Astronaut John L. Swigert, Jr., Apollo 13 Command Module Pilot, holds the “mailbox,” a makeshift device used to purge carbon dioxide from the Lunar Module that played a significant role in saving the doomed astronauts lives. Apollo 13 Hasselblad image from film magazine.
During the course of the Apollo space program astronauts were charged with enduring unknown perils, conducting science experiments, piloting spacecraft, walking on the surface of the moon, and comprehending sights, sounds, and physical stresses never before experienced by humans. All the while, they were also asked to snap a couple thousands photographs of practically every moment with a modified Hasselblad camera.
Last Friday, for the first time ever, NASA uploaded the entire catalogue of 8,400 Apollo mission photos to Flickr spanning Apollo 7 (the first manned test flight in 1968) through Apollo 17, the final lunar mission in 1972. The effort to bring the photos online was lead by Kipp Teague of the Project Apollo Archive who first began scanning camera film magazines on behalf of the Johnson Space Center in 2004.
While we’re all used to seeing the more iconic photos like Blue Marble, the Apollo 11 bootprint, or this image of Buzz Aldrin, this random assortment of mundane moments and blurry horizons seems to highlight the humanity of the entire endeavor. Collected here are a few of our favorite shots, and you can see thousands more organized by mission on Flickr. Digg and PetaPixel also have collections of their favorites.
Walking into a hotel ballroom, say, and considering a gigantic glass chandelier suspended from the ceiling, you probably fall into one of two camps: “Wow, that chandelier is totally incredible.” OR “Wow, if that fell from the ceiling it would be totally incredible.” Regardless of which camp you fall into, you’ve probably never considered the process behind creating a genuine glass chandelier from raw materials. Lucky for us, the Science Channel went behind the scenes to film the elaborate glass-working process required to build the fanciest 150-pound lighting mechanism imaginable. Unfortunately this clip fails to credit the studio and artists shown on screen. Anyone know? (via Sploid)
Update: This is a peek inside the Baccarat crystal studio… because it’s written on their shirts. (thnx, Laurent for helping us read words)
For the last few weeks, photographer and art director Vanessa McKeown has been sharing colorful, quirky interpretations of everyday objects on Instagram. McKeown imagines balloons as various fruits and vegetables and oranges are peeled to reveal unexpected objects. Clever visuals all around. You can also follow her on Tumblr.
San Francisco-based artist and illustrator Karla Ortiz works by day as a concept artist for Marvel Film Studios, but in her spare time also produces surreal fine art illustrations rendered in graphite. Seen here is a timelapse of a new piece that will be on view later this week as part of a new body of work titled Omens at Thinkspace Gallery.
Deeply influenced by a childhood spent growing up on Long Beach in Sag Harbor, N.Y., artist Grant Haffner tries to capture the color and feeling of sunsets burnt into his memories. Haffner works primarily with a mixture of acrylic, marker, pencil and paint pen on wood panels to create vibrant neon depictions of Long Island landscapes from the viewpoint of roadways punctuated with power lines. He shares about his paintings:
The East End of Long Island has been my home for most of my life. I spent many years exploring the trails through the woods, cruising the quiet country roads, and hanging out on the beaches. My childhood here, surrounded by nature and water, was an experience that I cherish. Now that I am older, I can see how the landscape is changing and am reminded that it will never be the same. Hopefully, my paintings will capture the memory of that landscape before it fades.
I did some all sorts of stuff like diary so’s to know digi’ again. mmm went a bit astray, shape out more usual as I found tug boat to www. whispers . more of images on this link
cest beau mais ca sent le prout :|
While on a trip to visit the Ijen and Bromo Tengger Semeru volcanoes in East Java last month, Chicago-based photographer Reuben Wu captured the unusual sight of molten sulphur that flows from fumaroles at the base of the Blue Fire Crater at Ijen. The area is usually swarming with tourists, but Wu stayed after sunset until the moon rose to capture these otherworldly images.
The journey into the Ijen Caldera is not for the faint hearted. A two-hour trek up the side of the rocky volcano is followed by another 45-minute hike down to the bank of the crater. The blue fire found at the base is the result of ignited sulphuric gas that burns up to 600 degrees Celsius (1,112 degrees Fahrenheit) and can flare up to 5 meters (16 feet) into the air. It is the largest “blue flame” area on Earth.
London-based artist Elliot Walker uses molten glass to create a stunning variety sculptures including these arrangements of eating utensils, vessels, and cross sections of food. The stark outer surfaces of the surrounding objects contrasts with the vibrant interiors of the edible pieces, not unlike the effect of a cut geode. Walker currently has work at the Peter Layton Glass Blowing Studio as part of their current exhibition titled Essence that runs through the end of the week. You can see more photos of his work on Facebook.
Contact Light, 2014, Oil and linen, 60 x 45 inches
Heavily tinted blue paintings form space stations, spacesuits, and rockets just after blast. Michael Kagan paints these large-scale works to celebrate the man-made object—machinery that both protects and holds the possibility of instantly killing those that operate the equipment from the inside. To paint the large works, Kagan utilizes an impasto technique with thick strokes that are deliberate and unique, showing an aggression in his application of oil paint on linen.
The New York-based artist focuses on iconic images in his practice, switching back and forth between abstract and representational styles. “The painting is finished when it can fall apart and come back together depending on how it is read and the closeness to the work,” said Kagan about his work. “Each painting is an image, a snapshot, a flash moment, a quick read that is locked into memory by the iconic silhouettes.”
Kagan exhibited this series of space-based paintings last year at Joshua Liner Gallery in an exhibition titled Thunder in the Distance. He was also recently commissioned by The Smithsonian to create three large paintings inspired by their air and space archives. You can see more of his work on his Instagram here. (via Fubiz)
One Day This Will All Be Yours, 2014, Oil and linen, 60 x 80 inches
Reflector, 2014, Oil and linen, 36 x 36 inches
We Live On In The Thoughts Of Others, 2014, Oil and linen, 36 x 36 inches
Apollo, 2010, Oil and linen, 60 x 34 inches
Supersonic, 2014, Oil and linen, 72 x 54 inches
Mankind, 2014, Oil and linen, 96 x 54 inches
With All The Fucking Force, 2011, Oil and linen, 60 x 80 inches
on dirais un vehicule GI-joe en plastique, plutot qu'un horrible bombardier de la guerre froide
Formation flight Sunday. Lancers
trop beau la maquette de train avec les flics :)
Dietrich Wegner / Photo by Christopher Jobson for Colossal
The fun thing about Dismaland is that in addition to pieces by Banksy, you get to immerse yourself in the works of 58 additional artists, and films by 22 directors and animators. It’s impossible to grasp the scope of every last sculpture, painting, and installation, but included here is a small selection of pieces the crowds are buzzing about inside the three large indoor gallery spaces at Dismaland. You can see our additional coverage of the event here, and Evan over at Juxtapoz managed to get an exclusive interview with Banksy before the event.
Lastly, here are links to the 24 short films included in the hour-long Cinema program I helped with.
F*ck That: A Guided Meditation by Jason Headley; Bottle by Kristen Lepore; New York Park by Black Sheep Films; Symmetry by the Mercadantes; Magic Hats by Jake Sumner; Golden Age of Insect Aviation: The Great Grasshoppers by Wayne Unten; Walking on By by Mr. Freeman; Merry-go-round by Vladimír Turner; The Gap by Daniel Sax; 5 mètres 80 by Nicolas Deveaux; I’ve fallen, and I can’t get up! by Dave Fothergill [with audio added]; Danielle by Anthony Cerniello; Anamorphose Temporelle by Adrien M. & Claire B.; Stainless / Shinjuku (excerpt) by Adam Magyar; Collapsing Cooling Towers by Ecotricity; Liberty by Vincent Ullmann [edited with audio added]; The Employment by opusBou; Yawns by the Mercadantes; Rush Hour by Black Sheep Films; Pug Particles by Ramil Valiev; Shell’s priceless Grand Prix moment by Greenpeace Living With Jigsaw by Chris Capell; Teddy Has An Operation by Ze Frank; and Don’t Hug Me I’m Scared #1 by Becky and Joe.
Janus, 2015 (Courtesy of Maskull Lasserre)
Embroidered cars by Severija Inčirauskaite-Kriaunevičiene / Photo by Christopher Jobson for Colossal
Anatomical ceramics by Ronit Baranga
Tattooed Porcelain Figures by Jessica Harrison / Top photo by Christopher Jobson for Colossal
Paco Pomet / Photo by Christopher Jobson for Colossal
jai ris comme un enfant :(
(Merci à Ariane pour la suggestion)
Formation flight Sunday. Duck, Goose, Widgeon, and Mallard