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13 Feb 07:51

Thoughts on the way we spend our subway time

by Benjamin Kabak
billtron

#dissertationfodder

Every day, Monday through Friday, I spend around 50-60 minutes on the subway, and I’m not alone. According to the Citizens Budget Commission, our commute times place us behind nearly every competitor city in the country and could be improved with a stronger commitment to transit investment. That we already know, but we’re stuck. I have no other choice each day I go to work.

Those 60 minutes a day is not my most restful hour. On Monday, for instance, my 2 train was packed and stiflingly hot. After a weekend of snow, no one expected temperatures in the mid 40s, and the heat was up for too high in my subway car. Meanwhile, one bench had five seats taken up by straphangers uninterested in making room for anyone else, and everyone was feeling that early Monday morning ride. The ride home was faster.

So what do we do with those 60 minutes? I’ve slipped into a regular routine over the past few years. I read the paper in the morning — sitting or not — and then read something else on the way home. Sometimes, it’s a magazine; sometimes, it’s a book. I don’t use headphones because, even as I know the subways are safer, I still like to be more aware of my surroundings while I ride home. I find the reading is a nice way to detach from the work day or the to-do list that awaits me when I get home. I can’t always accomplish much else on the subway, but I can get in some good reading time.

But what about the rest of my fellow riders? Even a small glimpse around one subway car can reveal the diverse interests of New Yorkers. Outside of reading a daily paper, I’d say the Bible appears most often, but a lot of people spend their time reading. Many others are listening to music — often at volumes far louder than necessary, and some sleep. Another large group is just, well, zoning out. I’ve never been quite sure how people can sit on a subway car for so long without a distraction, but I guess sometimes a brain needs a break.

I’m not alone in noticing the diversity of activity on a subway car. In a special issue on Straphangers, City Limits examined the way we spend time on trains. New Yorkers spend around 200 hours a year on the subway, and somehow, we have to fill that time. So how do we do it? Jordan Davidson and Alex Eidman offered up this take:

On a recent weekday, smartphones and tablets were popular choices of ways to spend time on rides, especially since most of the J line runs above ground, which allows for Wi-Fi access. However, some passengers pointed out they still prefer simpler pleasures.

“I definitely read books more than I look at my phone,” said Brandi Kutuchief, a guidance counselor who has a lengthy morning commute from Bushwick to East New York.”It’s really the only time I get a chance to do that.”

Meanwhile, a morning A Train was packed and quiet. Passengers wore ear buds, played video games or read. Riding the city’s longest subway line provides commuters with ample personal time. “Maybe we all choose distractions so we don’t have to think about terrorism and what’s in someone’s backpack and how to escape a fire,” said Mark Hayman, a commuter traveling from 207th Street to Columbus Circle. Hayman said he likes to read travelogues from the 1920s and ’30s.

Hayman’s take is a bit too paranoid for me. The subways, while porous, are protected by the country’s anti-terrorism forces which are hard at work. For me, it’s a time for something else. There are no cell distractions, no emails, no phone calls. There’s nothing I need to attend to other than waiting out my stop, and in a way, despite the headaches and frustrations, it’s almost a peaceful hour of the day, every week, every month. And it sure beats sitting in traffic.

13 Feb 06:00

Photo

billtron

Happy Valentine's Day





13 Feb 04:05

"For his embodiment of so-called “negative” stereotypes, one would think that I would be suggesting..."

“For his embodiment of so-called “negative” stereotypes, one would think that I would be suggesting that we keep Luther safely locked away in television’s closet, never to be seen or heard from again. Quite the opposite, I believe Luther is far more important representationally than he has been (and likely will be) given credit. Long after the cultural memory/DVD archive has forgotten that there was even a show on the air called Don’t Trust the B, we should remember Luther.”

- The Cancellation of Don’t Trust the B and Gay Black Tele(in)visibility | Antenna
13 Feb 03:05

"In June 2008 in the Journal of the American Academy of Dermatology, a team of cosmetic surgeons..."

“In June 2008 in the Journal of the American Academy of Dermatology, a team of cosmetic surgeons suggested this experiment is making all of us happier. People with Botox may be less vulnerable to the angry emotions of other people because they themselves can’t make angry or unhappy faces as easily. And because people with Botox can’t spread bad feelings to others via their expressions, people without Botox may be happier too. The surgeons grant that this is just speculation for now. Nevertheless, they declare that “we are left with the tantalizing possibility that cosmetic procedures may have beneficial effects that are more than skin deep.” Maybe. But for all the Botox youthfulness plastic surgeons may want to think about, neuroscience raises a darker possibility. Making faces helps us understand how other people are feeling. By altering our faces we’re tampering with the ancient lines of communication between face and brain that may change our minds in ways we don’t yet understand.”

- Why Darwin Would Have Loved Botox | DiscoverMagazine.com
13 Feb 01:17

Petition to fire Aaron Swartz prosecutor reaches threshold for White House response

by Sam Byford

The White House must reply to an online petition requesting the removal of Assistant U.S. Attorney Stephen Heymann, who prosecuted Aaron Swartz before his death, after it reached the threshold of 25,000 signatures. The "We the People" online tool raised the number of responses needed to trigger a mandatory reply to 100,000 last month, but the move wasn't retroactive; the Steve Heymann petition was filed just a few days before the change went into place.

Petition filed just a few days before the threshold was raised

As such, the Obama administration may now wade into the controversial debate over Aaron Swartz's death and the heavy approach taken towards cybercrime prosecution in the US. It's worth noting, however, that this doesn't guarantee a swift response — the most popular petition on the site, demanding the classification of the Westboro Baptist Church as a hate group, has yet to be addressed despite reaching the 25,000 goal back in December.

The White House has also refused to comment on certain thorny legal issues raised by petitions. One such call to free alleged WikiLeaks source Bradley Manning, for example, was met with a pointer to the We the People terms of service, stating that "the White House may decline to address certain procurement, law enforcement, adjudicatory, or similar matters properly within the jurisdiction of federal departments or agencies, federal courts, or state and local government."

13 Feb 01:05

redscharlach: Last week’s tale from That Show With Daft Folk On...



redscharlach:

Last week’s tale from That Show With Daft Folk On A Plane (you know the one I mean?) made me love the Game Of Words With Just One Sound. So I thought: if their plane breaks or must be sold and they need new jobs, Doug and Ca could run a shop that sells books. And here are some books that they could sell…

13 Feb 00:40

"Not all comfort food transcends cultures. I find it difficult to imagine turning to spam fried rice..."

“Not all comfort food transcends cultures. I find it difficult to imagine turning to spam fried rice to mend a broken heart, or stuffed cabbage to banish winter blues (although this recipe does sound pretty damn good), but I fell in love with the soupy, wholesome qualities of dal on our very first meeting.”

- How to cook perfect dal | Life and style | The Guardian
12 Feb 21:43

"There are 4.7 million barrels of Bourbon aging in Kentucky – the largest inventory since the 1980s...."

“There are 4.7 million barrels of Bourbon aging in Kentucky – the largest inventory since the 1980s. That means there are more barrels of Bourbon in Kentucky than people (4.3 million).”

- Kentucky Distillers Association
12 Feb 21:27

"I write to compose myself.” There’s a duality here that is simple and resonant—a little..."

““I write to compose myself.” There’s a duality here that is simple and resonant—a little piece of wordplay no less true for its playfulness. On the one hand, Montaigne means “compose” in the sense of calming down, finding peace. For me, most of the anxiety and difficulty of writing takes places in the act of not writing. It’s the procrastination, the thinking about writing that’s difficult. But usually all that fades away when you sit down and actually work. It’s the same way with an athlete: You anticipate the big game, pre-play it in your mind, agonize—but once you get on the court, you’re only doing what it is you do. It becomes a much simpler process with all of the tensions burned away.”

- The 16th-Century Wisdom Behind Graffiti and a Profane Children’s Book - Joe Fassler - The Atlantic
12 Feb 21:01

All You Have to Do Is Say "Hello"

All You Have to Do Is Say "Hello"

Submitted by: Unknown (via Zen Pencils)

Tagged: hello , comics , inspirational , zen pencils , dating fails , g rated Share on Facebook
12 Feb 18:58

a bright wall in a dark room.: HBO's Girls: What's All the Rumpus About?

a bright wall in a dark room.: HBO's Girls: What's All the Rumpus About?:

brightwalldarkroom:

image

NOW IMAGINE SHE’S HOT.

by Erika Schmidt

I think Girls is true to life, and I think it gets a bad rap.

Before I go further, let me provide a bit of context, in the interest of making myself a slightly more reliable source and in the spirit of oversharing. I turned 30 this year. I have a…

12 Feb 18:58

"All three contestants lost their bets and finished in a tie with zero dollars. However, on..."

“All three contestants lost their bets and finished in a tie with zero dollars. However, on Jeopardy!, $0 is never a winning score meaning that, for the first time this deep in tournament play, a match produces no winner. According to Alex at the end of the program, Wednesday’s winner and, assuming there is one, Friday’s winner will advance to the finals along with the highest-scoring non-winner from the semifinals. The only non-winner with a positive score so far is Irene Vazquez who finished with $100, so the second place finisher on tonight’s program will more than likely also head into the tournament. All three players finishing with $0 in a game has happened at least three times previously since 1984, including on the program’s second episode, but it has never happened this far in a tournament.”

- Video: “Jeopardy!” Teen Tournament Semifinal Match, For the First Time, Ends With No Winner | BuzzerBlog
12 Feb 17:21

"The Vermont African American Heritage Trail, announced last month by the Department of Tourism and..."

“The Vermont African American Heritage Trail, announced last month by the Department of Tourism and Marketing, is a guide to the personal stories of black Vermonters who helped to change the state’s identity.”

- An ‘unrecognized history’ of black Vermonters given prominence | Burlington Free Press | burlingtonfreepress.com
12 Feb 17:21

"John McDowell and Hubert L. Dreyfus are philosophers of world renown, whose work has decisively..."

“John McDowell and Hubert L. Dreyfus are philosophers of world renown, whose work has decisively shaped the fields of analytic philosophy and phenomenology respectively. Mind, Reason, and Being-in-the-World: The McDowell-Dreyfus Debate opens with their debate over one of the most important and controversial subjects of philosophy: is human experience pervaded by conceptual rationality, or does experience mark the limits of reason? Is all intelligibility rational, or is there a form of intelligibility at work in our skilful bodily rapport with the world that eludes our intellectual capacities? McDowell and Dreyfus provide a fascinating insight into some fundamental differences between analytic philosophy and phenomenology, as well as areas where they may have something in common.”

- Mind, Reason, and Being-in-the-World: The McDowell-Dreyfus Debate (Paperback) - Routledge
12 Feb 17:21

"To whom does that ringing cellular phone belong? I use “whom” accurately and don’t end sentences on..."

“To whom does that ringing cellular phone belong? I use “whom” accurately and don’t end sentences on prepositions because I’m an English professor. I’ll just walk toward the sound and eventually locate its source. I can’t imagine it’s that Midwestern freshman, who is currently squirming in her seat with perspiration dotting her brow. I’ll approach her anyway, and if the phone continues chiming, I’ll know she’s the culprit… it’s still jingling that benighted popular-music ringtone… I’m just a few feet away now, inching along as if I’m in some decelerated temporality…”

- McSweeney’s Internet Tendency: I’m an English Professor In a Movie.
12 Feb 17:21

Harlem Shake - Snoopy version (by securitywar)



Harlem Shake - Snoopy version (by securitywar)

12 Feb 15:54

On the Beer Trail: Bridge Brew Works Trubell in West Virginia

by Ethan Fixell

From Drinks

Editor's Note: Ethan Fixell tours the country as a comedian—and as a beer drinker. Can he sip a local beer in every state? Watch him try.

20121221-beer-map-blue.jpg

[Illustration: Robyn Lee]

When people hear that I'm a comedian, it usually elicits one of two reactions. "Tell me a joke," is perhaps the most common, and certainly the most annoying. One woman requested this a record five times throughout a six hour flight to L.A., until I finally acquiesced by reciting an awful street joke about sudden infant death syndrome. (She didn't ask again.) Others express how wonderful they think my job must be. And it is wonderful: getting paid to make people laugh is pretty kickass.

Of course, traveling four to six hours every day with your comedy partner / childhood friend is not without its downsides: our relationship has become a marriage of sorts, with all of the fighting and none of the sex. But touring also offers two endlessly fulfilling privileges: meeting new people and exploring new places. And sometimes, with a little bit of schmoozing, you get to experience both at the same time, as I did in Shepherdstown, West Virginia.

Following our show at a century-old movie theater for Shepherd's University, our host, Brian, and his friend Sagar, took us to the nearby Mecklenburg Inn. Having yet to track down any West Virginian beer throughout my trip thus far, I asked Brian where I could find some before leaving the next day. His eyes lit up as he thought of his friend Konrad, who worked for local spirits store, Grapes & Grains Gourmet.

"Get him over here," I demanded. "I'll buy him a beer!"

I know a fellow hophead when I see one. Like a fruit fly to melon, Konrad appeared at the bar almost immediately, lured by a Goose Island IPA with which I had hoped to bribe him. After thirty minutes of trading jokes about booze and travel, the five of us were sneaking into Konrad's shop for an after-hours "late night snack."

The place was a wonderland. Before me were beers upon beers stacked upon beers: strange local experiments; new and retired Chatoe Rogue ales; rare imported Belgian dubbels; and scores from my home state of New York, such as Southern Tier's imperial Pumking. They had it all.

"Try this," said Konrad, handing me an appetizer. The Laughing Dog Sneaky Pete I poured was a dark, burnt orange, and tasted like no other imperial IPA I've ever had, laced with citrus and chocolate.

Soon it was time for the main course: Bridge Brew Works Trubell, a real deal West Virginian beer. Plastic cups were doled out to the crew, and I was distinguished with the honor of the sole tulip glass on hand. The Trubell pours a rich, golden yellow, with aromas of banana and ripe tropical fruit hitting hard. Tasty Belgian yeast flavors make a brief appearance before giving way to heat (this one packs over 11% ABV).

The beer wasn't perfect, but sipping that West Virginian beverage in a West Virginian specialty store long after closing with a bunch of indigenous beer-lovers certainly was. "For the most part, West Virginia is a craft beer wasteland," Konrad had told me. If that's the truth, I'm just thankful to have gained admission to the oasis.

See, I love my day job, and I love performing. But drinking a local brew in every continental U.S. state has now become of equal importance to me. (And it has nothing to do with how committed nearly all comedians are to drinking in general—that's usually about childhood trauma.) Maybe it's because of how much I appreciate being surprised by something different in a new and exciting place. Maybe I'm searching for the "perfect" beer. Or maybe I've created this challenge just so I can eventually say that I've completed it. But I think the ultimate motivation lies in the very core of what it means to be human: little is more fulfilling than sharing once-in-a-lifetime experiences with equally passionate friends.

About the Author: Ethan Fixell is a writer and comedian from New York City best known as one half of comic "dating coach" duo Dave and Ethan. He is also the creator and editor of ActualConversation.com. For more on Ethan, visit EthanFixell.com.

12 Feb 15:45

"During opening night for the school’s production of “Grease,” a 16-year-old..."

“During opening night for the school’s production of “Grease,” a 16-year-old stagehand named Zach Bickford ran on stage to flip the page of a 12-foot-tall wooden yearbook. The structure, more than twice Zach’s height with an estimated weight of 500 pounds, fell and crushed him. “Woke up on the floor, didn’t really know what happened or anything,” Zach said during a recent rehabilitation session at the San Antonio Children’s Hospital. One of Bickford’s injuries, a compound fracture of his lower left leg, was obvious. Not so obvious, but more serious, a crushed L3 vertebra in his lower back.”

- Boerne teen crushed by stage prop; school says it won’t pay | kens5.com San Antonio
12 Feb 15:43

"Few subjects manage to pull our critique trigger as handsomely as Western celebrities on an Africa..."

“Few subjects manage to pull our critique trigger as handsomely as Western celebrities on an Africa related mission. But when a rock star gets it right and decides to do some awesome stuff during his first-ever visit to the continent and proves deserving of praise, we’re the first one to crack the nod. So when Radiohead’s Colin Greenwood went on a 10-day radio tour in South Africa in January and recorded some audio in studios across the country, we were all ears.”

- Future Radioheads – Africa is a Country
12 Feb 15:43

Chomsky-Foucault Debate in 5 seconds (by Cinders...



Chomsky-Foucault Debate in 5 seconds (by Cinders O’Juniper)

12 Feb 15:33

"A Republican president and his party now stood at the forefront of civil rights in America. Yet..."

“A Republican president and his party now stood at the forefront of civil rights in America. Yet within a few years, this advantage would be lost and the party would be defined thereafter by its resistance to civil rights. Why did this happen? The reason was a historical coincidence: Just as the civil rights movement became a national concern, movement conservatism was being born.”

- Original Sin | New Republic
12 Feb 15:33

"recently recovered-Plycraft lounge chair designed by George Milhauser, circa 1960. A wonderfully..."

“recently recovered-Plycraft lounge chair designed by George Milhauser, circa 1960. A wonderfully designed chair that is just a dream to sit and lounge in. The walnut plywood veneer is rich and warm with just the right amount of patina. The leatherette upholstery is in excellent condition. Chair is in very good condition with age-appropriate wear”

- plycraft chair- eames era
12 Feb 15:31

Rotermann’s Old and New Flour Storage / HGA

by Diego Hernandez

Architects: HGA (Hayashi – Grossschmidt Arhitektuur)
Location: Tallin, Estonia
Architect In Charge: Hanno Grossschmidt, Tomomi Hayashi, Yoko Azukawa
Design Team: Hanno Grossschmidt, Tomomi Hayashi, Yoko Azukawa
Area: 9,002 sqm
Year: 2009
Photographs: Martin Siplane, Arne Maasik, Sven Soome, Tomomi Hayashi, Reio Avaste, Courtesy of Rotermann City

Structural Engineer: Neoprojekt
Project Management: Projektipea
General Contractor: KMG Ehitus

The 1,5 century-old Rotermann Quarter, a former industrial area for food production, is located between the Tallinn’s old town and the port, where stands still historically-valuable limestone buildings under heritage protection.  The approved detail planning calls for adoptive re-use of existing buildings as well as insertion of new volumes amongst in order to create “live-work” and pedestrian-friendly environment right at the city center, supported by 400 parking lots underground.

On-going redevelopment takes place between the  existing historical limestone buildings, including the Old Flour Storage from 1904.  The New Flour Storage was aimed to form a plaza as a new focal point of the quarter.  The project consists of three volumes; the Old Flour Storage with 2 additional stories, the New Flour Storage and the Atrium connecting the two.  Ground floor is for retail and all upstairs are for offices.

Our approach was to relate and strengthen the character of historical quarter through finding and adopting the character of the surroundings.  For facade articulation we have abstracted proportion of wall versus window openings as a character of old industrial buildings.  For main facade material cor-ten steel was chosen for its property fitting to the existing surroundings of rough surfaces; limestone walls, brick lintels and rusted steel details.  It pays homage to the area’s industrial past.

The New Flour Storage is to be a ‘ Communication Wall’ between offices and the plaza.  The windows consists of three sizes; 75cm x 75cm, 2m x 2m, larger ones over floor height.  The small ones are to frame  the views as well as to bring fresh air, the middle ones are to relate to the human scale, and the biggest is to provide the panorama view of the plaza and the Old Town.  The cantilevered bigger windows breaks the homogeneous rectangular outline of the building and offers special place among office space for meeting room or communal area with panorama views.

Rotermann's Old and New Flour Storage / HGA © Martin Siplane Rotermann's Old and New Flour Storage / HGA © Martin Siplane Rotermann's Old and New Flour Storage / HGA © Arne Maasik Rotermann's Old and New Flour Storage / HGA © Sven Soome Rotermann's Old and New Flour Storage / HGA © Tomomi Hayashi Rotermann's Old and New Flour Storage / HGA © Arne Maasik Rotermann's Old and New Flour Storage / HGA © Reio Avaste Rotermann's Old and New Flour Storage / HGA © Reio Avaste Rotermann's Old and New Flour Storage / HGA © Sven Soome Rotermann's Old and New Flour Storage / HGA © Reio Avaste Rotermann's Old and New Flour Storage / HGA © Sven Soome Rotermann's Old and New Flour Storage / HGA Courtesy of Rotermann City Rotermann's Old and New Flour Storage / HGA Diagram Rotermann's Old and New Flour Storage / HGA Site Plan Rotermann's Old and New Flour Storage / HGA Plan Rotermann's Old and New Flour Storage / HGA Plan Rotermann's Old and New Flour Storage / HGA Section Rotermann's Old and New Flour Storage / HGA Competition Model

Rotermann's Old and New Flour Storage / HGA originally appeared on ArchDaily, the most visited architecture website on 11 Feb 2013.

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12 Feb 15:31

Forest Pond House / TDO Architecture

by Sebastian Jordana
billtron

#tinyhousebros

Architects: TDO Architecture
Location: Hampshire, UK
Area: 6 sqm
Year: 2012
Photographs: Ben Blossom

Located in rural Hampshire, the Forest Pond House is both a space for meditation and a children’s den in the woods.

Cantilevering over the bank of a pond at the foot of a family garden, the timber frame structure is finished in plywood, glass and copper and was designed and built by TDO Architecture for a budget of £7,500.

The design overlays the two functions to give a single diagram. This was shaped by the forest to give a form to the building.

The Forest Pond House combines contrasting surroundings and contrasting uses to striking effect. It nestles between the dark drama of the forest and the bright calm of the water. Black, angular sides address the forest; light, curved surfaces and sheet glass address the pond. As well as mirroring the building’s environment, the design creates its dual functions.

The dark elevations serve as blackboards for drawing in the woods. A rising floor and falling ceiling shrinks one corner down to the size of a child. The brighter end of the Forest Pond House, with its single source of light and bench looking onto the water, offers focus and a place for reflection.

Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / © Ben Blossom Forest Pond House / Section Forest Pond House / Plan Forest Pond House / Site Plan Forest Pond House / Detail Forest Pond House / Diagram Forest Pond House / Diagram Forest Pond House / Render

Forest Pond House / TDO Architecture originally appeared on ArchDaily, the most visited architecture website on 11 Feb 2013.

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12 Feb 15:30

Review: Secrets by Feend

by Julián

Feend is a Temecula, California based producer who just released Secrets through label I Had an Accident February 5, 2013.  This is a limited (101 copies) cassette release of instrumental burners ranging from contemplative fuzz to hip hop infused beats.

Created on an OP-1 and an SP 404, Secrets is a combination of electronic synths and sampled sounds on two continuos fourteen and a half minute sides. There are no individual tracks here. Feend builds from ambient tones and pulsing bass lines at the beginning of Side A dropping in banging drums into full on hip hop beats. Layers cascade from one movement to the next creating and releasing tension as sounds of flowing water and other field recordings take you to on a journey through unknown landscapes.  Side B contrasts a bright piano melody over reverberating whirrs and crashes reminiscent of the soundtrack to a classic samurai film.  Slowly beats emerge and industrial bass lines shift the sonic universe to the left.  The pace fluctuates more aggressively here and your mind begins to build its own narrative to accompany what it hears.

Secrets is an interesting construction that takes advantage of the format it is presented on.  Presented without breaks, short of turning the tape over, it encourages you to listen to each side from start to finish. Without track names Feend invites you to decide when one track ends and another begins. You will easily find yourself exploring the possibilities of the album title on your own over repeated listenings.

You can get your own copy of the tape here.  Each tape includes an MP3 download of the full release.
12 Feb 15:29

Zhuang Zedong, Winner In China Foreign Relations And Ping-Pong, Dies at 72

by By DOUGLAS MARTIN
Mr. Zhuang became a national hero by winning three world championships and eased China’s relations with the United States through sports.
12 Feb 15:29

Piraeus Antiquities Museum Competition Entry / PAR

by Alison Furuto
billtron

#gapingmaw

Conceived through a spatial inversion, the proposal for the new Antiquities Museum of Piraeus is an industrial typology that is reinvented as a cultural destination. Designed by PAR, in collaboration with ARUP, their interest lies not only in the complex program of the museum, but in the site’s unexploited urban potential as a civic link. Transformed into an iconic, world class museum, the building’s openness activates the Cultural Coast District. More images and architects’ description after the break.

A system of void spaces introduces a spatial configuration that brings daylight to public areas whilst engaging the surrounding urban context. Selective erasure ensures that treasured qualities of the concrete silo structure will be retained and adapted into the new use. At moments of subtraction, the cartesian grid of the silo building translates into a new contoured geometry expressing the old in a new way.

Interacting with its surroundings, the new museum opens up to the eastern plaza and pedestrian pathway. As an addition to the other buildings in the district, an essential component of the design involved creating a robust public space at the top of the museum—visually connecting the Cultural Coast to Piraeus and Athens at large. The roof is activated by a reflecting pool suspended above the eastern entrance. Seawater from the pool doubles as a passive cooling element as its circulated within towers integrated into the original grain silo structure.

The museum’s exhibitions are combined in a continuous loop which spirals from the lobby to the upper level public space. This organization provides many possibilities for different exhibition spaces and techniques. interior/ exterior, covered/ open, dark/ light, intimate/ public. The large public voids enable antiquities to be viewed from differing vantage points stimulating visitor interaction. The museum program is concentrated in three program blocks: exhibitions, curation and administration.

The programs are linked by three interconnected atriums which shape the museum’s public space whilst opening the building to it’s surroundings. Monumental vertical circulation is integrated into the existing structural grid along the east elevation. Multiple circulation cores provide shortcuts for visitors to jump off the linear exhibition narrative to direct points of interest.

Architects: PAR
Location: Piraeus, Athens, Greece
Architecture Team: Jennifer Marmon, Partner in Charge; Matthew Young, Ross Ferrari, Project Architects; Devon Montminy, Arthur Wong, Jacqueline Kerr, Allison Klute, Seyoung Choi, Richard Molina, Tom Ames; Michelle Kalogerakis, Local Consultant
Engineer: ARUP
Environmental: ARUP, Russell Fortmeyer, Senior Consultant
Client: Piraeus Port Authority & Ministry of Culture
Type: Cultural, Museum
Area: 14,000 m2
Status:  2012 Competition

Piraeus Antiquities Museum Competition Entry (1) © PAR Piraeus Antiquities Museum Competition Entry (2) © PAR Piraeus Antiquities Museum Competition Entry (3) © PAR Piraeus Antiquities Museum Competition Entry (4) lobby / © PAR Piraeus Antiquities Museum Competition Entry (5) grand gallery / © PAR Piraeus Antiquities Museum Competition Entry (6) grand void / © PAR Piraeus Antiquities Museum Competition Entry (7) roof terrace / © PAR Piraeus Antiquities Museum Competition Entry (8) suspended reflecting pool above entry / © PAR Piraeus Antiquities Museum Competition Entry (9) study models Piraeus Antiquities Museum Competition Entry (10) aerial site plan Piraeus Antiquities Museum Competition Entry (11) floor plans Piraeus Antiquities Museum Competition Entry (12) sections Piraeus Antiquities Museum Competition Entry (13) program diagram Piraeus Antiquities Museum Competition Entry (14) program distribution diagram Piraeus Antiquities Museum Competition Entry (15) solar diagram Piraeus Antiquities Museum Competition Entry (16) water, ventilation, materials, and energy diagram Piraeus Antiquities Museum Competition Entry (17) circulation diagram Piraeus Antiquities Museum Competition Entry (18) exhibition areas diagram Piraeus Antiquities Museum Competition Entry (19) collection point diagram Piraeus Antiquities Museum Competition Entry (20) continuous loop diagram Piraeus Antiquities Museum Competition Entry (21) diagram 01 Piraeus Antiquities Museum Competition Entry (22) diagram 02 Piraeus Antiquities Museum Competition Entry (23) diagram 03 Piraeus Antiquities Museum Competition Entry (24) diagram 04

Piraeus Antiquities Museum Competition Entry / PAR originally appeared on ArchDaily, the most visited architecture website on 12 Feb 2013.

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12 Feb 15:28

Keynote presentations from Digital Humanities Australasia 2012

by ((Jim))


The inaugural conference of the Australasian Association for Digital Humanities was held on 28-30 March 2012 at the Australian National University and the Australian Academy of Science. Convened by Paul Arthur and Katherine Bode, over 250 delegates attended from Australia and New Zealand, as well as the United Kingdom, Europe, Asia and North America, to discuss digital humanities research.

The event was made possible with the major sponsorship of the Australian Academy of the Humanities, and the ANU College of Arts and Social Sciences and Research School of Humanities and the Arts. The Department of Digital Humanities, King's College London, provided generous support for workshop and conference presenters and a workshop grant was also received from the Association for Literary and Linguistic Computing.

The Australasian Association for Digital Humanities was formed in March 2011 to strengthen the digital humanities research community in the region and to work with other international associations within the field. The professional association acts to support and extend links between digital humanities researchers, improve professional development opportunities and provide international leverage for local projects and initiatives, and is a member of the international Alliance of Digital Humanities Organizations (ADHO).

This video is a compilation of three keynote sessions from the conference:

1. Dr Julia Flanders, Brown University, 'Rethinking Collections'
(Chair: Paul Arthur, Australian National University)

2. Professor Alan Liu, University of California, 'Close, Distant and Unexpected Writing'
(Chair: Katherine Bode, Australian National University)

3. 'Panel: Big Digital Humanities?'

Professor Peter Robinson, University of Saskatchewan
Professor Harold Short, King's College London
Professor John Unsworth, Brandeis University
(Chair: Hugh Craig, University of Newcastle)
12 Feb 15:16

Pop Culture and Pirate Humanity

by Johan Palme
billtron

yay Johan!

outofafrica_47
The tragic robber-hero. The mystical gunslinger. The cerebral crime-lord, drawn into events beyond his control. One of the most straightforwardly literal ways in which popular culture is able to challenge official ideology is in creating complexity and human drama around criminals that the state would rather have seen as villains whose only wish is evil. From Dick Turpin to drug-dealer hip-hop, from Waltzing Matilda to dacoity films, from Stagolee to The Last Tycoon, there’s a definite sense of resisting the most simple explanations, inherent in the depiction of criminals as human beings capable of  having complex motivations, heroism, mistakes, weakness and resolve. (Even in their most archetypal guises.) All of which definitely makes this hip-hop video from Somalia’s Waayaha Cusub all the more interesting.

Barely any group has been as de-humanised as much in recent history as the pirates in the Gulf of Aden. The news in blanket fashion depict them as a dark force of nature, without voices or obvious motivations. In the massive, 18,000-word Wikipedia article Somali pirates are treated almost like vermin to be rooted out; nowhere in this exhaustive text cares to mention even with a casual glance what could possibly drive them, nor solutions other than shooting, warfare and (possibly private, mercenary) invasion. (It is difficult not to compare to the power-play propaganda from yesteryear; intensely false images, like those propagated by the British in the 50s of Mau Mau as barbarian ghosts descending invisibly in the night to slit colonialists’ throats.)

This song and its video, on the other hand, is far from the stereotype. Instead, here is a lyric that’s an appeal: youth, do not become pirates, you’re worsening our prospects for peace and development! One fictional young pirate’s tale forms a centerpiece and a warning: his story of being shot at, almost drowning and slowly reaching shore is a pirate’s possible grim fate. And at the same time it’s got the pirates as gangsta-style hard men, and drapes itself in pirate iconography, and you get a sense of the intense appeal the lifestyle presents. The container ships that are the focus of all Eurocentric media depictions form just an ominous, hazy background, a reminder of world inequalities. And it has everything those de-humanising stories miss: a feel of the complexity, of the humanity, of the implied questions that should rightfully surround our understanding.

* Thank you to Amal Shair for translation help for this story.


12 Feb 15:02

po' boy, n.

by Oxford English Dictionary
billtron

Happy Mardi Gras from your favorite British institution