Shared posts

09 Jul 18:23

35 Random Corners Of The Internet You Should Visit When You Need A Break

Nylonthread

I totally want to try these. Um, later, but absolutely.

Bookmark this for when you’re having a bad day or when you just need a distraction and want to play. There’s something so soothing about these single-serving sites.

Here Is Today

An interactive timeline that will put your day in perspective.

Here Is Today

Source: hereistoday.com

Do Nothing For 2 Minutes

Take a break from everything and relax with the sound of waves for two minutes. If you move your mouse or touch your keyboard, the clock starts over.

Do Nothing For 2 Minutes

Source: donothingfor2minutes.com

Weave Silk

This interactive art generator plays calming sounds as you get lost in the art that you built.

Weave Silk

Source: weavesilk.com

The Thoughts Room

Put down your devices and just sit with your thoughts for a moment. Unload the things that are weighing on you into the "status box" and they "will disappear by literally bursting into thousands of stars so you can finally find some rest."

The Thoughts Room

Source: thequietplaceproject.com


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09 Jul 18:18

"Bubble Soccer" Brilliantly Combines Soccer And Bubble Wrap

Nylonthread

BWAhahhahahaaaa!

It’s sumo wrestling mixed with soccer.

This is bubble soccer.

This is bubble soccer.

"Boblefotball" first appeared on Golden Goal, a Norwegian TV show, in 2011.

Via: youtube.com

The sport might look familiar because Jimmy Fallon tried bringing it to the states.

The sport might look familiar because Jimmy Fallon tried bringing it to the states.

Via: video.tvguide.com

And he was a total boss at it.

And he was a total boss at it.

Via: video.tvguide.com

To play, teams of 10 wear typical soccer uniforms.

To play, teams of 10 wear typical soccer uniforms.

Via: youtube.com


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08 Jul 13:36

Take me to the movies…

by Heidi Kenney
Nylonthread

I absolutely respect Heidi's sense of style and taste in movies -- I'm going to look up all of her mentions, especially the ones from Studio Ghibi!

I love a good film, and since it’s been awhile since I posted any I thought I’d share some that I am excited to see…
I’ll start with Michael Gondry’s new film Mood Indigo. If you loved The Science of Sleep, or Eternal Sunshine of the Spotless Mind then I think you’ll be excited by the trailer of Mood Indigo too. It also stars the amazing Audrey Tautou. I couldn’t find any info on a US release date yet, but it looks like it is releasing elsewhere dates between April and July.
Next is Jean-Pierre Jeunet’s new film The Young and Prodigious Spivet. Jean-Pierre Jeunet directed Amelie , Micmacs, The City Of Lost Children, and A Very Long Engagement, and I recommend all of them! His new film is based on the book The Selected Works of T. S. Spivet by Reif Larsen, which I think I’ll need to read! I read the book Very Long Engagement by Sébastien Japrisot (after seeing the movie) and then had to track down translated versions of all his books because I loved it so much. Anyhow this new film is about a “a 12-year-old cartography enthusiast in an eccentric family, who travels across country hidden on board a freight train after being invited to the Smithsonian Institute.” The trailer looks wonderful! I found out its releasing in France in Oct, but have not been able to find Us release dates yet.

but there’s even more!
The Lego Movie- we just saw Monsters U on Thursday, and there was a trailer for this Lego movie. It looks like it’s going to be a good one! Not one of the normal lego licensed character movies either, but a movie about lego mini-figures.
From Up on Poppy Hill- We were never able to find a theater close by that was showing this Studio Ghibli film, so we have ours pre-ordered. And Speaking of Studio Ghibli films there are apparently some other new films coming out this year…The Wind is Rising which was written and directed by Hayao Miyazaki. The Tale of Princess Kaguya which is directed by Isao Takahata (he directed Grave Of Fireflies, such a great one!) So lots of exciting things coming from Studio Ghibli!
04 Jul 14:29

Eighth Graders Play Macklemore's "Same Love" For Gay Teacher

Nylonthread

Um, allergies, hangnail, papercut, jeesh, where are the tissues?

Two students planned a surprise for their teacher during the “YouTube of the Day” part of their class.

A teacher from Ontario shared this amazing story on Reddit's /r/education board.

Source: youtube.com

I teach Grade 8 (13-14 years old) in Ontario, Canada. I am gay, and my students have known this for about a month or so. I am in my first year of teaching, and I teach the class that is considered the "tough" class – they don't get along well with some of their other teachers, and they can be rowdy. Not so much for me, though.

In particular, I have one group of boys that can be a bit of a pain in the neck. Never keep their hands to themselves, always talk out of turn, have gotten in fights, etc. There is one boy in this group (he will be known here as Harry) who is a little quieter than the others, but very popular. He's a bit tough to get close to, and seems like the type to be resistant to new ideas and different people. He hangs out with another tough kid (let's call him Mark), who is loud and boisterous and often rude.

Source: i1.ytimg.com

Now that it's so close to the end of the year, I do a "YouTube of the Day" with them every morning. Kids can send in a short YouTube video for me to show to the class, I preview it, and if it's appropriate, I play it. So this morning, Harry comes up to me and says, "I have a video I want to play."

Now, I preview things for a reason. There are enough horror stories out there of teachers accidentally showing their kids porn for me to be very careful what I show my class. So I tell him to send it to me because, y'know, them's the rules.

"I really want to show it," he says back. "You'll like it, I promise. It's a music video."


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28 Jun 18:51

(Not quite) Free-range Rabbits!

by noreply@blogger.com (Nylonthread String)
Nylonthread

MOAR photos of bunnies!!

All the other images I posted of the rabbits show them caged, so I made an effort today to take a few photos while the were hopping around! It was pretty tough avoiding motion blur, as they're constantly moving. In this first photo, you can see a little bit of the large, white wire corral that we borrowed (permanently?) from our neighbor. Her daughter used to have a a bunny and she was happy to lend it to us. She used to set it up in the yard outside to let the rabbit get fresh air and grass under its paws, but we're not quite that adventurous — yet.

Mary Potter, in the corraled area

After I set up the corral in a doorway that had access to the bedroom where their cages are, I learned that they won't "spray" or excessively "pill" to mark their new "territory." Whew. They really made some messes when we unknowingly separated them from their "home base." I learned from an article about litter box training (h/t Kellygo), I'm apparently doing the right thing (now, not at first!) by introducing them to other rooms in stages, so they get used to their location in relation to where their home base is.

Bugs Bunny, grooming Mary Potter in the kitchen
We first let them roam around Dash's room, their home base, then moved them to the bathroom. Bad idea — much territory marking. We tried corralling them in the dining room, first in one area, then around the dining table, also bad ideas with lots of sanitizing afterward. Earlier this week, I let them roam from Dash's room (home base) through to the kitchen, which worked out great until Bugs Bunny got too curious and hopped over a solid, 24-inch barrier. Yesterday, I had the brilliant idea of using the corral as the barrier, letting them wander from the kitchen and a short way into the living room, and be able to view the surrounding areas. That worked very well! Only one little "pill" at the end of the corral, to mark their new "territory." They still have a very clear path back to home base.

Bugs Bunny, lounging in the kitchen
Maybe soon, after we introduce more new areas, we can get some bunny-proofing going and let them have more range through the house!
27 Jun 14:55

Bunny Sitting for the Summer

by noreply@blogger.com (Nylonthread String)
Nylonthread

I can't even say how many times I've yelled "bunnies!! don't chew that!" over the past few days. :-)

For the past week, our home has been occupied by four humans and three exotic pets. If you've kept up with this blog, or know me personally, you know we have Weegee the parrot, and now our temporary additions are rabbits. I was calling them bunnies, but after we had a number of guests tell me, "those things are huge! I'd call them hares or rabbits, not bunnies," I suppose I ought to stop referring to these large creatures in the diminutive. To give you an idea of their size, when they're splayed out, relaxing, they look to be around a foot and a half long.

Mary Potter, domestic rabbit
The two rabbits are brown females (no idea what breed, if any) and come from Dash's 2nd grade menagerie classroom, which also included a few guinea pigs and a couple of turtles. The rabbits are named  "Mary Potter" (has white paw-tips) and "Bugs Bunny." If I were to characterize their personalities, I'd say Mary Potter is more aggressive and Bugs Bunny is more curious. But, I really haven't had much time to get to know them.

Dash's teacher told me that she let the rabbits out for 3-4 hours a day and suggested I put them in the bathroom (easy cleanup, no cords or stuff to chew up) if we wanted to give them free time without worrying that they'd get into trouble. I learned very quickly that it's not a good idea to let them out right after they eat, unless you don't mind wiping up the area thoroughly! The bathroom hasn't really worked out as a good free-play option for us, but I've been letting them hop around in the kitchen while I'm getting everyone's breakfasts ready, then after dinner they hop around some more while I'm doing kitchen cleanup.

They get pellets and lots of hay in the morning, then in the evening after they're back in their cages, I let the kids give them small amounts of lettuce, apples, bananas, or other treats. One thing I don't quite have a handle on yet is the smell. They have very stinky pee!! I need to figure out a better way to mask the ammonia odor. Luckily, my pal Jill in Oregon sent me a really long message about rabbit care. I'll need to revisit the TL;DR note and scan for bedding tips.

I was warned by another parent who had watched the rabbits over a weekend during the school year that we may need to prepare ourselves to get asked to keep them. O_o  She told me that Mary Potter and Bugs Bunny were babies at the beginning of the year and the teacher may want to have babies for the new batch of second graders. That means that these rabbits are only 9-10 months old and may not be full size yet? They already seem too big for their cages, but I'm not really prepared to buy new enclosures for them (or be their forever home).

We may consider keeping bunnies in the future since I'm thrilled that nobody has exhibited allergic reactions to them (crossing fingers!), but I'd like ones that are either litter-box trained or young enough to train easily. These ladies just poop all over their cages, and don't seem to prefer the litter boxes. Not sure what to do about that. More research needed! They are entertaining to watch and super soft; they like being petted. The kids really love them. Weegee's keeping his opinion to himself, as is AJS (who seems to like them outside of mentioning "hantha virus" while they're in the kitchen).

26 Jun 14:56

My new morning schedule, with rabbits

by noreply@blogger.com (Nylonthread String)
Nylonthread

Bugs Bunny (the curious one) jumped over a 2-foot barrier! Much hiding under tables and chasing commenced.

Adding two rabbits to our household requires more than a few adjustments, especially in my morning schedule. Looks like I'll need to actually get out of bed *with* my alarm, and not goof around for 10-15 minutes...
 
5:25: AJS gives me a kiss, leaves for work
5:30: Boss texts me not to pack a lunch, we're having a group lunch today (BTW, good morning!)
5:35: Alarm goes off; check texts, Facebook, play words with friends before dragging self down to shower.
5:50: Shower, dress, load laundry in the washing machine
6:15: Get kids up, pester them to wear their swim outfits for summer camp water-park day
6:30: Put up barriers, let rabbits hop around while I make breakfast
6:45: Kids shuffle out from their bedrooms; tell kids to pack their dry clothes and towels
7:00: Hand kids their breakfasts over the rabbit barriers
7:05: Prep kids' lunches, get nose-bumped in the legs by hungry rabbits
7:15: Pack kids' lunches, give rabbits carrot & apple scraps
7:20: Chase down escaped rabbit who hopped over a two-foot barrier (taller than her), toss her back over the barrier
7:25: Put rabbit food (hay and pellets) into their cages, chase rabbits into cages 
7:30: Yell at kids for not dressing in a swim suit (Dash), packing their clothes and towels, brushing their teeth, or putting their shoes on; blow-dry my hair
7:35: Using a Sharpie pen, draw flames on previously rejected OMG pink! hand-me-down water-shoes for Dash; they are deemed okay.
7:40: Get in car, drive to summer camp, drop off kids
7:50: Head to work

I haven't fully wrapped my head around letting the rabbits run free through the house. I've noticed that when we corral them outside of Dash's bedroom (where the cages are), they poop and pee all over; but when they do have access to their cages, they scamper back to the cages every few minutes and I don't see poop anywhere. Once I have a chance to secure all of our chewables (especially electrical cords) I'll consider letting them run around with express access to their cages and see if this prevents the free-pooping that happened last night in the corral. Trial and error!!
26 Jun 11:49

Hostess Announces That Twinkies and Other Treats to Return to Store Shelves in July

by Rusty Blazenhoff
Nylonthread

Have you been missing something?

Twinkies

Hostess has announced that “Twinkies, CupCakes, Ding Dongs, Donettes and other classic treats are making a comeback” on July 15, 2013. The company had previously announced in 2012 that it was filing for Chapter 11 bankruptcy and that the snack treats would no longer be available. Yahoo! News has more of the story.

image via Hostess Facebook page

24 Jun 20:17

Egyptian Statue Mysteriously Spinning, Stargate To Open Shortly

by Dan Seitz
Nylonthread

Creepy video!! That statue should NOT be rotating.

Wrong Osiris.

Wrong Osiris.

So, uh, this is weird: An Egyptian statue that has been in the same case for eighty years has recently started slowly spinning in a circle. Did we mention it’s a statue of Osiris, which as we all learned from comic books is the lord of the Egyptian underworld? OK, so he also granted all life in the actual mythology, but this story is much better with a “lord of the underworld” hook.

It’s so subtle that you can’t see it with the naked eye. But you can see it with helpful stop motion video recorded by the Manchester Museum!

As you can see, the statue slowly spins throughout the day. Rather creepily, though, the statue hasn’t left that case for eight decades; it was tossed in there when it was first found, and has stayed put until very recently.

Logically, of course, this means that, at best, people are about to start dying mysteriously with their brains removed near the Manchester Museum, and at worst, Manchester is about to be invaded by the Goa’uld. But some scientist of course has to weigh in with some dweeby and obviously wrong theory about friction:

Professor Brian Cox [Ed. Note: No, the physicist, not the actor], who teaches physics at the city’s university, claims the movement is due to the “differential friction”.

You’ve doomed yourself, Cox. Seriously, only mayors of seaside towns attacked by sharks are at more risk of an ironic death.

Joking aside, Cox is likely right; if you watch the video, you’ll notice the statue seems only to spin when people are up and about. That would indicate that there some sort of subtle vibration running through the case, due to a change in foot or road traffic, and moving the statue, which makes it an incredibly neat demonstration of complexity theory and how we affect our environment without even realizing.

But assuming a Goa’uld invasion is more fun, so we’re going with that. Protect ya neck, people.

image courtesy MGM Television

23 Jun 13:02

WWII Vet ‘Grandpa’ Jack Potter Is Still Being Evicted From His Home

by Ashley Burns
Nylonthread

WHA, what? This can't possibly be the entire story. What kind of adult evicts her 92-year-old father from the house that he built?

Jack Potter

Well, this is depressing. Last month, we featured the story of Jack Potter, a World War II veteran, who was being evicted from the Zaleski, Ohio house that he built with his own two hands, by his daughter, who had inexplicably signed the deed to his home over to herself when he granted her power of attorney years ago. Fortunately, “Grandpa Jack” received an incredible gift from countless strangers who donated more than $139,000 via a GoFundMe account that was set up by his granddaughter.

At the time, it seemed like the perfect story, as Potter had the money he needed to keep his own house, and just in time for his granddaughter to throw him a party for his 92nd birthday. Naturally, this all ended up being too good to be true, and it turns out that Potter’s daughter, Janice Cotrill, still has no intention of even letting him buy the home back.

A 92-year-old veteran will be evicted from the house he built after his daughter rejected an offer to buy the home for above market value.

An appraisal valued the home at $47,000 plus land worth $2,830 and an offer was made, ABCNews reported. Cottrill rejected the offer with a counter-offer of $85,000 plus legal fees.

A second offer of $60,005.23 was rejected outright, ABCNews reported siting court documents that state “They find the offer unacceptable and decline the same.” (Via Sun News Network)

So now Potter’s granddaughter, Jaclyn Fraley, is going to use the money to find a suitable alternative housing option for him, and she also vows to be completely transparent with the money now, just as she had before.

“He will be evicted,” Fraley said of her grandfather. “The judge has no choice. His hands are tied.”

There is a silver lining at least: The money raised through Go Fund Me will be enough for Potter to find a new house or help remodel his caretaker’s home so that he can move in there, Fraley said.

“Some people who donated were adamant that they didn’t want (Cottrill) to get the money anyway. They said, ‘Don’t give them this money. Go buy grandpa another house!’” Fraley added.

“We’re trying to move forward,” Fraley said, “and just hold our heads up high.” (Via the NY Daily News)

What the latest news also revealed that I hadn’t even realized before is that Potter was actually at one point the mayor of Zaleski. So to recap, Potter was a WWII vet who returned home and borrowed a power shovel and some tools from a friend to build his own house that he would live in for 56 years, while also serving as the mayor of his city, before it was (allegedly) stolen from him by his own daughter when he was critically ill, and now the daughter, who hasn’t even tried to defend herself to the media, has evicted him because he didn’t offer her enough money.

Professor Farnsworth

21 Jun 12:52

Remembering James Gandolfini: Thoughts On The Actor From The UPROXX Staff And Others From Around The Web

by Danger Guerrero

james

There have been a number of terrific things written about James Gandolfini since his death yesterday. Below, please find excerpts from some of the best, as well as thoughts from the UPROXX staff.

Cajun Boy:

When I moved to New York in 2002 The Sopranos had been on the air for a handful of years and the entire city was captivated by the show. Everyone in the cast, even just guys who had bit parts here and there, were treated like rock stars. Page Six was regularly filled with cast member sightings. I remember seeing the little sh*t who played AJ out ALL THE TIME and he was always given the royal treatment whenever he was, in addition to being surrounded by pretty girls. Wisely, a lot of cast members seemed to know that what they were experiencing was probably fleeting it and they seemed to be trying to soak up every ounce of it. They were at every premiere, every gallery opening, etc. They were ubiquitous. You couldn’t walk down the street most days without running into someone who was on the show. However, one person from the show remained elusive to me: Gandolfini. As badly as I wanted to experience a Tony Soprano sighting, I never saw the guy at all in the first few years I lived in the city, nor did I hear much about friends seeing him out and about.

Then one day in 2006 or 2007, when the show was nearing the end of its run, I was walking south on West Broadway early on a weekend morning and, as I approached Prince Street, I noticed Gandolfini walking toward me accompanied by a kid, presumably his son. For a rare moment I felt starstruck — by this point I’d lived in New York for a few years and had become numb to randomly running into famous people on the street — and simply couldn’t take my eyes off of him as he walked towards me. But as he got closer it dawned on me that he looked PISSED, and I was sure that it was because I was making eye contact with him. “Oh my God he’s pissed that I recognize him and am awed by his presence,” I thought.

But then we passed each other and after he was behind me I turned around to get one last look at him and when I did I noticed two paparazzi photographers were set up with cameras down the block behind me. So it was those guys he was pissed about seeing, and not me, all along. At least that’s what I’ve convinced myself of anyway.

Danger Guerrero:

In television, as in life, you tend to remember the big moments, and the big moments on The Sopranos were really, really big. You can probably list off 8 or 10 of them right now, even if you haven’t watched an episode since the finale cut to black just over six years ago. But the show was really about the small moments: the family dinners, the arguments over little things, the throwaway jokes, the never-ending ball-busting, etc. Those were the moments that made The Sopranos a compelling show, as opposed to yet another watered down Godfather knockoff about mobsters filling each other with lead. And those were the moments where James Gandolfini put on a show.

Take the short scene I posted above. It’s basically Tony Soprano in a nutshell. In just two minutes he moves from “guy with opinions on orange juice” to “guy who’s not sure why is wife is angry” to “dad who’s angry at his kids for not taking advantage of all the things his hark work has made available to them” to “cold-blooded mobster.” He was complicated. So was James Gandolfini, sometimes. I miss both of them very much today.

Josh, in his post about a trip to Holsten’s:

But Gandolfini’s physical appearance wasn’t the only thing that made him one of the finest actors TV has ever seen, or will ever see — it was in those “sad eyes,” to quote creator David Chase, and the way he could flip between likable teddy bear and ferocious murderer, sometimes in the same scene. Many guys looked the part of a fearsome mobster, but none had the same warmth as Gandolfini. Before Tony Soprano, I never really thought about actors, or at least I never paid much attention to them. The best TV actors were good, but rarely better than that; there was certainly nothing transcendental that could be found on NBC or even HBO. Then came The Sopranos, and with it, The Golden Age of TV. Without Tony, there’d be no Don Draper, no Walter White, no Elizabeth Jennings, no hundreds of damaged characters we root for despite ourselves. Much of that credit goes to Chase and his writing staff, obviously, but it wouldn’t have been possible with Gandolfini’s Tony, who you were supposed to root against…and yet. How can a man who gets duck-induced panic attacks be evil?

Burnsy:

While I can talk for days about my love for True Romance and especially the incredibly violent bathroom fight scene between James Gandolfini and Patricia Arquette, I always thought that his most underrated performance was as a gay hitman in the otherwise forgettable The Mexican. Despite the fact that it had Brad Pitt and Julia Roberts, The Mexican was mostly panned, which was a shame if only because it meant that people overlooked Gandolfini’s fantastic performance. He managed to make me care a hell of a lot more about a murderer than about the actual love story at the center of the film.

Gandolini had a knack for stealing a scene, too, as The Last Castle was another underrated favorite of mine. I can describe every pathetic scowl on Colonel Winter’s face while barely remembering anything about Robert Redford as… whatever his character’s name was. Few actors ever went toe-to-toe with legends like Redford and Pitt and looked like the bigger star. Gandolfini did.

Maske:

When I was sixteen or so I watched True Romance for the first time. I had just become enamored with Pulp Fiction and wanted to consume all things Tarantino now that the video store allowed me to rent whatever I desired. During that brutal and now iconic Gandolfini-Arquette scene I remember thinking for the first time ever with an adult sensibility, “Man, this guy is putting on a menacing bad guy clinic. This is brilliant.” A younger version of myself would have been all, “this is evil I hope she kills him this is creepy,” without thinking once about the work behind the role, but Gandolfini’s oddly captivating performance opened me up to a new appreciation for character acting and the antagonist.

Little did I know at the time what I was discovering was a prelude to the ultimate anti-hero who would shortly thereafter forever re-shape how I’m compelled to watch television.

Alan Sepinwall at HitFix:

We had been told all our lives that we would not watch an ongoing series about such a man. A bruising, foul-mouthed giant with a dent in his forehead was the villain, not the protagonist. TV had always made compromises, always made sure that “flawed” heroes were ultimately redeemable and lovable.

Tony Soprano was not. And we loved him, often despite ourselves.

Much of the credit for the show, and the character, comes from “Sopranos” creator David Chase, but Chase has said that Tony wasn’t fully-formed until Gandolfini was cast in the role.

Matt Zoller Seitz, in a touching tribute at Vulture:

There was no blowout premiere party for season one of The Sopranos because nobody had any idea how big it would become. Season two was a different story. HBO rented out Radio City Music Hall. The cast and crew and executives arrived in limousines, as is customary. James Gandolfini arrived in a yellow cab.

At the after-party, I asked him why.

“My family’s here,” he said. “My friends are here. Guys I grew up with are here. Some of them came by train or by the subway to get here, or they drove three hours in a van or whatever. What are they gonna think if they see me getting out of a limo?”

David Remnick at The New Yorker:

As the seasons passed, Gandolfini gained weight at an alarming pace. His death, at the age of fifty-one, in Italy, does not come entirely as a shock. But that makes it no less a loss. Gandolfini was not a fantastically varied actor. He played within a certain range. Like Jackie Gleason, he’ll be remembered for a particular role, and a particular kind of role, but there is no underestimating his devotion to the part of a lifetime that was given to him. In the dozens of hours he had on the screen, he made Tony Soprano—lovable, repulsive, cunning, ignorant, brutal—more ruthlessly alive than any character we’ve ever encountered in television.

Brett Martin at GQ, in an intro to a brand new article about Gandolfini and The Sopranos:

Anybody who has ever been on a TV or movie set knows there is no place more guaranteed to exterminate any sense of romance about TV and the movies. Not so when Gandolfini was shooting, say, an ordinary family dinner scene of The Sopranos. Every take, and there were always dozens, would be just a little bit different. Every line delivery bringing up another subtle shade or variation of the character he had so come to embody. And each time, you could tell, required a return journey into that character as real and visceral as the plate of spaghetti and braciole he would dig into again and again and again. It was hypnotizing. It was exhausting.

It is not too much of a stretch to say that if Gandolfini had not gotten the role of Tony Soprano—as, by all rights of all television rules ever written, he shouldn’t have—and attacked it with such gusto, television would not be what it is today. Without an actor capable of finding Tony’s melancholy, his soulfulness, his absurdity and his rage, the era of TV antiheroes may never have found its foothold. In interviews, which he did his very best to avoid, the actor would often fall back on some version of “I’m just a dumb, fat guy from Jersey.” “That’s bullshit,” David Chase once told me, with an affectionate chuckle. “Jim knows damned well what he’s doing. He knows.”

Heather Havrilesky at Salon:

Gandolfini intuitively understood that when you stripped away Tony’s power and money and brute strength, what you got was something between a clown and a lost little boy. For a thuggish guy like Gandolfini to call up such vulnerability and unsteadiness was simply transfixing. The smallest little fumbling motion with those bear-paw hands, the slightest hunch, the sweetest glimmer of regret in those eyes – Gandolfini made us feel heartbroken over Tony, even when he was messing up or pushing away everyone he loved. Gandolfini made “The Sopranos” feel much richer and deeper and more poignantly tragic than a series about modern-day mobsters had any right to be.

Chase and Gandolfini effectively rewired our synapses around TV protagonists, demonstrating how oddly familiar and palpable a complexly layered antihero could become over the course of several seasons. TV writers and actors have been struggling to mimic and re-create and recapture Tony’s conflicted darkness ever since, but there can only be one Tony Soprano.

James Poniewozick at Time:

James Gandolfini was our usher into that new TV era, by taking a performance that could have been cartoonish (remember Analyze This?) and making it psychologically layered and unshakeable. This was a man who could show us a brute throttling a Mafia turncoat while looking at colleges with his daughter and make us think: I want to know this guy better. He could lead us, mildly contemplating an onion ring, to the finale’s famous cut-to-black, to the tune of “Don’t Stop Believin’,” and leave us wondering whether he lived or died, and what he deserved, and what it all meant.

And finally, Sopranos creator David Chase:

“He was a genius,” Chase said. “Anyone who saw him even in the smallest of his performances knows that. He is one of the greatest actors of this or any time. A great deal of that genius resided in those sad eyes. I remember telling him many times, ‘You don’t get it. You’re like Mozart.” There would be silence at the other end of the phone. For [his wife Deborah Lin] and [children] Michael and Liliana this is crushing. And it’s bad for the rest of the world. He wasn’t easy sometimes. But he was my partner, he was my brother in ways I can’t explain and never will be able to explain.”

Photo credit: HBO

20 Jun 17:31

We Are The World Of Warcraft, Musical Parody by Jimmy Fallon, Felicia Day, Chris Hardwick & Warcraft Players

by Justin Page
Nylonthread

Felicia Day. Vibrato. All you need to know.

Late Night host Jimmy Fallon, along with Felicia Day, Chris Hardwick and World of Warcraft players from around the globe joined together to sing, “We Are The World of Warcraft.” The song is a musical parody of the hit single “We Are the World,” originally recorded for charity by the supergroup USA for Africa in 1985, and a tribute to to “one of the best video games of all time.” It was recently featured on Late Night‘s ongoing Video Games Week series.

Here is the original music video for “We Are the World”:

videos via Late Night with Jimmy Fallon, lineusan

20 Jun 17:29

Good Deal or Not? Bonus House Porn edition

by Prince Of Petworth
Nylonthread

Hm, I think I'd need a few more garages.

4400 Garfield Street Northwest

I know it’s not our regular house porn day but I couldn’t resist this one. It’s located at 4400 Garfield Street, Northwest:

Screen Shot 2013-06-19 at 2.33.04 PM

The listing says:

“Once in a lifetime opportunity to own an in-town estate offered for the first time in almost 40 years. Extraordinary custom residence with 3-story guest house, gourmet cook’s kitchen with three islands & every upgrade imaginable! Master suite beyond compare. Views from every room bring the outdoors in with terraces & decks overlooking a dramatic pool. Photos by Maxwell Mackenzie & Stu Estler”

You can see a virtual tour here.

This 9 bed/10.5 bath is going for $7,500,000.

20 Jun 17:16

Seattle Public Library Creates World’s Longest Book Domino Chain

by EDW Lynch
Nylonthread

Yay! World record!!

Back in May the Seattle Public Library used 2,131 retired and donated books to create the world’s longest book domino chain. According to the library, “no books were harmed during the filming of this video.” The event marked the launch of the library’s 2013 Summer Reading Program.

video by Playfish Media

via The Stranger, Archie McPhee’s Endless Geyser of Awesome

20 Jun 17:02

The Rap Lyrics Jimmy Fallon’s Show Wrote For The Super Mario Brothers Theme Will Blow You Away

by Dustin Rowles
Nylonthread

AWESOMENESS. I'm not the biggest fan of this video game, but it's part of our culture. The rap was just plain well-done fun.

Screen Shot 2013-06-20 at 9.10.23 AM

It’s video game week over on Late Night with Jimmy Fallon, and although Howard Stern hates it and doesn’t understand how Jimmy Fallon could get elevated to The Tonight Show, Fallon knows what he’s doing. Case in point: During Fallon’s Suggestion Box segment, someone suggested that there be lyrics for the “Super Mario Brothers” Theme. The Roots’ Black Thought was more than happy to provide them, and they are STUPENDOUS.

Nintendo needs to buy the rights to those lyrics and include them on the next Mario game, then turn it into a single. That is outstanding. Well done, Tariq.

(via Hypervocal)

20 Jun 16:03

16-year-old invents prizewinning clean algae-biofuel conversion process

by Cory Doctorow
Nylonthread

Whhhaaaa? Amazing, these teenagers, I tell you!

Alan sez, "Evie Sobczak, who is presently 16, appears to have invented a completely chemical-free process for turning algae into a biofuel. Along the way her process appears to be about 20% more efficient than current chemical-heavy (and thus potentially polluting) processes. Her project just took first place and best in category at the Intel International Science and Engineering Fair."

Teen's biofuel invention turns algae into fuel (Thanks, Alan!)

    


19 Jun 15:36

Darkfin: Discover the Webbed Advantage

by Laura Grace Weldon

darkfin, acquatic gloves,

 

It hardly seems fair. Plenty of creatures including ducks, frogs, turtles, beavers, and kangaroos have webbed feet. The webbing enables them to to force more water behind them with each stroke so they can swim faster. And plenty of sci fi creatures have webbing between their digits as well. Far more awesome than claws.

There’s a remedy for our sadly web-free state. Darkfin webbed gloves for sports (and costuming!). These gloves enable surfers to to grab more waves, sky divers to enhance air maneuvers, scuba divers to improve surge control and increase underwater speed, swimmers to improve upper body strength and increase resistance control. They also work nicely for cosplay.

The gloves come regular or thermal, tan or black, in 12 sizes, with a contoured shape allowing hands to assume a natural resting position.  They’re made from natural latex rubber for flexibility, with a cotton flocked surface for better grip. They’re seamless, with no adhesives used, so the bonding is permanent. And these gloves have a backstory. GeekMom interviewed co-owner Colleen Wallace to find out more.

GeekMom: Is the name you use, “Black Lagoon products,” chosen because of the old monster movie? Can you elaborate a bit about the name? 
Colleen Wallace: Yes, we did in fact choose the name Black Lagoon because of the movie but mostly because we thought it was humorous. Most people when they see the Darkfin gloves automatically say, “Cool, reminds me of the Creature from The Black Lagoon.”

GM: Can you tell us what inspired the company’s founders and how they came up with the product itself? 
CW: The inspiration for these gloves actually came about in the mid 80′s. First, I want to mention that is a family business; my dad and I are co-owners of the company. In the mid 80′s we were living in Santee, California and my dad got involved—like many Californians—with surfing, bodyboarding, snorkeling, and scuba diving.  That’s where his inspiration came about. At that time no webbed glove had ever been introduced to the market. So he took to the process of trying to figure out how to make the gloves and after a few years he had a business up and running and was producing and selling the gloves. They were called T.F.L power gloves. As young children, me and my two sisters spent countless hours in the shop helping with little tasks like packaging and labeling.

Fast forward a few years.  He got cancer at age 33 and was forced to shut down. He recovered from cancer but since we had moved to Indiana (our hometown) after the medical bills came in he had get capital to start the business back up. In 2005 my dad and I partnered in a different business after we relocated to Knoxville, TN. In 2008 he approached me about bringing back the webbed gloves because he had an ever better vision and design for the gloves. Thus became Darkfin!

GM: Any details you can provide about how Darkfin gloves enhance performance?
CW: As far as enhancing performance goes, Darkfin gloves are amazing!  This time around we put the webbing on the back of the glove instead of the front like we did in the past. This increased the surface area tremendously thus increasing the paddle power. In the past we also used flat 2-D aluminum molds. Now we have 3-D ceramic molds, so the fit is extremely comfortable. One of best features of the gloves is the grip! There are a few other webbed gloves on the market that came out right after they saw our gloves in the 80′s. However, most use neoprene or silicone to make their gloves. The disadvantage to that is neither can boast any grip. The silicone ones are extremely slippery.  We use a cotton flocking on the surface of the latex to provide that amazing grip. Lastly, the gloves are so flexible that you you can do most anything while wearing them. I recently took a kayaking trip and not only did I never touch my paddle and just used my hands but I was able to operate my camera with ease. Scuba Divers report they can handle all their equipment without having to take the gloves off.

GM: This is off the wall, but what non-human is the hand most like in a Darkfin glove?
CW: I would have to say it would be a platypus!

GM: What are some of the oddest uses you’ve heard for the gloves?
CW: Apparently a few bloggers on fetish websites reported how they would love to have these on their night stand! I am not sure what for, but I guess your imagination could go wild on that one!
Other than that, I have had a few people buy them for a costume. One girl painted hers and did herself up as mermaid for a play she was involved in.  Another guy in Vegas used them for a live show he does in a tank with marine animals.

Become an aquatic creature. (darkfingloves.com)

Become an aquatic creature. (darkfingloves.com)

GeekMom received this item for review purposes. 

The post Darkfin: Discover the Webbed Advantage appeared first on GeekMom.

18 Jun 20:02

John Mayer Gets Woman Behind Prancercise To Star in His Latest Music Video

by Rusty Blazenhoff
Nylonthread

Oh, god, no! John Mayer? WTF?

The woman behind Prancercise, LLC, Florida-based fitness instructor Joanna Rohrback, is the star of new music video for the song “Paper Doll” by John Mayer. Yes, she prancercises throughout the whole thing.

via KFOG

18 Jun 15:43

BookExpo 2013: Great Books for GeekKids

by Amy Kraft
Coming Soon: Pokemon Visual Companion. Photo: Amy Kraft

DK Publishing’s Pokemon awesomeness. Photo: Amy Kraft

BookExpo America took place earlier this month in New York City, and it’s always one of my favorite events. I always need to leave myself a few days to see the show because I’m constantly stopping to read in the booths and waiting in autograph lines. This year my autograph lines included many of my kidlit favorites, including Jon Scieszka, Oliver Jeffers, Bob Shea, Betsy Lewin, and Peter Reynolds, all of whom have new books out.

I fell in love with a ton of picture books, especially Bob Shea’s Unicorn Thinks He’s Pretty Great, and saw Star Wars books aplenty. There were no shortage of books for your GeekKids. Here are some more to get excited about.

I was recently talking to a mom who was telling me how much time her son spends with the Lego encyclopedias from DK Publishing. Now, for kids who love Pokemon, there’s the Pokemon Visual Companion.

BEA-AngryBirds

Angry Birds, now with more learning! Photo: Amy Kraft

Kids who love Angry Birds can convince their parents that the games are educational with the new National Geographic books that use Angry Birds to teach about physics and space.

BEA-TimeForKids

Bob Der, Director of Time for Kids with the latest book collection. Photo: Amy Kraft

I had a lovely chat with Bob Der, Director of Time for Kids, about getting kids excited about reading (especially nonfiction) and how Time for Kids is finding a home in the classroom. Their books are about topics kids get excited about, like dinosaurs and sports and crazy, weird facts and information. They also have digital versions of many books to have a presence on interactive whiteboards in the classroom, “high-impact versions” made better with video. When I think about all the nonfiction requirements in the Common Core Standards, I’m glad for things like Time for Kids.

BEA-CozyClassics

The classics made cozier. Photo: Amy Kraft

Cozy Classics are an adorable line of board books that attempt to tell classic tales like Pride and Prejudice and Moby Dick through a handful of photographs of felted characters paired with single words. It helps to have read the original to be able to fill in some detail for your tot. I can imagine giving two copies of Pride and Prejudice to a new mom—the grownup one for her and the Cozy Classic version for baby.

BEA-Ripleys

An interactive experience from Ripley’s. Photo: Amy Kraft

As a kid I was a fan of the Ripley’s Believe It or Not segments that appeared in my Sunday comics, and I’ve stayed intrigued all these years. Ripley’s had a great presence at BookExpo this year, including the gigantic Dare to Look! book. Scan pages with your smart phone to see more videos and images.

BEA-Robot

One of the many great finds in the Chronicle booth. Photo: Amy Kraft

There was much to salivate over in the Chronicle book, including Carnivores, a hilarious book by Aaron Reynolds and Dan Santat, a bunch of new Taro Gomi books, and this cool Make Your Own Robot kit that looks like a ready-made birthday gift. 

BEA-MonsterBook

Watch your fingers! Photo: Amy Kraft

I wish I could tell you this was a real Monster Book of Monsters, but alas it was just a box. What a great place to store your treasures, though. People would think twice before opening.

Other books that came home with me to fill my summer with reading are Octavia Spencer’s debut novel, Randi Rhodes, Ninja Detective:The Case of the Time-Capsule Bandit; the latest in Lemony Snicket’s All the Wrong Questions series, “When Did You See Her Last?”; the new Guys Read anthology Other Worlds; and Gordon Korman’s Hypnotize Me, book 1 of The Hypnotists. I’ve got a reading-filled summer ahead of me.

The post BookExpo 2013: Great Books for GeekKids appeared first on GeekMom.

17 Jun 14:26

Review: Made by Dad

by Diane

madebydad101

I’m doing more videos than “old school” book review posts these days, but this is one that I wanted you to see before Father’s Day, in case you know a Dad who’d love it. I’m an aunt, not a Dad, and I freaking love it.

You’ve heard me mention Scott Bedford around these parts before. His blog, What I Made, has long been a favorite for his awesome project ideas and illustrated how-to’s. It’s super cool to see his genius captured in a great, big, whimsical book.

madebydad105

Made by Dad: 67 Blueprints for Making Cool Stuff is one of the very few project books I’ve seen that made me giggle my head off. Scott’s ideas are so funny, and I can imagine these projects surprising and delighting kids.

Some of them result in toys and games to play with on a rainy afternoon, like this moon mine. Some will brighten a lunch plate, like the saber-toothed spiders below:

madebydad108

The great thing about all this stuff is, it’s all made from materials lying about the house: cardboard, scrap paper, markers, a craft knife. Some projects take just a few minutes, some are day-long projects you can build with your kids, and some are for adult hands only.

madebydad102

This is my hands-down favorite, because it involves melting markers with a blowtorch. Which, when you think about it, is a pretty good fate for a dried-out marker. As Scott puts it, this is “an opportunity to be both destructive and constructive.”

madebydad103

Every single project is lavishly illustrated by Scott, too. You get to walk through the steps of construction visually, which, for projects like these with a little engineering genius behind them, is stellar. I give this one an enthusiastic A+ in the instructional department.

madebydad106

There’s also a lot of great stuff with moving parts, or hidden magic, or a little science. Like this balancing robot, for example. He’s built from a toilet paper tube, and stands on the tip of his flames. A counterbalance, suspended from wire below the table, keeps him from toppling over. And I’d like to add that he has a rotating head that makes four expressions, rotating arms, and a brain-box full of little gears.

madebydad111

This black hole wall art cracks me up. I need this in my living room.

madebydad110

…And here’s a die that plays Rock, Paper, Scissors – one result in the clear outer layer, the other result on the inner one. How brilliant is that?!

madebydad107

There’s just so much here to engage a kid’s imagination. These radioactive sports drinks are water bottles, customized with a little paint. But how much fun would you have as a kid walking around with one of these? What games and pretend scenarios would you invent?

Scott clearly has a kid’s mind, and I mean that as the highest of compliments.

madebydad109

This is one of those books where I could show you every single project, but I’ll stop here and share one last bit: if you don’t want to draw your own embellishments, Scott has provided photo-copyable templates for every project.

Scott has two sons, who, I’m guessing, will carry some awesome memories into their adulthood. Here’s the book’s link again. Enjoy!

CraftyPod is a blog about making and thinking. Online ClassesEbooksPodcasts If you're seeing this post on another website, please let me know.

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17 Jun 14:23

Things I don’t teach about blogging anymore

by Diane

Classroom

Image by Thomas Favre-Bulle, via Flickr



June's Thinky Theme
No question, the blogosphere has changed so much since we were all figuring it out in 2004/2005. The blogging classes I teach have changed a lot in that time, too. I thought it might be fun to share some ideas that used to be big ol’ blogging rules, but really aren’t anymore.

Let me be all disclaimery first, though: I think it’s dangerous for anybody to go around saying that there’s a “right” way or “wrong” way to do anything on the internet. So if you disagree with anything I’m about to say here, please – go right ahead!

Really, the only truism of this whole online thing is: Do what works for you, and be willing to change it up if it stops working.

Feb 06 fReaKfurZ gallery show and opening party

Image by freakfurz, via Flickr

Old Rule #1: Post every day

There was a time when quantity was important in blogging – more posts meant more reader engagement. Then social media came to town, and everyone ended up with more to read online than they could possibly manage. So nowadays, I think blogging is about quality over quantity.

Whether you blog for personal or business reasons, I think it makes sense to post only when you have something to say that’s especially interesting – and that you’re excited about saying. In other words, don’t post filler in a world that is already groaning under the weight of too much filler.


HAVING A CHAT

Image by conespider, via Flickr



…Not only that, the advent of social media has significantly changed the role blogging plays in your online presence. Blogs used to be about day-to-day life and conversation, but nowadays, that stuff happens more on Facebook, Twitter, Instagram, etc. Your blog, then, becomes the place people go to find deeper evidence of what you think about most and what you’re good at. Which means that blog posts are now for bigger ideas and social media is for daily chatter.

If every blog post you make has something worthwhile to say, even if those posts are weeks apart, your readers will file your blog under “Always Worth My Attention.” That’s a big deal in an information-saturated world!


Mr Blue Sky

Image by rogiro, via Flickr


Old Rule #2: Fill up your sidebars

I used to recommend adding a lot of “goodies” to the sidebars of your blog, giving your readers many delightful things to look at and click. But as visually crowded as the web is getting, I’m rethinking that advice. I think our eyes have come to really appreciate white space as a respite from all that information. (A fact you can confirm by looking at the new Flickr. Ahem.)

The more options you give people to click on nowadays, the more options they’ll tend to screen out. The impulse to ignore things operates on a hair-trigger now. It makes more sense to pare your sidebars down to a limited set of links, buttons, ads, etc – each of them critical to your blog’s mission.

Now obviously, you’re more complex than that, and so am I, and so is everybody. It’s very tempting to want to pack more stuff in there, because we want people to see everything we think is cool. Except that, with too many choices, people tend to see nothing.

Look at me
Image by Blue Celt, via Flickr


So it comes down to your goals for blogging. What are the most important parts of your blog for people to see? If that ends up being a big list, ask yourself the question again: which sidebar elements are most critically important to your goals?

Remember, you can always change your sidebars from time to time and refresh those options. (Or, you could try a nested menu system, like my Mom uses, which presents just a few options at a time.)

Just the Grocery List

Image by Krissy.Venosdale, via Flickr


Old Rule #3: Use a Category List

Actually, I still recommend a category list on your blog (or Tags, Labels, or whatever your blogging platform calls them). I just don’t recommend that you show people ALL your categories at once!

This here blog has amassed 48 topic categories over time. I used to display them all in my sidebar in a big, long pull-down menu. And nobody clicked on any of them – it was just far too much information! Then I pared that down to a list of ten, and now people click on them all the time. (If you want to know how to see that, you can learn in my self-guided Analytics Tricks class, by the way.)

Think of it this way: someone who’s new to your blog only really needs to understand what your prevalent themes are, and what actions you’d like them to take as a reader. The people who want to know about everything you share are the ones who’ve decided to follow your blog regularly. And they’ll get that information a little bit at a time, from your posts. Either way, it’s small bites – the modus operandi in an info-saturated landscape.


Assignment: Circles

Image by MaryScheirer, via Flickr


Old Rule #4: Have a blogroll

This one makes me a little sad. But the thing is, the blogroll has kind of outlived its original purpose, which was to help blog readers find other cool blogs in the early days of search engines.

Nowadays, there just aren’t that many people looking actively for more blogs. We’ll eagerly adopt a new one when we stumble onto it, but we aren’t constantly seeking to fatten our RSS readers. (For most of us, our RSS readers are already too overstuffed.)

A blogroll consumes precious sidebar real estate, and doesn’t really do much to tell people what’s important about you. Again, we’re dealing with attention spans measured in microns here. Everything a new visitor sees should entice them to go deeper into your blog – not go elsewhere.

If you want to link to other blogs, maybe a more appropriate place these days is on a dedicated Links page. You can link to that from your Category list or your navigation bar.

School Time Apple
Image by Enokson, via Flickr


Old Rule #5: Leave comments everywhere

I used to advise new bloggers especially to leave lots of comments on other blogs as a means of building up their own readerships. But it’s no secret that blog commenting has seriously waned in favor of assorted social-media commenting.

…So where does that leave us in terms of readership-building? Well, I don’t think it’s that common for bloggers to actively check out every commenter who stops by anymore. Any blogger who’s also using social media tools is constantly juggling all those channels. It’s hard to be deeply engaged everywhere at once.

If you really want to connect with a blogger, these days I’m recommending starting conversations with her on Twitter, Facebook, etc. But if you don’t have that option, try leaving substantive comments on her blog regularly over time. She’ll come to recognize your name, and eventually link over to your blog. But that “eventually” is the key. Online connection through blogging alone takes real patience now!

Now let’s talk: how do my ideas here line up with how you’ve changed as a blogger over time?


CraftyPod is a blog about making and thinking. Online ClassesEbooksPodcasts If you're seeing this post on another website, please let me know.

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17 Jun 14:22

Link Love: Bordered Hexies, Doodled Dishware, Easy Screen Printing & More

by Diane

Apparently, he'll be taking his after-dinner nap in the scraps.
*gentle little old-man snores*




Welcome to Friday… again, and some more Link Love. You’re welcome to join in the fun – just make a little post on your blog, sharing your five fave links from this week. Then come back to the end of this post and pop your link into the list!


sally-lil-doel-bordered-hexies

Photo by Sally lil’ Doe

Hexies With Borders, on Quilting Board

Hoo, Boy, I love these so much. Every single time I look at this tutorial, I want to chuck my whole To-Do list out the window and spend my day making these things. Including right now. The method is pretty ingenious, too.

ll0614-tamarajewelry-screenprint

Screen Printing With an Embroidery Hoop, on The Tamara Blog

If the process of screen printing intimidates you, check out this simplified method. Instead of emulsion and a light source, you use stickers and Mod Podge. Pretty cool!

ll0614-umelecky-herbs

A Modern Potpourri, from Umelecky

If your garden is bursting with fresh herbs, why not try this little how-to for bundling them? Several bundles in a vase or bowl will make a lovely air freshener. (And possibly, cat-attractor.)

ll0614-handpaintedcup2

Doodled Porcelain, from Craft & Creativity

I’ve been getting really attracted to these kinds of “drawing on dishes” projects lately. (Don’t worry, Mom – the family Heathware is safe!) In this how-to, Helena’s using porcelain markers, and she outlines her process nicely. No pun intended.

Screen Shot 2013-06-14 at 8.24.34 AM

The Advent Star

Amy Linsey-Smith contacted me about her new product, which is pretty cool. It’s a star-shaped advent calendar you can color, build, and embellish with your kids. And then they can have the fun of opening up all those little doors in December. I know it’s way before Christmas! But you’ll be too busy to think about this then, so I’m telling you now.


CraftyPod is a blog about making and thinking. Online ClassesEbooksPodcasts If you're seeing this post on another website, please let me know.

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17 Jun 14:16

LAX TSA officer shames my 15-year-old daughter for her outfit

by Mark Frauenfelder
Nylonthread

I agree, well said, Maureen & Hillary.

This morning, a TSA officer at LAX humiliated and shamed my 15-year-old daughter. She is traveling with a group of high school students on a college tour and we were not with her when he verbally abused her.

Here's what happened, as my daughter described it in text messages to us: she was at the station where the TSA checks IDs. She said the officer was "glaring" at her and mumbling. She said, "Excuse me?" and he said, "You're only 15, you should cover yourself up!" in a hostile tone. She said she was shaken up by his abusive manner.

I'm including the above photo of the outfit my daughter was wearing when the TSA officer shamed her. It doesn't matter what she was wearing, though, because it's none of his business to tell girls what they should or should not wear. His creepy thoughts are his own problem, and he shouldn't use his position of authority as an excuse to humiliate a girl and blame her for his sick attitude.

Our friend, Maureen Herman, dropped by our house today and we told her what happened. Maureen is the bass player for Babes in Toyland, the executive Director of Project Noise, and a co-founder of A is For, a women's rights advocacy group. She wrote the following response on Facebook, and it neatly sums up why this TSA officer's behavior is very wrong:

Absolutely inappropriate, harassing, aggressive, creepy, unprofessional, and Taliban-y thing that he did. "Cover up" is a dangerous cultural attitude that fuels more than rude comments. It's the foundation of the oppression of women, rape culture ("she was asking for it"), and the drive for reproductive control of women's bodies.

Hillary Clinton puts it well:

"Why extremists always focus on women remains a mystery to me. But they all seem to. It doesn't matter what country they're in or what religion they claim. They want to control women. They want to control how we dress, they want to control how we act, they even want to control the decisions we make about our own health and bodies.

Yes, it is hard to believe but even here at home we have to stand up for women's rights and reject efforts to marginalize any one of us because America needs to set an example for the entire world."

Well said, Maureen and Hillary.

My wife and I met with the TSA at LAX and they are opening an investigation. The supervising officer we met with, Officer Murphy, was apologetic, concerned, and professional. He cc'd me on his incident report to his manager and it looks like they are taking this seriously, which is good to know.

I'll keep you posted.

    


17 Jun 14:08

Pilot Takes Stunning HDR Photos From Inside Airliner Cockpits

by EDW Lynch

Cockpit HDR photos by Karim Nafatni

Dubai-based airline pilot and photographer Karim Nafatni takes stunning wide-angle HDR photos from inside airliner cockpits. Nafatni also takes rooftopping and night cityscape photos during his extensive travels—for more see his 500px page.

Cockpit HDR photos by Karim Nafatni

Cockpit HDR photos by Karim Nafatni

Cockpit HDR photos by Karim Nafatni

Cockpit HDR photos by Karim Nafatni

photos by Karim Nafatni

via PetaPixel

17 Jun 14:04

Dada Day, A Comic That Celebrates the Art of Childish Nonsense

by Justin Page

Dada Day

Dada Day” is a comic by Grant Snider of Incidental Comics that “celebrates the art of childish nonsense.” Grant created this Father’s Day-themed comic for his ongoing “Who Needs Art?” series at Medium.

Dada was an early 20th-century art movement that began as a reaction to the culture and traditions of the time, radically rebuking a society they felt was responsible for World War I. The Dadaists created with anger, humor, and childlike immediacy. Common Dada mediums included collage, found objects, assemblages, and ridiculously terrible poetry. In an infamous Dada exhibition, visitors were invited to take axes to the works on display.

image via Medium

17 Jun 13:57

Turn It Up: How the Right Amount of Ambient Noise Increases Creativity

by behanceteam
Nylonthread

I'm surprised that they didn't mention those "theta wave music" that were so popular in the creativity circuit a few years back.

Finding the right space to do creative work can be difficult. Inside the office, there are constant interruptions, last-minute meetings, and an often unbearable amount of uncontrollable noise. On the other hand, locking yourself away in quiet isolation can sometimes be just as counterproductive (not to mention boring). For most creatives there is a “Goldilocks” zone of just the right amount of noise, but not too much.

Perhaps this is why so many creatives often retreat to public spaces like coffee shops. They’ve become a virtual second office to so many. Specifically, settings like coffee shops contain the right level of ambient noise that just happens to trigger our minds to think more creatively. A paper published late last year in the Journal of Consumer Research, argues that the ideal work environment for creative projects should contain a little bit of background noise. A team of researchers, led by Ravi Mehta at the University of Illinois Urbana-Champaign tested the effects of varying levels of noise on participants’ creative thinking skills.

Specifically, they separated the participants into four groups and asked all four groups to complete a Remote Associates Test, a commonly used test of creative thinking that asks test-takers to find the relationship between a series of words that appear unrelated. Each of the groups was subjected to a different level of background noise (50 decibels, 70 decibels, 85 decibels, and total silence). When they scored each person’s test, the researchers found that those in the 70 decibel group, exposed to a moderate level of ambient noise, significantly out-performed those in the other three groups. The background noise boosted their creative thinking.

Researchers found that those exposed to a moderate level of ambient noise significantly out-performed those in the other groups.

Background noise creates a distraction, but balance is key. A moderate level of background noise creates just enough distraction to break people out of their patterns of thinking and nudge them to let their imagination wander, while still keeping them from losing their focus on the project all together. This distracted focus helps enhance your creativity. The study’s authors explain that “getting into a relatively noisy environment may trigger the brain to think abstractly, and thus generate creative ideas.”

But what if you aren’t free to roam to coffee shops and hotel lobbies in search of distracted focus? What if you need to re-create the coffee shop environment inside your cubicle or office? Luckily there are several virtual options available:

Coffitivity — Inspired by the research, Justin Kaulzer created a free online app that plays a continuous loop of coffee shop noise. The program includes noises from conversations, as well as the sounds of brewing and serving coffee. It even includes a function to mimic headphones in a coffee shop by letting you adjust the volume levels of your computers music player and the coffee shop sounds separately.

Ambient Mixer — A white noise machine on steroids, Ambient Mixer features a host of traditional loops heard on white noise machines and iPhone apps. However, it takes those a step further and allows you to combine sounds, adjust noise levels, mix your of background noise tracks and share your creations with others.

99U Music Mixes — If you’re too used to your iTunes tracks or Pandora stations to let them be background noise, try these playlists: Each one is curated around a different theme for easy selection based on where you are and what you need to get done.

Focus@Will Based on the idea that background music should be interesting, but not too interesting, Focus@Will plays ambient music in phases sequenced to follow your natural attention span. The app includes a timer so you can set scheduled blocks of time to work.

Brian Eno’s Music for Airports [Spotify] [iTunes] — Released in 1978, this album is still considered one of the best ambient music recordings ever. Originally conceived of during a long layover in a European airport as a way to tolerate that level of boredom, Eno’s recording was actually played inside New York’s LaGuardia Airport for a brief time. Thankfully, it made the jump to mp3 and can now be used everywhere, even inside a coffee shop.

Raining.fm — Keep it simple with the original ambient noise: rain. Raining.fm does just what it says on the tin and even allows you to increase the amount of thunder.

***

Regardless of what method you choose, the trick is to make sure your expose to only a moderate level of background noise. Let your mind wander, but not too far, and take advantage of the creative boost of distracted focus.

How about you?

What are your favorite sites and apps to provide you with just the right amount of background noise?

13 Jun 20:04

"By his things will you know him," a short story

by Cory Doctorow
Nylonthread

A short story with a bit of a not-too-distant-future sci-fi tech in it. Only disturbing in that I can see myself in this guy's shoes when my MIL dies; she and my FIL (died 1991) are/were "collectors" and she's never been able to sell the items that have value to the "right buyer." It's going to be a mess when the time comes & the tech they describe would be a god-send.

By his things will you know him

By Cory Doctorow

Introduction

In 2013 at Institute for the Future, the non-profit forecasting thinktank where I'm a researcher, we explored what we're calling the Coming Age of Networked Matter. Over the next few decades, a confluence of breakthroughs in physics, engineering, biology, computation, and complexity science will give us new lenses to observe the wondrous interconnections surrounding us and within us. In the future we’re moving toward, we won’t only observe complex systems, we’ll also modify and even create them in vivo and with purpose. It will be an era of huge possibility, daunting pitfalls, and high weirdness.

To help make this future tangible, we commissioned some of our favorite writers of speculative fiction -- Cory Doctorow, Rudy Rucker, Ramez Naam, Bruce Sterling, Madeline Ashby, and Warren Ellis -- to write short stories tied to our research theme. The anthology, titled An Aura of Familiarity: Visions from the Coming Age of Networked Matter, contains six stories all released under a Creative Commons license. The accompanying art is by Daniel Martin Diaz.

We are thrilled to premier these stories on Boing Boing. At IFTF's site, you can watch an animated author interview and find out how to win a limited edition print copy of the book and a t-shirt. At the beginning of August, the entire book will be available as a free PDF at IFTF.org. -- David Pescovitz

I thought that Mr. Purnell was a little young to be a funeral director, but he had the look down cold. In the instant between his warm, dry handshake and my taking my hand back to remove my winter hat and stuff it into my pocket, he assumed the look, a kind of concerned, knowing sympathy that suggested he’d weathered plenty of grief in his day and he was there to help you get through your own. He gestured me onto an oatmeal-colored wool sofa and pulled his wheeled office chair around to face me. I hung my coat over the sofa arm and sat down and crossed and uncrossed my legs.

“So, it’s like I said in the email—” was as far as I got and then I stopped. I felt the tears prick at the back of my eyes. I swallowed hard. I rubbed at my stubble, squeezed my eyes shut. Opened them.

If he’d said anything, it would have been the wrong thing. But he just gave me the most minute of nods—somehow he knew how to embed sympathy in a tiny nod; he was some kind of prodigy of grief-appropriate body language—and waited while the lump in my throat sank back down into my churning guts.

“Uh. Like I said. We knew Dad was sick but not how sick. None of us had much to do with him for, uh, a while.” Fifteen years, at least. Dad did his thing, we did ours. That’s how we all wanted it. But why did my chest feel like it was being crushed by a slow, relentless weight? “And it turns out he didn’t leave a will.” Thanks, Dad. How long, how many years, did you have after you got your diagnosis? How many years to do one tiny thing to make the world of the living a simpler place for your survivors?

Selfish, selfish prick.

Purnell let the silence linger. He was good. He let the precisely correct interval go past before he said, “And you say there is insurance?”

“Funeral insurance,” I said. “Got it with his severance from Compaq. I don’t think he even knew about it, but one of his buddies emailed me when the news hit the web, told me where to look. I don’t know what his policy number was or anything—”

“We can find that out,” Purnell said. “That’s the kind of thing we’re good at.”

“Can I ask you something?” “Of course.”

“Why don’t you have a desk?” He shrugged, tapped the tablet he’d smoothed out across his lap. “I feel like a desk just separates me from my clients.” He gestured around his office, the bracketless shelves in somber wood bearing a few slim books about mourning, some abstract sculptures carved from dark stone or pale, bony driftwood. “I don’t need it. It’s just a relic of the paper era. I’d much rather sit right here and talk with you, face to face, figure out how I can help you.”

* * *

I’d googled him, of course. I’d googled the whole process. The first thing you learn when you google funeral homes is that the whole thing is a ripoff. From the coffin—the “casket,” which is like a coffin but more expensive—to the crematorium to the wreath to the hearse to the awful online memorial site with sappy music—all a scam, from stem to stern. It’s a perfect storm of graft: a bereaved family, not thinking right; a purchase you rarely have to make; a confusion of regulations and expectations. Add them all up and you’re going to be mourning your wallet along with your dear departed.

Purnell gets good google. They say he’s honest, modern, and smart. They say he’s young, and that’s a positive, because it makes him a kind of digital death native, and that’s just what we need, my sister and I, as we get ready to bury Herbert Pink: father, nerd, and lifelong pain in the ass. The man I loved with all my heart until I was 15 years old, whereupon he left our mother, left our family, and left our lives. After that, I mostly hated him. You should know: hate is not the opposite of love.

* * *

I was suddenly mad at this young, modern, honest, smart undertaker. I mean, funeral director. “Look,” I said. “I didn’t really even know my father, hadn’t seen him in years. I don’t need ‘help,’ I just need to get him in the ground. With a minimum of hand holding and fussing.”

He didn’t flinch, even though there’d been no call for that kind of outburst. “Bruce,” he said, “I can do that. If you’re in a hurry, we can probably even do it by tomorrow. It looks like your father’s insurance would take you through the whole process. We’d even pay the deductible for you.” He paused to let that sink in. “But Bruce, I do think I can help you. You’re your father’s executor, and he died intestate. That means a long, slow probate.”

“So what? I don’t care about any inheritance. My dad wasn’t a rich man, you know.”

"I’m sorry, that’s not what I meant to imply. Your father died intestate, and there’s going to be taxes to pay, bills to settle. You’re going to have to value his estate, produce an inventory, possibly sell off his effects to cover the expenses. Sometimes this can take years.”

He let that sink in. “All right,” I said, “that’s not something I’d thought of. I don’t really want to spend a month inventorying my father’s cutlery and underwear drawer.”

He smiled. “I don’t suppose a court would expect you to get into that level of detail. But the thing is, there’s better ways to do this sort of thing. You think that I’m young for a funeral director.”

The non sequitur caught me off guard. “I, uh, I suppose you’re old enough—”

“I am young for this job. But you know what Douglas Adams said: everything invented before you were born is normal and ordinary and is just a natural part of the way the world works. Anything after your fifteenth birthday is new and exciting and revolutionary. Anything invented after you’re thirty-five is against the natural order of things. The world has changed a lot since you were born, and changed even more since I was born, and I have to tell you, I think that makes my age an asset, not a liability.

“And not in some nebulous, airy-fairy way. Specifically, the fact that I’m 27 years old is how I got onto the beta-test for this.” He handed me his tablet. I smoothed it out and looked at it. It took me a minute to get what I was seeing. At first, I thought I was looking through a live camera feed from some hidden webcam in his office, but then I noticed I wasn’t in the picture. Then I thought I might be seeing a video loop. But after a few experimental prods, I understood that this was a zoomable panoramic image of the room in which I was sitting.

“Pick up one of the sculptures,” he said. I zoom-dragged to one of them, a kind of mountainscape made of something black and nonreflective. It had pleasing proportions, and a play of textures I quite admired. I double-tapped it and it filled the screen, allowing me to rotate it, zoom in on it. Playing along, I zoomed way up until it became a mash of pixellated JPEG noise, then back out again.

“Now try the white one,” he said, pointing at a kind of mathematical solid that suggested some kind of beautiful calculus, behind him and to the left. Zooming to it, I discovered that I could go to infinite depth on it, without any jaggies or artifacts appearing. “It’s so smooth because there’s a model of it on Thingiverse, so the sim just pulled in the vectors describing it and substituted a rendering of them for the bitmap. Same with the shelves. They’re Ikea, and all Ikea furniture has publicly disclosed dimensions, so they’re all vector based.” I saw now that it was true: the shelves had a glossy perfection that the rest of the room lacked.

“Try the books,” he said. I did. A copy of The Egyptian Book of the Dead opened at a touch and revealed its pages to me. “Book-search scans,” he said.

I zoomed around some more. The camel-colored coat hanging on the hook on the back of the door opened itself and revealed its lining. My pinky nail brushed an icon and I found myself looking at a ghostly line-art version of the room, at a set of old-fashioned metal keys in the coat’s pocket, and as I zoomed out, I saw that I was able to see into the walls—the wiring, the plumbing, the 2́4 studs.

“Teraherz radar,” he said, and took the tablet back from me. “There’s more to see, and it gets better all the time. There were a couple of books it didn’t recognize at first, but someone must have hooked them into the database, because now they move. That’s the really interesting thing, the way this improves continuously—”

“Sorry,” I said. “What are you showing me?”

“Oh,” he said. “Right. Got ahead of myself. The system’s called Infinite Space and it comes from a start-up here in Virginia. They’re a DHS spinout, started out with crime-scene forensics and realized they had something bigger here. Just run some scanners around the room and give it a couple of days to do the hard work. If you want more detail, just unpack and repack the drawers and boxes in front of it—it’ll tell you which ones have the smallest proportion of identifiable interior objects. You won’t need to inventory the cutlery; that shows up very well on a teraherz scan. The underwear drawer is a different matter.”

I sat there for a moment, thinking about my dad. I hadn’t been to his place in years. The docs had shown me the paramedics’ report, and they’d called it “crowded,” which either meant that they were very polite or my dad had gotten about a million times neater since I’d last visited him. I’d been twenty before I heard the term “hoarder,” but it had made instant sense to me.

Purnell was waiting patiently for me, like a computer spinning a watch cursor while the user was woolgathering. When he saw he had my attention, he tipped his head minutely, inviting me to ask any questions. When I didn’t, he said, “You know the saying, ‘You can’t libel the dead’? You can’t invade the dead’s privacy, either. Using this kind of technology on a living human’s home would be a gross invasion of privacy. But if you use it in the home of someone who’s died alone, it just improves a process that was bound to take place in any event. Working with Infinite Space, you can even use the inventory as a checklist, value all assets using current eBay blue-book prices, divide them algorithmically or manually, even turn it into a packing and shipping manifest you can give to movers, telling them what you want sent where. It’s like full-text search for a house.”

I closed my eyes for a moment. “Do you know anything about my father?”

For the first time, his expression betrayed some distress. “A little,” he said. “When you showed up in my calendar, it automatically sent me a copy of the coroner’s report. I could have googled further, but . . . ” He smiled. “You can’t invade the privacy of the dead, but there’s always the privacy of the living. I thought I’d leave that up to you.”

“My father kept things. I mean, he didn’t like to throw things away. Nothing.” I looked into his eyes as I said these words. I’d said them before, to explain my spotless desk, my habit of opening the mail over a garbage can and throwing anything not urgent directly into the recycling pile, my weekly stop at the thrift-store donation box with all the things I’d tossed into a shopping bag on the back of the bedroom door. Most people nodded like they understood. A smaller number winced a little, indicating that they had an idea of what I was talking about.

A tiny minority did what Purnell did next: looked back into my eyes for a moment, then said, “I’m sorry.”

“Yeah,” I said. “He was always threatening to start an antique shop, or list his stuff on eBay. Once he even signed a lease, but he never bought a cash register. Never unlocked the front door, near as I could tell. But he was always telling me that his things were valuable, to the right person.” I swallowed, feeling an echo of the old anger I’d suppressed every time he’d played that loop for me. “But if there was anything worth anything in that pile, well, I don’t know how I’d find it amid all the junk.”

“Bruce, you’re not the first person to find himself in this situation. Dealing with an estate is hard at the best of times, and times like this, I’ve had people tell me they just wanted to torch the place, or bulldoze it.”

“Both of those sound like good ideas, but I have a feeling you don’t offer those particular services.”

He smiled a little funeral director’s smile, but it went all the way to his eyes. “No,” he said. “I don’t. But, huh.” He stopped himself. “This sounds a bit weird, but I’ve been looking forward to a situation like this. It was what I thought of immediately when I first saw Infinite Space demoed. This is literally the best test case I can imagine for this.”

I wish I was the kind of guy who didn’t cry when his father, estranged for decades, died alone and mad in a cluttered burial chamber of his own lunatic design. But I’d cried pretty steadily since I’d gotten the news. I could tell that I was about to cry now. There were Kleenex boxes everywhere. I picked one up and plucked out a tissue. Purnell didn’t look away but managed to back off slightly just by altering his posture. It was enough to give me the privacy to weep for a moment. The tears felt good this time, like they had somewhere to go. Not the choked cries I’d found myself loosing since I’d first gotten the news.

“Yeah,” I said. “Yeah, I think it probably is.”

* * *

I’d expected Roomba-style rolling robots and wondered how they’d get around the narrow aisles between the drifts and piles of things in Dad’s house. There were a few of those, clever ones, the size of my old Hot Wheels cars, and six-wheeled so they could drive in any direction. But the heavy lifting was done by the quadrotors, each the size of a dragonfly, swarming and swooping and flocking with an eerie, dopplered whine that bounced around in the piles of junk. Bigger rotors went around and picked up the ground-effect vehicles, giving them lifts up and down the stairs. As they worked, their data streamed back into a panorama on Purnell’s laptop. We sat on the porch steps and watched the image flesh out. The renderer was working from bitmaps and dead-reckoning telemetry to build its model, and it quivered like a funhouse as it continuously refined its guesses about the dimensions. At one point, the living room sofa appeared to pierce the wall behind us, the sofa itself rendered as a kind of eye-wateringly impossible Escherling that was thick and thin simultaneously. The whole region glowed pink.

“See,” Purnell said. “It knows that there’s something wrong there. There’s going to be a ton of quads tasked to it any second now.” And we heard them buzzing through the wall as they conferred with one another and corrected the software’s best guesses. Flicking through the panoramas, we saw other pink areas, saw them disappear as the bad geometries were replaced with sensible ones in a series of eyeblink corrections. There was something comforting about watching all the detail fill in, especially when the texturemaps appeared in another eyeblink, skinning the wireframes and giving the whole thing the feeling of an architectural rendering. The bitmaps had their own problems: improbable corners, warped-mirror distortions, but I could see that the software was self-aware enough to figure out its own defects, painting them with a pink glow that faded as the approximations were fined down with exact images from the missing angles.

All this time, there’d been a subtle progress bar creeping in fits and starts across the bottom of the screen, just few pixels’ worth of glowing silverly light, and now it was nearly all the way. “You don’t have to do the next part,” he said. “If you’d rather wait out here—”

“I’ll do it,” I said. “It’s okay.”

“They gave us eight scanners. That’s more than we should need for a two-bedroom house. Two should do it. One, even, if you don’t mind moving it, but I thought—”

“It’s okay,” I said again. “I can do this.”

I shook my own tablet out and pinched it rigid, holding it before me like a treasure map as I walked through the front door.

The smell stopped me in my tracks. It had been teasing me all the morning on the porch, but that was the attenuated, diluted version. Now I was breathing in the full-strength perfume, the smell of all my fathers’ dens: damp paper, oxidizing metal, loose copper pennies, ancient cleaners vaporizing through the pores in their decaying bottles, musty cushions, expired bulk no-name cheerios, overloaded power strips, mouse turds, and the trapped flatulence of a thousand lonely days. Overlaid with it, a rotten meat smell.

My father had been dead for at least a week before they found him.

* * *

Infinite Space wanted teraherz scanners in several highly specific locations. Despite Purnell’s assurances, it turned out that we needed to reposition half a dozen of them, making for fourteen radar panoramas in all. I let him do the second placement and went back out onto the porch to watch the plumbing and structural beams and wiring ghost into place as the system made sense of the scans. I caught a brief, airport-scan flash of Purnell’s naked form, right down to his genitals, before the system recognized a human silhouette and edited it out of the map. The awkwardness was a welcome change from the cramped, panicked feeling that had begun the moment I’d stepped into Dad’s house.

The screen blinked and a cartoon chicken did a little ironic head tilt in the bottom left corner. It was my little sister, Hennie, who is much more emotionally balanced than me, hence her ability to choose a self-mocking little avatar. I tapped and then cupped the tablet up into a bowl shape to help it triangulate its sound on my ear. “Have you finished mapping the burial chamber, Indiana Bruce?” She’s five years younger than me, and Dad left when she was only ten, and somehow it never seemed to bother her. As far as she was concerned, her father died decades ago, and she’d never felt any need to visit or call the old man. She’d been horrified when she found out that I’d exchanged a semi-regular, semi-annual email with him.

I snuffled up the incipient snot and tears. “Funny. Yeah, it’s going fast. Mostly automatic. I’ll send it to you when it’s done.”

She shook her head. “Don’t bother. It’ll just give Marta ideas.” Marta, her five-year-old daughter, refused to part with so much as a single stuffed toy and had been distraught for months when they remodeled the kitchen, demanding that the old fridge be brought back. I never wanted to joke about heredity and mental illness, but Hennie was without scruple on this score and privately insisted that Marta was just going through some kind of essential post-toddler conservatism brought on by the change to kindergarten and the beginning of a new phase of life.

“It’s pretty amazing, actually. It’s weird, but I’m kind of looking forward to seeing the whole thing. There’s something about all that mess being tamed, turned into a spreadsheet—”

“Listen to yourself, Bruce. The opposite of compulsive mess isn’t compulsive neatness—it’s general indifference to stuff altogether. I don’t know that this is very healthy.”

I felt an irrational, overarching anger at this, which is usually a sign that she’s right. I battened it down. “Look, if we’re going to divide the estate, we’re going to have to inventory it, and—”

“Wait, what? Who said anything about dividing anything? Bruce, you can keep the money, give it to charity, flush it down the toilet, or spend it on lap dances for all I care. I don’t want it.”

“But half of it is yours—I mean, it could go into Marta’s college fund—”

“If Marta wants to go to college, she can sweat some good grades and apply for a scholarship. I don’t give a damn about university. It’s a big lie anyway—the return on investment just isn’t there.” Whenever Hennie starts talking like a stockbroker, I know she’s looking to change the subject. She can talk economics all day long, and will, if you poke her in a vulnerable spot.

“Okay, okay. I get it. Fine. I won’t talk about it with you if it bugs you. You don’t have to know about it.”

“Come on, Bruce, I don’t mean it that way. You’re my brother. You and Marta and Sweyn”—her husband—“are all the family I’ve got. I just don’t understand why you need to do this. It’s got me worried about you. You know that you had no duty to him, right? You don’t owe him anything.”

“This isn’t about him. It’s about me.” And you, I added to myself. Someday you’ll want to know about this, and you’ll be glad I did it. I didn’t say it, of course. That would have been a serious tactical mistake.

“Whatever you say, Bruce. Meantime, and for the record, Sweyn’s looked up the information for the intestacy trustee. Anytime you want, you can step away from this. They’ll liquidate his estate, put the proceeds into public-spirited projects. You can just step away anytime. Remember that.”

“I’ll remember. I know you want to help me out here, but seriously, this is something I need to do.”

“This is something you think you need to do, Bruce.”

Yeah,” I said. “If that makes you feel better, then I can go with that.”

* * *

I got the impression that Infinite Space was tremendously pleased to have hit on a beta tester who was really ready to put their stuff through its paces. A small army of turkers were bid into work, filling in descriptions and URLs for everything the software couldn’t recognize on its own. At first they’d been afraid that we’d have to go in and rearrange the piles so that the cameras could get a look at the stuff in the middle, but a surprising amount of it could be identified edge on. It turns out books aren’t the only thing with recognizable spines, assuming a big and smart enough database. The Infinites (yes, they called themselves that, and they generated a near-infinite volume of email and tweets and statuses for me, which I learned to skim quickly and delete even faster) were concerned at first that it wouldn’t work for my dad’s stuff because so much of their secret sauce was about inferences based on past experience. If the database had previously seen a thousand yoga mats next to folded towels, then the ambiguous thing on top of a yoga mat that might be a fitted sheet and might be a towel was probably a towel.

Dad’s teetering piles were a lot less predictable than that, but as it turned out, there was another way. Since they had the dimensions and structural properties for everything in the database, they were able to model how stable a pile would be if the towels were fitted sheets and vice-versa, and whittle down the ambiguities with physics. The piles were upright, therefore they were composed of things that would be stable if stacked one atop another. The code took very little time to implement and represented a huge improvement on the overall database performance.

“They’re getting their money’s worth out of you, Bruce,” Purcell told me, as we met in his office that week. He had my dad’s ashes, in a cardboard box. I looked at it and mentally sized it up for its regular dimensions, its predictable contents. They don’t put the whole corpseworth of ashes in those boxes. There’s no point. A good amount of ashes are approximately interchangeable with all the ashes, symbolically speaking. The ashes in that box would be of a normalized distribution and weight and composition. They could be predicted with enormous accuracy, just by looking at the box and being told what was inside it. Add a teraherz scan—just to be sure that the box wasn’t filled with lead fishing weights or cotton candy—and the certainty skyrockets.

I hefted the box. “You could have dinged the insurance for a fancy urn,” I said.

He shrugged. “It’s not how I do business. You don’t want a fancy urn. You’re going to scatter his remains. An urn would just be landfill, or worse, something you couldn’t bring yourself to throw away.”

“I can bring myself to throw anything away,” I said, with half a smile. Quipping. Anything to prolong the moment before that predictable box ended up in my charge. In my hands.

He didn’t say anything. Part of the undertaker’s toolkit, I suppose. Tactful silence. He held the box in the ensuing silence, never holding it out to me or even shifting it subtly in my direction. He was good. I’d take it when I was ready. I would never be ready. I took it.

It was lighter than I thought.

* * *

“Hennie, I need to ask you something and you’re not going to like it.”

“It’s about him.”

“Right,” I said. I stared at the ceiling, my eyes boring through the plaster and beams into the upstairs spare room, where I’d left the box, in the exact center of the room, which otherwise held nothing but three deep Ikea storage shelves—they’d render beautifully, was all I could think of when I saw them now—lined with big, divided plastic tubs, each neatly labeled.

“Bruce, I don’t want—”

“I know you don’t. But look, remember when you said I was all the family you had left?”

“You and Mattie and Sweyn.”

“Yes. Well, you’re all I have left, too.”

“You should have thought of that before you got involved. You’ve got no right to drag me into this.”

“I’ve got Dad’s ashes.”

That broke her rhythm. We’d fallen into the bickering cadence we’d perfected during a thousand childhood spats where we’d demanded that Mom adjudicate our disputes. Mom wasn’t around to do that anymore. Besides, she’d always hated doing it and made us feel like little monsters for making her do so. I don’t know that we’d had a fight like that in the seven years since she’d been gone.

“Oh, Bruce,” she said. “God, of course you do. I don’t want them.”

“I don’t want them either. I was thinking I’d, well, scatter them.”

“Where? In his house? Another layer of dust won’t hurt, I suppose.”

I don’t think that’s a good idea. What about by Mom’s grave?”

“Don’t you dare.” The vicious spin on the last word was so intense I fumbled my tablet and had to catch it as it floated toward the floor on an errant warm air current.

“Sorry,” I said.

“He never earned the right to be with Mom. He never earned what you’re giving him. He never earned me sparing a single brain cell for him. He’s not worth the glucose my neurons are consuming.”

“He was sick, Hennie.”

“He did nothing to get better. There are meds. Therapies. When I cleaned out Mom’s place, I found the letters from the therapists she’d set him up with, asking why he never showed up for the intake appointments. He did nothing to earn any of this.”

It dawned on me that Hennie had dealt with all of Mom’s stuff without ever bothering me. Mom had left a will, of course, and set out some bequests for me, and she hadn’t lived in a garbage house. But it must have been a lot of work, and Hennie had never once asked for my help.

“I’m sorry, Hennie, I never should have bothered you. You’re right.”

“Wait, Bruce, it’s okay—”

“No, really. I’ll deal with this. It’s just a box of ashes. It’s just stuff. I can get rid of stuff.”

“Are you okay?”

“I’m fine,” I said. I was, too. I folded the tablet up and stuck it in the sofa cushions and stared at the ceiling for a moment longer.

* * *

Somewhere in this house, there is an answer. Was there a moment when the grave robbers of ancient Egyptian pyramids found the plunder before them shimmer and change? Did they stand there, those wreckers with their hammers and shovels and treasure sacks, and gasp as the treasure before them became, for an instant, something naked and human and desperate, the terrified attempt of a dying aristocrat to put the world in a box, to make it behave itself? A moment when they found themselves standing not in a room full of gold and gems, but a room full of disastrous attempts to bring the universe to heel?

Here’s the thing. It turns out that I don’t mind mess at all. What I mind is disorganization. Clutter isn’t clutter once it’s been alphabetized on a hard drive. Once it’s been scanned and cataloged and put it its place, it’s stuff. It’s actionable. With the click of a button, you can list it on eBay, you can order packers and movers to get rid of it, you can search the database for just the thing to solve any problem.

Things are wonderful, really. Things are potential. The right thing at the right moment might save a life, or save the day, or save a friendship. Any of these things might someday be a gift. If times get tight, these things can readily be converted to cash. Honestly, things are really, really fine.

I wish Hennie would believe me. She freaked out when I told her I was moving out of my place into Dad’s. Purcell, too, kept coming over all grief counselor and trying to help me “process” what I was feeling. Neither of them gets it, neither of them understands what I see when I look into the ruin of Dad’s life, smartened up as neat as a precision machine. Minimalism is just a crutch for people who can’t get a handle on their things. In the modern age, things are adaptive. They’re pro-survival.

Really, things are fine.

Cory Doctorow

Cory Doctorow is a science fiction author, activist, journalist, and blogger -- the co-editor of Boing Boing and the author of young adult novels like Pirate Cinema and Little Brother and novels for adults like Rapture of the Nerds and Makers. He is the former European director of the Electronic Frontier Foundation and co-founded the UK Open Rights Group. He holds an honorary doctorate in computer science from the Open University (UK), where he is a Visiting Professor; in 2007, he served as the Fulbright Chair at the Annenberg Center for Public Diplomacy at the University of Southern California. Born in Toronto, Canada, he now lives in London.

Text © the author and licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Artwork © Daniel Martin Diaz and used with permission.

    


13 Jun 12:53

Edna St. Vincent Millay’s Poems for Young People

by Maria Popova
Nylonthread

I love the illustrations, with nymphs outlines only implied by flower shapes. I think Rosie & Thea will love them, too!

Warm hearts, brown thoughts, and the magic of city trees.

Among creative culture’s most delightful fringes are the generally lesser-known children’s books by famous “adult” authors — Advice to Little Girls by Mark Twain (illustrated by Vladimir Radunsky), Life Doesn’t Frighten Me by Maya Angelou (illustrated by Basquiat), The Cats of Copenhagen by James Joyce, The Bed Book by Sylvia Plath (illustrated by Quentin Blake), The Wishing Tree by William Faulkner, To Do by Gertrude Stein, Eggs of Things by Anne Sexton, Old Possum’s Book of Practical Cats by T.S. Eliot (illustrated by Edward Gorey), and other gems by Aldous Huxley, James Thurber, Carl Sandburg, Salman Rushdie, Ian Fleming, and Langston Hughes.

Though Edna St. Vincent Millay — beloved poet, eloquent lover of music, delinquent schoolgirl, writer of passionate love letters and playfully lewd self-portraits — never explicitly wrote for children, the verses in the wonderful 1951 collection Edna St. Vincent Millay’s Poems Selected for Young People (public library) make a fine addition to this treasure chest of literary gems for budding readers.

Featuring tender and enchanted drawings by J. Paget-Fredericks, who illustrated a great deal of Millay’s work over the course of more than twenty years, the poems embrace the Sendakian view that children should be filled with whimsy, but shouldn’t be shielded from the dark. With Millay’s signature blend of sensitivity, irreverence, and poignant exuberance, they open to young readers the full psychoemotional spectrum of the world and, as Rilke memorably put it, let everything happen … beauty and terror.”

GROWN-UP

Was it for this I uttered prayers,
And sobbed and cursed and kicked the stairs,
That now, domestic as a plate,
I should retire at half-past eight?

THE UNEXPLORER

There was a road ran past house
Too lovely to explore.
I asked my mother once — she said
That if you followed where it led
It brought you to the milk-man’s door
(That’s why I have not traveled more.)

TRAVEL

The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.

All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.

My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.

SORROW

Sorrow like a ceaseless rain
Beats upon my heart.
People twist and scream in pain, –
Dawn will find them still again;
This has neither wax nor wane,
Neither stop nor start.

People dress and go to town;
I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown
Or what shoes I wear.

SOUVENIR

Just a rainy day or two
In a windy tower,
That was all I had of you—
Saving half an hour.

Marred by greeting passing groups
In a cinder walk,
Near some naked blackberry hoops
Dim with purple chalk.
I remember three or four
Things you said in spite,
And an ugly coat you wore,
Plaided black and white.

Just a rainy day or two
And a bitter word.
Why do I remember you
As a singing bird?

EPITAPH

Heap not on this mound
Roses that she loved so well;
Why bewilder her with roses,
That she cannot see or smell?
She is happy where she lies
With the dust upon her eyes.

CITY TREES

The trees along this city street,
Save for the traffic and the trains,
Would make a sound as thin and sweet
As trees in country lanes.

And people standing in their shade
Out of a shower, undoubtedly
Would hear such music as is made
Upon a country tree.

Oh, little leaves that are so dumb
Against the shrieking city air,
I watch you when the wind has come, —
I know what sound is there.

All sixty poems in Edna St. Vincent Millay’s Poems Selected for Young People are an absolute treat. They were taken from Millay’s A Few Figs From Thistles, Second April, Renascence, and The Harp Weaver.

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11 Jun 17:26

Mini Sugar Skulls That Double as Sugar Cubes

by EDW Lynch

Sugar Skulls

Back in 2011 artist Snow Violent created these finely detailed miniature sugar skulls that double as sugar cubes for coffee.

Sugar skull

Sugar skulls by Snow Violent

via CRNCHY, IanBrooks.me, My Modern Metropolis

photos by Olesya Turchuk

06 Jun 18:28

Planning Dash's 8th Birthday: a Scavenger hunt?

by noreply@blogger.com (Nylonthread String)
Nylonthread

FWIW, Dash is totally all about this, and wants to try it in our yard, modifying the list down to 16 items (8 x 8!).

For Dash's eighth birthday party, we're doing our usual backyard party with barbecue and moonbounce, but this year Dash asked for a scavenger hunt. I can't remember getting involved with scavenger hunts when I was younger outside of organized events at camp with kids I barely knew. I know there is a subculture of people who are passionate about it, geocaching items worldwide for others to find. 

While I can't imagine parents being okay with their 8 year olds wandering the neighborhood, looking for random stuff, would they be okay with going down to the creek to do a nature scavenger hunt? Here is a suggested list for a nature hunt, from http://www.birthdaypartyideas4kids.com:


1.  2 different types of grass
2.  Leaves from 3 different trees
3.  Large rock
4.  Moss
5.  3 different colored smooth stones
6.  Berry
7.  Pinecone
8.  Something plastic (explain how it doesn't belong in nature)
9.  Water reed
10. Animal tracks (draw them on paper after you find them)
11. Nut or acorn
12. Flower
13. Something red
14. Feather
16. Seeds
17. Wood
18. Stick
19. Something that fell out of a tree
20. Something that begins with the first letter of the birthday child's name

We could potentially do this in our back yard, but the creek is just across the street and I would go them, if parents agreed. Of course, I'll need to check with Dash to find out what he had in mind!