






The Princess and the Frog - Concept Art
firehoseno god only shiba
photo via hat*im*3
Kotaku has posted a delightful photo gallery of large scale rice straw sculptures from Japan’s straw art festivals. The festivals are an annual fall tradition in rural Japan, particularly the Kagawa and Niigata prefectures.
photo via Honzu
photo via kyo
photo via hat*im*3
via Kotaku
Just three months after expanding into a brick-and-mortar space on N. Mississippi, the Honey Pot Bakery has abruptly shuttered both its bakery and its food cart location, in SE Belmont's Good Food Here pod. Co-owner Kelly Delaney, who joined the Honey Pot team during the expansion, confirmed the closure in a statement:
The Honey Pot Bakery has closed its doors at the bakery and cart effective today. We have loved serving our customers and their shared passion for pie! We were so fortunate to give it a go, but in the end the business wasn't viable going forward. We chose to close our doors while we could still fulfill any obligations to our fellow small business owners. Thank you for your support.
The Honey Pot originally launched in Bend, moving to Portland in spring 2012 with baker , Mary Casanave Sheridan at the helm. A Facebook message describes the closure as "devastating" but provides no further details, other than "I hope to return one day soon in some form and continue to share my passion and vision with all of you."
· Honey Pot Bakery [Official site]
· All Previous Honey Pot Coverage [Eater PDX]
Photo of the Honey Pot courtesy Avila/EPDX
Things in mainstream superhero comics can get better for women and minorities, as this Atlantic profile of Marvel Comics writer Kelly Sue DeConnick attests. Marvel is trying, slowly, to bring more female characters to the forefront.
"I think that the message is that no one is 'other,' that white males are not the 'default human being,'" DeConnick said on Comic Con's final day, crystallizing her credo.
I think the glaring overabundance of white dudes on their movie slate is causing Marvel some embarrassment as they move more and more into the public eye. (It probably helps that strong female character advocate Joss Whedon is spearheading their movie universe, too.) Whatever the behind-the-scenes reasons, I'm glad they're pushing for a broader, more inclusive array of superheroes.
firehoseÁrstíðir singing the 11th century Icelandic hymn "Heyr himna smiður" at the train station in Wuppertal, Germany.
Icelandic descendants of Vikings singing a hymn in a German train station. They totally need to be on the next Thor soundtrack.
Oh man oh man oh man. 6 guys, and it FILLS THE SPACE. Luck of the architecture - and they know how to pull it off. Nothing is easy making vocal music in a space not built for it. I want to do this kind of thing - randomly perform multipart harmony in public spaces.
And it reminds me of Bjork: http://www.youtube.com/watch?v=TiN_YTyaNtI
My god this is beautiful.
Oh my god, the bass voice is superb.
This makes me feel so many things. Gods, it’s gorgeous and so evocative and wow. I need to find out what hymn this is.
cried



laughed too hard at this
The Australian Apocalypse begins
the difference between a koala and a drop bear
RUN FOR YOUR LIFE TINY KOALA
Cast AR augmented reality glasses haul in $400K in two days originally appeared on Joystiq on Wed, 16 Oct 2013 13:20:00 EST. Please see our terms for use of feeds.
Artist and researcher Nickolay Lamm has created a series of photos that illustrate how cats see the world compared to how people do. The top photo of each pair shows what humans see, the bottom is an estimate of what cats see. Lamm consulted with eye specialists at the University of Pennsylvania veterinary school and learned that cats have a wider field of view, can’t see well at a distance, have much better night vision, and can see blue and yellow colors, but not reds and oranges. For more photos and information on how cats see the world, head over to Lamm’s article.
images via Nickolay Lamm
firehose'the city did not allow its housing supply to keep up with demand. San Francisco was down-zoned (that is, the density of housing or permitted expansion of construction was reduced) to protect the "character" that people loved. It created the most byzantine planning process of any major city in the country. Many outspoken citizens did—and continue to do—everything possible to fight new high-density development or, as they saw it, protecting the city from undesirable change.
Unfortunately, it worked: the city was largely "protected" from change. But in so doing, we put out fire with gasoline. Over the past two decades, San Francisco has produced an average of 1,500 new housing units per year. Compare this with Seattle (another 19th century industrial city that now has a tech economy), which has produced about 3,000 units per year over the same time period (and remember it's starting from a smaller overall population base). While Seattle decided to embrace infill development as a way to save open space at the edge of its region and put more people in neighborhoods where they could walk, San Francisco decided to push regional population growth somewhere else.
Whatever the merits of this strategy might be in terms of preserving the historic fabric of the city, it very clearly accelerated the rise in housing prices. As more people move to the Bay Area, the demand for housing continues to increase far faster than supply.'
The program outlined in this Miami Herald story by Alex Leary makes me feel so disheartened about the country:
As the battle over the healthcare law grinds on — Republicans no closer to victory than when they forced the government shutdown — a different fight was rising on a recent Saturday from inside Sharkey’s, a bar near the campus of Virginia Tech, 260 miles away.
Lured by free beer, gift cards and the chance to win an iPad, 100 students heard a pitch from the young staffers of a group named Generation Opportunity: Obamacare is a bad deal, and you should opt out.
Generation Opportunity is funded in part by the Koch brothers. The thinking is that if enough young people don't sign up for healthcare, Obamacare will fail. And what happens when one of these kids gets into a car wreck, or suffers from a catastrophic illness? Will the Koch brothers be there to pick up the hospital tab? No, of course not. That's the job of everyone who pays for health insurance, apparently. This is maybe the evilest thing the Kochs have done in their long, evil careers as kingmakers.
Bee And Puppycat
Between its Superbook and Sailor Moon-inspired aesthetic, hearty humor and intriguing premise, it’s not hard to see why Natasha Allegri‘s two Bee and PuppyCat shorts from Frederator’s Cartoon Hangover have amassed more than 4 million views online over the past few months. With fan demand fully in tow, Cartoon Hangover has turned to Kickstarter to expedite the creation of six (or more, according to stretch goals) new 6-minute installments set to start rolling out by the summer of 2014. Should backers succeed in funding the project, they won’t just get more cartoons to watch. Rewards include a Bee and PuppyCat #1 comic book, with certain backing levels indicating that the series could run long enough to supply two years’ worth of collected editions.
The Kickstarter doesn’t provide many details about the comic, aside from the implication that Allegri will be working on it and the fact that backers starting at the $75 level will receive a copy with a Kickstarter-centric variant cover. Boom! Studios seems like a logical publishing home considering its relationship with Frederator, Cartoon Hangover and Allegri herself, however. Allegri, who created Adventure Time‘s gender-swapped Fionna and Cake characters for the Cartoon Network TV show, wrote and illustrated Boom!’s corresponding six-issue Adventure Time with Fionna and Cake comic book miniseries, which is being being collected as a trade paperback today. She’s also illustrated Adventure Time comic covers and one of the coolest pieces of Garfield art we’ve ever seen for a cover for Boom!’s ongoing comic.
Bee and PuppyCat Kickstarter
So far the Bee and PuppyCat Kickstarter is well on its way to hitting its $600,000 goal, having reached more than 25 percent of its necessary funding on day one of a 30-day campaign that runs through November 14. The Kickstarter isn’t meant to fund the comic, but simply provide a copy of issue #1 as a reward by September of next year, meaning it’s probably set for publication regardless of its success or (unlikely) failure. We reached out to Boom! for confirmation, but haven’t heard back as of press time. We’ll keep you posted as info becomes available.
[Via Kickstarter]

Emily Yoffe aka Slate advice columnist “Prudence” is a rape denialist. We’ve known this for years because she repeatedly denies clear instance of rape in her advice column, in which she repeatedly and irresponsibly applies a blanket policy of rape apologia regardless of her letter writers’ circumstance. But until she published this morning’s rape denialism manifesto on Slate, lamenting that a “misplaced fear of blaming the victim has made it somehow unacceptable” to warn women of the dangers of drinking, we didn’t know just how bad it actually was.
It’s hard to know where to start with this terrible and dangerous column (which we will *not* be linking to), so I’ll start where Yoffe does. Bemoaning “one awful high-profile case after another” in which a young woman “ends up being raped” after drinking, Yoffe seems to feel as if she is breaking through some kind of political correctness taboo by letting the women of the world know that “when they render themselves defenseless, terrible things can be done to them”.
Unfortunately, blaming women for their own rapes is the oldest, most pernicious trick in the book. It’s not new or edgy, though in this case it almost certainly made for a clicky and profitable #slatepitch.
“A common denominator in these cases is alcohol,” she writes conclusively, as if the existence of actual rapists is besides the point.
Frankly, I’m tired of spilling ink over this. Alexandra wrote a definitive takedown of this kind of rape denialism here, which documents Yoffe’s long history of rape denialism (with backing by Slate):
Your approach to alcohol and rape, however, has never been too concerned with details or variability between situations. Instead, you’ve been content to apply a blanket policy of rape apologia regardless of circumstance. This is the fourth letter in 12 months you’ve answered about a woman deeply affected by unremembered intercourse, and the third time you’ve insisted that such acts constitute an irresponsible drinker’s comeuppance or a fun, harmless night (a la Knocked Up, which you imply in your most recent rep column is representative of drunk sex generally)—but almost never rape.”
As examples, she cites cases in which Yoffe: discourages pressing charges against a man the writer believes raped her while she was drunk because “trying to ruin someone else’s life is a poor way to address one’s alcohol and self-control problems”; laughs off a woman who had been raped by her husband as “prim, punctilious, punitive” because her story doesn’t sound like a Law & Order plot; and, unsurprisingly, talks extensively about how women set themselves up for assault by drinking, to name a few.
As Alexandra wrote, doubting a given account doesn’t automatically make one a rape denialist, but a consistent track record of dismissing alleged assaults because the victims were drunk does. Alexandra concludes, and after this latest manifesto it’s hard to argue the point, that Yoffe “betrays all survivors” with her flippant attitude and hyper focus on women’s behavior rather than that of their rapists.
Perhaps more than Yoffe herself, I’m disgusted at Slate editors for playing host to this vile line of thought, so commonly debunked for years, by feminists of many stripes. This is not journalism. This is not a new, provocative, or worthwhile argument. This is plain old victim-blaming. We’ve said it before and we’ll keep saying it: rape is the fault of rapists, and no one else. Your shoddy attempts to say otherwise, however couched in faux-concern for women, debase and blame survivors of sexual assault and women everywhere and lend credence to criminals.
Lori Adelman is an Executive Director of Feministing in charge of Partnerships & Outreach. She has never before used “#slatepitch” in a sentence, and hopes to never do so again.
Read more of this story at Slashdot.

Sad news for Passion Pit fans: They have cancelled their upcoming Portland show, scheduled for this Saturday, October 19 at the Moda Center's Theater of the Clouds.
Here is the official statement:
This Saturday's scheduled Passion Pit show in Portland is cancelled due to scheduling conflicts beyond the band's control. Refunds at point of purchase.The timing of this show cancellation is... ironic? That's not the word. Coincidental? Strange? Whatever. What I mean is that Passion Pit just turned the internet upside-down last week by posting a weirdly patronizing letter that explained why cancelling shows really, really sucks. According to this missive, the Portland show's cancellation dings in at Number 4 on their "Reasons Why We Cancel Our Shows, Which We Seem to Do Quite a Lot" List:
4) Conflicting schedules. There are many things that happen on the road that are scheduled that are not made public because it is no one’s business. Clearly, it must be something serious enough to merit losing money to clear a show. We do not take this lightly and because we all have private lives, certain things are unavoidable and some people will simply be left with a statement that doesn’t fully satisfy. We’re sorry, but we are entitled to our privacy to a certain degree. This is one of the most frustrating things that you cannot always predict, which brings us to my final point.And so on and so on. What's weird is that as recently as October 9, the band insisted: "No shows on our current tour are up for any type of cancellation at this current juncture."
Our sincere wishes for Passion Pit to get over whatever has caused this schedule conflict—which is none of our business, see—and our condolences go out to ticket-buying fans. The show has already been removed from the Rose Quarter's website. An ad for the show will appear in tomorrow's Mercury, but be assured, it is canceled. No word on whether other dates on their tour have been cancelled, but I'm guessing yes.
The U.S. District Court for the Southern District of New York found that because Wang was an unpaid intern, not an employee, she could not bring a claim under the New York City Human Rights Law. This discrepancy’s not new: Unpaid interns aren’t covered by Title VII of the 1964 Civil Rights Act, and while local laws can protect them, New York’s state and city laws do not.
Well no wonder employers fucking love unpaid internships so much. Not only do interns have no expectation of pay, but they have no expectation of basic rights either.
WOW. I cannot wait for this shit to go to the Supreme Court so the unpaid internship can die and be consigned to the annals of history forever.
Unpaid internships SHOULDN’T EXIST.
And I say this as someone who had a great one that she was well treated at and loved. They set up a BAD SYSTEM.
firehose'The company’s handbags and other leather goods are so ubiquitous today that they have begun to symbolize “accessible luxury” rather than “exclusive” luxury.'

Moet Hennessey Louis Vuitton LVMH reported sales for its third quarter yesterday (Oct. 15), and guess what—they weren’t great. Sales growth for the company’s floundering fashion and leather (aka handbags) division quarter slowed to 4% for the first nine months of 2013 over the same period in 2012.
It’s been a perplexing year for the high end retail company, whose shares have risen only marginally higher since the start of 2013, while competitors like Cartier, Richemont, Burberry and Gucci parent company Kering have all seen their shares jump by more than 20%. For two decades, the Louis Vuitton brand, which accounts for roughly 50% of the company’s sales, has been able to all but pencil in sales growth above 10% (though sometimes nearer to 20%), but for 2013 the expectation is currently somewhere between 5% to 6% growth, which itself may even be overly optimistic.
What gives? Louis Vuitton may be flaunting its famous monogram a bit too much.
The classic logo that it used to quickly establish itself in emerging markets around the world appears to have run its course. The company’s handbags and other leather goods are so ubiquitous today that they have begun to symbolize “accessible luxury” rather than “exclusive” luxury. The problem, however, is that Louis Vuitton doesn’t sell like an accessible, or affordable luxury brand; its handbags, for one, are far more expensive than the likes of Coach or Michael Kors. “Accessible luxury for more money” isn’t exactly the sort of slogan a company wants to swing around.
While Louis Vuitton has addressed the shift in consumer demand by announcing its plans to reduce the visibility of its monogrammed luxury items, overcoming its reliance on logo-ed goods won’t be easy—roughly two-thirds of Louis Vuitton’s product offerings still carry the company’s logo.
Compounding the problem is the fact that Asia and the Far East comprise the company’s largest market, accounting for nearly a third of its business. “At this point in time, we miss demand from the Asian part of the world,” the company’s CFO, Jean-Jacques Guiony, said in a conference call earlier this year. While that’s partly to do with falling demand for luxury goods due to slowing Chinese growth and a crackdown on corruption, it’s also a nod to the region’s changing tastes. New, discerning buyers in China’s biggest cities are curbing demand for loud, logo-bespattered brands like Louis Vuitton in favor of other, more subtle luxury brands like, say, Prada—not least because they don’t attract so much attention in an anti-corruption drive.
There are also just too many LV tattooed bags out there. The difference, as we pointed out after Louis Vuitton disappointed earlier this year, is novelty.
So far, the company’s solution has been more price-raising than logo-cutting in an attempt to boost its image as an exclusive brand. While one of Louis Vuitton’s best performing products, its Capucine leather bags, are indeed a lot more expensive than, say, its best-known canvas bags, it’s probably little coincidence that the LV monogram on them is much less obtrusive.
By Graham Smith on October 16th, 2013 at 12:00 pm.

Michael Dailly created Grand Theft Auto and Lemmings in his time at DMA Design, and is now Head of Development at YoYo Games, the company responsible for entry-level game creation tool Game Maker. To help illustrate the power of Game Maker: Studio, the modern version of that tool, he’s doing something cool. As reported by USGamer, he’s re-building the world of Grand Theft Auto 1 in it, in 3D.
Over on Dailly’s Twitter account, he’s posting regular photos of his progress in re-creating the original game’s Liberty City. There’s nothing playable yet, and he’s unsure what he’ll do with the city when it’s done. It’s currently running in HTML5 and WebGL, which means whatever he does release should work right out of your browser without the need to install any extra plug-ins.

Game Maker has become increasingly popular as a game development tool over the past five years, but mainly for the creation of 2D games like the original Spelunky. Unity tends to hoover up most of the 3D game development, so Dailly’s work with re-creating GTA is an obvious and good advert for the tool’s power with polygons.
If you’re like me, you played Grand Theft Auto 1 as an eleven-year-old, after talking your mother into going to the game store to buy the 18-rated game for you. If you’re like me, you’d write this sentence only to make some of the other people who write for this site feel old.
More biggerer screenshots can be found at Dailly’s Twitter.
__________________
« The Complex God: Dominions 4 |
DMA-design, Game Maker, Grand Theft Auto, GTA, Lemmings, Michael Dailly, Rockstar Games, YoYo Games.
firehoseGreenwald: "this news leaked before we were prepared to announce it"
Read more of this story at Slashdot.

Divers working in Lake Chebarkul in central Russia have pulled up a 1,255 lb. (570 kg) chunk of rock they suspect is the meteorite that wreaked havocabove Chelyabinsk earlier this year. But as they were putting it on the scale, it collapsed into three different pieces.

The newest version of Ubuntu is a big one, but not for the usual reasons. With Ubuntu 13.10 (aka Saucy Salamander) coming out tomorrow, the desktop and server editions will get some upgrades as always. But the biggest change is that Canonical is delivering the first stable version of Ubuntu for phones.
Beta versions of the mobile Ubuntu have been available to test for months, and now version 1.0 will be ready for supported devices, namely the Galaxy Nexus and Nexus 4 phones. Preview versions have also been running on the Nexus 7 and Nexus 10 tablets, but Canonical isn't quite ready to declare Ubuntu stable for those larger touchscreens.
Ubuntu 14.04, slated for arrival in April 2014, is Canonical's target for delivering an operating system that runs on everything, including phones, tablets, desktops, and servers. Phones preinstalled with Ubuntu should also ship sometime in Q1 or Q2 next year, assuming Canonical can get the right deals in place with carriers and hardware makers.
Read 17 remaining paragraphs | Comments
firehosevia THANKGODYOUREHERE: "SOMALI WILD ASS FOALS"
For the first time ever at Woburn Safari Park in England, not just one, but three critically endangered Somali Wild Ass foals have been born. Their keepers are extremely pleased to see these healthy and lively foals join the animals in the Road Safari drive-through reserves.
Five year-old Ira is mother to the first foal, shown in the photos. She came to Woburn from a collection in Switzerland. She is extremely protective of the male foal, and is keeping the other two mares in the herd away from the youngster. Once she and her foal have bonded, she will let the other mares interact with him, but under her watchful gaze.
The baby boom continued as a second male foal was born on September 28 and a third arrived on October 4. The babies will all be named by keepers in the next few days.
Photo Credits: Daniel Davies / Woburn Safari Park
The sire of all three foals is named Simon, who is 18 years old and came to Woburn Safari Park from Poland in early 2012. Since the gestation period for the Somali Wild Ass is 13 months, the foals were conceived very soon after his arrival. He is a really relaxed and calm stallion who enjoys a little fuss from the keepers.
The Somali Wild Ass is Critically Endangered, with estimates at only 280-300 left in the wild. Breeding plans are overseen by the European Endangered Species Programme to carefully plan for the conservation and future of these beautiful animals. There are only two other zoo collections in the UK holding a breeding herd of Somali Wild Ass, which makes the arrival of these youngsters particularly important.
firehosevia THANKGODYOUREHERE
Mondo will kick off their new Marvel license with this beautiful Silver Surfer art print from Kilian Eng. It’s a 24″ x 36″ screenprint, has an edition of 275, and will cost $50. It goes up today (Thursday, October 10th) at a random time. Visit Mondotees.com.
Click the image to see it larger: