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04 Mar 21:50

"SIDDHARTHA" BY HERMAN HESSE, WITH MUSICAL INTERPRETATION BY WILLIAM CORGAN (part 1 of 2) - YouTube

by djempirical
firehose

starring more of Billy Corgan's plumber's crack than you ever imagined

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djempirical

i love synth jams as much as (maybe more than) the next gal, but this is comical.

http://www.youtube.com/watch?v=C3tV8n-CVnA

Original Source

04 Mar 21:47

Finding the Real Patsey of 12 Years a Slave

firehose

via Rachel

firehose shared this story .

Courtesy of Fox Searchlight.

“What’ll become of me?”

When a free black man named Solomon Northup was rescued from 12 years of bondage in January of 1853, a fellow slave, a young woman named Patsey, called after him tearfully. One hundred sixty-one years later, Northup's account of his kidnapping and time as a slave on Edwin Epps's Louisiana plantation has been authenticated by scholars with annotated versions of Northup’s book, supplemental textbooks and articles detailing his life. Last year's big-screen adaptation of his narrative, 12 Years a Slave, is currently nominated for nine Academy Awards—including a best supporting actress nod for the woman who plays Patsey, Lupita Nyong’o. Yet Patsey’s haunting question, “What’ll become of me?”, remains unanswered.

What became of this girl, Northup’s close acquaintance and one of the major figures in his book, who was terrorized by her master and mistress? Did she succumb to one of the bouts of disease that swept the Louisiana-bayou slave communities? Did Epps’s severe beatings or his wife’s unhinged jealousy take their toll, or did he perhaps sell her some time after 1853? Was she secreted away by members of the Underground Railroad? Did she survive until emancipation rolled through the area via the Red River Campaign in 1864, then travel elsewhere? Or did she remain in Louisiana?

For more than two months, I have considered these possibilities and more, in an attempt to respond to Patsey’s plea. I have scoured annotated versions of Northup’s text, census records, court documents, online genealogy databases, libraries, and newspapers from the era. I’ve spoken with experts in the fields of genealogy and historical research, consulted professors, archivists and historians, even traveled to the town in Louisiana where Epps’s plantation, once stood—all in an attempt to track Patsey’s life after Northup’s departure in 1853. I practically went cross-eyed after days of squinting at vital records recorded in miniscule cursive writing; I pulled archival books as heavy as small children from high shelves in cavernous, dusty warehouses; I almost hydroplaned into ditches while exploring unpaved backroads during rainstorms. I drove through towns with a Louisiana-history picture book on my lap in an attempt to match the old and new. I hand-cranked microfiche machines until my wrist was so stiff I couldn’t move it. The investigation has unearthed two new theories for every one posed, protruding from the murk of research like so many cypress knees lining Louisiana’s bayous. How can it be this hard to find one woman? The question seems as deceptively simple as Patsey’s, but the difficulty in answering proves emblematic of the lost histories of many slaves.


Courtesy of Fox Searchlight.

“Do you have a year of your life to spare?” I’d heard similar versions of this retort in the wake of introducing my article’s subject, but it wasn’t until my third day in central Louisiana that I truly started to believe it. This one came from John Lawson, local historian and patron of the Alexandria Genealogical Library —a space flush with resources and rife with knowledgeable volunteers, all of whom have a passion for the subject. "Oh, but you'll find her eventually," Lawson quickly followed up. No one else I’d spoken with at that point seemed to think it possible.

I prepared for my time in Patsey’s South for a month and a half, beginning with the facts of Northup’s book (my particular copy being an enhanced edition by Dr. Sue Eakin, the LSU of Alexandria professor and historian who devoted her life to researching Northup’s story). Northup spent 10 of his 12 enslaved years as Epps’s property, the latter eight of them on his plantation in Avoyelles Parish, Louisiana, in an area near Bunkie known now as Eola, then as Holmesville. He worked alongside Patsey and six other slaves (Abram, Wiley, Phebe, Bob, Henry, and Edward)—all but Edward came to Louisiana from neighboring plantations in Williamsburg County, South Carolina. Piecing together the genealogy of a slave, as it turns out, almost always must happen through reconstructing those of his or her owners.

In 12 Years a Slave, Northup cites Patsey as “the offspring of a ‘Guinea nigger,’ brought over to Cuba in a slave ship, and in the course of trade transferred to Buford, who was her mother’s owner.” That owner, said in the book to be James Buford (more likely named William J. Buford, according to 1830 and 1840 census records from Williamsburg County that I found), is said to have fallen upon hard times and sold her, along with a group of others, to Archibald P. Williams of Rapides Parish, Louisiana, near Alexandria.

The exact year of Patsey’s relocation across state lines is unknown. Epps was an overseer on the Oakland Plantation, near Alexandria, patented by Williams, and he was given the slaves as payment for his wages in that role. Conveyance papers from Williams to Epps for the group no longer exist, as the Rapides courthouse was burned by Northern soldiers in 1864, destroying almost all records (not an uncommon scenario during the Civil War). But we know Patsey was with Epps as of 1843, when he purchased Northup and leased the Bayou Huffpower plantation of his wife’s uncle Joseph B. Robert, before moving them to the 300-acre plot of his Avoyelles Parish plantation on Bayou Boeuf in 1845.

Northup’s book cites Patsey as being 23 years old, though his proclamation of that age could’ve occurred any time during his 10 years with her, making it a sliding scale (most likely, he was referring to her age when he left her in 1853). Pre-1850 U.S. Census records only separate slaves by gender and catalogue them within age-group intervals of five to 10 years, but in 1850 and 1860 there were separate Slave Schedule census records taken. Regardless, no names were included with each slave entry, and ages were often approximated. Deducing from the general ages of the other slaves on Epps’s farm within Northup’s text, Patsey appears as the entry for a black female, aged 19, in Epps’s 1850 Slave Schedule. Using all these factors as a guide, it’s safe to estimate that she was born around 1830 in South Carolina.

If Patsey died of disease, fatigue, or abuse before 1864, there’d be no record of it. “Imagine a disease taking its toll much worse on the enslaved community,” explains Christopher Stacey, Ph.D., associate professor of history at LSU of Alexandria. “Measles, mumps, yellow fever, malaria . . . chicken pox. . . . They affected the enslaved population that much more because of the abuse, because of the hard living conditions in the slave cabins, because of damage to bodies and minds. There are accounts of slaves dying, literally, of repeated abuse from a psychological standpoint. It would be the same as looking at somebody with PTSD catching pneumonia and dying inexplicably. We know now that healthiness and being healthy is as much psychological as it is physiological.”

The sad reality is that slaves were property, considered very expensive livestock, and there were few regulations governing their treatment and whereabouts. “There were laws in the antebellum South which regulated and dictated how slave owners treated slaves—there was a minimum standard,” explains Stacey. “Now, a record of the enforcement of those laws? That’s dicier. I don’t think compliance was part of it. I think every law that was written in each of the states restricted excessive abuse and violence, which is relative. The laws specifically were written to protect the institution of slavery.” This also means that if a slave died on an owner’s plantation, they were not required to report the death and could choose where and how the body was to be interred—on their own property, in a cemetery, or elsewhere. “There was not a uniform standard or rule as far as burying slaves,” says Stacey.

Most slave cemeteries and graves from the era remain unmarked. The closest African-American burial plots to Epps’s land that stand today reside in the cemetery at First St. Joseph’s Baptist Church. After looking through archived papers, the church’s deacon, Willie Johnson, confirmed that it was established in 1875 and the land for its location was donated on July 26, 1888. If she survived beyond emancipation and remained in the area, it’s entirely possible that she was a member of this church, and—if she had children—they would've attended the adjoining school.

On my second day in Louisiana, I scrutinized the weathered headstones of the First St. Joseph’s cemetery with Bunkie, Louisiana-based historian Meredith Melançon, searching for any record of Patsey. We met through Melançon’s incredible University of Louisiana at Lafayette work on the website called Acadiana Historical. I happened upon it while attempting to piece together Patsey-centric locations of the Northup Trail in preparation for my trip to Louisiana, and the two of us became fast friends. "If I was Patsey and I survived to emancipation, I’d get the heck outta this place—as far away from Edwin Epps as possible," exclaimed Melançon, while squinting at a particularly illegible white marble marker. It was a drizzly, unusually cold day in early February—a fitting environment for a tour of the landmarks related to Patsey’s life.

Against all odds, Patsey was young and very strong—she was one of Epps’s most valuable and profitable workers. Northup writes, “Such lightning-like motion was in her fingers as no other fingers ever possessed, and therefore it was, that in cotton picking time, Patsey was queen of the field.” Despite that, she suffered incalculable emotional and physical abuse at the hands of Epps and his wife, Mary. “Her back bore the scars of a thousand stripes; not because she was backward in her work, nor because she was of an unmindful and rebellious spirit, but because it had fallen to her lot to be the slave of a licentious master and a jealous mistress,” Northup describes. “She shrank before the lustful eye of the one, and was in danger even of her life at the hands of the other, and between the two, she was indeed accursed. . . . Nothing delighted the mistress so much as to see her suffer, and more than once, when Epps had refused to sell her, has she tempted me with bribes to put her secretly to death, and bury her body in some lonely place in the margin of the swamp.” Could it be possible that Mary’s request fell to someone with fewer moral scruples than Northup after his departure? It’s entirely possible.

From Twelve Years a Slave: Narrative of Solomon Northup, a Citizen of New-York, Kidnapped in Washington City in 1841, and Rescued in 1853. Auburn [N.Y.]: Derby and Miller, 1853.

Of all the injustices outlined in Northup’s narrative, one particularly brutal whipping of Patsey at the hands of her master and Northup (who was forced into the act against his will) left her near death. The description of the scene resonated with readers, and was often cited in newspaper reviews of the book at the time; it provides the devastating emotional climax of the movie 12 Years a Slave, as well. Northup’s account of Patsey’s whipping is horrifying, made even more unbearable by the circumstances that led to it. Because Mistress Epps refused to give Patsey soap for washing, she left the plantation without permission in order to borrow some from a neighbor. Master Epps was so enraged upon her return that she was immediately staked to the ground, and Northup was ordered to whip her. Obliging out of fear, he “struck her as many as 30 times” before attempting to stop, but after being forced, he “inflicted 10 or 15 blows more,” until refusing to continue, “risking the consequences.” At that point, Epps assumed the whip and continued until she was, Northup describes, “literally flayed.” Though Patsey survived the unimaginable punishment, “from that time forward,” he writes, “she was not what she had been.”

It’s heartbreaking to ponder how someone so young, who possessed such dignity under unimaginably inhuman circumstances, finally had her spirit broken in this manner. And this brings us back to Melançon’s idea that Patsey would “get the heck outta there” after emancipation, and some theories about where she may have gone. Alas, theories are almost all I have to work with—so much of constructing Patsey’s history involves small pieces of fact linked by large gaps caulked with conjecture.


The Secondhand-Newspaper Account Browsing the Library of Congress’s newspaper archive website, Chronicling America, I came upon perhaps the biggest discovery of my research—an 1895 clipping from the Idaho Register (a wire story from the National Tribune in Washington, D.C.) called “About the Campfire: Truthful Tales Told by the Veterans.” It detailed—under a section titled “Bayou Boeuf”—a veteran’s recollection of Northern soldiers recounting a visit to Epps’s plantation, “soon after the war.” The soldiers (and the narrator) had read Northup’s book, and were curious about the truth of the story. It’s said that they “told of seeing and talking with his former slave comrades, whose names were Uncle Abram, Wiley, Aunt Phoebe, Patsy, Bob, Henry, and Edward.” Misspelling aside (quite common), this is a fairly huge breakthrough as far as validating Patsey’s presence on Epps’s plantation right before emancipation. The rub: this was recounted 30 years after the fact, and it’s entirely possible that the narrator simply cracked open his copy of 12 Years a Slave so as to properly cite the names of every slave on Epps’s plantation. It’s as plausible that the soldiers simply told him they spoke with some of Northup’s fellow slaves, but didn’t name names.

The 1860 Avoyelles Parish Slave Schedule Epps’s 1860 U.S. Census Slave Schedule cites a total of 12 slaves—just four more than he owned a decade prior. There is an entry for a 34-year-old female, who could possibly be Patsey (again accounting for the license used with recording of ages on these records). No conveyance of her sale before that time exists at the Marksville courthouse, which holds all remaining records for the Avoyelles Parish area from that time.

Patsey Williams/Patsey Buford Upon emancipation, slaves had no money or means, and were often forced into a life of indentured servitude. Those who left their former owners were sometimes by default given their master’s surname, if they didn't already have one (this is how Solomon’s father, Mintus Northup, received his last name, as it happens). “It depends on what they wanted,” explains Elizabeth Shown Mills, former president of the Board for Certification of Genealogists and co-author of The Forgotten People: Cane River’s Creoles of Color. “There were times it went back to the mother’s owner, sometimes the owner of their grandparents. The premise here is that most slaves did not leave their comfort zones. They didn’t leave that neighborhood in which they grew up. And so you’re going to find them, for decades after the war, generally in that same community. Of course exceptions existed, but they were less likely to exist with females.” Her mother’s owner’s surname was Buford, though it’s likely her mother also accompanied Patsey to the Williams plantation in Louisiana. I came across one record of a “Patsy Buford” in the 1910 U.S. Census from Flat Rock, Kershaw, South Carolina. She’s listed as 80 years old (keeping with the 1830 birth date), and both of her parents are listed as having been born in South Carolina. Keeping in mind Mills’s “comfort zone” rule, it’s more likely that the 1870 U.S. Census uncovered for a 40-year-old Patsey Williams in Cheneyville (Rapides Parish) could be a lead. Also considering Mills’s enlightening point that Patsey is, in fact, a nickname for Martha, it’s easy to see how the possibilities can become endless.

The Underground Railroad Northup’s narrative makes it clear that Patsey was aware of the possibility of freedom. He writes, “Patsey’s life, especially after her whipping, was one long dream of liberty. Far away . . . she knew there was a land of freedom. A thousand times she had heard that somewhere in the distant North there were no slaves—no masters.” This makes it possible to consider she sought help through outside means. Though Northup’s ultimate fate is also unknown (he disappeared in the early 1860s), scholars have unearthed persuasive evidence that he was part of the Underground Railroad. It makes sense that Northup would’ve found his way into this line of work—his experience, along with Patsey’s last words, had to haunt him. He almost certainly didn’t travel back to Louisiana (Underground Railroad agents rarely operated in the Deep South), but that doesn’t mean he couldn’t have helped engineer Patsey’s rescue from up North. There’s an Underground Railroad location in Pollock, Louisiana—51 minutes north of Eola—called Oction House, established in 1861, which could’ve served as Patsey’s first stop. Because of its clandestine nature, there are very few Underground Railroad records, but it remains a possibility because it cannot, as of now, be officially refuted. Permanent work with the Underground Railroad could also corroborate Northup’s disappearance, as joining meant separation from his life in upstate New York, and almost certain anonymity.

Patsey Epps. “Considering all of the suffering—emotional and physical—that he [Epps] inflicted on her, I cannot see Patsey, as a free woman, taking his surname,” says Mills. Still, she admits, “You don’t want to pass up any possibility, no matter how slim.” Patsey could have been assigned the Epps surname, which was a popular name throughout the South. Patsey was also not an unusual first name, so—without a tie from Louisiana to one of these other areas to corroborate the evidence—these listings remain distant possibilities. The most likely possibility was found within a search for a Patsey Epps born around 1830 in South Carolina (keeping in mind that spelling and ages on these documents are flexible), wherein I pulled a 1900 U.S. Census listing for a 70-year-old Patsy Epps born in South Carolina and living in Washington, Mississippi—about two hours north of Edwin Epps’s plantation.

Scanned copies of these documents can be seen in the gallery below.

Bunkie is the kind of place where you can drive miles before seeing anything but a church or gas station, and the scenery—even amid the area’s unusual early February snow flurries and frost—is haunting, seemingly plucked from another time. This is lowcountry, where soybeans, corn, and sugar cane are produced in sprawling fields, homesteads perched aside them neatly. Drive along the bayous and the views are strangely preserved—the lots are narrow and long, just as they were in the 1800s, when they were situated to allow every plot waterfront access for transportation of goods. Even when viewing the homes, it’s difficult to distinguish the time period—new residences are fashioned in the classic Creole style, and old dwellings are beautifully restored. Palmetto bushes line the bayou banks, lending credence to the accounts Northup wrote of escaped slaves hiding in the dense greenery for months. Ancient oaks (which get wider—not taller—with age) dot the horizon; cypresses soak in the bayous—their knees jutting from still pools of water—and pecan trees line acres of land in orderly rows. It’s an area deeply steeped in its history, and its residents are fiercely protective of that fact. As a New Yorker shouldering the pressure of a time crunch, my instinct was to economize—I quickly learned that every action needed to be padded by at least 45 minutes. It didn’t matter where I went—a library, hotel lobby, or coffee shop—I was greeted warmly, identified almost immediately as an out-of-towner (yes, it’s that obvious) and, upon describing my project, was privy to boundless enthusiasm and a flurry of tips and anecdotes. In this town, everybody knows everyone who knows something about someone from someplace. The Louisiana welcome is a deep, cozy rabbit hole—I’m not entirely sure I’ve yet dug my way out.

My research in Louisiana also centered upon finding a cause of death for Edwin Epps, in pursuit of some manner of cosmic justice for Patsey. (If his will was written prior to emancipation, she would be listed among his inventory if she was still with him at the time). It’s documented that he passed away in 1867, and his wife died shortly thereafter—both are interred at Fogleman Cemetery, a short distance from where his plantation once stood, though their headstones have long since been lost. (The space itself is completely overgrown—a few original headstones, a historic marker and a fence are all that separate it from a forgotten patch of farmland).

Epps’s will exists at the Marksville courthouse (I held the original, as it happens). His inventory proved enlightening—his children and wife Mary were named, as were all of the items currently on or within his plantation. As it turns out, the papers were drawn up post-emancipation (on April 27, 1867, shortly after he died), so there was no record of Patsey. There was mention of outstanding debts that included a cotton order from New Orleans, with the stated proceeds being split among his laborers—proving that he did have either indentured servants or hired laborers working his farm at the time of his death, one of whom could possibly have been Patsey.

“What we know about slavery is heavily weighted to the larger slave owners,” explains Stacey. “Around 50 percent of slave owners in the antebellum South owned 25 or fewer slaves over the course of their slave-owning ‘career.’” Epps falls firmly within the average of that group, having owned between eight and 12 slaves at any given time. “There’s a whole yeoman or middle-class slave-owning group of people we don’t know a lot about,” says Stacey. “Most of the largest planters kept thorough records, but it’s less likely that this group of people kept thorough records because they didn’t have enough resources. They were quite often working right next to their slaves picking cotton, breaking corn.” This means that Patsey’s fate was, in many ways, directly tied to that of Epps. “These are men, women, and families who owned a few slaves throughout their lives,” says Stacey. “The recession would hit and they’d have to sell off a few of their slaves. How did they treat their slaves? I suspect it’s just as uneven as their richer counterparts, but we don’t know that. My sense is that they’re ranges of extreme. Either they were very benevolent or they were very, very sadistic—because they had to live and work and exist in much closer proximity to their slaves than the larger plantation owners.”

During my first day in Louisiana, I attempted to navigate from my hotel in Bunkie to the LSU of Alexandria campus. Bunkie is a small town (population 4,171, according to the 2010 U.S. Census) that envelops the area where Epps resided on his plantation from 1845 until his death in 1867. I was utterly unfamiliar with the geography of these areas at the time; I had yet to pinpoint or visit any local landmarks, and my iPhone G.P.S. would prove both vital and flawless throughout my four days in Louisiana—save this one outing. As I set off from my hotel to LSU–A, I was directed away from the interstate. I didn’t think much of it until the friendly automated female voice told me to take a right onto a dirt road. It was pouring rain—so, naturally, the G.P.S. proceeded to lead me through the muddiest, narrowest pebble-and-dirt-strewn roads I’ve ever seen—all of them cutting through the middle of endless fields, flanked by perilously deep puddle-encrusted ditches.

The GPS led me through navigated my near peril for 20 minutes—atop rickety one-lane wooden bridges, through flooded slopes—until it finally, mercifully, directed me onto a paved street. I took a right and—drove past my hotel. Instead of the correct direct left from my hotel to the highway, I was driven in a senseless detour through a circular snarl of back roads. I recounted the puzzling hilarity over dinner that night while being handily schooled in the art of crawfish consumption by Melançon, her husband David, mother-in-law, Marjorie Melançon, LSU–A archivist Michelle Riggs and Professor Stacey. Their eyes widened as I described the ordeal between twists and cracks of the spice-covered red crustaceans, recounting the local flair of the street names (Catfish Kitchen Road! Oil Field Road! Bear Corner Road!). “Do you know where your G.P.S. took you?” Meredith asked. I shook my head. “Around the perimeter of what used to be Edwin Epps’s plantation,” she deadpanned.

It was a goose-bump-inducing moment, and remains a perfect metaphor for my dually frustrating and elating pursuit of Patsey. Have I simply been circling the truth of what happened to her, wading through the muck of missing links and leads pointing me in wayward directions?

“There is no way to estimate how long it could take to find Patsey,” said Mills. “It could take months. It could take years. Records were not created for genealogical purposes; they were not created for historical purposes. Public records are created for legal purposes. Censuses were created for analytical purposes. And so they created what was needed. We, as researchers, have to learn all of the different resources that exist for an area, and then we have to learn all of the different techniques to link little different pieces of data into a whole person. In the end, a person is more than a name—a person is a concrete set of characteristics. We assemble as many pieces of those characteristics as possible, and we use that to help us narrow down. It is an incredible amount of work.”

Professor Henry Louis Gates, Jr., whose PBS genealogy television show Finding Your Roots enlists well-known personalities to explore genealogy, calls genealogical research “another way of doing American History. [. . .] When you find out that your great grandfather fought in the American Revolution or your very great grandfather fought in the Civil War, you can never think of the Revolution or the Civil War in the same way." That impact can be even more significant for African-Americans,” he says. “The most moving part [of Finding Your Roots] for African-Americans is when we introduce them to their ancestors who were slaves, by name. Putting a face and a name on a historical event is what genealogy excels at doing. There's nothing quite like it."

I still desperately want to know what happened to Patsey. I want to believe she was able to survive, to prevail, and then to thrive on her own. As nobody’s property. As master of her own body and mind. I searched for her right up until the moment this piece was due—there’s still a thick stack of notes and to-do lists next to my computer. I’m not ready to crumple them in the trash uncrossed, unchecked. It feels too much like discarding a life.

I hope this piece serves as a jumping-off point—as a call to action and a call to love and healing. A battle cry among Melançon, Riggs, and me became “Viva la Patsey!” She is long gone, but her story never died. We cannot be hindered by what appears to be a lost cause—unearthing these narratives of our country’s painful history will set us on the path to understanding and willing ourselves not to repeat it. Let’s allow Patsey’s plea to resonate for countless others—because if we don’t consider what became of them, what’ll become of us?

THE AUTHOR WISHES TO THANK

Henry Louis Gates Jr., Elizabeth Shown Mills, Michelle Riggs, Meredith Melançon, Christopher Stacey, David Melançon, Marjorie Melançon, John Lawson, David Manning, Lou Oats, Helen Sorrell-Goudeau, Maira Liriano, Meghan Doherty, Julia Röhl, Jon Costantini, Floyd Racks, Willie Johnson, Sara Kuhn, David James, Johni Cerny, Randy DeCuir, Theresa Thevenote, Clifford W. Brown, Leon Miler, Sean Benjamin, Charlene Bonnette, Jerry Sanson, Hans Rasmussen, Judy Bolton, and the countless others who offered advice, expertise, and assistance throughout the course of my research.

04 Mar 21:44

The worst hat, shirt in the world

by Grant Brisbee

These are objective truths.

I sailed a wild, wild sea and climbed up a tall, tall mountain. I met a old, old man beneath a weeping willow tree. He said, "Now, if you have some questions, go and lay them at my feet. But my time here is brief, so you'll have to pick just three."

And I said, "What is the worst baseball hat in the world?"

He thought for a while, and then said

Screen_shot_2014-03-04_at_12


I couldn't speak for hours, staring at the ghoulish, militarized caricature in front the hideous mesh. My heart shattered. There was nothing left.

After mustering enough strength, I asked the second question.

"What is the worst shirt in all of existence?"

He stared at me blankly, and then he said

Screen_shot_2014-03-04_at_12


He held me as I sobbed, but there was no comfort in his arms. He was not looking to soothe me or ease my burden; he was a dispassionate feature of the landscape, as sympathetic or unfeeling as the willow tree. But I stayed there for days, distraught and doomed, wondering how it all ended like this, and wondering why I still cared.

Finally, I choked out my third question.

"Why?"

Without looking down, he said calmly, "These exist as a warning. Much as the rattlesnake whispers before he strikes, these things exist to let you know that you never, ever, ever, ever need to talk to the person wearing them."

Rain started falling.

I stood up and walked down the mountain.

04 Mar 21:42

Pizza in the wild

04 Mar 20:58

Newswire: 12 Years A Slave's spirit of camaraderie tainted by Steve McQueen-John Ridley feud

by Sean O'Neal

The Wrap has a report that threatens to dampen the feel-good spirits of brotherly love of 12 Years A Slave, with unnamed sources saying a serious rift has developed between its director Steve McQueen and screenwriter John Ridley. Most who watched the Oscars began to suspect something wasn’t quite right between the two around the time that Ridley collected his award for Best Adapted Screenplay without thanking McQueen—and McQueen celebrated Ridley’s victory with the most halfhearted round of applause seen outside of a SeaWorld walrus.

According to The Wrap’s Jeff Sneider, the air stirred by McQueen’s seemingly sarcastic clapping was just the latest cold breeze to blow between the two, following months of reported feuding over shared screenplay credit. After McQueen’s wife brought the director Solomon Northup’s book, it was McQueen who tapped Ridley to write the script on spec, and—though McQueen ...

04 Mar 20:57

Lucky Penny - 112

by Aido
Lucky Penny - 112
. . . f o r . . . l u c k . . .
04 Mar 20:54

appendixjournal: Carl Sagan’s childhood drawings about space...



appendixjournal:

Carl Sagan’s childhood drawings about space are just as endearing and idealistic as you’d imagine.

04 Mar 20:54

Photo

firehose

google or montessori

like all the ones with a woman in the room, this should be easy



04 Mar 20:53

The Craft

by Dorothy

Comic

04 Mar 20:52

Digital Comic Museum Comic Viewer: Space Western 040 - Space_Western_040_c2c_Geo/sw_40_pg00_fc.jpg

firehose shared this story :
the new Firefly comics are kind of weird


04 Mar 20:52

It's Happening Tonight!

by Alison Hallett
firehose

lol @ Mardi Gras from 6:30-7 pm

MUSIC—The long-form folk music perpetrated by Portland's own Alialujah Choir is pretty dreamy on its own. But it finds a perfect accompaniment in the sultry strings of the Portland Cello Project. Better? This show comes with friends from Blitzen Trapper and Blind Pilot. But tickets are sold out. So you'll need to be as creative as the musicians who make this mashup work so well. DCT
Aladdin Theater, 3017 SE Milwaukie, 8 pm, $12-17, all ages

PARADE—It's Portland's version of the classic Fat Tuesday festivity, the Mardi Gras Parade on Mississippi Avenue. Here's what is expected of you: put on a mask and your wildest, most flamboyant getup; have a drink (perhaps two); listen to happy-times New Orleans-style music while wiggling your ass down the street; and toss beads at anyone within range. IT'S THAT SIMPLE. Plus don't miss the afterparty at Mississippi Pizza Pub. WSH
Parade begins at Prost (4237 N Mississippi), ends at N Fremont, 6:30-7 pm, more info at mississippiave.com, FREE

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04 Mar 20:50

Newswire: Ricky Gervais not giving up on David Brent’s rock ’n’ roll fantasy

by Erik Adams
firehose

'Ricky Gervais has announced that his David Brent character will take another joke a few beats too far with two U.K. concerts this May'

Taking a break from promoting Muppets Most Wanted to antagonize a different group of easily panicked creatures who would like people to stop messing with their show (fans of the original Office this time), Ricky Gervais has announced that his David Brent character will take another joke a few beats too far with two U.K. concerts this May. Gervais-as-Brent will front the formerly fictional Foregone Conclusion for a pair of gigs in London and Oxford, respectively, tickets for which go on sale this Friday. The performances start to make good on plans the comedian laid out in the fall of 2013, which also include a prospective film about Brent’s latest attempt to break into the music industry. And if you don’t know Brent (or Gervais) by now, you will never never never know he won’t stop until that goal is achieved.

  

04 Mar 20:45

Beautiful portraits of adopted pets and their humans remind us that rescued pets are the best pets [30 pics]

by Molly

Photographer Theron Humphrey has been traveling for the past year for a project called Why We Rescue — a documentary telling 50 stories, one from each state, about the lives of people who’ve chosen to adopt pets from shelters.

His hope is to remind people that pets adopted from shelters can be just as sociable and healthy as pets bought “new.” And they are just as capable of bringing joy and happiness to their owners’ lives and families.

Here are some of the wonderful portraits he’s taken during his nationwide trek…

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(via Bored Panda)

After you click through to his Why We Rescue gallery to see more images and interviews with the pet owners, spread the word about this beautiful series…

04 Mar 20:45

Passenger leaves bizarre, sexist note for female WestJet pilot, she responds perfectly

by Abraham

On Sunday, a passenger on WestJet flight 463 scrawled a note to the pilot on a napkin and left it at his seat to be found when he deplaned. Did it say “Hey, thanks for the safe flight!” or ”Really appreciate your mad aeronautical skills!”?

Carey Steacy

No, it didn’t say anything like that. Quite the opposite, actually. “David” of seat 12E had noticed the pilot when he boarded — Carey Steacy, a 17-year veteran and (Shocking!) a woman. This offended him…

Sexist Note for Female Pilot - 01

Sexist Note for Female Pilot - 02

(via Reddit)

Here’s a transcription of the absurd missive…

To Captain/WestJet,

The cockpit of airliner is no place for a woman. A woman being a mother is the most honor. Not as “captain.” We’re short mothers, not pilots, WestJet.

Proverbs 31

(Sorry not P.C.)

PS I wish WestJet could tell me a fair lady is at the helm so I can book another flight!

In the end this is all mere vanity…

Not impressed.

Respectfully in love,

David (or Daniel maybe?)

After Steacy got over the shock of receiving such obnoxious feedback, she responded on Facebook…

To @David in 12E on my flight #463 from Calgary to Victoria today.

It was my pleasure flying you safely to your destination. Thank you for the note you discreetly left me on your seat. You made sure to ask the flight attendants before we left if I had enough hours to be the Captain so safety is important to you, too.

I respectfully disagree with your opinion that the “cockpit” (we now call it the flight deck as no cocks are required) is no place for a lady. In fact, there are no places that are not for ladies anymore.

I have heard many comments from people throughout my 17 year career as a pilot. Most of them positive. Your note is, without a doubt, the funniest. It was a joke, right? RIGHT?? I thought, not.

You were more than welcome to deplane when you heard I was a “fair lady.” You have that right. Funny, we all, as humans, have the same rights in this great free country of ours.

Now, back to my most important role, being a mother.

In a follow-up interview, she said…

I just couldn’t believe there are still people in this country that think like that. It just shocked me.

Indeed.

04 Mar 20:39

Critical crypto bug leaves Linux, hundreds of apps open to eavesdropping

by Dan Goodin

Hundreds of open source packages, including the Red Hat, Ubuntu, and Debian distributions of Linux, are susceptible to attacks that circumvent the most widely used technology to prevent eavesdropping on the Internet, thanks to an extremely critical vulnerability in a widely used cryptographic code library.

The bug in the GnuTLS library makes it trivial for attackers to bypass secure sockets layer (SSL) and Transport Layer Security (TLS) protections available on websites that depend on the open source package. Initial estimates included in Internet discussions such as this one indicate that more than 200 different operating systems or applications rely on GnuTLS to implement crucial SSL and TLS operations, but it wouldn't be surprising if the actual number is much higher. Web applications, e-mail programs, and other code that use the library are vulnerable to exploits that allow attackers monitoring connections to silently decode encrypted traffic passing between end users and servers.

The bug is the result of commands in a section of the GnuTLS code that verify the authenticity of TLS certificates, which are often known simply as X509 certificates. The coding error, which may have been present in the code since 2005, causes critical verification checks to be terminated, drawing ironic parallels to the extremely critical "goto fail" flaw that for months put users of Apple's iOS and OS X operating systems at risk of surreptitious eavesdropping attacks. Apple developers have since patched the bug.

Read 8 remaining paragraphs | Comments

04 Mar 20:33

New Statesman | In London, the only choice the poor and discontented get is this: water cannon or rubber bullets

by djempirical

London is a city that resists anno­tation. Graffiti, especially the political sort, gets scrubbed away as quickly as it appears. But in the boroughs where the Metropolitan Police’s controversial “stop-and-search” policy has made a generation of black and Asian youths feel unwelcome in their own city, one tag – “ACAB” – keeps getting scrawled in angry capitals on walls and hoardings in the margins of urban space. You can even see the letters faintly on Google Maps, badly erased from the wall of Tottenham Police Station.

If you associate with a lot of anarchists, squatters or people under the age of 25, you will probably know that “ACAB” stands for “All Cops Are Bastards”. Whether or not you agree with the statement, it is hard to disagree that relations between civilians and the police, always a better barometer of the public mood than any poll, are not friendly.

The Met and the Mayor of London want water cannon ready for use this summer. Although these have been used for decades in Northern Ireland, they have not yet been part of the machinery of riot control on the so-called British mainland. The mayor will soon decide whether to spend £200,000, at a
time of drastic budget cuts, on high-pressure water jets designed to clear rioters from the streets. At the public consultation I attended on 17 February at City Hall, the police officers tasked with making the case for water cannon in London had profoundly misjudged the mood in the room.

The audience was full of middle-aged academics, journalists, teachers and charity workers, the sorts of people who go to anti-war protests with foil-wrapped sandwiches and a flask of tea. These, technically, are the kinds of “peaceful protesters” the Metropolitan Police are supposed to be protecting from the “pure criminality” of young rioters – but the unrest of the austerity years and the savage response of law enforcement have made the precarious middle classes feel a new sense of solidarity with the urban poor. Several members of the audience stood up to tell the assembled officers how they or their children had been assaulted while attending public demonstrations.

What had been intended as a genteel, perfunctory public presentation descended into chaos and shouting: at several points I wondered if the deputy mayor Stephen Greenhalgh would get out the water jets then and there. “It is the responsibility of the police to preserve life,” barked Assistant Commissioner Mark Rowley. At this, there was uproar. The name of Mark Duggan, the Tottenham man whose death at the hands of the Met sparked the 2011 riots, rang out. Footage of those riots failed to provoke the intended outrage. “That was a reaction to the police murdering someone!” yelled a student at the side of the hall.

Then an elderly man, Dietrich Wagner, stood up in the front row clutching his cane. He spoke quietly, in German; a polite young lady in a dark coat translated for him and steered him so he was facing the right direction. Wagner is blind. The pensioner’s eyes were destroyed by water cannon four years ago during a protest in Stuttgart.

Wagner told the officers present that he had travelled to London to “stop this nonsense”. If he had been outraged, weeping, taking off his thick spectacles to show the ruined pits where his eyes used to be, the officers might have been able to brush it off as a publicity stunt. But he was soft-spoken as he described how the water weapons had been turned on a screaming crowd with nowhere to go, how the jets had got stronger and stronger and the high-pressure hosing had shattered the bone behind his eyes.

“Why isn’t Boris here to hear this?” yelled a voice from the crowd. Neither the mayor nor the police commissioner, Sir Bernard Hogan-Howe, had shown up. The deputy commissioners sat grimly under a Power­Point demonstration plastered with the Met’s Orwellian new slogan: “Total policing”. Well, it was certainly total something.

The police want to convince the public that water cannon are no more dangerous than mounted officers, batons or rubber bullets in a situation of civil unrest. But concerned Londoners want to convince the police that officers should not be using any lethal weaponry against citizens who are exercising their democratic right to protest. The question is not whether water cannon will be used, or whether or not they are dangerous – doubtless the answer is yes, they will and yes, they are. The question is how it has come to this.

Why does the Metropolitan Police want water cannon right now? It was impossible to get a straight answer from Mark Rowley on why precisely city officials are so anxious to have the weaponry ready in time for the summer. He fell silent when asked if he predicted further riots this year. We were reassured that water weapons would be “rarely used and rarely seen”.

Water cannon are the sexy designer underwear of the modern police arsenal. It’s not whether you do anything with them that counts, but the way they make you feel. If you’re packing that sort of specialist gear, you feel cheeky and confident and just a little bit daring, and yes, it’s pretty expensive for something you’ll probably never use, though you secretly hope that some day you might get the chance. It’s even better if you make people know you’ve got them – for example, if you hold a high-profile public consultation about the brutal anti-riot kit you’re about to buy.

Stephen Reid, one of the organisers of the campaign against water cannon, was also a founding member of the anti-austerity protest group UK Uncut. He is very clear about why this is happening: at a time of austerity and increasing inequality, the only choice being offered to the young and poor of the capital is whether we would prefer the water cannon or rubber bullets. 

Original Source

04 Mar 20:28

JH Williams III’s original design sheets for Kate...







JH Williams III’s original design sheets for Kate Kane/Batwoman design in preparation for beginning work on Detective Comics 854.

04 Mar 20:27

First Slated for 2013, Portland Bike Share Isn't Rolling Out for Another Year

by Dirk VanderHart
firehose

'Alta doesn't even know yet what kind of bikes it will purchase'

It's official: Bike share isn't coming to Portland this year.

Portland Bureau of Transportation officials announced today that a series of supply shake-ups has persuaded the city not to press forward with a long-awaited 750 bike system as planned. The revelation marks the second year PBOT's had to delay a bike share system. The original launch date was set for spring 2013.

The official announcement comes a day after Commissioner Steve Novick—in charge of PBOT—told the Oregonian he's "uncertain as all get out" about the project's roll out date.

That the system is going to be delayed was already a foregone conclusion (one we've explored several times). The equipment the city now hopes to purchase for bike share won't even be available until this summer, and a system takes month to set up.

But Alta Bicycle Share, which Portland tapped to run the project, has said it can get a system off the ground this year. PBOT's message today: Don't rush it.

"We’ve been trying to think through where we’re at at the supply chain and where that fits in with the timing of a launch," said Dylan Rivera, a PBOT spokesman.

This time around, the problem isn't necessarily sponsorship funding, which officials say delayed a launch last year. Novick and others say the city's very close to announcing a mult-million dollar deal that would pay for the system—originally slated to cost around $5 million to purchase and run for five years, but now with more-uncertain costs attached.

The big issue now is the bankruptcy filing in January of Public Bike Systems Company (PBSC, also known as Bixi), the Canadian firm slated to supply a bike share system. In the wake of that filing, Alta scrambled to put together a deal with 8D Technologies, another Canadian company with a long history of developing software for bike share systems. The problem: 8D's never manufactured the kiosks or docking stations bike share relies on.

The city says it wants to be certain that equipment is functional and bug-free, rather than rushing a rollout.

"Our first and foremost piece of it is having a very high level of comfort with the product that’s being provided," said Steve Hoyt-McBeth, project manager at PBOT.

There's also a weather component. PBOT has been keen to launch bike share in the spring or early summer, when it would benefit from months of sun and Portland's annual influx of tourists. That's not going to be possible this year.

In a phone interview prior to the city's announcement to the Mercury, Alta Bicycle Share Vice President Mia Birk said she hadn't heard whether the city would want to delay rollout.

"The city’s in the driver’s seat in the schedule at this point," she said. Asked about the 8D equipment, Birk said it's "ready for orders to be placed. Place an order now and the kiosk and the bikes will be ready for summer launches." But Birk said firm cost estimates for the system aren't yet available, and Alta doesn't even know yet what kind of bikes it will purchase.

In another bit of news, Birk says Alta is still considering purchasing a portion of PBSC when it's broken up during bankruptcy proceedings. According to reports, Alta had considered purchasing the company before it declared bankruptcy, but decided its financial situation was too dire.

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04 Mar 20:22

crimexturtle: Spending my night ruining the free world

firehose

via Rosalind











crimexturtle:

Spending my night ruining the free world

04 Mar 20:22

Photo

firehose

via Rosalind





04 Mar 20:14

Which Superhero Should Oscar-Winner Lupita Nyong’o Play?

firehose

mohawk Storm beat

Lupita Nyong'o is all anyone can talk about at the moment. And with good reason! She just took home an Oscar for Best Supporting Actress. And lest we forget, there are several comic book movie actors who are also Oscar winners. Artist Mark Brooks took the initiative and photoshopped Nyong'o to have that fantastic mohawk Storm look. And he's not the only one thinking of casting the Academy Award-winner in a comic book role. 
04 Mar 20:11

Where’s the mistake?

by ThePEOPLEOFMB
firehose

'Ivy League fish'

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Can anyone figure out the mistake?

From the Nashua Market Basket: That fish is from where? Oh… Columbia. Ivy League fish

(Columbia is the university or the Nations Capital. COLOMBIA is the country this fish actually came from).

04 Mar 20:05

alex-v-hernandez.

04 Mar 19:58

Talking computer narrates 1990 NFL Draft

by James Dator

Chris Berman, a talking computer and national TV time. It's magic.

04 Mar 19:52

Kentucky Won't Appeal Order To Recognize Same-Sex Marriages

firehose

via saucie

A federal judge last month ruled the state must recognize out-of-state same-sex marriages. Tuesday, state Attorney General Jack Conway said "I won't be defending discrimination."

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04 Mar 18:30

Photo



04 Mar 17:27

Photo

firehose

where wallace at



04 Mar 17:27

Thousands of Free Public Domain Scans of Retro Comics

by Daniel Solis
firehose

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!



If you're in need of some high-quality artwork for a prototype or even a full-scale production, check out the Digital Comic Museum. There are over 15,000 golden age comics released to the public domain, free of charge, complete with high-res scans of covers, interiors, even the ads! If you dig deep enough, you'll find work by Ditko, Schuster, and others. So many genres, too: Westerns, Romances, Space Adventures. Literally, a comic called Space Adventures. I'm definitely going to tap it for some scifi game in the future.

04 Mar 17:26

Spies, Lies And Rape In The Air Force

firehose

TW: description of rape

'Hinves says she asked the general why OSI couldn’t have found a more senior Airman to act as an informant and he told her that OSI believed that 24 or 25 would be too old to blend in with the drug scene. Neubauer was 23 when she was recruited.

According to Hinves, OSI told Gen. Higby that they recruited Neubauer because she was already associating with a bad crowd. But I asked the Air Force to provide a full account of Neubauer’s discipline problems and the only infractions they cited were the pot arrest and DUI, which I had first learned about from Neubauer herself. Those came months after she was recruited by OSI in the immediate aftermath of being raped.

Only days ago, on Friday Feb 28, Neubauer learned of another development. She was leaving an appointment with her mental health counselor when, she says, he told her that he had determined she was unfit for duty and recommended her for a medical review board to decide if she should be discharged from the Air Force. The announcement came a week after I began contacting the Air Force about Neubauer’s case. Neubauer has been meeting with her Air Force appointed psychiatrist for over 6 months. She says that this past Friday was the first time he’d told her that he thought she was unfit and mentioned sending her to a review board.'

Jane Neubauer was just out of basic training when a secretive military unit recruited her for an undercover mission. She claims she was raped on duty. The Air Force isn’t so sure.
04 Mar 17:22

"Justice League" Comics Fly Back Into General Mills Cereal Boxes

DC Entertainment has reteamed with General Mills to include collectible editions of "Justice League" in specially marked boxes of Big G cereals.