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"Look, Charlie, let’s face it. We all know that Christmas is a...

"Look, Charlie, let’s face it. We all know that Christmas is a big commercial racket. It’s run by a big eastern syndicate, you know.”
News Reporters Saying ‘It’s Ok, You Can Admit It If You Bought a Christmas Gift or Two, or Ten, for Yourself’
Team Coco has created this funny supercut video of news reporters saying “It’s Ok, you can admit it if you bought a Christmas gift or two, or ten, for yourself.”
Local news people agree: it’s okay to be a little selfish this Christmas. Just admit it!
submitted via Laughing Squid Tips
School named after KKK leader will be renamed - USA TODAY
The Guardian |
School named after KKK leader will be renamed USA TODAY The school board in Jacksonville, Florida voted to change the name of a high school named for KKK leader Nathan Bedford Forrest. Loading… Post to Facebook. School named after KKK leader will be renamed on USATODAY.com: http://usat.ly/JEsMmf. Florida high school named after KKK leader gets new identityDetroit Free Press The Duval County School board unanimously voted to change the name of ...First Coast News KKK-named school finally getting rebrandedMSNBC Florida Times-Union -BBC News -Slate Magazine (blog) all 180 news articles » |
Newswire: Linda Cardellini signs up for recurring role on New Girl
firehoseLinda Cardellini beat
Following her season-long arc on Mad Men, Linda Cardellini is joining the cast of New Girl for several episodes next season. She'll be playing a love interest for Winston, who gets a major story arc in which... ha, just kidding, Winston's never getting any storylines.
No, Cardellini will play Jess' wild, less-adorkable sister, Abby, for an unspecified number of episodes starting in February. Having shown off her dramatic chops on Mad Men and ER, this will be Cardellini's first TV comedy work since her career-making role on Freaks and Geeks.
The new year will be a veritable family reunion for New Girl, as besides Cardellini's string of episodes, Jamie Lee Curtis and Rob Reiner are also set to reprise their roles as Jess' parents some time in January.
VFX reel breaks down Thor 2's epic prologue battle
firehoseVFX reel beat
The creators of the stunning Girl with the Dragon Tattoo title sequence were also the masters behind Thor: The Dark World's prologue battle. And now Blur Studio has unleashed a fantastic VFX that shows how the stunning battle between Malekith and Odin's father, King Bor. Watch the almost entirely CG creation come to life!
If you want a tablet, just buy Google’s Nexus 7 already

Full disclosure: Google loaned me a Nexus 7 in the hopes I’d say this.
Google’s Nexus 7 tablet is one of those things of which I can say: This is the thing you want at the price you want it.
And contained in its low-priced wonderfulness are the seeds of Apple’s unraveling.
What tablets are for
I’ve never owned an Android anything. I was handed a review copy of a Nexus 7 at a Google press event. By necessity I’m an early adopter of (some) technologies, and when I was ready to buy a smartphone, Android was so immature that only people with an ideological aversion to Apple were on it. Apple locked me in early, and its first mover advantage in mobile is the reason the company continues to be a cash factory. Once you’ve bought into an ecosystem, whether it’s Google’s, Apple’s or (possibly) Amazon’s, there are strong incentives to stick with what you’ve got.
But tablets aren’t phones. For most of us, we’re not locked into anything in particular on a tablet.
I realize this depends on what you do with a tablet. But most of us are streaming movies, browsing the web and using a handful of apps to read things or check up on social media. Nothing mission critical, and mostly with apps that are free. Tablets are for those lean-back hours we spend consuming media by ourselves while our other family members are each in their own media bubbles, because that’s what this world comes to.
Unless you are hugely invested in your library of games or need a specific piece of productivity software that’s only on iOS, the notion that the iPad Mini is noticeably better for the tasks that we really use tablets for is absurd. The Nexus 7 has a gorgeous screen, as good or better than the one on the iPad Mini. And the Nexus 7 is more portable. For a walk down to the coffee shop, I can slip it into my back pocket and leave the man purse at home. It’s just big enough to display media as most of us would like. Yes, I realize some people like the larger screen of the Mini. But is it a deal-breaker?
The Nexus 7 is now less than half the price of the iPad Mini Retina
If you’re in the US and you live near an Office Depot, you can pick up a Nexus 7 for $180, while the iPad Mini Retina is $400. Even if you’ve never touched an Android device before, the $220 you’ve saved versus the iPad Mini Retina offsets many times over the few shekels you might spend buying apps for your new tablet. You could also buy a regular iPad Mini, but once you’ve become used to a high-resolution display for reading and watching videos, I suspect you’ll never want to go back.
What it all means for Apple
Android versus iOS really is PCs versus Macs all over again, only this time Apple’s foe is vastly more interested in user experience than Microsoft ever was. There are some subtle things I don’t like about the Nexus 7, including, for example, the seemingly imperceptible but actually important difference between Apple’s tablets and phones and Google’s in terms of responsiveness to touch.
But the gap has closed. Android is the equal of iOS in the one way that matters: It just works. Tech pundits can sit around stroking their beards and debating whether or not they prefer the aesthetics of iOS 7 or Android KitKat, but these distinctions are lost on the public. Apple continues to sell iPhones and iPads because that’s what people have bought so far. Google will rent you movies and sell you music and all the apps you care about are on both platforms and work equally well on either. Plus, if you’re a Google Apps user (gmail, calendar, etc.), the ability to mainline these on a Google-native device is a nice bonus.
Apple is now asking us to pay a 100% markup for a device that, for most people, simply isn’t all that different from the competition. The tablet and phone space has been conquered and commodified. Apple can remain a luxury brand, but considering how many other gadgets out there are worth putting your dollars toward, like a really great phone or a wearable that could change your life, it’s hard to see why we should spend more on a tablet. At this point, the differences between tablets just don’t matter that much—they’re the televisions of the mobile world. And the precipitous drop in Apple’s market share of tablets reflects that.
Coda: Today’s the day I switch off my review Nexus 7 and ship it back to Google. The fact that I’ll be buying one for myself—and that it’s the one non-Apple device in my personal tech ecosystem—tells you what I thought of it as an experience.
Rents are really starting to go up in the US
Even if the rent isn’t too damn high, it’s definitely higher.
Rising US rents were one of the few parts of today’s consumer price data that bucked the overall trend of soft price increases.
The key gauge of housing costs in the consumer price index is something known as “owners’ equivalent rent” or OER. Basically, this is an estimate of what it would cost homeowners if they wanted to rent the house they lived in. (In consumption data, homeownership is tricky because it’s something of a blend of consumption and investment.)
And this measure is on the rise, jumping 2.4% over the prior year in November. 
-
This is important. For one thing, OER is pretty influential in setting overall inflation numbers. (It accounts for about 32% of CPI, according to Ian Shepherdson of Pantheon Macroeconomics.)
What does that mean?
It means the fact that OER is on the rise will likely give the Federal Reserve some comfort that while inflation remains quite low, we’re not likely to slip into outright deflation anytime soon.
And that could give the US central bank a bit more confidence that now is a good time to start easing up on its heavy-duty bond-buying program (i.e. the much-anticipated taper, which could theoretically be unveiled as soon as tomorrow at the conclusion of the monetary policy meeting the Fed is holding right now).
Interstellar Selfie Station ⊟ In case you didn’t see this...

Interstellar Selfie Station ⊟
In case you didn’t see this blow up last week, Interstellar Selfie Station is a super cute app from Christine Love (Digital, Hate Plus) — Kill Screen calls it “Instagram meets Game Boy Camera”. Essentially it uses your computer’s camera to take photos/GIFs of you with lofi Game Boy-style filters.
Gonna post it here even if it’s late, though, because 1.) it’s coming to iOS/Android next Spring, and I want there to be an eShop version; 2.) I found that neat GIF from Drawings and Words; and 3.) this quote from Christine in a Daily Dot interview:
“What I like about the Interstellar Selfie Station is that it gives you just a little bit more control over how you look, and I’ve noticed this blowing up on my Twitter feed: Suddenly that makes people who are otherwise terrified to post pictures of themselves seem a lot more confident.
With my phone’s super-high resolution, high-colour 8-megapixel camera, it’s got enough detail to show all my pores and how uneven my complexion is and how messed up my hair is and whatever else.
Four colours isn’t enough for that. In four colours, every picture looks super flattering, and the weird outer-space colour schemes just add a little bit more distance, so there’s far less to worry about.”
BUY Game Boy Camera, upcoming games, our holiday gift guide
The Best Comic Books of 2013 [Master List]
firehosePhil Noto beat, Maris Wicks beat
Batman Black & White
Edited by Mark Chiarello
Published by DC Comics
Available: Comics shops (print) / DC Entertainment (iOS + Android + Web + Etc.) / Amazon (hardcover pre-order)
DC Comics' most auspicious art project finally returned in 2013 with a new roster of storytellers that, while perhaps not as uniformly "legendary" as many artists of the 1990s incarnation, rose to the occasion with black and white, out-of-continuity tales that immerse the reader in their variously dark and peculiar visions of the enduringly popular and graphically compelling Dark Knight. Even the stories you don't like -- and there will be some here, as this is an anthology -- can come with rewarding insights and inspire thoughtful discussions about the artistic fascinations expressed by their creators.
Stories and other contributions come from Phil Noto, Michael Allred, Kenneth Rocafort, Chris Samnee, Marc Silvestri, Neal Adams, JG Jones, Lee Bermejo, Jim Steranko, Alex Nino, Jeff Lemire, Rafael Albuquerque, Amanda Conner and many more to come in the two remaining issues of the limited series. Standouts so far include:
- Cartoonist and graphic designer Rian Hughes' impossibly intricate "Babel Comes to Gotham" (text which in the book is set upside down and backwards), featuring Batman and Robin battling an alien who threatens to bring about the "semiotic decay of reality's linguistic and cultural substrate," the result of which would cause civilization as we know it to stop making sense. Illustrated in Hughes' trademark synthesis of mid century style and computer-aided precision, the story is replete with bold typographical choices, daring layouts and endlessly clever metatextual and graphic symbolism, all wrapped up in a fast-paced and properly riveting Batman adventure. Where else could a cartoonist and graphic designer marry so closely his primary concerns of text and image into so happy a narrative than in Batman Black & White?
- Damian Scott's gorgeous, form-defying journey into the Joker's hall of mirrors, whose innovations in visual storytelling earned him a place in Janelle Asselin's Best Sequential Art Ever (This Week).
- A splendiferous but no less visually sophisticated team-up between Robin and Superman by artist Michael Cho and writer Chip Kidd (another graphic designer/comics creator), where the unlikely partners collaborate to find the missing Batman in a tale that invokes the uncynical heroism of Golden Age superhero comics.
- Joe Quinones and Maris Wicks' utterly charming and exquisitely drawn sitcom-style story of Harley Quinn compelling Poison Ivy to find a cure for the amusingly horrifying allergic reaction that's befallen Harley's beloved hyenas after they ate some gross burgers at a fast food restaurant (which Harley robbed, naturally).
-Possibly the best depicted car chase in years, featuring Batman and Roxy Rockett in an exhilerating action-packed and indeed funny sequence devised by The Wake's Sean Murphy and BPRD's John Arcudi that demonstrates in equal measure each creator's special talents for creating rich visual worlds and characters who, well, if not laugh then at least smirk in the face of danger.
- A next-level work by Rafael Grampá that finds the cartoonist fully indulging his unmatched gift for hyper-detailed figures and blistering action, topped off with a twist that makes his story feel like an epic and unforgettable song that you're stunned to discover lasted for just under three minutes.
- "The Bat-Man In ‘Silent Knight… Unholy Knight!’", a short "directed" by animator and cartoonist Dave Bullock from a story by Michael Uslan, is the artist's most effective demonstration of his mastery of period style and dramatic storytelling. The short takes inspiration from the fashions, lighting and staging of silent film, going so far as to dedicate entire panels to the handsomely designed captions seen in movies of the era. It's really a stroke of genius to present the Batman in such a way, highlighting the similarities between comic books and silent film's usage of images and text and the character's roots in the dark cinema of the era. Bullock understands this intimately, with each line and brush stroke working to communicate something very specific about Batman as a character and Gotham as an arena of suffering as well as justice.
- Dustin Nguyen's break from the delightfully cute, all-ages world of Li'l Gotham provides us with the artist's most sophisticated work yet, a day in the life of Batman that makes Gotham City itself seem as real as the world outside your window. Always a master of style and layout, Nguyen outdoes himself with intensely focused page designs that express a true control over the story he wants to tell, which is not to say the cartoonist doesn't fill each panel to the brim with the pretty pictures we've come to expect from him. On the contrary, every image in Nguyen's "Long Day" comes with precisely the right measure of grit, bombast, emotion or indeed tenderness that's called for.
- Animation designer and cartoonist Sean "Cheeks" Galloway provides an answer to Michael Cho's Golden Age-inspired Superman-Robin adventure to rescue Batman with a Robin-Batman adventure to rescue Superman, this time with visual inspiration taken from modern animation styles. It's as entertaining and funny as Cho's story is classically heroic and dramatic, and another great example of the kinds of aesthetic wells the reader can fall into when reading this most ambitious anthology.
Chinese rover diorama shows Europe being nuked
firehose"the backdrop is actually a stock image (seen above), which means it's entirely possible that whoever was responsible for arranging this diorama picked the art out of a lineup without scrutinizing it for depictions of nuclear bombardment."
http://www.snoron.com/nuclear_explosion_on_earth_from_space-wallpapers.html

China deserves all the congratulations in the world for landing its first spacecraft on the Moon. It's a big deal – both for China and humanity at large. But can somebody please explain why the background image at this exhibit for China's recently deployed Yutu Rover depicts a massive mushroom cloud over Europe?
The colors on this digitally restored ancient statue are unreal
Google Nabs Bing Maps Architect
Read more of this story at Slashdot.
→ What if Apple Got Rid of Star Ratings?
Collin Donnell:
Without a way to try an app before purchasing, getting rid of app reviews entirely doesn’t make any sense. The 1–5 star rating part of reviews though? Kill it and leave these options for reviews:
- The ability to leave a written review with a title and subject.
- The ability to mark other reviews useful or not.
Great idea.
Five-star ratings have been dysfunctional since long before the “Rate This App” annoyance plague (not just at Apple — Amazon’s and Netflix’s don’t work, either), and written comments are much more helpful when comparing or evaluating apps. It’s important that the reviews still be sorted first by descending app version, though, to prevent ancient reviews from effectively being pinned to the top forever (like we see in iTunes reviews for podcasts).
This wouldn’t kill “Rate This App” dialogs, though — they would just change to “Review This App”. But it would make it harder for fraudulent or solicited ratings to appear substantial or have a strong effect on sales.
Nerd Prom* Is Cancelled: Stumptown Comics Fest to Merge** with Rose City Comic Con
firehose!!!
Yikes. I liked Stumptown as the indie cousin to RCCC.
"people who read and create indie comics also like sci-fi TV shows" is just sort of... a weird thing to say, particularly. Somewhere between dismissive and overly broad.
Also: "Rose City's attendance for the 2013 show was nearly ten times Stumptown's — so we can only gain from that." No, not really.
The first ever Stumptown Comics Festival took place in 2004, at the Old Church in downtown Portland. Around 150 people reportedly attended. In the nine years since, the festival has grown exponentially, playing host to hundreds of comic book creators and thousands of fans, and moving from PSU and the Doubletree to ultimately land at the Oregon Convention Center.
It's also seen its share of controversy—last year, I wrote an article identifying some of the festival's major problems, including poor planning and outreach and a seeming lack of coherence around the festival's overall identity. Though it was founded as a "creator focused" festival (meaning that the emphasis is on writers and artists, rather than media companies and celebrities), there also seemed to increasingly be an appetite for a more pop-culture minded show, attracting people more likely to dress up in a Spider-Man unitard than to seek out obscure small-press titles. (The two audiences are not mutually exclusive, of course. Erik Henriksen is both.)
It's not particularly surprising, then, to learn that Stumptown Comics, Inc—the festival's organizing body, which attained nonprofit status last year—has cancelled the Stumptown Comics Festival, and is folding its activities under the umbrella of Rose City Comic Con, a big new pop culture show with ties to Seattle's Emerald City Comic Con. (Got that? After only two years, Rose City has both successfully partnered with Seattle's beloved show, and gobbled up a local rival. Impressive.) According to a press release, Stumptown will be "moving its panel programming and the annual Stumptown Comic Arts awards to Rose City Comic Con in September while the group's board of directors works on a new schedule of Stumptown community events to debut in 2015."
Stumptown Chair Shawna Gore cites cost as a major reason for ending the festival, along with difficulties in finding the right venue. (I've heard this complaint time and time again from local event organizers—everyone hates the Convention Center, and no one can think of a better option for big to mid-sized events.)
"After trying for years to make a convention-style presentation work for us, we realized we were locked into a model that has prevented us from making progress toward our other goals," Gore explained. "We can either keep doing what we've been doing all along, or we can take a break to shift and try to find a model that works better for us. But with our small, all-volunteer board (six people total, two of which have largely been serving on a consulting-only basis) and tiny budget, we can't do both."
When asked for specifics on what the organization's future will look like, Gore said, "We're beginning to explore other models of presenting programming outside of convention-style events; one possibility, for example, would be a guest lecture series, similar to what Portland Literary Arts does. We also want to talk to educators at all levels (grade school through college) to try and form new partnerships in local schools to bring comics education directly to students." (Per their mission statement, Stumptown is a "a nonprofit educational organization dedicated to fostering a wider appreciation of the artistic, cultural, and educational value of the comics art form, through public events, educational workshops, and other activities.")
I asked Gore how she thought Stumptown would fit in with the more pop-culture minded Rose City, and if she thought it would be possible to preserve Stumptown's identity in the absence of its own festival. "Rose City Comic Con has a much wider reach than Stumptown does, but it includes our core audience of comics readers and creators," she said. "As a convention we chose to emphasize a creator focus because we wanted to be clear that the Fest wasn't a place where attendees would be meeting celebrities involved with comics properties, but rather the people who actually make comics. Rose City's attendance for the 2013 show was nearly ten times Stumptown's — so we can only gain from that. I firmly believe that comics is growing increasingly inclusive as both an arts medium and a hobby; for the most part, people who read and create indie comics also like sci-fi TV shows, so I don't think we're turning our backs on anyone."
So it's time to stop thinking of Stumptown Comics as synonymous with "Comics festival," and start keeping an eye on how Stumptown Comics, Inc, chooses to define itself in the next few years. And all is not lost for fans of small/indie shows—there's the Projects, the great show organized by Floating World Comics' Jason Leivian, and we'll have details on another exciting new comics-related venture later this week.
*Tee hee, couldn't resist. I AM SO BAD I KNOW
**Update: In an email, Gore clarified that "Stumptown remains an independent organization, and we are not merging operationally with Rose City.... We don't want to give the impression that we are merging our overall organizations. " So don't get that impression! Stumptown will be doing programming at Rose City, and Stumptown Comics, Inc, will continue to operate as an independent entity.
EA responds to Code Wars criticism, promises changes
firehoseEA was getting too much good press
glad to see Ben Kuchera is keeping busy as well
Publisher Electronic Arts has "no intention to own participant code" created during its Code Wars game jam, the company confirmed with Polygon today.
The statement follows recent criticism over the game jam's terms, which revealed that apparently all content created during the event by participating developers would become the company's property free of royalty fees. The FAQ has been taken down, which a representative from EA stated was due to it being unclear.
"The language on the Code Wars site was confusing and unfortunately was posted prematurely," the representative told Polygon. "Most importantly, we have no intention to own participant code. We appreciate our fans bringing their concerns to our attention so we can address them, and that's why the site was brought down. We'll share more information soon and look forward to a fun developer event in February."
Earlier this week, EA announced its Code Wars event, a hackathon in which teams of up to five developers create mobile games or apps within a 14 hour time limit. The event, set to take place on Feb. 22, 2014 at EA's various studios worldwide — in Redwood City, Bucharest, Stockholm and Vancouver — has two parts: creating the main game and completing optional "side quests," mini challenges Code Wars organizers will introduce sporadically throughout the event.
According to the Code Wars website, the final product must include a working prototype and a three-minute presentation explaining how the app or game works. Grand prize winners will receive a trip to the EA studio of their choice, with hotel and airfare paid for by EA. The remaining runners-up will be gifted games and other swag.
"We have no intention to own participant code."
Shortly after the event details were posted, former Penny Arcade Report editor Ben Kuchera pointed out via Twitter that the contest's FAQ — which has since been removed by EA — stated all Code Wars submissions will become property of EA, with no royalties to be paid out to creators. Participating in the contest requires all developers to "consent to give [EA] a royalty-free, irrevocable, non-exclusive license to use, reproduce, modify, publish, create derivative works from, and display such submissions in whole or in part, on a worldwide basis, and to incorporate it into other works, in any form, media or technology now known or later developed, including for promotional or marketing purposes."
The FAQ also stated "physical copies of submissions become the property of [EA] and will not be returned." Furthermore, anything physically created during Code Wars could be licensed and used by its creators, but they will not earn anything from EA's use of their game or app. The FAQ notes that should EA be working on a similar app idea, creators will not be able to use or license it out due to existing EA patents.
In response to a tweet from Kuchera about the contest asking developers to "give their work for a studio tour," EA COO Peter Moore responded that the event's purpose is to "encourage young people to join our industry" and expressed confusion at Kuchera's statement.
"Could argue it's standard boilerplate, but anyone who comes up with something truly good has given up a ton in that agreement," Kuchera said, to which Moore "completely and utterly [disagreed]."
Moore also said in a response to a fan comment that the company looks at contests such as Code Wars as a way to identify up and coming developer talent.
It is not uncommon for independent developers to become successful with the games created or conceptualized during jams. Notable games include Vlambeer's Ludum Dare entry Nuclear Throne (first called Wasteland Kings), Deconstructeam's Gods Will Be Watching, IGF nominee Santa Ragione's MirrorMoon and Sportfriends games Hokra and Johann Sebastian Joust.
Former executive in charge of Microsoft Office is taking over Healthcare.gov
firehosegreat
Former Microsoft executive Kurt DelBene will be the new leader of Healthcare.gov, the troubled website through which Americans can access the new federal insurance marketplace. DelBene recently retired from Microsoft after over two decades of work there, most recently as head of the Office division. He'll start work as a senior advisor to Kathleen Sebelius, secretary of Health and Human Services, on Wednesday, when he'll begin managing the website and working toward improving its stability, interface, and security.
"Kurt is a talented and capable executive."
Despite DelBene's long tenure at Microsoft, top leadership from the company appear to be excited about his appointment. "Kurt is a talented and capable executive," Bill Gates says in a blog post. "I’m certain he’ll make an important positive contribution in his new role with HHS." Ballmer echoes similar sentiments, saying that DelBene's skills will be "invaluable" to the work on Healthcare.gov.
DelBene will be replacing Jeff Zients, who was appointed in late October but is now moving on to be director of the National Economic Council. DelBene will succeed him through at least the first half of next year, which is as long as he's promised to stay on board for now. "[DelBene] will be a tremendous asset in our work," Sebelius writes in an announcement today. Though Healthcare.gov is finally said to be in a largely operational state, putting a former executive from a major tech company in charge may be an important step toward getting it the rest of the way.
$100,000+ Worth Records For TRADE/SALE
djempiricalHIT ME WITH YOUR OFFERS

I have well over 100+ crates of great records ranging from Micheal Jackson Off the wall all the way to The Beatles,Elvis Presley,The Rolling Stones, The Game, SWV, Tank, 2PAC, and MORE.....
I am a lover of records
Combine all the records I have Its well over $100,000+ worth of vinyl records.
I am looking for great trade offers long as its fair
I have done trades both trading up and trading down BUT ONLY FAIR TRADES
I have also sold up and sold down BUT ONLY FOR THE RIGHT PRICE
I am willing to sale my collection for $65,000 cash also will do OBO
My past record collections have be used for all types of different uses LIKE: ART PROJECTS (sold for $350,000), DJ USE (sold for $78,000), MUSIC CLASS Sold for $40,000), AND MORE (sold for $500,000)
My Interest of trade is Property (BEAUTIFUL HOUSES), Beautiful CARS/Trucks, OR WHAT EVER YOU HAVE TO OFFER
Hit me with your offer
LETS MAKE A DEAL
HIT ME WITH YOUR OFFERS
kenshiro28: gentlemanbones: gamefreaksnz: Reddit user...
firehoseDreamcast and Gamecube prices are amazing


Reddit user Auir2blaze made this graphic showing how much classic consoles would cost in today’s dollars.
From this standpoint, 599 US DOLLARS doesn’t seem like a big deal anymore. But wow is the Wii a solid purchase.
Oh my god dat 3DO price I remember hearing it was a rip-off but fuck
Holiday Undercover: Mike Doughty covers “Christmas In Hollis”
Mike Doughty found fame as the frontman for Soul Coughing, releasing a bunch of great records in the mid-'90s before splitting as Y2K approached. Doughty quickly jumped into a solo career, and didn't do much looking back until recently: This year, Doughty revisited his Soul Coughing days by re-recording some of the band's albums solo-style for an album with an incredibly long title. For Holiday Undercover, Doughty grabbed a song that we thought would have been covered here ages ago: Run-DMC's classic "Christmas In Hollis." Doughty has dub plates made for his solo shows, and this one fit the song perfectly. (Check out the interview about "Christmas In Hollis" that we did with DMC last week, too.) Enjoy, and happy holidays.
Facebook finally launches 'dislike,' but only for Messenger
Liking comments and status updates on Facebook has been a long running theme of the social network, but you’ve never been able to demonstrate your disdain with a "dislike" until today. While Facebook isn’t introducing a full dislike button, the Messenger part of the service is getting a giant thumbs-down sticker as part of a free pack released this week. Stickers were originally introduced in April, but a recent hackathon has resulted in a “Likes” sticker pack that includes a sore thumb, fiery thumb, poke, and lots more.
The new sticker pack is available from the Sticker Store, which is accessible via the smiley face within a Facebook Messenger chat session on the web or mobile apps. While it won’t bring the highly requested dislike button to comments and status updates, you’ll be able to send your friends as many sore thumbs and thumbs-down stickers as you want to express any dissatisfaction over that Christmas sweater they're wearing this holiday.
- Via TNW
- Source All Facebook
- Related Items facebook facebook messenger dislike dislike button sticker stickers messenger chat social network update sticker pack
The Code Of Life
firehose"After almost 20 years as a working book critic, I’ve come to accept that my line of work is basically a relic of another age. Book buyers now prefer the collective “wisdom” of Amazon reviews; newspapers and magazines, struggling to survive, are devoting less and less space to book matters; and writers are being forced by the economics of the Internet to give their opinions away for little or nothing.
...
Now, I was never going to be a career programmer. Though I got into it with the idea of getting myself out of a financial pinch, it turned out to be unnecessary. I managed to transition from a book critic to a features writer.
But my code year changed me. Whenever I meet someone involved in technology — which is pretty much everyone these days — I have a real understanding of what they’re talking about, whether it’s an I.T. consultant working with a bank trying to exploit the possibilities of Big Data or a biomedical engineer who has created software to more precisely visualize an M.R.I. scan. Knowing some code has made me feel more connected to others in our tech-driven society.
The biggest surprise has been the recovery of the feeling that my mind is once again my own."
TW: the word "milleniums"
ē Misunderstood
firehose"There are countless moms and dads out there who desperately want to connect with their children, who fear the best days are already past, and worry about the kind of person they are becoming."
And only Apple products can fix that!
Apple just posted their holiday iPhone commercial:
This is what I’m talking about. It’s not about specs, it’s not about thinness, it’s about what those physical properties make possible for real people.
Now please do the same for the iPad (which has always been harder to advertise).
Previously:
UPDATE: While reaction around the web is largely positive, I’ve also seen a fair bit of snark along the lines of “Apple is promoting recording your family over actually spending time with your family”, or something to that effect. And, I suppose it is true that it’s advantageous from Apple’s perspective for incessant iPhone use to be seen as a good thing.
But I think that’s a touch too cynical, and misses the impact of this ad. What make this ad so powerful is that it is so, so real. Oh sure, the perfection of the recording and the happy coincidence of the grandparents having an AppleTV is perhaps not so plausible, but the idea of a teenage son being disconnected, yet ultimately, deep down inside, still caring, will touch the soul of parents – and young adults – in a way few ads ever will. This shot captures it:
There are countless moms and dads out there who desperately want to connect with their children, who fear the best days are already past, and worry about the kind of person they are becoming.
On the flipside, how many young people – including, I’d wager, many reading this blog – have parents who just don’t get us, who see technology as a threat, best represented by that “can-you-put-that-damn-thing-down-and-join-us-in-the-real-world!?” smartphone in our hands, without any appreciation that it’s that phone and the world it represents that has allowed us to find ourselves and become the person we know they wanted us to be? And that we do care, just in a way that makes sense to us and can’t they see that?
By letting go of tangible product features – and, by exploiting a brand promise developed over the last decade1 – Apple is associating its flagship product with the happy resolution of that deep-seated longing on both sides, resulting in an emotion far more real than any possible articulation of a feature or spec.
This is advertising at its finest.
- This is the necessary precondition that makes it impossible for most companies to pull off an ad like this
The post Misunderstood appeared first on stratēchery by Ben Thompson.
Put down the Xbox and play these thrilling games created by central bankers

The European Central Bank will introduce a new €10 note next month. To spice up this rather mundane event, the bank—masquerading as a Frankfurt-based startup out to disrupt the banknote space—is turning to gamification. To familiarize buyers and sellers with the note’s new features, the ECB launched an online clone of the video game Tetris, in which achieving a certain score unlocks details about new security features.
It’s the latest in a surprisingly crowded field of interactive games produced by central banks. Most aim to teach young people about basic economic concepts—inflation, interest rates and the like. Although these games won’t trouble sales of the Xbox One or PS4, they fulfill a particular need—for those times when you wistfully scan the agenda of central bank conferences like “Heterogeneity in currency areas and macroeconomic policies” and crave a piece of the action.
Below is Quartz’s guide to the current crop of central bank games. Scores range from one to five gold bars, with five representing a rock-solid safe haven currency and one a flimsy fiat regime ripe for devaluation.
Strategy and puzzles

Escape from Barter Islands (Cleveland Federal Reserve)
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Shipwrecked on the seemingly idyllic Barter Islands, you quickly realize that these windswept lands hide a terrible secret: The lack of a monetary system. This makes buying a replacement oar, sail and other equipment for your boat torture, as you scramble to trade a wide range of unrelated items with single-minded islanders to get what you want before the sun sets and markets close. Wouldn’t it be easier if we all just agreed on a common, portable medium of exchange? Yes, yes it would.
VERDICT: Nice animation, but lacking in atmospherics. Addresses a debate long since settled, even in the 8-13 year-old target market.

Ten-euro note Tetris (European Central Bank)
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A four-level Tetris clone, with each level corresponding to new security features in the upcoming revamp of the €10 note—finish a level and your reward is a factoid about banknote security. The highest 20 scores by Jan. 12 will get a special “VIP banknote” personally signed by ECB president Mario Draghi.
VERDICT: Tetris is fun, so this is fun. But it’s not as educational as other offerings, unless you work in the printing industry.
* * *
Role-playing and simulation

€conomia (European Central Bank)
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The ECB’s entry in the you-be-the-chairman series, a staple of the genre, now in its second edition. Your goal is to set interest rates in order to keep annual inflation just under 2% over a period of eight years. An in-game dashboard lets you test your theories against projections for inflation, production and money growth. Unpredictable economic shocks, a fickle press and a squabbling board that often gives you contradictory advice make for a surprisingly realistic simulation of life as Mario Draghi. Also available for iOS.
VERDICT: It’s a pioneer of the central bank gaming genre and remains one of the best.

Euro Cash Academy (European Central Bank)
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A Steely Dan-inspired tune puts a spring in your step as you stroll through an unidentified European town square, learning about the new features of the “Europa” series of euro banknotes. You are escorted, appropriately enough, by Europa herself, who is quite keen to tell you all about the finer points of serial numbers, watermarks and holograms. Careful reconnaissance pays off during the quiz round, in which you must answer six questions to win Europa’s favor. Or something. Also available for iOS and Android devices.
VERDICT: A free-roaming platform like Grand Theft Auto, but with less violence and more notaphily.

Fed Chairman Game (San Francisco Federal Reserve)
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“Think you have what it takes to steer the country’s central bank?” this game asks at the outset. Well, do you? It’s a simple but effective simulation of running the Federal Reserve: Set interest rates in response to trends in prices and unemployment, aiming to keep inflation around 2%. Succeed over a four-year period and bask in the glory of reappointment as chairman.
VERDICT: Not as rich an experience as €conomia, but serves the same purpose. Could use an update to reflect monetary policy in the age of quantitative easing and the zero lower bound.

Inflation Island (European Central Bank)
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Similar to “Euro Cash Academy,” this is an open world ripe for exploration. Set the inflation gauge on anything from deflation to hyperinflation and see how the islanders react. Interestingly, the devastation and despair wrought by hyperinflation stands in stark contrast to the mild annoyance generated by deflation.
VERDICT: Dig the moody soundtrack and embedded historical videos from Weimar Germany, 1940s Hungary and other troubled economic episodes. The game play, however, is a little dull on anything aside from the sadistic “hyperinflation” setting.
* * *
Action and adventure

The Monetary Policy Balloon (Bank of England)
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The Bank of England employs meteorological metaphors to explain price stability in this straightforward side-scroller. Keep your hot air balloon at or near a certain altitude—which corresponds with 2% annual inflation—as the economic winds try to blow you off course. The metaphors are a bit tortured—a busy factory generates smoke which heats the air and causes your balloon to rise—but effective enough.
VERDICT: Surprisingly tricky to keep that darn balloon steady—I don’t envy you, Captain Carney. Could use some background music to enliven the somewhat monotone narration.

Top Floor (European Central Bank)
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The drama of this game is made clear in the opening splash screen: “The ECB’s Governing Council is meeting to decide on interest rates for the euro area. Your mission? Collect the seven briefing documents and deliver them to the Council.” Try to ignore your pounding pulse and answer a series of questions about the inner workings of euro zone institutions in order to collect the necessary documents and unlock new floors on the elevator. Photorealistic graphics and a touch of humor provide a touch of levity to this otherwise solemn mission.
VERDICT: Despite being the slickest of the central bank games, it’s a bit too easy to resort to the elevator helpline phone for sure-fire hints to answer thorny questions.
Shia LaBeouf apologizes for plagiarism
firehose"Copying isn't particularly creative work," explains LaBeouf, "being inspired by someone else's idea to produce something new and different is creative work ... In my excitement and naiveté as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation." LaBeouf then goes on to apologize directly to Clowes, closing his apology with a simple, but authoritative statement: "I fucked up."
Shia LaBeouf has admitted not crediting an author as the inspiration for his short film. After debuting at the Cannes Film Festival last year, LaBeouf's well-received HowardCantour.com was released on Vimeo earlier this week, but the actor was soon to be in the headlines for the wrong reasons as BuzzFeed revealed his film heavily plagiarized plot and dialog from Daniel Clowes' short story Justin M. Damiano. Both the short story and film open with exactly the same monologue, and the similarities continue throughout the 11-minute short, which has since been replaced with a trailer.
Clowes tells BuzzFeed that he was "shocked" to see "the script and even many of the visuals from a very personal story" passed off as original work. "I actually can't imagine what was going through his mind." Hours later, in a series of increasingly remorseful tweets, LaBeouf admitted he was guilty of making a mistake, but explained the plagiarism away as getting "lost in the creative process."
"I fucked up."
"Copying isn't particularly creative work," explains LaBeouf, "being inspired by someone else's idea to produce something new and different is creative work ... In my excitement and naiveté as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation." LaBeouf then goes on to apologize directly to Clowes, closing his apology with a simple, but authoritative statement: "I fucked up."
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Finland’s short-lived experiment using gingerbread cookies as currency
firehoseScores of lovingly baked cookies were turned away at the ticket window by early morning (video in Finnish). State-owned broadcaster Yle reported on the travails of one spurned passenger:
“I was up baking the Matkahuolto ticket until 10pm last night, and I woke up today at 6 so that I could get a free ticket to Helsinki,” Minna from Jyväskylä told the local Yle service. “Five people were in front of me when they put a note at the ticket desk. I am going to buy a train ticket to Helsinki as a protest.”

Bitcoin may have its problems, but it is still a more solid alternative currency than one introduced in Finland today.
In a quaint Christmas promotion, Finnish long-distance bus operator Matkahuolto announced that passengers could exchange gingerbread cookies for a one-way ticket to travel today (link in Finnish). The only rules were that the cookie’s decoration needed to show the desired origin and destination, and it needed to be edible. Eager bus riders have been posting photos of their creations on Twitter under the hashtag #piparilippu (roughly, “cookie-ticket.”) The longest routes run into the hundreds of euros, so taking the time to bake your own ticket could represent a big return.
Demand fast outstripped supply. The bus operator boosted its initial allocation of gingerbread-swappable tickets from 500 to 1,000, but these too were quickly snapped up. Scores of lovingly baked cookies were turned away at the ticket window by early morning (video in Finnish). State-owned broadcaster Yle reported on the travails of one spurned passenger:
“I was up baking the Matkahuolto ticket until 10pm last night, and I woke up today at 6 so that I could get a free ticket to Helsinki,” Minna from Jyväskylä told the local Yle service. “Five people were in front of me when they put a note at the ticket desk. I am going to buy a train ticket to Helsinki as a protest.”
Disgruntled bakers-cum-bus riders are now taking to Twitter, dubbing the fiasco #piparigate, a strange amalgam of Finnish and Nixonian English terminology. Some put a lot of effort into their “tickets”—a few of the highlights are below. Despite the failure of Finland’s limited experiment with a gingerbread-backed monetary system, it did have one clear advantage over more established alternative currency regimes: You can’t eat a bitcoin.
Täältä lähettiin #piparilippu #matkahuolto #ekatalo http://t.co/IwRyRg4Yx8—
pentu (@pentune) December 17, 2013
Kollegamatkustajan taidonnäyte. #piparilippu #piparigate #pipari http://t.co/yziCHRt5Ed—
Noora Haapanen (@Noora_H) December 17, 2013
Pitäisköhän hakee Nooran kans #piparilippu Matkahuollosta tiistaina
http://t.co/9h6EtKVzmg—
Eve (@liveve308) December 13, 2013
Metallica Performs Their ‘Freeze ‘Em All’ Concert Live in Antarctica
firehose"to help prevent noise pollution, (the audience) listened to the live music through headphones"
Metallica recently made history by performing a live concert in Antarctica on December 8th, 2013. After completing the concert, they became the first band to perform a concert on all seven continents in a single year. Metallica rocked out 10 songs under a small dome at the Carlini Station for their cold-weather concert, which the band titled “Freeze ‘Em All.” A large group of Coca-Cola Zero contest winners and scientists were in attendance and, to help prevent noise pollution, listened to the live music through headphones. Music from the “Freeze ‘Em All” concert is available to purchase from Metallica’s online store.
Here is footage of the hour-long live concert in Antarctica:
We made history as the first and only band to play on all 7 continents in the same year! http://t.co/QT5F9dU996 pic.twitter.com/cWtjSY4EEF
— Metallica (@Metallica) December 10, 2013
A sneak peek of tomorrow's venue in #Antarctica. #FreezeEmAll #TrappedUnderIce pic.twitter.com/FZ7xwR47uU
— Metallica (@Metallica) December 8, 2013
Setlist & pics are up from today's gig in #Antarctica! http://t.co/s128Md2sh8 #FreezeEmAll pic.twitter.com/L9pkuGIeKN
— Metallica (@Metallica) December 8, 2013
photos by Ross Halfin
videos via MetallicaTV, and AleX StorM
via Billboard
Saints consider benching Garrett Hartley
firehoseSorry, everybody
New Orleans might pull the plug on a man who once kicked it into a Super Bowl.
The New Orleans Saints are approaching their most important game of the season, and are thinking about benching kicker Garrett Hartley before it, according to ESPN.com.
NFL Week 15
• Debrief: Patriots run out of luck • Takeaways: Collapses abound • NFL playoff picture through Sunday • Current 2014 NFL Draft order • Week 15 #Lookits
With a game against the Carolina Panthers in the wings, coach Sean Payton is not too confident in the kicking game. When talking about Garrett Hartley's performance last week - in which he missed two field goals including having one blocked from short range - Payton was blunt. Per the piece:
"The kicking game, we can't kick a field goal. You know, we have one blocked, which was a low trajectory kick. The other one we just shanked to the left."
The former Super Bowl champion has struggled all season despite kicking inside the dome, missing eight of his 30 attempts. Earlier in the year the Saints brought in five different kickers to take a look at, including Shayne Graham and Neil Rackers. Ultimately none were signed, but still remain available in case New Orleans wants to revisit the situation.
Should the Saints beat the Panthers, they would lock up the No. 2 seed in the NFC playoffs. If they lose, they would need to win in Week 17 and hope for a Carolina loss.
More from SB Nation NFL
• Debrief: Brady and the Patriots run out of luck (for now)
• Seahawks shutout costs Washington car dealer $420,000
• Takeaways: Eliminations and collapses | 2014 NFL draft order
• Mike Shanahan walks out of press conference | Tom Brady, too
Amazon Workers Strike In Germany As Christmas Orders Peak
firehose" 'What Amazon is doing is taking this American race-to-the-bottom roadshow to Germany and trying it out on our German brothers and sisters,' says David Freiboth. Amazon has defended its wage policies, saying that employees earn toward the upper end of the pay scale of logistics companies in Germany. Amazon also says it prefers to address employment issues with worker councils at individual sites rather than through negotiations with the union."
Read more of this story at Slashdot.


















