Created for the Hadrian Exhibition at the Israel Museum in Jerusalem last December, this short animation details the elaborate process of creating a bronze cast using the lost-wax technique. The mix of stop motion and 2D animation is perfect for showing the materials used in each step along with helpful cross sections of what happens inside the mold. It’s so interesting to realize that the image depicted is transferred five times through different mediums —the original sculpture, plaster mold, wax, plaster again, bronze—before arriving at the final bronze artwork. Directed and animated by Renana Aldor and Kobi Vogman. (via Vimeo Staff Picks)
February 8th 2007, Southern Ocean, all images © Daniel Beltrá
During his past two decades as a photographer, Daniel Beltrá has photographed landscapes in all seven continents, exploring equally the beauty and tragedy found in nature across the globe. Beltrá works mostly in the air, providing the viewer with the expansive scale of what he encounters while perched inside an airplane or helicopter such as the Deepwater Horizon oil spill which he captured over the span of two months.
Other locations the Spanish photographer has traveled to included the Brazilian Amazon, the Arctic, the Southern Oceans, and the Patagonian ice fields. Beltrá was drawn to each of these locations due to the complexity of nature found at each. He explains in his artist statement that the “fragility of our ecosystems is a continuous thread throughout my work. My photographs show the vast scale of transformation our world is under from human-made stresses.”
Beltrá hopes that his unique aerial perspective and subject matter instill an understanding of how we are directly affecting the environment around us and at the edges of the globe. Many of his images from locations in Iceland and Greenland were recently included in his solo exhibition “Ice/Green Lands” at Catherine Edelman Gallery in Chicago that closed on March 5, 2016. The photographer also recently published a collection of his images from the 2010 BP oil spill in his book SPILL. You can see more of his expansive landscape photography on his Instagram and Facebook. (via Ignant)
August 19th, 2014, Ilulissat, Greenland
August 24th, 2014, Ilulissat, Greenland
July 7th 2014, Iceland aerials
July 7th 2014, Iceland’s Ölfusá River
September 16, 2013, Brazil. Aerials from Manaus to Santarem
September 10th, 2012, Arctic Ocean
February 11, 2012, Para, Brazil
May 6th, 2010, Aerial view of the oil leaked from the Deepwater Horizon wellhead
Still life, Edwin Giesbers, The Netherlands. Amphibians and Reptiles, WINNER.
The winners of the 2015 Wildlife Photographer of the Year have just been announced, and the top images depict an extreme gamut of beauty and ferocity found in the natural world. The grand title winner was ‘A Tale of Two Foxes' taken by photographer Don Gutoski in Wapusk National Park in Manitoba, Canada that captures an unusual deadly clash between between red and Arctic foxes. The two species aren’t known to prey on each other as they generally hunt and live in different climates, but as their habitats have gradually merged over the last few years, the two animals are now on an unexpected collision course.
Kathy Moran, senior editor for natural history projects at National Geographic and jury member, referred to the photo as “one of the strongest single storytelling photographs I have ever seen.” She continued, “the immediate impact of this photograph is that it appears as if the red fox is slipping out of its winter coat. What might simply be a straightforward interaction between predator and prey struck the jury as a stark example of climate change, with red foxes encroaching on Arctic fox territory.”
The winning photos seen here were selected from 42,000 entries from 96 countries, and will be exhibited at the Natural History Museum in London from October 16th, 2015, through April 10th, 2016. You can read the story behind each winning image in this gallery. (via PetaPixel)
A whale of a mouthful, Michael AW, Australia. Underwater, WINNER.
A tale of two foxes, Don Gutoski, Canada. Wildlife Photographer of the Year, WINNER.
The company of three, Amir Ben-Dov, Israel. Birds, WINNER.
Flight of the scarlet ibis, Jonathan Jagot, France. Young Wildlife Photographers: 15–17 years old, WINNER.
Life comes to art, Juan Tapia, Spain. Impressions, WINNER. Story.
Ruffs on display, Ondrej Pelánek, Czech Republic. Young Wildlife Photographer of the Year, 11–14 years old, WINNER.
The art of algae, Peter Soler, Spain. From the Sky, WINNER.
Shadow walker, Richard Peters, UK. Urban, WINNER.
A cause de la manie du ''tout anglais'', l'usage du français est en perte de vitesse et souffre, nous disons stop
Plus de pochettes françisées par Tom Le French ici.
(Merci à Titi pour la suggestion)
- 20Mintes (à cause de Ejoe & Le Chapô)
Astronaut John L. Swigert, Jr., Apollo 13 Command Module Pilot, holds the “mailbox,” a makeshift device used to purge carbon dioxide from the Lunar Module that played a significant role in saving the doomed astronauts lives. Apollo 13 Hasselblad image from film magazine.
During the course of the Apollo space program astronauts were charged with enduring unknown perils, conducting science experiments, piloting spacecraft, walking on the surface of the moon, and comprehending sights, sounds, and physical stresses never before experienced by humans. All the while, they were also asked to snap a couple thousands photographs of practically every moment with a modified Hasselblad camera.
Last Friday, for the first time ever, NASA uploaded the entire catalogue of 8,400 Apollo mission photos to Flickr spanning Apollo 7 (the first manned test flight in 1968) through Apollo 17, the final lunar mission in 1972. The effort to bring the photos online was lead by Kipp Teague of the Project Apollo Archive who first began scanning camera film magazines on behalf of the Johnson Space Center in 2004.
While we’re all used to seeing the more iconic photos like Blue Marble, the Apollo 11 bootprint, or this image of Buzz Aldrin, this random assortment of mundane moments and blurry horizons seems to highlight the humanity of the entire endeavor. Collected here are a few of our favorite shots, and you can see thousands more organized by mission on Flickr. Digg and PetaPixel also have collections of their favorites.
Walking into a hotel ballroom, say, and considering a gigantic glass chandelier suspended from the ceiling, you probably fall into one of two camps: “Wow, that chandelier is totally incredible.” OR “Wow, if that fell from the ceiling it would be totally incredible.” Regardless of which camp you fall into, you’ve probably never considered the process behind creating a genuine glass chandelier from raw materials. Lucky for us, the Science Channel went behind the scenes to film the elaborate glass-working process required to build the fanciest 150-pound lighting mechanism imaginable. Unfortunately this clip fails to credit the studio and artists shown on screen. Anyone know? (via Sploid)
Update: This is a peek inside the Baccarat crystal studio… because it’s written on their shirts. (thnx, Laurent for helping us read words)
For the last few weeks, photographer and art director Vanessa McKeown has been sharing colorful, quirky interpretations of everyday objects on Instagram. McKeown imagines balloons as various fruits and vegetables and oranges are peeled to reveal unexpected objects. Clever visuals all around. You can also follow her on Tumblr.
San Francisco-based artist and illustrator Karla Ortiz works by day as a concept artist for Marvel Film Studios, but in her spare time also produces surreal fine art illustrations rendered in graphite. Seen here is a timelapse of a new piece that will be on view later this week as part of a new body of work titled Omens at Thinkspace Gallery.
Deeply influenced by a childhood spent growing up on Long Beach in Sag Harbor, N.Y., artist Grant Haffner tries to capture the color and feeling of sunsets burnt into his memories. Haffner works primarily with a mixture of acrylic, marker, pencil and paint pen on wood panels to create vibrant neon depictions of Long Island landscapes from the viewpoint of roadways punctuated with power lines. He shares about his paintings:
The East End of Long Island has been my home for most of my life. I spent many years exploring the trails through the woods, cruising the quiet country roads, and hanging out on the beaches. My childhood here, surrounded by nature and water, was an experience that I cherish. Now that I am older, I can see how the landscape is changing and am reminded that it will never be the same. Hopefully, my paintings will capture the memory of that landscape before it fades.