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Q: Do you think the Wings will trade Dylan Larkin for Tyler Myers? I hope not. I like Myers' size and right shot but I hope they don't sacrifice the future for him.
A: My guess is they won't part with Larkin in their efforts to acquire Myers. They're committed to building through the draft. They relinquished a young center (Calle Jarnkrok) last season because they felt they needed a veteran center (David Legwand) to help them reach the playoffs.
They have a couple of other promising centers in the system in Tomas Nosek and Mattias Janmark, but Larkin, their top pick in 2014 (15th overall), by several accounts, has the potential to be much better. It's no surprise the Sabres are seeking him, after being told top prospect Anthony Mantha isn't going anywhere.
The Red Wings will have to relinquish something of value to land the young (24), 6-foot-8, puck-moving defenseman Myers. At 1-7, the Sabres are well on their way to reaching their goal of gaining the most lottery balls for the Connor McDavid draft in June, so they shouldn't be in any hurry to get rid of all their best players.
more questions for Ansar Khan of Mlive including one on Weiss...
3D printers are all the rage with enthusiasts, but they didn’t just materialize out of nowhere like the sculptures they produce. Here’s the untold story of how the next big boom in technology came to be over 30 years.
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Every Thursday is #3dthursday here at Adafruit! The DIY 3D printing community has passion and dedication for making solid objects from digital models. Recently, we have noticed electronics projects integrated with 3D printed enclosures, brackets, and sculptures, so each Thursday we celebrate and highlight these bold pioneers!
Have you considered building a 3D project around an Arduino or other microcontroller? How about printing a bracket to mount your Raspberry Pi to the back of your HD monitor? And don’t forget the countless LED projects that are possible when you are modeling your projects in 3D!
Ceramic artist Johnson Tsang (previously) created a pair of porcelain vases that when cut along the edges reveal the profiles of people. Smoosh two together and you have instant ceramic love. See more of Tsang’s process over on his blog, and if you liked this also check out the Profilograph by Pablo Garcia.
Conceptual artist and illustrator Gediminas Pranckevicius posesses an imagination to covet. While most of his digital painting is centered around character design, his larger landscapes seen here are rich in detail, creating impossible but ingenious juxtapositions of water, land, and haphazard architecture. You can see more of his work over on Facebook, and all of these are available as prints via INPRNT.
From Tony Zhou, A Brief Look at Texting and the Internet in Film.
Michele Tepper wrote about Sherlock's display of texts in 2011.
The rise of instant messaging, and even more, the SMS, has added another layer of difficulty; I'm convinced that the reason so many TV characters have iPhones is not just that Hollywood thinks they're cool, but also because the big crisp screen is so darn easy to read. Still, the cut to that little black metal rectangle is a narrative momentum killer. What's a director trying to make a ripping good adventure yarn to do?
The solution is deceptively simple: instead of cutting to the character's screen, Sherlock takes over the viewer's screen.
And just today, a trailer for Jason Reitman's Men, Women & Children, which movie seems to consist entirely of texting and social media interaction:
(via @tcarmody)Tags: Jason Reitman Men Women and Children Michele Tepper movies Sherlock SMS Tony Zhou TV video
Your moment of Zen, Hengki Koentjoro
All photos © Lindsay Appel for My Cool Shed
Architect and environmentalist Peter Bahouth designed and built this beautiful trio of treehouses linked by bridges in an Atlanta forest, which also happens to be his backyard. Inspired by the treehouses and adventures of his youth, the idea was to create a sort of fort for grown-ups. The three houses dubbed “Mind,” “Body,” and “Spirit,” include a living room and bedroom with a special bed that slides out for an improved view of the forest below. The photos here were taken for Jane Field-Lewis’ book My Cool Shed, provided courtesy photographer Lindsay Appel. (via iGNANT, CJ Who)
Susanne Ussing, I Drivhuset, Ordrupgaard Samlingen, 1980. Image Courtesy Carsten Hoff.
Artist Susanne Ussing (1940–1998) was a Danish visual artist and architect who worked in a variety of different mediums from photography and ceramics to large-scale installations and sensory exhibitions. One of her most impactful pieces was this 1980 installation titled I Drivhuset (In the Greenhouse) that was installed at the Ordrupgaard Museum in Copenhagen. The sculpture depicts a female figure who has seemingly grown too large for (or has become trapped by) a very tall glass greenhouse. Constructed from newspaper clippings, wood, and metal chimney vents, the figure is so large that her feet seem to penetrate the brick floor below. If Colossal had a physical manifestation, I imagine it would look almost exactly like this.