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23 Sep 19:14

Mother Nature invented the gear

by Jason Kottke

Nature Gears

Scientists have discovered that an insect has evolved something like a gearbox to coordinate its leg movements while jumping. That's right, nature invented mechanical gears before man got around to it.

The gears in the Issus hind-leg bear remarkable engineering resemblance to those found on every bicycle and inside every car gear-box.

Each gear tooth has a rounded corner at the point it connects to the gear strip; a feature identical to man-made gears such as bike gears -- essentially a shock-absorbing mechanism to stop teeth from shearing off.

The gear teeth on the opposing hind-legs lock together like those in a car gear-box, ensuring almost complete synchronicity in leg movement -- the legs always move within 30 'microseconds' of each other, with one microsecond equal to a millionth of a second.

This is critical for the powerful jumps that are this insect's primary mode of transport, as even minuscule discrepancies in synchronisation between the velocities of its legs at the point of propulsion would result in "yaw rotation" -- causing the Issus to spin hopelessly out of control.

"This precise synchronisation would be impossible to achieve through a nervous system, as neural impulses would take far too long for the extraordinarily tight coordination required," said lead author Professor Malcolm Burrows, from Cambridge's Department of Zoology.

Tags: biology   evolution   science
11 Sep 17:11

Saturday Morning Breakfast Cereal - Holmes

by admin@smbc-comics.com

Hovertext: Still, this is the most current reference I've made all week.


New comic!
Today's News:

Only 20 general admission tickets left :) Thanks, geeks! 

04 Sep 12:54

Fleurs by Serge Gladky

by John

gladky01.jpg

More from the Glasgow School of Art book collection at the Internet Archive. Fleurs (1929) by Serge Gladky might be described as flowers à la mode, with the mode being Art Deco on the one hand and late Cubism on the other. Twenty-six plates present a variety of floral motifs and designs with some very striking arrangements of shapes and colours. Gladky produced a lot of work in this style, examples of which can be found in a Dover collection, Jazz Age Art Deco.

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Previously on { feuilleton }
Art Deco bindings
Prismes
The art of Thayaht, 1893–1959
The Mentor
The art of Cassandre, 1901–1968
The Decorative Age
The World in 2030

23 Aug 23:55

Photo

by marieevagatuingt


07 Aug 00:06

I’m especially intrigued by use #13 – a twitter fav...



I’m especially intrigued by use #13 – a twitter fav meaning “this is now the end of the conversation,” which I’ve definitely used myself. I’ve also noticed this same use of a like in a facebook comment thread. I’d say it’s less common on tumblr because there’s no threading or separate likes, but I think you can use it sometimes if you’ve got a series of reply or ask posts. 

At any rate, it’s an elegant solution to the fact that we don’t want to bid each other farewell at the end of every short interchange, but it’s still weird to leave someone hanging, wondering if they’ve even seen your last message and if they’re going to reply – a fav and no reply within a few minutes acknowledges that they’ve seen your message and that they could have replied but didn’t, so the conversation is now concluded. 

How else would you use a fav, like, heart, +1, etc for conversational purposes? 

01 Aug 19:36

Horse Skull Disco

by Geoff Manaugh
[Image: Horse skull via Wikimedia].

If you're looking to install a new sound system in your house, consider burying a horse skull in the floor.

According to the Irish Archaeological Consultancy, the widespread discovery of "buried horse skulls within medieval and early modern clay floors" has led to the speculation that they might have been placed there for acoustic reasons—in other words, "skulls were placed under floors to create an echo," we read.
Ethnographic data from Ireland, Britain and Southern Scandinavia attests to this practice in relation to floors that were in use for dancing. The voids within the skull cavities would have produced a particular sound underfoot. The acoustic skulls were also placed in churches, houses and, in Scandinavia especially, in threshing-barns... It was considered important that the sound of threshing carried far across the land.
They were osteological subwoofers, bringing the bass to medieval villages.

It's hard to believe, but this was apparently a common practice: "the retrieval of horse skulls from clay floors, beneath flagstones and within niches in house foundations, is a reasonably widespread phenomenon. This practice is well attested on a wider European scale," as well, even though the ultimate explanation for its occurrence is still open to debate (the Irish Archaeological Consultancy post describes other interpretations, as well).

Either way, it's interesting to wonder if the thanato-acoustic use of horse skulls as resonating gourds in medieval architectural design might have any implications for how natural history museums could reimagine their own internal sound profiles—that is, if the vastly increased reverberation space presented by skulls and animal skeletons could be deliberately cultivated to affect what a museum's interior sounds like.

[Image: Inside the Paris Natural History Museum; photo by Nicola Twilley].

Like David Byrne's well-known project Playing the Building—"a sound installation in which the infrastructure, the physical plant of the building, is converted into a giant musical instrument"—you could subtly instrumentalize the bones on display for the world's most macabre architectural acoustics.

(Via @d_a_salas. Previously on BLDGBLOG: Terrestrial Sonar).
04 Jun 22:46

The kindergarten class in the forest

by Jason Kottke

Eliza Minnucci teaches a kindergarten class in Quechee, Vermont and every Monday, her students spend the entire school day outside in the forest. The results have been more than encouraging. I love this anecdote about what the forest setting can provide for students of all temperaments and abilities.

When Minnucci started this forest school experiment two years ago, she knew it would be good for the rowdy boys who clearly need to run around more than the typical school day offers.

What she didn't expect is how good it would be for the kids who can sit still and "do" school when they're 5 years old. She gives the example of a boy last year.

Inside the classroom, he was one of her best students. But when he got outside and kids were climbing a tree, he couldn't get very high. "I think he was a little surprised to not be meeting his peers' ability," says Minnucci.

Then, partway up the tree, he fell. And got a bit scraped up. "I felt terrible," Minnucci says. "I thought, 'Oh this poor guy. He failed.'"

But two weeks later, when the kids were climbing the tree again, he looked over at them. "I want to try the tree," he said.

"And he went to the tree and he got higher than he'd been before and he was beaming," says Minnucci. "And I thought, 'Oh, this good, this is good!' This is a kid who may have gone so far before he met challenge that he wouldn't have known what to do when he got there."

Kids who are good at school need to understand there's more to life than acing academics, says Minnucci. And students who aren't excelling at the academic stuff need to know there's value in the things they are good at. Doing school in the forest offers "something really important" to everyone, she says.

(via @riondotnu)

Tags: education   Eliza Minnucci   parenting   Vermont
04 Jun 18:11

Saturday Morning Breakfast Cereal - This House is MINE!

by admin@smbc-comics.com

Hovertext: How come we never hear this argument in the mainstream media?


New comic!
Today's News:
28 May 14:52

Art history in contemporary life

by Jason Kottke

Alexey Kondakov takes figures from classical paintings, places them in contemporary scenes, and posts the results on Facebook. Think of cherubs riding the subway, that sort of thing.

Alexey Kondakov

Alexey Kondakov

(via colossal)

Tags: Alexey Kondakov   art   remix
07 May 16:16

Summer 2015: The Northwest's Global Warming Stress Test

by Cliff Mass
By the end of the summer, we will know whether the Pacific Northwest is ready to deal with global warming.   And if not, what we need to do to prepare.  A virtual climate stress test.

As I have noted in a previous blog, our winter and spring have brought weather conditions that are stunningly close to those expected to be normal by the end of the century.

In short, this winter we were much warmer than normal, with near normal precipitation and far below normal snowpack.

For example, during our core winter months, temperature over our region was roughly 2-6F warmer than normal, and over the past year we were 2-4F above normal.
In contrast, our precipitation over the water year (since October 1) has been near normal (yellow/green colors, see graphic)

And our snowpack has been abysmal, with the Washington Cascades currently at around 20% of normal, the Olympics at 1% of normal, and only the mountains of NE Washington as high as 50%.

According to regional climate simulations run at the University of Washington and the analyses of the UW Climate Impacts Group, these conditions are close to what is expected around 2070.

So the central question is:   is our society ready for 2070 conditions, today in 2015?

We are about to experience a climate change stress test.  How will we manage?

With so little snowpack, will there be enough water for personal use and agriculture?
Will there be major destructive wildfires?
Will salmon and other wildlife be hurt by low summer streamflow?

By the end of the summer we will know....

The latest model forecasts suggest we not only start with 2070 spring conditions, but this summer will be warmer than normal.  For example, the latest NOAA Climate Forecast System model forecasts for June-July-August are for surface air temperatures of 1-2 C (2-4 F) above normal.
Adaptation measures

Our local, state, and Federal officials are pulling out the stops to prepare us for 2070 conditions.  As I mentioned in an earlier blog, Seattle Public Utility managers very wisely brought the levels of the Tolt and Chester Morse reservoirs way, way UP during the winter rains, thus making up for the lost snowpack in late spring and early summer (the red line is this year's reservoir storage, green is last year, and blue is average).  Even without much snowpack, the city has enough water to get through the summer.  That is resilience.


The biggest water fears are in the Yakima Basin, where there is insufficient storage to get through an entire summer without snow melt.   But there ,the U.S. Bureau of Reclamation did something daring: they decided early in the winter not to worry about potential flood risk and begin filling the reservoirs much earlier than ever before.   A week ago, they essentially had them all at 100%, something never done this early in the season.  

The graphic below shows the total storage of the 5 major Yakima reservoirs (blue line) compared to last year (green) and an average year (red).   They topped off the reservoirs near the max MONTHS before normal.  Daring and smart.  There will still be water shortages on the Yakima, but nothing compared to what would have happened if the Bureau of Reclamation didn't act so proactively.

The Columbia River flows will be low, but not near any records because the snowpack in BC was much higher and the Columbia drains off of colder, higher elevations there.

Governor Inslee's drought declaration should enable some farmers to tap well water and to purchase water from those with senior rights.  More help for adaptation to the 2070 climate.

Will there be excessive wildfires?  My colleagues in the U.S. Forest Service are not sure.  True, warm weather help dry surface "fuels", but will there be much lightning, an important initiator of many of our conflagrations?  Might the high pressure that has brought the warmth and low snowpack decrease the lightning frequency, reducing fires?

Although it may not be politically correct to say this, might  we find that 2070 weather has some positives?  Like a longer hiking season?  Less bugs in the mountains? More pleasant temperatures though most of the year?  Lower winter heating bills?  Less seasonal affective disorder?  Less avalanche injuries?   Forget I said it.

In short, we will soon learn whether our region, taking some aggressive steps to deal with the unusual snowpack and temperatures, is ready to take on the climate of 2070.    Scary perhaps, but a fascinating experiment.    And if we do have major problems, we will have insights into what we need to fix before 2070 is upon us and particularly our children and grandchildren.

04 May 23:59

Treasure trove of over 1700 mechanical animations

by Jason Kottke

Whenever I watch videos of how things are made, I marvel at the cleverness of the manufacturing machines. Retired engineer Duc Thang Nguyen has created over 1700 3D animations showing how all sorts of different mechanisms work...gears, linkages, drives, clutches, and couplings. Here are a few examples to whet your appetite.

(via make)

Tags: Duc Thang Nguyen   how to   video
04 May 00:19

Wizards and warriors, part two

by ericlippert

In this series we’re exploring the problem “a player can use a weapon, a wizard is a kind of player, a staff is a kind of weapon, but a wizard can only use a staff”. The best solution we’ve come up with so far is to throw a conversion violation at runtime if the developer makes a mistake, which seems less than optimal.

Attempt #3

abstract class Player 
{
  public Weapon Weapon { get; set; }
}

sealed class Wizard : Player
{
  public new Staff Weapon 
  {
    get { return (Staff)base.Weapon; }
    set { base.Weapon = value; }
  }
}

This has the nice property that if you have a Wizard in hand, the public surface area now gives you a Staff when you fetch the Weapon, and the type system prevents you from assigning a Sword to the Weapon of the Wizard.

But it has some not-so-nice properties. We’re still in violation of the Liskov Substitution Principle: if we have a Player in hand then we can assign a Sword to its Weapon without failure:

Wizard wizard = new Wizard();
Player player = wizard;
player.Weapon = new Sword(); // Fine
Staff staff = wizard.Weapon; // Boom!

In this version the exception happens when we try to take the Wizard‘s staff! This sort of “time bomb” exception is really hard to debug, and it violates the guideline that a getter should never throw.

We could fix that problem like this:

abstract class Player 
{
  public Weapon Weapon { get; protected set; }
}

Now if you want to set the weapon you need to have a Wizard in hand, not a Player, and the setter enforces type safety.

This is pretty good, but still not great; if we have a Wizard and a Staff in hand but the Wizard is in a variable of type Player then we need to know what to cast the Player to in order to do what is a legal property set, but is not allowed on Player. And of course the same problem exists if the Staff is in a variable of type Weapon; now we have to know what to cast it to in order to do the property set. We have not actually gained much here; there are still going to be conversions all over the show, some of which may fail, and then the failure case has to be considered.

Attempt #4

Interfaces! Yeah, that’s the ticket. Every problem with class hierarchies can be solved by adding more abstraction layers, right? Except maybe the problem “I have too many abstraction layers.”

interface IPlayer 
{
  Weapon Weapon { get; set; }
}

sealed class Wizard : IPlayer
{
  Weapon IPlayer.Weapon 
  {
    get { return this.Weapon; }
    set { this.Weapon = (Staff) value; }
  }
  public Staff Weapon { get; set; }
}

We’ve lost the nice property that we have a convenient container for code common to all players, but that’s fixable by making a base class.

Though this is a popular solution, really we’re just pushing the problem around rather than fixing it. Polymorphism is still totally broken, because someone can have an IPlayer in hand, assign a Sword to Weapon, and that throws. Interfaces as we’ve used them here are essentially no better than abstract base classes.

Attempt #5

It’s time to get out the big guns. Generic constraints! Yeah baby!

abstract class Player<TWeapon>  where TWeapon : Weapon
{
  TWeapon Weapon { get; set; }
}
sealed class Wizard : Player<Staff> { }
sealed class Warrior : Player<Sword> { }

This is so awful I don’t even know where to even begin, but I’ll try.

First off, by adding parametric polymorphism we have lost subtype polymorphism completely. A method can no longer take a player; it must take a-player-that-can-use-a-particular-weapon, or it must be a generic method.

We could solve this problem by making the generic player type inherit from a non-generic player type that doesn’t have a Weapon property, but now you cannot take advantage of the fact that players have weapons if you have a non-generic player in hand.

Second, this is a thorough abuse of our intuition about generic types. We want subtyping to represent the relationship “a wizard is a kind of player” and we want generics to represent the relationships “a box of fruit and a box of biscuits are both kinds of boxes, but not kinds of each other”. I know that a fruit basket is a basket of fruit, but I see “a wizard is a player of staffs” and I do not know what that means. I have no intuition that the generics as we have used them here mean “a wizard is a player that is restricted to using a staff.”

Third, this seems like maybe it will not scale well. If I want to also say “a player can wear armor, but a wizard can only wear robes”, and “a player can read books, but a warrior can only read non-magical books”, and so on, are we going to end up with a half-dozen type arguments to Player?

Attempt #6

Let’s combine attempts 4 and 5. The problem arises when we try to mutate the weapon. We could make the player classes immutable, construct a new player every time the weapon changes, and now we can make the interface covariant. Though I am a big fan of immutable programming, I don’t much like this solution. It seems like we are trying to model something that is really mutable in code, and so I like having that mutation represented in the code. Also, it’s not 100% clear how this solves the problem; if we have a player in hand that we are cloning then we still need some way to prevent a new wizard from being created with a sword.

Oh, yeah, one other thing. Seeing Aragorn with his arsenal there reminded me, did I mention earlier that wizards and warriors can both use daggers?

Maybe your users always tell you the exact business domain constraints perfectly accurately before you start coding every project and they never change in the future. Well, I’m not that kind of user. I need the system to handle the fact that wizards and warriors can both use daggers, and no, daggers are not “a special kind of sword”, so don’t even ask.

Attempt #7

Plainly what we need to do here is combine all the techniques we’ve seen so far in this episode:

sealed class Wizard : 
  IPlayer<Staff, Robes> , 
  IPlayer<Dagger, Robes>
{ ...

I can’t bear to finish. I think just writing that little bit took an extra few minutes off my life.

Next time on FAIC: We’ll leave the staves-and-swords problem aside for the moment and consider some related problem in class hierarchy design: suppose a paladin swings a sword at a werewolf in a church after midnight. Is that a concern of the player, monster, weapon or location classes? Or maybe some combination of them? And if the types of none of them are known at compile time, what then?


13 Apr 01:27

The rail refresher

by Jason Kottke

Meet the enormous machine that refreshes railroad tracks (rails, ties, gravel) with minimal human involvement. Fun to see the infrastructure behind the infrastructure.

Not even John Henry would stand a chance against this behemoth.

Tags: video
28 Mar 21:00

Unconventional Sports Require Unconventional Spaces and Landscapes

by Geoff Manaugh
[Image: Pier Two Athletic Center by Maryann Thompson Architects, Brooklyn; via Architizer].

Unconventional sports...

A profile of Reebok published the other week on Bloomberg Business—which you needn't read, unless you are really into either shoe design or the global fitness industry—there's a brief but interesting observation about what people seem to want to do these days, in terms of physical activity.

Not exercise, as such—which is the wrong way to think about it—but physically moving through space together and having a good time.

The article points out the obvious, for example, that CrossFit is on the rise, and that things like Tough Mudders, Spartan Races, etc., are all gaining in popularity; to this, I would also add climbing, which—based on my own entirely unscientific observations—appears to be undergoing its own boom time, at least gauged by the madhouse of over-attendance you often see at local climbing gyms in the hour after school gets out, turning a place like my local Brooklyn Boulders into an awesome new kind of home away from home for many local teenagers.

The article calls these "unconventional sports," and they don't require the traditional gym set-up. They require unconventional spaces and landscapes.

This is thus at least partially a question of design.

[Image: Via Brooklyn Boulders].

...require unconventional spaces and landscapes

The new emphasis is on "social fitness," the article claims—but I'd say that even that phrase misses the primary motivation, which is really just screwing around with your friends, doing something fun, extreme, memorable, a little crazy, and simply different.

It means something that gets your heart rate up, lets you run around or climb on things for no reason to blow off steam, and that turns your immediate spatial environment into a place of often berserk new physical opportunities—another way of saying that you can literally climb the walls.

It's like The Purge meets phys ed—not just "exercise," with all the moral overtones of such a misused word.

[Image: Via CrossFit].

“We’ve seen a real shift in the fitness world away from using heavy equipment like treadmills and stair climbers and toward much more social, class-based fitness—Zumba, Pilates, yoga, CrossFit,” an analyst named Matt Powell explains to Bloomberg Business. “These activities are really ramping up. So for a brand to stake out the fitness activity as their cornerstone makes a lot of sense right now.”

He's talking about Reebok exploring new shoe designs made specifically for CrossFit and other forms of unconventional training apparel—but I'm genuinely curious what the architectural implications are in such a shift. Put another way, if Reebok was an architecture firm in charge of high school gymnasiums, what would this corporate revelation do to their spatial products? If what people physically do together has shifted toward the social, how might school gyms follow suit?

This isn't just idle, Archigram-meets-Gold's-Gym speculation. It we want to reverse the utterly insane trend toward removing gym class from children's educational experiences, then it's 100-times more likely that we'll be able to do so not by cracking the whip harder and turning schools into militarized boot camps, but by designing spatial environments in which kids can do the things they actually want to do, where "exercise" is just a beneficial side-effect.

Even if that means adding BMX tracks, parkour competitions, trapeze routines, or—why not?—afternoon mud fights.

[Image: Via Clif Bar].

"Recess has been reduced or eliminated in many schools"

As Kaiser Permanente has pointed out, "the trend line for physical activity and education in schools is headed downward. As of 2006, only 4 percent of elementary schools, 8 percent of middle schools, and 2 percent of high schools nationwide provided daily physical education. Even recess has been reduced or eliminated in many schools." This is horrifying.

Yet, if you stop by a place like the aforementioned Brooklyn Boulders on a weeknight, you'll see not only that the place is often packed with teenagers who are as stoked as hell to be out of the classroom, doing weird physical things together, but that, awesomely, it's often the very kids most often stereotyped as not giving a crap about exercise who are there hanging out and literally climbing the walls.

How can it be that gym class—or, more broadly speaking, physical activities in American schools—are so out of touch with what kids actually want to do these days that kids need to make a bee-line to the nearest climbing gym to burn off all their energy?

Is this purely a liability issue—because everyone's perfect angel might scrape a knee—or has there been a failure of spatial imagination amongst the people building gyms and playgrounds today?

[Images: Ray's MTB].

Just think of the underground bike park in Louisville or even just a local skatepark—or, for that matter, any of the more youth-oriented playgrounds I wrote about a few years ago for Popular Science.

In fact, just the other week, my wife and I were learning how to do 40-foot high falls off of scaffolding inside a warehouse over in Greenpoint as part of this random stunt-training thing we did. We were in a cavernous room full of huge mats, climbing walls, an oversized trampoline, and all sorts of other random things, like swords—and, what do you know, but there were also tons of kids of there, from the genuinely young to teenagers going through the most awkward phase of teenagerness, and there was no evidence on display that we live in a world where kids don't want to do weird physical things together.

In other words, most people do want to "get exercise," as it is unfortunately and rather Calvinistically known; they just want to do in a way where it's a side-effect of having fun.

[Images: "Mega Bike" at the Louisville Mega Cavern; photos courtesy Louisville Mega Cavern].

"I will be multifaceted"

Outdoor design consultant Scott McGuire of The Mountain Lab said something really interesting in a long interview published here back in 2013. McGuire suggested that "sport specificity" is being thrown out the window these days in favor of a general state of pure physical activity. Or, in his words:
When I grew up, you were a surfer or you were a skater or you were a climber or you were a road biker. But kids today don’t think anything like that—they think, "I do all of those things! Why would I not be someone who is a skier who’s also into bouldering who’s taking up trail running and who competes in Wii dance competitions? Why can’t I be that person?" There’s a sense that I will be whoever I want to be, whenever—and, of course, I will be multifaceted.
McGuire went on to suggest, similar to the Bloomberg Business article cited above, that "this is a generation who don’t see why they can’t leave the trail, go to town, have lunch, and go to the skate park and skate all afternoon, and not change gear. But the outdoor industry is having a hard time reconciling that."

But, crucially, architects are having a hard time reconciling that, too. The spatial environments currently being designed and built to foster "exercise," or physically engaged play, today rarely correspond to the activities people seem most excited to pursue.

In fact, I'd suggest that this is part of a much larger narrative, one that includes the decline in interest in heavily formalized Olympic sports, where the rise of alternative activities, such as X Games, parkour, BMX, and skateboarding, are proof that something else could very well fill that niche, but our spatial environments are lagging too far behind.

[Image: The Lake Cunningham Regional Skatepark, via The Skateboarder Mag].

Designing the gym of tomorrow

If at least part of the crisis in phys ed today is that school gyms are simply being built wrong, then the obvious next question would be: what should they really look like?

This is, among other things, an architectural problem: what sorts of physical activities have been designed out of the school environment—not to mention the city, the suburb, the home, or the office?

Conversely, what activities should the schools, gyms, and buildings of today actually foster or allow?

[Image: Hyundai Motors FC Clubhouse by Suh Architects, South Korea; via Architizer].

At the most mundane level, could the architecture of the school building itself somehow absorb or otherwise channel the infamous distractibility and hyper-activity of kids today into deliberately frivolous physical activities (that is, "exercise")?

In other words, if it looks like those kids in the back of class are literally about to climb the walls from eating too much breakfast cereal, then why not let them? Put whole spiraling labyrinths of climbing walls and tunnels throughout the school, with mats and helmets everywhere, and make exploring these inner wilds a genuine reward for sitting still in class.

There is nothing radical in such an observation, but it is nonetheless a genuine and important social issue: how to inspire, not to mention architecturally encourage, intense physical activity at all ages.

It's not just urban design that's "making us fat," which is, after all, just an overly moralizing way of saying that urban design doesn't let us have fun. It's the fact that almost none of our buildings, including our schools and playgrounds, have been built to allow the kinds of physical activities people actually want to engage in these days.

[Image: Aerial view of the Lake Cunningham Regional Skatepark].

So, if we go back to the Reebok example from the very beginning of this post, we'll find an architectural conversation hiding in the details. We see a company realizing that its products no longer correspond to what its potential consumers actually want to do, and then forcing itself to fundamentally redesign those products in order to reflect the needs of this overlooked market.

What is the architectural—or more broadly speaking spatial—equivalent of this, and what should the gyms, schools, and playgrounds of tomorrow actually look like?

(Reebok story originally spotted via Greg Lindsay).
25 Mar 23:51

Code Freeze

by Oliver Widder

Update: Typo fixed (thanks Peter Gutbrod)

14 Mar 05:44

Itchy Feet.

by languagehat

From marie-lucie’s Facebook feed, I have belatedly discovered Itchy Feet, “a travel and language comic by Malachi Ray Rempen.” She linked to the strip Vanilla Arabic, which is hilarious; in the comments to m-l’s post, Slavomír Čéplö (aka bulbul) said “One quibble: for most intents and purposes, Modern Standard Arabic and Classical Arabic are the same variety, Quranic Arabic is a somewhat different beast.” And that provides a nice hook to link a post by Lameen Souag at Jabal al-Lughat, Ibn Khaldun: Arabic dialects are independent languages.

28 Feb 04:46

Rewilding the Language.

by languagehat

Robert Macfarlane has a wonderful Guardian piece on how he came to write his new book Landmarks:

Eight years ago, in the coastal township of Shawbost on the Outer Hebridean island of Lewis, I was given an extraordinary document. It was entitled “Some Lewis Moorland Terms: A Peat Glossary”, and it listed Gaelic words and phrases for aspects of the tawny moorland that fills Lewis’s interior. Reading the glossary, I was amazed by the compressive elegance of its lexis, and its capacity for fine discrimination: a caochan, for instance, is “a slender moor-stream obscured by vegetation such that it is virtually hidden from sight”, while a feadan is “a small stream running from a moorland loch”, and a fèith is “a fine vein-like watercourse running through peat, often dry in the summer”. Other terms were striking for their visual poetry: rionnach maoim means “the shadows cast on the moorland by clouds moving across the sky on a bright and windy day”; èit refers to “the practice of placing quartz stones in streams so that they sparkle in moonlight and thereby attract salmon to them in the late summer and autumn”, and teine biorach is “the flame or will-o’-the-wisp that runs on top of heather when the moor burns during the summer”. [...]

I have long been fascinated by the relations of language and landscape – by the power of strong style and single words to shape our senses of place. And it has become a habit, while travelling in Britain and Ireland, to note down place words as I encounter them: terms for particular aspects of terrain, elements, light and creaturely life, or resonant place names. I’ve scribbled these words in the backs of notebooks, or jotted them down on scraps of paper. Usually, I’ve gleaned them singly from conversations, maps or books. Now and then I’ve hit buried treasure in the form of vernacular word-lists or remarkable people – troves that have held gleaming handfuls of coinages, like the Lewisian “Peat Glossary”.

Not long after returning from Lewis, and spurred on by the Oxford deletions, I resolved to put my word-collecting on a more active footing, and to build up my own glossaries of place words. It seemed to me then that although we have fabulous compendia of flora, fauna and insects (Richard Mabey’s Flora Britannica and Mark Cocker’s Birds Britannica chief among them), we lack a Terra Britannica, as it were: a gathering of terms for the land and its weathers – terms used by crofters, fishermen, farmers, sailors, scientists, miners, climbers, soldiers, shepherds, poets, walkers and unrecorded others for whom particularised ways of describing place have been vital to everyday practice and perception. It seemed, too, that it might be worth assembling some of this terrifically fine-grained vocabulary – and releasing it back into imaginative circulation, as a way to rewild our language. I wanted to answer Norman MacCaig’s entreaty in his Luskentyre poem: “Scholars, I plead with you, / Where are your dictionaries of the wind … ?” [...]

Some of the terms I collected mingle oddness and familiarity in the manner that Freud calls uncanny: peculiar in their particularity, but recognisable in that they name something conceivable, if not instantly locatable. Ammil is a Devon term for the thin film of ice that lacquers all leaves, twigs and grass blades when a freeze follows a partial thaw, and that in sunlight can cause a whole landscape to glitter. It is thought to derive from the Old English ammel, meaning “enamel”, and is an exquisitely exact word for a fugitive phenomenon I have several times seen, but never before named. Shetlandic has a word, pirr, meaning “a light breath of wind, such as will make a cat’s paw on the water”. On Exmoor, zwer is the onomatopoeic term for “the sound made by a covey of partridges taking flight”. Smeuse is an English dialect noun for “the gap in the base of a hedge made by the regular passage of a small animal”; now I know the word smeuse, I notice these signs of creaturely commute more often.

Crucially, he says “I am wary of the dangers of fetishising dialect and archaism – all that mollocking and sukebinding Stella Gibbons spoofed so brilliantly in Cold Comfort Farm“; this saves him from the folly of a Robert Bridges (see this LH post). He doesn’t make exaggerated claims for his collection; he just thinks it would be better if we retained more verbal ties with the landscape around us, and I can’t argue with that. And he ends with the tale of Abdal Hamid Fitzwilliam-Hall, who “decided to begin gathering place words from the Arabic dialects, before they were swept away forever. But his task soon began to grip him with the force of an obsession, and he moved into neighbouring Semitic and African-Eurasian languages, then to the Romance, Celtic, Germanic, Nordic and Slavic language families, and then backwards in time to the first Sumerian cuneiform records of c3100 BCE.” That, I fear, suggests full-blown crackpottery, or Casaubonism; Macfarlane is merely a man who loves words and wants to share them. I intend to remember and use ammil and smeuse myself. (Thanks, Michael!)

27 Feb 13:42

Dress Color

This white-balance illusion hit so hard because it felt like someone had been playing through the Monty Hall scenario and opened their chosen door, only to find there was unexpectedly disagreement over whether the thing they'd revealed was a goat or a car.
19 Feb 20:38

Elsie Bell Grosvenor stares straight at the camera in this...



Elsie Bell Grosvenor stares straight at the camera in this portrait taken in 1901, possibly when she was pregnant with Melville B. Grosvenor. She is wearing a hat decorated with a huge ostrich feather.Photograph by Gilbert H. Grosvenor, National Geographic Creative

11 Feb 17:13

The reimprisonment of homosexuals in Germany after WWII

by Jason Kottke

After the end of World War II in Europe, homosexual prisoners of liberated concentration camps were refused reparations and some were even thrown into jail without credit for their time served in the camps. From the United States Holocaust Memorial Museum:

After the war, homosexual concentration camp prisoners were not acknowledged as victims of Nazi persecution, and reparations were refused. Under the Allied Military Government of Germany, some homosexuals were forced to serve out their terms of imprisonment, regardless of the time spent in concentration camps. The 1935 version of Paragraph 175 remained in effect in the Federal Republic (West Germany) until 1969, so that well after liberation, homosexuals continued to fear arrest and incarceration.

After 1945, it was no longer a crime to be Jewish in Germany, but homosexuality was another matter. Paragraph 175 of the German Criminal Code had been on the books since 1871. An English translation of the earliest version read simply:

Unnatural fornication, whether between persons of the male sex or of humans with beasts, is to be punished by imprisonment; a sentence of loss of civil rights may also be passed.

In Germany, homosexuality was considered a crime worthy of up to five years of imprisonment until Paragraph 175 was voided in 1994.

Update: I missed this while writing the post: Paragraph 175 was amended in 1969 to limit enforcement to engaging in homosexual acts with minors (under 21 years). (thx, eric)

Tags: crime   Germany   Holocaust   legal   LGBT   Nazis   war   World War II
11 Feb 14:56

Friendship

The only other Wikipedia vandalism that I would feel zero remorse about is editing the article on active US militia groups to replace "militia" with "fanclub".
05 Feb 03:36

Serenading the cattle

by Jason Kottke

Watch as farmer Derek Klingenberg calls his cattle in by playing Lorde's Royals on his trombone.

I can't tell if this is the perfect Monday video or the perfect Friday video. Maybe I'll post it again on Friday and we'll compare. (via the esteemed surgeon and writer @atul_gawande)

Tags: Lorde   music   video
01 Feb 06:49

Linkdump about why biological sex is a social construct

I find myself looking for this collection of links so often (and I just assembled it for a comment elsewhere) that I'm going to put it here in one place:



Insistence on the objective truth of the culturally mediated ideological construct called "biological sex" is anti-trans, anti-intellectual, and anti-science. It is indistinguishable from misgendering -- in fact, it's a form of misgendering clothed in ersatz scientific terminology -- and as such, it's violence against trans and gender-non-conforming people, but especially against trans women and other people who were coercively assigned male at birth but reject that designation.

comment count unavailable comments
25 Jan 03:57

Political Instability at a Glance

by Xavier Marquez
(A graph-heavy post on the post-WWII history of political instability.)

(Update 1/24/2014: Thanks to Profs. Gleditsch, Goemans, and Chiozza for allowing me to use the beta version of Archigos, updated with leader information to the end of 2014)

Despite its ubiquity in everyday discourse, I find the concept of "political instability" exasperatingly vague, encompassing everything from polarized electorates to coups to civil war. Nevertheless, one can still understand most of the phenomena that fall under that rubric as the sorts of events that happen when the norms supposedly regulating political competition fail to be "recognized" as relevant or worth following by sufficiently powerful groups of people. Very wide-ranging normative breakdowns are revolutions and civil wars (Jack Goldstone once noted that the great revolutions were characterized by "fractal" breakdowns of norms regulating conduct at all levels); but coups, other forms of "irregular" leader exit, spikes of protest, and transitional situations can be understood as moments where the norms that are supposed to channel and limit the competition for power break down, either because sufficiently powerful groups disagree about what the relevant norms are, or because they want to change them, or because they can disregard them with impunity.

The identification of political instability events is unavoidably fraught, since what counts as the relevant norm governing political competition, and whether the norm has actually been violated, disregarded, or otherwise violently reinterpreted, will often be disputed. Sometimes it will simply be impossible to tell whether some particular event -- e.g, the recent happenings in Lesotho or the Gambia -- counts as a coup, or whether the fall of some leader is in accordance with "recognized" norms of political competition; indeed, I take it that sometimes there is simply no fact of the matter, though perhaps the very existence of disagreement about the nature of the event is itself significant as an indicator of instability. And of course many events that signal the weakness of norms regulating political competition -- aborted coup attempts, thwarted palace conspiracies -- simply never see the light of day. Nevertheless, it is still possible to get a glimpse of the broad patterns of political instability during the post WWII era.

Here's one way of doing it, which produces lovely "spectral lines" of macropolitical instability. The picture below graphs five forms of instability, per country: the estimated level of democracy and thus regime change, for the period 1946-2012 (from the Unified Democracy Scores by Pemstein, Meserve, and Melton); successful and unsuccessful overt coup attempts for the period 1950-2014 (vertical red and blue lines, respectively, from the data gathered by Powell and Thyne, supplemented before 1950 with data for successful and attempted coups from Marshall and Marshall); irregular leader exits (dotted black lines, sometimes coinciding, sometimes not, with the coup data from Powell and Thyne, and including everything from assassinations to revolutionary overthrow that occurs outside whatever prima facie normative framework of political competition holds in the particular country), from the period 1946-2014 (from the beta version of the Archigosdataset by Goemans, Gleditsch, and Chiozza - thanks for prof. Gleditsch for sharing a copy!); shaded colored areas track armed conflict episodes from 1946 to 2013 (from the UCDP/PRIO dataset); and periods of "interruption," "interregnum," or "transition" (light grey shaded areas; basically, foreign occupation, anarchy, political breakdown or explicitly transitional governments) from the polity dataset, in the 1946 to 2013 period. The figure is arranged regionally, by continent: African countries first, then American countries, then Asian, and so on, so that countries in geographical proximity to one another appear close together in the picture:
Coups, wars, irregular leadership transitions, changes in democracy, and periods of "interruption" are distinct phenomena, but they all indicate historical moments where the norms regulating "macropolitical" competition are fluid: where powerful parties don't agree about the definition of the state, the procedures for transferring power, etc. The graph is deliberately crowded -- it is meant to produce an overall glimpse of the "spectrum" of instability in the postwar history of each country, not a detailed history of each country -- yet some events are easily identifiable: major interstate wars (in green: the Korean War, the Vietnam war, the Ethiopia-Eritrea conflict, the Yugoslav wars); colonial liberation struggles (in red, such as the struggle for independence in Zimbabwe); the interminable series of conflicts of the Burmese state against its outlying "Zomian" minorities; the endless series of coups and countercoups in Argentina starting with Peron's first presidency in 1946; the coup against Allende in Chile in 1973; the disintegration of the Afghan state since the 80s; the transition to democracy in Spain; and so on. Each country has its own distinctive pattern of macropolitical instability, though in general wherever a country has experienced these sorts of events they have tended to "cluster" in time; macropolitical instability is rarely continuous over long stretches. Similar events also have a tendency to happen in similarly-situated countries, leading to distinct regional patterns:
At this level of aggregation we can see that South American countries have suffered more from coups than from armed conflict, yet coups and irregular leader exits have declined in frequency over the last three decades; that South and South-East Asian states (Myanmar, India, Vietnam, Laos, etc.) have suffered much more from armed conflict of all kinds than from coups; how states in Western Africa and Eastern Asia (basically, the Middle East) have seen a simultaneous decline in coups and an increase in armed conflict of all kinds. (Distinct events with regional implications are also visible - e.g., the central American wars of the 1980s). It is worth noting that these patterns coexist with an increase in measured levels of democracy in most regions of the world since the middle of the 1980s. (The horizontal red line in each picture represents a score of zero in the UDS data, which can be interpreted as the dividing line between democracy and autocracy; by that criterion, in a majority of regions of the world a majority of countries are democratic today, though in some cases barely so).

I suspect that some of these patterns are basically attributable to the timing of consolidation of post-colonial states. For example, if we could extend these pictures back in time we would see many more internal and even some external conflicts in Latin America, as states were consolidated after independence from Spain; much of the internal conflict we see in places like India or Myanmar against groups on their borderlands can be understood as state-consolidation conflict - conflict over who is subject to state power, and to what degree. But as states consolidate, struggles over the definition of the state may give way to struggles over the norms of political competition (coups and irregular leader exits); and these in turn can eventually either lead either to "stability" (relative consensus on the norms of political competition, or at least the victory of one faction or person over the rest, as in long-term personal dictatorships, leading to a decline in in coups and other forms of irregular leader exit) or state disintegration (renewed internal conflict). Consider a picture at an even higher level of aggregation, by continent:
One interpretation of this figure might go like this: the anticolonial struggles of African countries give way by the 70s to a fluid period of coups and countercoups as various powerful groups struggled to define the norms of political competition for control of the new states, often with the intervention of major powers during the Cold War. Yet instead of leading to the eventual victory of some particular norm of political competition, coups and countercoups eventually escalated into renewed conflicts over the very definition of the state -- "internal" wars of various kinds -- since the post-colonial state was a pretty recent and fragile creation to begin with. By contrast, in the Americas, the tendency has been for norms of "democratic" political competition to become entrenched in the context of relatively consolidated states; while the military may still intervene in politics, they find it harder to do so in an overt way. Though there are many reasons for this (including, e.g., changes in the foreign policy of the US) one important factor seems to have been the lessening of radical ideological conflict, which means deviations from norms of democratic competition are more costly and have less point. In fact, the risk of military intervention in politics in Latin America appears to remain highest precisely where ideological conflict over the nature of the state is fiercest, as in Venezuela and Ecuador. The Asian pattern in turn is less about the consolidation of new states than about border adjustment after the colonial period and the bringing of borderlands under central state control, rather than about the consolidation of new states; while the European post-war pattern mostly involves the late transitions to democracy of Southern Europe and separatist conflicts of varying intensity - all legacies of the wars of the first half of the 20th century, which of course are not visualized here.

For completeness, here are the political instability spectral lines of the world:
This is not especially informative (though it does show the trend away from interstate to intrastate conflict, and the long-run transition to norms of democratic political competition around the world), but I find it strangely beautiful.

Instead of aggregating these pictures of political instability, we can disaggregate them and expand them into "geological" pictures of the historical strata of political change. Here's one way of using the enormous amount of information available in these datasets to auto-generate political histories, using the example of Argentina. For the picture immediately below, start at the top, at the end of 2014; as we scroll down (the image is in its natural element online, with its endless scrolling; but one can imagine also a slowly unrolling codex) we move deeper into the country's history. The first thing we encounter is the name of the serving president as of the end of 2014, Cristina Fernandez de Kirchner; the name is grayed out - "still in office as of 2014;" leaders who died in office, retired without serving their full term, or were removed by irregular means (e.g., by a coup) are in darker font, to make them stand out (the darker, the more irregular). Each leader's name is placed at the date of his or her exit from power (or 2014 if still in office by the time the Archigos dataset ends), so anything below Kirchner until the next name appears happened during the Kirchner government. If data are available, we see a thick black vertical line representing the Polity score for that year; the further to the right, the more "democratic" its forms of political competition. A "thicker" measure of democracy, represented by the squiggly grey line with the ribbon, is also depicted -- the Unified Democracy score, which aggregates information from various attempts to measure democracy in a consistent way -- and scaled to fit in the same interval. Polity and the UD scores agree on the basic pattern, though the UD scores do not see Argentina's democratic institutions as fully consolidated by the end of 2012 (the last year of the UDS dataset); Argentina does not achieve the highest scores (which would put it bumping against the right side of the graph), and appears to be trending slightly leftwards as of 2012 (less democratic in this graph; no political implication intended). The blue line with dollar numbers represents Argentina's annual per capita GDP, as estimated by Angus Maddison and his successors: Argentina is a solidly middle-income country by 2010.

As we move down further, we encounter the end of the last military government, shortly after the end of the Falklands war, in 1984; the caretaker Bignone presides over the extrication of the military from government after Galtieri, who was mainly responsible for the war, is forced to leave office by his military colleagues. The period before that is one of coups and overall economic stagnation; more generally the pattern of Argentine history over the previous couple of decades is one of continual conflict in the context of boom and bust economic cycles, as we can see by the number of coups, irregular leader exits, and the conflict with the ERP. This is the time of the "dirty war," though it's worth stressing that it was also a period in which divisions within the military were exacerbated by the conditions of Argentine politics; most coups in the period replaced military leaders, not democratically elected leaders. As we move down (back in time), we see the traces of the "impossible game" between Peronistas and the military Guillermo O'Donnell described in his classic analysis of bureaucratic authoritarianism. Periods of repression alternate with classic populism in which the Peronistas are allowed to compete for power, each side of the conflict attempting to consolidate its advantages by transferring resources to its supporters in ways that always proved to be unsustainable given Argentina's dependence on the vagaries of foreign trade (represented by the generally flat trend in GDP, with many ups and downs); but no one ever fully succeeded in fully consolidating power before the terms of trade turned, inflation went haywire, and social conflict instigated either military withdrawal or military intervention. As we move deeper in time, we find that the period of instability really began in the 1930s, with the overthrow of Irigoyen, when Argentina is already a relatively rich country. Before the 1930s we find stability at a lower level of democracy: Irigoyen was preceded by a long sequence of leaders who left office in a regular manner without being overthrown by the military. We might thus speak of a "great cycle" of macropolitical instability from the 30s to the mid 80s, which probably had something to do with the way in which Argentina became integrated into the world economy (according to my meager reading, at least), though the decisions of successive governments as they attempted to consolidate their bases of support -- repression, coups, particular monetary and fiscal policies -- seem to have exacerbated the conflicts of the period.
Because I have a bad memory for people and dates, I like these pictures as aide-memoires, though of course they will only make full sense if one knows a little about the political history of the countries depicted. It's also worth stressing that the datasets involved have gaps and other problems. Though the universe of successful coups since 1945 is pretty well covered, for example, some "unsuccessful" coups never get reported, some coup-like events are not included due to ambiguity, and of course we do not see here spikes of nonviolent protest aimed at changing the norms of political competition (one could use the NAVCO data for this, but I had to stop somewhere, and the graphs are overcrowded enough already). The GDP data is sometimes dubious or interpolated, especially for some of the poorest countries, and of course it does not show the full the range of issues affecting living standards.
And Archigos stops at 2004 (though it's being updated), providing sometimes a false picture of stability for some countries over the last decade. [Updated: now using data to the end of 2014]

Nevertheless, more auto-generated political histories for 173 countries in the Polity dataset are available in the GitHub repository for this post. One can take a look at some really eventful histories, like those of Haiti and the Dominican Republic, which are full of irregular leader exits; or at Venezuela, which shows both the period of democratic consolidation following the overthrow of Perez Jimenez, marked by several coup attempts, and the long economic decline preceding the rise of Chavez; or indeed, any number of others. In general, one pattern emerges from these more detailed pictures, namely that there are two basic forms of stability: the kind that comes about when a single person achieves full personal power and successfully "coup-proofs" his rule (e.g., Trujillo in the Dominican Republic, Duvalier in Haiti, Gomez in Venezuela) and the kind that comes about when some norm of political competition is expected to be enforceable even at the death of the ruler. The first kind of stability is clear when you see a spike of coups, conflicts, constitutional crises, or irregular leader exits that signal some sort of succession crisis - a sure sign of a previous personal regime. It seems really difficult to transform regimes based on loyalty to a person into regimes where impersonal norms of political competition have "bite"; the instability after the overthrow of Gaddafi is more the rule than the exception, regardless of whether the leader was overthrown or died peacefully in office.

Let's look at coups in more detail, because they are perhaps the most dramatic single event in the data - a single short spike in these spectral lines. The first thing to note is that they are associated with lower measured levels of democracy:
 
In other words, coups have historically occurred most often in already non-democratic regimes; a famous coup against a democratically elected leader like the ouster of Allende in Chile appears to be less common than the many forgotten coups against military regimes all over the world. (Iraqi Prime minister Abu Zuhair Tahir Yahya is reported to have said in 1968, "I came in on a tank, and only a tank will evict me," according to Luttwak's classic handbook on the coup d'etat; most coups in the postwar era seem to have been against people who came in on tanks). Few coups take place against the "consolidated" democratic regimes, which is simply another way of saying that norms of political competition in such countries are recognized as binding by all powerful parties. But we also see few coups against the most autocratic regimes, which are typically regimes where a party or an autocrat has fully coup-proofed their rule.

Coups are thus a symptom of normative fluidity, while both fully autocratic regimes and consolidated democracies are consolidated precisely because their norms of political competition are not fluid, as Finer saw in his classic study of the subject. This is why one of the best predictors of the risk of a coup is another recent coup; "the claim to rule by virtue of superior force invites challenge; indeed it is itself a tacit challenge, to any contender who thinks he is strong enough to chance his arm" which "succinctly explains one of the most usual consequences of a military coup, namely a succession of further coups by which new contenders aim to displace the first-comers. 'Quitate tu, para ponerme yo,' runs the appropriately Spanish proverb." (the quote is from Finer, The Man on Horseback, pp. 17-18; for the statistical evidence, see here).

Most coups nevertheless result in some immediate reduction in the level of democracy as new leaders attempt to consolidate their power (and thus engage in repression), but especially since the end of the cold war, many coups are on average followed a few years later by some degree of democratization (or re-democratization). The classic case was the "revolution of the carnations" in Portugal which overthrew the "Estado Novo", and which led to the modern democratic regime there. Though not every coup today is a liberalizing coup, in general there has been more pressure for countries to hold elections and less tolerance for overt military rule since the 1990s, as Marinov and Goemans argue in detail. Given the dependence on aid of many coup-prone countries, this has typically resulted in quicker democratization after a coup than before the end of the cold war, where dictatorships of various kinds could count more consistently on various forms of superpower patronage. The figure below shows the aggregate pattern quite strikingly:
It's also worth noting that over the post war period coups did not always lead to military rule; on the contrary, they often issued in power struggles that led to personal dictatorships or other forms of authoritarianism. Indeed, "pure" military rule has been quite rare and short-lived in the modern period (characterized by professional militaries rather than military aristocracies); as Finer noted, and later research seems to confirm, some of the very features that give militaries in certain societies the ability to seize power make them particularly unsuited to ruling these same societies without extensive civilian collaboration, and in any case direct military rule tends to exacerbate divisions in the organization.

Using data gathered by Geddes, Wright, and Frantz on regime types, focusing on whether the main institutions of the regime are the military, a single party, a monarchy, or some combination of the three, and on the degree of "personalism" in the regime, we can use it to look at which coups were followed by periods of rule by the military as an institution:
As we can see, the periods of pure military rule (in blue) and mixed military rule (in green; this includes regimes that used a civilian party or where power was also highly concentrated in the leader rather than in a Junta) are surprisingly few; most coups have led to non-military dictatorships, especially personal ones. (Small quibble: the Geddes, Wright and Frantz data shows the difficulties of the enterprise of classification, and the ambiguities of political reality. For example, they classify the Franco regime as a "personal" dictatorship for its entire period; but any student of the Franco regime can tell you that power fluctuated, with the Falange and the military much more powerful early in the regime, though there is clearly a sense that power was highly concentrated in Franco early on as well. I would have classified the Franco regime as a hybrid military-personalist regime).
Coups are more common in poor countries, as one might have expected:
 
But how, exactly, does poverty matter? After all, some surprisingly rich countries have experienced lots of coups, while some very poor countries have had little recorded instability of any kind. Consider this picture, which replicates the first graph of this post, except that the countries are arranged from poorest to richest, and the squiggly line in the middle represents GDP per capita:
Here we see many high-middle income countries that were plagued by coups in the past and sometimes still today (Argentina, Thailand, Syria, Qatar) while some extremely poor countries have never experienced coups (e.g., Malawi). Poverty seems to matter only where authority norms find few organized defenders, or rulers have failed to coup-proof their regimes; and this only because very poor societies seem to have been commonly places where the only organized force of national stature has been the army, and coup-proofing is tricky political work requiring resources that are not always available. (Finer's views are still quite reliable here, though he tends to speak too much of "legitimacy" when he really means organized support; it's not that poor people welcome coups or military rule, but that in poor societies the organized groups that have power are often incapable of resisting the army, and in twentieth century contexts powerful groups have had many different views over which authority norms should prevail).

Interestingly, though poverty is strongly associated with coups (and is typically found to be a significant risk factor in quantitative studies), economic growth is not so strongly associated; it is actually quite hard to find a significant effect of growth on coups in the quantitative literature, despite the fact that it's easy to tell stories about how economic decline might be a trigger of political instability. Though coups have clearly happened in periods of both growth and decline, one could nevertheless squint at the distribution of growth rates in years with coups and conclude that coups have tended to happen in years with slightly lower growth rates than average:
Indeed, it is not even clear that coups result in lowered growth rates in their aftermath (though as far as I can tell the statistical evidence suggests coups typically lead to some decline in growth rate). Consider this picture, showing normalized GDP (100 at the year of the coup) in the years before and after a coup or coup attempt (successful coups are in red, unsuccessful attempts are in blue):
In some cases, we see a U-shaped pattern - economic decline followed by coup, followed by recovery later; in others we see a line sloping down, and in others we see a line sloping up. Coups have happened when income was growing greatly (Libya), and when income has been declining greatly (Iraq, Chile); in periods of recurrent boom and bust cycles (Argentina) and in periods of apparent macroeconomic stability (Thailand, Greece). Sometimes they have been followed by quick recoveries, others by wild fluctuations; ten years after the Pinochet coup Chilean GDP was at the same level as in 1973, though it had oscillated wildly in the intervening period. The key point seems to be that coups are symptoms of underlying political conflict, which may be triggered by factors other than economic instability; even in the Argentine case, where coups where recurrently triggered during economic crises, the problem seems to have been the political conflicts (strikes, riots, etc.) that often came with the economic crisis and that made the military frame the situation in security terms. Thus the relationship between coups and economic growth will depend on the relationship between political conflicts and economic life.

Nevertheless, the macroeconomic aftermath of coups also seems to have varied from before and after the cold war, in line with the Marinov and Goemans thesis mentioned above:
Coups before the cold war on average seem to have happened in periods of growth, and were not necessarily followed by economic recession; coups afterwards seem to have happened on average during periods of severe economic contraction and to have led to further declines. Perhaps this shows that coups have been punished more severely in the post Cold war era, so that only severe economic crisis has led to coups after 1990; or that coups during the cold war happened more often in countries where economic performance is more or less independent of political stability (e.g., oil-dependent countries, like Iraq). But I found the lack of obvious connection between political instability and economic instability striking.

I think overall it is probably fair to say that some forms of macropolitical instability (coups, irregular leader exits, regime transitions involving major normative changes, like transitions from monarchy to democracy) seem to be on the wane. But there is little in this history suggesting that such instability ever definitively ends; on the contrary, though some countries have good long runs of stability, big shocks to the global system (big economic changes, big wars) can trigger periods of instability with very long after-effects. This is probably a bit depressing; it suggests that the events started by the Arab uprisings, for example, will take a long while to work themselves out (mostly in ways that involve "political instability"), until a new normative equilibrium is eventually reached.

Code for all the graphs in this post is available at this Github repository. The vast majority of the code is basically data-munging; you will need to download some of the datasets separately.

(Update, 1/21/2014: minor changes in wording to improve clarity)

(Update, 1/24/2014: using Archigos data for 2014 now)
18 Jan 19:09

Curtius’s Guiding Principles.

by languagehat
John Costello

The Gustav Gröber quote at #8 is a real masterpiece of German syntax. Especially fun is how Gröber’s love of the conjunctive comma (clearly on display in the first sentence) leads him to invert nominative and dative in the last sentence so he can join “die Einsicht des Irrtums” to the final clause beginning “nur langsam der Entschluss…” with a *comma* instead of a pedestrian “und”, creating an ungodly long sentence-final super-subject that defied Gilleland’s attempts to translate it.

I’ve just started Ernst Robert Curtius’s European Literature and the Latin Middle Ages, recommended by elessorn and others in this thread (why juggle half a dozen books when you can juggle a dozen, is my motto), and the first thing that greeted me was the list of ten Guiding Principles, untranslated quotations from Greek, Latin, German, French (Old and Modern), and Spanish. I was thinking it would cost me a certain amount of research to figure them all out, but a moment’s googling showed me that Michael Gilleland of Laudator Temporis Acti had saved me the trouble in this post from 2014:

I could find existing translations of only the first three principles, so I tried to translate the others myself. Thanks very much to friends who patiently answered questions and made suggestions—any remaining errors and infelicities are my own fault. I’ve also added a few notes.

Here’s a sample of his very useful work:

4. Proverb:

Ne tu aliis faciendam trade, factam si quam rem cupis.

If you want something done, don’t give it to others to be done.

This proverb isn’t in Hans Walther, Proverbia Sententiaeque Latinitatis Medii Aevi (Göttingen: Vandenhoeck & Ruprecht, 1963-1969), or Renzo Tosi, Dictionnaire des sentences latines et grecques, tr. Rebecca Lenoir (Grenoble: Jérôme Millon, 2010). W.M. Lindsay quotes it as an old proverb (proverbii veteris) in the Latin preface to his edition of Isidore’s Etymologiae (Oxford: Clarendon Press, 1911), p. vi.

Being fundamentally lazy, I love it when people do my work for me (cf. this post on “Culturally Backward Nationalities”), so I offer my hearty thanks to Michael; the only thing I can think to add is a bit of context for the first three, so I will do that. The first, from Herodotus I.8 (πάλαι δὲ τὰ καλὰ ἀνθρώποισι ἐξεύρηται, ἐκ τῶν μανθάνειν δεῖ), is in the famous story of Candaules and Gyges; the former is so proud of his wife’s beauty he tells the latter to look at her naked, and the horrified response includes the remark that (in the Godley translation quoted in the blog post) “Men have long ago made wise rules from which one ought to learn,” or (in the version used in Paul L. MacKendrick and ‎Herbert M. Howe’s Classics in Translation) “Men of old discovered the proprieties, and it is our duty to learn from them.”

The second is from Scipio’s negotiations with the Carthaginians in Polybius 15:

But Scipio, on hearing from the Roman legates that both the senate and the people had readily accepted the treaty he had made with the Carthaginians and were ready to comply with all his requests, was highly gratified by this, and ordered Baebius to treat the Carthaginian envoys with all courtesy and send them home, acting, as I think, very rightly and wisely. For aware as he was of the high value attached by his own nation to keeping faith to ambassadors, he took into consideration not so much the deserts of the Carthaginians as the duty of the Romans. Therefore restraining his own anger and the bitter resentment he felt owing to the late occurrence, he did his best to preserve ‘the glorious record of our sires,’ as the saying is.

(The bit I have bolded is Curtius’s Principle.)

And the third is from Petronius 118:

“Yes, my young friends,” said Eumolpus, “poetry has led many astray. As soon as a man has shaped his verse in feet and woven into it a more delicate meaning with an ingenious circumlocution, he thinks that forthwith he has scaled Helicon. In this fashion people who are tired out with forensic oratory often take refuge in the calm of poetry as in some happier haven, supposing that a poem is easier to construct than a declamation adorned with quivering epigrams. But nobler souls do not love such coxcombry, and the mind cannot conceive or bring forth its fruit unless it is steeped in the vast flood of literature. One must flee away from all diction that is, so to speak, cheap, and choose words divorced from popular use, putting into practice, “I hate the common herd and hold it afar.”

The last quote, “odi profanum vulgus et arceo,” is the start of Horace Odes 3.1.

Addendum. I was a little nervous about the attribution of the Ortega quote (number 10) to “Obras (1932),” so I did a little googling and discovered it’s from a 1927 review of Ramón Menéndez Pidal’s Orígenes del español: Estado lingüístico de la Península Ibérica hasta el siglo XI (Madrid, 1926); the full parenthesis is:

(Es preciso que los hombres de ciencia vuelvan a caer en la cuenta de que escriben libros. Los mismos alemanes, que causaron originariamente el daño, comienzan a arrepentirse. Un libro de ciencia tiene que ser de ciencia; pero también tiene que ser un libro).

My translation (with the Principle bolded):

(Men of science need to realize once again that they are writing books. The same Germans who caused the damage are beginning to regret it. A book of science must be scientific, but it must also be a book.)

12 Jan 04:41

Borrowing, Diachronic Sound Change, and "Gentil".

justlingthings:

Hey everyone! I’m going to tell y’all something that totally blew my mind the other day. So we’re doing borrowing in my historical linguistics class, and here’s one of the examples my professor gave. So background info: English was conquered by the Normans at one point (not sure of the actual year), which is why our structure and sound systems are Germanic (English is a Germanic language) but have so many French and Romance loan words in our vocabulary. So the word gentil, French for nice, kind, etc. was borrowed into English four different times:

genteel
Gentile
jaunty
gentle

That’s not even the cool part. The cool part is we can actually tell the relative order in which the borrowing happened. So the general principle of linguistic borrowing is that when you’re looking at borrowed words, the longer they’ve been in the language, the more they’ll look and sound like words native to the language they were borrowed into, and vice-versa, the later they were borrowed, the less time they’ve been in the language, the more they look like the language they were borrowed from.

So take the modern French pronunciation of ‘gentil’, it’s something like /ʒã’ti/, with stress on the second syllable, and no pronounced /l/ at the end. But, we can tell by the spelling that there was once a pronounced /l/ at the end, which was lost. Well, out of all four words above, which of them doesn’t pronounce the /l/ at the end of the word? That’s right, jaunty is the latest borrowing of the word.

#4 jaunty (was imported into English around 1600)

Next we look at the vowels. One of the most major sound changes in the English language was the great vowel shift, which happened around the 16th or 17th century. I won’t explain all the changes here, that’s what Google is for, but it’s basically the reason English ‘five’ is pronounced /faiv/ and not /fiv/. The main difference between ‘genteel’ and ‘Gentile’ is the second vowel. We can tell that ‘Gentile’ was in the English language before the vowel shift, because the /i/ in it was shifted, making it older than the next oldest word, ‘genteel’. Notice that apart from ‘jaunty’, ‘genteel’ sounds the most like the modern French pronunciation.

#3 genteel (around 1600)

#4 Gentile (around 1400)

And finally, I don’t quite remember all the justifications my professor gave for knowing ‘gentle’ was number 1, but notice that the /l/ at the end is syllabic, and very strongly pronounced. Combine this with the fact that the first vowel is very different from the modern French pronunciation, and you can tell that ‘gentle’ is not only pronounced like very old French, but also that it is super “nativized” into the English language.

#1 gentle (imported as early as 1200)

This is why I think diachronic sound change and historical linguistics are so cool, if you learn the types of changes, you can use individual words like little time machines! 

A few links, if you’re interested in more: on borrowing and on historical sound change

12 Jan 02:00

Why live classical music sounds better than recordings

by Pliable

There have been a number of musings On An Overgrown Path as to why recordings cannot quite capture the essence of live classical music. So I was delighted to find the following explanation of the shortcomings of sound reproduction in Harmonies of Heaven and Earth by Joscelyn Godwin. The author describes Ernst Hagemann's theory as being on the borderline between occultism and farce. But that is a facile way to dismiss it. In today's recording studios a plethora of digital tools means that only the beautiful forms enter the microphone. As a consequence the ugly spirits are absent, and so the full artistic experience is lacking. Why is why live classical music sounds better than recordings. And before dismissing this post as an amusing mix of farce and occultism, remember that a number of prominent musicians were profoundly influenced by Rudolf Steiner, including Bruno Walter and Jonathan Harvey.
The inevitable question, which could not have arisen before Edison's phonograph (1877) is, What happens when the tones are reproduced mechanically via a record or tape? Rudolf Steiner, speaking in 1923 shortly before his death, had condemned the gramophone as a source of music. Of course the gramophone of that time could only produce a travesty of live music, but according to his follower Ernst Hagemann the rejection was more than aesthetic. In an extraordinary passage on the borderline between occultism and farce, Hagemann solemnly described his own research with clairvoyantly gifted people in order to find out what happens to the elementals' function when music is mechanically reproduced. Not every detail was satisfactorily explained, but the consensus of several clairvoyants working independently was as follows.

On applying their second sight to the surface of gramophone records, they found them thronged with elemental forms - all dead. Looking through a magnifying glass, they could see even more of them! These, they said, are the lifeless replicas of the elementals who were constellated in the air, entered the microphone, and were 'shadowed' upon the record matrix during the original live performance. In order to carry over these dead copies into the physical world via the reproducing device, one needs the cooperation of other living elementals - tiny Gnomes, to be precise - whom the clairvoyants were able to perceive in the diamond or sapphire stylus. (One recalls that gemstones are traditionally associated with these earthly spirits). Through the Gnomes' agency, the very same kinds of elementals - presumably Sylphs and Undines - could be seen emerging from the loudspeakers as had been originally captured in the recording process.

So far the inadequacy of recordings was not proven. But the clairvoyants had more to say. At live concerts they did not just enjoy the visions of beauty which the music throws off into the air above the stage, visions which several artists have tried to capture. They also saw the concert hall beset by Spirits of Undine, vile, spider-like beings who swarm around whenever beauty is manifest, and crawl into our ears and noses while we are entranced by it. Everything must have its opposite, in order to create beauty. Man has to have the stimulus of the ugly. The greatest artistic natures, Hagemann says, are those who have felt this conflict the most keenly - even to a physical degree. During recording, however, it is only the beautiful forms who enter the microphone and whose fair corpses little the grooves of our records. The ugly spirits (who actually are no more evil than the manure with which we nourish our roses) are absent, and so the full artistic experience is lacking.
Header image shows one of the Goetheanum Cupola Motifs of Rudolf Steiner. Any copyrighted material is included as "fair use" for the purpose of critical analysis only, and will be removed at the request of copyright owner(s).Also on Facebook and Twitter.
05 Jan 16:08

Why we're not going to see sub-orbital airliners

by Charlie Stross

Sorry folks, but we're just not.

One of the failure modes of extrapolative SF is to assume that just because something is technologically feasible, it will happen: I'm picking on sub-orbital passenger travel as an example of this panglossian optimism because I got sucked into a thread on twitter the other day and I think it's worth explaining my objection to it in a format that permits me to write more than 140 characters at a time.

The proximate cause of my objection was someone asserting that Virgin Galactic's business model is ultimately targeting sub-orbital flights between continents, rather than brief bouts of free-fall tourism for the rich. At first glance, this isn't an obviously stupid assertion: enough folks have signed up for the sub-orbital tourist package that there's clearly demand, various companies have been buying patches of isolated terrain as sites for spaceports (even in Scotland), and there's a British start-up proposing to build an air-breathing hypersonic carrier craft for satellite launches and passenger travel. It's a perennial dream technology that keeps coming back from the dead, because the idea of flying from Heathrow to Sydney in three hours instead of 22 is obviously appealing to those of us who occasionally fly LHR-SYD.

Except ... it's bunk. Let me explain why.

Let's start with a simple normative assumption; that sub-orbital spaceplanes are going to obey the laws of physics. One consequence of this is that the amount of energy it takes to get from A to B via hypersonic airliner is going to exceed the energy input it takes to cover the same distance using a subsonic jet, by quite a margin. Yes, we can save some fuel by travelling above the atmosphere and cutting air resistance, but it's not a free lunch: you expend energy getting up to altitude and speed, and the fuel burn for going faster rises nonlinearly with speed. Concorde, flying trans-Atlantic at Mach 2.0, burned about the same amount of fuel as a Boeing 747 of similar vintage flying trans-Atlantic at Mach 0.85 ... while carrying less than a quarter as many passengers.

Rockets aren't a magic technology. Neither are hybrid hypersonic air-breathing gadgets like Reaction Engines' Sabre engine. It's going to be a wee bit expensive. But let's suppose we can get the price down far enough that a seat in a Mach 5 to Mach 10 hypersonic or sub-orbital passenger aircraft is cost-competitive with a high-end first class seat on a subsonic jet. Surely the super-rich will all switch to hypersonic services in a shot, just as they used Concorde to commute between New York and London back before Airbus killed it off by cancelling support after the 30-year operational milestone?

Well, no.

Firstly, this is the post-9/11 age. Obviously security is a consideration for all civil aviation, right? Well, no: business jets are largely exempt, thanks to lobbying by their operators, backed up by their billionaire owners. But those of us who travel by civil airliners open to the general ticket-buying public are all suspects. If something goes wrong with a scheduled service, fighters are scrambled to intercept it, lest some fruitcake tries to fly it into a skyscraper.

It's going to be a lot harder to intercept a hypersonic service, to say the least. If nothing else, the reaction time will shrink by an order of magnitude. Today, it takes perhaps 2-5 minutes to get an RAF QRA Typhoon-II into the air. It can then go supersonic and overhaul a subsonic target at relatively high speed. From Coningsby or Leuchars a Typhoon-II can reach just about any spot over the UK in 15-20 minutes, in which time a subsonic airliner can travel perhaps 100-200 miles. The picture is very different for a hypersonic passenger craft. In 20 minutes such an aircraft would travel somewhere between 1000 and 3000 miles. None of today's military aircraft are up to the job of intercepting it, and indeed, active radar can't even track it effectively—for that, you'd need something on the order of a cold war ballistic missile warning radar system, designed to provide advance notice of an ICBM strike.

A hypothetical hijacker interfering with the flight profile of a hypersonic transport wouldn't need to deviate from their flight plan 20 minutes before it crashes into a target; it could be a last-minute gambit. So the security surrounding such flights is going to be intense, they're only going to be allowed to fly on well-established schedules (no short-notice bizjet-equivalents need apply!), and they're going to fly in and out of spaceports some distance from the destination city. For example, there's a proposal to use the former RAF Lossiemouth in Scotland as a spaceport for the UK. It's a good site for polar orbit satellite launches (north of Moscow but with far more clement weather), but it's nearly 600 miles from London. Similarly, the New Mexico spaceport isn't exactly next door to Los Angeles.

There are some places where it may be quite difficult to build a spaceport suitable for civil sub-orbital transport. There's lots of cheap land in New Mexico or Australia, (and, at a pinch, in northern Scotland), but it's unlikely to be easy to find land for a spaceport at an affordable price within a few hundred miles of Beijing or Seoul or Tokyo. But that's beside the point. It may be technically possible to build and operate hypersonic intercontinental passenger services. But they'll be scheduled, regular services, and subject to stringent passenger security checks at all times (think in terms of flying El Al, all the time). Moreover the spaceport will be at least an hour away from your nearest hub by non-hypersonic transport—possibly several hours away by high speed rail (never mind automobile).

And now for the killer: the inconvenience factor.

First class air travel by civil aviation is a dying niche today. If you are wealthy enough to afford the £15,000-30,000 ticket cost of a first-class-plus intercontinental seat (or, rather, bedroom with en-suite toilet and shower if we're talking about the very top end), you can also afford to pay for a seat on a business jet instead. A number of companies operate profitably on the basis that they lease seats on bizjets by the hour: you may end up sharing a jet with someone else who's paying to fly the same route, but the operating principle is that when you call for it a jet will turn up and take you where you want to go, whenever you want. There's no security theatre, no fuss, and it takes off when you want it to, not when the daily schedule says it has to. It will probably have internet connectivity via satellite—by the time hypersonic competition turns up, this is not a losing bet—and for extra money, the sky is the limit on comfort.

I don't get to fly first class, but I've watched this happen over the past two decades. Business class is holding its own, and premium economy is growing on intercontinental flights (a cut-down version of Business with more leg-room than regular economy), but the number of first class seats you'll find on an Air France or British Airways 747 is dwindling. The VIPs are leaving the carriers, driven away by the security annoyances and drawn by the convenience of much smaller jets that come when they call.

For rich people, time is the only thing money can't buy. A HST flying between fixed hubs along pre-timed flight paths under conditions of high security is not convenient. A bizjet that flies at their beck and call is actually speedier across most intercontinental routes, unless the hypersonic route is serviced by multiple daily flights—which isn't going to happen unless the operating costs are comparable to a subsonic craft.

Concorde made money because a predictable daily London-New York route could carry a lot of traffic, and if you flew LHR-JFK-LHR you could grab four extra daylight hours in New York, making a workday commute for high-powered meetings just about feasible. There's no obvious equivalent productivity gain for hypersonic transports around the Pacific rim or between the North and South hemisphere capitals. (If anything, hypersonic travel may make jet lag worse.) Let's not forget that attempts to operate Concorde on other routes didn't show a profit. London to Sydney was viable in a little under 18 hours, with refuelling stops—but there wasn't enough passenger traffic to justify the heroic logistics. Flying LHR-SYD, Concorde burned 500 tons of fuel in each direction, and the plane required 12 hours of ground maintenance per hour of flight time: British Airways managed one flight per week before they dropped the service. If I could have afforded a first class LHR-SYD ticket at the time, common sense would have told me to spend an extra four hours on a 747 with a seat that turned into a lie-flat bed, instead of 18 hours crammed into a Concorde (in seats jammed together like economy on a 747).

Merely supersonic bizjets for the rich might well be viable if they can be operated between regular airports in a manner compatible with current security requirements. (They'll almost certainly need passenger screening, though, as the margin for intercepting them will be much narrower than with current subsonic airliners.) Virgin Galactic's sub-orbital pleasure hops are unlikely to be problematic, as long as the end-points lie nowhere near major population centres. The military will love the technology (although the military think nothing of building and flying bombers that cost on the order of $1M per hour to operate). But point-to-point sub-orbital passenger services are, I think, going to remain a pipe dream for the foreseeable future. Costs too much for the inconvenience.

And this is my classic worked example of roads not taken. Just because something is technologically possible, it does not follow that it will inevitably happen. Someone has to want it enough to pay for it—and it will be competing with other, possibly more attractive options.

03 Jan 19:16

WiNdOwS

by Jupiter Boy

Windows 1.01

Windows 2.0

Windows 3.0

Windows 3.1

Windows 3.11

Windows NT

Windows 95

Windows 4.0

Windows ME

Windows 98

Windows Longhorn

Windows XP

Windows Vista

Windows 7

Windows 8

Windows 8.1 (should have been 9)

Windows 10

Windows 10.11

Windows 11.01

Windows 2048

Windows Kumara

Windows 15

Windows 16384

Windows 16.11

Windows 360

Windows One

Windows 20

Windows 21.11

Windows Now

Windows 1048576

Windows Terraform

Windows 31.1

Windows 666

Windows Gogh (mobile)

Windows Finale

Windows Ultimate

Windows 13

Windows 0

Windows Times

Windows la me Robin0S

Windows de ma re na Deroj

Windows Carnivore

WInDows
Win-go 71

Windows 72

Windows 222222222

 

Wind-Eew! 2

Windows 6

Windows 5

Windows 7.1

Windows 7.2222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222222

Windows 64, 128, 256, 512, and 1024

26 Dec 04:15

Spread the Sign: Multilingual sign language dictionary

Spread the Sign: Multilingual sign language dictionary:

Spread the Sign is an online multilingual sign language dictionary: you can type in a word, phrase, or fixed expression and get it translated into almost two dozen different national sign languages, including Swedish, British English (BSL), American English (ASL), German, French, Spanish, Portuguese, Russian, Estonian, Lithuanian, Icelandic, Latvian, Polish, Czech, Japanese, and Turkish. 

Not all languages are available for every word, but all the ones I tried had at least a dozen or so languages available. Once you’ve searched for a word or phrase, you click on the flag for the national sign language that you want, and you can see a video clip of the sign as well as a translation into the same country’s spoken/written language. 

image

It’s a project of the European Commission, so there tend to be more European languages — I notice a lack of Auslan (Australia), for example, so here’s a list of around 300 sign languages — but it’s definitely a great rebuttal to the idea that there’s only one sign language, as well as being incredibly interesting to click around!

Note though that it’s just a dictionary, and doesn’t account for grammatical differences between the languages in addition to the vocabulary, although you could probably recover some of the grammar from close attention to the phrases.

There is also a list of fifteen different sign alphabets, with images. Note that despite the fact that most of the fifteen languages are spoken in countries that use the Latin alphabet, their signs for, say, A, do not generally resemble each other. As a particularly obvious example, ASL has a one-handed alphabet while BSL has a two-handed alphabet. And Japanese Sign Language has signs for all the hiragana, which isn’t strictly speaking an alphabet. (Is the distinction between an alphabet and a syllabary still meaningful when you’re signing both of them? I…honestly have no idea. Apparently there is an Arabic Sign Language alphabet though, and none of the charts I found online include the short vowels, so I guess it would still qualify as an abjad? Wow, I don’t even know.)