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The Ironman Heavymetalweight wrestling championship operates under 24/7 rules, meaning that the titleholder must defend it at all times against all comers. This has bred some chaos, with the belt changing hands more than 1,170 times. English wrestler Laura James won the belt in June and lost it the same day to her cat, Bunny (above). Other notable winners:
Heroically, the belt itself became the 1,000th champion. Sanshiro Takagi, the 999th titleholder, was attempting to retire when Poison Sawada knocked him out with the belt, which fell on his chest, “pinning” him. The referee counted him out.
Pre-Release Steam page for my new game ISLANDS is now live! Wishlist-able.
Nov 2016
Platforms: Mac / PC / iOS
(Cover for the 1967 edition of vol. 1 of The Moon is a Harsh Mistress (1965), Robert A. Heinlein)
The Portuguese painter and illustrator Lima de Freitas (1927-1998) created a vast number of covers for the Portuguese press Livros do Brasil. For more on the range of art he produced in his career consult his wikipedia page [here].
A while back I reviewed Mordecai Roshwald’s Level 7 (1959) and discovered de Freitas’ amazing cover (below). More than any of the US editions, it evokes the claustrophobic tone of the novel (and even some of the surreal elements).
As the son of two architects, architecturally inclined SF covers always fascinate. Thus, as an introduction to his art (if you do not know it already) I have collected a handful of his cityscapes. They are surreal masterpieces. Lima de Freitas’ covers emphasize the city as a canvas, the textures of human occupation–for example, the 1964 edition of Edmund Cooper’s Seed of Light (1959) (my review).
For a catalogue (in Portuguese) of Livros do Brasil‘s SF novels (published under the Argonauta imprint) consult this encyclopedic site Colecção Argonauta. Even if you cannot read Portuguese (me!), browsing the images will be well worth your time.
A new favorite SF artist….
It is fascinating seeing non-English language covers for some of the great classics of the SF genre—Asimov, Heinlein, Simak, etc. Although, you couldn’t pay me to reread Heinlein’s agonizingly awful Farnham’s Freehold (1964). Also, Livros do Brasil published quite a few French SF authors in translation–Stefan Wul, Paul Frenchm Pierre Versins, etc)–which remain (mostly) unavailable for English readers.
As always, what are your favorites? Why? Has anyone read novels/short fiction by the French SF authors below?
Enjoy!
For more Adventures in SF art posts consult the INDEX
(Cover for the 1959 edition of Lucky Starr and the Oceans of Venus (1954), Isaac Asimov)
(Cover for the 1964 edition of Seed of Light (1959), Edmund Cooper)
(Cover for the 1967 edition of City (1952), Clifford D. Simak)
(Cover for the 1959 edition of Retour à “O” (1956), Stefan Wul)
(Cover for the 1956 edition of Lucky Starr and the Pirates of the Asteroids (1953), Isaac Asimov)
(1957 edition of The Syndic (1953), C. M. Kornbluth)
(Cover for the 1966 edition of The Drowned World (1962), J. G. Ballard)
(Cover for the 1964 edition of Foundation and Empire (1952), Isaac Asimov)
(Cover for the 1967 edition of vol. 2 of Farnham’s Freehold (1964), Robert A. Heinlein)
(Cover for the 1958 edition of I Am Legend (1954), Richard A. Matheson)
(Cover for the 1963 edition of Level 7 (1959), Mordecai Roshwald)
(Cover for the 1963 edition of La peur géante (1957), Stefan Wul)
(Cover for the 1958 edition of Wine of the Dreamers (1951), John D. MacDonald)
(Cover for the 1957 edition of En avant, Mars! (1955), Pierre Versins)
(Cover for the 1964 edition of Le satellite sombre (1962), Jacques Vallée)
(Cover for the 1964 edition of Le signe du chien (1960), Jean Hougron)
The earliest known surviving pair of socks, created by naalbinding. Dating from 300-500, these were excavated from Oxyrhynchus on the Nile in Egypt. The split toes were designed for use with sandals. On display in the Victoria & Albert museum.
Sock
A sock is an item of clothing worn on the feet and often covering the ankle and some part of the calf. Some type of shoe or boot is typically worn over socks. In ancient times, socks were made from leather or matted animal hair. In the late 16th century, machine-knit socks were first produced.
Nålebinding
Nålebinding (Danish: literally “binding with a needle” or “needle-binding”, also naalbinding, nålbinding, nålbindning or naalebinding) is a fabric creation technique predating both knitting and crochet.
*I didn’t know that Roman Egypt had so many German tourists
So I'm chewing over the idea of eventually returning to writing far future SF-in-spaaaace, because that's what my editors tell me is hot right now (subtext: "Charlie, won't you write us a space opera?"). A secondary requirement is that it has to be all new—no sequels to earlier work need apply. But I have a headache, because the new space opera turns 30 this year, with the anniversary of the publication of "Consider Phlebas" (or maybe "Schismatrix")—or even 40 (with the anniversary of the original "Star Wars"). There's a lot of prior art, much of it not very good, and the field has accumulated a huge and hoary body of cliches.
Some of you might remember the Evil Overlord's List, a list of all the generic cliche mistakes that Evil Overlords tend to make in fiction (16: I will never utter the sentence "But before I kill you, there's just one thing I want to know."). I think that it might be a good idea to begin bolting together a similar list of the cliches to which Space Opera is prone, purely as an exercise in making sure that once I get under way I only make new and original mistakes, rather than recycling the same-old same-old.
This is not an exhaustive list—it's merely a start, the tip of a very large iceberg glimpsed on the horizon. And note that I'm specifically excluding the big media franchise products—Star Wars, Star Trek, Firefly, and similar—from consideration: any one of them could provide a huge cliche list in its own right, but I'm interested in the substance of the literary genre rather than in what TV and film have built using the borrowed furniture of the field.
List follows, below the cut.
Planetary civilizations
This subheading covers common cliches/mistakes made in discussing inhabited (Earthlike) planets and the people who live on them.
Space and cosmology
Common blunders in cosmology, planetography, orbital mechanics, and related.
Biology
Biology is complicated—so much so that many SF authors suffer from Dunning-Kruger syndrome in approaching the design of life-supporting planets.
Economics
Fingernails-on-blackboard time for me. (See also: Neptune's Brood)
Politics
Culture
Technology - space travel
Technology - Pew! Pew! Pew!
Aliens
What do you think I'm missing from the list?
Isaac Frost, George Baxter. Muggletonians Two Systems of Astronomy. 1846.
Isaac Frost was a scientist and prominent member of the Muggletonian sect in the mid 19th Century who was instrumental in the refinement of their astronomical theory, as represented on these prints which he designed. George Baxter was a London printer who developed and patented an unusual method of printing using oil pigments.
This fascinating work outlines the Muggletonians rejection of Newtonian physics. The Prophets had stated that as part of their divine revelation that heaven was only six miles above the earth and that the sun and the moon are not much bigger than they appear to our natural sight. The Muggletonians took a very literal view of biblical statements, and especially statements from the Book of Enoch and demanded that these statements (as interpreted by them) should take precedence over what was claimed to be scientific fact.
As opposed to the Christian view of a Holy Trinity, Muggletonians believed Christ the Son was in fact the true God, while the prophets Elijah and Moses watched over Heaven. In addition, they believed that God paid little attention to His creation, therefore rendering acts of faith and devotion such as prayer, worship, and martyrdom useless. Heaven was to be found on Earth, rather than in the afterlife, and Hell likewise existed within man.
*Never believe that your own historical moment has a hammerlock on nutcase crankiness
"QUANTUM SHOT" #873 Link - article by Avi Abrams You cannot "step into the same river twice", but some rivers are so full of heavenly colour that you are tempted to linger
(images via)
(images via) To access the river you will have to fly to La Macarena and then take a horseback trip into the "Serrania de la Macarena" National Park, so it is not that easy to get there - but the rewards of witnessing and even swimming in all this radiant glory speak for themselves. Check out these lovely water-eroded pits in rock where you can even submerge yourself for a brief "fish in a bowl" experience: There is also an abundance of miniature waterfalls, adding to the spectacular beauty of the place: (images via) Color it Green: Lovely, Curvaceous River Uvac in Serbia This light-green beauty is located in Special Nature Reserve Uvac, namely the Uvac Canyon, which is also known for being a habitat of huge Griffon Vultures, which can have a wingspan of almost three meters... (image via) Color it Red: Washed Sand Changes Rivers into "Blood" This is the much-revered Yangtze River in China, which turned color one day (most vividly near Chongqing) due to some washed out sand - and caused an ecological scare in the news as it was initially thought to be caused by somebody dumping chemicals in the river: (images credit: China Photo Press / Barcroft Media ) Another washed sand "red river" was spotted in Madagascar - this is an aerial shot over the Bombetoka Bay in Betsiboka region: (image credit: Oledoe) Color it Rainbow: Incredible Volcanic Ash-infused rivers of Iceland Intense volcanic activity in Iceland leads to overall abundance of other-worldly landscapes, and this apparently includes rivers which look like they were lifted bodily from the surface of some other planet - an ancient Mars, perhaps, bountiful with water reflected over the shimmering alien sand. Russian photographer Andrei Ermolayev took these fantastic aerial shots over the Southern coast of Iceland: (images credit: Andrei Ermolayev) These incredible river-made patterns don't even seem natural, but rather a handiwork of a fairy-tale maiden, an ornament to adorn the blushing face of the Earth, to cherish for ages to come: (image credit: Andrei Ermolayev) Article by Avi Abrams, Dark Roasted Blend. ALSO READ: "MOTHER NATURE AS AN ABSTRACT ARTIST" -> CONTINUE TO THE "AWESOME NATURE" SERIES -> |
In 1982, 24-year-old schizophrenic patient J.S. faced a difficult decision: The neuroleptic drug Prolixin relieved his psychotic symptoms, but it produced tardive dyskinesia, a progressive disorder that caused uncontrollable movements of his legs, arms, and tongue.
His therapist learned of an experimental program that might reduce this side effect, and J.S. signed consent forms to enter treatment. But the first step was to stop all medications, and without the Prolixin he descended again into psychosis and refused the experimental medication.
This produces an impossible dilemma: Does J.S.’ “sane” self have the right to overrule his “insane” self, if the two disagree? Can Dr. Jekyll bind Mr. Hyde? Such a directive is sometimes called a Ulysses contract, after the Greek hero who ordered his men to disregard his commands as they sailed past the sirens. If a patient directs his caregivers to ignore his own future requests, can the caregivers follow these orders?
In J.S.’ case, the answer was no. The research unit’s legal counsel decided that his earlier consent did not override his later refusal, and he was withdrawn from the program. When he resumed his antipsychotic medication and learned what had happened, he begged for another chance to try the experimental medication. Had they been wrong to refuse him?
(Morton E. Winston, Sally M. Winston, Paul S. Appelbaum, and Nancy K. Rhoden, “Can a Subject Consent to a ‘Ulysses Contract’?”, The Hastings Center Report, 12:4 [August 1982], 26-28)
Some of your old books may contain hidden artworks: Beginning in the 17th century, a book’s binder would sometimes paint a watercolor scene on the edge of the book’s page stack. If the pages were then gilded, the image might remain hidden for years until the pages were fanned.
Sometimes two different images are hidden in the same book, revealed successively when the pages are fanned “up” and “down.” In rare cases paintings are hidden not just on the book’s fore edge but on the top and bottom as well, offering a panoramic view of the painting’s subject.
Lenticular clouds over Mount Fuji, Japan. These are stationary lens-shaped clouds that form at high altitudes, usually perpendicular to the direction of the wind.
wOw omg