Cooper Griggs
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We turned on the Nintendo PlayStation: It's real and it works
New strain of Android malware is 'virtually impossible' to remove
NASA photos show the Antares rocket explosion in gritty detail
Cooper GriggsDamn
Drone fights fires by dropping flaming balls
Photographer Arno Rafael Minkkinen Seamlessly Integrates His Body with the Natural World
Fosters Pond II, 1989. Courtesy Catherine Edelman Gallery.
Finnish-American photographer Arno Rafael Minkkinen has been capturing self-portraits of his nude body in natural surroundings for the better part of five decades. More than just existing in these scenic locations, Minkkinen fully merges his limbs and torso like a chameleon, blurring the lines between where the world ends and his body begins.
The methods used to create these bold and uninhibited shots pre-date the use of Photoshop by decades, instead relying on a simple 9-second shutter release that allows Minkkinen to quickly pose for each shot. He usually works completely alone, and won’t let anyone else look through his camera’s viewfinder, lest they instead be labeled ‘the photographer.’ What may appear as a simply composed photo with fortuitous timing, is often the result of Minkkinen taking dangerous risks as he submerges himself in strong currents, buries himself in ice, or balances precariously on the edge of a cliff. He shares from an article How to Work the Way I Work:
Many of my photographs are difficult to make. Some can even be dangerous. I do not want to have someone else coming in harm’s way taking the risks I need to take: to lean out off a cliff or stay underwater for the sake of my picture. We control how much pain we can tolerate; such information is unknowable by anyone else. Some of my pictures might look simple, but in reality they can test the limits of what a human body is capable of or willing to risk. Thus I title them self-portraits, so the viewer knows who is in the picture and who took it.
At the age of 70, Minkkinen was just awarded the 2015 Simon Guggenheim Memorial Foundation Fellowship and is currently finishing work on his 8th book. The photographer opens his first-ever solo show in Chicago tomorrow evening at Catherine Edelman Gallery titled 7 8 9 0 1, featuring a range of both old and new portraits. You can see more from the exhibition here.
Hands and Feet, White Sands, NM, 2000. Courtesy Catherine Edelman Gallery.
Väisälänsaari, Finland, 1998. Courtesy Catherine Edelman Gallery.
Oulujärvi Afternoon, Paltaniemi, Finland, 2009. Courtesy Catherine Edelman Gallery.
Mouth of the River, Fosters Pond, 2014. Courtesy Catherine Edelman Gallery.
Asikkala, Finland, 1992. Courtesy Catherine Edelman Gallery.
10.10.10, Fosters Pond, 2010. Courtesy Catherine Edelman Gallery.
Fosters Pond, 2000. Courtesy Catherine Edelman Gallery.
Le Bouquet d’Arbres, Malmö, Sweden, 2007. Courtesy Catherine Edelman Gallery.
Beach Pond, Connecticut, 1974. Courtesy Catherine Edelman Gallery.
California police use these biometric scanners
Cooper Griggsyikes
Google engineer takes on subpar USB Type-C cables
Explore New Zealand's 'Great Walks' with Google Street View
Immerge is a ball of Lytro cameras for VR video
Cooper Griggswow
Successful failover
by sparkkeh
Apple cuts a deal with failed sapphire screen supplier
Cooper GriggsLesson here: do not make Apple your only customer.
Hilton and MC Dean fined by the FCC for blocking guests' WiFi
Tesla will put more limits on Autopilot to discourage stunts
Cooper GriggsThat last video... damn
A Vintage Lincoln Continental Reproduced in Cardboard from Dash to Fender
Cooper Griggs@GN
Miles to Empty, 2015, cardboard,19′ x 6’5″ x 4’9″ (All images by PD Rearick)
Shannon Goff was born in Detroit, a trigger for her lifelong interest in the evolution of transportation. Captivated by her grandfather’s 1979 Lincoln Continental Mark V, she had considered making the car many times, but shied away due its massive size. “Miles to Empty” brings this longtime dream to reality, a sculpture that is her most ambitious project to date. The work pays homage to her grandfather and hometown while dually reexamining themes inherent to the Motor City like the American obsessions of luxury and convenience.
Goff considers the work a translation and dimensional contour drawing rather than replica, as pieces like the floor of the vehicle are missing from the final work. Although the color also deviates from the original, Goff believes its stark quality fits the feel of the piece. “I had considered making it the color of my grandfather’s, but in the end I decided white was perfect,” said Goff. “It’s forlorn and forgotten, a ghost rider of sorts. It’s about memory and loss and is ultimately a memorial to my grandfather and to the city of Detroit.”
Goff received her BFA from the University of Michigan in 1996 before moving to Kyoto, Japan where she studied ceramics and calligraphy and worked as a woodblock printer. Since receiving her MFA at Cranbook Academy of Art in 2003 she has taught at the School of the Art Institute of Chicago, Rhode Island School of Design, Cranbook, and currently at Penn State University’s School of Visual Arts where she teaches alongside her husband Tom Lauerman. “Miles to Empty” will be on display at Susanne Hilberry Gallery until November 14. (via designboom)
Here's a sneak peek at the new 'Warcraft' movie trailer
Cooper GriggsI'll watch it
The best electric toothbrush
Cooper GriggsBeen using a Sonicare for about 5 years now and I will never go back to manual brushing. You simply cannot get your teeth as clean as you can with a motorized brush.
Adware found in MacUpdate's Skype Installer package
Cooper GriggsOne of the reasons to go directly to the manufacturer's site for their software.
Autonomous drone can avoid obstacles even in unfamiliar environments
Cooper GriggsVideo keeps replaying the first 20 seconds of flight, but the idea is super cool.
#SkynetWatch
Interactive Flowers Bloom to Provide Shade and Light to Pedestrians in Urban Jerusalem
Cooper GriggsCool idea, not sure about the execution.
Image via Dor Kedmi
Installed to beautify the space of Vallero Square in Jerusalem, these four interactive flowers bloom and close in a fluid response to the pedestrians that pass underneath their red, over-sized petals. Designed by HQ Architects, the public sculptures are 30-feet tall and dwarf those who choose to walk beneath and around their gargantuan motion-activated blooms.
Depending on the season or time of day, the flowers provide light or shade—a welcomed resource to passengers exiting the nearby tram. When no one is around, the flowers gradually wilt by deflating and effectively ‘closing’ their petals to the city around them.
You can see more public projects by HQ Architects on their Facebook page here. (via contemporist)
Image via Dor Kedmi
Image via Dor Kedmi
Image via Dor Kedmi
Image via Dor Kedmi
Image via Dor Kedmi
Sennheiser's new Orpheus headphones cost $50,000
Cooper Griggsneeeeeewp
Jon Stewart's return to TV will be on HBO's streaming TV services
Cooper GriggsThis should be interesting!