Artist David Jablow took these cheesy notepad and created over 30 great illustrations from it. He's selling a book of them, and you can see 15 examples at Twisted Sifter.
Artist David Jablow took these cheesy notepad and created over 30 great illustrations from it. He's selling a book of them, and you can see 15 examples at Twisted Sifter.
¡Oh, la infancia! ¡Esa patria!
En Buzzfeed le hicieron un post homenaje a He-Man y los Amos del Universo y descubrí merchadising increíble de la serie que puso de moda los slips hechos con piel.
¡Miren estos sets para jugar! Yo hasta el Castillo de Greyskull conocía (uno medio pedorro, pero lo tenían mis primos y me daba envidia), pero hay muchas opciones…
Estas muñecas de She-Ra no se comercializaban acá, ¿verdad?
El cuarto de la infancia que nunca tuve:
ESTOS PÓSTERS
Mis traumas con el dentista jamás hubiesen sucedido con esto en casa:
¡Hasta hubo un show en vivo! Lloro
Siempre quise ser este nene:
La entrada No quiero vivir sin esto: merchandising original de He-Man aparece primero en Son Cosas Mías!.
Galería Mar Dulce specializes in small and medium format artwork in painting, drawing, print, photography, artists’ books and objects, realized by contemporary and classic Argentine and Uruguayan artists. To accompany Limited Edition we present +COLLECTIVE22, a specially curated selection of works by Tulio de Sagastizábal, Mariano Grassi, Daniel Santoro, Raoul Veroni, Cecilia Afonso Estévez, Sophie Spandonis, Adriana Torres, Marina Aizen and with our specially invited international artist Ashley Cook of Scotland.
Venue: Galería Mar Dulce, Uriarte 1490, Palermo Soho
. Opening event: Saturday 29 June 4-8pm
Normal hours: Tuesday to Saturday 3-8pm
. Exhibition ends: Saturday 17 August 2013
__
Inauguración sábado 29 de junio 16-20hs, Galería Mar Dulce, Uriarte 1490, Palermo Soho, Buenos Aires
“Edición limitada”, obras en multiple de Walter Álvarez, Bianki, Pablo Cabrera, Mariana Chiesa, Decur, Irana Douer, Mercedes Dutto, Isol, Delfina Estrada, Daniel Garcìa, Lola Goldstein, Carlos Masoch, María Elina Méndez, Liliana Porter, Ana Laura Pérez, Cristian Turdera, Viky Vitar, Ral Veroni y Sofía Wiñazki
“+COLECTIVA22”, con obras de Tulio de Sagastizábal, Mariano Grassi, Daniel Santoro, Raoul Veroni, Cecilia Afonso Estévez, Sophie Spandonis, Adriana Torres, Marina Aizen, Marta Vicente y Ashley Cook.
Siguen hasta el 17 de agosto.
.
Just how 20th Century Fox will turn the Choose Your Own Adventure book series into a movie remains a mystery. What we do know is that the studio has reams of source material to work from. One-hundred and eighty five books worth from the original run, to be exact. As a service to Fox, and because it seemed like a fun thing to do, we've ranked every one of those books from the most to the least exciting, based on their titles alone. Here we go:
Read more posts by Adam K. Raymond
Filed Under: choose your own adventure ,books ,vulture lists
No matter how small Apple’s Lightning cable port might be, I still manage to get objects from my pocket lodged inside it! Here’s a clever, interactive solution that uses everyone’s favorite building-blocks to protect the device’s port and entertain the user. Each Lego in the Brick series adapts to the port, making your iPhone an integral part of your creation! Do want!
Designer: KBme2
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Yanko Design
Timeless Designs - Explore wonderful concepts from around the world!
Shop CKIE - We are more than just concepts. See what's hot at the CKIE store by Yanko Design!
(Apple, meet Lego! was originally posted on Yanko Design)
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Peter Clark is an epically-talented collage artist who focuses much of his expertise on creating dog collage portraits. The workmanship evidenced in his pieces completely blows me away. Peter uses an extensive collection of found papers as his palette “which are colored, patterned or textured by their printed, written, or worn surfaces.” He uses this found media to “paint” his collages. And the results are completely stunning!
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Though they are set in the most disparate universes possible, Mad Men and Game of Thrones have one major thing in common: Their marriages are terrible. There is no fate worse than being one half of a married couple on one of these shows. But in which show is it worse to be married? We went through both shows, looked through their main marriages, and tried to calculate exactly how awful it's portrayed by assigning points for awfulness. There are a lot of similarities between the two – both have tons of infidelity, couples getting married for the wrong reasons, and closeted gay men – but only one can be Sunday's best advocate for non-monogamy.
Case for Game of Thrones
*Cersei and Robert Baratheon
- Robert only agreed to marry a teenage Cersei to win her father's allegiance in overthrowing the sitting king. +1
- Cersei never loved Robert, instead preferring (and continuing to sleep with) her twin brother. +2
- Robert frequently and publicly cheats on Cersei, fathering many children. +3
- Cersei gets pregnant by her brother, and passes the child of as Robert's. +3
- She finally drugs Robert, so he gets mortally wounded when hunting. Marriage over. +5
*Eddard and Catelyn Stark
- They only got married because the man Catelyn was supposed to marry, Ned's older brother Brandon, was killed. +1
- They seem to genuinely like each other... -3
- ...but we barely see them together because very soon into the first season, Ned leaves his kingdom to serve as the hand of the king. +1
- Years ago, Ned was unfaithful, producing a child, Jon Snow. Catelyn is a real jerk to Jon Snow. +2
* Daenerys Targaryen and Khal Drogo
- Daenerys' brother forces her to marry the barbaric Khal Drogo, because in exchange he will get to use the Dothraki army to reclaim the iron throne. +2
- Drogo kind of rapes her at the beginning of the marriage. +4
- Hey, things are turning around! Daenerys teaches Drogo true love, as evidenced by his embrace of the missionary position. -3
- But because he's gone all mushy, some of Drogo's men lose faith in him, and one gives him a mortal wound. That's what true love gets you here. +4
- To further underscore that no good can come from love, Daenerys tries to bring her beloved back to life, but it ends up just being torture for him. +3
*Tyrion and Sansa Lannister
- Not just an arranged marriage, but also an out-and-out punishment for both. +2
- This is just another in a terrible history with marriage for both of them. Tyrion's first wife was a prostitute that Jaime hired to make Tyrion happy. When their father learned of this, he forced Tyrion to watch her have sex with multiple guards. Sansa was engaged to Joffrey, and that's just worse. +2
- Tyrion has a loving, committed relationship with Shae, Sansa's maiden, which means infidelity is 100-percent inevitable. +2
*Robb and Talisa Stark
- Finally, a marriage born of love! -5
- But to marry Talisa, Robb breaks a promise he made to Walder Frey to marry one of his daughters, which leads to the Red Wedding. Stabby stabby. +8
*Renly and Margaery Baratheon
- Another arranged marriage, this time designed to unite house Tyrell with Renly's supporters. +1
- Margaery accepts her duty in life is to be married off for political gain. All she needs to do is produce a child. -1
- There's a bit of a roadblock, however, as the marriage is never consummated because Renly is gay. He tried initiating anal once, but that probably wouldn't have resulted in a child, even if she agreed. +1
- Renly cheats on Margaery with her brother Loras. +1
- Margaery, hoping to have a child, offers to invite Loras into the bedroom. It's equal parts logical and depressing, since she sees herself as a glorified prince incubator. Renly dies before this can happen. +2
*Other:
- Joffrey hasn't technically married anyone yet, but he's sure been a real Groomzilla. +2
- Remember when wedding episodes were big-event television? That's also the case with Game of Thrones but for super opposite reasons. +4
Case for Mad Men
*Don and Betty Draper
- It seems like at some point they loved each other... -3
- He cheated on her constantly. Seriously. Constantly. It's like the one thing non-fans know about the show +3
- She cheated on him with someone that looks like a younger him, which just made it creepier (and probably symbolic). +1
- Besides lying about all the cheating, Don lied about being Don. Their entire marriage operated in this lie. +2
- They get divorced. Betty is so amped to do so, she leaves two of her kids with the babysitter as she goes off to Reno to make it happen.+3
*Don and Megan Draper
- For about a year (aka one television season) they are happily married. -1
- And then poof, they're not. He goes back to his cheating ways. +3
- If cheating isn't bad enough, when he is with her, he isn't supportive of her dream to be an actress, and resents her for leaving advertising. +2
- When his affair is called off (not by him), he pays lip service to wanting to make his marriage work again. -1
- He goes off on an L.A. work trip, and attempts to try this one while staying faithful. -1
- He makes out with a woman while high, though it's possible this was a hallucination. Call that a wash. 0
*Pete and Trudy Campbell
- They get married without knowing each other very well. It's their era's version of an arranged marriage, one built on social expectations of the upper class. +1
- He cheats on her, first with Peggy. He then basically rapes an au pair, and Trudy probably knows but turns a blind eye. +3
- The Peggy hook-up results in a child that Trudy never knows about. It particular tough considering how much Trudy wants a baby. +1
- He continues to cheat on her, and Trudy largely turns a blind eye because if he keeps climbing the corporate ladder, whatever it takes is fine ... +1
- Within reason. The insult of him sleeping with a neighbor and then being caught at a whorehouse by his father-in-law is two boinks too far. She orders him out of the house. +2
*Joan and Greg Harris
- She married him despite that fact that he raped her while they were dating. +4
- That was just how much she just wanted a shot at propriety. +1
- That was thrown out the window as he enlists. It becomes clear Greg likes the Vietnam War more than her. +1
- Joan cheats on him with Roger ... +2
- ... which results in a son that she leads Greg to believe is his. +1
- He secretly reenlists, leaving her to be a single mother, so she divorces him. +2
*Roger and Mona Sterling/Roger and Jane Sterling
- We're lumping these together, because though he seemed to like each fine, it's always just about Roger. +1
- He cheated on both pretty frequently and he didn't even seem to feel bad about it. +2
- He had a child with Joan while married. +1
- He divorced Mona to marry Jane, after having an affair with her. +3
- He is currently separated from Jane. +2
*Sal and Kitty Romano
- They seem to actually like each other as people! -2
- One problem: Sal is gay. +2
- Sal cheats on her with men, because he is gay. +2
- Kitty's willful denial of Sal's homosexuality is no match for seeing him act out the Patio Cola commercial. It dawns on her that this marriage is a sham, and she's stuck with it. +3
*Other
- There have obviously been more marriages (Harry and Jennifer Crane, Lane and Rebecca Price, Betty and Henry Francis, Ted and Nan Chaough, etc.) and they all feature infidelity. (Ted's cheating was just a kiss to Peggy, but had she been ready to take the leap, he would likely have gone further.) Then add in the many women Don sleeps with (Sylvia Rosen, Bobbie Barrett). Basically, if someone has a spouse who is alive, they're either being cheated on by him/her, cheating on him/her, or both. +3
- Sure, the show didn't have a wedding in which everyone on the groom's side was brutally murdered, but don't forget that the show's one big wedding episode was interrupted by the Kennedy assassination. +2
Verdict
By a very close margin, 44 to 45, the winner is Mad Men! Sure, a bad Game of Thrones marriage ends in death, but we argue that the characters on Mad Men would probably choose death over having to staying with their spouses (Lane did choose this). Also, the Mad Men folks live in fairly modern times and, frankly, they should know better. Yet every single character gets married for shallow, selfish reasons and not surprisingly it ends terribly. Mad Men slowly wants to prove that happiness is just the moment before you need more happiness, and marriage is a good way to get a powerful hit of joy, but hardly a satisfyingly long-term fix.
Read more posts by Jesse David Fox
Filed Under: tale of the tape ,tv ,marriage ,mad men ,game of thrones
Another installment of Adam Scott's The Greatest Event in Television History aired on Adult Swim last night (watch it here), providing us with the delicious midnight snack we didn't even know we needed: a completely unnecessary remake of the opening credits of the 1979–84 series Hart to Hart. Did Scott and Amy Poehler (and don't forget about Horatio Sanz!) stick the landing? You be the judge.
Read more posts by John SellersSarah Frank
Filed Under: adam scott ,amy poehler ,adult swim ,gop ,the greatest event in television history ,side by side
Last night on Conan, Game of Thrones writer George R.R. Martin gleefully suffered through the TV series' viewer reactions to the "Red Wedding" episode. Like the proud nerd that he is, Martin chuckled at all the belated shock of his non-reader viewers. Plus: David Letterman made fun of Johnny Galecki's Joaquin Phoenix/Muppet junkie look; and bad luck had Glenn Close pied in the face not once but twice. Watch our compilation to see what you missed.
Read more posts by Caroline Shin
Filed Under: last night on late night ,glenn close ,jimmy fallon ,johnny galecki ,david letterman ,red wedding ,george r.r. martin ,game of thrones ,conan ,video
No one's ever really gone in the Sterling Cooper universe. Season one beatnik mistress Midge popped back up in season four, teaching us all a valuable lesson about the costs of heroin abuse. Duck Phillips was very present in seasons two and three, sort of faded out, and suddenly reappeared this season. Freddy Rumsen reemerged after a years-long absence. Paul Kinsey vanished and then reappeared as a Hare Krishna, with poor, dopey Harry along for part of the ride. Glen Bishop is never far from Sally's heart. Even the marginal Danny showed up again this week, and he was only on four episodes. All of this points to one question that hangs over the final three episodes of this season: Where is Sal?
Can Sal come back, please? We haven't seen him since season three's "Wee Small Hours," when Lucky Strike's Lee Garner Jr. came on to Sal, a panicked Sal balked, and Garner got vindictive and demanded his termination. But Sal was so great! Remember this scene, where his sad wife Kitty (Sarah Drew, now weeping it up on Grey's Anatomy) suddenly realizes her husband is gay?
In early seasons, Sal's closeted-ness helped amplify the themes Don embodied: That many of us live lies, that people see what they want to see, that the lens of today is different than that of yesteryear. And that sort of ran its course. But now that Don has scootched his way toward sociopath, there are themes the show's exploring through other characters that Sal's reappearance could help deepen. With Peggy, it's whether we can really be who we want to be. With Roger, it's the ways in which we overestimate other people's personal agency. And with Megan, it's a question of whether you really, truly, actually love anyone. All of those are Sal-adjacent ideas!
Hear my plea, Mad Men. Bring back Sal. Though I'd settle for Dr. Faye.
Read more posts by Margaret Lyons
Filed Under: mad men ,bryan batt ,tv ,wishes
I am so ready for the After Earth press tour to be over, so I can stop seeing and hearing about the Smiths for a while. I’ve never seen his movies (obviously), but considering Jaden Smith only knows this one facial expression, I can’t imagine he’s a very good actor.
This post is part of the For Your Inspiration Monday series showcasing the most inspiring designs out there. Each week a new artist or design style will be presented in order to get your creative juices flowing for the upcoming week. I hope you enjoy the series.
Sébastien Thibault is an illustrator based in Matane, Quebec, Candada. That is about all the info I could find on him. Apart from being shrouded in mystery, Sébastien is a wicked illustrator who’s minimal style lends itself perfectly for editorial purposes. It comes as no surprise then that his client lists included such heavy-weights as Time magazine, Wired Magazine, Boston Globe and Readers Digest to only name a few. For more inspiration check out sebastienthibault.com.
Eiko Ojala is an illustrator, graphic designer and art director based in Tallinn, Estonia who drew stunning series of 3D illustrations of landscape, portraits. His works are created digitally like paper collages and rendered in incredibly realistic manner.
REFRESH YOUR GUESS WHO! is a minimalist redesign of the original characters of the 80′s board game called “Guess Who?”
You can download the files to be printed and then customize your old game, have fun!
Finally, the Great Gatsby soundtrack is available to stream in full! There's Beyoncé's "Back to Black" cover (without those pesky tags), Jack White's emotional cover of U2's "Love Is Blindness," and Jay-Z name-checking none other than Albert Einstein in the album's opening "100$ Bill." The track listing is below to warm you up, and then NPR's got the stream.
1) "100$ Bill" - Jay-Z
2) "Back to Black" - Beyoncé x André 3000
3) "Bang Bang" - will.i.am
4) "A Little Party Never Killed Nobody (All We Got)" - Fergie + Q Tip + GoonRock
5) "Young and Beautiful" - Lana Del Rey
6) "Love Is the Drug" - Bryan Ferry with The Bryan Ferry Orchestra
7) "Over the Love" - Florence + The Machine
8) "Where the Wind Blows" - Coco O. of Quadron
9) "Crazy in Love" - Emeli Sandé and the Bryan Ferry Orchestra
10) "Together" – The xx
11) "Hearts a Mess" - Gotye
12) "Love Is Blindness" – Jack White
13) "Into the Past" - Nero
14) "Kill and Run" - Sia
Read more posts by Lindsey Weber
Filed Under: the great gatsby ,soundtracks ,now streaming ,movies ,music
Drop-front desks, also called fall-front desks, make a lot of sense in small spaces; you don’t always want to look at your work, and they take up less space than a conventional desk.
See more of this design here: Falling Danzu Desk Folds Up And Away, Takes Up Less Space
The sixth season of Mad Men, when this piece originally ran, began with Roger Sterling facing the deaths of two of his loved ones: his mother and his shoe-shine man. The normally blithe executive showed some surprising introspection (and even broke down crying), but even in a state of ennui he still was able to do what we've counted on him doing for the previous five seasons: dole out some stellar quips. The first half of season seven ended with the death of his partner and mentor Bert Cooper. Even then he had a piece of off-the-cuff gold — "I should’ve known it was near the end. Every time an old man starts talking about Napoleon, you know they’re going to die.”
Between seasons four and five, Mad Men creator Matthew Weiner anthologized many of Roger Sterling's best lines in a book, Sterling's Gold. Named after Roger’s ill-fated memoir, Sterling's Gold was full of Roger’s pithy, nihilist bile, but it left plenty of cutting quips on the cutting-room floor. It also predated season five, thus now excluding several seasons worth of Roger's wit (including his boxing color-commentary on Pete and Lane’s vanilla thrilla: “I know cooler heads should prevail, but am I the only one who wants to see this?"). So, in the interest of posterity, Vulture has compiled the authoritative canon. If Sterling's Gold was Roger's Selected Poems, think of this as the Complete Works — a kind of Roger’s Thesaurus. Now that the doors of Roger's perception have been blown wide open by LSD, there’s no telling what wisdom he’ll spout for the rest of season six, so check back for more updates soon.
Season One
"An ad man who doesn't like to talk about himself? I think I may cry." (season one, episode two)
"Psychiatry is just this year's candy-pink stove." (S1, E2)
"I think it behooves any man to toss all female troubles into the hands of a stranger." (S1, E2)
"I'll tell you what brilliance in advertising is: 99 cents. Somebody thought of that." (S1, E3)
"I bet daily friendship with that bottle attracts more people to advertising than any salary you could dream of." (S1, E4)
"Maybe every generation thinks the next one is the end of it all. Bet there are people in the Bible walking around, complaining about kids today." (S1, E4)
"I'm glad everybody can make it sound like they're working so hard." (S1, E5)
"Look, we’ve got oysters Rockefeller, beef Wellington, napoleons. We leave this lunch alone, it’ll take over Europe." (S1, E6)
"Reservations at home. I've had those. Easiest ones to break." (S1, E7)
"When a man gets to a point in his life when his name’s on the building, he can get an unnatural sense of entitlement." (S1, E7)
"At some point, we've all parked in the wrong garage." (S1, E7)
(Waving an empty bottle) "Can something be done about this sadness?" (S1, E7)
"At some point [women] lose that. That glow of pure youth. It's like they hit 30 and somebody puts out a light." (S1, E7)
"I like redheads; their mouths are like a drop of strawberry jam in a glass of milk." (S1, E7)
"You hear Pan Am, you imagine London, holed up at the Dorchester with three stewardesses. The truth is it's more like a twenty-hour boomerang flight so you can make a coupon sing in Spanish." (S1, E9)
"I've worked with a lot of men like you, and if you had to choose a place to die, it would be in the middle of a pitch." (S1, E9)
"You know, Mona had a dream once where I hit the dog with a car. She was mad at me all day, and I never hit the dog. We don't even have a dog." (S1, E10)
"The day you sign a client is the day you start losing them." (S1, E10)
"You know what my father used to say? Being with a client is like being in a marriage. Sometimes you get into it for the wrong reasons, and eventually, they hit you in the face." (S1, E10)
(On the film The Apartment) "Oh, please. A white elevator operator? And a girl at that? I want to work at that place." (S1, E10)
"It's Labor Day weekend. Between now and Monday, we have to fall in love a dozen times." (S1, E10)
"When God closes a door, he opens a dress." (S1, E10)
"I feel like I should make a speech: Get back to work." (S1, E11)
"I shall be both dog and pony." (S1, E11)
Season Two
(Duck: “Got a second?” ) "Nothing good ever started with that sentence." (S2, E1)
"Last time Freddy Rumsen had a cup of coffee, it was one of five being poured down his throat by a cop." (S2, E1)
"It's incredible what passes for heroism these days. I'd like ticker tape for pulling out of my driveway and going around the block three times." (S2, E2)
"Can I just fire everyone?" (S2, E2)
"Jets are made for dropping bombs on Moscow, not French cuisine. Although I like those little girls they have. You know, they're completely captive." (S2, E2)
(Don: “What kind of company are we going to be?”) "The kind where everybody has a summer house?" (S2, E2)
"A guy like that must know how to make a charming apology, or he'd be dead." (S2, E3)
"Nobody knows what I'm doing. It's good for mystique." (S2, E5)
"I'll tell you what I told my daughter: If you put a penny in a jar every time you make love the first year of marriage, and then you take a penny out of the jar every time you make love in the second year, you know what you have? A jar full of pennies." (S2, E5)
"Errol Flynn is gone, and so is my taste for swordplay." (S2, E6)
"I've been married for twenty years. I know the difference between a spat and spending a month on the couch." (S2, E6)
"Where did you get that sweater? I want to make sure my daughter never buys it." (S2, E7)
"I'll bet she suffers in silence out there, hoping you'll notice her. Wait until she finds out about your Cadillac. She'll be waiting naked right in front of this window." (S2, E7)
"Not to get too deep before the cocktail hour, but do I need to remind you of the finite nature of life?" (S2, E7)
"I can see someone wanting to reprimand you seriously. But firing? Seems a little permanent." (S2, E7)
(Introducing Duck Phillips and Crab Coulson) "Crab, Duck. Duck, Crab." (S2, E8)
(To Freddy Rumsen) "There's a line, Freddy. And you wet it." (S2, E9)
(On Mrs. Cooper's two-headed mink stole) "Alice. I'm sorry, I don't know whose eyes to look at." (S2, E12)
Season Three
"I have Stolichnaya and Cuban cigars. Sent them from Greece. Should've tried a pound of opium." (S3, E1)
"I told him it was a stupid idea, but they don't always get our inflection." (S3, E1)
(On Lane’s suit of armor) "You ever get three sheets to the wind and try that thing on?" (S3, E2)
(On pregnant Betty) "Oh, look. Princess Grace just swallowed a basketball." (S3, E2)
"It's a mistake to be conspicuously happy. Some people don't like it." (S3, E3)
"Let me put it in account terms: Are you aware of the number of hand jobs I'm going to have to give?" (S3, E5)
"I don't know if anybody's ever told you that half the time, this business comes down to 'I don't like that guy.'" (S3, E5)
"My father was the tallest, handsomest, vainest man in New York, and he got his nails done. He had his fourth coronary behind the wheel and hit a tree. The windshield severed his arm, and he was dead, so they never put it back on. In the casket he had one hand. The nails were perfect." (S3, E6)
(After the lawnmower accident) "Jesus, it's like Iwo Jima out there. We should put a rubber mat down so Cooper can get around." (S3, E6)
(Paul Kinsey: “He might lose his foot.”) "Right when he got it in the door." (S3, E6)
(On the lawnmower incident.) "Believe me, somewhere in this business, this has happened before. (S3, E6)
"It's called Confessions of an Ad Man. Please. It's the book everybody writes, only he got it published. It should be called 1,000 Reasons I'm So Great." (S3, E7)
(To Don) "What do you think Accounts does, besides limit your brilliance?" (S3, E9)
"Look, Annabelle, we were not in Casablanca. The only similarity is that you left me for another man. That woman got on the plane with a man who was going to end World War II, not run her father's dog-food company." (S3, E11)
(To Mona, regarding their daughter) "Tell the bride that everything is copacetic. We both agree that she's nuts and she should shut up." (S3, E12)
"Mona, you're a lioness. And thank you for resisting the urge to eat your cub." (S3, E12)
(About Jane, after Kennedy's death) "She's obsessed. It's the most interest that girl's ever had in a book depository." (S3, E13)
"I know you're sniffing around because I have a golden pork chop dangling from my neck." (S3, E13)
"Have another. It's 9:30, for God's sake." (S3, E13)
"Well, it's official. Friday, December 13, 1963: Four guys shot their own legs off." (S3, E13)
"Look, they still have a picture of Kennedy up. Although what are they going to do, take it down and put up Lyndon Johnson?" (S3, E13)
Season Four
"My uncle lost his leg hitching a trailer. He used to ask me to scratch his toes. He didn't have any." (S4, E1)
"A wooden leg! They're so cheap, they can't even afford a whole reporter." (S4, E1)
"See her this weekend. You hit it off, come Turkey Day, maybe you can stuff her." (S4, E1)
(On visiting businessmen) "I love how they sat there like a couple of choirboys. You know one of them is leaving New York with VD." (S4, E1)
"You know, no one who's ever been associated with an actual event has though it's been portrayed honestly in the newspaper." (S4, E1)
(On his monochrome office redesign) "Jane got a decorator. I feel like, with my hair, you can't even see me in here." (S4, E2)
"If Lee Garner Jr. wants three wise men flown in from Jerusalem, he gets it." (S4, E2)
"I pity him, marooned in that sea of bikinis." (S4, E2)
"My father used to say this is the greatest job in the world except for one thing: the clients." (S4, E2)
"See, I would never buy a sailboat. I don't want to do things myself. For that price, the boat should have a motor." (S4, E4)
(On Secor Laxative’s decision to buy television ads) "How'd you ease them into it? Must've had to loosen them up first." (S4, E5)
"Have a drink. It'll make me look younger." (S4, E5)
"I told him to be himself. That was pretty mean, I guess." (S4, E6)
"I can't say I know my furs that well. I know my mother had a chinchilla; I was always on the verge of a romantic relationship with it." (S4, E6)
(Woman in bar: “Is that Don Draper? Is he attached?”) "To that glass? Absolutely." (S4, E6)
"My mother always said, be careful what you wish for, because you'll get it, and then people get jealous and try to take it away from you." (S4, E6)
(Don: “I'll buy you lunch.”) "I'm stuffed. I had a jar of olives." (S4, E6)
(To Joan, at the Clio Awards) "So you're really gonna leave me alone with all these naked gold women?" (S4, E6)
"I'm going to count to three, and then I'm gonna start saying a lot of words you don't like, sweetheart." (S4, E7)
(After hiring a masseuse for Joan) "I knew I was rubbing you the wrong way, so I thought, why not have someone rub you the right way?" (S4, E9)
(Joan: “I brought you bear claws.”) "Caroline won't let me have one, unless it's on the end of a real bear." (S4, E9)
"Dammit, I don't want to die in this office … If it looks like I'm going, open a window. I'd rather flatten the top of a cab." (S4, E9)
(On Ida Blankenship) "She died like she lived: surrounded by the people she answered phones for." (S4, E9)
"Well, I gotta go learn a bunch of people's names before I fire them." (S4, E12)
Season Five
"When you're done with him, just fold him up and slide him under the door." (S5, E1)
(Harry: “It's a Steinway walking stick.”) "You could stick it up your ass and have a concert." (S5, E1)
"Look at you, delivering drinks. We should get you a pair of roller skates." (S5, E1)
"As a wise man once said, the only thing worse than not getting what you want is someone else getting it." (S5, E1)
"She's a great girl. They're all great girls. At least until they want something." (S5, E2)
(On the baby he fathered with Joan) "Oh no? He's a loafer?" (S5, E2)
"Has anyone even seen this baby with you walking next to him?" (S5, E2)
"Is it just me, or is the lobby full of Negros?" (S5, E2)
"Baked beans and the Rolling Stones: a client's idea if I ever heard one." (S5, E3)
"I want you to bring me a good-looking version of Don." (S5, E3)
"I had drinks with Mohawk. I sat down with two of them, and I swear by the end there were three." (S5, E3)
"My wife likes fur, but you don't see me growing a tail." (S5, E5)
(On discovering that a Jaguar executive was caught with chewing gum “on his pubis”) "What, did she just put it there and forget about it?" (S5, E5)
(On Lane, challenging Pete to a fight) "I know cooler heads should prevail, but am I the only one who wants to see this?" (S5, E5)
"Did you ever hear the one about the farmer’s daughter? This is where it all takes place." (S5, E6)
"Don, come on. Alone, I’m an escapee from some expensive mental institution." (S5, E6)
"But the two of us are a couple of rich, handsome perverts." (S5, E6)
"I’m supposed to have dinner with Jane’s snooty friends, sit around talking about Frank Lloyd Rice. I always say it that way. They hate it." (S5, E6)
"Who knows why people in history did good things? For all we know, Jesus was trying to get the loaves and fishes account." (S5, E7)
(Sally: “You're wrecking the speeches.”) "You're a mean drunk. You know that?" (S5, E7)
"Jane wanted a baby, but I thought, why do that to somebody?" (S5, E8)
"How Jewish are they? You know, Fiddler on the Roof: audience or cast?" (S5, E9)
"You know, it’s sacrilege to say this, but Pearl Harbor was an act of genius. The only thing they didn’t plan for was success. The Japs won and they didn’t know what to do with it." (S5, E10)
"Are you gonna tell me what you're going to talk about, or is my look of surprise part of the sales pitch?" (S5, E12)
(After Don's meeting with Dow Corning) "I'll buy you a drink if you wipe the blood off your mouth." (S5, E12)
"Stop being demure. You're already on the bed." (S5, E13)
Season Six
(After Don returns from Hawaii) "Hello, Don Ho. You have a blue drink in the white sand? Ernest Borgnine chase you down the alleyway with a switchblade?" (S6, E1)
(Re: His mother's funeral) "I looked out on that crowd, and all I saw was a bunch more women I disappointed." (S6, E1)
"I'm afraid she left everything to the zoo. She's making them name the animals ... Her will looked like the manifest from Noah's ark." (S6, E1)
"You know, I used to jump off mountains, and it never occurred to me that I had this invisible parachute." (S6, E1)
(To psychiatrist) "I'm just acknowledging that life, unlike this analysis, will eventually end, and someone else will get the bill." (S6, E1)
"You know, we sold actual death for 25 years with Lucky Strike. You know how we did it? We ignored it." (S6, E1)
"What are the events in life? It's like, you see a door. The first time you come to it, you say, 'Oh, what’s on the other side of the door?' Then you open a few doors and then you say, 'I think I want to go over a bridge this time. I’m tired of doors.' Finally you go through one of these things, and you come out the other side, and you realize that’s all there are: doors! And windows and bridges and gates. And they all open the same way. And they all close behind you. Look, life is supposed to be a path, and you go along, and these things happen to you, and they’re supposed to change your direction, but it turns out that’s not true. Turns out the experiences are nothing. They’re just some pennies you pick up off the floor, stick in your pocket, and you’re just going in a straight line to you-know-where." (S6, E1)
(On Don vomiting) “He was just saying what everybody else was thinking.” (S6, E2)
“I'm afraid she left everything to the zoo. She's making them name the animals ... Her will looked like a manifest from Noah's Ark.” (S6, E2)
(On Don’s Sheraton Hawaii pitch) “What's the matter? You didn't get all your vomiting done at my mother's funeral?” (S6, E2)
“That was the deftest self-immolation I've ever seen.” (S6, E3)
(On the MLK shooting) “The man knew how to talk. I don't know why, but I thought that would save him.” (S6, E5)
“I'd live in my car if I could. You know, with her in the backseat navigating.” (S6, E6)
“Isn't there a section of this meeting called ‘good news’?” (S6, E6)
“Remember Ken Cosgrove? Like a six-foot version of Alan Ladd?” (S6, E6)
(Burt Peterson: You're a prick, you know that?) “Damn it, Burt, you stole my good-bye.” (S6, E6)
“Why don't you take a nap? Your face looks like a bag of walnuts.” (S6, E8)
“They're Lincoln Logs. Thought maybe he'd build his mother a house.” (S6, E9)
“Sunkist, Carnation, the avocado people: My biggest job in these meetings is to keep them from saying ‘golly’ too many times.” (S6, E11)
“Be slick. Be glib. Be you.” (S6, E11)
“We're conquistadors. I'm Vasco de Gama and you're ... some other Mexican. We're gonna land there, buy whatever they've got for the beads in our pockets. Our biggest challenge is to not get syphilis.” (S6, E11)
(Harry: It’s a dry heat.) "It's a dry heave.” (S6, E11)
“Big accounts require a golf-and-dining offensive.” (S6, E11)
(Danny Siegel: I know these lugs from my days in advertising.) “More like a day, wasn't it?” (S6, E11)
“What are you gonna do when you fail here, keep going west? Japan's a long walk for those little legs.” (S6, E11)
“You know, I was a boxer. There's nothing like finding that magic spot that'll drop a man to his knees. You know, unless he's already starting there.” (S6, E11)
“Are you tripping? I've done it five times. So if you're trying to see through me, just know that I am this handsome and this rich.” (S6, E11)
(On his California trip) “It was a series of busts, and not the kind I like.” (S6, E11)
(On Ken Cosgrove) “I'd listen to the cyclops, Pete.” (S6, E12)
“Well you know what they say about Detroit: it's all fun and games till they shoot you in the face.” (S6, E13)
(Bob: I assure you I'm not involved with Joan. We're just buddies.) “Joan's known for having a lot of buddies. They go fishing together.” (S6, E13)
Season Seven
(Toasting his daughter) “To the fear of an ambush.” (S7, E1)
“Well, the snow’s melted, but not the hearts of New Yorkers. I just had some old lady call me a kike.” (S7, E2)
“Sign them, right away. Sit in his yard with a pen if you have to.” (S7, E2)
“That’s a nice offer. They’re really trying to make it sound like it’s not a demotion.” (S7, E3)
(On hiring Don) “I guess you forgot I found you at the bottom of a fur box.” (S7, E3)
“You were a disaster. We did you a favor. The man who talked to Hershey? I’ve seen that man wandering the streets with a sandwich board saying ‘The end is near.’” (S7, E3)
“That’s my name on the door out there. This is my agency. I’m the president of this agency, I don’t have to ask anybody anything. You know what? I call a holiday for the whole office right now.” (S7, E3)
“We’re getting a computer. It’s gonna do lots of magical things, like make Harry Crane seem important.” (S7, E4)
(Mona: Margaret’s run away.) “To where? Bergdorf’s?” (S7, E4)
(After a hippie passes him a joint) “Now I see why we’re eating so early.” (S7, E4)
“With all the brainpower around here? I’m certain you’ll put a man on the roof.” (S7, E4)
(Jim Hobart: It’s run by morons.) “A lot of companies succeed that way. Look who I’m talking to.” (S7, E6)
(On rival firm McCann Erikson) “When we grow up, we’re gonna kill you and marry your wife.” (S7, E6)
“The New York Athletic Club frowns on people making advances in their steam room. I was kidding around, but — I think you’re making eyes at me. I’m gonna go get a massage and relieve some of this tension.” (S7, E6)
(Jim Cutler: Ah, good you’re still here.) “That’s your opinion.” (S7, E6)
“Did you see we landed on the moon? Neil Armstrong, what are you going to do with the rest of your life? Screw every girl in Florida, I guess.” (S7, E7)
“Poor Bert. I should’ve known it was near the end. Every time an old man starts talking about Napoleon, you know they’re going to die.” (S7, E7)
“Cutler’s not gonna stop until the firm is just Harry and the computer.” (S7, E7)
“We finally turned this place into a threat, and they’d like to neutralize it with cold, hard cash.” (S7, E7)
Read more posts by Gwynne Watkins
Filed Under: tv ,vulture lists ,mad men ,vulture compendiums
Eliana.iniguezNo lo hagan.
Breaking Bad's Vince Gilligan has been talking about a potential Better Call Saul spinoff for a while, but it never seemed like a serious possibility. Until now! Apparently AMC and Sony are earnestly"exploring" a possible show about the shady and wonderful lawyer Saul Goodman, according to Deadline. Gilligan and BB writer-producer Peter Gould are hashing out details, and reportedly a half-hour comedy version is one of the options on the table. Yes, you read that right: It's possible the Saul spinoff will be a half-hour comedy. On the one hand, yay, a Bob Odenkirk weird comedy, and more Saul! It's like a reverse Lou Grant! But on the other (handcuffed) hand, here be dragons: Can any show really flourish in Breaking Bad's shadow?
Read more posts by Margaret Lyons
Filed Under: breaking bad ,spinoffs ,better call saul ,tv ,bob odenkirk
Now that Jimmy Fallon is definitely taking over The Tonight Show next year, Alec Baldwin and NBC have kindled what Media Decoder calls a "mutual interest" in Baldwin attaining some late-night real estate. The speculation is that Baldwin would get the time slot where Last Call with Carson Daly currently resides. "Taking on a half-hour late-late night program won’t be as time consuming as hosting an hourlong show like Tonight or Late Night, allowing Baldwin to take acting jobs," Deadline notes.
Read more posts by Zach Dionne
Filed Under: late night wars ,tv ,alec baldwin ,nbc