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31 Jan 16:38

How To Find Our Planet’s Twin

by Katie Peek

Planet twin
Courtesy ESO/M. Kornmesser/Nick Risinger

To date, most known extrasolar planets are gas giants like Jupiter or Neptune. Lacking even a solid surface, they are worlds very unlike our own planet. As the search for other Earths continue, a true Earth twin must satisfy five characteristics.

1) Earth size, with a rocky surface...

So far, astronomers have found only one planet with a measured size and mass similar to Earth’s: Kepler 78 b, announced last October. A recent study found that most planets smaller than one and a half times Earth’s diameter probably have rocky surfaces. Kepler has found more than 1,000 candidates, but they are not yet confirmed as Earth-like.

2) Near a sunlike star but not too close...

One in every five sunlike stars should have Earth-size planets in their habitable zones, according to a new analysis from the University of Cali-fornia, Berkeley and the University of Hawaii. But all Kepler’s rocky habitable-zone candidates circle dim red stars. Finding another Earth around another sun means watching the star for several years.

3) With liquid water...

Astronomers have found water in some exoplanet atmospheres, but identifying surface features is more difficult. The most promising technique is exocartography: Researchers map the planet’s surface by recording changes in color as oceans and continents spin past. Such data will require a five- to ten-meter space telescope. 

4) Biosignatures...

Life on a planet will affect its chemistry. Detecting those signs will require taking spectra of the planet. Sara Seager, an astronomer at MIT, says Earth has so many biosignatures that astrobiologists don’t know which ones could prevail on a planet other than Earth. “We’re not going to find anything if we don’t keep an open mind,” she says.

5) ... And intelligent life

If aliens use infrared lasers to communicate across space—which isn’t so crazy; Earthlings already do—the search for extraterrestrial intelligence (SETI) may make its first contact by intercepting those signals. This summer, scientists will begin a new SETI search using infrared detectors installed
at Lick Observatory in California.

Future Missions

Transiting Exoplanet Survey Satellite (TESS)
Launch: 2017 
TESS will search for easy-to-see exoplanets around nearby stars across the whole sky. It’s a shallower survey than Kepler’s single-spot four-year stare, but it will cover much more ground. “It’s going to pick all the low-hanging fruit,” says Josh Winn, TESS’s deputy science director. 

James Webb Space Telescope 
Launch: 2018
The Hubble heir apparent will be seven times as powerful and will study individual exoplanets with enough detail to learn about their atmospheres. It will also take pictures of some directly.

Starshades
Launch: Unscheduled
For truly detailed observations, astronomers will need to block the light of the star so they can see the planet more clearly. Multiple teams are developing a space-based starshade that would align itself to an orbiting telescope precisely enough to hide a star and reveal the planet.

This article originally appeared in the February 2014 issue of Popular Science. 


    






30 Jan 15:09

PHOTOS: Walk Atop the Treetops at Singapore’s Gardens by the Bay

by Yuka Yoneda
30 Jan 14:35

A New Physics Theory of Life

A physicist has proposed the provocative idea that life exists because the law of increasing entropy drives matter to acquire life-like physical properties
30 Jan 14:06

Google cheat sheet

29 Jan 15:03

Scientific Evidence That Walking While Texting Is Bad

by Colin Lecher

Walking While Texting
Schabrun et. al

In New York, when people are texting while walking in front of me, I'm frequently overcome by rage. But since throwing people into the street is "assault" according to "the law," I abstain. However, people--come on.

In this study published in the online journal PLOS One, researchers used motion-capture software to assess the gaits of 26 healthy folks, with and without cellphone use. Here's the setup:

Individuals walked at a comfortable pace in a straight line over a distance of ~8.5 m while; 1) walking without the use of a phone, 2) reading text on a mobile phone, or 3) typing text on a mobile phone. Gait performance was evaluated using a three-dimensional movement analysis system. [Ed note: awesome.]

Eight cameras were set up to monitor the people walking while reading or texting (the phrase, sent on your standard QWERTY virtual keyboard, was "the quick brown fox jumps over the lazy dog"). No surprise, the people reading or texting were slower, deviated from a straight line more, and on top of everything, didn't text very accurately. (The quikj bbrown fox jumpd etc. etc.)

Evaluation of gait performance revealed that individuals walk slower, demonstrate greater absolute medial-lateral step deviation, increase rotation ROM of the head with respect to the global reference frame, walk with a flexed head position, reduce neck ROM, and move the thorax and head more in-phase with reduced phase variability, during texting and reading than unconstrained walking. 

In short, reading a text or typing one while walking makes you dumb. It likely increases your chances of injury, the researchers suggest, and that's even without factoring in the injury your fellow pedestrians may give you.


    






28 Jan 14:59

The Trials And Torments Of Space School

by Jacob Ward

Sending people to space has always involved a frank assessment of their defects, and in the early days, it was a matter of finding people without any. First it was fighter pilots—calm in a crisis, physically perfect, unquestioning in their execution of mission control’s instructions. Then, as it became clear that space was more than a military objective, space agencies began to train scientists for flight, placing otherwise reasonable researchers into fighter jets and swimming pools and screening them relentlessly for defects of vision, circulation, or character.

Now a new category of space traveler is headed beyond the stratosphere. Not the combat pilots and astrophysicists who train for at least two years just to get a shot at a trip, but the rest of us, with our carry-on bags, our iPads, our motion sickness. Folks. Citizens. Regular people.

At press time, Virgin Galactic’s SpaceShipTwo had already survived its first Mach-1 test flight, and its backer, Richard Branson, plans to be on board when it launches to space in the second half of the year. Meanwhile, the XCOR Lynx prototype is slated for tests early this year; the company says it will make a suborbital flight with passengers shortly thereafter. And SpaceX recently initiated the development of its own passenger spacecraft.

Until this point, space, the final frontier, existed almost as an abstraction for most of us, a curiously appealing void just beyond our grasp. Now it is within reach. The democratization of space has arrived.

There are, of course, caveats. Tickets are not cheap. A seat with Virgin Galactic or XCOR costs $95,000 to $250,000, which limits access to the very rich or the very dedicated. And then there is the issue of the flight. According to a spokesperson, “Based on the company’s initial evaluations and training, Virgin Galactic expects that most people should be able to fly.” But traveling to space takes a remarkable amount of physical stamina. I found that out the hard way.

 

 

 

 

On a sweltering summer day in southeastern Pennsylvania, I turn into the entrance of the National AeroSpace Training and Research (Nastar) Center, the only privately run spaceflight-training facility in the country. It looks rather humdrum, a warehouse surrounded by strip malls and office buildings, but it’s one of the few places where aspiring astronauts can endure the twin trials of liftoff and reentry without leaving Earth. 

Nastar Center trains military, civilian, and private pilots and acts as a showroom for Environmental Tectonics Corporation (ETC), its parent company and one of the country’s largest manufacturer of simulators. When an allied air force wants to buy a flight simulator, ETC brings representatives here to whip them around. And in the private-space industry, the company found a new market for its services. 

Upon entering the building, I see a gallery of notable visitors lining one wall, Buzz Aldrin and Richard Branson among them. Down the hall is an ejection-seat simulator and hypobaric chamber. And then there’s the enormous centrifuge into which I’m going to try not to barf today. 

In the lobby, I shake hands with four giddy hopefuls clad in custom-made blue-and-red flight suits they brought with them. These are the first flight candidates from the United States Rocket Academy (USRA), a nonprofit that’s seeking to create a new category of astronaut-qualified average Joes, so-called citizen astronauts who can skip the rigorous two-year training that NASA astronauts must endure. These four, who hold tickets for the XCOR Lynx flight in 2014, will be among the first citizen astronauts to leave the planet. By being here at Nastar Center, they hope to help establish a training protocol for this new class of astronaut, defining the battery of tests that will someday go along with a ticket to ride.

The Phoenix Centrifuge
This machine, at Nastar Center, can model any phase of flight.
JJ Sulin

Gy It’s extremely rare to experience prolonged sideways G-force in an air- or spacecraft. Only a flat spin or a T-bone collision tends to produce it. Gy can move or even dislodge organs.

FORCES OF FLIGHT

Gx This is the classic lips-peeled-back G-force. It looks gruesome, but it’s the most tolerable: In the 1950s, U.S. Air Force Colonel John Stapp showed a human can survive more than 45 Gx.

Gz The vertical G-force arises when the craft performs loops. It induces tunnel vision and unconsciousness when too much G-force drains blood from the head.

 

 

“It’s a beta/alpha test of a citizen-astronaut training program,” says Ed Wright, who founded the USRA after a career at Microsoft and is leading his group today. “We plan to bring people up who want to be space operators, not just space tourists.” Wright, a man in his early 50s with a head so perfectly round, it seems built for a flight helmet, has been planning this test for months. He believes in the private space movement. And he thinks that it can be a platform for a new kind of citizen science. During their precious few minutes in space, the four members of the USRA plan to conduct a handful of experiments chosen from dozens of projects submitted online. It’s a lower strata of scientific research, one that might not qualify for a NASA berth but could benefit from even the shortest time in orbit. But to do this, they’ll first have to reach space in sound body and mind.

In a classroom off the lobby, we receive a couple of hours’ instruction. Swee Weng Fan, a former flight surgeon for the Singapore air force, softly talks us through the basics of Newtonian physics and human physiology, explaining that our bodies are mostly water, run through by a circulatory system that keeps it functioning. Then we segue to how Newton’s discoveries—rest and velocity, acceleration, equal and opposite force—can quickly conspire to disrupt that system in terrible ways. When G-forces pull the blood from a pilot’s head and pool it at the feet, for instance, they upset the flow of oxygen to the brain. The result is G-force–induced loss of consciousness, or G-LOC. The eyes roll back, the body spasms, the pilot passes out—there’s even a bit of dreaming, Swee tells us. The warning signs include tunnel vision and temporary blindness. It will be our job this afternoon to resist G-LOC with an “anti–G-strain maneuver.” By tensing the legs, butt, and other major muscles below the heart, and by taking quick, deep breaths, Swee says, it’s possible to push blood back up into the head and not pass out, even as the centrifuge whirls us in circles at a steady 6 Gs. 

By noon, I know this is all going to go very badly for me. I haven’t shared with the instructors or my classmates that I come from a long, queasy line. My grandfather heaved off the sides of the USS United States on his way to India. My father likes to tell the story of puking into an airsickness bag as I laid in his lap as an infant. I have been ill aboard boats, cars, and airplanes, and today, I am certain, I will add a centrifuge to my list.

We gather in an observation room overlooking the massive, whirling machine, whose arc is at least 50 feet in diameter. It moves impossibly fast, like a giant’s hammer in full swing; yet in this room not 30 feet away, we don’t feel any vibration. Monitors that broadcast views from within the centrifuge capsule line the walls. With the leather couches and the multiple screens, the place looks like a sports bar, albeit one in which every patron is wearing a flight suit.

There are two G-forces we’ll experience today. The first is along the z-axis, the one that goes up and down. It’s referred to as Gz. The Gz forces are what cause G-LOC, because they drive blood from the brain. The second force is Gx, which extends from the chest through the back. Gx causes the face to peel up and back and exerts a crushing sensation on the lungs. But while Gx is a nuisance to be tolerated (up to 10 Gx, whereupon it begins to inflict injury), Gz is what fighter pilots worry about and train to resist. We’ll endure four tests of roughly 10 seconds each—2.2 and 3.5 Gz, and 3 and 6 Gx. The lesser number is about half of what it takes to get to space. The greater number is the maximum a spacegoer will encounter during a suborbital launch. Swee will test us at half strength first—I’m guessing so we have a chance to back out.

I watch the first student strap in. Richard, the commercial pilot, looks to be in his late 50s and has wanted to be an astronaut for as long as he can remember. He is utterly unfazed by his tests. At the end of his heavier Gx run, he cheerfully pushes against the force with his arms, miming push-ups, and reenters the observation room to applause and high-fives.

I feel heartened by Richard’s performance. After all, I’m younger than he. But then Phil, the college science instructor, who looks closer to my age, takes his turn in the centrifuge. As the test ramps up, I hear him complaining of nausea over the monitors. I’m next, and I rise from my seat with worry in my stomach. As I approach the centrifuge, Phil wobbles down the steps and stands unsteadily for a moment. I can see that his hairline is ringed with perspiration. “I’m okay,” he says weakly, speaking past me into the air. I pat him on the shoulder and mount the steps.

 

Today, the nature and trajectory of a private spaceflight is well understood. Take, for example, Virgin Galactic: A carrier aircraft called WhiteKnightTwo will bring SpaceShipTwo, carrying six passengers, to 50,000 feet. Once SpaceShipTwo detaches, a hybrid rocket motor will ignite, and the craft will accelerate to supersonic speed in eight seconds, gradually pulling into a vertical climb and reaching a maximum velocity of Mach 3.5 during a roughly 70-second burn. At 328,000 feet, the border of space, SpaceShipTwo will float for several minutes before rotating its tail upward and falling back into Earth’s gravitational pull, treating passengers to beautiful views of Earth (and briefly subjecting them to roughly 6 Gs). At 70,000 feet, the tail returns to its normal position, and the craft glides to Earth for another 25 minutes. Total flight time: approximately two hours from boarding to disembarkation. 

I can see his hairline is ringed with sweat. “I’m okay,” he says weakly, speaking past me into the air.

But while Virgin and XCOR have spent billions developing a reliable means to get passengers to space, many equally complicated issues remain, the first of which is determining who should be allowed to fly. For this, NASA has very strict guidelines: vision correctable to 20/20, seated blood pressure below 140/90, a height of 5'2" to 6'3"—and that’s before the water-survival tests and scuba certification. According to Federal Aviation Administration regulations on spaceflight, private space companies cannot sell tickets to anyone younger than 18. But that’s the only guideline.  

For now, the question of whether to attempt the trip falls by and large to the passengers. The Nastar Center simulator can help that decision along—if you can’t make it through 10 minutes in a simulator, you may want to reconsider the second mortgage on your home. Virgin already recommends that prospective passengers take a spin in a centrifuge, and the new breed of space outfitters popping up to serve private space tourists are deciding if they should mandate this sort of training session for all customers.

The next issue companies will have to address is what to do with passengers once they reach 328,000 feet. Can they get up and float around? What happens if someone has a medical emergency? Or needs the bathroom? Nastar Center, as one of the few facilities in the world with the equipment to simulate a trip to space, offers a rare chance to probe these questions. “The companies that use us for training are asking us what we’re finding out,” says Brienna Henwood, the director of space training and research at Nastar Center. “They’re trying to sort out what to do.”

Beyond those very broad brushstrokes, the details of private spaceflight are still a long way from resolved. Consider that it took the airline industry years to establish protocols—seat backs, tray tables, etc.—that work for everyone. And that was in the Earth’s atmosphere. In a weightless environment, vomiting means the threat of bits of regurgitated food floating into your nasal passages. Sixty-two miles above Earth, what laminated safety-information card can help you with that? 

Centrifuge Control Room
JJ Sulin

Another Cadet
Photo by JJ Sulin

Within the centrifuge, I strap into a pilot seat in front of a blank, curved wall onto which a false horizon and gauges are projected. The rotation of the centrifuge is designed to fool the inner ear into believing the horizon is where the simulation shows it to be, but my inner ear is more skeptical than most, unwilling to accept what it cannot see for itself, and before the door closes, I know I’m dead. 

I spot an airsickness bag on one side of the seat, and I take it out to determine exactly where the business end is. Then I try to jab it back into its sleeve, fail, and let it fall to the floor. I’ve got more important things to worry about.

“Are you ready?” asks Swee over the cockpit speakers. He’s overseeing the simulation from a control room. “Yes,” I say, trying to sound jaunty. The centrifuge begins its “idle” rotation—a mere 1.4 Gs, intended to simulate flat, straight flight. The screen in front of me shows a level horizon, mountains passing beneath me. My inner ear knows something is not right. It can sense that I’m actually moving in a circle and keeps sending my eyes to the left in an effort to find what it knows is the real horizon, somewhere outside this capsule. I have to fight to keep focused on the false, flat one projected in front of me. “I’m a little dizzy,” I say faintly. “Okay, just rest until you’re ready,” Swee replies.

Eventually I realize I could spin all day. “It’s not going to get better,” I say. “Let’s go.”

The first maneuver is a hard right turn, perhaps 45 degrees. As I crank over, my inner ear begins to send multiple signals. You’re falling forward, it says. And to the right, it adds. Also, go ahead and scream, it suggests. My eyes don’t know where to look, and just as I begin to panic, the horizon rotates level again, adding a new clash of vestibular signals to the mix. One of four tests is over, and I already feel awful. 

“Now we’ll do the same thing, but at 3.5 Gz,” Swee says. “Remember to clench your muscles and to take those intermittent breaths,” he adds. “Three . . . two . . . one . . .”

And now it’s worse. The turn is much steeper, and everything is wrong. Again my eyes don’t know where to look, but it doesn’t matter, because they’re starting to lose their ability to see. Red, veiny patterns intrude around the edges of my sight. I try to clench my muscles to force blood above my heart, and I’m huffing like a child throwing a tantrum, but the center of my vision is shrinking. Wow, it really is like a tunnel, I think. In a moment, I’m not going to be able to see at all.  

Then the capsule cranks sideways to level out, and there’s another set of conflicting, sickening signals. Gz is over. 

Spacial-Disorientation Trainer
JJ Sulin

I’m nauseated and dizzy, but at this point my brain is so occupied by thoughts of panic and death that it has chosen to accept this false horizon projected in front of me as the actual one, and I focus with relief on its stillness.

“Ready for Gx?” asks Swee. “Oh, God,” I say. He lets me breathe for a bit, and then it’s time. 

Three . . . two . . . one . . . boom, I’m simultaneously moving down and up, somehow—and then I’m very clearly rushing straight up. The feeling is accompanied by an amazing crushing sensation, one that sends the skin around my mouth up toward my eyes and holds it there. Ten seconds pass, and the leveling out feels like falling face-first off a house.

Jacob Ward
Photo by JJ Sulin

And now the last test of the morning: a full 6 Gx. This time, if you were to give me a choice between, say, enduring this test and shooting myself in the head, I’d choose the latter—if only I could lift my arm. I can feel my Adam’s apple falling back across my airway and touching the other side. I’m having trouble breathing. I’m literally being crushed, and I want it to stop. Even as I level out, my inner ear is in full-on rebellion, and my eyes are all over the capsule. I can almost smell the sour tang of the pastrami I had for lunch. And then the door opens, and I’m helped out gently.

I didn’t throw up. That much I can say. But I have to unzip my flight suit to the waist and collapse onto the sofa in my damp T-shirt to hold it together. Somebody fetches me a Coke. And I, who came to this program to quietly participate and observe, find myself the center of attention. I receive a half hour of sympathetic pats on the back from a roomful of people who not only have more time and money and courage than I do but who also have a miraculous resistance to what I can only describe as intense motion sickness. 

From my position on the couch, I watch the rest of the prospects take their turns. One woman, Maureen, who is a member of USRA, practically runs into the centrifuge, she’s so excited. She weathers the test unperturbed, except for one thing: “Hey, an airsickness bag hit me in the face as I was going around!” she says, exiting the centrifuge. I raise my pale and sweating hand in halfhearted apology and close my eyes.

 

If the Gz and Gx tests were the warm-up, the day’s main event is a full simulation of the trip aboard SpaceShipTwo. Swee says he’ll give me a trial run under only half the expected G-forces and then a final test at full Gs.

Simulator Chair
JJ Sulin

He offers some advice as I strap in. “Don’t turn your head,” he says. I press backward against the headrest and try to remain still. This makes an enormous difference, in that the movement of the centrifuge and my head don’t produce mismatched signals in my inner ear. 

The capsule tips and bobs as it frees itself from the simulated carrier craft. I feel as if I’m tipping back in my chair. I’m not nauseous, but I’m terrified: The simulated view shows me just how far and fast the Earth is falling away, which only deepens the panic I’m working hard to control.

At the apogee, where weightlessness takes hold, everything goes silent, and I’m treated to a slowly rotating view of the curve of the planet. “What’s that I’m looking at?” I ask. “That’s Los Angeles,” says Swee. And I realize, as the “ship” turns, that I can see the San Francisco Bay Area at the top of my view. As a robotic voice counts down to the reentry sequence, I imagine my wife in Oakland, chasing my daughter around our backyard. Astronauts on spacewalks have often reported a sense of euphoric kinship with the stars, the universe, everything, leading to a dangerous reluctance to reenter the spacecraft. I have the opposite urge: a sensation of being impossibly far from home and an overwhelming desire to be instantaneously transported to it. 

The centrifuge begins to simulate a roaring, shuddering reentry sequence, less severe than the launch but just as terrifying, and finally we level out at 50,000 feet, where the simulation ends. “Are you ready for the full simulation?” Swee asks. I have to think for a second. I’m dizzy and frightened and thoroughly exhausted. I want to will my way through it, but I also don’t want to puke in the centrifuge that my classmates paid good money to use. “No,” I say to Swee. And with that, I wash out as a citizen astronaut.

 

As my flight home roars down a runway at the Philadelphia airport, I find myself calculating my Gx (no more than two, I decide), and as we bank upward and then to the right, I can sense Gz creeping into the mix. I feel my blood being gently nudged toward my feet, although I know it’s not enough to take it away from my brain. 

Most important, I’m suddenly aware of the cocoon of technology that’s compensating for my body’s vulnerability to it all. Cabin pressurization is top of mind for me at the moment. Ten thousand feet, it turns out, isn’t just the altitude past which it’s okay to use portable electronic devices. It’s also the altitude at which passengers begin to require oxygen assistance. At our cruising altitude of 32,000 feet, no one on board could function for more than 15 seconds without the oxygen mix in our cabin. After that, we’d start to pass out and die. 

And yet I’m leaning back and turning on a movie, content that the systems around me will keep me alive. After all, millions of people have flown before me. 

Is that what it will take to establish confidence in private space travel? Millions of people going first? Hundreds of thousands? Thousands? It seems impossible, somehow, that the requisite number of volunteers are willing to risk nausea—or worse—to see the stars 62 miles closer than we can from the ground. Certainly, Wright and his group are undaunted, powered by a lifelong desire to experience space firsthand and aided by physical capabilities that I simply don’t have. I wish them the best. If successful, they’ll redefine what it means to have the right stuff—and hopefully pioneer a new citizen-space science in the process. But while their place may be in the stars, my place, I learned, is right here on Earth. 

 

Jacob Ward is the former editor-in-chief of Popular Science.  


    






27 Jan 17:50

Beautiful Geometric Facade Protects King Fahad National Library from the Hot Saudi Sun

by Lucy Wang
22 Jan 17:34

Walmart Advises Against Unions

by OccupyWallSt

While the Waltons enjoy a life of epic luxury and entitlement, resting in the top 20 of wealth holders in the planet, the #WalmartStrikers are fighting for food at the table, sick days, and $15 dollars an hour (at the very least).

Last week, we introduced for public perusal a few of the training materials for Walmart managers. Missing in those slides, were some key talking points.

What does a loyal manager do if a Walmart Associate asks about the big bad union?

If you are a Walmart worker and you want to be involved in organizing your workplace, contact Making Change.

22 Jan 15:04

Despistaje gratuito de cáncer de piel en Barranco

En el marco de su campaña de prevención y lucha contra el cáncer de piel, el Círculo Dermatológico del Perú (CIDERM) realizará despistajes gratuitos de dicha enfermedad este sábado 25 de enero en la playa Sombrillas – Barranco, desde las 10 de la mañana hasta la 1 de la tarde .

La actividad, que tiene por fin  prevenir y/o detectar tempranamente alguna alteración cutánea que con el tiempo pueda desencadenar el cáncer, consistirá en el estudio de lesiones sospechosas  originadas por la excesiva exposición al sol sin la adecuada protección.

Cabe resaltar que durante la campaña el CIDERM  hará entrega  de material educativo acerca de las medidas de prevención que se deben tomar debido a las altas temperaturas que se veiene experimentando durante los últimos días.

Para cuidar nuestra piel durante este verano, el CIDERM recomienda el uso de bloqueadores, lentes oscuros y prendas ati UV. Así mismo sugiere llevar una dieta balanceada en frutas y verduras frescas, además de ingerir entre 2 y 3 litros de aguas al día.

 

16 Jan 23:10

Famous movie quotes as charts

by Nathan Yau

AFI movie quotes

In celebration of their 100-year anniversary, the American Film Institute selected the 100 most memorable quotes from American cinema, and a few years ago, for kicks and giggles, I put the first eight quotes into chart form. I planned to chartify all 100, but I got distracted.

Lately though, finishing what I started became my distraction. So here it is: the 100 most memorable quotes in chart form and I can finally put it to rest. See the big version for more detail.

Also available in print.

15 Jan 20:12

A Malaysian Language Describes Smells As Precisely As English Describes Colors

by Francie Diep

photo of a man sniffing a durianphoto of a man sniffing a durian
Sniff Test
A man sniffs a durian fruit before deciding to buy it.

You often get a good idea of what things will taste like from a restaurant menu's descriptions. But try doing the same with descriptions of perfumes in catalogs, and you'll have a bit more trouble. What exactly is "steamy amber" supposed to smell like?

Things don't have to be this way, however. Although years of studies in Western societies have found that people are really bad at describing smells, a new study of a language found in Malaysia suggests the deficiency is cultural, not biological. Speakers of Jahai and other related languages have precise words for different smells. They're equivalent to the range of words—red, blue, pink—that English has for colors, according to a study done by two linguists from the Netherlands.

plʔεŋ is the "bloody smell that attracts tigers."

In a series of experiments, the Dutch linguists found that Jahai speakers are able to consistently describe smells in a way that ordinary English-speakers—not smell experts, such as perfume industry people—can't. Presumably, this means that when they're talking to each other about smells, Jahai speakers can get an immediate, accurate idea of what their friends are describing, which is pretty cool.

Also interesting to think about: The linguists, Asifa Majid of Radboud University and Niclas Burenhul of Lund Universty in Sweden, discussed in their paper how Western researchers had assumed there was something universally ineffable about odors… when really they just hadn't looked past the languages in their own neighborhoods.

Check out some of the words Jahai speakers have for smells. Note that these are abstract words made just for describing these odors. That contrasts with English smell descriptions, which often compare smells with things, using phrases such as "smells like bananas" or "smells like a wet dog."

tpɨt: the smell of certain flowers and ripe fruits. Perfume, soap, Aquilaria wood, durian and bearcats have a tpɨt smell.

Cŋεs: petrol, smoke, bat droppings, bat caves, some species of millipedes, wild ginger roots and wild mango wood all have this smell.

plʔεŋ: this means "a bloody smell that attracts tigers." Squirrel blood and crushed head lice (!!) have it. It is distinct from pʔih, which is the smell that blood, raw fish and raw meat have.

In their experiments, Radboud and Burenhul asked both native Jahai speakers and native English speakers to name smells on scratch-'n'-sniff cards and colors on chips. They compared each person's descriptions of the smells and colors with his compatriots'.

They found that Jahai speakers were equally likely to use the same words as other Jahai speakers to describe both colors and odors. English speakers, on the other hand, usually used the same words for colors, but used wildly different words from each other for smells. How about this English speaker's description of the smell of cinnamon? "I don't know how to say that, I have tasted that gum like Big Red or something tastes like, what do I want to say? I can't get the word. Jesus it's like that gum smell like something like Big Red. Can I say that? Ok. Big Red. Big Red gum."

English speakers also spent more words on describing smells, suggesting they were having a hard time putting things into words.

Descriptions of smells are vital to Jahai life, Radboud and Burenhul report. For example, in villages in which residents forage primarily, it's important not to bring home animals that have the smell that attracts tigers. The 10 Jahai men Radboud and Burenhul recruited for their study were all foragers, although they also saw modern stuff all the time.

The study appeared in the journal Cognition.


    






13 Jan 23:00

Lima registra mayoría de casos de cáncer a la piel en el país

El Ministerio de Salud informó que el 46% de los casos de cáncer de la piel, en el período 2006 y 201, se registraron en Lima Metropolitana. Principalmente en mujeres adultas mayores. La segunda región con más casos de cáncer de piel es La Libertad, con 1.013, luego Lambayeque con 493 y Cajamarca con 356.  Según Diego Venegas, médico oncólogo y coordinador del Plan Esperanza, este tipo de cáncer se encuentra entre los cuatro primeros que se notifican cada año en nuestro país. Los otros tres son de cuello uterino, estómago y mama
13 Jan 20:53

Software Accurately Predicts Books' Popularity By Analyzing Their Sentences

by Francie Diep

photo of a library aisle
Books!
Greg Friedler/Getty Images

Maybe this is something we can apply to Popular Science posts? A team of computer scientists has developed software that's able to predict whether a book will be popular based on its writing style, the U.K.'s Telegraph reports.

The software learned this trick from analyzing 800 books from Project Gutenberg, an online archive of public domain works, and comparing the books' word use and grammar with how often they've been downloaded. For some books, the computer scientists also considered Amazon sales data and awards such as Pulitzer Prizes. The books were of all different genres and types, ranging from novels to poetry, and from love stories to sci-fi.

Some of the qualities the software identified in popular books sound just like what your writing teachers have been trying to tell you forever. Less successful books included more adverbs and "relied on words that explicitly describe actions and emotions such as 'wanted,' 'took' or 'promised,'" The Telegraph reported. In other words, they didn't adhere to "show, don't tell."

Other secrets to writing success were less intuitive. For example, successful books contained more conjunctions, such as "and" and "but." Do successful books have a lot of long sentences?

In a paper they wrote for an Association for Computational Linguistics conference, the software's makers, a team from Stony Brook University in New York, made this table of "successful" and "unsuccessful" words in adventure books:

 

Words in Adventure Books
From "Success with Style: Using Writing Style to Predict the Success of Novels," published by the Association for Computational Linguistics

 

So don't write your next great novel about breathless affairs in beach rooms by the bay. Stick to plain writing, and just let people say the things they mean.

[The Telegraph]


    






07 Jan 17:13

Timeline shows a century of rock history

by Nathan Yau

History of rock

Jessica Edmondson visualized the history of rock music, from foundations in the pre-1900s to a boom in the 1960s and finally to what we have now. Nodes represent music styles, and edges represent musical connections. There are a lot of them and as a whole it's a screen of spaghetti, but it's animated, which is key. It starts at the beginning and develops over time, so you know where to go and what to look at. Music samples for each genre is also a nice touch. [Thanks, Jessica]

06 Jan 16:17

George Carlin

02 Jan 22:30

The biggest stories of 2013: Console wars, Bitcoin's boom and the NSA's very bad year

by Engadget staff
2013 was a bust! Or so we've been told. Whether you follow that line of thinking or reflect on the last 363 days in a more optimistic light, it's clear the year wasn't all big breakthroughs and great triumphs. This was the year of government ...
26 Dec 21:44

"Dark Money" Funds Climate Change Denial Effort

The largest, most-consistent money fueling the climate denial movement are a number of well-funded conservative foundations built with so-called "dark money," or concealed donations, according to an analysis released Friday afternoon.

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26 Dec 17:41

Where Do Nonhuman Mammals Fit in Our Moral Hierarchy?

The case for exploiting animals for food, clothing and entertainment often relies on our superior intelligence, language and self-awareness: the rights of the superior being trump those of the inferior. A poignant counterargument is Mark Devries's Speciesism: The Movie , which I saw at the premiere in September 2013. The animal advocates who filled the Los Angeles theater cheered wildly for Princeton University ethicist Peter Singer. In the film, Singer and Devries argue that some animals have the mental upper hand over certain humans, such as infants, people in comas, and the severely mentally handicapped. The argument for our moral superiority thus breaks down, Devries told me: “The presumption that nonhuman animals' interests are less important than human interests could be merely a prejudice--similar in kind to prejudices against groups of humans such as racism--termed speciesism.”

[More]
26 Dec 16:52

This Robot Just Won The DARPA Robotics Challenge

by Colin Lecher

The DRC Winner
Schaft

The DARPA Robotics Challenge, a search for the rescue robot of tomorrow, just ended its two-day competition, and the machine you see here is the glorious champion. Team Schaft, a Japanese start-up acquired by Google, not only won, but trounced the rest of the 'bots in the contest.

The competition had robots from 16 teams perform a series of tasks, including driving a car, climbing a ladder, opening a door, and attaching a hose to a wall connector. Three points were awarded for doing each task autonomously, and one point was awarded for doing the task without any human assistance. Out of a possible 32 points, Schaft scored 27, besting its nearest competitor, IHMC Robotics, which used the Google/Boston Dynamics ATLAS robot, by seven points. (Three teams actually scored zero points.)

The top eight teams will now be able to apply for $1 million in DARPA funding ahead of the finals next December, where a winner will be crowned and given $2 million more in cash. 

[BBC]


    






23 Dec 18:06

Life and Donuts by Pablo Stanley















Life and Donuts by Pablo Stanley

12 Dec 21:56

Resilient Design: Is Resilience the New Sustainability?

by Jill Fehrenbacher

Resilient Design 101, Resilient Building Design, Garrison Architects Flood-Proof Beach Structures in NYC

Ever since Hurricane Sandy wrought havoc on the East Coast, ‘resilient design’ has been a hot topic of conversation — and not just amongst architects and designers, but politicians, engineers and city planners as well. In November 2012, ‘Resilient Design’ was a trending search term in Google, moving from near obscurity in the months before the devastating super storm to a popular catchphrase post-Sandy. Natural disasters like this, and more recently the typhoon that hit the Philippines in early November, serve to remind those of us in the green design community that while building with pure “save-the-earth” ecological motivation is certainly important, low-VOC-paints and LEED points don’t matter much if a building becomes uninhabitable due to flooding, earthquake, power outages or some other natural or manmade disaster. That’s where resilient design comes into play. According to the Resilient Design Institute, resilient design is defined as “the intentional design of buildings, landscapes, communities, and regions in response to vulnerabilities to disaster and disruption of normal life”.

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25 Nov 14:18

blueberrymodern: Gerrit Rietveld “Steltman” chair 1963



blueberrymodern:

Gerrit Rietveld “Steltman” chair 1963

21 Nov 15:48

SketchUp’s Open-Source 3D-Printable WikiHouse Snaps Together Like Lego Bricks

by Lidija Grozdanic

WikiHouse, Eric Schimelpfening, SketchThis.NET, Maker Faire, 3D-printed house, Google SketchUp, green technology, 3d printing, 3d printed architecture, 3d printers, 3d printed home

What if you could assemble your house like Legos using free modeling software and a 3D printer? That’s the idea behind Eric Schimelpfening‘s WikiHouse – a home designed entirely in SketchUp that can be downloaded by anyone, customized to fit the user’s needs and sent to the 3D printer. The components are then snapped together using less than 100 screws to make rooms that can be rearranged as easily as you would rearrange furniture.

WikiHouse, Eric Schimelpfening, SketchThis.NET, Maker Faire, 3D-printed house, Google SketchUp, green technology, 3d printing, 3d printed architecture, 3d printers, 3d printed home WikiHouse, Eric Schimelpfening, SketchThis.NET, Maker Faire, 3D-printed house, Google SketchUp, green technology, 3d printing, 3d printed architecture, 3d printers, 3d printed home WikiHouse, Eric Schimelpfening, SketchThis.NET, Maker Faire, 3D-printed house, Google SketchUp, green technology, 3d printing, 3d printed architecture, 3d printers, 3d printed home


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20 Nov 14:28

Transforma tu smartphone en un microscopio digital por menos de 10 euros

by La Gusa

Yoshinok de Instructables ha conseguido crear un soporte que convierte cualquier smartphone en un microscopio digital de hasta 175 aumentos, algo nada desdeñable que además permite sacar fotografías macro con una resolución respetable.

Los elementos a usar son sencillos de conseguir, básicamente son tablas, plexiglás, una lente de aumento, tornillos y una linterna. Como siempre sucede con estas cosas, al ver el vídeo todo parece fácil hasta que uno se enfrenta a la realidad del taladro y al peligro que conlleva para unas manos acostumbradas a bolsillos.

Visto en Boing Boing

Ver más: iphone, microscopios
Seguir @NoPuedoCreer - @QueLoVendan

 

18 Nov 20:18

breakfastdreamss: Zeppelin



breakfastdreamss:

Zeppelin

23 Oct 21:27

Pete Peterson Exposed: The "Grand Bargain" Hoax

by OccupyWallSt

Big thank you to our friends at PR Watch

22 Oct 20:13

Alternative Illumination: Create an Oil Lamp from Everyday Household Items

by Lana Winter-Hébert

lamp, oil lamp, emergency lamp, orange peel, orange peel lamp, crisco, crisco lamp, fat, fat lamp, oil, olive oil, vegetable oil, oil candle
Lead Image via 365 Days of Pinterest

The motto “Be Prepared” may ever be associated with the Boy Scouts, but it isn’t just young lads in shorts and knee socks who would do well to hold to it. Far from being the sole domain of doomsday preppers, preparedness can actually make a world of difference in difficult situations, from power outages to weather-related emergencies. In case you get stuck without power and you don’t have a huge store of candles at hand, it’s actually quite easy to put together an oil lamp from everyday household items!

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19 Oct 21:24

ODLCO Presents 'Marketplace Posters' by Jingyao Guo: Wonderful Where's Waldo-esque Wall Art Offers a Window into Worldwide Markets

ODLCO-JingyaoGuo-MarketplacePosters-Tsukiji.jpg

We're always happy to hear from Lisa Smith and Caroline Linder, founders of Chicago-based design concern Object Design League, a platform championing 'small batch' design products. Their latest project is a collaboration with Brooklyn-based illustrator Jingyao Guo: "Marketplace Posters" depict colorful scenes from open air marketplaces from around the world.

We love open air marketplaces because they mix economic and social transactions between people with a variety of purposes: business, leisure, tourism, and daily shopping. At the heart of every market is the energy of entrepreneurship. Vendors use makeshift tools and ingenious techniques to move their goods efficiently, while customers haggle with expert price negotiators to determine true market price. Many of these markets have been in operation for decades and directly reflect the cultural spirit of their locale.
As designers, we are interested in the way that all the minute details of an environment add up to create a rich and lively atmosphere. We wanted to produce a series of drawings that would represent this, and invite others in as observers.

ODLCO-JingyaoGuo-MarketplacePosters-MuaraKuin.jpgODLCO-JingyaoGuo-MarketplacePosters-details.jpg

The series is launching on Kickstarter with three markets in Asia-Pacific region: Raohe Night Market in Taipei, Muara Kuin Floating Market in Indonesia, and Tokyo's Tsukiji Fish Market (if the campaign is a success, they'll expand to other continents). Given their axonometric perspective and infinitesimal level of detail, I couldn't help but think of Li Han and Hu Yan's equally beautiful A Little Bit of Beijing, though the latter work is more expressly concerned with inhabited architecture. The "Marketplace Posters" take a more anthropological perspective, portraying various individuals interacting with each other and their surroundings.

We had the chance to chat with Smith about the captivating artwork and how the project came about.

Core77: What was the inspiration for these posters?

Lisa Smith: Caroline and I traveled to Taiwan together in 2010, where we spent a lot of time at the night markets. The kernel for this idea developed then—we often reminisce about the special atmosphere of the night markets, and have always wanted to formulate a project based on our experiences.

The project started off with kids in mind. We like the "Where's Waldo" feel of each scene, and wanted to encourage kids to appreciate observation as a way of "reading" an environment. As the drawings evolved, however, it was clear that they appealed to all age groups, so we aren't being specific about who or where its for, and let the viewers decide.

(more...)
11 Oct 00:19

UNC Charlotte’s UrbanEden Solar Decathlon Home Features a Garden Wall for Growing Food in the City

by Diane Pham
09 Oct 23:14

The Future Mundane

Moon2009.jpgMoon (2009)

Broadly speaking, design projects may be split into three categories: now, next and future. Most of our time as designers is concerned with the now or next, but occasionally we are called upon to embrace projects which are overtly future facing in nature.

These projects are typically used as a platform to tell a story, be that a business projection, a socio-cultural exploration, or an illustration of new materials or technologies, so it comes as no surprise that one of the more significant inputs for many designers is science fiction cinema.

Science fiction works in the space between people and technology in much the same way as industrial design, and the two have an influential effect upon each other. If you have visited any design tumblr in the last six months you will no doubt have seen countless sketches and production stills from Oblivion, and design's (sometimes literal) impact on science fiction cinema is well documented. In some respects, it's difficult to divorce the two industries, but there is a key difference which often gets missed: For the sake of brevity, I need to be reductive, so if there is a line to be drawn between industrial design futurism and science fiction cinema, then that's the line between narrative, story and plot.

Industrial design futures require a story, a sequence of events that happen. In some cases they require a narrative—a way in which the story is told—but they almost never need a plot. Science fiction cinema, which has an implicit role as entertainment, requires a plot. Plots are difficult, complex and involved. Plots require significant development of character and space, leading to an aesthetic that drives the narrative forward.

When creating future visions, industrial designers have a habit of grabbing at cinematic aesthetics without a plot, leading to images, products and movies such as this:

Videos and presentations of this sort are plentiful indeed, and in some respects they have a place, yet they invariably seem banal, twee and idealistic to the point of fantasy. For this reason, it's often easy to scoff at such work and dismiss it out of hand.

In 2002, at the Clarion writing workshop, science fiction novelist Geoff Ryman expressed similar concerns about the prevalence of fantasy elements in his genre. Warp drives, invisibility and interstellar travel were becoming the norm in science fiction writing, distracting readers from critical subjects closer to home. He introduced the concept of 'Mundane Science Fiction,' which aimed to generate literature based on or near earth with a believable use of technology as it exists in the time the story is written.

As a counter to the fantasy-laden future worlds generated by our industry, I'd like to propose a design approach which I call 'The Future Mundane.' The approach consists of three major elements, which I will outline below.

(more...)