Fuck Jar Jar Binks!
In this video, comedian Ron Funches breaks down which awesome African American characters to cosplay — and which ones to avoid at all costs — at this year’s San Diego Comic Con.
submitted via Laughing Squid Tips
Mbedard.hearnFuck Jar Jar Binks!
Fuck Jar Jar Binks!
In this video, comedian Ron Funches breaks down which awesome African American characters to cosplay — and which ones to avoid at all costs — at this year’s San Diego Comic Con.
submitted via Laughing Squid Tips
Mbedard.hearnI totally saw someone doing this in Chengdu (Sichuan Province) when we were there back in 2006. It was amazing, and I got my photo taken with her. :)
In China, Pizza Hut customers were only allowed one plate and make one trip to the salad bar, which spawned a fad of creating massive salad towers. Eventually, in 2009 Pizza Hut announced that it would be removing salad bars from its restaurants entirely. Kotaku‘s Bryan Ashcraft has more on the life and death of this trend.
video via China Soul
photos via lixiang0769
via Kotaku
Mbedard.hearnMore about baseball <=> life, but this time in comic form.
I think I’ve said enough in the comic. I hope everyone made it this far.
Rog did an amazing job, so I do want to thank him for his hard work on this comic, as well as not killing me for going over the top.
I hope this is the turning point…and I hope the guys are listening, even if they can’t hear me.
Mbedard.hearnThis is a nice little meditation on baseball/life, which is both annoying and pleasant... and makes me ask: why is it that we have so many articles that are meditations on baseball and life?
by Alva Noë
In Thursday's New York Times there's an article on keeping a score card by hand at baseball games. Who does it anymore? Fewer and fewer people, according to the article. Why bother when you can enjoy a live play-by-play on your handheld device? And if you insist on keeping score yourself, there are apps you can download that make it much easier than doing it by hand.
Maybe the biggest reason so few people keep score these days — or even stay put in their seats watching the game for more than a few innings at a time — is that a day at the ballpark isn't just about baseball anymore (if it ever was). Games and videos on the scoreboard, music, high-priced fancy food and drink, shops and playgrounds. And then, of course, so many of us have complete multi-purpose entertainment systems in our pockets. All these compete with the baseball for your attention.
But you do still see a few old codgers — and the occasional young one, like my son — sitting there with a score sheet spread out on his or her lap, carefully writing down the plays. The real old timers may be be listening to the game on the radio (although these days, more likely than not, live-streamed over the internet).
Why? Why keep score?
The answer, I believe, goes way beyond baseball. Score keeping is a conceptually fascinating practice that has much to teach us.
One person interviewed in the Times article said he had no interest in the "hard work" of keeping score. "Too much to write down. I have live ESPN gamecast. It keeps me updated."
This brings us to the heart of the matter. This guy got it all wrong. Score keeping is hard work. But we don't keep score to keep track, or to keep updated.
Consider, first, that keeping score is not just a matter of recording the game. It is, rather, a way of thinking about the game. The score keeper asks, what is happening? Is that an earned run? Did the runner reach first on a fielder's choice, or did he get a hit? Is that a sacrifice, or was the batter bunting for a hit? In order to keep score, you need to make these kinds of decisions. And in order to make these kinds of decisions you need to be closely engaged with the game. You need to pay attention. You need to understand what is going on. You need to have skill. You need to care.
Notice that you can't write everything down. Do you score every pitch? Even the foul balls? Do you note down where the fielders are positioned at each moment in the game? Do you keep track of the amount of time between pitches?
You can't write everything down. But nor do you need to. Writing the game — keeping score — isn't about reproducing the game. It's about understanding the game. Thinking about it. Keeping score.
(What you decide to keep track of will depend on your interests. The pitching coach — or the pitcher's mom — will carefully score each pitch.)
But there is a second point that deserves our attention. The score keeper doesn't stand apart from the game, merely describing it. The game consists of what the players are doing. But it is the score keeper who decides, literally, what the players are doing. For example, the score keeper asks: Should the third-baseman have fielded that grounder? If so, then he just committed an error. For the rest of us, this can have the consequence that the pitcher's no hitter is intact. The activity of keeping score is internal to the game itself.
Now, in practice, we treat one person's score card — that of the official score keeper — as canonical. So, in a sense, when the rest of us keep score, we are just taking notes. But the official score keeper, in contrast, is doing something very different: he is shaping events in real time as they occur. The official scorer isn't just keeping score, he is, if you'll permit the word play, composing one.
Yes. But at the same time let us note that the official score keeper's authority is purely conventional. He has no special powers and no privileged access to the events on the field. And surely we can allow that it is possible for him to be mistaken.
This means that we can't let ourselves off the hook. There is no official telling of the French Revolution or the Iraq War; how could there be? Each of us has the right, but also, in some sense, the obligation, to make sense of events as we know them. And so, I think, with baseball. Neither the folks at ESPN, nor the official scorer, have the authority to decide history for you and me. In baseball, as in life, each of us has to keep his or her own scorecard. If we want to know what's going on, that is.
Which brings us to a final, crucial point.
Keeping score, in baseball, or in life, is a knowledge-making activity. It is, we might say, a form of research. We can get by just fine reading-along on ESPN gamecast, or taking the evening newscast at face value. For most of us, most of the time, that's the best we can manage. But there is another option: we can keep score, that is, we can write the events that matter to us; we can make knowledge and history.
How you keep score — using an app, or writing it out by hand — strikes me as entirely irrelevant. But that we keep score, or that, at the very least, we recognize that the score needs keeping — that we can't, however much we might like, abdicate our authority to make sense of what is going on — is crucial.
It would indeed be a dark consequence of life in the digital age if we forgot that keeping score is more than keeping track and that each of us has the power to keep score.
You can keep up with more of what Alva Noë is thinking on Facebook and on Twitter: @alvanoe
Jon Negroni has created The Pixar Theory, a theory that every animated Pixar film takes place in the same universe and is all part of the same timeline in which intelligent animals, sentient machines, and humans coexist. The idea was inspired by a Cracked video about the apocalyptic themes in Pixar films, and Negroni fleshed out the idea by organizing all of the films into a timeline and explaining how they’re all connected. According to Negroni’s theory, Brave comes first in the Pixar universe and helps explain how animals developed intelligence, and Monsters Inc. is the last in the timeline and is the result of the cross-breeding of humans and animals following the first apocalypse that took place before the events of Wall-E. To read up on the full theory, head over to Negroni’s website.
image via Jon Negroni
In 2002, a study by Joshua Correll and colleagues, called The Police Officer’s Dilemma, was published. In the study, researchers reported that they presented photos of black and white men holding either a gun or a non-threatening object (like a wallet) in a video game style setting. Participants were asked to make a rapid decision to “shoot” or “don’t shoot” each of the men based on whether the target was armed.
They found that people hesitated longer to shoot an armed white target (and they were more likely to accidentally not shoot). Participants were quicker and more accurate with black armed targets but there were more “false alarms” (shooting them when they were unarmed). These effects were present even though participants did not hold any explicit discriminatory views and wanted to treat all targets fairly.
The effect we see here is a subconscious but measurable preference to give white men the benefit of the doubt in these ambiguous situations. Decision times can vary by a fraction of a second, but that fraction can mean life or death for the person on the other end of the gun.
A terrible reminder of this bias was brought back into the headlines on March 2nd when a black student in Gainesville Florida was shot in the face with a rifle by a police officer. The conditions surrounding the shooting are murky, as the police are extremely hesitant to release details.
It appears that Kofi Adu-Brempong, an international graduate student and teacher’s assistant, was in a stress-induced panic and was worried about his student visa. On the day of the incident, his neighbors heard yelling in his apartment and called the police. It has been suggested that he may have suffered from some mental health problems that related to his panics (although this is not known for sure) and that he had resisted police in the past.
Even so, when the police arrived they broke down his door, citing that they did not know if there was someone else in danger inside the apartment. Adu refused to cooperate and the situation escalated to the point where police tried to subdue him with a tazer and a bean-bag gun. Then a policeman shot him. Adu is now in the hospital in critical condition and has sustained serious damages to his tongue and lower jaw. The police claimed that Adu was wielding a lead pipe and a knife and started violently threatening them with the weapons.
In fact, there was no lead pipe and there was no knife in his hand. When the police approached Adu after he had been shot, the pipe showed itself to be a cane- a cane that Adu constantly used due to a case of childhood polio. And the knife they saw in his hand was actually sitting on the kitchen counter.
Instances like these are tragic reminders of the mistakes that can be made in split second decisions and how race can play into those decisions.
This post originally appeared in 2010. Re-posted in solidarity with the African American community; regardless of the truth of the Martin/Zimmerman confrontation, it’s hard not to interpret the finding of not-guilty as anything but a continuance of the criminal justice system’s failure to ensure justice for young Black men.
Lauren McGuire is an assistant to a disability activist. She’s just launched her own blog, The Fatal Foxtrot, that is focused on the awkward passage into adulthood.
In case you were wondering if the racist “Asians can’t drive” stereotype was alive and well, here are some select tweets from the collection at Public Shaming (h/t to @Kevin_Stainback):
And some couldn’t stop themselves from making fun of how some Asian people look:
More, including accusations of North Korean terrorism, at Public Shaming, one of the most deeply disappointing sites on the web.
Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.This Month in Photo of the Day: Animal Pictures
Two bull muskoxen size each other up. In September, with mating season under way, bulls engage in frequent head-butting confrontations to establish dominance.
See more pictures from the May 2013 feature story "Russian Refuge."
Explore 125 years of National Geographic »
Submitted by: Unknown
by Brian Leubitz
Hunger strikes two years ago drew attention to the prisons, this year, they are bigger:
California officials Monday said 30,000 inmates refused meals at the start of what could be the largest prison protest in state history.Inmates in two-thirds of the state's 33 prisons, and at all four out-of-state private prisons, refused both breakfast and lunch on Monday, said corrections spokeswoman Terry Thornton. In addition, 2,300 prisoners failed to go to work or attend their prison classes, either refusing or in some cases saying they were sick.(Paige St. John / LAT)
Full numbers are a little fuzzier based on how you count who is on a hunger strike. However, prison officials certainly take the issue seriously, and made some changes after the 2011 strike. This one seems primarily focused on long term isolation for possible gang affiliation, but the issues are generally broader than the one issue. As the hunger strike continues, more information about prisoner concerns as well as safety concerns from the prison system will get a lot more attention.
The 8th Annual Fun Fun Fun Fest 2013 Lineup has been leaked in parts over the past couple of weeks, and it seems that someone just couldn’t wait to get this year’s bill out there for everyone to see. FFFF8 has just leaked the full list of artists set to be performing, an entire day before the previously scheduled lineup announcement. Check out the absolutely stacked lineup inside.
FFFF8’s 2013 lineup announcement comes a day early, following a two-part leak earlier this month (Part I and Part II). The full lineup will most undoubtedly be worth the price of admission, featuring notable performances from M.I.A. Slayer, Snoop Dogg (note the lack of feline), Ice T, Jurassic 5, FLAG, The Dismemberment Plan, Death Grips, and even more yet to be announced.
The festival, which will feature an expanded comedy and actions sports experience, will take place at Auditorium Shores in Austin, TX this November 8th – 10th. Tickets for the event go on sale Thursday, July 10th at 10:00am CT, and can be purchased directly from the festival’s official website.
See the full lineup for this year’s FFFF8 below:
Fun Fun Fun Fest 2013 Lineup
M.I.A.
Slayer
MGMT
Jurassic 5
Snoop Dogg
Descendents
Ice-T
Television
FLAG
The Dismemberment Plan
Death Grips
Cut Copy
Quicksand
Simian Mobile Disco
Deerhunter
Johnny Marr
Lupe Fiasco
Big K.R.I.T.
Bill Callahan
Kurt Vile and the Violators
Cloud Nothings
Little Boots
Washed Out
Action Bronson
Bonobo
Chromatics
Chelsea Light Moving
Mac DeMarco
Thee Oh Sees
The Men
Star Slinger
Code Orange Kids
White Lung
Also performing:
RJD2
Judge
The Polyphonic Spree
Daniel Johnston
Gojira, Melt Banana
Cro-Mags
Blake Schwarzenbach (of Jawbreaker/Jets to Brazil/Forgetters)
The Underachievers
The Julie Ruin
Pelican
King Khan and the Shrines
Tycho
Big Freedia
Ceremony
Big Black Delta
Mykki Blanco
Quasi
Beach Fossils
Active Child
Lemuria
Merchandise
Small Black
Ratking
Even more artists and comedians TBA!
"Rooting for this man in 2013 is like rooting for Pfizer. Or PepsiCo. Or PRISM." Chris Richards' review of Jay-Z's new album is ferociously accurate.
The climactic Death Star trench run scene in Star Wars Episode IV: A New Hope has been given a homemade remake in a new Cinefix episode of Homemade Movies starring Chris Hardwick and Jonah Ray of Nerdist. It was directed by Pasadena, California-based animator and musician Dustin McLean of DustFilms. Previously we wrote about Dustin and his homemade remake video series.
This is an exact shot-for-shot recreation made entirely at home without fancy CGI or visual effects. Made entirely with trash barrels, cardboard, toys, and love. May the DIY force be with you!
Here are the behind-the-scenes and side by side comparison videos from CineFix:
videos via CineFix
submitted via Laughing Squid Tips
A mother and father who prayed instead of seeking medical help as their daughter died in front of them were properly convicted of homicide, the Wisconsin Supreme Court ruled Wednesday.
LITHIUM-ION batteries are hot stuff. Affordable, relatively lightweight and packing a lot of energy, they are the power source of choice for everything from mobile phones to electric cars. Unfortunately, the heat can be more than figurative. Occasionally, such batteries suffer malfunctions that lead to smoke, flames and even explosions. In gadgets, such meltdowns can be distressing and dangerous. In aircraft, they can be fatal. Earlier this year airlines grounded their entire fleet of Boeing’s next-generation 787 passenger jet after the lithium-ion batteries installed in two planes caught fire. Last month they have been permitted back in the air after being retrofitted with a protection system in the form of a tough steel box that vents directly outside in the event of a fire.
A more comforting solution, of course, would be to build a lithium-ion battery that could not burst into flames in the first place. Katie Zhong at Washington State University might have just such a device. For the last few years, she has been working on battery technology for flexible and bendable electronic gadgets. By blending a polymer called polyethylene oxide (PEO) with natural soy protein, she had made a solid electrolyte for lithium ion batteries that could be bent or stretched to twice its normal size without...Continue reading
My award-winning first graphic novel, “Real Americans Admit: The Worst Thing I’ve Ever Done!” from 1996, begins serialization at GoComics.com this coming Monday, July 8th. I’ll post the direct link when it becomes available. Strips will appear daily Monday through Friday.
Fascinated by Sartre’s observation that we are judged by our worst acts, I began asking people around me about their worst deeds. Soon it expanded into a project; I took out ads in newspapers, chatted up airplane seatmates, you name it. Eventually I collected some 540 stories — and distilled the best 23 into the book.
It’s a cult item, sometimes hard to find and definitely out of print, so I hope you’ll take this trip down memory lane into the mid-1990s, when alternative cartooning was finding its legs into the world of graphic novels. (This was the first graphic novel by an altie editorial cartoonist.)
AS INVENTIONS go, Stephen Hershman's really cuts the mustard. And stacks of paper, chequing-account ledgers, compact discs (as well as floppy ones, should anybody still have them), credit cards, folders and much else besides—though, cleverly, not fingers or clothes. Mr Hershman has spent the past six years perfecting his self-service shredder so that it could be safely installed in groceries and department stores. Now he and his partner are ready to start ripping across America.
The custom-built Shred Stop is slightly bigger than an office photocopier. The price is $2.50 per minute, but material may be fed in quite rapidly; it can cope with 50 sheets of paper at a go. This works out to about $0.75 per pound ($1.65 per kilogram) for an average customer. Efficient types who make clever use of a 30-second pause button to organise batches can shred a pound for as little as $0.50. This makes the Shred Stop competitive with or even cheaper than drop-off services where the material is put into locked bins and picked up regularly for destruction.
The amount of plastic and other materials is about 3%, the rest being high-quality paper. This allows the shredded and compacted effluvium to be treated as top-class raw material by recycling firms. Iron Mountain, a corporate shredding contractor, empties and services the kiosks, which automatically update the Shred Stop's website to show how full a unit's hopper is and let customers know which ones to avoid if carrying shedloads of stuff. Mr Hershman says customers will travel up to a few miles to use the kiosk, and that his system remains a reasonable investment of time for up to a few boxes, after which he recommends working with Iron Mountain or other contractors.
Mr Hershman and his partner originally conceived of the system as a freestanding outdoor shop in a grocery parking lot, such as the photo and locksmith drive-through services of yore. But markets typically do not own their parking lots, and such little shops have become unpopular over time. Instead, stores now offer a variety of new kiosks to attract customers and revenue, such as CoinStar for processing pocket change into cash or retail credits, and RedBox for DVD rentals.
Recently, Shred Stop entered agreements to put devices in Seattle-area stores run by Safeway and the Kroger chain, which operates thousands of shops across America. The first units will be shipped out of the region shortly, first to San Francisco. With the fear of identity theft constantly stoked by the media (not entirely gratuitously, it must be said), the Shred Shop has its work cut out.