

Lola Dupre’s collage visions can make Hilary Clinton look like Jaba the Hutt and Virginia Woolf look like a camel. Dupre cuts and pastes her pieces by hand, stretching or shrinking features of the face and/or body of politicians, celebrities, and anonymous characters. Strange though this may sound, her approach to collage seems so obvious it’s almost surprising no one’s thought of it before. This is what makes her work so strong. A really great idea can often seem familiar because it makes so much sense.
In her most recent work, Dupre has been transforming nude figures into unexpected (and sometimes ‘Human Centipede’-like) forms. Whereas in most of them she multiplies limbs and genitals, she throws you a curveball in Osa Desnuda, where she sticks a the top half of a teddy beat head on a nude woman with an ample drooping breast and strange proportions throughout. This one in particular is reminiscent of Wangechi Mutu’s work. She also creates hybrid forms with women’s bodies: confusingly erotic while also disturbing and unexpected, though Mutu’s work is more extreme than Dupre’s.
Although the images are made manually they don’t escape the digital. They reference (accidentally or intentionally) a computer screen that has frozen up where the user has tried to drag the image across the screen, only to have all the repetitions of the image remain as it is moved along. Though similar imagery could probably be made on photoshop, the handmade aspect is essential. The images would loose the sensual textures of skin achieved in the overlapping paper, and the process itself is more mysterious.

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