Shared posts

22 Jul 01:19

Suppose you tell me darlin’ — who do you think I think I am?

by Sophia, NOT Loren!

I laughed at both of my older brothers as I watched them go from most of their lives griping about how they’d never have kids, they’d never want kids, they didn’t understand how anybody could want kids… to settling down and raising families of their own. My oldest brother has… 9 or 10, I think? One adopted, the rest carried by his wife.  I remember the same thing with my next-younger sister, there was no way she’d have kids… and now she has two, and is happy.

And now I’m standing in the mirror wondering what’s happened to the woman I knew, the one who used to casually joke about how “I love kids! Just gotta tenderize ’em first, back the van over them a few times works well, then marinate overnight and grill for dinner!”  Wondering what happened to the rage that accompanied being in the same room as any child under about 12, and the frustration that came with every sound they made.  Wondering what happened to the woman who would cross the street when someone came walking along pushing a stroller, or leading a toddler or two along. Because that’s the woman I keep expecting to see…

…but instead I’m looking at the reflection with a puzzled look, because the woman I see looking back at me can see herself settling down, can see herself not only as a housewife (and that’s something I’ve hoped to be for many years) but as a mother helping to raise her children.  Not just “can see herself” doing these things, but genuinely wants to do these things.  It’s a very, very weird feeling, and although I know that I’m the woman looking back, I’m kind of wondering “who are you, and what have you done with me?!”


Filed under: General
22 Jul 01:19

A love sonnet

by Sophia, NOT Loren!

Someday the world will see our love as such
And understand the beauty that we share
No whispering (afraid to speak too much!)
No more denying what is plainly there
We know the feelings deep within our hearts
And seek out other hearts who beat the same
Such agony, such doubt! When first we start
Alone, we dare not even use love’s name.
We reach out — only subtle hints we leave.
We speak in riddles, deftly-chosen words
Which give a sign to those who would receive
Then echo back, with recognition heard.
Such little choice: to love in secrecy,
Or brand ourselves as monsters openly…


Filed under: General Tagged: censorship, coping, drama, fear, friends, hopes and dreams, lies, literature, love, poetry, rants, relationships, sex, shame, silence, sonnet
22 Jul 01:19

But now, she doesn’t live here anymore

by Sophia, NOT Loren!

Something wonderful: a delightful sexual encounter where all parties involved were satisfied and enjoyed themselves, where everything that happened was comfortable and communication was clear and direct.

Something horrible: Waking suddenly from sleep in the middle of that night in a cold sweat, with a knot of dread in your belly and your mind racing as you go over each and every single part of that beautiful encounter, trying to second-guess yourself, afraid of what you’ll be chastised for, what things might count as ignoring consent (and finding nothing,) which things might possibly be construed as unwanted violence (still finding nothing) or violation of boundaries (and still empty-handed, but still scared)…

…before your rational brain kicks in to remind you that it wasn’t your ex that you just were in bed with, and you’re not dealing with them anymore.

Yet another reminder that breaking up with MFP was the right decision, and that it will still take time to heal.


Filed under: General
22 Jul 01:19

I still haven’t found what I’m looking for.

by Sophia, NOT Loren!

So there’s this guy, floating in the ocean, barely clinging to a piece of driftwood.  He’s been floating out there for a while, doesn’t know where the nearest land is, sometimes isn’t even sure he can keep his head above water.  But somehow he’s made it several days…

Then this little speedboat comes along, with a few people inside! The guy gets their attention, they slow down next to him and circle around with the motor running, asking the guy how he’s doing, finding out about the situation that ended up with him out here floating, asking what he needs.

“A way to get myself out of here and back on dry land, well — that’d be really great!” the guy says.

The folks on the speedboat rummage around through their belongings, and find — brand new, still in box, inflatable raft, with motor attachment! They toss the box out to the guy, kick their engine back into gear, and speed off, calling behind as they go, “Hope that helps!”

As the cardboard of the box soaks through and the weight of the package pulls it underwater, the guy catches a glimpse of the “fine print” on the box:

INFLATION REQUIRES 120-VOLT AC OUTLET. DO NOT USE 240-VOLT POWER SOURCE! GASOLINE FOR MOTOR ATTACHMENT NOT INCLUDED. USE UNLEADED FUEL ONLY.


I find myself frequently frustrated by situations where the “help” being offered is much the same as the life raft tossed at the guy in my little story there.  And even when the speedboat folks hang around for a few after tossing the box at me, it’s difficult to try explaining why the “perfectly good help” they just gave me won’t work, doesn’t suit my needs, requires help beyond what they’ve given in order to be of any use.

Me: I’m looking for housing…

Them: Oh! The county you’re in should have resources for that, look on their website (gives URL) — check under “Low-Income Housing!”

Me: Well, actually, I’ve looked into that before, it has a page where they say that their waiting lists for Section 8 are closed, and their directory of “Low-Income” places are all out of my price range… by about 300%.

Them: Well, you could call their number and ask them to figure it out for you!

Me: Except for the huge anxiety around making a cold call to an automated system or a complete stranger, enough that doing so often sends me into a panic attack that spirals out of control and leaves me unable to accomplish much of anything that day, including essential stuff like eating…

Them: Geez! You have excuses for everything, don’t you?! Fine… if you don’t really want help, that’s your problem. I tried, at least.  I tried…


Reminding people over and over of the same things I’ve already told them gets exhausting.  When I’ve told the same person for the 5th or 6th time that I don’t have a magical power outlet in my pocket while I’m floating on a bit of driftwood, I start to lose my patience.  No, I can’t plug in the inflation pump for the raft.  No, I can’t charge my cellphone in its waterproof container, even though I do have the cord.  No, I can’t do anything with the strand of blinking holiday lights you’re offering, though I do see where you’re going with the idea.  No, I already explained why I can’t plug in the inflation pump on that raft.  Yes, I realize it’s a very nice model, it’s not a matter of lacking gratitude! I just can’t do anyth– oh, fuck it. And fuck you, too.


Filed under: General
22 Jul 01:18

“I’m mad as hell, and I’m not going to take it anymore!”

by Sophia, NOT Loren!

1.

I have been taught to fear anger.  Anger is unsafe. Anger is unstable. Anger means maybe shouting at someone, and shouting is violence, and violence is never acceptable. Anger means maybe saying something unkind, and unkindness is sinful, and sin leads to misery, and my existence is supposed to be joyful and peaceful — if not now, then after I’m dead. But not if I get angry.

2.

“Anger is a secondary emotion,” says my dad. He explains that its only purpose is to cover up the primary emotion, the real one, the one that actually matters. Anger isn’t useful or legitimate, only the emotion underneath. “A kind word turneth away wrath,” he reminds me, quoting from the bible. Outdated psychology and conservative Christianity go hand in hand.

3.

Anger means feeling anything when the other option is feeling nothing. I’m good at getting angry all through my teens, when the depression is so bad that I’m sleeping at least 17 hours a day. When I’m awake, I eat a little bit, I empty my bowels and my bladder, and I get angry. I get everyone else in my family angry. Being pinned down on the floor by both my parents so I can’t hit or kick anyone or anything, while I scream every profanity I know — just an average weekday night. My sister off in her room crying would have to wait until someone finished dealing with me, until I was all worn out and only able to bawl my eyes out about how horrible the world was.

4.

I’ve been called a “human tape recorder;” my ability to parrot back pieces of conversation nearly verbatim has been extremely useful throughout my life. When I get angry, I feel like that “tape recorder” gets switched off — if I’m in a situation where I’m angry and interacting with someone, I may be able to talk about the general idea of what happened, but I won’t have the exact words that were used.

“If everyone carried tape recorders, the world would be a safer place!” That was me at the family dinner table one night, and for years afterwards that was my family quoting it back with a laugh. My naive little mind thought that if it were simple to prove “yes, that’s exactly what I said, you can’t lie about it,” then there would be less anger, less yelling, less violence. A safer place.

5.

It makes me angry to know that I’ve been lied to throughout my life. Getting angry is not only acceptable, it’s even expected in certain situations. What’s my response to betrayal? What’s my response to physical assault? What’s my response to a verbal attack? I was taught that the “right” answers were forgiveness, offering myself for further assault, and a quiet smile with an expression of gratitude and an apology. Lies — all fucking lies. The answers are anger, anger, anger.

6.

I rarely say what I really feel when someone hurts me. I’m too good at burying my response until I no longer feel the same way, and then offering something sweet and palatable in my answer, and finding a way to smooth things over. Instead of “What the fuck?! Just yesterday I spent  almost 15 minutes pleading with you to keep me in the loop with scheduling, because being isolated and trapped and dependent on you to escape is a really scary position to be in, and you’re making it worse by leaving me with even less control!” — my response is more like “Hey, it was frustrating to not know what your plans were today; it would really be useful to know what’s going on, if you could… please? That’d be great. Thanks.” Instead of “Get your fucking hands off of me — that’s the third time I’ve told you, and I’m not buying your ‘I forgot, and I didn’t mean it as disrespect’ bullshit excuse this time. Touch me again and lose a finger, motherfucker.” — my response is “Um, if you could do me a favor? Please don’t touch me without asking first. Yes, I know you’re just a touchy-feely kind of guy. Yeah, I get it, you’re being polite, you’re a hands-on kind of person, okay, but please don’t do that with me. Yes, I’ll remind you if you slip up, no worries.”

7.

There’s plenty to be angry about. The world is fucked in so many ways. Racism, sexism, violence, destruction, war, murder, poverty, institutionalized injustice. Everywhere you look, there’s something to make your blood boil. “If you aren’t outraged, you aren’t paying attention,” says the bumper-sticker wisdom. Anger can motivate you, get you DOING something, get you Making A Difference! What happens when anger is the only thing you feel? What happens when anger is your default state? Don’t you get exhausted under the weight of all that anger? Maybe you’ve been lied to, also. Maybe you’ve been told that if you stop being angry, it means you’ve stopped caring. That it means you’re not doing any good. That you’re letting down the people who still do care. Well, maybe I’m letting somebody down, but I can’t run on all anger, all the time. I’ve learned how to get angry about lots of things, but none of them have been things that benefit me in the short term. Yeah, maybe all that anger will someday make the world a better place, and I can still tap into that anger when I need to, still use it for motivation, but I can’t — I won’t — stay that way, live my life that way.

8.

Fuck you. I’m glad you saved me the hassle of cutting you out of my life; I was wringing my hands over how to proceed when things got bad enough, knowing I’d have to reluctantly do away with a source of income along with gladly ridding myself of someone I had grown to hate. I was miserable, trying to pretend to be someone entirely different from myself in order to smile and have lunch.  Starting at least 24, sometimes 48 hours before your scheduled arrival, I overhauled my personal space, made it into a hollow shell and a mockery of what it would be if it were kept for my own comfort, because it was easier than dealing with the same complaints and the same lectures full of disapproval all over again. You had plenty to say about how I was wrong, what I needed to change, the things that made you angry about me.  You always had plenty of anger about plenty of things. I prepared myself mentally and emotionally for the minimum of one verbal fight during each brief time we spent together, and made sure to have a friend available for aftercare, someone who didn’t make me want to scream, someone who didn’t leave me angry. You saw very little of my anger. You saw even less of some beautiful things about me — things I had to hide from you. And there are some things you never saw, never knew, never will. There are things that you would hate me for, and I’m glad I don’t have to worry about hiding them from you anymore.

9.

You’re an idiot. I’m glad I got the chance to see just how clueless you are before I invested any more of my wasted energy on you. How many times can you repeat a backhanded compliment before you hear the insult you’re delivering? You haven’t seemed to pick up on it yet, and I’m not holding my breath. There are things you’ll never know about me, either, and in fact they’re some of the same things as #8. There’s not a chance in hell that I’d tell you some of my most wonderful secrets, not when you take every opportunity to steer — and by “steer” I often mean “hijack” because you lack the capacity for anything resembling subtlety or planning — any conversation to loud condemnation of everything to do with those very things which I hold most dear to my heart.  You would see me dead if you knew who I really am, and I can’t claim that’s hyperbole.

10.

I’m continuing to realize just how angry I am with you. Just how deeply you wounded me, just how much I opened myself to you to be crushed even more. A relationship built not only on the inability to trust, but on the inability to even talk about trust, isn’t much of a relationship.  You found every reason for why it couldn’t work, from the most sensible to the most ridiculously far-fetched fantasy fiction scenarios. I should have listened instead of pouring myself into you. I don’t have enough confidence and self-worth and motivation and hope to fill a bottomless pit, not even enough to fill the deep tub that you’re continually opening the drain under. I lost myself in you, so much so that I was shocked to find myself the moment that I walked away.

11.

Anger is a tool, and like any other tool it can help and it can harm, depending on how it is used. Sometimes it can do both with the same use. Keeping in mind my goal of seeking pleasure first, and constantly evaluating the harm or good that results as second to that, I will use anger as I need to — I’m still working on getting better at doing that, but it’s most of a lifetime of learning to undo. Some of the things I’ve written in this post are things I should have said long before now, things that I no longer have the chance to say because I’m not as good at using anger as I would like to be. That will slowly change, I hope, with time and with effort.


Filed under: General
22 Jul 01:18

You don’t know how hard it is to be a woman in love with you

by Sophia, NOT Loren!

I have frequently found it amusing
and also somewhat confusing
that so many people would ooh and ahh
over what they saw as my

constant
consistent
compersion

(or “frubble” depending on who you ask; same thing.)

I can’t count the times
I heard from someone close
that they were amazed at how
I’m apparently never

jealous
bitter
pissed off

about relationships, about who has or who doesn’t
never passive-aggressive, manipulating,
cold and calculating

it’s funny that they offer such high praise
and bizarre that they don’t ever gaze
at even the surface of what they see
and certainly never beyond it

I’m an incredibly jealous and bitchy woman
I’m angry at what I lack when everyone around me
has in unappreciated excess
I throw verbal daggers with precision
meant to wound
but not fatally
just enough to leave a lasting scar
an old ache that will linger
years later

don’t tell me how much you admire in me
something I never have possessed


Filed under: General Tagged: compersion
13 Jul 13:13

Competitive Marketplace

by Brandon Hicks
13 Jul 13:12

Elmer Bischoff’s Haunting Figurative Paintings

by John Yau

Elmer Bischoff, “Motgomery Block” (1956-59), oil on canvas, 30 x 40 inches (all images courtesy George Adams Gallery)

The curator and art historian Susan Landauer met Elmer Bischoff in 1985, while she was a graduate student at Yale, and this encounter helped lead to her first book: The San Francisco School of Abstract Expressionism (1996). Landauer went on to organize his retrospective, Elmer Bischoff: The Ethics of Paint, for the Oakland Museum of California (October 31, 2001–January 13, 2002). In her essay for the retrospective’s catalogue, she called Bischoff part of the “Bay Area Figurative triumvirate.” The other two members were David Park and Richard Diebenkorn.

This is how the poet and art critic Bill Berkson defined the relation among the three painters in his “Introduction: The Searcher,” which was also included in the Oakland Museum of California catalogue:

If David Park was the classicist of the founding triad of the group, and Richard Diebenkorn the modernist, Bischoff was the romantic. (Such distinctions seem a bit fussy, however, when you consider that all three were typical American moderns in the pastoral mode.) Park continued painting figures until his untimely death at the age of forty-nine in 1960, whereas over the next decade and a half, first Diebenkorn (in 1967) and then Bischoff (in 1972) returned to abstraction, albeit markedly different from the kinds they had practiced in their youth.

Elmer Bischoff, “Figure with Tree” (1972), oil on canvas

Unlike Park and Diebenkorn, Bischoff has never been embraced by New York, and has never had a museum show in this city. I think Berkson gets at one reason why in his characterization of Bischoff as a “romantic,” suggesting that there is too much swoon and idealization in his figurative paintings, and not enough intellect and urbanity for a New York audience, which was raised on the work of Alex Katz, Fairfield Porter, and Jane Freilicher (all of whom Berkson has championed).

How else to explain why Elmer Bischoff: Figurative Paintings at George Adams Gallery (June–August 2015) is, according to the gallery press release, “[the first] New York exhibition in 25 years to feature Bischoff’s figurative paintings.” Over the years, I have admired Bischoff’s paintings and drawings, which I have seen in museums and at group shows in galleries, mostly on the West Coast, but I had never seen a large group of his figurative paintings, for which he is best known. If anything, the exhibition at Adams reminded me that Bischoff is the least known of the triumvirate on the East Coast, as his late abstractions have also seldom been seen here.

The eleven paintings in the exhibition date from 1954 to 1972, covering all but the first two years that he worked figuratively. I found the experience paradoxical: happy to see paintings from different phases while simultaneously wishing that there could have been a larger selection in a more spacious setting. Bischoff may have gotten his due in San Francisco, but he certainly hasn’t gotten it in New York, and I hardly think of him as a regional painter.

Elmer Bischoff, “Playground” (1954), oil on canvas, 68 x 55 inches

The paintings could be divided into roughly three periods. The color of Edvard Munch is an obvious influence on use of sickly greens, dark crimsons and burnt oranges in “Playground” (1954), the earliest work in the show. Henri Toulouse-Lautrec likely inspired the woman’s face in the upper right hand corner. At this point, Bischoff was basing his paintings on preparatory sketches, and had not yet figured out how to incorporate the improvisational methods we associate with Abstract Expressionism into his figurative works.

What I find interesting is that Bischoff, by drawing inspiration from late 19th century symbolism and Postimpressionism, seems to be going backward, instead of forward. The largest figure in “Playground” is in a pose of slumped dejection — she feels left out, while the two girls to her left, in the middle ground, are happily flying kites. States of isolation — what we might call the dark side of domesticity and community — are recurring themes in Bischoff’s work. They are also areas avoided by his painterly New York counterparts, where many figurative artists aspired to achieve the cool detachment of the Pop artists and Minimalists.

In the cityscape, “Montgomery Block” (1956-59) and the genre painting, “Woman Getting a Haircut” (1962), it is evident that Bischoff has looked carefully at the work of Edward Hopper and other artists who were focused on ordinary life. One reason Bischoff abandoned abstraction was because it was becoming too hermetic, perhaps due to the influence of Clyfford Still. Bischoff is best known for his paintings from the mid-1950s to the late ‘60s, which focus on anonymous figures, usually in urban settings. “Woman Getting a Haircut” fits comfortably into that category. The sumptuous paint handling, moody palette and pearly light could not have been done by anyone else. Is it because of their relationship to Edward Hopper that these paintings are not better known in New York?

What is missing from this exhibition is an example of the violent seascapes that Bischoff did during the mid-‘60s. A good example is “Blue Clouds” (1963), which is in the collection of the Art Institute of Chicago. However, by including such figurative works as “Figure at Window with Boat” (1964) and the later mythic paintings, “Figure, Boat, Clouds” (1971) and “Figure with Tree” (1972), the exhibition suggests that there are more sides to Bischoff’s figurative paintings than his urban scenes, and the full extent of what he did between 1952 and ’72, is still unknown, particularly on the East Coast.

Elmer Bischoff, “Figure at Window with Boat” (1964), oil on canvas, 91 x 79 1/2 inches

In the apocalyptic “Figure at Window with Boat” (1964), a woman leans on what I think is a parapet, looking down at a lone sailboat. The sky above is filled with oily black clouds edged in red. I could not help but feel that the painting was inflected by the feelings of unease, terror and fear that gripped America in the aftermath of the Cuban Missile Crisis, the white supremacist bombing of the 16th Street Baptist Church, both in 1962, and the assassination of John F. Kennedy in’63. Inspired by Albert Pinkham Ryder and paintings such as “Toilers of the Sea” (1880) and “Marine–Boat at Sea” (1893-94), what does the sailboat, which also shows up in “Figure, Boat, Clouds” (1971), symbolize?

Berkson is right about Bischoff working in a pastoral mode, but he fails to recognize that the dream-like worlds of “Figure at Window with Boat” and the later mythic paintings are obsessed. As someone who preferred Katz’s surface coolness and veneer of sociability, it’s understandable why he would be put off by the turmoil and isolation spreading through Bischoff’s figurative paintings. Bischoff’s skies are too heated up and the churning sea is too rough. The mythic figures are too big and uncomfortable, not quite at ease in the natural world, which is made up of slathers of paint. They know the clouds and waves are evidence of change and dispersal, the inevitability of chaos, and there is little they can do about it.

Elmer Bischoff, “Figure, Boat, Clouds” (1971), oil on canvas 80 x 83 3/4 inches

Bischoff comes out of the tradition of American painting that includes Ryder and Hopper, both of whom believed that loneliness was an inescapable condition. Park and Diebenkorn have had museum retrospectives and large monographs devoted to their work. Bischoff deserves the same.

Elmer Bischoff: Figurative Paintings continues at the George Adams Gallery (525-531 West 26th Street, Chelsea, Manhattan) through August.

09 Jul 17:43

Saluting Robin Williams as the American Flag

by Elisa Wouk Almino

robin-williams-1280In the 1982 television special “I Love Liberty,” Robin Williams channeled the voice of the American flag. Created by writer Norman Lear and sponsored by the organization he founded, People for the American Way, the performance was aired to commemorate the 250th anniversary of George Washington’s birthday.

“I was born June 14, 1777 — that makes me a Gemini,” says Williams, dressed in blue pants and an American flag t-shirt (“I’m in my birthday suit!”). The Flag Act was passed just 17 months after US independence.

“I’m 204 years old. People ask, ‘Flag, how you stay so young? Is it jogging?’ No! ‘Is it tennis?’ No! It’s … waving.”

With his masterful skill for switching between voices, Williams embodies a proud, cheeky, and brave American flag. “I had a tough puberty. War, famine, invasion. And in 1861 I had a little skin problem that broke out into 34 stars. But now, well, with a little patience, look at what we’ve got now” — he pulls off a sleeve, revealing another layer of stars — “all 50! Everybody’s on here.”

At the time, right-wing conservatives attacked the two-hour television program for being promotional of Lear’s politics; he created People for the American Way in reaction to conservative televangelists. ”The flag belongs to all of us,” Lear told the New York Times. ”It moistens as many eyes on the left or the center as it does on the right. ‘I Love Liberty’ is an attempt to show that the country loves the flag, that it doesn’t belong to just a few.”

Williams’s skit embodies Lear’s optimistic, and ultimately naive, view of the country. While rainbow flags go up in more places, the confederate flag continues to “wave” in others, and the American flag isn’t exactly bringing tears to liberals’ eyes.

“I haven’t been getting out much lately. I guess it’s not chic to put up the flag anymore,” Williams playfully laments. “Don’t look at is as saluting me, look at it as saluting yourselves. I’m just a flag, a symbol. You’re the people, if I may say so from here,” he says, putting his hand to his heart. “Long may you wave.”

Correction: A previous version of this article quoted Robin Williams saying there are “60 states” on his sleeve. This has been fixed to 50. 

09 Jul 17:38

http://4erep-i-kosti.livejournal.com/4618330.html



06 Jul 12:39

Not a bug

by Cory Doctorow


[source]

06 Jul 12:38

hyrodium: The reason why Involute gears turn smoothly. Fig 1)...

by villeashell












hyrodium:

The reason why Involute gears turn smoothly.

Fig 1) How to draw involute of circle.
Fig 2&3) Move and rotate the observing point.
Fig 4&5) The curves are tangent.
Fig 6)  Involute gears turn smoothly.

06 Jul 12:37

Ursa Major; The Great Bear

by turn
06 Jul 12:37

Solar-powered plane completes five-day journey across the Pacific

by Dana Wollman
The Solar Impulse 2 is a solar-powered plane that has been flying around the world since March. Back in May, it was set to make its most ambitious journey yet, a 5,061-mile trip from Japan to Hawaii. Unfortunately, though, Pilot Andre Borschberg's in...
06 Jul 12:37

Photo



06 Jul 12:37

(via tastefullyoffensive:Men-Dont-Scream)

06 Jul 12:36

http://4erep-i-kosti.livejournal.com/4623278.html



06 Jul 12:36

Photo



06 Jul 12:36

latinageek: Accurate













latinageek:

Accurate

06 Jul 12:36

greatgrottu: Art by Isabel Samaras



greatgrottu:

Art by Isabel Samaras

06 Jul 12:36

thivus: not-cooper:It’s been decided











thivus:

not-cooper:

It’s been decided

image
06 Jul 12:35

capricorn one (1977)i put this in our dvd queue with much...



capricorn one (1977)

i put this in our dvd queue with much trepidation.

this is one of my *favorite* childhood re-watchable sci-fi films. i loooove this movie. love love love.

so when i realized it was on netflix, i put it in the dvd queue with more than a bit of apprehension given the years since this tickled my toes.

just finished my first watch of this since 1980, and it was so fucking great. also… he loved it. my 8-year old geek cred is intact.

this film is far better than i even remembered. the cinematography and acting are more professionally adept than i’d recalled from my 70′s film memory.

it’s got a twist. so try to know nothing about it before you see it. just put it in your dvd queue and thank me later. :o)

06 Jul 12:35

(photo via rukaba)



(photo via rukaba)

06 Jul 12:35

http://4erep-i-kosti.livejournal.com/4633529.html



06 Jul 12:35

etsyifyourenasty: Leather Hair Wraps

Sophianotloren

Oooh! Hair corsets! LOL.

06 Jul 12:34

Solved: The Riddle of the Nova of 1670

by David Dickinson
This chart of the position of a nova (marked in red) that appeared in the year 1670 recorded by the astronomer Hevelius and was published by the Royal Society in England in their journal Philosophical Transactions. Image credit: The Royal Society

The position of a nova (marked in red) that appeared in the year 1670 recorded by the astronomer Hevelius and was published by the Royal Society in England in their journal Philosophical Transactions. Image credit: The Royal Society

It is a 17th century astronomical enigma that has persisted right up until modern times.

On June 20, 1670, a new star appeared in the evening sky that gave 17th century astronomers pause. Eventually peaking out at +3rd magnitude, the ruddy new star in the modern day constellation of Vulpecula the Fox was visible for almost two years before vanishing from sight.(...)
Read the rest of Solved: The Riddle of the Nova of 1670 (926 words)


© David Dickinson for Universe Today, 2015. | Permalink | 7 comments |
Post tags: 1670 nova, CK Vul, ESO APEX, luminous red nova, red transient, Vulpecula nova

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05 Jul 09:36

So much on my mind.

by Sophia, NOT Loren!

All the constant stupid interactions with men. All the little stuff that I keep trying to shrug off because if I gave each one the thought it merits, I’d be so weighed down I couldn’t move.

The unavoidable heteronormativity, assumed monogamy, and adherence to stereotypical gender roles in everything around me. From the cute girly shirts and panties and whatnot that say “I ❤ my boyfriend" to the "every girl doubts she's beautiful until that one man shows her she is" motivational images, to lockets with flowing script that say "only one man has the key to my heart." Plot lines that revolve around The Guy cheating on The Girl with The Other Girl and that's the source of all the rest of the story. Pop-culture BDSM references that mention "Daddy" and "his girl" but only in that configuration, especially in the form of "that moment when…" memes supposedly describing a universally-understood experience.

Depression and how it fucks with my brain, my ability to perceive the world… or doesn't.

Sex, wanting sex, needing sex, going without. Sadness at what was almost a really wonderful relationship ending before it even got going. Knowing how long it's been since I had some particular needs addressed (3 and a half years for some things… as long or more for others) and how my current situation makes it more difficult to get out and get laid, keeps me isolated instead of out and about and potentially meeting people.

Home, what home is, what I want it to be, whether I should bother wanting it to be anything, whether I'll ever have it. Whether I could handle having that stability.

Why people insist that I should be proving that I have a right to live by toiling at a job, to "earn a living." What makes people think that being a full-time student or a full-time employee are the only two things that qualify one as a Real Adult. How people don't seem willing to acknowledge that "no overnight guests" is the same thing as "you should not be having sex" and that direct communication can work wonders for keeping things running smooth between roommates without preemptively banning entire categories of behavior or activity.

And so much more. Any of those could be an entire blog post on its own, and there's always more fighting to get out of my head and onto the page, but I'm usually stuck in a hellish environment and trying to hang onto sanity instead of doing the writing that I need to do.

I hate it.


Filed under: General
05 Jul 09:29

solongandthanksforallthemmrs: spadesslick: horror—terrors: fun...





solongandthanksforallthemmrs:

spadesslick:

horror—terrors:

fun fact: If you separate the 4 and the 2 making them different numbers. Then translate them into Japanese  shi, and ni. Then put the words together, shini, it means death (shini-gami = god of death). So knowing that

The answer to the ultimate question… of life, the universe, and everything is…

death.

That fact is not fun.

“Douglas Adams was asked many times why he chose the number 42. Many theories were proposed, including that 42 is 101010 in binary code, that light refracts off water by 42 degrees to create a rainbow, that light requires 10−42 seconds to cross the diameter of a proton.[7] Adams rejected them all. On 3 November 1993, he gave an answer[8] on alt.fan.douglas-adams:

‘The answer to this is very simple. It was a joke. It had to be a number, an ordinary, smallish number, and I chose that one. Binary representations, base thirteen, Tibetan monks are all complete nonsense. I sat at my desk, stared into the garden and thought ‘42 will do’. I typed it out. End of story.’

Adams described his choice as ‘a completely ordinary number, a number not just divisible by two but also six and seven. In fact it’s the sort of number that you could without any fear introduce to your parents’.” - source

05 Jul 09:27

lilyliqueur: dark-pika: back-before-the-dawn: the-rain-monster...









lilyliqueur:

dark-pika:

back-before-the-dawn:

the-rain-monster:

Frollo, upon meeting Gaston for the first time. True story.

No ooone’s thick like Gaston/Moves those hips like Gaston/No one makes an old priest want some dick like Gaston

I choked on my drink

I’m in tears holy shit

i AM FUCKING WHEEZNG 

05 Jul 09:27

doctorkongx: The Muppets Facebook page is killing it. 



doctorkongx:

The Muppets Facebook page is killing it.