G.W. Gene, cover illustration for The Invisible Host by Gwen Bristow & Bruce Manning, 1930. The Mystery league, New York. Via SwannGalleries
Votive mask of the god of stoves (Kamadomen), Japan, Tohoku region, wood, 60 x 39 x 19 cm, Edo period, 18th to early 19th century, Japan
Formation flight Sunday. Lightning IIs
"Destination Docklands" seeks to reconnect the remnant memory of the submerged industrial landscape. A Gimbal—a mechanism, typically consisting of rings pivoted at right angles, for keeping an instrument such as a compass or chronometer horizontal in a moving vessel or aircraft—holds the Dock’s spatiality in fragmented balance. Previously a device used for ship navigation, the Gimbal realigns glimpses of the area’s connected history, and its axes pivot perpendicularly, bringing their own relationship and meaning to the Dock. The Gimbal becomes a capsule for the connected "players" of this industrial world."As the rings turn," she adds, "the spatial relationships between the industrial worlds are juxtaposed against each other. As these tangible connections teeter on the edge of the Dock’s hemisphere, their world is refocused in moments of realisation, before falling away."
Top: David Stanfield, Al Boardman, Brent Clouse; Middle: Skip Hursh, Erica Gorochow, John Flores; Bottom: Austin Saylor, Adam Plouff, Bran Dougherty-Johnson
Top: David Stanfield, Allen Laseter, Jimmy Simpson; Middle: Skip Hursh, Al Boardman, Jeff Briant; Bottom: Marcus Chaloner, Erik Blad, Fede Cook
Top: Sara Bennett, Bran Dougherty-Johnson, Brandon Wall; Middle: Zac Dixon, Oliver Sin, David Stanfield; Bottom: Al Boardman, Skip Hursh, Jeroen Krielaars
Top: Skip Hursh, Damien Correll, Cindy Suen; Middle: Justin Cassano, David Stanfield, Joshua Hollars; Bottom: Al Boardman, Jorge R. Canedo Estrada, Estelle Caswell
9 Squares is a collaborative motion graphics project where 9 designers are given a 350-pixel square, four colors, and three seconds to create any kind of animation they like. The results are gathered together to create a single GIF. 9 Squares is organized by Skip Dolphin Hursh, David Stanfield, and Al Boardman and they hope to post a new collaboration every two week or so. (via Quipsologies)
As part of a promotional campaign for Wonderlijk Wild (Miraculously Wild), an effort to encourage home gardening in Belgium, filmmaking duo Emma De Swaef and Marc James Roels of Marc & Emma were hired to create this wonderful short about a felted green ape exploring the outdoors. You might remember their work from this other woolen animation featuring two doughy wrestlers for the National Animation Festival last year. (via Vimeo)
Update: An earlier version of this post referred to the film as “stop-motion” when in fact it’s actually live-action puppeteering.
A Washington state lawmaker looking to ease traffic congestion for several Puget Sound-area communities near Seattle has proposed building an eye-catching new toll bridge made from retired Navy aircraft carriers.It would involve at least two—although possibly many more—aircraft carriers laid "end to end" to cross a local stretch of water known as the Sinclair Inlet.
All images © Jessica Fulford-Dobson
Australian skateboarder Oliver Percovich created the non-profit Skateistan in 2007, a grassroots project that connects youth and education through skateboarding in Afghanistan. The organization, which has since grown to an award-winning international NGO, caught the attention of London-based photographer Jessica Fulford-Dobson and inspired her to visit the program in Kabul in 2012—especially after learning 45% of the students were female.
In Afghanistan skateboarding has spread to become the number one sport for women, as they are forbidden to ride bicycles. Soon after arriving and entering the girl’s world, Fulford-Dobson was accepted by the young Afghan skateboarders. She photographed the girls with natural light, helping to expose their personalities through simple portraits. Within the images you can see the girls’ natural confidence, images that capture the subjects both posed and candidly skating through the indoor facility.
“I met so many impressive women and girls in Afghanistan: a teacher as tough and determined as any man; young Afghans in their early twenties who were volunteering at an orphanage and were passionate about being seen as strong and willing to fight for themselves, rather than as victims of circumstance; and girls who were being educated to be leaders in their communities and who were already thinking carefully about their own and their country’s future,” said Fulford-Dobson.
Fulford-Dobson won 2nd prize in the 2014 Taylor Wessing Photographic Portrait Prize with Skate Girl, 2014 (one of the photographs taken while on location in Kabul) and her exhibition Jessica Fulford-Dobson: Skate Girls of Kabul opens at Saatchi Gallery in London on April 15 and runs until April 28, 2015. You can donate to Skateistan’s program in Kabul as well as other cities here. (via feature shoot)
For his ongoing series Flying Cars, French designer Sylvain Viau digitally edits photographs of cars into sleek, wheel-less hover cars that appear to float just above the ground. Viau not only uses his own photography to create these sci-fi cars, but is fortunate to claim many of the actual cars among his own collection. He originally worked only with 80s Citroën vehicles because of their classic space-age design, but has continued to branch out over the last few months to include cars from Peugeot, Toyota, and Renault. You can see many more here. (via Designboom)
Update: Photographer Renaud Marion created a similar series of works in 2013.
Hey, Happy Earth Day! What better way to celebrate than watching remarkable footage of wildly random creepy crawly things in slow motion set to Hello Tomorrow by Karen O. You definitely need sound for this so turn up the volume for full effect. After a week of asking around I’ve learned only that the clip was edited together by Roen Horn using footage from somewhere I can’t identify.
In her latest series of paintings, Barcelona-based artist and illustrator Cinta Vidal Agulló defies gravity and architectural conventions to create encapsulated scenes of intersecting perspectives. Painted with acrylic on wood panels, Vidal refers to the paintings as “un-gravity constructions” and says that each piece examines how a person’s internal perspective of life may not match up with the reality around them. The intersecting planes on many of her paintings are somewhat reminiscent of drawings by M.C. Escher, where every angle and available surface is inhabited by colorful characters going about their daily lives. She shares in a new interview with Hi-Fructose:
With these un-gravity constructions, I want to show that we live in one world, but we live in it in very different ways – playing with everyday objects and spaces, placed in impossible ways to express that many times, the inner dimension of each one of us does not match the mental structures of those around us. The architectural spaces and day-to-day objects are part of a metaphor of how difficult it is to fit everything that shapes our daily space: our relationships, work, ambitions, and dreams.
notes lassi, “no one can know exactly why or how the young wolf and bear became friends, but i think that perhaps they were both alone when they were young and a bit unsure of how to survive alone. it seems to me that they feel safe being together.”
the photographers also note that the two share every meal together, bringing each other their kills (as seen in the third and fifth photos).