
by mriehl

by mriehl

While closely related to elephant garlic, mammoth garlic is shaggier and has much more dramatic tusks, making its home in the far north. A typical herd is led by a garlic matriarch and contains a number of adult females and their young cloves. While female garlic remains with the herd, juvenile males will eventually leave to join the loose bachelor herds of garlic bulls.
Look, I visited my parents last weekend, and somebody gave me brandy. I cannot be held responsible for what happens after that. And as long as nobody asks about the sketches of bighorn pears, or god forbid, the lemonlopes, we’ll all be okay. - Ursula Vernon



#she terrifies men because she forces them into their true shapes #she is the sea there is no room for pretense in her #she will not allow anyone to render her less than what she is #she will not allow others to be anything than what they are #barbossa is a corpse and davy jones is nothing more than shell and bone and ruin dredged up from the ocean floor #’calypso’ is greek for ‘to conceal to hide’ and that is her root#she is the truth waiting to devour you from beneath
I’ve been waiting to see Calypso on my dash.
CBC.ca |
Germany, France haul euro zone out of recession Reuters By Martin Santa. BRUSSELS | Wed Aug 14, 2013 10:25am EDT. BRUSSELS (Reuters) - The economies of Germany and France grew faster than expected in the second quarter, bettering a widely heralded expansion in the United States and pulling the euro ... Euro Area Exits Record Slump Led by Largest EconomiesBloomberg Eurozone's Longest-Ever Recession Comes to an EndABC News Eurozone comes out of recessionBBC News New York Times (blog) -USA TODAY -Wall Street Journal all 401 news articles » |
firehosebut seriously, butter + cinnamon + sugar + anything + oven = delicious
First of all, these crisps are about the most delicious things you’ll ever eat.
Second, these crisps are about the easiest things you’ll ever make.
Third, when I was a little girl, I had a stuffed monkey named Womba. His hands Velcroed together and I think I might have worn him as an accessory for the first half of my fourth grade year. Sometimes he was around my shoulders like a cardigan. Sometimes he was around my waist like a belt. Sometimes he was criss-crossed over my shoulder like a purse. And if I was nervous, I’d stroke his soft, fuzzy head and would feel better instantly.
I always wondered why Brad Benz didn’t like me.
Back to my original point: These crisps are about the most delicious things you’ll ever eat. I made them using homemade tortillas to go with cinnamon ice cream (swoon) in my next cookbook…but I also made them last week for a Food Network episode we filmed here on the ranch, and the guys absolutely inhaled them. So yesterday, for a Sunday snack, I made ‘em again using storebought tortillas and served ‘em with storebought vanilla ice cream. And they were still utterly divine.
You won’t believe the simplicity. And you won’t believe how addictive they are!
And you also need to preheat the oven to 350 degrees.
Add some sugar and ground cinnamon to a bowl.
Then grab a fork and use it to violently combine the two…
Did you ever wear a stuffed monkey as an accessory when you were a child? I’m just asking.
(Note: If you’ve ever worn a stuffed monkey as an accessory when you were an adult, I’d rather not know. Thank you.)
And very, very generously brush the butter on one side of a flour tortilla.
Basically, you want to douse the sucker. Pretty much the only way you can mess up these things is if you don’t get enough butter on them at this stage.
Then do the same for a couple of other tortillas.
Right away, start sprinkling on the cinnamon sugar. You want it to totally cover the tortilla and mostly be absorbed by the butter. When most of it has been absorbed, sprinkle on a little more!
Repeat it with the other two tortillas, then flip them all over to the other side.
And repeat the process with the butter…
And the sugar. Next, just pop ‘em in the oven for about 15-17 minutes…
And brace yourself.
Just brace yourself.
This is what they should look like!
They’re crunchy. They’re crispy. They’re magical.
But you have to put them aside and let them cool completely.
Note: This will be extremely difficult.
So while we wait: Have you ever given your summer camp crush a hug goodbye when you were twelve, then turned around to leave and tripped over a rock and fell, scabbing your knee?
I’m just asking.
A minute or so after removing the pan from the oven, use a knife to loosen the crisps from the pan so they won’t stick until the end of eternity.
But really, there’s so much butter in these heavenly objects, they really don’t stick that badly.
After they’re totally cooled, break them into pieces. They should be totally crisp and hard, and should break apart pretty neatly.
You can’t know. You can’t know the deliciousness until you try them. And at this point, you could break them up into smaller pieces, bag them up, and use them as snacks.
But I have other plans for them.
Wondrous. Just a wondrous, wonderful, fabulous combination.
You can also do smaller dishes of ice cream and have some fun sticking the crisps right in the scoop.
Goodness gracious, my friends. Make ‘em this week. They’re too good not to. And they’re a complete cinch.
Here’s the handy dandy printable!
Preheat the oven to 350 degrees.
Mix together the sugar and cinnamon.
Brush butter on one side of the flour tortillas. Sprinkle generously with the cinnamon sugar. Flip tortillas to the other side, then sprinkle on the cinnamon sugar.
Bake for 15-17 minutes until very crisp. Remove from oven and allow to cool completely.
Break into pieces and eat as snacks...or serve with ice cream!
Posted by Ree on August 12 2013
WinCo is an Idaho-based grocery chain that frequently beats Walmart on price while providing health care benefits for any employee working over 24 hours a week as well as an annual pension.
Tags: business Walmart WinCoWhile all of these factors help WinCo compete with Walmart on price, what really might scare the world's largest retailer is how WinCo treats its employees. In sharp contrast to Walmart, which regularly comes under fire for practices like understaffing stores to keep costs down and hiring tons of temporary workers as a means to avoid paying full-time worker benefits, WinCo has a reputation for doing right by employees. It provides health benefits to all staffers who work at least 24 hours per week. The company also has a pension, with employees getting an amount equal to 20% of their annual salary put in a plan that's paid for by WinCo; a company spokesperson told the Idaho Statesman that more than 400 nonexecutive workers (cashiers, produce clerks, and such) currently have pensions worth over $1 million apiece.
OnlyMrGodKnowsWhyoh good
For a space challenged place like NYC this modern Fold-Out Pet Bed makes total sense. Perfect for large dogs or multiple smaller dogs.
Read more of this story at Slashdot.
firehoseEarthdawn~
firehoseaaaaaaaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
firehoseprobably already down
firehosevia saucie
The first time I heard about legislation banning “homosexual propaganda”, I thought it was funny. Quaint. I thought the last time anyone had used those words in earnest I had been a kid and my girlfriend hadn’t been born yet. Whatever they meant when they enacted laws against “homosexual propaganda” in the small towns of Ryazan or Kostroma, it could not have anything to do with reality, me or the present day. This was a bit less than two years ago. What woke me up was a friend who messaged me on Facebook: “I am worried about how this might impact you and other LGBT people with families.” This was enough to get my imagination working. Whatever they meant by “homosexual propaganda”, I probably did it. I had two kids and a third on the way (my girlfriend was pregnant), which would mean I probably did it in front of minors. And this, in turn, meant the laws could in fact apply to me. First, I would be hauled in for administrative offences and fined and then, inevitably, social services would get involved. That was enough to get me to read the legislation, which by now had been passed in about 10 towns and was about to become law in St Petersburg, the second-largest city in the country. Here is what I read: homosexual propaganda was defined as “the purposeful and uncontrolled distribution of information that can harm the spiritual or physical health of a minor, including forming the erroneous impression of the social equality of traditional and non-traditional marital relations”. Russia has a lot of poorly written laws and regulations that contradict its own constitution, but this one was different. Like other contemporary laws, it was so vaguely worded that it encouraged corruption and extortion (fines for “homosexual propaganda” are backbreaking) and made selective enforcement inevitable. But it also did something that had never been done in Russian law before: it enshrined second-class citizenship for LGBT people. Think about it: it made it an offence to claim social equality. St Petersburg passed the law in March 2012. I no longer thought it was funny. I actually choked up when I saw the news item about the bill being proposed at the federal level. My girlfriend had recently had a baby and this, among other things, meant we needed to sell our tiny cars and trade up to something that accommodated three kids and a pram. I asked her: “Are we doing this or do we just need to get out of the country?” We decided we were doing it. We are fighters, not quitters. So I launched the pink-triangle campaign. I went on TVRain, independent internet and satellite-based television and recorded a segment showing pictures of my family and explaining how the law would make it a crime to say my family was equal to other families. I explained the history of the pink triangle. I called on people who did not want to see fascism in Russia to put on pink triangles. Though I have always been publicly out, I had never done what I did then – talked about my family and asked to be seen as a lesbian rather than a journalist first. It seemed to work beautifully. People wrote to me and came up to me in the street. I had had 6,000 pink triangles printed up and I got rid of most of them within a few weeks. The public chamber, an extraparliamentary body formed by the Kremlin, scheduled a hearing on the legislation. I testified, as did a number of human rights activists I respected. The chair read out a draft resolution. I also received private assurances from highly placed officials present that the legislation would never make it to the parliament’s floor. That was a year ago. The public chamber’s resolution never materialised. In January 2013, the Duma passed the bill in first reading. The protesters who came to the parliament building that day were beaten up. There had been anti-gay violence in Russia before, most notably when a group of activists had attempted to hold a gay pride celebration in Moscow, but never like this: brutal beatings in broad daylight as the police looked on – and eventually detained the protesters, not the attackers. One of my closest friends took part in the protest at the Duma that day. The following day, he was fired from his job teaching biology at one of the city’s better schools. He was eventually reinstated after a public outcry – he was arguably the city’s best-known teacher, with his own podcast and television and radio series – but I knew one thing: if he had been a gay man rather than a heterosexual ally, he would never teach in the city again. Oh, and around the same time, Moscow City court banned gay pride celebrations for the next 100 years.
firehosefuck you
Is GameStop using its position as the sole US distributor of a critically acclaimed Japanese RPG to bilk customers for an extra $40 per copy, selling newly printed copies as used? Kotaku writes that numerous players are seeing a glut of the once hard-to-find Xenoblade Chronicles for the Wii at GameStop stores, where they’re selling used for $89.99 — not a shocking price for a collector’s item, but nearly double what the game sold for new in 2012. A post on GoNintendo shows that the copies now making their way into stores are packed inside new cases, providing further evidence that the games are part of a new production run and not some newly-discovered stash.
So what gives? GameStop responded to the original Kotaku story saying that it was "recently able to source a limited number of copies" of Xenoblade and that the high price is "based on current market value driven by supply and demand." In other words, because the game is fetching upwards of $100 on eBay, GameStop feels it’s justified in charging collector’s item prices for a game whose US distribution it has sole control over. It’s certainly conceivable that the costs of doing a reprint are such that it only makes sense at the higher price, but that’s unlikely to cheer up the gamers coughing up $89.99 for reissues of a year-old Wii game. We’ve reached out to Nintendo for comment, and will update you if and when we hear back.
firehose"Even though (Katina) and Volkova weren’t gay, for many Russian teenagers, their visibility was more important than the actual fact. To see two girls kissing on screen, singing about unrequited love between two women? Positively revolutionary for Russia."

Before Katy Perry kissed a girl, before Lady Gaga’s fans were born this way, there was t.A.T.u., the Russian duo famous for their rain-soaked, schoolyard kiss in the controversial video for “All the Things She Said.”
The pop-y, love-torn single and the PG-13 video launched the teenagers (who were only 16 when they shot it) into superstardom. In America, they did the unthinkable as a Russian act and cracked the Billboard Top 20, even nabbing a New Yorker article.
The kiss—between Lena Katina and Yulia Volkova—and the song’s lyrics turned the duo into lesbian icons, even though years later they admitted it was all an act.
The single and video were released in America 10 years ago this year—and t.A.T.u.’s two stars have mostly gone their separate ways. Though Lena Katina and Julia Volkova reunite occasionally, both have embarked on solo careers. Volkova is exploring acting as well as music.
From her chair in Moscow, Katina seems relaxed even though she’s about to get married—with two completely different ceremonies—and about to release another single and video, “Lift Me Up,” and a Spanish EP. Dave Aude’s remix of her single “Never Forget” scored a No. 1 on Billboard’s dance chart last year.
“It feels weird, because the song is so old and I’m so young,” said Katina, now 28, of “All the Things She Said.”
Even though she’s an old hand in the music industry, the solo outing is Katina’s first try at actually writing her own lyrics. It’s not just a new beginning. It’s like she’s finding herself for the first time.
“In t.A.T.u , it just happened like that. We didn’t have the long road to success. We were created. We were not creating,” she said in heavily accented English. It’s different now. “I have possibility to create my music and collaboration with different people, with different songwriters. I think I grew up a lot since then. I am more secure now.”
Katina is wise beyond her years. Superstardom at the tender age of 17 will do that to you. She’s come out of it stronger than her Hollywood peers—no head shaving or repeated trips to rehab, here. t.A.T.u’s mega success at such a young age reminds one of another teen idol—Justin Bieber. She had some sage advice for Bieber and other young stars.
“I hope they will be smart enough not to take it for granted and understand that it’s a lot of work in the future to keep it on the level,” she said. “Because you shoot like a bomb or a shooting star, but then it falls down.”
For Katina, one of the biggest struggles was to keep grounded: “You get this feeling, when you have all this love around you and everyone admires you and you are role model for so many people, it is going to affect you,” she said. “It’s really a dangerous period of time.”
The singer said that she was lucky—her mother and best friend confronted her when she was becoming difficult: “They told me really painful things. I didn’t like what I heard, but I understood what they wanted to tell me,” she said. “It goes so quickly. It goes away, and who knows where I will be or Justin Bieber will be in 5, 10, 15 years. Have this moment and appreciate what you have and stay down to earth.”
Katina is still in Russia, where she is a straight girl who is a gay icon in a country where being gay in public is illegal. “The government not a long time ago made a new rule you can’t show that you are gay in public, which is weird—a lot of people from the government with the big positions are gay. Why people can’t be free?” she said. “In Russia the situation with the LGBT is still really tough. I think we changed this a little bit.”
Though she wasn’t a lesbian, Katina said she had no problem playing one. “I looked at it as my role … like a movie. We play in a role in a movie. That was my role. I never was a lesbian. I never was attracted to a girl. I never had that,” she said. “I had some thoughts, because I was pretending to be who I wasn’t. And then, I was thinking about it a lot, ‘Why am I concerned?’ There are so many actors playing different roles in movies. I will just look at it as a movie. If I am helping people with this role, then why not.”
Even though she and Volkova weren’t gay, for many Russian teenagers, their visibility was more important than the actual fact. To see two girls kissing on screen, singing about unrequited love between two women? Positively revolutionary for Russia.
“I think we did a great job on that, because we received so many thank-you letters, especially if you are a teenager when everything is over the top, and then you understand you are different and society doesn’t support you, it’s really tough, a lot of people commit suicide,” she said. “I was so surprised by those letters.”
As for any future t.A.T.u outings, Katina doesn’t rule it out, but said she’d rather move to phase two of her career.
“Going back to t.A.T.u. would be a step back, and I want to move forward,” she said. “My goal is to be recognized as a solo artist, too. I’m responsible for myself, I’m responsible for every single decision. And if I’m going to fuck up, it’s gonna be my fuck up. If I’m going to be successful, it’s going to be my success. And I love it that way.”
There’s a song titled “U R What You Eat.” The artist attributed to that song is “Salad Bar.” “Salad Bar” is a name given to the unlikely trio of rapper Matisyahu, Disney star Ariana Grande, and former Blink-182 drummer Travis Barker.
There’s also a song called “Veggie Luv.” “Veggie Luv” is performed by a person named Monfiah. “Veggie Luv” is not to be confused with a track that appears later in the album. It is called “We Like Vegetables.” Presumably, that song is more measured in its praise of lettuce.
Read more of this story at Slashdot.
firehosenobody laughs at MB
unless they just landed an elbow on an old lady in front of the eggs
firehose" 'I followed the dog into an ally to see how it was acting. Going on my own approach, being a dog lover, I got out of my car and called the “vicious dog” over to me. The dog came over with it’s tail between it’s legs and panting. I grabbed my water bottle and the dog sat down next to me and began licking my pants. I started giving the dog water. I brought the dog over and waited for the pound to show up.'
It was then that he decided that he couldn’t bear to see the dog go, knowing it would likely be euthanized. Dan decided instead to take the dog home himself. He jumped in the back seat of the cruiser with the “vicious” canine, and it was clear that he’d made the right decision.
Officer Waskiewicz named the dog Bo and introduced him to his other two dogs. The crew hit it off with no problems. Bo had shown signs of neglect from his previous home, but he made a speedy recovery.
Officer Waskiewicz even got the Certificate of Appreciation from the Baltimore Humane Society for his efforts!"
firehosetl;dr: the Osprey is still not safe enough to entrust with the leader of the free world's life
firehose"At a time when the industry is in a ferment over increasing the democratization of game development, increasing access for the disadvantaged, increasing diversity and new voices, the idea that a tool is bad because it increases access is frankly appalling. I don’t think this how this comment was meant, which means it simply wasn’t thought about very hard.
Instead, I suspect (especially given the Auto-Tune comment) that it was meant as a cry on behalf of artistry instead of “soulless business,” similar to the piece by Liz Ryerson that I wrote about the other day. In which case, it misses its target. Plenty of deeply artistic, personally expressive designers use mathematical tools to balance their games, sort of how plenty of musicians use the math inherent in leading tones and chord progressions without having to resort to Auto-Tune."

Luke McMillan has a nice article on Gamasutra entitled “An Intro to RLD,” which is about using math to assess the difficulty of jumping puzzles (and by extension, other parts of the content ramp in your game design).
I’m not here to talk about the article. It’s a nice article. I’m here to talk about one of the reactions to it.
The article is a nice, straightforward illustration of how quantitative methods can bring greater clarity to something that designers do every day, usually by “feel.” And of course, the challenge with “feel” is that it only arises from experience. As I have termed it before, the “apprenticeship model” of learning game design: you do it until you develop the feel, and have internalized heuristics of your own for things like difficulty ramps. Then you struggle to communicate those heuristics to others, and they learn it the hard way themselves.
Michael Joseph, in the comments, states the following:
McMillan responded very politely to this comment. I on the other hand… this stuff makes me mad enough to be sarcastic and blunt. I apologize in advance to Joseph, since I know his track record in the industry, and it doesn’t seem reflective of the comments he’s making.
I can only presume that he thinks that measuring when cutting wood for a table is depersonalizing carpentry. Forgive me if I prefer not to live in a house he builds. I have not noticed any lack of creativity among architects simply because they measure stuff a lot.
The “Zen style” isn’t a problem, unless you are trying to, say, work with another designer and want to communicate with them. Or want to tweak your game balance. Or want to train a new designer. The reason it is a problem is simple: the lack of a common language. That would be why designers have been building a common language for decades now. There isn’t any need to “prove” this; a given designer either runs into these issues or they don’t. If they do, would you deny them the opportunity to try to fix it? If you don’t run into these issues, please share how you avoid them; I would be stunned if it didn’t turn out to be “depersonalized” craft language.
The elitism inherent in “with this tool, gosh, any hairless monkey can make a game” is shocking. At a time when the industry is in a ferment over increasing the democratization of game development, increasing access for the disadvantaged, increasing diversity and new voices, the idea that a tool is bad because it increases access is frankly appalling. I don’t think this how this comment was meant, which means it simply wasn’t thought about very hard.
Instead, I suspect (especially given the Auto-Tune comment) that it was meant as a cry on behalf of artistry instead of “soulless business,” similar to the piece by Liz Ryerson that I wrote about the other day. In which case, it misses its target. Plenty of deeply artistic, personally expressive designers use mathematical tools to balance their games, sort of how plenty of musicians use the math inherent in leading tones and chord progressions without having to resort to Auto-Tune.
We disdain Auto-Tune because it does something for you that you cannot do yourself, and thereby also removes all the personal expression from the process. But we don’t disdain singing on pitch, or tuning your guitar, in the name of “personal expression.” This tool doesn’t even come close to being Auto-Tune. It’s not “auto-balance my game.” In fact, I hate saying it’s “a tool.” It’s more like a set of practices.
There really isn’t a reason to fear the tool. There may be a reason for a designer to fear a businessperson coming in and using the tool as a bludgeon. That’s certainly the undercurrent in the air these days: that artistry is compromised by having to think about money, audience, etc. But let’s be honest, businesspeople will happily bludgeon with whatever is handy. Remove all design tools, and they’ll bludgeon you with the budget instead. In the case of a self-funding indie, they’ll bludgeon themselves, as they wrestle with the question of artistic integrity versus putting food on the table.
Let me turn away from Joseph’s comments for a moment, since what follows really doesn’t apply to him. This all reminds me of something I have heard many times from artists in different fields:
“I have my own style, and I’m afraid that if I take classes, that I would learn to do art like them, and not like me.”
I usually associate this with youth and inexperience. Think about what it implies:
Look, being serious about your art and your craft means a lot of woodshedding. It means a lot of practice. And doing that means being a vacuum sucking up every little bit of knowledge, every rule of thumb, every example, everything you can learn from. You don’t have to believe it all. I don’t know anyone who does. But you can’t even disbelieve it if you don’t understand it.
If you’re scared that learning how to run a spreadsheet of your difficulty curve is going to make your work soulless, maybe it didn’t have a very strong soul to begin with. Learn how to do it, and then feel free to ignore what it says, as a conscious artistic choice. Accept the possibility that just maybe, the tools might actually propel you to greater artistic heights. After all, Picasso was able to leverage careful study of visual arts into flights of fancy that helped redefine visual representation. He did it by woodshedding a lot.
Grump over.
firehoseTW: rape; Vice covering rape with exactly-what-you-expect American Apparel ads on the sidebar
firehosePhilips Hue, sold in Apple Stores everywhere

Weaknesses in a popular brand of light system that's controlled by computers and smartphones can be exploited by attackers to cause blackouts that are remedied only by removing the wireless device that receives the commands, a security researcher said.
The vulnerabilities in the Hue LED lighting system made by Philips are another example of the risks posed by connecting thermostats, door locks, and other everyday devices to the Internet so they can be controlled by someone in the next room or across town. While the so-called Internet of Things phenomenon brings convenience and new capabilities to gadgets, they come at a cost. Namely, they're susceptible to the same kinds of hack attacks that have plagued computer users for decades. The ability to load a Web page that causes house or office lights to go black could pose risks that go well beyond the typical computer threat.
"Lighting is critical to physical security," Nitesh Dhanjani, the researcher who discovered the weaknesses and developed proof-of-concept attacks that exploit them, wrote in a blog post published Tuesday. "Smart lightbulb systems are likely to be deployed in current and new residential and corporate constructions. An abuse case such as the ability of an intruder to remotely shut off lighting in locations such as hospitals and other public venues can result in serious consequences."
Read 7 remaining paragraphs | Comments
ABC News |
Missing federal investigator's body found near Vacaville Los Angeles Times OAKLAND — Police on Tuesday confirmed that the body found outside a park near Vacaville was that of missing federal investigator Sandra Coke. In a brief news conference, Oakland Police Department spokeswoman Johnna Watson said the Alameda ... Slain woman identified as Sandra CokeSan Francisco Chronicle (blog) Body in Calif. ID'd as that of missing investigatorUSA TODAY Sandra Coke: Body Identified as Missing California Federal InvestigatorABC News CBS News -Examiner.com -Daily Democrat all 39 news articles » |
Economic Times |
Sailors on board Indian submarine feared dead USA TODAY Indian official says the navy fears all 18 sailors aboard submarine that blew up are dead. indiasubmarine. The night sky is lit up as a fire burns aboard INS Sindhurakshak, an Indian Navy kilo class submarine early Wednesday in Mumbai, India. (Photo: By ... At least 18 Indian navy personnel presumed dead in submarine blastIrish Times Deeply pained at loss of INS Sindhurakshak: ManmohanThe Hindu In its worst peacetime disaster, Navy loses top submarine with 18 men on boardTimes of India New York Times (blog) -Washington Post -Zee News all 484 news articles » |
firehosegreat
firehoseeverything is always watching beat
Baby monitor hacked, spies on Texas child CBS News Marc and Lauren Gilbert were terrified when they heard a strange voice calling out to their 2-year-old daughter Allyson, through a baby monitor in her room. The Texas family learned the hard way that almost anything connected to the Internet can get hacked. and more » |
firehosethis fucking guy
this fucking franchise
this fucking everything

One tidbit from The New Republic‘s profile of writer Mark Millar in which he said he didn’t really “think it matters” whether a bad guy rapes someone in a comic is some elaboration on why the infamous gang-rape scene from he and John Romita Jr.’s Kick-Ass 2 was cut from the film. Also cut, apparently, a scene in which a dog is killed.
According to the film’s director, Jeff Wadlow, moviegoers don’t need those scenes like comic readers do, because he’s working with real people rather than drawings. See his full quote, along with comments from star Christopher Mintz-Plasse, after the jump.
Here’s the entirety of what Wadlow said about cutting those scenes:
There are things Mark and John [Romita Jr.] have to do in a comic book to get a response from an audience that I don’t necessarily have to do in a movie, because they’re dealing with approximations of people. They’re drawings, right? So there’s automatically a separation. I’ve got real-live people in front of my cameras so to create that emotional response, I don’t necessarily have to go as far.
Mintz-Plasse said the rape and dog-killing scenes were simply “a little too much for this kind of world, because this is still a comic-book world.”
He added: “It brings the tone down. It’s a little too dark.”
Here’s the full video of Digital Spy’s interviews with Mintz-Plasse and Wadlow, along with comments from Millar himself:
Kick-Ass 2 opens in theaters this Friday.
[Via Digital Spy]