Shared posts

25 Aug 14:19

Roadrunner: A Film About Anthony Bourdain

by Jason Kottke
wskent

i watched this last night and it made me cry. it was excellent. you will be moved

Filmmaker Morgan Neville (who did the Fred Rogers doc Won’t You Be My Neighbor?) has directed a documentary about Anthony Bourdain called Roadrunner that opens in theaters on July 16.

It’s not where you go. It’s what you leave behind… Chef, writer, adventurer, provocateur: Anthony Bourdain lived his life unabashedly. Roadrunner: A Film About Anthony Bourdain is an intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. From Academy Award®-winning filmmaker Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?), this unflinching look at Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

This trailer makes me want to buy a movie ticket — and about 10 plane tickets. So looking forward to this. I need more unabashed living in my life.

Tags: Anthony Bourdain   food   Morgan Neville   movies   Roadrunner   trailers   travel   video
23 Aug 20:32

The Story of Jumbo the Elephant

by Jason Kottke
wskent

Anyone ever hear about this before? CRAZY!

Jumbo the Elephant was one of the most famous animals in the world. Bought as a calf in Sudan by a European animal dealer in 1860, Jumbo found fame first at the London Zoo and later as the centerpiece of the Barnum & Bailey Circus in the US. Jumbo was so beloved in London that news of his sale to P.T. Barnum prompted 100,000 children to write to Queen Victoria, urging her to nix the deal. In the video above, Andrew McClellan recounts Jumbo’s too-short (and probably unhappy) life and the impact he had on society.

The word “jumbo” hadn’t been known or used in the English language before he came along and has since become the byword for anything humongous or supersized. So every time we use the word “jumbo jet” or “jumbotron”, we’re actually referring back to Jumbo the elephant.

(thx, ben)

Tags: Jumbo   language   video
06 Aug 15:30

This App Identifies Birds by Their Songs

by Jason Kottke
wskent

bird shazam. now we live in the future

a bird singing and the Merlin app identifying what kind of bird it is

The Cornell Lab of Ornithology recently added the ability to identify birds from hearing their birdsong to their Merlin Bird ID app — a “Shazam for bird songs” as Fast Company says. You just start recording with your phone and the app starts telling you the birds it’s hearing. Here’s how it works:

Automatic song ID has been a dream for decades, but analyzing sound has always been extremely difficult. The breakthrough came when researchers, including Merlin lead researcher Grant Van Horn, began treating the sounds as images and applying new and powerful image classification algorithms like the ones that power Merlin’s Photo ID feature.

“Each sound recording a user makes gets converted from a waveform to a spectrogram-a way to visualize the amplitude [volume], frequency [pitch], and duration of the sound,” Van Horn says. “So just like Merlin can identify a picture of a bird, it can now use this picture of a bird’s sound to make an ID,” Van Horn says.

This pioneering sound-identification technology is integrated into the existing Merlin Bird ID app, meaning Merlin now offers four ways to identify a bird: by a sound, by a photo, by answering five questions about a bird you saw, or by exploring a list of the birds expected where you are.

Margaret Renkl tried the app out and it seems to work pretty well:

I set my phone down on the table on my back deck, opened the Merlin app, chose “Sound ID” and hit the microphone button. Immediately a spectrogram of sound waves began to scroll across the screen. Every time a bird sings, the sound registers as a kind of picture of the song. By comparing that picture with others in its database, the app arrives at an ID.

I watched as Merlin rolled out the names of bird after bird — tufted titmouse, European starling, Carolina chickadee, northern cardinal, American crow, white-breasted nuthatch, eastern towhee, house wren, American goldfinch, blue jay, eastern bluebird, American robin, Carolina wren, house finch. It didn’t miss a single one.

What amazed me was not merely the accuracy of the ID but also the way the app untangled the layers of song, correctly identifying the birds that were singing in my yard, as well the birds that were singing next door and the birds that were singing across the street. If the same bird sang a second time, the app highlighted the name it had already listed. Watching those highlights play across the growing list of birds was almost like watching fingers fly across a piano keyboard.

See also this video review. You can download the app here. I’m going to give this a shot over my lunch hour today. I try to eat outside when the weather is nice and there are always birds out singing.

Tags: audio   birds   Margaret Renkl
03 Aug 16:43

Lora Webb Nichols’ Photographic Chronicle of the 20th Century American West

by Jason Kottke
wskent

these are stunning. makes the past feel not so long ago

a woman stands in front of a car wearing a deerskin suit

a double exposed photo of a woman playing a banjo

a woman with very long hair bends over to show it off

This is fantastic: for more than 60 years beginning in 1899, Lora Webb Nichols captured and collected about 24,000 photographs of life in a small copper-mining town in Wyoming.

On October 28, 1899, Lora Webb Nichols was at her family’s homestead, near Encampment, Wyoming, reading “Five Little Peppers Midway,” when her beau, Bert Oldman, came to the door to deliver a birthday present. The sixteen-year-old Nichols would marry the thirty-year-old Oldman the following year, and divorce him a decade later. The gift, however — a Kodak camera — would change the course of her life. Between 1899 and her death, in 1962, Nichols created and collected some twenty-four thousand negatives documenting life in her small Wyoming town, whose fortunes boomed and then busted along with the region’s copper mines. What Nichols left behind might be the largest photographic record of this era and region in existence: thousands of portraits, still-lifes, domestic interiors, and landscapes, all made with an unfussy, straightforward, often humorous eye toward the small textures and gestures of everyday life.

You can browse the collection of her photos at the American Heritage Center at the University of Wyoming.

Tags: Lora Webb Nichols   photography
02 Aug 19:08

Two Quick Links for Sunday Evening

by Jason Kottke
wskent

TIME CRYSTALS!?

this is crazy. and sounds like a red herring.

anyway: https://www.youtube.com/watch?v=gOMibx876A4

06 Jul 17:47

Medieval History with Africa at the Center, Europe at the Margins

by Tim Carmody
wskent

very into this. it would be cool to have this from asia as well or from ANY native population anywhere

The_Ruins_at_Gondar,_Ethiopia_-_Fasilides_Castle_(2414137463).jpg

A new history of late medieval Ethiopia and its interactions with Europe by historian Verena Krebs does something a little unusual, at least for a professor at a European university: it treats the horn of Africa as the center of civilization that it was, and Europeans as the members of far-flung satellite states that Ethiopians could not help but see them as being.

It’s not that modern historians of the medieval Mediterranean, Europe and Africa have been ignorant about contacts between Ethiopia and Europe; the issue was that they had the power dynamic reversed. The traditional narrative stressed Ethiopia as weak and in trouble in the face of aggression from external forces, especially the Mamluks in Egypt, so Ethiopia sought military assistance from their fellow Christians to the north—the expanding kingdoms of Aragon (in modern Spain), and France. But the real story, buried in plain sight in medieval diplomatic texts, simply had not yet been put together by modern scholars. Krebs’ research not only transforms our understanding of the specific relationship between Ethiopia and other kingdoms, but joins a welcome chorus of medieval African scholarship pushing scholars of medieval Europe to broaden their scope and imagine a much more richly connected medieval world.

The Solomonic kings of Ethiopia, in Krebs’ retelling, forged trans-regional connections. They “discovered” the kingdoms of late medieval Europe, not the other way around. It was the Africans who, in the early-15th century, sent ambassadors out into strange and distant lands. They sought curiosities and sacred relics from foreign leaders that could serve as symbols of prestige and greatness. Their emissaries descended onto a territory that they saw as more or less a uniform “other,” even if locals knew it to be a diverse land of many peoples. At the beginning of the so-called Age of Exploration, a narrative that paints European rulers as heroes for sending out their ships to foreign lands, Krebs has found evidence that the kings of Ethiopia were sponsoring their own missions of diplomacy, faith and commerce.

In fact, it would probably be accurate to say that Ethiopia (which over its long history has included areas now in Eritrea, Somalia, Sudan, Yemen, and parts of Saudi Arabia) was undergoing its own Renaissance, complete with the rediscovery of a lost classical kingdom, Aksum (sometimes called Axum).

Around the third century, Aksum was considered an imperial power on the scale of Rome, China, and Persia. It was part to better understand the historical legacy of Aksum that east Africans circa 1400 reestablished trading ties and military partnerships with their old Roman trading partners — or, in their absence, the Germanic barbarians who’d replaced them.

Europe, Krebs says, was for the Ethiopians a mysterious and perhaps even slightly barbaric land with an interesting history and, importantly, sacred stuff that Ethiopian kings could obtain. They knew about the Pope, she says, “But other than that, it’s Frankland. [Medieval Ethiopians] had much more precise terms for Greek Christianity, Syriac Christianity, Armenian Christianity, the Copts, of course. All of the Orthodox and Oriental Orthodox churches. But everything Latin Christian [to the Ethiopians] is Frankland.”
Tags: Africa   Aksum   Ethiopia   Europe   history   medievalism
06 Jul 17:27

The Pain of the Commute

by Jason Kottke
wskent

for me this manifests as more sleep (mostly going to bed earlier for you superfans of my sleep schedule), which is amazing and i never want to give up again

Luke O’Neil talked to dozens of people who were able to work from home during the pandemic about not missing the commute part of working in an office. A few of the responses:

No one’s stopping anyone who works from home from going out and riding in circles on the subway for 30 minutes before they go back to their desk.

I save roughly $100 a month now. I have time in the morning to take my dog for a long walk every day. I have time in the evening to cook dinner. Commuting is psychological torture and my physical and mental health is significantly better without it.

I love to drive 30 minutes to stare at a different computer

I can’t even calculate the savings in gas, wear on my car, etc. But I can tell you that with nearly two hours back in each of my days, plus the extra 40 minutes or so of making myself presentable to be in close proximity to others, I have been able to reinvest that time in myself. I have been eating better, I have time for the gym, I have time to give my dogs the exercise they need. I know this year has been mentally taxing on so many, but I’ve found these changes work so much better for me.

Tags: Luke O’Neil   working
01 Jul 17:36

Star Trek’s Queer Fluidity Has Been Giving Fans The Future They Deserve

If you’re an avid Star Trek fan, you might’ve heard this question before: Star Trek’s kinda gay, right?

That’s something a good chunk of the Star Trek fandom has been asking for years, but it’s not just some slash-fiction fantasy. It speaks to a greater sexual and gender fluidity that’s been a constant presence in Star Trek for decades, and it’s been powerful enough to inspire and influence countless queer Star Trek fans. 

In Andrew Robinson’s interview with That Shelf for the Deep Space Nine retrospective documentary, What We Left Behind, he described his character, Garak’s, sexuality as, “something that can happen with anyone. And there’s Doctor Bashir... who’s a good looking young man, and I thought, it’s sexual attraction that brings [Garak] to Doctor Bashir as well as the subterfuge of being a spy.” 

Garak’s only canon romantic pairing in the show was with Ziyal, a fellow Cardassian, but Robinson saw and played the character very differently. He understood this unilateral fluidity in Garak. Robinson’s even been known to call Garak, “omni-sexual”. 

"Our Man Bashir"

Despite the fact that Star Trek didn’t feature out members of the LGBT+ community until more recent years, sexual and gender fluidity has always been a staple of the series. That’s including one-off episode species like the non-binary J’Naii to main characters like Jadzia Dax, whose symbiont made her gender and sexuality much more transient. Even when it comes to Trek’s in-universe fashion and culture, everything is much more gender neutral, opening up an entire galaxy for queer fans to see a place for themselves, no matter where on the spectrum they land.

Fans were drawn to Trek’s subtle nods to LGBT+ representation, which was unlike few other franchises. After all, Star Trek didn’t have “very special episodes” about the queer community. Instead, Roddenberry created a diverse galaxy where it felt like people of the LGBT+ community might be able to live, accepted as they are. They didn’t need to be explained, they just were diverse people and cultures with their own stories. 

This has led to collected communities of fans that revel in the queerness and the futuristic representation that Trek gave them.

Examples of these collected communities include tumblr tags and Discord servers, where queer fans collect to commune and enjoy Trek from their queer perspective. These communities celebrate queer episodes like “Rejoined” and “The Outcast”, as well as the various characters they identify with. 

The truth is that, before the past handful of years, queer people simply didn’t see themselves that often on TV or in movies. And that’s just talking about the better-known identities; others were practically mythic. Star Trek is different because of its open fluidity, though. There is a lot of room for interpretation in which fans can see themselves.

Hannah, an asexual member of a queer-centered Star Trek Discord, describes her view on Star Trek representation: “As an asexual person, representation in media can often be hard to come by... The character that I relate to most when it comes to romance is Odo. His gripe with “humanoids’ obsession with mating rituals”, while funny at first, is often what it feels like being asexual”.

Hannah goes on to dissect his relationship with Major Kira Nerys, saying, “It’s only after many years of close friendship with Kira that he becomes romantically involved with her. Seeing that sort of romantic representation on screen really meant a lot to me.” 

This sort of “representation as interpretation” is hardly a new phenomenon in Trek. It all began with Captain Kirk and Mr. Spock themselves. “Not in front of the Klingons”, indeed. 

Few other series in the ‘60s showed a male friendship that was affectionate and tender without someone turning it into a taboo or a joke. No wonder the LGBT+ community latched onto Spock and Kirk as queer icons. Whether they were gay or not, they had an openness to their identities that made a significant impact during a time when queer people openly protested against unlawful oppression and traditional gender roles

Star Trek V: The Final Frontier

One specific example of Kirk and Spock’s influence is in the Star Trek fanzine, Grup (named after the term used for “grown-ups' ' in TOS’ season one episode, “Miri”). In 1972, Grup started to circulate, exploring more “grown-up” stories about the fandom’s favorite starship. In its third issue, Grup published one of the first popularized narratives of Spock and Kirk as a romantic couple, “A Fragment Out of Time”. 

The tenderness of their bond, whether intentional or not, was a rare outlet where queer people could see something that looked like the romances they themselves experienced. Spock and Kirk’s relationship inevitably became something precious and important to them. 

The queer side of Star Trek fandom is full of stories like that: looking up to Riker as a bisexual icon, supporting the romantic subtext of Garak and Dr. Bashir’s relationship, relating to Seven of Nine awkwardly trying to fit into the mold of heterosexuality

That kind of representation matters deeply to fans questioning their own gender or sexual identities: getting to be themselves, and having people accept them as such. 

Why wouldn’t queer fans feel connected to characters that made them feel that way? 

And these assumptions are not just fan conjecture. Andrew Robinson (Garak), Alexander Siddig (Dr. Julian Bashir), Terry Farrell (Jadzia Dax), Jonathan Frakes (William Riker), and many other Star Trek actors have all discussed their perception of their characters’ sexuality being something much more fluid. Even Gene Roddenberry himself planned to add a gay character to TNG’s main cast in the show’s fifth season. That is, until his untimely death put his progressive idea on ice. 

But Roddenberry’s death didn’t stop Star Trek’s queer representation from being as important as it is. After all, most other queer portrayals in entertainment are based in tragic history or the complex present. Star Trek, in itself, is a vision of a better future. No matter how much war they face or enemies they have to outsmart, no Trek character even bats an eye at the concept of complex sexuality. That is the kind of future the queer community dreams of, one where they can be themselves, fearless and supported. 

Nowadays, Star Trek is a lot more open about its queer representation. In the 2016 film, Star Trek Beyond, Hikaru Sulu was revealed as the first openly gay Trek character, with a husband and daughter. In Star Trek: Discovery, Emperor Georgiou is pansexual, Paul Stamets and Hugh Culber are an influential gay couple running the engineering and medical departments, and Michael Burnham (in name and character) is seen by many queer fans as very gender-fluid, even if she uses she/her pronouns. 

To see these characters, past and present, be loved and valued in their work and personal relationships is a detail that has changed many queer lives for the better. It turns Star Trek into a rare haven where members of the LGBTQ+ community can see a future for themselves that is even brighter and more inclusive than they could have ever dreamed. Star Trek’s lack of explicit queerness in its first decades can’t take away the implications of its own inclusive future. 

Stephanie Marceau (she/her) is a geeky, queer, disabled writer who's been a Trekkie since she watched all seven seasons of TNG on VHS one summer. Safe to say Jean-Luc Picard changed her life. Find her @Steph_Marceau.

Star Trek: Discovery streams on Paramount+ in the United States, airs on Bell Media’s CTV Sci-Fi Channel and streams on Crave in Canada, and on Netflix in 190 countries.

28 Jun 19:21

Brave Search is a new alternative to Google built on its own index

by Ian Carlos Campbell
wskent

fuck google...this past year i switched to duckduckgo for my searching and my results have not suffered in the least. maybe this'll be a hit too?

Illustration by Alex Castro / The Verge

Brave, makers of the privacy-focused Brave browser, launched a new search engine in public global beta on Tuesday (via TechCrunch). Brave Search, like the company’s browser, is meant to be a private and transparent alternative to Google’s offerings that doesn’t turn users into carefully surveilled targets for advertising. It also isn’t dependent on Google’s results — Brave Search uses its own independent index of the web to function.

Using an entirely different index is kind of a big deal. Google obviously dominates the space (to the point of becoming its own verb) and even other popular privacy-focused search alternatives like DuckDuckGo rely on a mix of results from larger indexes like Microsoft’s Bing and their own web crawlers....

Continue reading…

28 Jun 15:47

And Now, Crocs With Stiletto Heels

wskent

Steve. STEVE.

Crocs has paired with the fashion house Balenciaga to make a pair of its popular foam clogs complete with a set of stiletto heels.

Michele Abercrombie/NPR

Ever wish you could combine the comfort of a sensible shoe with the trendiness of after-work heels? Your prayers may have just been answered — if you have the guts to rock what may be one of the most controversial shoe releases in recent memory.

Behold, Crocs with stiletto heels, a fashion choice that has come out of the shoemaker's latest collaboration with Balenciaga for the fashion house's spring 2022 collection.

The shoes are a hot topic on Twitter

The new version of the foam clog seems to feature its usual look, but with the surprising (and, if you ask some, disturbing) addition of a stiletto heel. The shoes' debut rocked social media, becoming a hot topic for many on Twitter.

"WE DONT WANT THIS," one user put it succinctly. A handful are pressing the brands to announce a release date. Most, unsurprisingly, are giving it the meme treatment.

As strange a pairing as it may seem, this isn't the first time Crocs and Balenciaga have teamed up: Their first partnership in 2017 saw the creation of an $850 pair of platform clogs that sold out before they were even officially released, according to W Magazine.

Cool enough for Bieber, comfy enough for grandma

Is it possible that Crocs, an iconic sensible shoe beloved by grandparents and toddlers the world over, is slowly legitimizing itself as a fashionable footwear option? The brand has already launched limited collections with high-profile artists like Diplo, Justin Bieber, Bad Bunny and Post Malone.

Crocs also saw a surge in popularity after Nicki Minaj posted a photo of herself last month sporting an electric pink pair, leading the shoe to sell out in the majority of sizes, according to SheKnows. Some fans even said the site crashed temporarily because of demand.

Prices for the latest offering from Crocs and Balenciaga have yet to be announced, but if history repeats itself, interested parties might want to start saving now. It isn't uncommon for Balenciaga shoes to retail for thousands: According to Yahoo News, the priciest pair currently on the website costs $3,250.

11 Jun 17:38

Here's the "Gray Rock" method for making narcissists go away

by Mark Frauenfelder

Narcissists create drama because they want attention. They can't stand the thought of being ignored. But sometimes ignoring them is not an option. If you must engage with a narcissist, Lifehacker says you should "gray rock" to minimize the drama and make yourself so boring that the narcissist will seek another target. — Read the rest

04 Jun 21:04

The "greatest" dumb Internet videos

by David Pescovitz

Polygon's editors curated a list of The Greatest Achievements in Dumb Internet Video "to define a canon of funny videos created for the vast expanse of the internet. Ignoring nostalgia and their virality, it's an attempt to carve out a Criterion Collection of completely stupid, but absolutely genius internet content." — Read the rest

02 Jun 02:56

Close Friendships

by swissmiss
wskent

this is a horrible way to think about this. it's not zero sum

This article on how many close friendships one can maintain just made me block out time on my calendar today to map out my friends. What an excellent and thought provoking read.

These two facts made me perk up:

“Falling in love will cost you two friendships.” and “It takes about 200 hours of investment in the space of a few months to move a stranger into being a good friend.”

(via my friend Casper who shares the best stuff on Twitter)

01 Jun 22:36

Next Slide Please

wskent

sensible chuckle

"I have nothing to offer but blood--next slide, please--toil--next slide, please--tears, and--next slide, please--sweat."
31 May 14:48

Nine Inch Smails

by Sean
wskent

liar town is back in action!

NINE INCH SMAILS

The post Nine Inch Smails appeared first on LiarTownUSA.

25 May 21:14

Wikipedia Caltrops

Oh no, they set up a roadblock which is just a sign with the entire 'Czech hedgehog' article printed on it.
25 May 16:44

The Station: London scooter winners and Ford’s most important EV

by Kirsten Korosec
wskent

they should have docks. my coworker is blind and i've never heard anyone swear more like a sailor than hearing her talk about what a fucking pain in the neck it is to maneuver around them

The Station is a weekly newsletter dedicated to all things transportation. Sign up here — just click The Station — to receive it every weekend in your inbox.

Hello and welcome back to The Station, a weekly newsletter dedicated to all the ways people and packages move (today and in the future) from Point A to Point B.

I want to point to two Extra Crunch articles before jumping into the rest of the news and analysis. Yes, Extra Crunch requires a subscription. We’re ramping up the transportation analysis and features in EC and I hope you find it worthwhile.

We’re ramping up our founder Q&A series. The first one was an interview with Revel founder and CEO Frank Reig. This time, it is Arrival founder Denis Sverdlov, who founded his first company at 22 selling IT consulting software to enterprise customers. Since then, he has built and exited multiple companies, most notably telecommunications operator Yota Group. He also founded Roborace.

We have two more interviews coming up with Veo co-founder and CEO Candice Xie and Refraction AI co-founder Matthew Johnson-Roberson.

Finally, we published a piece that examines voice recognition in vehicles, a marketplace that has tech giants like Google and Amazon competing for space with a few up and comers and established suppliers like Cerence.

A friendly reminder that my email inbox is always open — and yes, I do read your messages. Email me at kirsten.korosec@techcrunch.com to share thoughts, criticisms, offer up opinions or tips. You can also send a direct message to me at Twitter — @kirstenkorosec.

Micromobbin’

Dott, Lime and TIER have won the long-awaited, much-coveted bid to operate e-scooter shares in London. The pilot, which will run for up to 12 months, will begin June 7 in some of London’s boroughs, including Canary Wharf and the City of London. More neighborhoods are expected to join as the year progresses, according to TfL. Lambeth and Southwark are also seeking participation. Between 60 to 150 scooters will be available initially in each borough.

This announcement is significant not only because London is one of the biggest targets for micromobility shares, but also because Transport for London is very keen on collecting data from the scooter companies that will help determine how e-scooters could be integrated into a sustainable transport pandemic recovery plan.

Can micromobility address the racial wealth gap?

The Bedford Stuyvesant Restoration Corporation released a report entitled Cementing an Equity Framework for Micro Mobility that talks about next steps for its NYC Better Bike Share Partnership and outlines goals for fostering equity and opportunity for communities of color through public transportation.

“Creating a truly equitable bikeshare system is about more than just placement of stations and the price of fares. It requires deep partnerships with the community and empowering the voices of those who have been traditionally underserved,” said Laura Fox, General Manager of Citi Bike. “We are grateful to the Bedford Stuyvesant Restoration Corporation for their leadership and ongoing efforts to create a culture of cycling, particularly by addressing street safety. As this progress report highlights, we have many accomplishments to be proud of and we look forward to continued partnership to build on these successes.”
Accessible mobility is one of the major drivers of wealth, and I’m a big proponent of the potential for active forms of mobility, from e-scooters to push bikes and everything in between, to both help cities cut emissions and help residents stay healthy.

From a startup’s perspective, can you even contribute to this equitable goal and also make money? I’ll be discussing this in a few weeks at our TC Mobility Event on June 9 with advocate and consultant Tamika Butler, CEO and co-founder at Remix, Tiffany Chu, and CEO and co-founder of Revel, Frank Reig.

Spinning tales of SPACs…

The aftereffects of Bird going SPAC last week is that now we’re all wondering which micromobility company is going to go SPAC next. Will it be Lime? TIER? Or maybe Spin? Bloomberg reported Ford is considering divesting Spin, according to “people familiar with the matter.”

Currently, we have a lot of whisperings and speculation and not a lot of facts. Rumors circulating involve Spin spinning off from Ford or merging with a special purpose acquisition company. Spin did not want to comment, and I think that’s fair given the nebulous shape of this “news.”

While we’re on the subject of Bird…

Bird is working with IT Asset Partners (ITAP) to give its batteries a second life. So, when a scooter reaches the end of its life, it’s broken down for parts, with batteries shipped over to ITAP. Then ITAP breaks down each battery module to the cellular level to get as many reusable battery bits as possible.

This is not only an eco-friendly way to do business, but it’s also increasingly necessary in a world that’s going electric faster than supply can keep up with.

“The circular economy is where the world is going, and it will help determine how global businesses function over the next 10 years,” said Robert Mullaney, Director of Business Development at ITAP, in a Bird blog post announcing the partnership. “As battery technology has improved year over year, their second life potential has increased as well, allowing them to be used in broader and more advanced applications. This includes things like computers and computer chargers.”

— Rebecca Bellan

Deal of the week

money the station

Is it me or am I seeing more activity in the aviation/eVTOL sector these days? We’ve had three SPACs — Lillium, Archer and Joby — plus a smattering of other funding news in the past four months.

And now, there’s one more to add to the list. Electric aviation startup Beta Technologies closed a $368 million Series A funding round with investments from Amazon’s Climate Pledge Fund. The new capital is the second round of funding announced by the company this year, after the company raised $143 million in private capital in March. Beta’s valuation is now at $1.4 billion, putting it in a small circle of electric vertical take-off and landing (eVTOL) unicorns.

The funding round was led by Fidelity Management & Research Company, with undisclosed additions from Amazon’s Climate Pledge Fund, a $2 billion fund established in September 2019 to advance the development of sustainable technologies. The Climate Pledge fund has also made contributions toward electric vehicle manufacturer Rivian, battery recycler Redwood Materials and ZeroAvia, a hydrogen fuel cell aviation company.

Beta is a bit different from other high valuation eVTOL startups. The Vermont-based company isn’t primarily focused on air taxis. Instead, it’s been targeting defense applications, cargo delivery and medical logistics, as well as building out its network of rapid-charging systems in the northeast U.S. Its debut aircraft, the ALIA-250c, was built to serve these various solutions by being capable of carrying six people or a pilot and 1,500 pounds.

Other deals that got my attention …

Mile Auto, insurance tech startup, raised $10.3 million in a seed funding round that includes investment from Ulu Ventures, Emergent Ventures, Thornton Capital, and Sure Ventures. The company said it will use the funding to expand availability of its insurance offering to half of the U.S. auto insurance market by the end of 2021, as well as hiring, adding new distribution channels, onboarding of white-label partners and expanding its automaker network. Mile Auto has also partnered with Ford Motor to offer auto insurance to owners. Mile Auto launched a similar program with Porsche Financial Services in 2019.

Portside, an aviation startup that is building a platform for managing the backend of a corporate flight department, charter operation, government fleet and fractional ownership operation, today announced that it has raised a $17 million funding round led by Tiger Global Management, with participation from existing investors I2BF Global Ventures and SOMA Capital.

Twaice, the German battery analytics software company, raised $26 million in Series B funding led by Chicago-based Energize Ventures. The company, which primarily works in the mobility and energy storage industries, now has a total financing of $45 million.

Virtuo, a Paris-based startup that lets people rent a car for a few days, or up to a few months, has raised $96 million. The funding money will be using to invest in its tech and to expand to more markets beyond France, U.K. and Spain.

Waybridge, a company that has created a supply chain platform for raw materials, raised $30 million in a Series B funding round co-led by Rucker Park Capital and Craft Ventures, with participation from Venrock. The company has developed a digital platform that lets customers track inventory and shipments. Waybridge’s pitch is that its product can help companies navigate disruptive events like the Suez Canal traffic jam and COVID-19.

WeaveGrid raises $15 million Series A round to enable widescale adoption of EVs on the electric grid. Coatue and Breakthrough Energy Ventures will join existing investors to drive software innovation at intersection of utility and automotive sectors.

Wejo, the British automotive-data startup backed by General Motors, is in talks to go public through a merger with Virtuoso Acquisition Corp., Bloomberg reported.

Policy corner

the-station-delivery

Welcome back to Policy Corner! A decision from a little-known but very powerful California regulator caught my eye this week. The California Air Resources Board, which regulates air quality in the state, adopted new rules on Thursday that will require 90% of ride-share trips to be completed by electric vehicles by 2030.

It’s important to remember that ride-sharing giants Uber and Lyft have both vowed to go 100% electric fleets by that year, but this is the first time that a state has adopted EV requirements for ride-share companies. In written comments submitted ahead of the hearing, both Uber and Lyft urged the Board to create EV rebates that are specifically targeted at high-mileage drivers and fleets, and to install EV chargers in “urban and traditionally underserved areas.”

“California’s EV incentive programs and EV infrastructure investments over the past decade have served an exclusive population―wealthy, white, homeowners―that does not reflect Lyft’s driver population,” Paul Augustine, Lyft’s senior manager of sustainability, said in submitted comments.

Back over in Washington, there was a hearing at the House Committee on Energy and Commerce about the ways in which new automotive technologies (like autonomous driving) might enhance vehicle safety and help cut down on the many thousands of automotive deaths that occur on U.S. roads each year.

AV proponents like the Self Driving Coalition point to the many possible safety benefits of AVs. Electrical engineer Ragunathan Rajkumar, who testified at the meeting, urged lawmakers to advance a policy framework to support innovation to ensure America stays competitive against foreign rivals in AV technology.

However, the committee also heard testimony from people who urged a careful and pragmatic approach to AVs. Greg Regan, in testimony representing the AFL-CIO, argued that transportation workers should have a place at the table in conversations about AV deployment. He also said that the government should enact policy to ensure that the AV manufacturing industry yields secure jobs for American workers. Jason Levine, executive director of the Center for Auto Safety, argued that other safety and design upgrades, as well as improved vehicle performance standards, could do much to save lives in the near-term.

“The idea that tens of thousands of unproven and unregulated AVs deployed quickly and without oversight, or a significant upgrade in highway and road infrastructure, will automatically be safer than what we have now may make for a good talking point in a quarterly earnings report — but is not good transportation policy,” he said in his testimony.

The issue of forced arbitration also came up during the hearing. Below is an exchange between Congressman Rush and Jason Levine, who is the executive director of the Center for Auto Safety.

RUSH: As you know, even pedestrians may lose their right to seek justice in the courts if there is a continued proliferation of forced arbitration clauses. These clauses are often buried in terms of service agreements that waive a consumer’s right to sue in court, participate in a class action, or appeal the arbitrator’s decision. Do forced arbitration clauses related to AVs pose a danger to pedestrians? If so, why?

LEVINE: They pose a real threat. The threat is this, as we discussed earlier, the ability to make sure you’re holding any manufacturer, AV or otherwise, responsible for something defective, a defective vehicle, is critical to safety, it is a backstop to our entire system. And so, if you are a pedestrian who has entered into an agreement unknowingly, when you downloaded an app to order a pizza maybe, and you get hit by a pizza delivery vehicle, and you said, “well I’m going to do everything from a legal standpoint through binding arbitration,” you have now lost your ability to go to court. That sounds outlandish, but it’s not actually that far from where we are in terms of binding arbitration removing our ability to hold manufacturers accountable. So that’s something that we do not want to see in an AV context.

Station readers: what do you think?

 — Aria Alamalhodaei

Notable reads and other tidbits

Lots to get to this week.

Autonomous vehicles

May Mobility announced it is launching a new autonomous shuttle service in Ann Arbor, Michigan. The free shuttle service called A2GO will be available to the public starting Oct. 11, 2021. May Mobility said it will operate a fleet of five autonomous, shared, on-demand vehicles as part of the A2GO deployment. Four hybrid-electric Lexus RX 450h vehicles, which can carry three passengers, and one Polaris GEM fully electric vehicle that has capacity for one wheelchair passenger will operate in a service area that connects Kerrytown, the University of Michigan campus and the State Street corridor.

Chinese robotaxi startup Pony.ai has been given permission by California regulators to pilot its autonomous vehicles without a human safety driver behind the wheel in three cities. While dozens of companies — 55 in all — have active permits to test autonomous vehicles with a safety driver, it’s far less common to receive permission for driverless vehicles. Pony is the eighth company to be issued a driverless testing permit in the state, a list that includes Chinese companies AutoX, Baidu and WeRide as well as U.S. businesses Cruise, Nuro, Waymo and Zoox. Only Nuro has been granted a so-called deployment permit, which allows it to operate commercially.

Electric vehicles

It was a big week for EVs, and not just because of the Ford F-150 Lightning reveal. Although that was certainly the biggest EV reveal.

Ars Technica had a fun and brief look at electric vehicles in the beginning of the automotive age.

Canoo gave a few more details of its electric microbus-slash-van, which will be available to buy in 2022 at a base price of $34,750 before tax incentives or add-ons. The Los Angeles-based company, which debuted on the Nasdaq public exchange earlier this year, now taking preorders in the United States for the “lifestyle” vehicle, as well as for its round-top pickup truck and multi-purpose delivery van. While Canoo did not release pricing for the other two vehicles, it said that deliveries for the pickup and production for the delivery van are slated to start as early as 2023. Customers can reserve a model by placing a $100 deposit per vehicle with the company.

The company also disclosed in a regulatory filing that it is being investigated by the U.S. Securities and Exchange Commission, just months after its merger with special purpose acquisition company Hennessy Capital Acquisition Corp. The investigation is broad, covering the Hennessy’s initial public offering and merger with Canoo, the company’s operations, business model, revenues, revenue strategy, customer agreements, earnings and other related topics, along with the recent departures of certain of the company’s officers, according to its first quarter earnings report. Canoo learned of the investigation on April 29. Canoo noted in the regulatory filing. The company added that it does not consider the investigation or other lawsuits it is facing to be material to its business.

ElectReon, an inductive in-road charging technology for commercial and passenger electric vehicles, is joining the “Arena of the Future” project in Brescia, Italy where it will integrate its wireless technology to charge two Stellantis vehicles, and an IVECO bus while driving. The project aims to demonstrate contactless charging for a range of EVs as they drive on highways and toll roads as a potential pathway to decarbonizing our transportation systems along motorway transport corridors.

Ford had a a few EV news items coinciding with the F-150 Lightning reveal. First, there was the truck’s debut, which is arguably its most important new product in years and a critical piece of the company’s $22 billion investment into electrification. This is a challenging vehicle for Ford. As I noted in my coverage, the truck will need everything that has made its gas-powered counterpart the best-selling vehicle in North America as well as new benefits that come from going electric. That means torque, performance, towing capability and the general layout has to meet the needs of its customers, many of whom use it for commercial purposes. The vehicle specs suggest that Ford has delivered on the torque and power, while keeping the same cab and bed dimensions as its gas counterpart.

We ran a poll the night of the reveal asking folks “which electric truck is for you?” The choices and results were 37% picked the Ford F-150 Lightning, 19.6% choose Rivian R1T and 43.4% said they’ll hodl the Tesla Cybertruck.

Ford is offering one item that some customers might find appealing. Ford said its new F-150 Lightning truck, which will come to market in spring 2022, can provide energy to a customer’s home in the event of an outage.

Meanwhile, Ford also announced that it has signed a memorandum of understanding with SK Innovation to establish a joint venture to manufacture batteries for electric vehicles in the United States. The new venture, dubbed BlueOvalSK, will produce around 60 GWh annually starting mid-decade. The MOU is the latest sign that Ford intends to vertically develop its battery capabilities.

Finally, the Verge interviewed Ford CEO Jim Farley.

UPDATE: Ford revealed Monday morning the 2022 F-150 Lightning Pro, a version of the truck designed with commercial customers in mind.

Kia, which held its U.S. reveal of the the Kia EV6, an all-electric crossover that is supposed to kick off the automaker’s Plan S strategy to shift away from internal combustion engines and toward EVs. The EV6, one of 11 electric vehicles that Kia plans to deliver globally by 2026. will come to the U.S. early next year. It’s also the first dedicated battery-electric vehicle to be built on its new Electric-Global Modular Platform, which is shared with Hyundai and Genesis as part of the Hyundai Motor Group.

Lamborghini announced it is going to eventually electrify its portfolio, although it is taking a slow road to get there. The will first pay homage to combustion engines with the introduction of two new V12 luxury sports cars this year before it makes a push into electrification. The aim is to switch its full lineup of vehicles to hybrids by the end of 2024 and launch of an all-electric Lamborghini in the second half of the decade. The company said it plans to invest 1.5 billion euros ($1.82 billion) over four years to make the transition to hybrid vehicles, the largest allocation in its history.

Flight

Volocopter revealed a new electric vertical take-off and landing aircraft targeting the suburban-to-city commuter. The four-seater VoloConnect, which is designed to have a range of 62 miles, is a significant departure from short urban trip aircraft called VoloCity. The two-seat VoloCity, which has to be certified, has a 22-mile range.

VoloConnect’s longer range indicates that the company has its sights set on markets outside of major city centers, and that it is looking to more directly compete with rival eVTOL startups. VoloConnect’s aircraft specs are in line with that of competitors Archer Aviation and Wisk Aero, which each have eVTOL designs with an anticipated range of around 60 miles.

Speaking of Wisk Aero, the startup filed a motion for a preliminary injunction in its ongoing lawsuit with rival electric air travel startup Archer Aviation. The injunction could put a wrench in Archer’s operations should the courts approve it. Wisk has asked the court to immediately prohibit Archer from using 52 trade secrets that it alleges were stolen by former employees who were later hired by Archer. The trade secrets “span the gamut of systems within the aircraft and processes for development,” a Wisk spokesperson told TechCrunch.

In-car tech

The Google I/O developer conference contained a few vehicle related announcements, including that it is extending its Android for Cars App Library, which is available as part of Jetpack, to support the Android Automotive operating system. This is good news for developers who can now create an app that is compatible with two different, but sometimes overlapping platforms: Android OS and Android Auto. It also means developers can create one app that should work seamlessly between various makes and models of vehicles. The company is already working with so-called Early Access Partners, which includes Parkwhiz, Plugshare, Sygic, ChargePoint, Flitsmeister, SpotHero and others to bring apps in these categories to cars powered by Android Automotive OS.

Google also announced it is working with BMW and other automakers to develop a digital key that will let car owners lock, unlock and start a vehicle from their Android smartphone. The digital car keys will become available on select Pixel and Samsung Galaxy phones later this year. Google didn’t name the other automakers that it is working with, but the folks there tell me it will be available in some 2021 models and a number of 2022 model vehicles. My educated guess, based on the companies it is already working with, is that Volvo and GM brands will get the digital key.

HERE Technologies, the location data and technology platform, will power the in-vehicle Human-Machine Interface (HMI) navigation solution in Arrival’s upcoming electric vehicles.

Holoride, the Audi spinoff that’s creating an in-vehicle XR passenger entertainment experience, is deploying blockchain technology and NFTs as the next stage in its preparation for a 2022 market launch. The company said it is integrating Elrond blockchain into its tech stack to bring transparency to its ecosystem of car manufacturers and content creators. The aim is to use NFTs, or non-fungible tokens, to incentivize developers into creating more content on holoride’s platform for the promise of more money earned off token purchases, and to attract passengers who want to personalize their in-car experience.

Stellantis and Foxconn have formed a joint venture called Mobile Drive to supply in-car and connected-car technologies. The non-binding agreement is meant to speed up the time it takes to develop and deploy in-vehicle user experiences enabled by advanced consumer electronics, HMI interfaces and services, according to the companies.

21 May 16:41

Why do animals have butts?

by David Pescovitz
wskent

can't very well buttdial without a butt (autoshare)

The evolutionary story of asses, particularly anuses, remains shrouded in mystery. When did animals go from a one-hole digestive sac to the tunnel we know and love today? Over at The Atlantic, Katherine Wu explores this curious topic in a piece titled "The Body's Most Embarrassing Organ Is an Evolutionary Marvel.Read the rest

19 May 03:40

25 Edits That Define the Modern Internet Video

wskent

this was a true delight to get lost in

TikTok, 2019

Graphic: @stinkyrattictok/TikTok

On its face, a POV, or point-of-view video, is a relatively standard format — consider any GoPro footage, handheld documentary, or, well, a very large segment of porn, all of which capture a scene from a certain person’s perspective. But on TikTok, the POV is collaborative, inventive, and weird as hell. No meme better exemplified the comedy of the form than Danielle Cohn dancing to Usher’s “I Don’t Mind.” Cohn, a teenaged Musical.ly-turned-TikTok star whose rise to fame has been marked by several controversies (usually about her age and what is or isn’t appropriate for it), uploaded the original in 2019. On its face, there’s nothing that special about the video; teenagers dance to songs in their bedroom all the time on TikTok. What made this particular video the genesis for such a creative explosion, is in two strikingly aggressive hip thrusts she makes during the dance. Other TikTok users started “duetting” it — a feature that allows you to respond to a video by filming side-by-side — pretending to be thrown across the room by her hip motions, leaping onto a bed or against the floor in an adjacent frame, and creating the illusion that Danielle’s hip is literally knocking them out. The real boom came after the dance had become an enormous meme. People began to expand the joke, duetting Danielle as objects inside the room — “you’re watching her from inside the Forever 21 bag,” “you’re the lice in Dani’s hair, “you’re her bones” (there are audible cracks). In doing so, they combined TikTok’s most important editing feature — the ability to remix, or “duet,” what’s already been done — with the platform’s signature surrealism. —RJ

Watch the video

17 May 21:52

Ted Lasso Believes in You

by Jason Kottke
wskent

lasso-related autoshare.

if you haven't seen this yet and want to FEEL GOOD, just dive right in. right now. go ahead. we'll be here to talk about it whenever you want

Catherynne M. Valente has written an absolutely fantastic review of Ted Lasso that gets to the heart of why so many people love the show so much. I will quote from it at length:

Ted Lasso is like if Mr. Rogers, Bob Ross, Coach Taylor, Leslie Knope, and David Tennant’s Doctor all got together and had a big strange baby. It is a completely formulaic premise that turns around and refuses to follow the formula. It’s wholesome without being boring, kind without being trite, smart without being pedantic, so loving it’ll take your breath away, and gut-bustingly funny. Scripts so tight and hilarious that even one guy just saying his name and the paper he works for is not only a meme but makes you smile each and every time.

Do you know how fucking hard that is to pull off?

It is so much easier to be funny while being cynical. Everyone knows life sucks, it’s easy to get them onside by accessing that universal experience. To sneer and punch down and stand back from the world wrapped up in a sense of coolness that comes at the expense of everyone else and call that edgy. It is so much harder to stay funny while you’re being kind. In a show for adults. For cynical adults who are having a thoroughly rubbish time of it — and that was everyone in 2020. It’s nearly impossible, honestly. Even Parks and Rec constantly shit down Jerry’s neck. The Good Place was full of demons to balance out the philosophy with that kind of humor.

Ted Lasso is just a guy. It’s not the afterlife, it’s not in space, it’s not in a medieval morality play, it’s not even something as high-concept as the fantasy life of JD in Scrubs. He’s just a guy, who has problems, not insignificant ones, but also maybe the secret of life, moving through a traditional comedy plot — in fact, the actual plot of Major League — and handling it like comedy characters never do because it’s easier to do a madcap plot when everyone is being stupid and not communicating and running on the rails of their particular archetypal tropes.

How they managed to make radical empathy funny is just miraculous. And also:

I actually think Ted’s progressive jokes are rather desperately important, as far as TV is ever desperately important. There’s this crushing, dominant idea that real comedy, edgy comedy, modern, cutting-edge comedy is by nature regressive, offensive, in your face, dirty, snickering about women and minorities and LGBTQ folk because if those pious SJWs don’t like it, it must be hysterical. So to speak. That if you’re not offending people, you’re not doing it right. And the intersection of comedy and sports is where this attitude is likely to be EXTREMELY firmly rooted and taken for granted.

But here it’s just…gone. There are zero jokes made at the expense of…really anyone except Jamie and Roy, who both need to experience not being bowed down to in order to become who they need to be. Ted doesn’t even think before deftly acknowledging that Rebecca is funny, but on the off chance she actually has a trans parent, he’s excited and interested to discuss her experience with her without judgment. And yet nothing is lost in terms of fun or laughs, because in every scene, Ted lets everyone be in on the joke with him instead of being a target.

Art can be like this. Art can be like this and nothing is lost. There’s still plenty of edge to go around.

If I were you, I would read the whole thing, especially if you liked this previous post: Ted Lasso, a Model for the Nurturing Modern Man.

Tags: Catherynne M. Valente   Ted Lasso   TV
16 May 01:57

"Jolene" and other records that sound great when played at the wrong speed

by David Pescovitz
wskent

jolene definitely works. looking excited to check the rest of these out. direct link: https://insheepsclothinghifi.com/when-wrong-is-right/

Back when most everyone listened to music on vinyl, frequently switching between 45 RPM 7" platters and 33 1/3 RPM 12" albums would mean that eventually, you'd forget to flip the speed selector switch on your record player and a song would come on at the wrong speed. — Read the rest

12 May 21:46

The cast for the first Knives Out sequel is shaping up to be pretty awesome

by Jay Peters
wskent

yes

Street Style - Paris Fashion Week - Womenswear Fall/Winter 2020/2021 : Day Eight
Photo by Hanna Lassen/Getty Images

At the end of March, Netflix acquired the rights to two Knives Out sequels in a blockbuster deal reportedly worth more than $400 million, and the cast for the first sequel is quickly shaping up to be as epic as the one for the original movie.

We got the first inkling about the new cast on Monday, when Deadline reported that Dave Bautista was joining the cast of the film. (He talked about his role with Polygon’s Tasha Robinson in an interview published on Tuesday.) Then, on Tuesday, Deadline had another scoop, reporting that Ed Norton has signed on as well. And on Wednesday, The Hollywood Reporter said that musician and actress Janelle Monáe is joining the cast.

They’ll all appear alongside Daniel Craig, who will reprise his delightful...

Continue reading…

11 May 20:43

RIP Google Reader

wskent

i want to keep this trending

05 May 22:32

Science fair: "Does your cat's butthole really touch all the surfaces in your home?"

by Jason Weisberger
wskent

autoshare

Tennessee sixth-grader Kaeden Griffin is answering the questions the world asks: Does your cat rub its butt all over the house?

He used an ingenious method to figure it out.

WRAT:

He ran his experiment by putting a non-toxic lipstick on his cats' anuses .

Read the rest
04 May 18:31

A Reevaluation of Jimmy Carter’s Presidency

by Jason Kottke
wskent

i'm into this reconsideration/recontextualization. jimmy carter E V E R Y W H E R E N O W ! ! !

A new documentary film called Carterland and Jonathan Alter’s biography His Very Best: Jimmy Carter, a Life (ebook) are among the recent media attempting to reconsider and recontextualize the presidency of Jimmy Carter. From Megan Mayhew Bergman in The Guardian:

“Here’s what people get wrong about Carter,” Will Pattiz, one of the film’s directors tells me. “He was not in over his head or ineffective, weak or indecisive — he was a visionary leader, decades ahead of his time trying to pull the country toward renewable energy, climate solutions, social justice for women and minorities, equitable treatment for all nations of the world. He faced nearly impossible economic problems — and at the end of the day came so very close to changing the trajectory of this nation.”

Will’s brother, Jim, agrees. “A question folks should be asking themselves is: what catastrophes would have befallen this country had anyone other than Jimmy Carter been at the helm during that critical time in the late 1970s?”

I’m gonna need a three-episode series about Carter on You’re Wrong About, stat. If there’s any justice in the world (wait, don’t answer that), in 50 years’ time Ronald Reagan’s presidency will be considered the disaster that is was and Carter’s will look better in comparison.

If you’re interested in seeing Carterland, it looks as though it’s not out widely quite yet — the only place I could even find a trailer is on this Atlanta Film Festival page (click “Play Trailer” at the bottom of the page).

Tags: books   Carterland   His Very Best   Jimmy Carter   Megan Mayhew Bergman   movies   politics
27 Apr 19:15

Ted Lasso season 2 is coming in July, and it looks as charming as ever

by Andrew Webster
wskent

very excited

Image: Apple TV Plus

Apple’s event today was full of hardware and new products, but the company also took some time to have fun by unveiling a new trailer for Ted Lasso’s second season. The show — which stars Jason Sudeikis as a perpetually positive football coach who takes on a gig helming an English soccer team — has been one of the breakout hits on Apple TV Plus, the company’s fledgling streaming service.

Season 2 follows Lasso as he leads...

Continue reading…

23 Apr 03:29

Can’t Get You Out of My Head: An Emotional History of the Modern World

by Jason Kottke
wskent

friends. this is weird, horrifying, and a frenzy of creativity. give it a watch

Can’t Get You Out of My Head: An Emotional History of the Modern World is the latest world-explaining documentary series from television journalist Adam Curtis. It’s available in the UK on BBC’s iPlayer and, unofficially as a fan upload, on YouTube; I’ve embedded the trailer and the first part above.

But what exactly is it about you might wonder, even after watching the trailer. Reading Sam Knight’s January 2021 profile of Curtis in the New Yorker might help you there:

For more than thirty years, Curtis has made hallucinatory, daring attempts to explain modern mass predicaments, such as the origins of postwar individualism, wars in the Middle East, and our relationship to reality itself. He describes his films as a combination of two sometimes contradictory elements: a stream of unusual, evocative images from the past, richly scored with pop music, that are overlaid with his own, plainly delivered, often unverifiable analysis. He seeks to summon “the complexity of the world.”

Lucy Mangan’s review for The Guardian was overwhelmingly positive:

The power dynamic, how it shifts, how it hides and how it is used to shape our world — the world in which we ordinary people must live — is Curtis’s great interest. He ranges from the literal rewriting of history by Chairman Mao’s formidable fourth wife, Jiang Qing, during the Cultural Revolution to the psychologists plumbing the depths of “the self” and trying to impose behaviours on drugged and electro-shocked subjects. He moves from the infiltration of the Black Panthers by undercover officers inciting and facilitating more violence than the movement had ever planned or been able to carry out alone, to the death of paternalism in industry and its replacement by official legislation drafted by those with hidden and vested interests. The idea that we are indeed living, as posited by various figures in the author’s landscape and (we infer from the whole) the author himself, in a world made up of strata of artifice laid down by those more or less malevolently in charge becomes increasingly persuasive.

Other reviews, particularly from those on the right, call his work incoherent and Curtis himself something of a propagandist. Admission: I haven’t seen any of Curtis’s work, save for the occasional clip here and there. I know some of you out there are big fans — should I start with this one, HyperNormalisation, Century of the Self, or….?

Tags: Adam Curtis   Can’t Get You Out of My Head   Lucy Mangan   movies   Sam Knight   trailers   video
09 Apr 19:04

An 18-Day Time Lapse of the Fagradalsfjall Volcano in Iceland

by Jason Kottke
wskent

(insert post-chipotle meal joke here)

On March 19, after seismic activity in the area, an eruption occurred in Fagradalsfjall, Iceland, adding a new volcano to the country’s already charismatic geology. Because the ongoing eruption is relatively small, steady, and located fairly close to Reykjavik, it’s been well-documented, both by drone and by live webcam. YouTube user stebbigu stitched footage from the live feed into a 5-minute time lapse of the formation of the volcano that covers 18 days, from the first few hours to a couple of days ago. The night views, with all that pulsing orange lava, are especially mesmerizing.

Tags: Iceland   time lapse   video   volcanoes
29 Mar 23:56

The Louvre’s collections are online so I curated some good paintings for you

by Kait Sanchez
wskent

sharing for the headlines getting this song stuck in my head all day: https://www.youtube.com/watch?v=ZQkdwymDanE

A spacious, sunlit gallery hall at the Louvre, with skylights, marble pillars, and artworks along the walls.
Photo by MARTIN BUREAU/AFP via Getty Images

The Louvre Museum announced Friday that its entire collections are now available to view online at collections.louvre.fr. This includes pieces that are on loan or in storage, which is exciting for museum nerds like me who have ever expressed woe at the number of cool things museums have kept away from my eager eyeballs.

“The site offers several ways to delve into the collections: simple or advanced searches, entries by curatorial department, and themed albums,” says the press release. I humbly offer another way to delve in: hand-selected links to some paintings of animals that should tickle your whimsy.

The Louvre’s terms of use for their photos indicate that I can’t repost them from their site, and I would strongly prefer not to start...

Continue reading…

26 Mar 05:09

Lucille Bluth Was Jessica Walter’s Comedic Pièce de Résistance

wskent

a true wonder and delight. we were always so lucky to have a lucille bluth in our life

Jessica Walter, who died yesterday at the age of 80, played a vast array of roles on the stage and screen during her five-decade acting career. She was a radio listener turned stalker in Play Misty for Me. She guest-starred on practically every 1970s crime procedural that existed until she got an Ironside spinoff of her own, Amy Prentiss, which didn’t last very long but still won her an Emmy. She was the voice of an allosaurus on Dinosaurs, the snobby Mrs. Harcourt in a Broadway revival of Anything Goes, and the voice of the overbearing mother and retired spy on Archer. And that only scratches the surface of the surface.

But the Walter role that looms largest today is Lucille Bluth, the boozy, self-absorbed, anti-maternal matriarch on Arrested Development. Actors are often praised with comments like “No one else could have played this role,” and usually that is an exaggeration. In this case, it’s true. Walter was perfect for the role of Lucille, the privileged, blunt, uncaring mother whose delivery of every snarky comment was drier than the martinis she sipped at every conceivable hour of the day. “Jessica Walter never missed,” John Levenstein, a writer for Arrested Development, tweeted today. “If she didn’t get a laugh, there was a problem with the script.”

Arrested Development featured a stockpile of eccentric characters, from never-nudes to wannabe magicians, and had a cast filled with comedy all stars. So it’s saying something that Walter’s Lucille has become the show’s most quoted, most revered, and most iconic — yes, that word gets tossed around too liberally, but dammit, it’s warranted in this case — figure. Not a day goes by on Twitter without the appearance of a GIF or image of Lucille rolling her eyes, telling her adopted son Annyong to go “see a Star War,” or dropping this always-applicable gem: “I don’t understand the question, and I won’t respond to it,” a line that’s even funnier in the context of the actual episode in which it appears. (Lucille says this with a combination of disdain and disinterest after a server at a restaurant called Klimpy’s has the audacity to ask, “Plate or platter?”)

Great performances should not be assessed on the number of memes they generate. Still, the fact that so many of Walter’s moments on that series stood out enough to be digitally memorialized tells you something about why that performance was so phenomenal: because Walter didn’t waste a single second of it. It would have been very easy to ham up every scene and make a meal out of Lucille’s out-of-touch ridiculousness, and there are certainly times when Walter deliberately went in that direction — her bizarre yet somehow elegant take on the Michael-mocking chicken dance comes to mind. But what makes her Lucille so sharp is her sense of control and the nonchalance with which she makes truly brutal statements. “You’re my third-least-favorite child,” she tells Jason Bateman’s Michael in the season-one episode “My Mother, the Car,” a line delivered as though it’s a dart lightly dipped in arsenic, then casually thrown directly into her son’s eyeball. It’s brilliant, and it’s not even the most comedically genius thing she does in that scene. That honor goes to her explosion at her son Buster (Tony Hale) — “Get away from that stove, you’re going to light your hair on fire!” — which she immediately follows with the dark, wry observation: “He’s weak.”

Even when Lucille was called upon to be silly, Walter did it with blasé panache. For one example, report to season two’s “Afternoon Delight,” when a high Lucille drives her car into the middle of a crowd and runs over her son-in-law Tobias. As the car slowly ker-thunks over his body, she says, with only mild curiosity, “What the hell was that?” The thing that made Lucille so consistently funny was the way her emotional responses were completely at odds with whatever situation she encountered. She was either outraged about something minor or barely out of sorts after nearly committing vehicular manslaughter or cackling maniacally at her joke about hospitals (people hate them because there are no bars there) while her son Gob — fourth-least-favorite child — was actually in the hospital. Walter understood that the dissonance between what was appropriate and whatever Lucille was doing in any given moment drove the character, and that became her comedic lodestar.

Given that Arrested Development is about morally bankrupt rich people and that Lucille is the kind of woman who today would absolutely wind up playing the Karen in a viral video, it’s remarkable that so many people like Lucille so much. But viewers really liked her and still do. That’s partly because she’s so blunt and so blatantly entitled, which are terrible qualities in a regular human but very funny ones in a sitcom character. But it’s also because Walter so obviously relished playing her. In a statement about her death, her daughter Brooke Bowman mentioned her mother’s “overall joie de vivre,” and Lucille Bluth had that, too. As dark and acidic as she was, she sometimes just got a huge kick out of life, especially when life involved private investigator Gene Parmesan popping up in unexpected places.

All of this is extra remarkable when one remembers that, in an interview with the New York Times, Walter broke down in tears as she recalled how verbally abusive her co-star Jeffrey Tambor had gotten at one point on the set with her. Her honesty about that experience was a reminder that actors often have pressures and tension swirling around them, but still must try to give the kind of performance that … well, that someone will write an entire article about once that actor is gone. Jessica Walter didn’t just do a remarkable job of embodying Lucille Bluth; she apparently had to do it, on at least some occasions, with other issues in the way. She still nailed every moment, with sly finesse, a martini glass in one hand, and a nice, big wink. Good for her, indeed.

Lucille Bluth Was Jessica Walter’s Pièce de Résistance