
Hebrard’s design for an international world center
About 15 months ago, Yelp, the renowned service review website, became one of the latest tech companies to bring an initial public offering. But the company has long discovered it’s hard to translate tons of reviews into profits: since Yelp began keeping track in 2008, it's been losing increasing amounts of money nearly every year.
In the corporation's latest earnings report, posted on Wednesday, Yelp’s year-over-year quarterly revenue reached $55 million, a 69 percent growth over the second quarter of 2012. However, Yelp continues to lose money. This quarter, the company sustained a net loss of $878,000. The good news? That’s a small fraction of the more than $5.6 million lost in total during the first half of 2013.
By comparison, at this point in 2012, the San Francisco firm already lost $11.7 million. And by the end of that year, Yelp reached a net loss of $19.1 million—the largest annual loss the company sustained to date. Still, in after-hours trading today, investors showed modest confidence in the new earnings report, boosting Yelp’s stock price by more than seven percent. It's currently hovering slightly under $42.
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Read more of this story at Slashdot.
firehose'Black fans across the country can watch it live from the comfort of their own homes (assuming they have Xfinity, Time Warner Cable, Cox Communications, DirecTV, Dish, Cablevision, Charter Communications, AT&T U-verse, or Verizon FiOS).'
lol internet

The future of comedy distribution is here and it’s coming from, of all people, Lewis Black. The 64-year old comedian’s ninth stand-up special, Lewis Black: Old Yeller-Live At The Borgata, will be the first live comedy special to air as a pay-per-view event simultaneously on all cable, satellite, and telco platforms. The show will be taped in Atlantic City on August 24th at 9:30 p.m. ET, but Black fans across the country can watch it live from the comfort of their own homes (assuming they have Xfinity, Time Warner Cable, Cox Communications, DirecTV, Dish, Cablevision, Charter Communications, AT&T U-verse, or Verizon FiOS).
In a September 2012 interview with The A.V. Club, Black spoke about the difficulties of keeping his political and social comedy topical:
Read more“This special [In God We Rust], which I did a year and half ago and is just now seeing the ...
firehosevia Rosalind

for real fabric i found at Jo-anns
I’m generally fed up of ‘Keep Calm and Carry On’ inspired stuff but I can’t help but like this
Well. Fuck.
THIS IS AT JO-ANNS?! I sense a new skirt in my future. And perhaps a large applique for a jacket.
firehoseGerman swordfighting manuals beat

Produced by an unknown author and illustrator, "Fechtbuch I.33" is an anonymous German manuscript from approximately 1300. It is highly significant as the earliest surviving manual of swordsmanship
firehoseI wish it was Frida(y)

“Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.”
― Frida Kahlo
Remember this quote and understand why it is wrong to enshroud the memory of Frida in an aura of pain & suffering as if that’s what she were all about.
I fucking love this picture omg
the giggles!
firehosereddit is for redditors beat
Qinni: Creepshots is back. And they have migrated to Tumblr.
This needs to fucking stop. This is an absolute invasion of women, this is disgusting, and this Tumblr needs to go away.
We need to report both the Twitter and the Tumblr.
Creepshots is a website for men to take “sexy” pictures of unsuspecting women, and from their ‘About Us’ section it states: “Creepshots are CANDID pictures. If a person is posing or aware that a picture is being taken, then it is no longer a creepshot.”
These men take pictures of women who are unaware and post them.
And then under their rules for getting the pictures removed? One of the two options is to “appreciate” the fact that some fucking gross man took a picture of you.
Signal boost.
I’ve sent a report to tumblr and you should too.
To report a blog to tumblr, you need to email the full URL and name of the blog to tumblr.
Let’s get it taken down!
PLEASE SIGNAL BOOST
WE NEED TO REPORT THEM HERE’S HOW
there’s two ways-it’s more effective if you do both:
1) Block them here and then report for harassment.
2) You can also email tumblr at abuse@tumblr.com and tell them to ban creepshots. Provide them with the url to the blog (creepshots.tumblr.com) and explain why they should be banned. If you’re too lazy to write out an email, you can use mine:Hello tumblr staff,
Please remove/ban the blog creepshots.tumblr.com. They post demeaning, humiliating and objectifying pictures of women (typically their asses and breasts and even under their skirts) that they take without their permission on the street and in public. These guys were banned and deleted from reddit. Can you really say that tumblr is less of a safe respectable place than reddit?
What they are doing is wrong. Many, many users on tumblr feel violated and unsafe by this blog’s presence in the tumblr community. These men are violating the privacy of women everywhere. They specifically state in their about me: “Creepshots are CANDID pictures. If a person is posing or aware that a picture is being taken, then it is no longer a creepshot. A true creepshot captures the natural sexy, embarrassing or funny aspect of the subject mater/person without their knowledge.” They specifically state that only accept pictures of people whose privacy has been violated (source: http://creepshots.tumblr.com/AboutUs).
Please do something to show that you care about the safety and dignity of women, particularly the women in the tumblr community. If you don’t care about that, can you at least ban/delete them in the name of protecting yourself from legal liability? because there’s a strong likelihood that some of those pictures are of underaged girls. Given that these men are taking pics of young women they don’t know, how can they know their ages for certain? All it takes is one concerned parent or adolescent seeing their picture on that site, and if you don’t take it down, legal action could be taken against you.
So please, in the name of what is ethical and right and even legally responsible and smart, delete creepshots. Thank you.
Sincerely,
________ (tumblr username/name)If we use both methods, we’ll be more successful. LET’S FLOOD THE TUMBLR EMAIL WITH DEMANDS THESE FUCKERS GET TAKEN DOWN. WE CAN DO THIS.
I know this is not much related to RHA, but this disturbs me way too much. I figured if I share it here, more people will know about it. Signal boost! (Also I bolded the text, I hope no one minds)
It’s extremely sad that this isn’t down yet. It has been one month since I last reblogged this, but it’s still not down. Please tell them that that not only is this wrong in so many levels, but these are also pictures of underage girls.
(Note: Don’t reblog as a Link)
firehosePDX comics women throw the Internet the fuck down!
"If you don't want to make your artists happy with some dough, copyright stake, or some creative control? Then you don't want to be in comics, go write that shit as a novel."
Portland is considered something of a Mecca for the comic book industry. Neither of the big two publishers (DC/Marvel) live here, but plenty of writers and artists who work for those companies do. The Northwest is home to imprints like Top Shelf, Dark Horse, Oni, and multiple Eisner-nominated comic book shops.
As such, there are a lot of people living here who think "making comics" is a legitimate career pursuit. Not a risky one, not an iffy one: legit. There are enough residents with their name printed on the cover of various floppies and trade paperbacks that it seems completely plausible, if not probable, that "comic books" could be a a valid career choice.
Considering the names on those covers printed in the largest font do tend to be the writers', a lot of people think the best way into comics is via the side that doesn't do so much of the sketching, or tracing, or whatever they do. Inking. That shit. And since most of the biggest stars in the industry are the writers, it really does seem like that's the best bet.
Today, Leia Weathington, creator of The Legend of Bold Riley and winner of the 2013 Stumptown Comics Fest award for Best Writer (conflict-of-interest alert: I produce her podcast) lit up Twitter like Colonel Kilgore calling in an airstrike. The truth-infused napalm came in response to a conversation started by this tweet from After Houdini creator Jeremy Holt.
Weathington's response, collected and storified by friend/colleague Erika Moen (Bucko, Oh Joy, Sex Toy) not only puts paid to the notion that artists exist in comics solely to execute the vision of the almighty writer, but sheds light on just how "easy" it is to break into comics, even in a Mecca like Portland:
There's a lot more to read, and thanks to Erika Moen, the whole thing is available here. And if you were considering a career in the industry, click that link, and take a minute or two to think on whether or not you really want to break into comics if you're not willing to regard an artist as "your people."
Twitter, which has apparently been much better about saying no to the NSA than the other tech giants, says that more and more governments want to get a hold of your private information:
The company's latest transparency report, now a biannual affair, shows a steady increase in information requests from governments around the world, including those for user account information, which Twitter said typically are made in connection with criminal investigations or cases. For the first six months of 2013, Twitter received 1,157 requests, up from 1,009 in the second half of 2012 and 849 in the first half of 2012.
Whenever I write about Twitter and privacy, people tend to respond with something like, "isn't Twitter for narcissistic over-sharers anyway?" And, you know, sure, kinda. Partially. But governments aren't interested in your public posts about what you ate for lunch. They're interested in the identities behind anonymous Twitter accounts. They're interested in Twitter's private messaging system, which has become a preferred way for protesters to keep in touch when they're planning and undertaking actions. There's a lot of very damaging private information on the site, even though it has a reputation as being too public.
Politico |
Congress finally votes to cut student loan interest rates
Reuters By Elvina Nawaguna. WASHINGTON | Wed Jul 31, 2013 7:27pm EDT. WASHINGTON (Reuters) - U.S. college students will likely pay a reduced interest rate of 3.86 percent on their student loans for the new school year, after lawmakers on Wednesday finally ... House approves lower rates on student loansUSA TODAY House passes student loan deal, sends to Obama's deskNBCNews.com After delays, student loan fix clears CongressCBS News Washington Post -Wall Street Journal -Politico all 162 news articles » |





so knifehead-kun exists. he ends his sentences with "-rimu", uses emotes like ψ(`口´)ψ, tags his tweets with #worldinvasion, and calls guillermo del toro daddy
i cannot believe
This makes me so ridiculously happy, I can’t express it without flailyhands.
(Pacific Rim was a lot of fun, and I might be idly considering some fic ideas. Just maybe. We’ll see what my brain does.)
firehoseLen Wein: "Hugh Jackman is a lovely man, and at the premiere he told the audience that he owed his career to me and had me take a bow. It was very gratifying and very nice. I would have preferred a check.”

The Wolverine, starring Hugh Jackman, arrived in theaters this past weekend. This is the sixth time Jackman has played the iconic X-Man, and the role has taken his career to heights it likely otherwise never would have reached, and much of that is owed to Chris Claremont. Along with artist Frank Miller, Claremont created the original Wolverine miniseries that this latest film is largely based on, and over his near 20+ years writing X-Men stories he did more to influence the development of Wolverine than anyone. Despite that, neither Claremont or Miller’s name appears anywhere in the credits of the film, with not even so much as a “special thanks.”
In an interview for Vulture, Sean Howe, the author of the Eisner-winning Marvel Comics: The Untold Story, asked Claremont for his thoughts on the film, how he feels about seeing his words on screen, and not being given any credit for the film’s creation.
In the interview, Claremont offered the following when asked about not being credited in the film:
The thing about the credit … We did this mostly for fun. It was earning a living, but we did it for fun. There are still grace notes that make you grin. In the first Wolverine movie, when he looks at Silver Fox and says [the line I wrote], “I’m the best at what I do, but what I do best isn’t very nice” — at the screening, I was sitting there going, “Yesss!” and my wife is elbowing me in the hips to stop it. Those moments are cool. Or Hugh shouting out to [comics writer] Len Wein at Comic-Con, to thank him for creating the character. On the purely human side of the equation, it’s always nice to have someone say so.
I’m not exactly sure what I would have expected from Claremont in response to a questions like this, though I do feel his tone is a bit more low key than I might have guessed. Depending on who you ask, this is either a realistic or resigned response to a question that is essentially about work-for-hire, and the current financial success many of these super hero films are realizing while the creators who built the mythos behind the characters they feature see little to no monetary windfall. As for Len Wein, the Wolverine co-creator’s earlier words about Jackman’s success in portraying the X-Man stand somewhat in contrast to Claremont’s words. From Howe’s Marvel Comics: The Untold Story:
“I have not seen a dime off of any Marvel stuff, nor do I have a credit on the Wolverine film. Hugh Jackman is a lovely man, and at the premiere he told the audience that he owed his career to me and had me take a bow. It was very gratifying and very nice. I would have preferred a check.”
[Via Vulture]

Before there was BART or AC Transit, there was the Key System. Key trains rode on the lower deck of the Bay Bridge.
firehoseyep
It reminds me of the “bike to work” movement. That is also portrayed as white, but in my city more than half of the people on bike are not white. I was once talking to a white activist who was photographing “bike commuters” and had only pictures of white people with the occasional “black professional” I asked her why she didn’t photograph the delivery people, construction workers etc. … ie. the black and Hispanic and Asian people… and she mumbled something about trying to “improve the image of biking” then admitted that she didn’t really see them as part of the “green movement” since they “probably have no choice” –
I was so mad I wanted to quit working on the project she and I were collaborating on.
So, in the same way when people in a poor neighborhood grow food in their yards … it’s just being poor– but when white people do it they are saving the earth or something.
”firehoseCara loves StarMade
By Cara Ellison on July 31st, 2013 at 10:00 am.

MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE MINECRAFT EVE ONLINE
MINECRAFT EVE ONLINE?
MINECRAFT EVE ONLINE.
Also Infinite Pixels
BYE
firehosethe dream of the 20s is alive in Fordland
In 1928, Henry Ford, the founder of the Ford Motor Company, decided to bring a little bit of US suburbia to Brazil. As Gizmodo reports, the result of Ford's plan was Fordlândia, a Ford-owned town for workers that brought homes, running water, electricity, swimming pools, and American meals to the heart of Brazil's rainforest. The town was also imbued with Ford's values: women, alcohol, and tobacco were all banned within the town, including inside the workers' homes. Ultimately, the plan was unsuccessful, as Ford's rubber trees (the reason for the company's presence in Brazil) didn't flourish, and Brazilian workers showed resistance to Ford's strict values.
firehoseeverything is always watching beat
Greg Duffy started Dropcam with a simple goal: find out which neighbor was letting their dog poop on his dad's lawn week after week. His father had looked into security cameras, but couldn't find one that made it easy to record, stream and monitor large amounts of video. So Duffy and his friend Aamir Virani, both software engineers, decided to build a solution. "It was pretty scrappy at first," admits Duffy. "We were buying cameras off the shelf, reverse engineering them and flashing them with our own firmware." The duo built and shipped all the early units by hand.
Fast-forward four years to today and the company is announcing a $30 million round of venture funding. It now makes its own hardware, the Dropcam HD, and says the new money will be used to triple the staff and expand from the web to retail stores. "Over the past year our revenue and units sold have grown more than five fold," claims Duffy. "We now process more hours of video each day than any service on the web, even more than YouTube."
Dropcam now processes more video per day than YouTube
"This is a company that can revolutionize security for the home," says Trae Vasello, a general partner at Kleiner Perkins, one of Dropcam's new investors. Vasello has a long history with hardware, having worked at Ideo, where she helped develop the Palm V. "There is a whole new wave of smart devices that pair hardware and software in an elegant way which are going to displace the clunky industrial models that have been around forever. Dropcam can do for surveillance cameras what Nest did for the thermostat."
The Verge review of the Dropcam HD, penned back in January of 2012, was decidedly mixed, noting that the monitoring functions weren't fully baked, video was mediocre and the unit had to be plugged in at all times. Duffy argues that because Dropcam thinks of itself primarily as a software company, much of this has been improved on since. "We don't ask our customers to go back out and buy a new unit to fix these problems. As we improve the monitoring and video quality, those changes work all the way back to the first units Aamir and I hacked together."
As for the need to always be plugged in, Duffy says the device works with any power source that has a USB port. As proof he points to Franky the tortoise, who wears a Dropcam on his back with a battery pack and broadcasts live from Lou's Pet Shop in Detroit for seven to eight hours a day.
Like Google Glass, its clear the comfort level with this kind of ubiquitous surveillance is higher in Silicon Valley than the rest of the world. Vasello has three cameras in her home and two in her parents' place that she uses to watch her family when she's travelling. Among a group of non-techie friends I surveyed, the majority agreed this would creep them out.
Duffy acknowledges that there are still psychological barriers to adoption for some, but says this will pass as people see "Our system is catching a robber in the act pretty much every day."
the benefits outweigh the drawbacks. "It's getting to the point where our system is catching a robber in the act pretty much every day."
The Dropcam HD retails for $149 and the company offers two tiers of paid cloud storage that let users access footage from the past week or month. Duffy says 39 percent of people who bought the unit subscribe for this service, giving the company a healthy revenue stream separate from its hardware sales.
Looking ahead, Duffy says he is most excited about bringing improvements in computer vision to the platform. Dropcam can already pair with a phone to turn on and off when a user enters or exits their home. And it can do basic motion detection. But Duffy says the new funding will help accelerate the company's move into smarter sensing that will decide when motion on screen is important or irrelevant. "We want a system that alerts when you need it and leaves you alone when you don't."
firehose"in the first few minutes you’re reintroduced to ... a gang from the 1994 Sega Genesis iteration of the game"
motherfucker go home
go
home
stop the review
stop it right here, shut up
firehose"John Gruber’s comments on The Talk Show #49 about Vesper’s sales suggest that the same is true for them. John’s audience gave them a great launch, but now, they’re in the same App Store dealing with the same challenges and competition as the rest of us."
and apparently not competing favorably at all on features, UX, or price doesn't work after the initial Gruber groupies (Grubies?) get bored
Good article by Elia Freedman, but then it ends with this footnote:
Listening to Marco Arment talk about this problem is frustrating. The guy has an incredible personal brand, like [Loren] Brichter, and the things he touch get instant echo in the iOS chamber. Would The Magazine had been such a success if I had built it? No way. His personal echo chamber made that happen. (Note that I am not complaining in the least about his ability to do this. If anything I’m a little jealous.)
I’ve heard things like this a lot, but I think you’d be surprised at the reality.
A very popular article on this site might get 50,000 hits. Most get more like 20,000. Sponsors have reported getting 1,500–2,500 clickthroughs on sponsored link-posts.
In the App Store, I’m competing with hundreds of thousands of other developers for the attention and money of hundreds of millions of customers, most of whom don’t know or care who I am.
I released a new app a few weeks ago. Here’s its sales graph:

To date, I’ve invested about two weeks of time into Bugshot and it has made a total of $3,531.89. That’s not bad at all, but it’s not going to go very far, especially considering that the average for the last 5 days is just $47 per day, and the trend is clearly falling quickly.
Bugshot got great press, but that’s also most of the press that it’s ever going to get.
You can see the sales bump on July 22 when I invested another few days into it, polishing it more and adding two major features (Blur and “Open In…”). But you can also see that the bump was small and temporary, and further investment in any major features is probably not a responsible use of my time.
My audience gives me an advantage on day one, and that’s certainly significant. But after that, I’m in the same boat as everyone else.1
John Gruber’s comments on The Talk Show #49 about Vesper’s sales suggest that the same is true for them. John’s audience gave them a great launch, but now, they’re in the same App Store dealing with the same challenges and competition as the rest of us. ↩
firehose'He says he’s aware of Urban Outfitters’ questionable ethics and absolutely thinks the company is absurd, but if “motherfuckers” want to pay $28 for T-shirts, that‘s their business. He even likened the purchase to people buying expensive shoes, saying he doesn’t know why anyone does that, but guesses “it makes their feet feel fuckin’ rich.”'

Minor Threat frontman Ian MacKaye says he’s absolutely fine with Urban Outfitters selling $28 T-shirts featuring his former band’s logo. Turns out that, unlike the Forever 21 shirt from 2009, the current model is legit and licensed. Because so many Minor Threat bootlegs had been popping up in the marketplace, MacKaye and Co. hired California-based Tsurt to produce and oversee sales of some T-shirts for the band. Though MacKaye is careful to clarify to the Washington City Paper that Dischord “doesn’t make T-shirts,” he said hiring Tsurt lets him spend his valuable time doing other things besides tracking down bootleggers, something he says is “a complete waste of time.”
MacKaye goes on to say that he doesn’t “give a fuck about T-shirts” and that hiring a company wasn’t a “political thing” for him. He says he’s aware of Urban Outfitters’ questionable ethics and absolutely ...
Read morefirehoseroadtrip
Cottonwood, Idaho is home to Dog Bark Park Inn, a bed and breakfast-style guesthouse shaped like a giant beagle. Its unique shape, created by its wood-carving owners Dennis and Frances, is reminiscent of roadside tourist attractions from early car travel days. The artistic couple makes and sells chainsaw sculptures on site and the “World’s Biggest Beagle” guesthouse can be reserved for up to 4 people from April 1st to October 31st.
images via Dog Bark Park Inn
via Faith is Torment
firehoseshared to infuriate everybody
$8 for a scrap of cloth, a shitty plastic collar, and a Doctor Who reference
“Bowties are cool now, even for your cat.”
Dayton, Ohio-based print designer Crystal Dennis of the Real Art creative studio made a wonderful “Doctor Meow” collection of bow ties for cats that are each inspired by the BBC sci-fi television series Doctor Who. They are available to purchase online at Real Mart.
Question for artist: Does your product have a fun story behind it? If so, what is it?
Answer: The 11th Doctor Who is a bowtie-wearing Time Lord from Gallifrey. If he’s getting flack on his style choices he’s like, “What? Bowties are cool!” (…or a Stetson, or a fez).
Here is a cute hairless cat, named Applesauce, wearing a “Doctor Meow” bow tie:
images via Real Mart
Thanks Mary Page!
firehoseOct. 27—Calvin Theatre—Northampton, Massachusetts
Oct. 29—Wilbur Theatre—Boston, Massachusetts

Like a chronic yet mysterious pathological affliction—say, one that causes auditory hallucinations in which a snarky Brit pretends to be American and plays the blues—Hugh Laurie has returned to U.S. shores. He won’t be reprising his titular role as the irascible main character of House, though. He’ll be doing that playing-the-blues thing, which he's done on record and also sometimes on House.
Laurie will be touring the U.S. and Canada with his group The Copper Bottom Band in support of his sophomore blues album, Didn’t It Rain. The disc comes out August 6 and will feature renditions of classics by everyone from Jellyroll Morton to Dr. John (sadly, though, no cover of “Rockin Pneumonia And The Boogie Woogie Flu”). Tour dates are below.
Oct. 13—Schermerhorn Symphony Center—Nashville, Tennessee
Oct. 15—Pantages Theatre—Minneapolis, Minnesota
Oct. 16—Vic Theatre—Chicago, Illinois ...
firehosethis fucking guy
Daily Mail |
The moment George Zimmerman was pulled over with a GUN and told officers ...
Daily Mail Dash-cam footage emerged today showing the moment that George Zimmerman was pulled over by a police officer in Texas for speeding and told them he was carrying a gun. Just over two weeks since his dramatic acquittal for the murder of Trayvon Martin, ... Verdict begs: What happened to civility?Springfield News-Leader all 298 news articles » |
firehosemeanwhile, in Portland
Tasul, a polar bear who lives at the Oregon Zoo, wears a special collar equipped with an accelerometer as part of a research project with the U.S. Geological Survey. The collar allows researchers to study how Tasul’s behavior coincides with accelerometer readings so USGS can study polar bears in the wild with a similar device. Oregon Zoo has also outfitted the collar with a Go Pro camera to provide unique video from the view of a polar bear.
video via Oregon Zoo
firehose"a male warrior's ridiculously muscled chest expands the full length of the screen in one cutscene, and many of the enemy characters are depicted in a similar, hyper-exaggerated style. That doesn't excuse the Sorceress' impractical wardrobe or improbable proportions, but her portrayal is at least in line with traditional fantasy artwork, with all of the problematic elements that entails."
still grose
Continue reading Dragon's Crown review: King of brawlers
Dragon's Crown review: King of brawlers originally appeared on Joystiq on Wed, 31 Jul 2013 15:36:00 EST. Please see our terms for use of feeds.
firehosegrose/shadowrun

Last week, after the Nexus 7 launch event in San Francisco, Sundar Pichai of Google, head of both the Android and Chrome teams, dropped a particularly interesting aside into one of his comments to the assembled press: “Our goal is to put computing everywhere.”
That’s a subtle but important additional goal for a company that is explicitly built to “organize the world’s information.” It indicates, among other things, that creating hardware, or at least partnering with companies that do, is now an essential part of gathering, processing and distributing that information.
In other words, Google is a company that is already well aware that to survive the coming decade, it must outgrow the web.
Pichai was answering a question about whether or not Google would ever create a super-phone that could replace a desktop PC, like Ubuntu’s Edge. And it was clear from his answer, not to mention the presentation that had just concluded, which included Google’s new Nexus 7 tablet and the Chromecast smart television device, that Google is pushing in the opposite direction: getting microprocessors into any place they might possibly be useful.
Google CEO Larry Page, who has made great strides in recent years in terms of focusing Google on just a handful of core projects, is clearly also pushing for the company to move further into making hardware. Here’s what he said about it on the company’s most recent earnings call:
I think it’s always a mistake to assume that technology will be static. So, I think certainly over the long term, we’re going to have new kinds of devices and ways of interacting with computing and the Internet.
We’re obviously excited about Google Glass and new ways of interacting with hardware and new types of hardware. With any technological change you probably overestimate the short-term and underestimate the long-term. So, I think ou—we’re really excited about making those investments and making sure we’re positioned to the future.
Now that Google’s Android mobile operating system is in at least one example of practically every “embedded” device on the market, it’s becoming the default operating system for the “Internet of Things,” which refers to a future in which all of our devices have the computing brains to sense, communicate and even interact with their environments.
“We used to make the joke that people could build refrigerators with Android in it, and then it happened,” says Hiroshi Lockheimer, head of Android engineering at Google.
Lockheimer says that Android engineers at Google don’t focus on embedded devices, but because Android is open source and any other company can use it, many repurpose it for that. That translates into a huge amount of free engineering talent that is constantly working to make Android better, fix bugs and adapt it to new gadgets. That means contributions of code from programmers outside Google, as well as a much larger base of engineers who are familiar with Android, says Lockheimer, which leads to even more Android-powered devices.
Google still makes nine out of every ten of its dollars of revenue from advertisements it places alongside our search results and emails, but the increasing visibility and influence of Google’s Android team, which now includes both hardware and software engineers, shows how far the company has come, and how it’s shaping a future in which data flows into and out of Google’s hive mind from devices. Those include Google Glass and sensor-studded personal location devices, which are alien to our current conception of personal computing.
firehoseheh
Continue reading Rise of the Triad review: Everything old is still old
Rise of the Triad review: Everything old is still old originally appeared on Joystiq on Wed, 31 Jul 2013 17:30:00 EST. Please see our terms for use of feeds.