the pizza was always coming. a foreshadowing of Johnny’s tragic yet inevitable demise.
Every Bad Thing That’s Happened to Jesse Pinkman. EVER.
…A supercut of Jesse Pinkman’s pain and misery from the five intense seasons of Breaking Bad.
The signs are all around us people…
Conan O’Brien Reviews “Grand Theft Auto V” | Clueless Gamer |
Senior executives from Netflix have explained their method for choosing which programs to license for the service: they buy the rights to the most-pirated shows in each territory, because that's where the demand is.
“With the purchase of series, we look at what does well on piracy sites,” Merryman told Tweakers.
One of the shows that Netflix acquired the rights to in the Netherlands is Prison Break, since it is heavily pirated locally. “Prison Break is exceptionally popular on piracy sites,” Merryman says.
In a separate interview Netflix CEO Reed Hastings adds that his company is aware of the many people who download content without permission via torrent sites. However, this is not exclusively a bad thing, as it also creates demand for the content Netflix is offering.
“Certainly there’s some torrenting that goes on, and that’s true around the world, but some of that just creates the demand,” Hastings says.
Netflix Uses Pirate Sites to Determine What Shows to Buy [Ernesto/TorrentFreak]
A couple of years ago, while on the Red Bull Minor Threat trip in Indonesia, professional surfer Bruce Irons decided to take his sport to the next level by strapping a few flares onto his board. What resulted is a stunning visual spectacle that looks almost like a man riding the waves on a board of flames. Irons admits that he wasn't too keen on the idea when fellow team member Sam McIntosh suggested the "flare surfing" idea to him. However, in the end, he opted to perform the stunt, not knowing just how awesome the blazing trail of inferno would look at night through the water.
Check out the video, below, of Irons in action and talking about the incredible trick.
via [reddit, Chicka-Chicka Gifs]
Russell Brand explains to Guardian readers the circumstances under which he was ejected from the GQ fashion awards after giving a speech about sponsor Hugo Boss's connection to the Nazis. It's a pretty much perfect example of gonzo writing: over the top, acerbic, witty, and funny -- but with a serious point that's made all the better for the loony style.
I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.
The jokes about Hugo Boss were not intended to herald a campaign to destroy them. They're not Monsanto or Halliburton, the contemporary corporate allies of modern-day fascism; they are, I thought, an irrelevant menswear supplier with a double-dodgy history. The evening, though, provided an interesting opportunity to see how power structures preserve their agenda, even in a chintzy microcosm.
Subsequent to my jokes, the evening took a peculiar turn. Like the illusion of sophistication had been inadvertently disrupted by the exposure. It had the vibe of a wedding dinner where the best man's speech had revealed the groom's infidelity. With Hitler.
Foreign secretary William Hague gave an award to former Telegraph editor Charles Moore, for writing a hagiography of Margaret Thatcher, who used his acceptance speech to build a precarious connection between my comments about the sponsors, my foolish answerphone scandal at the BBC and the Sachs family's flight, 70 years earlier, from Nazi-occupied Europe. It was a confusing tapestry that Moore spun but he seemed to be saying that a) the calls were as bad as the Holocaust and b) the Sachs family may not've sought refuge in Britain had they known what awaited them. Even for a man whose former job was editing the Telegraph this is an extraordinary way to manipulate information.
If Walter Jr. from Breaking Bad had an Instagram account…