Shared posts

25 Mar 19:53

Toothpaste for dinner

25 Mar 19:53

Never quit

25 Mar 19:53

kierongillen: wicdiv: June Previews is out tomorrow, meaning...





kierongillen:

wicdiv:

June Previews is out tomorrow, meaning our entirely-created-for-previews preview advert story will be out in the world.

Bleeding Cool has just ran it.

And now it’s here.

Mention it to the shop if you want more.

THE WICKED + THE DIVINE
June 18th 2014

So there you go.

25 Mar 19:51

voodoojunkie: "Shiver me tampons" needs to make its way into my...

















voodoojunkie:

"Shiver me tampons" needs to make its way into my parlance

25 Mar 19:39

The Wisdom of Star Wars’ Master Yoda Remixed by Eclectic Method

by Justin Page
firehose

eclectic method beat

Eclectic Method created a remix of the wisdom shared by “Master Yoda” in Star Wars, which is available to download online from Soundcloud.

We can’t all afford our own personal life coaches, so I’ve edited together the wisest nuggets from Master Yoda. Clear your mind, you must unlearn what you have learned and click play on this trip hop journey with the wisest Jedi of all time.

Master Yoda

image via Eclectic Method

submitted via Laughing Squid Tips

25 Mar 19:37

Fire Marshal Responds to Capacity Issues at Kelly's Olympian

by Ned Lannamann
firehose

continued

Yesterday we reported about the fire marshal severely limiting the capacity of a hiphop show at Kelly's Olympian on Saturday, March 22. Today, Portland Fire and Rescue Fire Marshal Nate Takara has responded with a clarification on the event under discussion, outlining the ongoing back-and-forth between the venue and PF&R which led to Saturday's capacity cap. Takara clarifies that the particular show was not targeted specifically, and that the show room at Kelly's Olympian has always had an occupancy limit of 49. I'll copy and paste Takara's response in full (with a few bolded phrases, emphasis mine).

Dear Mercury,

PF&R wants to take this opportunity to correct and enhance information in your piece regarding capacity regulations at Kelly’s Olympian.

The performance space with stage at Kelly’s Olympian has always had an occupancy limit of 49 people. It is a room with one exit which can create a hazardous situation when it is over occupancy.

On Feb. 21, 2014, PF&R’s Fire Inspector had a conversation with the manager during a fire inspection clarifying the occupant load of the bar and stage area.

On 3/12/14 our inspector sent an email to the manager stating “…just want to reiterate the 49-person capacity for your music venue…we have been having some trouble with outside promoters not doing a good job of sticking to occupant loads, most notably in small spaces such as yours, so wanted to make sure this was clear.”

Our inspectors revisited Kelly’s Olympian on the night of 3/14/2014 and during the fire inspection 120 people were found in a room with a 49 person capacity limit. Kelly’s Olympian was cited and fined. Kelly’s Olympian applied for a special events permit for the show you are writing about and asked to double the occupancy load from 49 to 100 people for the performance space. Based on the fact that the room has only one exit and the inability of management to heed occupancy loads during our inspector’s most recent visits, it was denied.

Our codes are based on best practices that have been tested over time and the result of some very unfortunate situations where people have been hurt. As you can see from the facts in this case, we tried to work with the venue and educate them about their occupancy limits in a way that was not connected to any scheduled performances at the venue.

Sincerely,
Nate Takara
Portland Fire & Rescue Fire Marshal

UPDATE: Lucia Appell, the general manager at Kelly's Olympian, has this to add:
The management at Kelly's Olympian was unaware of the legal venue capacity for years due to unclear wording on the posted sign. The Fire Marshal has since cleared up any confusion, and we are and will continue to be in compliance and cooperative. The Fire Marshal's office in this case was doing their job to keep people safe, and that is important to us. We would never deliberately put anyone in danger, for any reason.

[ Subscribe to the comments on this story ]

25 Mar 19:32

To replace drone strikes, US to give Yemen Hellfire-armed crop dusters

by Sean Gallagher
An Air Tractor equipped for combat on display at the Paris Air Show.

Looking to get out of the business of secret drone strikes against Al Qaeda members and others in Yemen, the US is preparing to give the Yemeni Air Force its own, somewhat lower-tech equivalent of the Predator and Reaper for carrying out “targeted killing” operations. According to documents obtained by Buzzfeed’s Aram Roston, the US will provide a squadron of 10 aircraft originally designed as crop dusters, which are now equipped for a wholly different sort of reaping.

The two aircraft manufacturers in contention for the Yemen Precision Strike Program are Air Tractor and Thrush Aircraft. The specs of the program call for two-crew member airplanes that are easy enough to fly that the Yemeni Air Force can quickly crew them up. The planes must also be able to carry surveillance and targeting sensors, ballistic armor to protect the crew from ground fire, and a load of weapons on six “hardpoints” on the wings.

While weapons are not part of the first round of deliveries, the ability to incorporate them is. The required weapons capabilities include the ability to launch or drop Hellfire missiles and laser-guided bombs. They should also be “capable of carrying/employing [a] .50 cal gun,” according to a US Central Command memo on the program published by Buzzfeed.

Read 1 remaining paragraphs | Comments

25 Mar 19:31

(via Twitter / MakingOfs: Gandalf checking his email …)

25 Mar 19:19

The Power Mitt, A Silicone Oven Mitt Based on the Nintendo Power Glove

by EDW Lynch

Nintendo Power Glove Oven Mitt

Pete Hottelet of Omni Consumer Products has created the Power Mitt, a silicone oven mitt styled after the classic Nintendo Power Glove. He’s pre-selling the gloves on Indiegogo.

Previous products developed by Pete include Fight Club Soap, Tru Blood O Positive, Stay Puft Marshmallows and Eau My Cologne Spray by George Takei.

Nintendo Power Glove Oven Mitt

photos via Pete Hottelet

submitted via Laughing Squid Tips

25 Mar 19:18

kqedscience: Neil deGrasse Tyson Talks Asteroids With...

firehose

video taken down for copyright, because of course it was

other links
https://www.youtube.com/watch?v=0BcxS3U-f6k
https://www.youtube.com/watch?v=oL0T8xho18w (cut off)



kqedscience:

Neil deGrasse Tyson Talks Asteroids With 9-Year-Old Boy In Michigan

During a question-and-answer session, a 9-year-old boy named Jacob got into a riveting exchange with famed astrophysicist Neil deGrasse Tyson on the various ways to stop an asteroid headed toward Earth. But the kid doesn’t simply ask his question, sit down and listen to the answer. Nope, he’s ready for this moment, peppering the host of the Fox TV series “Cosmos: A Spacetime Odyssey" with followup questions and alternate scenarios."

(via huffingtonposthttp://goo.gl/tnNgX7)

Truly inspiring to see this interaction.

25 Mar 19:16

You can't dunk a football because the NFL doesn't need human things anymore

by Spencer Hall
firehose

on one hand, hyperbole

on the other hand, of all the things to ban in football, this? really?

The NFL is banning dunking a football over the goalpost. In the NFL, football is a distraction, excitement is a danger, and eventually humans can be eliminated from the equation entirely.

The NFL has outlawed the dunking of the ball over the goal post, and now the NFL is great. Before I did not like anything about the NFL because my son could see Jimmy Graham dunking the ball, and my son would cry. Later, he would break into cars, and in jail would tell other inmates about the day he took the wrong turn in life -- the day he watched a man pretend to play basketball with a football, and his innocence died.

The crossbar can still be toyed with in other ways the NFL must address. The ball may not be used as a prop anymore, but players may still do pull-ups on the crossbar. They may mount it and perform balance beam routines, or even set up model trains along its length. It may be tapped in jest, or even mocked silently. Someone, some deranged deviant, could even perform a muscle-up on the bar, and contaminate the purity of the NFL with Crossfit. This disaster is real. It could happen.

This is what the NFL is now: 12 months of litigation and debate practice periodically interrupted by football.

This is what the NFL is now: 12 months of litigation and debate practice periodically interrupted by football. Far from the reputation of being stodgy on the field, the NFL is creative as hell with its legal jiu-jitsu. They sued MIA for over $16 million for shooting a middle finger during the Super Bowl halftime show, are fielding numerous possibly disastrous concussion lawsuits with panache, and are fighting the usual lawsuits from their own players and people hit with ice falling from their stadiums.

There's also players getting arrested-- something treated with a vastly different attitude than the poor, bedeviled owners of the league-- and free agency, and the draft, and talking about the salary cap, and rules decisions like this, and that random Tuesday when Merrill Hoge decides Johnny Manziel is going to be a bust. The issues the league's owners may have, like getting arrested for DUI or being investigated for toxic, discriminatory business practices by the FBI, are less publicized, and differently weighted.

And it's all product, at least the parts not focusing on the league's owners and their problems. This is nothing you don't already know, but the NFL manages to make you eat 10 pounds of soy filler for every gram of actual football meat you consume. Calling the NFL "They" at this point seems wrong. Let's call the NFL an "it," an impersonal, monstrous thing that stands somewhere categorically weird: part full-time law firm, part branding consortium, part etiquette council, and part massively gifted real estate scam.

Sometimes they play the distraction of football, and now you understand why you can't dunk a ball over the goalpost anymore. When you become something so inhuman as what the NFL is at its godlike size, the slightest trace of human excitement registers as an error, and must be eliminated immediately. In the end, Dr. Manhattan became so powerful he didn't need Earth anymore. When the godlike corporation of the NFL figures out a way to eliminate humans entirely from their equation, it won't either.

25 Mar 19:15

Minor league baseball teams won't stop wearing Star Wars jerseys

by James Dator

Someone is finally catering for the cross section of Star Wars fans and baseball fans.

In the case of our #StarWars Night jerseys on May 4, these ARE the droids you're looking for. http://t.co/bjnVjm3Bhr pic.twitter.com/9dYF1kj8SZ

— Durham Bulls (@DurhamBulls) March 25, 2014

The Durham Bulls are joining the throngs of minor league baseball teams to catch a timely case of Star Wars fever! Timely in the sense that it's a reference to a movie that's almost 40 years old. Now you can be a part of history by witnessing these R2-D2 jerseys on May 4... as in "May the fourth be with you."

It's following in a fine from a year ago and one that seems will stick around for a while.

The @MudHens (@tigers Triple A affiliate) will wear Chewbacca jerseys on May 4. #MLBFC pic.twitter.com/v6jyvRYYxZ

— MLB Fan Cave (@MLBFanCave) April 28, 2013

25 Mar 19:15

An Exclusive Clip From NatGeo's All-New Rifftrax Special!

by Rob Bricken

Yes, it's official — Mystery Science Theater 3000 and Rifftax's Mike Nelson, Kevin Murphy and Bill Corbett are returning to TV to make fun of some of the National Geopgraphic channel's programming in Total Riff-Off. And we're proud to debut this first-ever clip!

Read more...


    






25 Mar 19:11

This Is What the Penguin and Alfred Pennyworth Will Look Like In That 'Gotham' TV Show

by Andy Khouri
firehose

'with Pertwee’s Alfred described as “a tough-as-nails ex-MI6 agent from East London,” which is an image easy enough to map over “hard man” icon Michael Caine’s Alfred if he were a younger man and looked like Doctor Who.'

robin lord taylor oswald cobblepot penguin gotham tv series
What would the Penguin was a young, skinny bro without a monocle? This guy, apparently; an actor called Robin Lord Taylor. Best known for appearances in After Earth and The Walking Dead, Taylor will portray a new and seemingly deadlier version of the famous villain in Gotham, the forthcoming Fox television series based on the DC Comics characters.

Created by Bill Finger and Bob Kane in the 1940s, the Penguin — aka Oswald Cobblepot — is distinguished from other Batman villains in a number of ways. Most obviously, Oswald is a very unimposing figure, traditionally depicted as short, stout and extremely erudite, hence his being nicknamed after the regal aquatic bird. Additionally, he’s not really insane; at least not along the lines of the Joker and other famous Batman rogues, and unless you count a preoccupation with bird-themed crimes.

Gotham’s Penguin is obviously quite different physically, and has been described in press reports as possessing “the brains of a chess grandmaster and the morals of a jackal.” The  Penguin of the show is “a low-level psychopath for gangster Fish Mooney [a new character portrayed by Jada Pinkett Smith], and hides his sadistic lust for power behind an exquisitely polite demeanor.”

A decidedly darker interpretation than that of the comic books, but clearly a more photogenic one than Tim Burton and Danny DeVito’s cartoonishly grotesque take on the character in 1992′s Batman Returns, the last time we saw the Penguin performed in live-action.

Sean Pertwee Alfred Pennyworth Gotham TV Show

The Gotham Twitter feed has also released is a photo of Sean Pertwee in costume as Alfred Pennyworth, the English butler who raises the young Bruce Wayne following the murder of his parents in the first episode of Gotham. The show’s version of Gotham sounds like it’s taking a cue from recent depictions of Alfred in Christopher Nolan’s Dark Knight trilogy, Warner Bros. Animation’s Beware the Batman and Geoff Johns and Gary Frank’s Batman: Earth One graphic novel, with Pertwee’s Alfred described as “a tough-as-nails ex-MI6 agent from East London,” which is an image easy enough to map over “hard man” icon Michael Caine’s Alfred if he were a younger man and looked like Doctor Who.

Created by Bruno Heller (The Mentalist), Gotham also stars Ben McKenzie as Gordon, Zabryna Guevara as Captain Sarah Essen, Erin Richards as Barbara Kean, David Mazouz as Bruce Wayne and Camren Bicondova as Selina Kyle.

25 Mar 19:07

The God Engines Now Added to Humble Bundle 3

by John Scalzi
firehose

'joins Jumper by Stephen Gould, Uglies by Scott Westerfeld, Tithe by Holly Black', and Ryan North's To Be or Not to Be, and more

And, well, some horseshit by shitheads, but at least you can choose to crop them out from getting a cut

Here’s the cool thing: The God Engines, my Hugo and Nebula nominated novella, is now part of the Humble eBook Bundle 3, a collection of DRM-free electronic works. The God Engines joins Jumper by Stephen Gould, Uglies by Scott Westerfeld, Tithe by Holly Black, and several other books by some of the best science fiction and fantasy writers today.

And how much do you pay? Well, that’s the thing: You pay as much or as little as you like for the Humble Bundle. But the more you pay, the more titles you unlock — and if you kick in $15, you’ll get the audiobook version of Cory Doctorow’s novel Homeland, narrated by Wil Wheaton (who has a book of his own in the bundle). $15 for eleven titles in total is not a bad deal at all.

And, when you buy the Humble Bundle, not only does your payment go to the authors, it also goes to the SFWA Emergency Medical Fund (supporting science fiction and fantasy writers when they get into medical scrapes) and to Worldreader, dedicated to increase literacy worldwide. Two good causes, supported by this one bundle.

If you want this bundle — and why would you not? — move quickly: It’s only available for one more week.

Again, here’s the link. Happy reading!


25 Mar 18:48

Early source code for Microsoft's MS-DOS and Word will be preserved in a museum

by Valentina Palladino
firehose

of all the things to preserve

Microsoft announced today that it's partnering with the Computer History Museum to make the source code for early versions of MS-DOS and Word for Windows available to the public for the first time. The released code will be part of an ongoing project by the museum to collect and preserve some of the most widely used software of the early days of computing, and make them accessible to developers.

Microsoft's MS-DOS began when the company was approached by IBM to work on a project codenamed "Chess." Microsoft originally provided a BASIC language interpreter to IBM, but then was asked to make an operating system. The company ended up making two versions, licensing PC-DOS to IBM, and reserving MS-DOS for other PC manufacturers. Word for Windows was released in 1989, and within four years it was generating half the worldwide word processing market's revenue.


A museum has to work hard to acquire original code

Developers are getting a huge teaching tool with the release of this source code, but museums are also winning big. It's not easy for an institution to gain original source code: MOMA's senior curator of architecture and design Paola Antonelli explained in her TED talk last year that while she worked hard to bring installations of Pac-Man and other video games to the museum, the endgame will always be to preserve the code. Technology companies are often very skeptical about handing out the source code for any program, and it can take years of work and discussion between the companies and museums before the code is released. Could early versions of Windows be next?

25 Mar 18:42

Fuck Yeah Bookmobiles

25 Mar 18:38

Making games is easy. Belonging is hard. #1ReasonToBe

by Squinky
firehose

'My game, Dominique Pamplemousse in “It’s All Over Once The Fat Lady Sings!” was nominated for four IGF awards. I didn’t actually win anything, but instead of being disappointed like a normal person would be, I felt relieved.

Who feels relieved to lose? I mean, seriously.

The thing is, being recognised for awards like the IGF means being seen. And being seen, when you’re a person who looks like me, is a double-edged sword. The more attention and notoriety I get, the more I start wondering when all the 4Chan trolls are going to come out and get me. Like they’ve done to, oh, pretty much every single person I like and respect in games.

I’ve already started to see them pop up on Steam. I know they’re just trolls, and I’m just supposed to ignore them. But honestly? I’m terrified.

Maybe it’s better to be invisible. I know invisible. I can live with invisible.

My name is Deirdra Kiai. It was given to me by my parents, and I like it because no one else has it. It’s memorable. It’s a name that makes you stop and go, wait, how do you spell that? It’s a product of the great big mix of cultures in which I was brought up. It’s a name that says so much about who I am and where I come from.

My friends, however, call me Squinky. I firmly believe that everyone should have the opportunity to pick a name of their own choosing, and I found Squinky when I played The Secret of Monkey Island as an impressionable preteen. Somehow, it just fit. It’s cute. It’s gender-neutral. And being born with a name like Deirdra Kiai is, in many ways, a lot like being named Guybrush Threepwood.

It’s also worth mentioning that Monkey Island was the game that first made me understand the potential of games as a way to tell stories. While I’d already been making art on computers ever since discovering MS Paint at age three, it was after playing Monkey Island that I was like, yes, this is the thing I want to be doing with my life.

And that’s exactly what I’ve done. I released my first completed game in high school. I got an industry job right out of undergrad working on a game with Ron Gilbert, the guy who created Monkey Island. If anyone was a great fit for the game industry, it was me.

Except, the truth is, I wasn’t. I’m not. I don’t think I ever will be.

Making games is easy. Belonging is hard.

Okay, if you’ve ever made a game before, you know it isn’t really easy. But compare that to not fitting in, not being one of the guys, AND not being one of the gals either… well, I could make a million games with the energy that trying to belong takes out of me.

I hate how people who aren’t straight white cisgender men are treated in the game industry. I hate that so many women can’t come to a professional event without getting hit on by some creepy dude… and I hate that it never, ever happens to me. I mean, who even thinks this? Shouldn’t I feel happy that I’m not getting hit on? No, I feel like shit. I start to wonder, what’s wrong with me? I clearly don’t look manly or bearded or stubbly enough, so I don’t get to be treated like a real human, but I’m also not hot enough for any of their creepy attention. I’m like invisible or something.

And it’s not just true of me; it’s true of all manner of us who don’t fit a certain young, thin, white, femme, able-bodied heteropatriarchal beauty standard.

The double bind of, if you’re hot enough, you get to have your hard-earned accomplishments diminished, and if you’re not hot enough… well, you’re defective. Disgusting. Completely irrelevant. Heads, they win, tails, you lose.

Making games is easy. Belonging is hard.

I’ve always had the sense that people can’t quite place me. I make people uncomfortable because I don’t fit neatly into a demographic. Marketing departments don’t just completely ignore me, they don’t even believe I exist.

Like any other media, games were never meant for people like me. They were always someone else’s story. And because of that, all I worked on were other people’s stories, too. I couldn’t make games about myself because I didn’t even know who I was. How could I? I never saw myself represented anywhere, so how could I even see myself at all?

Making games is easy. Belonging is hard.

I learned to push and shove my way in, because I was afraid that if I didn’t, I would disappear. I became one of those outspoken angry feminists everyone loves to hate, daring to say out loud all the things everyone else was silent about, because they didn’t want to burn any professional bridges. The one they always privately claimed they agreed with, except, you know, we still want to be marketable to gamers.

I became their scapegoat. I was willing. I was young, foolish, and had nothing to lose.

I didn’t last in the industry very long, as you can probably imagine. I was pushed over to the margins, where I quietly worked alone on my own projects, desperately struggling to find my voice.

They could exclude me all they wanted, but they couldn’t stop me from making games.

When I was 25, I started playing a browser-based RPG called Echo Bazaar, which has since been renamed to Fallen London. As I created my character, I discovered that, along with the standard “man” and “woman” options, I could also choose to be a “person of mysterious and indistinct gender”.

When I realised that choosing that third option felt more right than anything, that I didn’t have to be a defective woman or a defective man but just myself… something inside me just unlocked. Slowly but surely, I started to dress and present differently, so that when I looked in the mirror, I started to see someone who looked more like how I felt.

I started to embrace the use of singular they. Who cares if it’s grammatically incorrect?

And all these feelings that were bubbling up got poured into a game of my own, a game in which I vented my frustrations with binary categories, my desire to be seen as a person, not a stereotype… and that game later went on to be nominated for four IGF awards.

And now I’m here.

But the truth is, I don’t think anyone can fully be described by a gender or a race or a sexuality or any other limiting category. I think there are as many target audiences as there are people.

One day, I want to see a game industry that understands this. I want to see a game industry that tells its young and up-and-coming developers that their stories are valuable, that their unique creative voices are worth cultivating. I want to see a game industry where people are still making games when they’re old. I want it to be okay to make things that are authentic and true and weird. No — not just okay, but important.

I’ve been able to do these things, but only in spite of the industry’s social pressure not to. Imagine what I could have done if I’d been encouraged instead of ignored. Imagine how many other brilliant, talented people could be making weird, wonderful games along with me.

Last year, I was at Anna Anthropy’s reading of Cara Ellison’s poem, Romero’s Wives, at the rant panel, and suddenly, I started crying. Not just tearing up, but full on bawling. I’d realised at that moment that things are, in fact, starting to change. There are so many of you here, right now — artists, critics, academics — who stand for the things I stand for. It’s like I was waiting for you all this time, and now you’ve arrived. Now we’ve arrived.

Belonging is hard. But maybe it doesn’t have to be.

Thank you.'

Courtney shared this story from Deirdra Kiai Productions:
I love Squinky, the end.

GDC 2014, the most overwhelming GDC I have ever experienced, has come and gone. I saw many friends, too numerous to list, and met even more amazing people. At the IGF Awards, Dominique Pamplemousse lost to Papers, Please, DEVICE 6, and Luxuria Superbia, and I feel quite all right with that, because they are all very worthy games and I’m more than flattered to even be in their company. Later that night, I crashed the Wild Rumpus party with my one-euphonium guerilla marching band.

But the most significant — and most nerve-wracking — thing I did, by far, was stand alongside a group of some of the most awe-inspiring women in games and give my #1ReasonToBe talk. It received a standing ovation and more people than I can count came up to me afterwards and told me that they related to it, and that it moved them to tears. I am beyond humbled. I’ve spent so much of my time in games feeling like the odd one out that I’m still trying to process what it means to call that into question.

Below is the full text of the talk I gave.

(more…)


© Squinky for Deirdra Kiai Productions, 2014. | Permalink | No comment

25 Mar 18:38

sun-praiser: really really important

Courtney shared this story from toxoplasm.



sun-praiser:

really really important

25 Mar 18:34

Spicy

by Priya Alika Elias
firehose

frank's red hot is fucking weak sauce

Courtney shared this story from The ToastThe Toast:
"I think to myself, White people conquered our country for spices that they don’t use."

My first week in America, I poured half a bottle of hot sauce into my food.

“Wow,” said my dining companion, a girl from Connecticut who rode on the equestrian team. “I can tell you’re not from here.”

I laughed. “Because I like hot sauce?”

“No, but you just put so much of it into your food – I like my food much more delicately seasoned than that. That’s why I can’t handle curry. It’s just too much, it upsets my stomach.” She shuddered, as if reliving a bad dream.

I put the bottle down on the table, and stared down at my plate, covered in tell-tale red. I don’t tell her that curry is a Western construct, one that you wouldn’t find on any Indian menu. Instead, I feel ashamed, as though I’ve been caught with my hand in a cookie jar at midnight.

From now on, I vow, I will be much more discreet.

*

I grew up on spices.

imagesIn middle school, a boy teases me for being named after a famous Indian brand of pickle. Pickle in India connotes a mix of vegetables and fruits preserved in brine, bottled for convenience, served at every meal. He asks me if I like Priya Pickles. I laugh and tell him that yes, I love Priya‘s hot lime pickle. He blushes, unable to think of a comeback.

Every Indian kitchen has an extensive pantry of spices; a silver dabba, or container, holds the most commonly used spices. I’ve never been good at cooking, but I’ve been in the kitchen enough, peeked over my mother’s shoulder enough to know what each spice tastes like. There’s cinnamon, clove, coriander seeds, different types of cardamom that are each as fragrant as flowers. Fenugreek, fennel, nutmeg. Asafoetida so pungent that more than a sprinkle will ruin your dinner. Crushed chilli powder that is red as sindoor, the powder that new brides rub into their hairline. These are always dusted into the rice that my mother serves, always on the table as an accompaniment to whatever we eat. My favourite is the cumin seed, that I learn how to roast and mix into the iced yogurt drink we make every summer.

I don’t have much of a sweet tooth, though Indian sweets deserve their own hall of fame. For dessert, like, my father, I eat tender green mangoes with salt and chilli powder. The taste is mouth-puckeringly sour. Between the two of us, we polish off every mango in the freezer without so much as a stomach-ache to show for it. My mother sighs when I drown my food in spices to make it extra hot, a trick I picked up from him.

I’ve only ever lived in places where I could find my beloved spices: London and Delhi and the Middle East. Wherever I went, I found Indian grocery stores that stocked jars and jars of spices or dried whole chillies that I could take home and crush into my food. In London, I eat at little Indian restaurants when I’m homesick. In Delhi, I bite into the corn which the street vendors rub with their own concoction of rock salt and potent spices. In Muscat, I eat falafel and kebabs and hummus spicier than anything you’d find in a store.

In India, a man catcalls me on the street. He says: “You’re a real masala girl.” He means I’m hot, but I like to think of it as spicy.

*

images-1In America, I go to college in a tiny town, and for the first time there is no Indian grocery store that I can raid to get my fix. I make do with the poorest of substitutes: a bottle of generically-labelled “Curry Powder”; extra jalapeño peppers on my pizza; bottles of Frank’s Red Hot.

When I order Chinese food with my friends, I get the hottest thing on the menu. It’s still not hot enough for me. But when my friends taste it, their eyes water, and they yell at me for not warning them.

“Really?” I say, spooning more into my mouth. “It doesn’t taste spicy at all.”

They scoff.

“You should try the ghost pepper,” they say, “the hottest spice in the world.”

“I’ve already tried it, ” I say. “It’s called the bhoot jolokia. It’s Indian.”

“Crazy girl,” they say, shaking their heads at me. “Crazy.”

*

Quickly, I learn the jokes that they use for Indian people: the jokes that are somehow always connected with our food.

Curry-eating Indians, they say. They hate Indian food, how the smell gets into everything. White people tell me they’ve been to India and lost, like, twenty pounds because they got diarrhoea.

I laugh awkwardly. I don’t eat Indian food in front of them. I leave the bottle of hot sauce unopened, and learn to eat meals that don’t taste like anything. The only seasoning I use is a dash of salt.

I forget what spices taste like.

I think to myself, White people conquered our country for spices that they don’t use. I am amused by the irony of it.

*

As I grow older, I meet different kinds of people. Not all of them are on the equestrian team.

I date a white boy, who takes me to dinner and asks whether I want to eat Indian food.

I raise my eyebrows at him.

“You like spicy food?”

“Sure,” he says.

I am skeptical. At dinner, I ask the waiter for food as spicy as possible. He is delighted to meet another Indian in our little town.

Suno,” I say, summoning my bad Hindi to my aid, “bahut teekha, ji. Samjhe? Dhanyavaad.”

Listen, sir, I’d like it very hot. Know what I mean? Thanks. 

My date scrunches up his face a little when he tastes the chicken. The waiter has, indeed, been generous with the spices. I bite my lip.

“This is good,” he says. “Very good. The real deal.”

Manfully, he chokes it down. His cheeks are a vivid shade of red, and he drinks his glass of water in one go and asks for another. I burst out laughing, and he joins me.

*

Little by little, I reclaim my love of spicy food.

I grow feisty as the spices, rebellious as the taste of pepper on your tongue. Whenever I come across someone who doesn’t like Indian food, I tell them it’s their stomach that’s weak, not my taste buds that are too strong. I tell people that Indian food is no less crude than European cuisine merely because it’s more flavorful.

I eat food in combinations that only a pregnant woman would think of. I order Bloody Marys and dirty martinis when I go out, because I like my drinks to be as delicious as my food. I make friends with people who love the same kind of food I do, the kind of people who rush out and buy sriracha when they hear there might be a shortage.

I move to a big city, where I can have Indian food whenever I crave it, which isn’t often anymore. Usually, I’m happy with a bottle of Frank’s Red Hot. I keep bottles of it in my kitchen in plain sight, unashamed.

Read more Spicy at The Toast.

25 Mar 18:21

If you've ever been interested in LARP this Sunday will be a good time to check out Amtgard.

There is going to be a good-sized (50 or more people), free, open to the public event at Clackamette Park. Anyone who shows up and wants to give it a try is welcome to come out and play that day, there will be plenty of loaner gear available.

Clackamette Park, Oregon City, Sunday, 1 pm

submitted by ceian
[link] [11 comments]
25 Mar 18:19

Lithograph, from ca. 1754, showing Martin Luther burning the...

firehose

fuck the pope and/or police



Lithograph, from ca. 1754, showing Martin Luther burning the Papal Bull excommunicating him in 1520, while the surrounding vignettes show episodes in his life and other heroes of the Reformation

25 Mar 18:13

Photo

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via willowbl00



25 Mar 18:01

OWS Founder Now Works For Google, Wants Schmidt Appointed 'CEO Of America'

firehose

aaaaaaaaaaaand here's why nobody listened to Occupy

Justine Tunney, a Google software engineer, is demanding that the tech industry take over the U.S. government.
25 Mar 17:56

griffstream: - hellooooo Monday…

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via Toaster Strudel via Carnibore



griffstream:

- hellooooo Monday…

25 Mar 17:54

4chan | b41.png

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via Osiasjota

b41.png
25 Mar 17:54

DC Comics | d31.png

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via Osiasjota

d31.png
25 Mar 17:54

Image Macros | 783.jpg

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via Osiasjota

783.jpg
25 Mar 17:54

9gag | 7ed.jpg

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via Osiasjota

7ed.jpg
25 Mar 17:50

Smiley Face Screws by Yuma Kano

by Christopher Jobson
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via Bunker.jordan

:)

Smiley Face Screws by Yuma Kano tools humor

Smiley Face Screws by Yuma Kano tools humor

Smiley Face Screws by Yuma Kano tools humor

Smiley Face Screws by Yuma Kano tools humor

The next time you grab the toolbox for a quick home improvement project, forget boring old flat or Phillips head screws, these happiness-inducing screws are guaranteed to put a smile on your load bearing beam. Screw :) is a collaborative project between Japanese designer Yuma Kano and a screw factory called Komuro Seisakusho in East Osaka, Japan. Kano began thinking about the potential to infuse emotion into small, ubiquitous objects like screws, the design of which has rarely changed since its invention. Of course smiley face screws aren’t meant as a replacement for more standard designs, but would make a fun detail for smaller projects or areas where a screw might be more visible. You can see much more over on his website. (via NOTCOT, Designboom)