
Screenshot by Gyazo
firehose(R-Fla.), in case you hadn't already guess it correctly
OneMinuteGalactica has created “The Avengers trailer: Derp edition,” a recreation of The Avengers movie trailer made for Slacktory using footage from the film’s blooper reel. Previously, we wrote about OneMinuteGalactica’s “Star Wars trailer: Derp edition.”
submitted via Laughing Squid Tips
firehosevia Russian Sledges
a truly well-mannered dog would not have gone outside barefoot
firehose“At least he knows he’ll get a fair trial in Florida.”
firehoseeasy: avoid them at all costs; practically disown them

Tonight, the U.S. Air Force will catapult 29 satellites into Earth orbit from NASA's Wallops Flight Facility in Virginia. Weather permitting, the record-setting launch of the ORS-3 mission will be visible from much of America's Eastern Seaboard. The 105-minute launch window will open at 7:30 p.m. ET.
Today Google launched the Glass Development Kit (GDK) "Sneak Preview," which will finally allow developers to make real, native apps for Google Glass. While there have previously been extremely limited Glass apps that used the Mirror API, developers now have full access to the hardware.
Google Glass runs a heavily skinned version of Android 4.0.4, so Glass development is very similar to Android development. The GDK is downloaded through the Android SDK Manager, and Glass is just another target device in the Eclipse plugin. Developers have access to the Glass voice recognition within their app as an intent, but it looks like only Google can add "OK, Glass" commands to the main voice menu. Apps can be totally offline and can do all their processing on Glass. They can also support background events and have full access to the camera and other hardware.
Google showed off a few of the first native Glass apps, and one of the coolest among them was Wordlens, a real-time, augmented-reality translation app. Wordlens works much like it does on the iPhone—foreign-language text targeted by the camera is translated on top of the video feed in real time. This is neat on a smartphone, but on a device like Glass it becomes much more powerful. Just by looking at text and saying "OK, Glass, translate this," the text on the Glass video feed is translated and placed above the original text. Wordlens' app uses the accelerometers to keep the virtual text aligned, all while working completely offline.
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Seahack is a new online directory of participatory ocean exploration projects. The projects range from do-it-yourself science (OpenROV, an underwater robot) to crowdsourced data analysis (WhaleFM, a project analyzing the vocalizations of orcas and pilot whales). Seahack was developed by Ariel Waldman and Lisa Ballard. It is a follow-up to Spacehack, a similar directory for space research projects. We covered Spacehack back in 2008.
submitted via Laughing Squid Tips
firehosehttp://images6.fanpop.com/image/photos/33200000/John-Constantine-constantine-33214275-500-209.gif
The grand tragedy of the Rob Ford crack cocaine scandal and associated public relations follies—outside of Toronto, where it’s an actual political disaster—is that Chris Farley isn’t around to play the mayor on Saturday Night Live. Sure, Bobby Moynihan acquitted himself well in the cold open last weekend, but in a news cycle that had both the Ford media circus and the Richie Incognito bullying scandal in the NFL, Chris Farley has been sorely missed. But no more, since there’s now a video mash-up of all the best Rob Ford moments caught on camera—swearing up a storm, arm wrestling Hulk Hogan, running into a camera—mixed with the equivalent Farley film clip or performance on SNL. It is simply uncanny how perfectly Ford resembles the late beloved physical comedian, and since we only get to imagine what would've been one of the best hosting gigs in the past 15 ...![]()
Frank Darabont was booted from The Walking Dead in 2011, banished to live outside its walls for stabbing the show’s budget in the head and setting it aflame—metaphorically speaking. And while he’s since exacted revenge in relatively minor ways, such as more or less spoiling the end of its second season with a casting announcement for his new series, TNT’s Mob City, he’s become increasingly vindictive about the decision as the press junket for that series rolls on and inevitable Walking Dead questions roll out. First came an interview with The New York Times, in which Darabont opted for a more serene, diplomatic response:
“Suffice to say, there was some conflict that couldn't be resolved. … I try to avoid that sort of aggravation in my life. It's simply better for my spirit and my state of mind. I've always believed more in ...
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firehoseCall me Gabe Day and not Gabe Day-Lewis / Because if you’re trying to call me out I’m ‘bout to Gabe Day-Lose It
Much like the crime-ridden broken homes that gave birth to some of music’s most famous rappers, the next generation of hip-hop is slowly being born from another depressed segment of society: the children of famous people, whose fathers are too busy out slinging that awards-bait to look after them, leaving these kids to grow up hard, then put it all into the lyrics they spit. It’s like Biggie said, “If I wasn’t in the rap game, I’d probably have a key knee deep in the Oscar game”—and that’s exactly what Gabe Day is feeling, as he tries to break free from his father, Daniel Day-Lewis, with his burgeoning hip-hop career. “Call me Gabe Day and not Gabe Day-Lewis / Because if you’re trying to call me out I’m ‘bout to Gabe Day-Lose It,” Gabe Day-Lewis raps in his new video, “Green Auras,” which attempts to differentiate himself from his father ...![]()
firehosevia Russian Sledges
eternal auto-reshare hall-of-famer
firehosethe new economy

Forget Twitter, Royal Mail or Chrysler. The most significant IPO of 2013, at least for those working in service industries, is arguably a much smaller one that took place in Australia on Nov. 15. Even though the company raised just $15 million on the Australian Stock Exchange, it would be hard to name a more direct play on the globalization of high-skilled labor.
Sydney-based Freelancer.com taps into the “cloud labor” revolution—the cloud-accelerated outsourcing boom that gives companies access to higher-end workers virtually from around the world. Proponents have praised the trend for helping resolve to labor shortages in the technology sector (whether these shortages exist is debatable); detractors say it’s driving down wages and threatening living standards in the developed world.
Freelancer—which has lower revenues than US competitors like Elance and oDesk but more users (over nine million of them)—makes its money from advertising, memberships and commissions both from the small businesses and startups (mainly in the developed world) that post work on its site, and from the workers (generally in emerging markets) who take the jobs. Its revenue has nearly quadrupled over the past three years to an expected $A18.4 million ($17.3 million) this year.
Unlike companies like TaskRabbit, a much-hyped temp work site in the US, most of the work on Freelancer is relatively high-skill, including website design, software development, mobile applications, computing, writing, accounting and legal. India, where just 11% of the population has access to the internet, already provides the site with its biggest source of traffic (22%), according to web traffic measurement company Alexa.com.
Penetrating cheaper labor markets like India’s pays off for Freelancer’s business customers. According to the company’s IPO prospectus, the average value of a project on the site is less than $200. A crude search for projects with an average value of $200 lasting a week or less and with an average hourly rate of between $0 and $4 returned more than 2,000 entries.
But there may also be a market for Freelancer in developed countries like the US, where cheaper freelance work (without the usual salaried benefits) abounds amid a sluggish full-time job market. Already, the US hosts the biggest share of the corporate and freelance customers for rival Elance.
Report: Sony seeking $100 million in cuts, includes job losses originally appeared on Joystiq on Tue, 19 Nov 2013 15:30:00 EST. Please see our terms for use of feeds.
firehosehmm
"the movie takes familiar scenarios and then plays them out in exceptionally smart, progressive ways, starting (and ending, actually) with Anna’s romance with Hans. ... But for a film that not only champions differences, it exemplifies the virtue of being different, in that it arrives at a completely satisfying finale without bothering to take the same journey as all of the films that preceded it."
If you're an OPB/NPR type, you are probably already familiar with Destination DIY, the radio show/podcast that covers all sorts of different stories about people's adventures in making things. The show, hosted by Julie Sabatier, is trying to up their game in the coming year, contributing shorter but more consistent monthly audio content along with supplementary info on a new website. "While Destination DIY airs on stations around the country, we are an independent show and not affiliated with any radio station. Our funding comes primarily from our listeners": so reads the—you guessed it—indiegogo page where they are raising money to put their plan into action. They have 16 days to reach their $20,000 goal, with so far just over $5,600 raised. If you're a fan and want to see them take this next evolutionary step, your donations could get you everything from a t-shirt to a (real) tattoo. If you watch their campaign video, make sure to stick with it until the very end, which is my favorite part (involves the second appearance of a cat in a top hat):
In related news, tomorrow is the next Makin’ It with Destination DIY project night/listening party (7-9 pm at ADX), where all are invited to take a break from crafting alone in your basement in favor of a group setting with free pizza, beer, advice, and a DJ. Sabatier is also a storyteller at Friday's Back Fence PDX (topic: "Recipe for Disaster"), so no complaining about a lack of opportunities to connect with Destination DIY this week, mmmkay?
In 2012, artist Scott Campbell created The Great Showdowns, his first art book in a series filled with drawings of epic clashes between movie characters. Scott has recently released the second art book of his series, Great Showdowns: The Return. Both of his stylized art books are available to purchase online from Titan Books and Amazon (The Great Showdowns and Great Showdowns: The Return). You can view more of Scott’s ongoing movie character drawings on his GREAT SHOWDOWNS blog.
Han vs the green fellow. Chief Brody vs the very large shark. John McClane vs broken glass, and many, many more… Scott Campbell’s acclaimed ‘Great Showdowns’ series, showing strangely good-natured confrontations between his favorite movie characters, finally gets the book collection fans have been demanding!
Whether it’s Ripley vs the Alien Queen or Spinal Tap vs an undersized model of Stonehenge, these memorable moments of melee deserve to be celebrated. Behold, The Great Showdowns.
“Hey, you guys!” – The Goonies (1985)
“Let us not stand on ceremony, Mr. Wayne.” – The Dark Knight Rises (2012)
“Wait a minute. Luigi, dogs can’t talk!” – Lady and the Tramp (1955)
images via GREAT SHOWDOWNS and Titan Books
CrazyFunnyStuff has created a compilation video of tiny puppies learning to howl. They’re so squeaky and cute it almost hurts.
firehoseATTN ATTN
Googlyify is a tool that allows you to add googly eyes to animated GIFs. After entering the URL of the GIF you’d like to enhance, you can add googly eyes into each frame of the GIF.
GIFs via Googlyify
via Waxy.org Links
firehoseholy fucking shit
Oh, we're all just so over zombies. We've seen so many TV shows and movies about zombies, we think we've learned everything there is to know about them—BUT WE'RE WRONG. In the following clip from Family Feud, the question is "Name something you know about zombies"... and while your answer may have automatically been "eats brains," "shambles," "flesh decomposes," your knowledge is only skin deep compared to this contestant, who is CLEARLY America's #1 and foremost authority on everything "zombie." WATCH.
firehoseThomas Dolby beat
SOMEONE STILL LOVES YOU BORIS YELTSIN, ARMY NAVY
(Doug Fir, 830 E Burnside) Read our article on Someone Still Loves You Boris Yeltsin.
BILL CALLAHAN, MICK TURNER
(Aladdin Theater, 3017 SE Milwaukie) Bill Callahan, who recorded 13 LPs under the moniker Smog before reverting to his own name, could very well be the most aberrant singer/songwriter to emerge from the '90s, a decade already characterized by unusual, exceptional indie folkies. He's also an extremely polarizing entity—Callahan's monotonous, practically tuneless drawl (he makes Mark Kozelek sound like Frankie Valli) is an extremely inaccessible affect, one that unfortunately prevents some listeners from cutting to the deeply emotional, melancholy fiber of Callahan's songs. His latest, Dream River, is as consistently evocative and elegant as his very best. MORGAN TROPER Also see My, What a Busy Week!
STEVE AOKI, BORGORE, WAKA FLOCKA FLAME, KEYS N KRATES, KRYOMAN
(Roseland, 8 NW 6th) Before Electric Daisy Festival became a tween stomping ground, and before EDM became a blanket pejorative—before Skrillex, let's say—Steve Aoki built the loudest underground rave scene of the 21st century. Aoki's Dim Mak label stands as testament to music production as brand empire (perhaps not unlike the way his father, Rocky Aoki, started the Benihana restaurant chain). Aoki emerged from the LA suburbs to stand in the vanguard of globalized electronic dance music; joining his carnival of mischief at the Roseland tonight is Waka Flocka Flame, the rap game's most ebullient wordsmith. A protegé of Gucci Mane, Flocka goes hard in the paint as probably the most socially conscious lyricist among the trap-inflected new illuminati. WYATT SCHAFFNER
THOMAS DOLBY: THE INVISIBLE LIGHTHOUSE
(Alberta Rose Theatre, 3000 NE Alberta) After writing and producing some of the most beautiful pop of the 1980s (his own The Flat Earth, Prefab Sprout's Two Wheels Good) and touring the world as an electronic-music guru, Thomas Dolby returns to the stage with an ambitious new multimedia work. Described as "part film, part concert, part transmedia event," The Invisible Lighthouse features Dolby performing a live narration and musical score in front of the titular film, which was shot and edited by Dolby, and evocatively chronicles an island lighthouse in Britain. Additional drama will be supplied by foley artist/musician/sound designer Blake Leyh. DAVID SCHMADER