasha Leggero’s double-parody series Another Period for a second season. Another Period follows the Bellacourt sisters—played by Lindhome and Leggero—and their quest to become the Kardashians of the early 1900s.

Effectively parodying Keeping Up With The Kardashians and Downton Abbey at the same time, Another Period fills the halls of Bellacourt Manor with an impressive slate of actors, including Michael Ian Black, Paget Brewster, Beth Dover, Brett Gelman, David Koechner, Jason Ritter, David Wain, Armen Weitzman, and even Christina Hendricks as a servant named Chair. Her real name is Celine, but really, it’s Chair. If the comedy ends up being anything like KUWTK, there are many, many, many more seasons to come.

Another Period is a beautiful reflection of a great American truth: the more things change, the more they stay the ...

18 Aug 20:06

You can now write official Yelp reviews for the TSA—here are some of the best so far

by Adam Pasick
Has your experience been satisfactory?

Just about anyone who has flown through a US airport since Sept. 11, 2001 has had an encounter—aggravating, hilarious, or even surprisingly great—with the Transportation Safety Administration, tasked with securing the nation’s airports and planes, among other duties. Now the online review site Yelp has unveiled an official deal with the TSA that allows the public to rate their experiences, for better or worse.

“We encourage Yelpers to review any of the thousands of agency field offices, TSA checkpoints, national parks, Social Security Administration offices, landmarks and other places already listed on Yelp if you have good or bad feedback to share about your experiences,” the company said in a blog post. “Not only is it helpful to others who are looking for information on these services, but you can actually make an impact by sharing your feedback directly with the source.”

Many airports and other TSA sites have already been garnering reviews over the last several years. The agency will now be able to claim its own official pages on Yelp and launch new ones “to listen and respond to customer comments,” the federal government’s DigitalGov initiative said in a post of its own. Claiming a page won’t, however, give the TSA any control over what’s posted.

Ads will be removed from pages for government sites to “prevent perceived endorsements,” DigitalGov added.

Travelers have already been using Yelp to unofficially rate TSA agents for years. Here’s a selection of some of the best comments:

Screen Shot 2015-08-18 at 2.22.18 PM

18 Aug 20:05

NEW TUTORIAL: Run an X-Carve CNC Machine Wirelessly with a Raspberry Pi

by Todd Treece

I recently picked up an X-Carve CNC router. Its a great tool, but Inventables’ web based CNC software, Easel, currently requires a constant connection from a Mac or Windows based computer in order to send commands to the X-Carve over USB. This tutorial will show you how you can free up your main computer while the X-Carve is running by using a Raspberry Pi as a bridge to wirelessly send commands to the X-Carve’s Arduino Uno. We will also use a Powerswitch Tail to automatically control the main power to the X-Carve when Easel launches in your web browser.

Check out the new tutorial on the Adafruit Learning System.

18 Aug 20:05

Katsushika Hokusai

18 Aug 20:04

‘Anchor Steam Cream’, Anchor Steam Beer Flavored Ice Cream by Humphry Slocombe in San Francisco

by Scott Beale

Anchor Steam Cream

In honor of Drink Steam Week (August 16-23) in San Francisco, Humphry Slocombe, who are known for their unique ice cream flavors, created “Anchor Steam Cream”, an Anchor Steam beer flavored ice cream.

New Flavor Alert! Anchor Steam Cream has arrived. @AnchorBrewing is now on a cone. #flavorboards #lickyourbeer pic.twitter.com/1BPCDYWdWZ

— humphryslocombe (@humphryslocombe) August 17, 2015

The City of #SanFrancisco proclaims August 16-23 #DrinkSteamWeek! Join the celebration: http://t.co/yY26spvOQ7 pic.twitter.com/DSLegTDpRL

— Anchor Brewing (@AnchorBrewing) August 16, 2015

photo via Humphry Slocombe

18 Aug 20:04

Japanese airline expanding fleet of ‘Star Wars’-themed jets

by Kevin Melrose
R2-D2 is getting company, as Japan’s All Nippon Airways announced it will add two more "Star Wars"-themed jets.
18 Aug 20:03

The Ignatz Award Nominations Are a Big Win for Women Cartoonists

by Shaenon K. Garrity

The Ignatz Awards, the top award for indie and small-press comics, just announced its 2015 nominees. More than half the nominees are women, an increasingly common phenomena in comics awards. Female creators dominated in the Minicomic, Online Comic, and Promising New Talent categories, which favor up-and-coming new artists.

Read more...










18 Aug 20:03

J.J. Fad, the girl group cut out of the 'Straight Outta Compton' story — Hopes&Fears — flow "Music"

by djempirical
A0a02302f19b1d9e2056d92667220f53
djempirical

via Laine

With today's nationwide release of the NWA biopic Straight Outta Compton, Hopes&Fears wondered why Hollywood execs left influential girl group J.J. Fad out of the picture. J.J. Fad's seminal NWA-produced album Supersonic paved the way for their male counterparts by offering a poppy alternative to the gangster rap NWA would become known for, and - by hitting #33 on the Billboard Charts - legitimized Ruthless Records with a commercially successful album, enabling Straight Outta Compton to become the hit we know it as today. 

We spoke with J.J. Fad's Juana Burns about being left out of history, her group's legacy, and who she would want to play her if they ever made a J.J. Fad biopic.

Hopes&Fears: People have been asking me if I'm excited to see Straight Outta Compton and the first thing I said is that I really hope they touch on J. J. Fad's role in the album. How did you see your role in the whole thing?

Juana Burns: I just wish that they would have put in a line like, "Hey let me finish up with J. J. Fad in the studio. Eazy, I'll be right with you." And then, they could have put a little "Supersonic" in the background, so that the history would have been told the right way. If I wasn't sitting here telling you this, you would never know. The average person would never know how integral we were, and how pivotal we were to the whole NWA story.

H&F: I feel like I know it by listening to those records. 

JB: Exactly.

H&F: I don't know if people in middle America watching the movie for the first time are going to know. Hopefully, this will let them know.

JB: Absolutely, absolutely. I wouldn't diss the movie at all because I heard the movie was absolutely amazing. I'm super excited. I cannot wait to see it. But I know people are [going to mention our absence] and say, "It was for time's sake." Well no, it takes two seconds to say something. Two seconds. Just say the name of the group so that people know that it was actually a part of the history.

H&F: In Jerry Heller's book he even says that he and Eazy actually put your record out first, on purpose. Is that how you remember it?

JB: Yeah, they did it strategically because they knew with them being so rough and hard that they needed to legitimize the label by putting us out first, letting us take off first [to] legitimize the label. Then after that, NWA just chopped the door down, but we definitely opened the doors for them to come out. They did it on purpose. 

H&F: Is this why there's a pop side and a hip-hop side on Supersonic? How was that determined?

JB: Yeah, Dre [produced] the album [with songs that] sounded poppy and [others that] sounded more like hardcore hip-hop. [That] was the way [we] decided to split up the songs.

H&F: Your first single, "Another Hoe," was a diss track, but that was eventually dropped off of the full length. Was that your guys' choice?

JB: During that time, there were all these big rap beefs going on with L.L. Cool J., Kool Moe Dee, EPMD, Rakim, all kinds of stuff. We [thought], "You know what, this is probably a way for us to get our foot in the door." That's why we did this record. We had no beef with any of the females. We just thought that that was the way to do it. But [afterward], we were shopping the song around and giving it to DJs, and people start flipping the record over. They were like, "This is the cut right here." So we said we need to go back in the studio, drop the diss record even though it did come out and make Supersonic. Eventually, that's what we did [and it] paid off big time. 

H&F: So you put out Supersonic and then the NWA record came out later, it was so hard. A lot of the imagery they were using was very violent and also kind of misogynistic, were you ever conflicted about that?

JB: No, not at all. They were them and we were us, you know what I mean? We were a softer version and I think it's so clever of Dre to pick up [on] people's strengths and weaknesses. Our strength was a more pop appeal and dancy electric energy. We had more fun. They were more hardcore, so I think he's really a genius at knowing the artist and knowing what suits them best. 

H&F: Can you talk a little about your collaboration on "We're All in the Same Gang"? It was a great record that I loved growing up to in LA. 

JB: Yes. I absolutely loved that song. That was one of the most fun projects that we ever did. It was amazing how we all came together and it was a team effort. It was a super fun day shooting the video. The whole feel of it was great. Michael Concepcion, who was a hardcore gang member at the time, was the one who came up with the idea to do that song, to bring peace to the Bloods and the Crips. I think it was done legitimately to bring peace because the city in was in an uproar. I think the best way [to bring peace to a situation is] through music. So many people were fans of NWA, M.C. Hammer, just all of it. They were fans of all the West Coast rap. That's when the West Coast was coming on really strong in the rap community. 

H&F: Do you think anything similar would ever happen now? In the current climate there's still a lot of unrest and a lot should happen, but I don't [fore]see the same thing happening now as to what was happening with, "We're All in the Same Gang," or "Self Destruction".

JB: Right, I think there should be. I would definitely be a champion for that effort. We should come together. Especially after the Tupac - Biggie saga. 

H&F: If it were up to me, I'd want a J. J. Fad biopic too. So if there was a J. J. Fad biopic, who'd portray you in the movie?

JB: Oh my goodness, that's a great question. I'm the tallest one, so let me think of somebody pretty tall. Maybe um, what's her name? The girl that played Monica in Love and Basketball. Sanaa Lathan

H&F: What have you been listening to lately?

JB: I'm a huge, huge Kendrick Lamar fan. Totally love his stuff. I love Eminem too because he paid homage to us in his song, "Rap God." 

H&F: I loved that track.

JB: I'm a fan for life. Right now, those are the two acts who I really enjoy the most. 

H&F: I know there were some things going on with the Fergie sampleDid anything ever come out after that? It seemed like such a straight rip of your song.

JB: We can definitely touch base on that because I think that there's a big misunderstanding about that. She asked our permission to do that. We got paid for it. That was one of our biggest paydays since Supersonic came out. There are no hard feelings. We talked to her on the phone and the whole reason she did that was because she was a huge fan. She says to this day she has our picture on her office wall. It was actually a compliment. It was very flattering that she did that. A lot of people don't know [the facts] and that's why we had a lot of Twitter chatter about, "Oh, she's a rip-off." It was nothing like that. She totally asked permission.

H&F: Totally off tangent, but a few people I know consider CB4 to be the first NWA biopic. How do you feel about that?

JB: I can't really speak on it, I didn't see it at all. I heard about it, but I haven't seen that movie.

Original Source

18 Aug 20:03

14 San Francisco cops gang up on homeless man ‘armed’ with crutches (VIDEO) — RT USA

by djempirical

© Bobbie Johnson
© Bobbie Johnson / YouTube
10K1.2K85
It took 14 San Francisco Police Department officers to take down and restrain a one-legged, black homeless man, armed with crutches and apparently dangerous. The incident is the latest embarrassment for the US police, who face constant accusations of unreasonable use of force.

The confrontation was captured on video released by journalist Chaedria LaBouvier via blog platform Medium, and shows white police officers taking down a one-legged homeless black man on the city’s central Market street. According to witnesses, police were called in to the scene to take care of a suspicious man waving some “sticks” around.

The video of the incident which happened on August 4, shows the extent of humiliation and brute force exercised immediately after the man was wrestled to the ground by SFPD officers. As the disabled male struggles to move, cops pin him down.

“These are my crutches. I use these to walk,” the man tried to explain. But even after realizing that the man had a prosthetic leg, the police continued to use overwhelming physical restrain and man-handled him, forcing his head to the ground.

In further efforts to subdue a man already on the ground with four people on top of him, the officers stood on his prosthetic leg and “twisted it around even after they had cuffed him and pinned him to the piss-stained concrete,” LaBouvier noted.

READ MORE: Miami police union targets woman for posting video of alleged police brutality

Beaten to the ground, the suspect at one point said, “what the f**k is you doing this to me?” as more officers arrived to form a cordon around the incident area. “Is this respectable? When I say ‘no’, is this what you do to me?” the man said.

Witnesses spoke out against police brutality from the start of the video but to no avail as cops continued to abuse the one legged man. The camera operator especially noted the “lack of respect” for the suspect as clothes were pulled off the man during the incident. First one can see the man’s buttocks being exposed, and minutes later his entire back.

READ MORE: Pennsylvania police brutalize singing man - video

Around 6 minutes into the footage, the suspect began saying that he was in pain from the take-down and claimed he had been suffering from an infectious sore on one of his legs.

At one point, fearing for his life, the man said said “they’re going to shoot me”. A witness replied: “They ain’t gonna shoot you man, that’s why we have these cameras out here.”

The latest incident comes a year since unarmed black teen Michael Brown was shot by a white police officer in Ferguson, Missouri. Anger and protests engulfedthe St. Louis suburb and spread nationwide, giving birth to the Black Lives Matter movement. They were exacerbated further by the subsequent deaths of black suspects during encounters with US police. The movement with its continued protests highlights racial tensions between police and the communities they serve.

Original Source

18 Aug 20:02

SE Tool Library is moving (and needs some specific donated goods.)

18 Aug 19:57

Netflix Customers Get 140 Hours of Their Lives Back* Yearly by Not Watching Commercials - *Hours probably spent watching more Netflix.

by Dan Van Winkle

daredeal with it

Streaming, on-demand television and movies at prices lower than standard TV are great, but they’re even better with a service like Netflix that—as opposed to ad-supported Hulu—doesn’t make you sit through the boring commercials, either. How much better? Let’s put some numbers to it.

According a TDG research report, Netflix users are now watching an average of 1.5 hours of Netflix per day. Which … yeah, three episodes of Gilmore Girls, some Orange is the New Black, and a bit of Daredevil adds up to about 1.5 hours, right? Right? Heh …

Anyway, with an hour of television containing about 15 minutes and 30 seconds of ads according to Nielsen, Exstreamist did some math and reported that means Netflix users are skipping 130 hours of commercials per year (though my own calculations totaled 141 hours) by pointing their eyeballs at the great red cable killer instead of something else. So back off, binge-watching studies that say it’s depressing. There’s nothing more depressing than spending literal days every year being manipulated into a sudden desire for tech products you don’t need and whatever double-patty bacon-splosion the fast food industry has dreamed up most recently.

ehgy01x

If you’re even remotely hungry, that’s about all it takes. You are powerless.

And of course, what do we all use those extra hours for? Watching more Netflix. Sure, it’s a monthly subscription and people picking up extra hours of content doesn’t necessarily immediately benefit the company, but 130 hours is enough time each year to try out several new shows you might not otherwise have had time for. With Internet word-of-mouth being such a powerful marketing tool for entertainment, I can only guess Netflix is more than happy to give you more time to pick up what they’re putting down.

—Please make note of The Mary Sue’s general comment policy.—

Do you follow The Mary Sue on Twitter, Facebook, Tumblr, Pinterest, & Google +?

18 Aug 19:33

Alex Morgan Calls Out League Over Bed Bug Hotels

firehose

ladies' sportsball :(

Last night, Alex Morgan and Christine Sinclair sent a few not-so-happy tweets to the National Women’s Soccer League (NWSL), according to Sports Illustrated. While Morgan’s tweet has since been deleted, Sinclair’s is still available for the world to see:

WARNING to @NWSL teams and anyone staying at the Adam's Mark Hotel in Kansas City, MO #bedbugs #notok

— Christine Sinclair (@sincy12) August 15, 2015

The two Portland Thorns Football Club players were staying in the Adams Mark Hotel in Kansas City, MO, technically a three-star hotel, but with only a 1.9/5 star rating on Google and a review by a recent guest calling it “ABSOLUTE GARBAGE!”

According to SI, Morgan’s tweet called out the NWSL for these conditions, implying that this wasn’t the first time the player had stayed in less-than-luxurious accommodations:

.@NWSL there’s no other way to address continuing problems. Hotels have been unacceptable. For ex. :Bed bugs/mold @ Adams Mark Hotel in KC.

The bed bug fiasco is just one example of the inequalities between male and female professional soccer players. As a simple point of comparison, the all-male New York City Football Club announced its partnership with the four-star Grand Hyatt back in March. No bed bugs have been found there…yet.

18 Aug 19:12

sweet-bitsy: Every picture tells a story but this one asks more...



sweet-bitsy:

Every picture tells a story but this one asks more questions than it answers

18 Aug 19:04

Amazon treats its employees the way it does because of us

by Annalisa Merelli
firehose

'It’s appalling, but point your fingers away from evil bosses: Terrible work conditions at Amazon exist first and foremost because we like—we really, really like—to get things cheap.

We’ve come to expect mani-pedi specials in New York at $19.99. Two-hour home cleaning for under $30. To buy our stuff online, pay less than we would at a store, have it delivered in two days, even on Sunday, for less than 28 cents a day.

We want it all and we want to pay the least amount of money for it. It’s not different from fast fashion or food production: Cheap always comes at a cost. In the service industry (online and off), employees often pay the price we’re not willing to: Amazon’s defense is right—the company isn’t the outlier, this is the standard.

Shaming bad bosses is fine. Demanding accountability is good. But—sorry, everyone—we need to be ready to pay more for things that are too cheap to be good. Our outrage is hypocritical: This is the system we buy into, the one that we want.

Unless we change that.

What if we were willing to pay 40 cents a day, each year for Amazon Prime ($149 a year), with the specific assurance that the extra goes toward a better life for those who make it such an excellent service? How about, cynical as it may sound, companies start making fair treatment of their employees an added benefit, and we all just pay for it?'

Unless we change that.

Amazon can change lives. Nearly anything you need can arrive at your doorstep in as little as a few minutes to a few days.

For as little as $99 a year, through Amazon Prime, you can receive a wide array of items in two days, for no additional costs. Thousands of movies and original TV shows are available for screening at no additional cost.

It’s fast, efficient, convenient. The service is outstanding, and reflects the “customer obsession” Amazon promotes as its number one value. For a customer, Amazon is excellent.

But for many Amazonians (those who work at the company), Amazon is life-changing in a much less positive way. According to a recent New York Times piece, the working conditions at the US retail giant are grueling. Employees are overworked and held to unrealistic productivity standards. Amazonians are expected to be available during holidays, pay for business calls and other expenses out of pocket, and are timed as they pack goods for shipment to ensure the highest productivity. There’s also the nightmare stories of cancer patients accused of low productivity, of the mother of a stillborn child made to leave for a business trip straight after the delivery, of managers crying at their desks.

It’s upsetting to read, and not the first time such allegations have been leveled against the company. That Amazon is not a good place to work has been rumored for a while. Jeff Bezos, Amazon’s founder and CEO, has rejected some of the accusations, and said the company won’t tolerate “the shockingly callous management practices” described by the Times, and Amazon’s stock emerged nearly unaffected from the noise later today.

The company representatives interviewed from the story, as well as some employees (former and current), explain the management practices in the name of innovation, disruption, and the continuous quest of more efficient solutions.

But there’s nothing innovative about this: it is, at its core, nothing more than cost-cutting in disguise. What other companies accomplish by outsourcing, Amazon does by squeezing every last drop of energy out of its workers. Because if you can’t pay workers $1.50 an hour—as do the companies that Apple outsources to—then the next best is to make sure they are out-worth their wages.

It’s appalling, but point your fingers away from evil bosses: Terrible work conditions at Amazon exist first and foremost because we like—we really, really like—to get things cheap.

We’ve come to expect mani-pedi specials in New York at $19.99. Two-hour home cleaning for under $30. To buy our stuff online, pay less than we would at a store, have it delivered in two days, even on Sunday, for less than 28 cents a day.

We want it all and we want to pay the least amount of money for it. It’s not different from fast fashion or food production: Cheap always comes at a cost. In the service industry (online and off), employees often pay the price we’re not willing to: Amazon’s defense is right—the company isn’t the outlier, this is the standard.

Shaming bad bosses is fine. Demanding accountability is good. But—sorry, everyone—we need to be ready to pay more for things that are too cheap to be good. Our outrage is hypocritical: This is the system we buy into, the one that we want.

Unless we change that.

What if we were willing to pay 40 cents a day, each year for Amazon Prime ($149 a year), with the specific assurance that the extra goes toward a better life for those who make it such an excellent service? How about, cynical as it may sound, companies start making fair treatment of their employees an added benefit, and we all just pay for it?

That’s actual innovation—if you’re ready to embrace it.

18 Aug 17:25

Our Brave New World of 4K Displays

by Jeff Atwood
firehose

or, how to spend $3,000 on a video card and three monitors

It's been three years since I last upgraded monitors. Those inexpensive Korean 27" IPS panels, with a resolution of 2560×1440 – also known as 1440p – have served me well. You have no idea how many people I've witnessed being Wrong On The Internet on these babies.

I recently got the upgrade itch real bad:

  • 4K monitors have stabilized as a category, from super bleeding edge "I'm probably going to regret buying this" early adopter stuff, and beginning to approach mainstream maturity.

  • Windows 10, with its promise of better high DPI handling, was released. I know, I know, we've been promised reasonable DPI handling in Windows for the last five years, but hope springs eternal. This time will be different!™

  • I needed a reason to buy a new high end video card, which I was also itching to upgrade, and simplify from a dual card config back to a (very powerful) single card config.

  • I wanted to rid myself of the monitor power bricks and USB powered DVI to DisplayPort converters that those Korean monitors required. I covet simple, modern DisplayPort connectors. I was beginning to feel like a bad person because I had never even owned a display that had a DisplayPort connector. First world problems, man.

  • 1440p at 27" is decent, but it's also … sort of an awkward no-man's land. Nowhere near high enough resolution to be retina, but it is high enough that you probably want to scale things a bit. After living with this for a few years, I think it's better to just suck it up and deal with giant pixels (34" at 1440p, say), or go with something much more high resolution and trust that everyone is getting their collective act together by now on software support for high DPI.

Given my great experiences with modern high DPI smartphone and tablet displays (are there any other kind these days?), I want those same beautiful high resolution displays on my desktop, too. I'm good enough, I'm smart enough, and doggone it, people like me.

I was excited, then, to discover some strong recommendations for the Asus PB279Q.

The Asus PB279Q is a 27" panel, same size as my previous cheap Korean IPS monitors, but it is more premium in every regard:

  • 3840×2160
  • "professional grade" color reproduction
  • thinner bezel
  • lighter weight
  • semi-matte (not super glossy)
  • integrated power (no external power brick)
  • DisplayPort 1.2 and HDMI 1.4 support built in

It is also a more premium monitor in price, at around $700, whereas I got my super-cheap no-frills Korean IPS 1440p monitors for roughly half that price. But when I say no-frills, I mean it – these Korean monitors didn't even have on-screen controls!

4K is a surprisingly big bump in resolution over 1440p — we go from 3.7 to 8.3 megapixels.

But, is it … retina?

It depends how you define that term, and from what distance you're viewing the screen. Per Is This Retina:

27" 3840×2160 'retina' at a viewing distance of 21"
27" 2560×1440 'retina' at a viewing distance of 32"

With proper computer desk ergonomics you should be sitting with the top of your monitor at eye level, at about an arm's length in front of you. I just measured my arm and, fully extended, it's about 26". Sitting at my desk, I'm probably about that distance from my monitor or a bit closer, but certainly beyond the 21" necessary to call this monitor 'retina' despite being 163 PPI. It definitely looks that way to my eye.

I have more words to write here, but let's cut to the chase for the impatient and the TL;DR crowd. This 4K monitor is totally amazing and you should buy one. It feels exactly like going from the non-retina iPad 2 to the retina iPad 3 did, except on the desktop. It makes all the text on your screen look beautiful. There is almost no downside.

There are a few caveats, though:

  • You will need a beefy video card to drive a 4K monitor. I personally went all out for the GeForce 980 Ti, because I might want to actually game at this native resolution, and the 980 Ti is the undisputed fastest single video card in the world at the moment. If you're not a gamer, any midrange video card should do fine.

  • Display scaling is definitely still a problem at times with a 4K monitor. You will run into apps that don't respect DPI settings and end up magnifying-glass tiny. Scott Hanselman provided many examples in January 2014, and although stuff has improved since then with Windows 10, it's far from perfect.

    Browsers scale great, and the OS does too, but if you use any desktop apps built by careless developers, you'll run into this. The only good long term solution is to spread the gospel of 4K and shame them into submission with me. Preach it, brothers and sisters!

  • Enable DisplayPort 1.2 in the monitor settings so you can turn on 60Hz. Trust me, you do not want to experience a 30Hz LCD display. It is unspeakably bad, enough to put one off computer screens forever. For people who tell you they can't see the difference between 30fps and 60fps, just switch their monitors to 30hz and watch them squirm in pain.

    Viewing those comparison videos, I begin to understand why gamers want 90Hz, 120Hz or even 144Hz monitors. 60fps / 60 Hz should be the absolute minimum, no matter what resolution you're running. Luckily DisplayPort 1.2 enables 60 Hz at 4K, but only just. You'll need DisplayPort 1.3+ to do better than that.

  • Disable the crappy built in monitor speakers. Headphones or bust, baby!

  • Turn down the brightness from the standard factory default of retina scorching 100% to something saner like 50%. Why do manufacturers do this? Is it because they hate eyeballs? While you're there, you might mess around with some basic display calibration, too.

This Asus PB279Q 4K monitor is the best thing I've upgraded on my computer in years. Well, actually, thing(s) I've upgraded, because I am not f**ing around over here.

Flo monitor arms, front view, triple monitors

I'm a long time proponent of the triple monitor lifestyle, and the only thing better than a 4K display is three 4K displays! That's 11,520×2,160 pixels to you, or 6,480×3,840 if rotated.

(Good luck attempting to game on this configuration with all three monitors active, though. You're gonna need it. Some newer games are too demanding to run on "High" settings on a single 4K monitor, even with the mighty Nvidia 980 Ti.)

I've also been experimenting with better LCD monitor arms that properly support my preferred triple monitor configurations. Here's a picture from the back, where all the action is:

Flo monitor arms, triple monitors, rear view

These are the Flo Monitor Supports, and they free up a ton of desk space in a triple monitor configuration while also looking quite snazzy. I'm fond of putting my keyboard just under the center monitor, which isn't possible with any monitor stand.

Flo monitor arm suggested multi-monitor setups

With these Flo arms you can "scale up" your configuration from dual to triple or even quad (!) monitor later.

4K monitors are here, they're not that expensive, the desktop operating systems and video hardware are in place to properly support them, and in the appropriate size (27") we can finally have an amazing retina display experience at typical desktop viewing distances. Choose the Asus PB279Q 4K monitor, or whatever 4K monitor you prefer, but take the plunge.

In 2007, I asked Where Are The High Resolution Displays, and now, 8 years later, they've finally, finally arrived on my desktop. Praise the lord and pass the pixels!

Oh, and gird your loins for 8K one day. It, too, is coming.

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18 Aug 17:21

Let’s Hear It for the Girls: A Look at the Funny Ladies of TV

by Stacie Sells
firehose

all white

We CAN Have it All

We are in an era of funny ladies, and boy is it awesome! I love all of these women going against the societal norms women face everyday. There are shows like Amy Schumer’s Inside Amy Schumer that poke fun at the current issues or books like Tina Fey’s Bossy Pants or Amy Poehler’s Yes, Please that give you an insight at the underworking of being a funny lady and how they got to where they are today.

Sure, we’re in an era of sassy, funny ladies, but we can’t forget about the funny ladies that paved the way before them. They might not have been as blunt as Lena Dunhum or Sara Silverman, but they held their own at the time where they had to fight a little harder, so let’s celebrate them!

Here are some funny ladies of TV past and how their characters compare to funny ladies of today.

So, let’s get started:

Elaine Benes to Jessica Day – Being Yourself Ladies

Both of these ladies are unapologetically themselves, and it’s amazing! They wear their weirdness on their sleeve, whether it’s singing show tunes around the apartment (Jessica Day) or dancing to the beat of their own drum (Elaine) both women abide by the standard rules of “womanhood.” For example, feeling like you can’t be “just friends” with guys. They both have strong bonds with their male friends and even date one, which doesn’t turn out well, but they’re still able to stay friends.

They can hold their own, and it’s refreshing to see a realistic depiction that women can “just be friends” with men and ultimately form strong, long lasting relationships with them, too.

Mary Tyler Moore to Leslie Knope – Positivity Guru Ladies 

There ladies don’t let the “man” get them down. Both are working gals who stand tall in their male dominated fields of politics and TV production. Even with this heavy cross to bear of representing women in the work force, these two truck through with such a positive attitude that it sorta makes you sick. Leslie and Mary both just want to make a difference in the world and believe whole heartily what they are doing, which is reflective in their work. Like in the theme song to the Mary Tyler Moore Show, they are gonna make it after all! (Insert hat throw!)

Making it after all

Murphy Brown to Liz Lemon – Hard-Working Ladies

They work hard for the money, and they aren’t sorry for it. Both Liz and Murphy might be seen as “hard asses” or “workaholics,” but they’re woman who are passionate about one thing: their job. They’re in their prime and have their ways of dealing with the world that might be different than the “norm,” but they just want to have the life they want and let no one stand in their way.

Whether it be having a baby as a single woman or wanting to get the guy AND have their Teamster sandwich, they can and should “have it all!” Because who are we say that isn’t possible? Sorry, Murphy Brown; you didn’t lie to us—you told us what we should strive for and you did a great job!

Carrie Bradshaw to Hannah Horvath – The New York City Dream Ladies

Sex is awesome! So, why not embrace it? Women like sex as much as the next guy, and these two ladies were sure to let you know that. Not only did they show you the world that was New York City, but they also demonstrated how hard and mean the streets of New York can be—from the complications of having a steady job and affording rent to the hard knocks of relationships. Whether with friends or boyfriends, they depict a sense of the fast-paced world and how sometimes you just need to stop and enjoy the simple things around you—whether it’s sex or a brand new pair of ridiculously priced shoes.

Girls and SATC

Roseanne Barr to Amy Schumer – The Real Talk Ladies

Woman were always told to be proper and to never say anything crude. Well, that memo got lost for these women. Both Roseanne and Amy don’t hold back and talk about issues that “shouldn’t” be talked about. Their shows keep it real on a whole new level that’s refreshing and why people keep tuning in. They tell it like it is: life can be messy, and if we can’t laugh about it, we are just denying ourselves that truth.

amy-schumer-clink

Lucille Ball to Lorelai Gilmore – Going Against the Grain/Never Giving Up on Their Dream Ladies 

These woman are important to their era: one being a stay at home wife in an inter-racial marriage and the other being a single working mom raising her child in a small town. These quick wit and fast-talk shenanigans lead to the beauty of both of these shows. These woman illustratine the change in times and how there’s more than one way to raise a family.

chocolate factory

So, let’s not forget about these women and lets celebrate them all … and let’s hear it for the girls!!

(Stacie Sells is a nerd, writer and artist based in Oakland, California. When she’s not bing watching her favorite TV shows with her cats, she’s either compiling cross over fan fiction for her website Fictorious Journal or putting her final touches on her musical based on Keanu Reeves called Keanu! The Musical(@keanuthemusical on Twitter).

—Please make note of The Mary Sue’s general comment policy.—

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18 Aug 17:20

Stand

firehose

FAQ includes a section titled "Eh? I already have an Apple Watch"

Stand:

Stand is a small Mac utility app that reminds you to stand once every hour by sending you a notification at the time you choose.

18 Aug 17:19

Loose Leaves

Loose Leaves:

A screenshot of Loose Leaves publishing Markdown text to the web

Loose Leaves for Mac lets you instantly create lightweight, beautiful, hosted pages from the Markdown you write.

Just select the Markdown you want to share, use the keyboard shortcut (⇧⌘C), and you instantly get back a secure link you can pass around.

Try Loose Leaves for posting drafts to Slack, notes to Twitter, project documents to Trello, or wherever you need to share your words.

App Store

18 Aug 17:19

[UPDATED] Today In “Women Don’t Owe You Shit”: Former Harry Potter Podcaster Harasses Journalist After Romantic Rejection

by Carolyn Cox

sry guys i am going to tweet abt this asshole who used to be a huge podcast host & now is being aggressive toward me

— Grace Spelman (@GraceSpelman) August 17, 2015

If you’re a dude who can’t understand why rejecting a romantic proposal is sometimes  terrifying for women (and not in the “I’m scared of how awkward this might be” sense, but the “I’m scared for my imminent physical safety” kind of terror), here’s a pretty self-explanatory example.

In a story broken yesterday by Daily Dot, Buzzfeed writer and infamous Tinder Ghost Grace Spelman revealed the messages she’s received recently from MuggleCast cast member and Muggle.net co-founder Ben Schoen. Spelman followed Schoen when she was in her teens, but started to receive harassing messages from him recently after she told the former podcaster that she had a boyfriend.

Spelman explained to The Daily Dot, “My first reaction when I saw he messaged me was like, ‘Oh, isn’t this funny. I first contacted him because I was a fan of his podcast and now he’s contacting me because he likes my Twitter!‘ Because truly his first message was normal and nice, so I didn’t feel threatened at all.”

the first time he ever spoke to me was 10 days ago when he sent me this tweet pic.twitter.com/hY14jDPV7m

— Grace Spelman (@GraceSpelman) August 17, 2015

When Spelman didn’t answer several subsequent tweets from Schoen, he then reached out to her on Facebook, where she revealed that she had a boyfriend:

Then he moved to Facebook. I politely told him I was seeing someone and then blocked him on FB & Twitter pic.twitter.com/k84dCJ3OrT

— Grace Spelman (@GraceSpelman) August 17, 2015

Spelman blocked Schoen on Facebook and Twitter, but he continued to tweet at her, including a message threatening to jeopardize her career:

Here is where he started to get angry. He then tweeted these at me: pic.twitter.com/NJDop6VZ1E

— Grace Spelman (@GraceSpelman) August 17, 2015

Then last night he sent me this email: pic.twitter.com/2wM0t0P3tl

— Grace Spelman (@GraceSpelman) August 17, 2015

From Schoen’s first message, to the time he sent his email, 10 days had passed.

Obviously these aggressions would be unacceptable from anyone, but they’re particularly disconcerting coming from one of the founders of a feminist blog. Incredibly, in addition to his work on MuggleCast and Muggle.net, Schoen is also the co-founder of Feminspire.

Screenshot 2015-08-18 at 12.30.26 PM

Rhiannon Payne, who co-founded the site with Schoen (her partner at the time), told The Daily Dot: “Ben Schoen helped me launch the site in 2012 using his skills and expertise in digital media and built the site from a technical standpoint at a time when I had limited contacts in that space and not a lot of knowledge in regards to the online media landscape.”

Payne has since left the site and the relationship

[…] due to the toll that the situation was taking on my mental health and I avoid communication with him.”

When I stepped down I agreed to give him recommendations and guidance to help keep the site dedicated to its original mission, but those were ignored and I have since stopped trying. I have not kept up with what he has been doing because frankly, the entire situation is a painful one.

MuggleCast creator Andrew Sims also publicly distanced himself from Schoen:

@GraceSpelman I 100% stand with you. He hasn’t been on the show in two years for reasons and needless to say he won’t be on again.

— Andrew Sims (@sims) August 17, 2015

We reached out to Schoen earlier today for comment at the email he specified, but have yet to hear back. He did, however, address the situation over Twitter:

You would think I killed someone all the flack I’m getting. Keep piling on I can take it.

— benschoen (@benschoen) August 17, 2015

Dr. Dre beats the shit out of women and gets billions of $. I email one filled with apologies and I get the PC police sicc’d on me

— benschoen (@benschoen) August 17, 2015

To borrow a line from @realDonaldTrump it seems @GraceSpelman has blood coming out of her wherever.

— benschoen (@benschoen) August 17, 2015

Hitler had a few good ideas. People forget that

— benschoen (@benschoen) August 17, 2015

Schoen later sent The Daily Dot this email in response to request for statement:

I have done more for the cause of advancing women’s rights than any of the people who are criticizing me. This so-called crisis is manufactured by Ms. Spelman as a way to increase her profile as a social justice warrior. I grew up without a father and I spent years protecting my mother from scummy men and dealing with all of the difficulties that come with not having a male role model. Am I rough around the edges? Sure. Am I a predator? Absolutely not. If you read the email I sent Ms. Spelman it was not threatening and was filled with apologies. I even offered to connect her with people who could help her career. I had no interest in continuing contact with her afterwards since I was offended by the manner in which she ended our interaction. I represent no threat to her and her painting me into a villain and sending all of her sycophants after me is incredibly disappointing and immature. My attorney tells me I have a case already but I’m not going to go that route unless Ms. Spelman continues to attempt to unjustly tarnish my image.

Spelman, who has since been privately messaged by women who say they’ve had similar interactions with Schoen, hopes that speaking up will serve as a warning to his younger fans:

The only reason I’m doing this because I know for a fact other girls my age & younger have added him on FB

— Grace Spelman (@GraceSpelman) August 17, 2015

Of course, the responsibility for helping women avoid creeps shouldn’t have to fall on the shoulders of the harassed. Our culture in general doesn’t sufficiently condemn men who react with hostility when rejected, and Internet culture might be even more lax; it’s telling that I’m sure this article will receive several comments from men who see Schoen’s behavior as “disrespectful, sure, but hardly harassment.”

The entitlement Schoen demonstrated isn’t specific only to him; and while it’s still abusive when it takes place online, it can be deadly when it manifests in an IRL situation. Schoen reached out, unsolicited, to a woman on the Internet; she told him she had a boyfriend; and he used that polite dismissal as an excuse to threaten her career, question her integrity, and hurl gendered insults.

can you imagine how many washed-up Vine stars are going to be pulling this kind of shit in 15 years

— Grace Spelman (@GraceSpelman) August 17, 2015

UPDATE: Schoen has responded via email to our request for comment:

I don’t truly believe that Grace ever felt threatened. There is a prevailing sentiment out there that all men are predators and don’t know how to approach women without being creepy. She layered my correspondences with her in such a way as to feed into this sentiment. She’s a very smart woman and she knew exactly what she was doing.

In total I had something like 3-5 correspondences with Grace. I have been receiving death threats, insults saying my mother deserved to be a homeless teen and basically anything else you can think of. I never threatened Grace or came anywhere near doing so. After several cordial interactions with her I made a joke about marrying her in a DRIVE THRU. It was a joke and sure it may have been a lame one, I’ll concede that. After interacting with her very cordially I was shocked when she suddenly disappeared from my Facebook friends list. I was upset so I sent her some angry tweets to let off a little steam. Twitter is a public forum so anyone who says that is harassment needs to stop “harassing” me on my twitter feed.

Okay I hope you’re still with me here. So I sent her some tweets when I was angry. Afterwards I realized I had went too far so I decided to write her an email apologizing. Everyone has tried to twist my apology into being some veiled threat when that simply was not the case. I felt bad for telling Grace her followers were because she had a good looking profile pic so I emailed her to apologize and that’s what landed us here. The road to hell is paved with good intentions.


UPDATE #2, 2 PM EST:
Schoer then sent us a second email that he agreed to us publishing:

Your article is printing a flat out lie. I never threatened her career. She started posting private emails and I said I would let her bosses know as that is against the policy of many media companies.

(via The Cut)

—Please make note of The Mary Sue’s general comment policy.—

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18 Aug 17:18

‘The Goonies’ house goes off limits - Local News - The Daily Astorian

A steady stream of more than a thousand visitors almost every day this summer has overwhelmed the neighborhood.

It turns out, when it comes to Astoria’s success at capitalizing on “The Goonies” as a big-time tourist draw, there can be too much of a good thing.

Just a few months after the Astoria-Warrenton Chamber of Commerce staged the film’s 30th anniversary celebration in Astoria and Cannon Beach, both the chamber and the city of Astoria are now trying to keep Goonies fans away from the iconic house featured in the 1985 cult classic.

For 14 years, homeowner Sandi Preston, has let fans — within reason — approach, photograph, gawk at and geek out on her property in Uppertown. In the past, she has even opened up her house to them.

“Sandi ... has been very, very accommodating,” City Councilor Russ Warr said.

But, with an estimated 1,200 to 1,500 visitors swarming around the house almost every day this summer, Preston and her neighbors near 38th and Duane streets are experiencing fan fatigue.

“The tourism at the Goonies house has, over the last three or four years, absolutely exploded,” Warr said at Monday’s City Council meeting.

Preston recently asked the chamber and the city to do whatever they can to limit public access to her home.

“She was overwhelmed and looking for help to try to get some semblance of normal life back,” Regina Willke, the chamber’s marketing director, said. “It’s just a constant stream of people coming at all hours of the day.”

To help stem the tide, the city placed a sign near 38th Street on Monday that reads: “Access closed to Goonies house.” Two months ago, the city posted signs prohibiting Goonies parking on 38th Street, an effort that has lessened vehicular traffic at the house but not foot traffic, Warr said.

“Most people ... think that it’s an attraction, when it really, in fact, is a private residence,” he said.


Sense of entitlement


Though the narrow, dead-end street is still open to the public, Preston wants fans to respect her privacy and stay off of the premises.

“The (caliber) of people/generations is changing, and not for the better,” Preston wrote on the The Goonies 30th Anniversary Facebook page. “They don’t have a sense of family or community but feel entitled and let no one get in their way. We see it daily with the threats against us; all because we choose to have some privacy. It’s been unrestricted for 14 years and we are worn out.”

Preston has put up blue tarp around the front and side of the house to prevent fans from advancing into her yard, stepping onto their porch and peering through their windows — a not uncommon occurrence, Warr said.

The overwhelming majority of Goonies fans are “lovely, friendly, warm people,” he said. “But there are a few who are really abusive, and several have refused to leave the property when asked to. They’ve offered to fight the homeowner. And those kinds of things are the things that make it really impossible for them.”

While some fans have made their displeasure known, others got the message.

“We were disappointed. We just wanted to take a quick picture to show that we were there,” Emerald Bishop of Bremerton, Wash., said, retreating from the Goonies house Monday with her new husband, Bradley Bishop, and their chihuahua mix, Ollie. “But we were fine with not being able to see it; we know that it’s a private residence and that people live there.”


Critical mass


Neighbors began to notice that Goonie fandom was reaching critical mass well before the 30th anniversary, according to Roger Warren, who lives near 38th Street.

“A couple of years ago, we saw it just turned into a circus. During the summer months, it was just thousands and thousands of people,” he said, adding that drivers in the vicinity often faced solid gridlock. “It just got out of hand in our community.”

That’s when Warren and others approached the chamber, which has since tried to shift the fan focus away from the Goonies house.

In a recent email to their Goonies fanbase, the chamber wrote: “With vandalism, theft, excessive litter, obnoxious parking jobs, late night visitations and more the neighborhood has quite the turmoil in their backyard.”

Warren estimates that between 10,000 and 15,000 people visited the Goonies house during the 30th anniversary celebration in June. This figure matches the chamber’s estimate — 12,000 to 15,000 — of how many people pilgrimaged to Astoria specifically to commemorate the pop culture phenomenon.

The chamber has urged fans to view the house from a distance — for example, from Columbia Fields below the house or from the Astoria Riverwalk at 35th Street.

The chamber had hoped the Oregon Film Museum — housed in the old Clatsop County Jail building used in “The Goonies” prison break scene — would draw people away from the Goonies house. The film museum offers the house as a backdrop on their green screen set, where people can insert themselves into an image of the house as an alternative to visiting it. “Now I think they just do both,” Willke said.

In addition, the Astoria Riverfront Trolley has asked conductors, when they point out the Goonies house, to discourage visiting.


Residential to commercial


One big problem remains: The city can suggest that people not walk the street in front of the Goonies house, but “as long as that’s a city street, it is a public thoroughfare,” Warr said, “and we can’t stop people from going on a public thoroughfare.”

During a recent meeting among city staff, the idea of turning the street into a private road was discussed but not acted on, Warr said.

Willke said the chamber may petition the city to go that route. “In the near future, that house may not be accessible for people to walk up to,” she said.

Will Caplinger, a neighbor with a background in land use planning, argues the city has violated Astoria’s comprehensive plan by allowing Goonies activities to grow unchecked in the neighborhood.

“There are rules that must be followed with these sorts of things,” he said. “If somebody proposed this use out of the blue, it would for sure go through the land use process.”

In practice, if not on paper, the neighborhood has morphed from a residential to a commercial area, he said.

“The city has done this action without even an inkling of a thought as to how (we should) preserve the residential character of this neighborhood,” he said.

At Monday’s council meeting, Warr acknowledged, now that “the monster’s been created,” “it’s a really difficult problem, and I think that it’s going to take some time to cure. But the city and the chamber together are working very hard to try to figure out what to do with it.”
(Permalink)
18 Aug 17:17

Stringent

by David M Willis
firehose

via ThePrettiestOne

is Topatocon the shambling mercantile successor to NEWW? because I loved NEWW

topatoconAt the end of next month, September 26-27, I’m gonna be exhibiting at Topatocon in Easthampton, Massachusetts!  Tickets are now available!  (Also there is a concert on Friday with The Doubleclicks and Molly Lewis.)

18 Aug 17:12

Students don’t need more trigger warnings, they need better teachers

by Marcie Bianco
firehose

'calls for trigger warnings are really just students asking for more detailed and useful syllabi and discussions' beat

Danger zone.

“Trigger warnings” may be the greatest red herring of this generation’s culture wars. This is precisely the argument of Rowan Kaiser’s streetwise essay at the Daily Beast, as well as what is intimated by Derek Beres at big think in his piece about the intellectual consequences of trigger warnings. Both of these pieces, of course, are responses to the Atlantic’s September cover story dedicated to the topic, “The Coddling of the American Mind, by Jonathan Haidt, a social psychologist, and Greg Lukianoff, a constitutional lawyer and CEO of the Foundation for Individual Rights in Education.

Not only, Haidt and Lukianoff contend, do trigger warnings have no conclusive positive effects on either the learning process or on assisting a victimized person to overcome their trauma, they more insidiously foster a culture of “vindictive protectiveness” that they believe contributes to the increasing levels of anxiety— and verbal and physical aggression—in younger generations.

I have written about the feminist case against trigger warnings before, outlining nine reasons—from the curtailment of academic freedom to the universalizing of emotions and of reading comprehension in general—why professors should abstain from including them on their syllabi. I have cited feminists like Jessica Valenti, Jill Filipovic, and Roxane Gay, who also quibble with the usefulness and effectiveness of trigger warnings.

 What’s really important is what comes after the (hypothetical) trigger warning, both on the syllabus and in the classroom. But what Haidt, Lukianoff and many of the dozens of other writers who have tackled this topic generally fail to acknowledge is that when it comes to higher education, what’s really important is what comes after the (hypothetical) trigger warning, both on the syllabus and in the classroom.

As an adjunct English literature professor at Hunter College and, now, Fordham University, I have found no pragmatic reason for the employment of trigger warnings in my classroom. My pedagogical apparatus relies on close reading and analysis. In my classroom, I ask my students to link texts to socio-cultural and political phenomena in our everyday lives with the ultimate objective of teaching them the skills to think deeply and then to translate that thinking into critical writing. I believe this apparatus should, if used correctly, render moot the trigger warnings’ necessity.

Here’s why: In their article, Haidt and Lukainoff explain how “emotional reasoning”—or the substitution of thought-out reason with subjective, reactionary emotion—has come to prevail in myriad social conversations, whether on social media or in college classrooms. In today’s age, the authors maintain, “[a] claim that someone’s words are ‘offensive’ is not just an expression of one’s own subjective feeling of offendedness. It is, rather, a public charge that the speaker has done something objectively wrong.”

Emotions are reactions, taken as truth and wielded as authority. But what most critics of—and advocates for—trigger warnings overlook is the fact that the act of learning in the college classroom is in large part intended to transform emotions into cogent, logically sound observations of texts. This is the endgame of close reading and critical analysis. Or, Spinoza 101.

Perhaps this glaring omission by trigger warning analysts is due to the fact that our college classrooms are rapidly changing. Many courses are (wrongly, in my opinion) moving online, replacing the space and physicality of learning—sensing, as a teacher, how your students are feeling or engaging with the text under analysis—with technocratic automation.

These critics also seem to universally neglect the role of the professor as teacher in the classroom—a neglect that is reflected in academia with the obliteration of the professoriate in favor of part-time, non-unionized labor (aka adjuncts).

 “Trigger warnings” may be the greatest red herring of this generation’s culture wars.  Perhaps the oversight can even be traced to a broader attack on academia in America, from the corporatization of the universities to our devastating amount of student debt. One note I mention the first day in every class of every semester is that my classroom is not a transaction, because I know that being crippled by debt can make students lose their focus. The loss of academic freedom is felt by faculty members and students in equal measure.

Confusion. Frustration. Repulsion. Surprise. Pleasure. Exhilaration. Satisfaction. These are just some of the initial reactions students will experience when encountering a text for the first time in a classroom. Lecture and discussion-based analysis gives structure and meaning to that text, transforming emotion into reason.

All students should hope for this type of magical experience, that is to say, learning. It is a subversive experience, the inestimable, late Harvard literary critic Barbara Johnson wrote in her essay, “Nothing Fails Like Success,” to come face-to-face with what we don’t know: “If I perceive my ignorance as a gap in knowledge instead of an imperative that changes the very nature of what I think I know, then I do not truly experience my ignorance. The surprise of otherness is that moment when a new form of ignorance is suddenly activated as an imperative.”

Trigger warnings not only block this experience of “the surprise of otherness,” the discussion around them overlooks what actually transpires in the classroom. And both students and faculty members are likely to suffer the consequences.

Follow Marcie on Twitter at @MarcieBianco. We welcome your comments at ideas@qz.com.

18 Aug 17:10

Fines and Payments Ordered for Kickstarter That Didn’t Deliver

by Polar_Bear
firehose

welp

Kickstarter is not a sure thing. It’s a potential for a product to eventually come to you for being a backer. But what recourse is there when you send in your money and don’t get anything in return? This is still some new water we’re sailing through. We’ve seen some court cases already, and a few verdicts brought down. Here’s a story about another one, even as some people are getting products in the mail (albeit exceedingly late).

This isn’t the first time we’ve heard about the Asylum Playing Card Case. They were the first ever Kickstarter that a state attorney general went after for failure to deliver on promised products. Now, a ruling has been brought down in that case. Altius Management and co-defendant Edward J. Polchlopek have been ordered to pay in excess of $54k (which includes the court fees) for having not delivered their playing cards.

Two interesting facts about the case are that the defendants never showed up for their day in court (and no defense attorney listed) and that, while communication has still be exceedingly lacking (… well… non-existant), some backers of the project have started to get their products in the mail.

This is really setting a precedent for backers having real power in getting the products promised to them by companies that they funded over on Kickstarter.

Source

18 Aug 17:07

"Goonies" house owners cover residence with blue tarp

firehose

'An Astoria home made famous by "The Goonies" movie was covered with blue tarp recently, in an attempt to deter hundreds of sightseers.

A KATU News viewer sent in photos of the home Monday afternoon, showing blue tarp covering much of the home's windows and porch.

Owners also left a sign at the home's driveway that reads, "Access closed to Goonies house."'

18 Aug 17:06

People are giving up on Apple Music, survey says

by Micah Singleton
firehose

'What's more alarming is the drop in Apple Music's retention rate, which is sure to raise some eyebrows throughout the music industry. When current Apple Music users were asked if they would subscribe to the service once the trial ends, 64 percent said they were very likely, a decent rate, but not a great one for a company that loves to tout its customer satisfaction rates during every earning's call.'

Apple Music is having a problem retaining its users, according to a new survey. Forty-eight percent of Apple Music users have stopped using the service, while only 11 percent of iOS users have tried the streaming service so far, according to MusicWatch. The music research company conducted a survey of 5,000 US consumers about their usage and knowledge about the service.

Apple Music's retention rate is less than stellar

While the 11 percent usage level for Apple Music may seem low, it's right on par with usage levels for iTunes music purchases by iOS users, which is a good sign given that Apple Music is only two months old, but it could be much better. What's more alarming is the drop in Apple Music's retention rate, which is sure to raise some eyebrows throughout the music industry. When current Apple Music users were asked if they would subscribe to the service once the trial ends, 64 percent said they were very likely, a decent rate, but not a great one for a company that loves to tout its customer satisfaction rates during every earning's call.

Sixty-one percent of current Apple Music users have turned off auto-renewal option for the service as well, a fact that will likely upset the music labels, who are withholding judgement on the service until the trial period runs out in October. There are some bright spots for Apple — 28 percent of Spotify Premium subscribers are also using Apple Music, and only 77 percent of iOS users are aware of Apple Music, leaving plenty of room for growth. But if this survey makes anything clear, it's that Apple Music may be in for a rough patch when it's time for users to pay up.

18 Aug 17:05

Trevor Noah, The New Host of The Daily Show

by Scott Beale
firehose

via ThePrettiestOne

Comedy Central has posted a promo for South African comedian Trevor Noah, who is following in the giant footsteps of Jon Stewart as the new host of The Daily Show starting on September 28.