Streetomon

by Jouke

A simple room refinishing project lead [Kris] to his biggest hack yet, a floor inspired by MC Escher’s Reptiles print. Maurits Cornelis Escher is well known for his reality defying artwork. His lifelong passion was tessellation, large planes covered identical interlocking shapes. Triangles, squares, hexagons all interlock naturally. Escher discovered that if he cut out part of a shape and replaced it on the opposite side, the new shape will still interlock. In Reptiles, Escher created a lizard shape by modifying a hexagon. One side flipped over to become the nose, 4 others to become the feet, and so on. If the cuts are all made perfectly, the final shape would still interlock.

[Kris] was inspired by a photo of a commercial flooring project using small wooden reptiles as the tiles. He wanted to go with larger wooden tiles for his room. He knew his shapes had to be perfect, so he wrote a computer program to split the hexagon perfectly. Armed with art in DXF format, he went looking for a flooring company to help him. The silence was deafening. Even with artwork ready to go, none of the local custom flooring shops would take his job. Undaunted, [Kris] bought an older CNC machine. The machine was designed to be driven from MS-DOS via the parallel port of a Pentium II era PC. [Kris] substituted an Arduino running GRBL. After some GCode generation, he was cutting tiles.

The real fun started when it was time to glue the tiles down. With all the interlocking parts, it’s impossible to just glue one tile and have it in the perfect position for the next. In [Kris'] own words, “You have to do it all in one go”. Thanks to some family support and muscle, the flooring project was a success.  Great work, [Kris]!

Take three industrial robots, two 4’ x 8’ canvases, and several powerful video projectors. Depending on who is doing the robot programming you may end up with a lot of broken glass and splinters, or you may end up with The Box.  The latest video released by the creators project, The Box features industrial robots and projection mapping. We recently featured Disarm from the same channel.

The Box is one of those cases of taking multiple existing technologies and putting them together with breathtaking results. We can’t help but think of the possibilities of systems such as CastAR while watching the video. The robots move two large canvases while projectors display a series of 3D images on them. A third robot moves the camera.

In the behind the scenes video, the creators revealed that the robots are programmed using a Maya plugin. The plugin allowed them to synchronize the robot’s movements along with the animation. The entire video is a complex choreographed dance – even the position of the actor was pre-programmed into Maya.

The actor and robots describe several of the principles of magic: transformation, levitation, intersection, teleportation, and escape. All build up to the famous [Arthur C Clark] Quote: “Any sufficiently advanced technology is indistinguishable from magic”

While we loved the video, we can’t help but think of some changes. What if we didn’t have such repeatable robots – or robots at all? [Johnny Chung Lee] was showing off his foldable displays tracked live by Wiimote back in early 2007. Using [Johnny’s] system, even humans would be accurate enough to handle the canvases.

[Thanks Doug and Mark!]

In 1979, [Nolan Bushnell] released Asteroids to the world. Now, he’s playing the game again, only this time with the help of a laser projector and a Kinect that turns anyone sitting on a stool – in this case [Nolan] himself – into everyone’s favorite vector spaceship. It’s a project for Steam Carnival, a project by [Brent Bushnell] and [Eric Gradman] that hopes to bring a modern electronic carnival to your town.

The reimagined Asteroids game was created with a laser projector to display the asteroids and ship on a floor. A Kinect tracks the user sitting and rolling on a stool while a smart phone is the triangular spaceship’s ‘fire’ button. The game is played in a 150 square foot arena, and is able to put anyone behind the cockpit of an asteroid mining triangle.

[Brent] and [Eric] hope to bring their steam carnival to LA and San Francisco next spring, but if they exceed their funding goals, they might be convinced to bring their show east of the Mississippi. We’d love to try it out by hiding behind the score like the original Asteroids and wasting several hours.