Shared posts

18 Apr 20:33

Tax Time

by Mary Kelly

JK Lasser's 101 plans to pay less taxes

J.K. Lasser’s 101 Plans to Pay Less Taxes
(revised and updated)
Bernard Greisman, editor
1984

For all our American friends, April 15  is Tax Day.

In the late 1980s, I was an accountant and did my fair share of taxes. Naturally, I am also one of those librarians who actually like tax season. It is one of the few times non library users show up at the library and a great time to show off what the library has to offer. These days I am contented to be Chief Financial Officer of ALB. I do the taxes for ALB and tell Holly we cannot deduct the cost of beer and fireworks as part of operating expenses. (I suppose we can make a case if we invite a couple of librarians to join us and call it “marketing”.)

I like to use tax information as a little bit of a litmus test on collection quality. (Quick, go check your catalog now!) This book was outdated as soon as the Tax Reform Act of 1986 was passed and effectively gutting many of the “101 Ways”. There is no reason that tax books this old should be at a public library.

Weed your tax books. Look for me to nag about tax books next year at this time.

Mary

don't pay more taxes than you have to!

table of contents

The post Tax Time appeared first on Awful Library Books.

18 Apr 20:30

Saturday Morning Breakfast Cereal - AI

by tech@thehiveworks.com


Click here to go see the bonus panel!

Hovertext:
I just need 10 dollars for every connection in the connectome.


Today's News:
18 Apr 14:13

An Open Letter to College Students Who Don’t Read the Syllabus

by Diane Durant

Dear Future World Leaders,

Hey. You’re in my Tuesday class, or maybe Friday. I have over a hundred students this semester, but I will treat each of you like you’re the only one. I promise. So, if you have questions, email me anytime. I’ll probably be awake.

Speaking of being awake, the whole lot of you fell asleep with your eyes open during the first five minutes of class last week and missed a very funny story about my thirteen-year-old and her new ventriloquist dummy. (“I have a teenager, and she has a dummy. At least now she knows how I feel,” etc., etc. The jokes practically wrote themselves.) Ask our TA. It was straight fire. You also missed, or so it would seem, all the questions I preemptively asked and answered regarding the syllabus. It really feels like no one read it. Or that no one listened to me while I read it. Twice. Sure, some parts resonate like the Burning Man of boring—my grading criteria, course objectives, attendance policy, and office location, which is also included in my email signature, so you can find me anytime, Tuesdays and Fridays, 10:50-11:50 a.m. But there’s some good stuff in there, too. Like a detailed description of what we’re doing every class period for fifteen weeks, including when projects are due and how to submit them, links to all assigned readings, and cutesy lecture titles to help you remember why you took my class in the first place: I know how to have a good time.

In the syllabus, as in life, there is something for everyone. And in this case, there is everything for you, my dear students, so you don’t have to clack out a one-line email that begins with Hey and ends with the foreboding of absent punctuation. Or listen as I read the syllabus aloud during class. Twice.

Due to technological advances heaped upon us during These COVID Times, your calls to my office phone now go straight to my cell phone, which is my home phone, which is my only phone. So, if you have a question about what you missed in class last week, or what you fully intend to miss next week, just call me. Again, I’ll be awake.

Speaking of being awake, some of you were asleep again today when I discussed the upcoming assignment. But don’t worry, I posted the project sheet to eLearning, and it’s a PDF this time rather than a Word doc so it won’t open in a new window, which you all said was annoying. I hope you read it. The formatting was off the chain.

Listen, you are good students. Hell, you’re adults. But I can’t keep doing this. Although, to be honest, I will—like my health insurance depends on it. I do love my job, though—shaping the success of tomorrow with the security of a nine-month contract today—so I promise to stop quoting Ted Lasso if you all will just read the goddamn syllabus. I toiled over every word for weeks, didn’t use wingdings for my own entertainment, and actually refer to its stapleless pages like the Worst-Case Scenario Survival Handbook that it is. You can, too.

If you have any questions, please don’t hesitate to ask. One of your classmates.

But also, it’s on the syllabus

18 Apr 12:00

my coworker went through my trash, using bereavement leave for a vacation, and more

by Ask a Manager

This post, my coworker went through my trash, using bereavement leave for a vacation, and more , was originally published by Alison Green on Ask a Manager.

It’s five answers to five questions. Here we go…

1. My coworker went through my trash and showed my boss my doodles

I work in a law firm and was recently off with Covid. During this time, a coworker (I haven’t been told who) went through my trash bin to find a list of things I had done before leaving (why they looked there I do not know). Sometimes on my break I write doodles (song lyrics/pictures/movie quotes), which include Eminem songs.

Whoever went through my bin found my doodles instead of the lists and decided to tape the ripped ones back together and hand them to the senior partner of the firm. She brought me in to speak to me about these notes and told me that it wasn’t an invasion of my privacy because they were looking for a list. I explained the swear words were part of song lyrics and I am a doodler. However, I never expected any of it to be read or passed about the office and I feel humiliated.

Was this an invasion of my privacy? I just feel like whoever did this has just done it to embarrass me. I got no warning, just told to take my doodles home, which I 100% will be doing. But I feel that since they didn’t find what they were looking for, they should have put my doodles back in the bin.

There’s not a very high expectation of privacy at work, but going through your trash and taping papers back together is weird as hell unless there were some kind of dire emergency and the papers seemed to be what were needed to resolve the emergency. I’m assuming it was pretty clear to your coworker that doodles and song lyrics were … not that.

I don’t know what would have possessed your colleague to spend time taping your papers back together, let alone bring them to your boss. The correct response from your boss would have been, “That looks like her trash, please throw it back away.” No one should have any feelings at all about you choosing to doodle on your breaks.

Any chance this is a misunderstanding because the lyrics were violent or threatening in some way? If so, maybe that triggered your coworker’s concern … but once you explained the situation, that should have been the end of it. Either way, it’s best to keep lyrics and doodles at work relatively clean and non-violent going forward.

2. Can I use bereavement leave for a vacation?

My employer provides a very generous five days of PTO for bereavement leave. My grandmother passed away last weekend and various logistical difficulties will keep me from attending the funeral.

Our policy doesn’t restrict use of bereavement leave to attending funerals and I wonder whether I may ethically (and without giving people a bad opinion of me) use the leave to cover a vacation in June. I’m definitely grieving and presume the time away would help me work through things, but cashing in on a loved one’s death to visit museums and restaurants feels vaguely smarmy. Thoughts?

It’s probably a bad idea. In most companies, bereavement leave is intended to give you time for the funeral and logistics associated with the death (as well as, of course, an acknowledgement that you might not be in an emotional state to be working right away either).

It’s not that some time off a few months later can’t be helpful in the grieving process (it can!) but it’s not usually what bereavement leave is set up for, and there’s a pretty high risk that it would come across as outside the spirit of the policy. It would be different if you were asking to use the leave to attend a memorial service your family was holding in June, but the optics of using it on a regular vacation several months later are likely to be a little weird in most workplaces.

3. My interviewer snapped at me and demanded I change my resume

I was in the final interview for a position, meeting the director of the branch for the first time. In retrospect, I feel like the prior interviewer was throwing out hints that the director was difficult to warn me.

She was offputtingly frank but seemed to like me for the most part. But then, at the end she brusquely said, “What’s fall mean?” What she had meant was, why on my resume were two jobs listed with fall/spring dates and not months? She said this out of nowhere, when we weren’t even talking about my resume, so it took a lot of back and forth to understand what she meant. I explained it was because they were semester positions at university. She then told me, “Well, you should change it to months.”

I thanked her for her advice and said I would keep that in mind in the future. And she snapped at me as to why I wasn’t listening to her. We had another back and forth with her growing increasingly agitated as I tried to figure out what she wanted in response. She had meant she wanted me to change my resume and resubmit it. She also said, “I don’t know why you’re being defensive, we do a thorough background check so we’ll find out when you really worked there anyway.” I wasn’t defensive, I was confused because to me it seemed very bizarre to ask for a corrected resume in a final interview and I genuinely hadn’t understood earlier that she meant that.

Since she seemed to be implying I was hiding something or lying, I ultimately emailed my previous contact and withdrew my application. But after all this time I can’t help but wonder if maybe I was being dramatic and this is normal?

What, no. This isn’t normal. It’s fine if she didn’t understand the reference to fall, but then she could have simply asked about it, not snapped at you about it. There’s nothing wrong with listing fall or spring as the dates for college positions (it’s very normal!) but if she wanted to know the specific months, she could have asked that too. It’s odd to ask you to submit a revised resume that far into the process, but if she needed it for some reason, so be it … but she should have been clearer about that, and accusing you of lying (!) is bizarre and adversarial. She sounds like a jerk who’s likely A Problem to work under.

Part of the point of interviewing is to find out this sort of thing about the people you’d be working for, so in that respect at least, the process worked as it’s supposed to. But this is on her, not you.

4. Contact has confirmed Covid and still wants to meet

I recently lost my job in a very competitive field, in the arts. I was able to get a lunch meeting with a director in a place I’d love to work, in my hometown while I’m visiting. This place has a job opening, although it’s not officially posted, and it’s not a formal interview, but I was really excited about the opportunity. I got an email that this director tested positive for Covid, so she instead suggested we meet masked and walk around and chat. She still seems to be planning to go to meetings and events. I’m trying to push it to a later date, but due to my visit length it still wouldn’t be past quarantine dates.

I’m vaccinated but have a one-year-old, so I’m extremely nervous about spending time even masked with a confirmed positive. But since it’s not an official interview and was set up through a mutual friend, I’m not sure what my best options are to keep the connection and potential job. What’s the best way to stay professional and safe without seeming like I’m judging her for her lax approach?

Just be matter-of-fact: “I have a one-year-old who can’t be vaccinated yet, so I’m being extra careful. Could we do a Zoom meeting or phone call instead?”

And if you’d be working for her, consider what she’s telling you about how she operates.

5. Should I put my college humor paper on my resume?

I am an undergraduate student who is starting to apply to internships. It’s a bit overwhelming, but your website has been extremely useful! I’m interested in the field of science journalism, but my degree and most of my experience is in the science half of that, and not journalism. I do have one extracurricular that I thought might be good on my resume — I’m a writer for one of my college’s papers, so I have experience with pitching articles, collaborating with other writers, and working under short deadlines. The only issue is that it’s not a newspaper paper — it’s a satire paper, like a college-specific version of The Onion. I’m torn because it’s really the closest thing I have to experience in the field, but I’m afraid that mentioning it in my applications will make me seem silly or unprofessional. What do you think?

You should definitely mention it! Just because the content is humor doesn’t mean the work doesn’t count (just like if you worked for The Onion or Comedy Central or so forth). Call out the specifics (pitching, collaborating, meeting deadlines) just as you did here, along with any notable achievements (like if you had the most viewed article of the semester or were known for meeting tight deadlines with little notice or so forth).

18 Apr 11:47

Now that computers have more than 4MB of memory, can we get seconds on the taskbar?

by Raymond Chen

The clock in the Windows taskbar does not display seconds. Originally, this was due to the performance impact on a 4MB system of having to keep in memory the code responsible for calculating the time and drawing it. But computers nowadays have lots more than 4MB of memory, so why not bring back the seconds?

Although it’s true that computers nowadays have a lot more than 4MB of memory, bringing back seconds is still not a great idea for performance.

On multi-users systems, like Terminal Server servers, it’s not one taskbar clock that would update once a second. Rather, each user that signs in has their own taskbar clock, that would need to update every second. So once a second, a hundred stacks would get paged in so that a hundred taskbar clocks can repaint. This is generally not a great thing, since it basically means that the system is spending all of its CPU updating clocks.

This is the same reason why, on Terminal Server systems, caret blinking is typically disabled. Blinking a caret at 500ms across a hundred users turns into a lot of wasted CPU. Even updating a hundred clocks once a minute is too much for many systems, and most Terminal Server administrators just disable the taskbar clock entirely.

Okay, but what about systems that aren’t Terminal Server servers? Why can’t my little single-user system show seconds on the clock?

The answer is still performance.

Any periodic activity with a rate faster than one minute incurs the scrutiny of the Windows performance team, because periodic activity prevents the CPU from entering a low-power state. Updating the seconds in the taskbar clock is not essential to the user interface, unlike telling the user where their typing is going to go, or making sure a video plays smoothly. And the recommendation is that inessential periodic timers have a minimum period of one minute, and they should enable timer coalescing to minimize system wake-ups.

The post Now that computers have more than 4MB of memory, can we get seconds on the taskbar? appeared first on The Old New Thing.

18 Apr 11:44

To tie up Nagito, or Not to tie up Nagito - Danganronpa 2

by GameGrumps

yes, Arin is fighting Harley FOR REAL. Buy tickets here! ► https://thecreatorclash.com

We're singing the mail song from Blue's Clues and then promptly getting stabbed.

MERCH ►► http://gamegrumps.com/merch
Support us on Patreon! ► http://patreon.com/gamegrumps
or support us by becoming a channel member! ► https://youtube.com/gamegrumps/join
Click to SUBSCRIBE ► http://bit.ly/GrumpSubscribe

*********************************************

We have NEW MERCH every other TUESDAY!

►►► http://gamegrumps.com/merch

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FACEBOOK ► https://www.facebook.com/GameGrumps
TWITTER ► https://www.twitter.com/gamegrumps
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*********************************************

Game Grumps are:
Arin ► http://www.youtube.com/Egoraptor
Danny ► http://www.youtube.com/NinjaSexParty

#ep57 #MonomisDiaper #DanganRonpa2
17 Apr 20:41

Running Mac OS on your Amiga in the 1980s.

by The 8-Bit Guy
17 Apr 18:15

Saturday Morning Breakfast Cereal - Pay

by tech@thehiveworks.com


Click here to go see the bonus panel!

Hovertext:
So it was all about money for you, eh?


Today's News:
17 Apr 16:35

Cluley Projects Presents Sarah Fox’s Video Previously Pulled from the McNay

by Jessica Fuentes

Bad Bunny Gets Lucky, a video work by Sarah Fox which was commissioned by the McNay Art Museum in San Antonio, but pulled two weeks before installation, will make its North Texas debut at Cluley Projects.

A still image from a video work by Sarah Fox. The image depicts two anthropomorphized animal puppets, a partially nude female rabbit sitting on a couch as she looks at a nude male wolf lying on the ground face down.

Sarah Fox, “Bad Bunny Gets Lucky,” 2021-2022, puppetry and live action video, 7:15. Courtesy of the Artist and Cluley Projects, Dallas, USA.

Following the McNay’s decision to pull Ms. Fox’s work over its sexual content, five additional artists who were originally invited along with Ms. Fox to be a part of the museum’s 8 Create exhibition removed their work in solidarity. All eight artists included in the show exhibited their work at the Blue Star Arts Complex in San Antonio earlier this month.

Bad Bunny Gets Lucky is a satirical piece that investigates traditional power dynamics using anthropomorphized animal puppets as main characters. Specifically, a press release by Cluley Projects states that the video is a response to Texas’ restrictive legislation on abortions passed last year.  

Of the titular character, Ms. Fox said, “She is a dark and broken character, but ultimately a true survivor, brave, gutsy and hardworking.”

This exhibition marks both Ms. Fox’s first solo exhibition in Dallas and Cluley Projects’ one year anniversary.  

The solo show will be on view April 30 – May 28, 2022, and an opening reception will be held on Wednesday, April 30, from 5 – 8 pm.

The post Cluley Projects Presents Sarah Fox’s Video Previously Pulled from the McNay appeared first on Glasstire.

17 Apr 12:42

EIT! KIDZ KLUB PART FORTY-NINE!

by noreply@blogger.com (JerryMaguire)

Buy our new movie EIT KIDZ KLUB!

On DVD!

On VHS! 

Now that society is collapsing, Everything Is Terrible! is reborn with their new and fantastical expedition into found footage... but this time the adults can stay home! EIT! has unearthed thousands of forgotten DVD & VHS tapes aimed at yesterday’s youth to bring you their most mind-melting movie to date. Watch in awe as all colors of the rainbow join forces to destroy the tyranny of adult civilization once and for all! All of your oldest friends will be there; skateboarding web-surfers, rapping math equations, gigantic baby ducks, and maybe even a wizard or two! And what EIT! show would be complete without a live experience that makes the Ice Capades look like a stupid piece of trash! Finally, an all-encompassing extravaganza created for kidz... by kidz! 

17 Apr 12:33

What’s in a Collection: “Recent Acquisitions 2002-2022” at the Modern Art Museum Fort Worth

by Megan Wilson Krznarich

While a permanent collection show typically does not spark fireworks enough to make a special trip, the Modern Art Museum Fort Worth’s exhibition focusing on the institution’s last 20 years of acquisitions offers a fascinating glimpse into the sometimes opaque inner workings of collecting. Scholarship often seeks to elucidate the ways in which artworks reflect the period of creation, but equally important is how artworks respond to the time in which they were acquired into major public collections.

Large work on canvas hanging on a wall

2002: Anselm Kiefer (German, born 1945), “Aschenblume,” 1983-97, oil, emulsion, acrylic paint, clay, ash, earth, and dried sunflower on canvas. Collection of the Modern Art Museum of Fort Worth, Gift of The Burnett Foundation in honor on Michael Auping, 2002.17.A-D. © Anselm Kiefer

Although permanently on display, rather than recently installed for the exhibition, Anselm Kiefer’s Aschenblume provides a great entry point into the museum’s collecting history. This monumental work greets visitors as they enter into the main galleries on the first floor. Horizontally aligned, Kiefer transports viewers to the grand Mosaic Room in Berlin’s Reich Chancellery during the Nazi’s control of Germany. The artist provides a long view down the room, using linear details not only to create perspective, but also to hint at the architectural details of the space, such as ceiling windows and wall niches that contained mosaics. However, viewers’ encounter with this space is disrupted. Kiefer covered his canvas with ash, clay, and earth, alluding to the destruction of the government that created this structure. At the center of the painting, a long stalk extends vertically down the full length of the work, drawing your gaze downward. Blooming from the heavily textured base of the painting is a flower, a bright patch of white that’s strikingly clear in comparison to the muted grays and beiges that dominate the rest of the canvas.

Although Kiefer was already in the Modern’s collection, and efforts to collect additional works by the artist were likely underway well before September 11, 2001, the timely feel of this acquisition must be acknowledged. Reflecting back on 2002, in the immediate aftermath of September 11 and truly the start of a new chapter of life in the United States, this stark image would have had clear resonance with the television images circulating of the World Trade Center. Aschenblume offers Kiefer’s reflection on the transformation and hope of the new chapter that followed the widespread devastation of Germany during World War II. The introduction of this specific work into the museum’s collection in 2002 invites reflection on the resilience of the nation despite the great anxiety collectively experienced that year as the United States embarked on military conflicts that would shape new passages in the country’s history.

Painting of a black man on a white horse in the style of a classical painting

2008: Kehinde Wiley (American, born 1977), “Colonel Platoff on his Charger,” 2007-08, oil on canvas. Collection of the Modern Art Museum of Fort Worth, Gift of the Director’s Council and Museum purchase, 2008.2. © Kehinde Wiley

Hope and change. This was the motto and desire of many in 2008, regardless of political affiliation, considering the looming financial crisis. The candidacy and election of Barack Obama highlighted how far the nation had advanced following the Civil Rights Movements of the nineteenth and twentieth centuries, perhaps towards an era of post-racial society. Yet there was also a recognition of the ways in which people of color had been marginalized in the country’s many institutions, including museums. The acquisition of Kehinde Wiley’s Colonel Platoff on his Charger illustrates the Modern’s willingness to engage with this problematic collecting strategy in a direct manner.

In this large-scale portrait, which references a historical image of a Russian military leader, Wiley deftly intervenes in the art historical canon using his signature style. The white male military hero expected astride the powerful white horse has been replaced with a young African American man dressed in contemporary street style: the sitter wears a brick red jacket with fur trimmed hood covering his head, loose cargo pants in a vibrant green, and yellow Nikes. Ornate silvery-white foliage swirls up from the frame to encircle him and his steed. Here, the Black male serves as commander, gesturing to viewers the path to take. The symbolism of this is not lost, considering that in 2008, when this work was added to the collection, the reality of an African-American Commander-in-Chief was becoming a real possibility. 

Jenny Holzer video piece of words flashing like a ticker

2012: Jenny Holzer (American, born 1950), “Kind of Blue,” 2012, 9 LED signs with blue diodes. Collection of the Modern Art Museum of Fort Worth, Museum purchase, 2012.3. © 2012 Jenny Holzer, member Artists Rights Society (ARS), New York

Another perennial favorite of visitors to the Modern deserves another view. Installed on the museum’s lower level, Jenny Holzer’s Kind of Blue consists of nine narrow LED boards that extend the full length of a gallery to windows that open onto the museum’s courtyard pond. The screens are programmed with twelve hours of Holzer’s textual work, a compilation of short statements that exemplify the power of language and how meaning is created and shared in society.

In the eight years leading up to the acquisition of this work, the United States fully entered the social media age and people became accustomed to a constant stream of information, much of it short bursts of content with limited context. In a culture where readers are quick to scroll, this work invites one to linger, with curt and at times disturbing messages confronting viewers. The lack of authorial presence in the work also proves challenging; there is no clear speaker or physical body within the work to push back against. In many ways, this disembodied source of knowledge foreshadows the coming of misinformation perpetuated by unknown sources in a digital era.

The stream of blue text across the LED panels is also instantly reminiscent of contemporary stock ticker tapes. While the Great Recession, by official standards, concluded in 2009, the financial devastation it brought still reverberated in 2012 when this work was acquired. The election of 2012 resurfaced collective concerns about the unchecked power of large institutions (both government and financial) that prioritized their own benefit above the interests of the people. Holzer’s artistic investigations of power and control over narrative through language was a needed area of engagement in 2012.

Portrait of a woman with a wreath of leaves around her head

2020: Shirin Neshat (Iranian, born 1957), Untitled (from Women of Allah series), 1995, laser-exposed gelatin silver print. Collection of the Modern Art Museum of Fort Worth, The Friends of Art Endowment Fund, 2020.11. © Shirin Neshat

Shirin Neshat’s piercing self-portrait launches viewers into the present day, though the work was created in the 1990s. Untitled (from Women of Allah series) presents Neshat dressed in a long, solid black gown with matching head covering, a garment with strong associations to conservative Muslim cultures. While the black gown typically is seen as a barrier, protecting the female body from the male gaze, the portrait is strikingly open. Neshat’s body frontally faces the viewer with her hands and slightly bared right wrist extended as they sturdily rest on her lap. The brightness of her face is accentuated against her dark clothing by the placement of a leafy garland wrapping upwards from her chest and around the crown of her head. The powerful posing of Neshat is disparate from the artificiality of the garden backdrop.

While much has been said about the feminist issues explored in Neshat’s Women of Allah series, Neshat resists efforts to tidily label her work. It is worth noting, however, that these interpretations might have made this piece more attractive to institutions in a politically heightened year like 2020, during which there was great attention on how the choices of United States voters would impact women’s rights domestically and abroad. The U.S.’ war in Afghanistan did not reach its final conclusion until 2021, but the drawing back of coalition efforts renewed debates over the West’s role in supporting women in countries with ultra-conservative religious governments. Yet, one would be amiss to not acknowledge the nostalgia Neshat’s work evokes. The confinement of quarantine left many longing for the opportunity to safely leave their homes. Open spaces like parks and gardens were a desperately needed refuge, but some were resigned to only enjoy lush landscapes in the form of Zoom backgrounds.

There are many other major acquisitions on view in this show, all worthy of deep and critical reflection. It is important to remain cognizant of the power given to institutions, including museums, to shape the historical narrative. Beyond a fun journey down memory lane, exhibitions like Recent Acquisitions 2002-2022 provide visitors a moment to interrogate what is being added to that narrative for future generations. It is important for visitors to engage with museum’s permanent holdings and assess whether (and how) our institutions are reflecting and responding to the communities they serve. 

 

Recent Acquisitions 2002-2022 runs through April 24, 2022 at the Modern Art Museum of Fort Worth.

Ed. note: Since our writer’s visit to The Modern, Anselm Kiefer’s Aschenblume has been deinstalled. A different piece by Kiefer, Papst Alexander VI: Die goldene Bulle (Pope Alexander VI: The Golden Bull), is currently on view in the museum’s lobby. 

The post What’s in a Collection: “Recent Acquisitions 2002-2022” at the Modern Art Museum Fort Worth appeared first on Glasstire.

17 Apr 12:31

Saturday Morning Breakfast Cereal - Hugs

by tech@thehiveworks.com


Click here to go see the bonus panel!

Hovertext:
Just wait till you see the price tag for the public-private partnership hugs.


Today's News:
17 Apr 02:13

Soda shares an unbelievable story - Danganronpa 2

by GameGrumps

yes, Arin is fighting Harley FOR REAL. Buy tickets here! ► https://thecreatorclash.com

Simply reading this description will not help us grasp what these words mean.

MERCH ►► http://gamegrumps.com/merch
Support us on Patreon! ► http://patreon.com/gamegrumps
or support us by becoming a channel member! ► https://youtube.com/gamegrumps/join
Click to SUBSCRIBE ► http://bit.ly/GrumpSubscribe

*********************************************

We have NEW MERCH every other TUESDAY!

►►► http://gamegrumps.com/merch

*********************************************

FACEBOOK ► https://www.facebook.com/GameGrumps
TWITTER ► https://www.twitter.com/gamegrumps
INSTAGRAM ► https://www.instagram.com/gamegrumps/
WEBSITE ► http://gamegrumps.com

*********************************************

Game Grumps are:
Arin ► http://www.youtube.com/Egoraptor
Danny ► http://www.youtube.com/NinjaSexParty

#ep56 #FinalIsland #Danganronpa2
17 Apr 00:27

Depressing: Ed Sheeran Films Songwriting Sessions Due To All The Copyright Suits

by Dark Helmet

Ed Sheeran has made it onto Techdirt’s radar many, many times. What started as his reasonable views on how “piracy” actually kickstarted his career has unfortunately turned into several posts on how he’s been targeted himself or sticking up for others in copyright disputes. While Sheeran has settled such disputes out of court before, he recently successfully defended himself in court and then put out a fantastic statement on the problem copyright law is creating in hampering creativity. At the end of that statement, he said:

Me, Johnny, and Steve, are very grateful for all the support sent to us by fellow songwriters over the last few weeks. Hopefully, we can all get back to writing songs, rather than having to prove that we can write them. Thank you.

I kept that penultimate sentence bolded from the last post for a reason: Sheeran is apparently not willing to take the chance that the world will be more sane. Instead, in a move that feels more like PTSD from these lawsuits than anything reasonable, Sheeran now records all of his writing sessions on video in order to prove in future disputes how he came up with his songs and lyrics.

Speaking further on both claims, Sheeran adds, “I just film everything, everything’s on film and we’ve had claims come through and we go, ‘well here’s the footage and you can watch and you’ll see that there’s nothing there’.” He also revealed how he didn’t play Photograph for a long while following the first claim, stating it made him “feel dirty”, and that he personally regrets paying settlement after being advised to do so.

That’s right. Thanks to the ridiculous levels of copyright protection and entitlement due to ownership culture, one of the top recording artists in the world has to film his creative sessions just to help protect against future accusations of copyright infringement. One has to wonder aloud whether this practice of putting cameras in the room hampers the creative process. It sure would for me. Or change it at the very least.

Which means that the end result is that copyright may actually be tamping down the creative output of an artist in this case. You know, the exact opposite effect desired by the originators of copyright laws. Not to mention how completely depressing it is that Sheeran feels he has to do this.

17 Apr 00:19

Cute Aggression

by Sarah Andersen

null

15 Apr 23:33

Geiger Counter

At first I didn't get why they were warning me about all those birds sitting on the wire, but then I understood.
15 Apr 18:33

To Do List

by Reza
15 Apr 18:33

Saturday Morning Breakfast Cereal - Limitless

by tech@thehiveworks.com


Click here to go see the bonus panel!

Hovertext:
This time, patreon typo squad found an entire panel drawn with the wrong character.


Today's News:
15 Apr 18:31

Saturday Morning Breakfast Cereal - Cog

by tech@thehiveworks.com


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15 Apr 18:26

Star Trek: The Next Generation animated in the style of Star Trek: The Animated Series

by Rob Beschizza

What if Star Trek: The Next Generation was animated in the 70s instead of produced as live-action a decade later? After all, Star Trek: The Animated Series was an Emmy-award winner that proved the fandom could support a show on network TV. — Read the rest

15 Apr 18:24

Netflix, Hulu Argue They Aren't 'Video Service Providers' Before Ohio Supreme Court

by msmash
An anonymous reader shares a report: A federal class-action lawsuit involving Maple Heights and 2,000 other U.S. communities against Netflix and Hulu took a detour Wednesday through the Ohio Supreme Court, with Maple Heights officials asking state justices to define the streaming giants as "video service providers." If the Supreme Court agrees, the streaming services would be subject to the same video service provider fees paid by cable companies. Those fees in Ohio are 5% of the companies' gross revenues they earn in the city and go directly into city coffers. The streaming companies argued they are instead "specified digital products" under state law. Therefore, they pay state sales taxes, and Ohio would lose money if the court determines they owe the local franchise fees since they would be exempt from state sales tax under Ohio law. The Ohio Supreme Court will determine whether Netflix and Hulu are video service providers, among other legal questions, in the coming months. After the Ohio Supreme Court issues an opinion, the case in federal court in Cleveland can resume. That case involves around 2,000 cities, but U.S. District Judge James Gwin directed the Ohio Supreme Court to answer legal questions first.

Read more of this story at Slashdot.

14 Apr 19:19

Nearly 50% Of Fans We Polled Said This Was The Best Star Trek Captain

by Witney Seibold

(Welcome to Survey Says, a feature where we conduct a movie-related survey for a random group of people and explain why they're completely right, completely wrong, or somewhere in-between.)

Greetings, Jellico fans! Our time has arrived! 

The good people at /Film have conducted a poll of their favorite "Star Trek" captains, and I suspect a new epoch is nigh. Everyone's favorite captain, Captain Jellico (Ronny Cox) is undoubtedly at the top of this list, and we, his legion of fans, will be able to solider into the thicket of this article, comforted that the unvarnished truth shall be revealed. Captain Jellico, the stern, unfatherly, angry, ultra-professional who took command of the U.S.S. Enterprise in the two-part episode of "Star Trek: The Next Generation" called "Chain of Command," is — without argument — the single best character in "Star Trek," making him perhaps one of the single greatest creations in all of fiction. Becky Sharp, Atticus Finch, Falstaff, Electra, and Raskolnikov can retire now. They are no longer needed. We have Capt. Edward Jellico and we need nothing more. 

So let us take a look, my Fellicows (a portmanteau of Jellico and fellows; it's what we call our tribe), and see the truth come to light. Let us see the facts laid bare. Let the veil drop from the eyes of a blinded planet, and let them come in. Let us all join together in a celebration of Edward Jellico. All power to Jellico. 

Wait... It's James T. Kirk?

According to /Film's poll of 619 random people, 49.92% voted for ... hmm, I would think Edward Jellico would have commanded a greater percentage than 49.92%. I suppose some have yet to see the light. Anyway, Jellico received ... Wait, the 49.92% went to Capt. James T. Kirk. 

James T. Kirk, the third captain of the U.S.S. Enterprise (after Capt. Robert April and Capt. Christopher Pike) will be born in Riverside, IA on March 22, 2228. You can visit his birthplace today. Played by William Shatner, Chris Pine, Jimmy Bennett, Vic Mignogna, James Cawley, Paul Wesley, and several others, Kirk was the first captain seen on screen by the public. While Kirk has a pop culture reputation for being a reckless cowboy who regularly breaks the Prime Directive, Kirk was, in fact, a judicious and sterm captain who regularly enforced rules and brought an essential balance to the ship. His first officer, Spock, offered logic and intellect. His best friend, the ship's CMO Dr. McCoy, offered gut feelings and anger. Kirk was able to listen to both and choose a path forward. He was authoritative and largely clear-headed, rarely giving over to passions in a crisis. His reputation as a ladies' man, however, is a matter of record. 

I have heard it said that Kirk was the best role model of all Trek's captains, and emulating his confidence and behavior would be very becoming an authority figure. The character has been part of the popular consciousness for 55 years. I suppose we Jellico fans can let this one slide.

The Other Star Trek Captains

In second place, Jean-Luc Picard earned 30.37% of the vote, although those polled clearly meant to vote for Edward Jellico. Picard (Patrick Stewart) was Jellico's colleague, and he commanded the U.S.S. Enterprise-D and -E in "Star Trek: The Next Generation," as well as the films based on that show. If one is in a management or command position, one couldn't do much better than to emulate Jean-Luc Picard. He is open to ideas from his crew, always quick to make a wise command decision, and aloof enough to keep the bridge of his ship professional at all times. Picard is the professor you do not want to disappoint because you admire their intelligence so much. Picard is such a beloved character, he was the first to get a TV series devoted exclusively to him. 

In third, with a mere 7.59% was Christopher Pike. Played by Jeffrey Hunter in the original "Star Trek" pilot, Pike stumbled his way into "Trek" canon when the episode was edited into a two-part episode called "The Menagerie." The fate of Pike was to end up severely scarred and bound to a wheelchair. This fate was glimpsed by the new version of Pike (now Anson Mount) on "Star Trek: Discovery." Hunter was an aggressive, angry captain. Mount plays Pike as far more dashing and personable. He'll soon be seen turning on the charm in "Star Trek: Strange New Worlds." 

Fourth place goes to Jonathan Archer (Scott Bakula), the captain of the Enterprise in, well, "Enterprise." He gained a mere 5.33% of the vote. Deliberately archetypal, Archer rested on a matrix somewhere between a Kirk-like Starfleet captain and a chuckling old-world NASA astronaut. In fifth was Captain Janeway (Kate Mulgrew) from "Star Trek: Voyager," with 3.88% of the vote. Janeway was a bold authoritarian who puts her crew in danger to get coffee. And in last place is Capt. Benjamin Sisko from "Star Trek: Deep Space Nine," with 2.91% of the vote. Even Jellico fans can see Sisko's low rank on this list as a grave injustice. Sisko's passion and willingness to put himself in difficult command positions made for a vital strength in an unstable time. 

Captains Left Off

I have come to peace that Jellico did not appear on this poll. That is my burden to endure. Perhaps it's like leaving "Citizen Kane" off of lists of the best movies of all time: It's simply too obvious to include. Yes, that's it. Jellico was too obvious a choice, so the rest of the poll is a runners-up list. Yes, that is how it goes. In my mind. 

Also excluded from the list is Capt. Georgiou (Michelle Yeoh), Capt. Saru (Doug Jones), Capt. Lorca (Jason Isaacs), and star Capt. Burnham (Sonequa Martin-Green) from "Star Trek: Discovery." Capt. Carol Freeman (Dawnn Wells) from "Star Trek: Lower Decks" is also absent, as is Capt. Riker (Jonathan Frakes) from the same show. Capt. Rios (Santiago Cabrera) from "Star Trek: Picard" is not on this list. Capt. Hikaru Sulu of the U.S.S. Excelsior is not here, nor is Will Decker (Stephen Collins) from "Star Trek: The Motion Picture." Capt. Richard McKenzie, who blew up on the U.S.S. Yamato, is not polled. Commodore Decker (William Windom) wasn't technically a captain, even though he was in charge of the Enterprise and the Constellation. There's no word of Capt. Balthazar Edison (Idris Elba), who was transformed into the evil villain Kroll in "Star Trek Beyond." I do love me some Capt. John Herriman (Alan Ruck) from "Star Trek: Generations," as he was in command of the Enterprise-B. Although credit to Capt. Rachel Garrett (Tricia O'Neil) of the Enterprise-C for enduring what she had to. 

And that's just captains of Starfleet vessels. Klingons and Vulcans also used "Captain" as a rank. Absent from the list are Guls, Daimons, Commanders, and other species' command structures. 

I think we need to go back in. For the good of Jellico.

Read this next: The 15 Worst Sci-Fi Movies Of The 21st Century (So Far)

The post Nearly 50% of Fans We Polled Said This Was the Best Star Trek Captain appeared first on /Film.

14 Apr 17:21

Food Stretcher

by Holly

Food Stretcher Cook Book coverThe Family Cookbook
The American Woman’s Food Stretcher Cookbook
Make your Ration Points Go Twice As Far
Culinary Arts Institute
1943

Submitter: This cookbook has been on our shelf since 1943, which is both amazing that it survived public library use and yet dodged the weeding process. I think the only thing that can make a cookbook worse than having no images is one with black and white images like these. Someone will enjoy this one on the for-sale cart.

Holly: “Meat Roly Poly” with pickled peach/olive faces and “Noodle Cottage Cheese Casserole” are on my no thank you list…and I’ll eat just about anything.

Pears

Noodle cottage cheese

meat roly poly

fruit salads

The post Food Stretcher appeared first on Awful Library Books.

14 Apr 05:42

Dan cries in this episode. - Danganronpa 2

by GameGrumps

Gundham did nothing wrong. But who will win the office of President of 'I want to die'?

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#ep55 #MyValuesRule #Danganronpa2
14 Apr 04:47

DSC_7334

by Lone Star College-North Harris

Lone Star College-North Harris posted a photo:

DSC_7334

Open House April 12, 2022

14 Apr 04:45

did I spread gossip about my boss, company-branded clothing doesn’t fit me, and more

by Ask a Manager

This post, did I spread gossip about my boss, company-branded clothing doesn’t fit me, and more , was originally published by Alison Green on Ask a Manager.

It’s five answers to five questions. Here we go…

1. Should I have stayed quiet about the reason our chair was demoted?

I am a high school Social Studies teacher and have been at the same school for the past nine years. My department chair, “Dan,” has been chair almost that entire time, is a micromanager, and most of the department dislikes him.

About six weeks into this school year, he announced at our department meeting that he would be stepping down and an assistant principal would be covering the chair position. I think everyone was slack-jawed and as soon as the meeting ended, the teachers stayed behind to talk. We could not figure out what Dan must have done that was bad enough to lose a chair position effective immediately but not to get fired. Our bets were on mishandling money.

I didn’t run into Dan one-on-one until several days later after school. I awkwardly said I hoped he was doing okay, and Dan, clearly upset, began rambling. Eventually he said the reason — he said the n-word in front of students. I told my two closest work friends the next day what Dan had said.

Not too long after, I felt guilty that I was enjoying seeing the downfall of my boss. If I respected him, I would have kept this information to myself. There was a definite glee that I and others were taking in this. Yet on the other hand, I think if other people find out that you are racist, you should bear consequences for it. It took only a matter of days before the entire school faculty knew. Should I have held my tongue?

I will note that about a month later, I found out that Dan told at least two other people the story, not just me, so we (and he) will never know how the story got out to everyone. But for a solid month I believed that I was the only person he told and I therefore must have been the one to spread it like wildfire.

I don’t know, I think there’s value in people knowing what happened. The rest of you arguably have a professional interest in knowing the department chair used a racial slur and how the school handled it. I’m sure some of the interest in talking about it was gossipy, but that doesn’t make the entire discussion illegitimate.

This stuff tends to get out one way or another, and that’s usually better than having rampant speculation anyway. It also sounds like Dan was telling multiple people, and he didn’t ask you to keep it to yourself. In general, if someone you’re not close to tells you something like this, it’s not unreasonable to assume they’re talking about it to others too.

2. We were offered company-branded clothing … in sizes that don’t fit me

On a Friday, the CEO of my company announced that we were all getting fleece vests with the company logo embroidered on them. I mean I’d rather have the 401K matching he did away with in 2020 back. Or the second designer he’s been promising me for 10 months so I’m not the only designer on staff, who is also juggling engineering and manual writing. But sure, a vest. That’s cool.

“We have them in small, medium, and large.” Oh. The problem is that I’m fat. (I know some people think of that word as an insult, I’ve embraced it, my body is my body, and it’s just my body. Not me.) A large has no hope of fitting me. An XL I could at least wear open and not look like Chris Farley in Tommy Boy, but if we’re talking zip it up, a XXL would be needed.

We were supposed to go pick up our vests from the office today. I talked to our “HR person” (we don’t really have HR, one of a myriad of reasons I’m looking elsewhere) yesterday and asked if it was okay I didn’t pick up a vest as 1) I wanted to prepare for a meeting that was scheduled right after the pick up window and 2) I wasn’t comfortable driving 30 minutes each way to pick up a vest I couldn’t use.

“Why can’t you use it?” Which left me in the horribly awkward position of typing out in a Teams chat, to a coworker who I am somewhat friends with and have socialized with outside of work, “David, it won’t fit me.”

I know that I am not the one who should feel awkward here. But I’ve worked very hard for the past decade to overcome my coming of age in the ultra low rise jean era, when girls who wore a size 00 would sob in dressing rooms because they felt fat. This makes me want to shrink into myself, to hide in baggy sweatshirts, roll my shoulders in, and cross my arms so I’m taking up as little physical space as possible. I thought I was past most of that, but I guess not.

Am I wrong to be annoyed by this? I’m not angry exactly, just annoyed that they excluded a huge fraction of the general American population by not ordering above a large, and that I had to spell it out so explicitly. I don’t want my personal baggage clouding things. And if I’m not wrong, how can I address this in a productive manner so that in the future they either steer clear of clothing, or ask people what sizes would be useful?

Ugh, I don’t know why this still happens or how people are unaware that three sizes won’t cover everyone. You are not wrong to be annoyed by it; it’s thoughtless and out-of-touch.

I would say it this way: “There’s a huge range of body sizes and just ordering S, M, and L will leave out a lot of people. If we’re going to order clothing again, can you ensure a fuller range of sizes are available so people aren’t left out? It’s really uncomfortable to have to explain that what you’re providing won’t fit my body.”

3. I keep running out of work at my new job

I am a little under a month into a new job and so far I’m loving it, but I have terrible workplace anxiety. I find myself struggling when I have free time during the workday because I don’t necessarily know what needs to be done (I complete projects successfully when assigned). I feel like I’m clinging to my boss when I’m proactive and ask for work to do, but I feel like avoiding her and just not working is much worse. Any advice?

Instead of asking her for one additional assignment at a time, name the pattern for her and ask if there’s a way to address it more broadly. For example: “I’m finding that I end up with free time most days and then need to come back to you for more to do. Would it be possible to give me a whole group of projects at once so I’m not having to seek out work from you so often, and/or longer-term projects that aren’t urgent but I can return to whenever I have downtime?”

It’s possible that this will resolve on its own once you’ve been there longer; your manager might be doling things out more slowly than she normally would because it takes her time to train you on each new thing, and she might not have enough time to train you on everything immediately. But it’s a reasonable question to raise and see what she says.

4. Suggesting I return to my old job … with a big raise

Before the pandemic, I was at a company I really liked. It included a big pay boost from my previous role, a really fun and dynamic culture, plenty of perks, and a team and work I enjoyed. Before Covid hit, they transitioned my department to new leadership, and my heart sank. The person who moved into a major role was someone I knew that long term, I had no desire to work under. I didn’t agree with their management style, and we’d butt heads severely.

I looked for a new role, got hired at with a HUGE pay jump, and made a swift exit. I tried my best to leave on good terms. There was a bit of a hiccup — a team member reached out not too long ago asking if I could help out/freelance, which I was very open to, but it became clear that leadership didn’t approve it — and I never heard back after I basically agreed to do it.

Fast forward to now. I just saw that the manager moved on to another company, and my old role is still open. Part of me is thinking I’d be interested in going back, but not at my old salary. I’m not really looking to twist their arm, but I would be open to boomeranging, if they could get close. Then again, they might not be interested at all. Is it worth it to reach out? Of course, the worst they could say is no, which, not the end of the world. Just wondering if there is a respectful way to go about it, which wouldn’t seem opportunistic.

Does the pay leap they’d have to offer put you way outside what you know to be their range for your old role? If they pay people in that role, say, $60-70K and you’d need $110K to go back, that’s probably not going to happen. However, if they’ve been paying way under-market and they’ve seen they’re not able to replace you at the old salary level, there’s more of a chance.

Assuming what you’d need to return isn’t wildly over the market for the work itself, it should be perfectly fine to contact them and see if they’re interested. You could frame it as, “I’d love to come back. I want to be up-front that I’ve found similar roles are paying around $X and I’d be looking for a salary in that range. Is that something that could work on your end?”

5. With remote work, which state laws apply?

I think this question also applies to folks who live in one state but work in another, but I’m mostly thinking about situations where remote employees live in a different state then the one their employer is based in. If there are different laws about pay, benefits, etc., which law applies? For example, if an employee resides in a state that requires X be covered by health insurance, but their employer is based in a state that doesn’t, is that coverage required? Does it matter if the employee is full-time remote or commutes across state lines to work?

The laws of the state where the work is taking place are what govern. So if your company is based in Florida but you work remotely in Massachusetts, your employer has to follow Massachusetts laws when it comes to you. Sometimes the laws in play are more or less the same, but sometimes they can be quite different. For example, if you’re in California and your employer is in Virginia, they’re going to have handle your overtime pay differently from everyone else’s (since federally overpay pay kicks in when you work more than 40 hours in a week but in California it kicks in after eight hours in a day) and maybe your vacation time too (California bans use-it-or-lose-it laws; any unused vacation time has to roll over to the next year), among other things. That’s one reason why some employers are reluctant to let people work out-of-state (plus the fact that doing so establishes business nexus, which can have big tax implications for them).

But again, it’s the state where the work is taking place. So if you live in, say, Virginia but commute to an office in Maryland for work every day, Maryland’s laws are what would apply.

14 Apr 04:35

Weird Unicode Math Symbols

U+2A0B ⨋ Mathematicians need to calm down
14 Apr 04:29

Wikipedia Community Votes To Stop Accepting Cryptocurrency Donations

by msmash
waspleg writes: More than 200 long-time Wikipedia editors have requested that the Wikimedia Foundation stop accepting cryptocurrency donations. The foundation received crypto donations worth about $130,000 in the most recent fiscal year -- less than 0.1 percent of the foundation's revenue, which topped $150 million last year. In her proposal for the Wikimedia Foundation, GorillaWarfare added that 'Bitcoin and Ethereum are the two most highly used cryptocurrencies, and are both proof-of-work, using an enormous amount of energy.' According to one widely cited estimate, the bitcoin network consumes around 200 TWh of energy per year. That's about as much energy as is consumed by 70 million people in Thailand. And it works out to around 2,000 kWh per bitcoin transaction. Bitcoin defenders countered that bitcoin's energy usage is driven by its mining process, which consumes about the same amount of energy regardless of the number of transactions. So accepting any given bitcoin donation won't necessarily lead to more carbon emissions. But cryptocurrency critics argued that Wikimedia's de facto endorsement of cryptocurrencies may help to push up their price. And the more expensive bitcoin is, the more energy miners will devote to creating new ones. If the foundation complies with the community's request, it wouldn't be the first organization to stop using cryptocurrencies due to environmental concerns. Earlier this month, the Mozilla Foundation announced it would stop accepting cryptocurrencies that use the energy-intensive proof-of-work consensus process. These include bitcoin and ether -- though the latter is expected to convert to a proof-of-stake model in the future.

Read more of this story at Slashdot.

14 Apr 04:26

5 Reasons Why Fedora Feels Like the New Ubuntu

by Bertel King

In the mid-2000s, an upstart Linux distribution became both the most exciting and the most popular version around: Ubuntu.

14 Apr 04:16

Star Trek: The Next Generation – The Animated Series

by wil@wilwheaton.net (Wil Wheaton)

I unironically ADORE the animated series from the 70s. I was squarely in the target audience, and I guess I’ve never left that part of me behind.

So since this came across my event horizon earlier today, I’ve been OBSESSED. I mean, I was legit bummed Wesley wasn’t on the bridge, but quickly realized it’s perfect that they replaced him what what I think is a Kzinti, the way TAS replaced Chekov with Arex, the Edosian.

I couldn’t remember what species Arex was, so I had to look it up, and I read this, so before we get to the video I want you to watch, check out Leonard Nimoy:

Initially, Filmation was only going to use the voices of William ShatnerLeonard NimoyDeForest Kelley, Doohan and Barrett. Doohan and Barrett would also perform the voices of Sulu and Uhura. Nimoy refused to voice Spock in the series unless Nichelle Nichols and George Takei were added to the cast, claiming that Sulu and Uhura were proof of the ethnic diversity of the 23rd century and should not be recast. Nimoy also took this stand as a matter of principle, as he knew of the financial troubles many of his Star Trek co-stars were facing after cancellation of the series.[6]

What an amazing human he was. And how fucking racist were the people who were like “yeah, replace those actors of color with white people to save money.” WOW.

Anyway, check this out. If you’re of a certain age, I expect you will share my reaction when that music starts playing.

Also, if anyone wants to animate Wesley Crusher in the style of Filmation, I would be massively supportive of that.