Shared posts

23 Apr 11:19

athousandmilesaday: ANTOINE MARCHALOT



athousandmilesaday: ANTOINE MARCHALOT

22 Apr 11:17

Photo









19 Apr 01:55

Photo



18 Apr 14:52

Got Me

Open your fucking ears! I said I have a real bad tummy ache!
18 Apr 14:49

Tiny Pancake Tortoises Hatch at Gladys Porter Zoo

by Andrew Bleiman
Kara Jean

haha "pancake tortoise"
real clever name, dude who named this tortoise

Tortoise 1

Three Pancake Tortoises have hatched at Gladys Porter Zoo in Texas. The first tortoise began to pip on March 31st, followed by two more hatchlings on April 1st and 10th. 

Found on rocky hills and savannas of east Africa, Pancake Tortoises have unusually flat and thin shells. These flexible and agile tortoises are excellent climbers, and escape from predation by fleeing or squeezing into tight crevices instead of hiding in their shells. Due to habitat loss and poaching, they are listed as a vulnerable species by the IUCN.  

Tortoise 2

Tortoise 3

Tortoise 4
Photo credits: Gladys Porter Zoo

In the wild, Pancake Tortoises live in isolated groups, and many individuals may be found sharing the same rocky crevice. Males compete for females during the breeding seaon in January and February, and nesting occurs in July and August. Females generally lay one egg at a time, but may lay several eggs over the course of a few months. In captivity, females will breed year-round, with an incubation period of four to six months.  The tiny young are independent as soon as they hatch.

Related articles Update! Cincinnati Zoo Gorilla Gets Fuzzy Surrogates Tiny Parrot Parrot Born at Prague Zoo Rare Pygmy Hippo Baby Debuts at Gladys Porter Zoo New Baby Orangutan Makes It Three Generations at Gladys Porter Zoo
18 Apr 13:16

Photo



17 Apr 15:46

im in nebraska



im in nebraska

17 Apr 04:04

pictureboxinc: Sun Ra on location in California for Space is the...

Kara Jean

Attn: Dunny





pictureboxincSun Ra on location in California for Space is the Place,early 1970s

17 Apr 02:25

ucresearch: video (footage shot by NASA and ESA using the...







ucresearchvideo (footage shot by NASA and ESA using the Cassini spacecraft)

17 Apr 02:23

pappubahry: Eruption of the Tvashtar volcano on Jupiter’s moon...



pappubahry: Eruption of the Tvashtar volcano on Jupiter’s moon Io, photographed by New Horizons, 1 March 2007, during its gravity-assist Jupiter flyby on its way to Pluto.  I’ve brightened the pictures so that some detail on the darker part of Io is clearer.

The gif covers about 8 minutes of real time.  If you count pixels and look up Io’s diameter, it looks like the plume’s “only” being thrown up to an altitude of 200km or so.  But in fact the volcano is in the opposite hemisphere to the one we see here (albeit at a high latitude of about 67 degrees), and the plumes are reaching a height of over 300km.

There is much more detail about this volcano at the Gish Bar Times blog.

16 Apr 21:18

Photo



16 Apr 21:12

Photo



16 Apr 12:09

gk2nist: George Herriman - Krazy Kat July 11, 1939



gk2nistGeorge Herriman - Krazy Kat July 11, 1939

15 Apr 12:56

Tennessee To Stop Feeding Its Dumb Kids

by Rebecca Schoenkopf
Kara Jean

WHAT.

looks like sumbudy shoulda studied her cipherin'This thing

to motivate the lazy Poors to become better parents, Stacey Campfield (R-HardKnoxville) has introduced a bill that would cut Temporary Assistance to Needy Families benefits by up to 30% if children fail to make “satisfactory academic progress”

— by this guy, is busy advancing through the Tennessee Lege. Some Democrats are like “meh,” but other Democrats are like “eh.” The state’s Department of Human Services does not oppose the bill to stop feeding children if they are dumb.

[KnoxNews]

15 Apr 12:01

wonder-junkie:

Kara Jean

I love this blog.

15 Apr 11:59

Photo



13 Apr 15:19

"The Angel of the Odd: Dark Romanticism from Goya to Max Ernst," Musée D'Orsay, Paris; Through June 9, 2013

by noreply@blogger.com (JE)
Whilst in Paris last week for the Anatomical Model conference at the Academy of Medicine (which was wonderful, by the way) I made time to visit the Musée D'Orsay's spellbinding exhibition "The Angel of the Odd: Dark Romanticism from Goya to Max Ernst." I and my companion spend a good three and a half hours marveling at the works--which ranged from romantic painting to Hitchcock film clips to spirit photography to decorative arts--and absorbing the text, which sought to trace a through-line from the Dante-inspired 18th century romantic paintings of Johann Henry Fuseli to today's horror films. Above are just a very few of my favorite works seen in this wonderful, sprawling exhibition.

The exhibition terms this trope "dark romanticism"--drawn from art historian Mario Praz's 1903 publication Flesh, Death and the Devil in Romantic Literature--and traces its development in three major sections. The first examines its genesis in the years from 1750-1850 in, paradoxically, "the age of reason," a response to the post-French revolution "Terror" and Napoleon's wars which, the text explains, "mark[ed] the end of the belief that reason alone could lead to enlightened humanity." Text and images demonstrate how the romantics used literary works--Gothic novels, of course, but also Goethe's and Milton's visions of hell and the darker interludes of Shakespeare--as the launching off point for artworks exploring the darkest and most taboo aspects of humanity: "cannibalism, Satanism, torture, incest, infantacide, and nightmares." The real standouts in this section were the works of Goya (4th down), Fuseli (2nd and 3rd down), some wonderful illustrations by Delecroix for Goethe's Faust (8th down), and the shockingly perverse and powerfully large-scale "Dante And Virgil In Hell" depicting an act of cannibalism described in Dante's Inferno (top image) and painted by William-Adolphe Bouguereau, whom I had previously known as the artist behind exceedingly competent and somewhat sentimental academic paintings such as this one. Another surprise in this section was a Goya print from his "Les Caprices" series which, the text convincingly asserted, served as the inspiration for Karloff's iconic Frankenstein.

The second part of the exhibition which examined the "dark romantic" revival of the 19th century was the real strength of the show for me, showcasing dozens of unforgettable works by the French Symbolists drawn from the Musée D'Orsay's magnificent permanent collection. We learn that the work was a response to a time of upheaval, when faith in scientific positivism and democracy were weakening, and artists and intellectuals were growing increasingly frustrated with the hypocrisy of bourgeois propriety. It was also a time of "obsessive fears" about prostitution, venereal disease, and evolutionary degeneration, where a post-Darwinian nature was viewed not as gentle mother but, instead, "a devouring force relentlessly destroying personal happiness to ensure the survival of the species." No wonder, then, that this section is rife with images of Medusa, Salome, The Sphinx, "The Idol of Perversity" and other erotic and terrifying femme fatales. This section also boasted some surprising images by Gauguin (12 down), a number of oddly contemporary and revelatory fetishy cyanotypes by Charles-François Jeandel (13 down), and a the fantastic sculpture "Eternelle douleur (Eternal Pain)" by Paul Dardé, a wonderful, dynamic depiction of the lifeless head of Medusa aloft on a nest of writhing snakes (bottom image, but does not capture the power of the original).

The third part of the exhibition focused on "Surrrealism's Redescovery," and traced this early 20th century movement's ebrace of the dark non-rational after the absurd horrors of WWI. Although thematically fitting, aesthetically there were few things of great interest to me, personally, in this section. The only things of note here were some works by Dali and a series of photographs of Hans Bellmer's wonderfully perverse dolls (16 down).

Throughout the exhibition, there were also a good many film clips meant to be playing in small theatres; sadly, many were out of order on the day we were there, but on a good day, one would find clips from Dracula, Frankenstein, Nosferatu (17 down), Hitchcock's Rebecca, Un Chien Andalou, Häxan, and much more.

The official introductory text for the exhibition--which is on view through June 9, 2013--follows; you can read the complete wall text by clicking here; you can learn more about the exhibition by clicking here. Full captions for all images follow as well.

You can order a copy of the exhibition catalog (in French but so, so worth it!) by clicking here. A copy will also soon be in The Morbid Anatomy Library. Special thanks to Pam Grossman for letting me know about this wonderful exhibition, and to "professor of art" Michael Daks for lingering with me there for 3+ hours.
The Angel of the Odd: Dark Romanticism from Goya to Max Ernst
It was in the 1930s that the Italian writer and art historian Mario Praz (1896-1982) first highlighted the dark side of Romanticism, thus naming a vast swathe of artistic creation, which from the 1760s onwards exploited the shadows, excesses and irrational elements that lurked behind the apparent triumph of enlightened Reason.

This world was created in the English Gothic novels of the late 18th century, a genre of literature that fascinated the public with its penchant for the mysterious and the macabre. The visual arts quickly followed suit: many painters, engravers and sculptors throughout Europe vied with the writers to create horrifying and grotesque worlds: Goya and Géricault presented us with the senseless atrocities of war and the horrifying shipwrecks of their time, Füssli and Delacroix gave substance to the ghosts, witches and devils of Milton, Shakespeare and Goethe, whereas C.D. Friedrich and Carl Blechen cast the viewer into enigmatic, gloomy landscapes, reflecting his fate.

From the 1880s, seeing the vanity and ambiguity behind the belief in progress, many artists picked up this legacy of Dark Romanticism, turning towards the occult, reviving myths and exploiting the new ideas about dreams, in order to bring Man face to face with his fears and contradictions: the savagery and depravity hidden in every human being, the risk of mass degeneration, the harrowing strangeness of daily life revealed in the horror stories of Poe and Barbey d’Aurévilly. And so, right in the middle of the second industrial revolution, hordes of witches, sniggering skeletons, shapeless devils, lecherous Satans and deadly enchantresses suddenly appeared, expressing a defiant, carnivalesque disillusionment with the present.

After the First World War, when the Surrealists took the unconsciousness, dreams and intoxication as the basis for artistic creation, they completed the triumph of the imagination over the principle of reality, and thus, put the finishing touches to the spirit itself of Dark Romanticism. At the same time, the cinema seized on Frankenstein, Faust and other masterpieces of this genre that are now firmly established in the collective imagination.

Following the first stage of the exhibition at the Städel Museum in Frankfurt, the Musée d’Orsay plans to present the many different expressions of Dark Romanticism, from Goya and Füssli to Max Ernst and the Expressionist films of the 1920s, through a selection of 200 works that includes paintings, graphic works and films.
  1. William-Adolphe Bouguereau, Dante And Virgil In Hell, 1850
  2. Johann Henry Fuseli, Sin Pursued by Death, 1794-1796
  3. Johann Henry Fuseli, The Nightmare, circa 1782
  4. Francisco de Goya, Witches in the Air, 1797-1798
  5. Louis Boulanger, Les Fantômes, 1829
  6. Gustave Moreau, Galatea, Circa 1880
  7. Eugène Grasset, Trois Femmes et Trois Loups, 1892
  8. Eugene Delecroix, Illustration from Goethe's Faust, 1828
  9. Odilon Redon, La Mort: C'est moi qui te rends serieuse; enlaçons-nous (Death: It Is I Who Makes You Serious; Let Us Embrace) from La Tentation de Sainte-Antoine (The Temptation of Saint Anthony) (plate XX), 1896
  10. Jean Delville, Idol of Perversity, 1891
  11. Franz von Stuck, The Kiss of the Sphinx (Der Kuss der Sphinx), 1895
  12. Paul Gauguin, Madame le Mort, 1891
  13. Julien Adolphe Duvovelle, Crâne aux yeux exorbités et mains agrippées à un mur, 1904
  14. Cyanotype by Charles-François Jeandel
  15. Anonymous spirit photograph, 1910
  16. Hans Bellmer, The Doll (face and knife), 1935  
  17. Still from F.W. Murnau's Nosferatu, 1922
  18. Arnold Böcklin, Shield with Medusa's Head, 1897
  19. Paul Dardé, Eternelle douleur (Eternal Pain), 1913
13 Apr 03:50

lustik: AMELIE VON WULFFEN - Alex Zachary Peter Currie

12 Apr 17:22

Salt is beautiful

by Rob Beschizza

Alan Taylor offers a gallery highlighting the Strange Beauty of Salt. Previously: Dead Sea Salt Formations.

    


12 Apr 17:14

turbofolk: Ilustracion para el tema Costa Samiengo de Szentes...



turbofolk: Ilustracion para el tema Costa Samiengo de Szentes incluido en el recopilatorio de Seara Records

12 Apr 17:14

animationsmears: DuckTales - “The Golden Fleece” (1987)



animationsmears: DuckTales - “The Golden Fleece” (1987)

12 Apr 13:47

Blitzen-the-Newfoundland-Mix

Kara Jean

Look at this dog. I demand it.

Blitzen-the-Newfoundland-Mix puppy
Blitzen is an adorable, fluffy mix between a Newfoundland and a Saint Bernard (sometimes called a "Saint Bernewfie"). His dad was 180 pounds and at 9 weeks old Blitzen already weighs in at 25 pounds! He will definitely embrace the gentle giant title. He is a goofy, mellow guy that loves sleeping, untying shoes, and making new friends.

Click for more pictures and comments...
11 Apr 19:19

RIVAL TURF



RIVAL TURF

11 Apr 19:09

Work It



Work It

11 Apr 12:53

Life on the Moon as imagined in 1836

by Mark Frauenfelder

In the old days, Mars was peopled by one vast thinking vegetable, and the Moon was peopled by stick-wielding bat-men and moth-winged moon maidens.

From the Smithsonian Institute Image Collections:

This portfolio of hand-tinted lithographs purports to illustrate the "discovery of life on the moon." In 1836, Richard E. Locke, writing for the New York Sun, claimed that the noted British astronomer Sir John Herschel had discovered life on the moon. Flora and fauna included bat-men, moon maidens (with luna-moth wings), moon bison, and other extravagant life forms. Locke proposed an expedition to the moon using a ship supported by hydrogen balloons.

The first order of business for Earthlings? Enslave the Moon men and slaughter the Moon animals!

Other discoveries made in the moon from Sigr. Herschel (Via Meine Kleine Fabrik)

    


10 Apr 16:15

Photo



10 Apr 02:32

Meeting Florida's Seminoles Through Rediscovered Photos

In 1910, the Seminole Indians lived in the Florida Everglades, just 50 years after fighting a guerrilla war against the U.S. government. Recently discovered photos give a rare glimpse into the tribe's hidden past.

» E-Mail This     » Add to Del.icio.us

09 Apr 18:15

Massachusetts School Out-Horribles Everyone By Ensuring Poor Kids Starve, For Freedom

by snipy
Kara Jean

THEY MADE THEM THROW THE FOOD AWAY. The food. In the trash. Instead of being eaten.

pish poshRemember just a few scant months ago when we got mad at Missouri? Oh, sorry. We’ve probably been mad at Missouri for one thing or another several times of late, because Missouri. But one time we got mad at Missouri because they let horrible private vendors run their school lunches, and said horrible private vendor fired a worker for having the goddamn temerity to feed one of the urchins an actual nutritious lunch instead of the poor-kid-all-dairy-cheese-and-milk lunch? We thought we were pretty much at peak outrage over horrible things that could be done to poor schoolchildren as far as holding their meager food hostage. NOPE.  Attleboro Massachusetts goes H.A.M. and makes sure that kids get no fucking food at all:

As many as 25 students at Coelho Middle School were denied meals or told to throw their lunches away Tuesday because they could not pay or their pre-paid accounts did not contain enough money, school officials said today…

Parents said they were told by their children that some pupils in the cafeteria line had already picked up their lunch and were told at the checkout they had to throw it away.

Victoria Greaves, 11, a fifth grader at Coelho, said a cashier told her to throw away her lunch because there was not enough money in her account. She said she threw her meal away and got nothing to eat.

What is this we don’t even. These people LITERALLY took the already-existing food out of poor kids’ hands by making them throw it away. How is this even a thing, America?? There’s a predictable circular firing squad about how it wasn’t the school’s fault it was the vendor’s fault it wasn’t the vendor’s fault it was the school’s fault, but you know what? We do not care! We give no fucks whatsoever for that explanation, because someone, somewhere, figured that the right thing to do was to pry food away from poor kids’ warm not-dead hands, because wasting food is more better than giving kids food if they can’t pay.

We don’t even have anything else to say about this, snark-wise, because terrible reality has far outstripped our abilities to hyperbolize, and that’s saying something. Can we just say, though: Why can’t we send vendors like this to, you know, the Pentagon? “What’s that, your pre-paid account for fighter jets has run out and you’re borrowing money to pay for them? NO FIGHTER JETS FOR YOU. THROW THEM AWAY.” And this way, only lawn ornaments go hungry.

[Sun Chronicle]

09 Apr 18:03

enzantengyou: ブラックサタン首領の正体



enzantengyou: ブラックサタン首領の正体

09 Apr 18:02

——comix: by Hicham Amrani