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How American films use black cops for comic relief
If you’re a black cop in an American movie, you’re a lot more likely to end up squatting on a toilet with a bomb in it than sharing scars with the hottie from Internal Affairs. This isn’t anecdote; it’s research. A recent study from two criminal justice experts shows that for 40 years black police officers have most often been the punchlines of the American cop movie genre.
The researchers found that only 21 out of 112 police movies released from 1971 to 2011 had a black cop in a heroic role. And, in over half of those, black officers were there to give the audience laughs, rather than significantly advance the plot. Outside the movies, around one in five officers is black, say the authors.
The researchers took every film classified as a “cop movie” since the Clint Eastwood vehicle Dirty Harry (which they say defined the genre as we know it today), and culled all those that were specifically comedies, science-fiction, or anything that featured cops acting outside their jurisdictions. Then they sat down and watched over 240 hours of cinema, looking to see how the black and white main characters were portrayed, and using 40 criteria to classify on-screen actions into types.
Franklin Wilson, of Indiana State University, was one of the paper’s authors. He told Quartz: “Quite honestly, it’s eye-opening. You can watch a film and see one thing here or there, but when you watch 40 years’ worth of films, you can start seeing a pattern develop.”
In addition to the comic-relief stereotype, black cops were often portrayed as being caught between the black community and the police, Wilson said. There is a longstanding lack of trust between police and African Americans, stretching from colonial laws that allowed police to arrest blacks for being out after dark (ebook, pg. 22), to modern stop-and-frisk practices.
There’s lopsided justice inside the police force, as well: There have been black officers in America since 1802, but even up until 1962 many police departments required them to get a white officer’s permission before arresting a white suspect. In his book Policing America (pg. 364), author Ken Peak said this results in a so-called “double marginality”, where black officers feel ostracized both by the African-American community, and their fellow police.
The researchers say their next project is to see if the movie-world portrayal of black cops has any relationship to the way they’re perceived in the real world. If past efforts to connect media portrayals to society are any indication, they are up against a steep wall.
And if you’re wondering whether being a “hottie from Internal Affairs” is the typical fate of a female co-star, you won’t have to wonder for long: Wilson and his co-author’s next paper will give the same treatment to women in American cop movies.
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Do you like Minecraft? Do you like Space? do you like sandbox, single/multiplayer shenanigans? Then stop reading right now and go buy Space Engineers! its still Early Access but its alpha/beta in the same way that Minecraft was still beta and still awesome fun....
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"CONFLICT IS UNAVOIDABLE" -
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Crowdfunding still has a trust problem
The Danny DeVito to Kickstarter's Arnold Schwarzenegger, Indiegogo has been the perpetual second player in online crowdfunding. Second is no bad place to be in a rapidly expanding market, however, and Indiegogo has managed to attract a number of high-profile projects from the likes of Shaq, Ubuntu, and even the Jamaican bobsled team.
Though interest in and backing for crowdfunding have never been more plentiful, there remains a significant element of risk, which has been highlighted by a recent report from Pando Daily. Taking issue with the Healbe GoBe campaign — a wearable device that claims to automatically measure your calorie intake, level of hydration, and stress level — the reporter investigated the company behind the project and found frightfully little to reassure Indiegogo backers that their money would be safe. Healbe advertises itself as being based in San Francisco, but is operated out of Moscow, and its non-invasive glucose measurements have been questioned by professional clinicians. Both company and product invite a healthy dose of skepticism, yet the project's lofty aspirations have been appealing enough to entice over $930,000 in contributions.
The latest twist in the story has seen Indiegogo change its fraud FAQ page overnight, expunging a promise to catch "any and all cases of fraud." In a defensive move ostensibly prompted by being so closely scrutinized, the company has softened the assurance that "all claims and contributions go through a fraud review" to asserting that only those "flagged by our fraud detection system go through a thorough review." While that may sound like a regressive change, it actually brings Indiegogo’s public communications closer in line with the (few) legal responsibilities it accepts.
"Indiegogo has no fiduciary duty to you."
The key reason for the existence of centralized funding platforms like Indiegogo or Kickstarter is trust. Funders need to be assured that their money is going toward the stated goals, and project creators require some certainty of the promised income. But what is that trust actually based on? Peruse Kickstarter's Terms of Use and you'll find the following disquieting message:
The Company cannot guarantee the authenticity of any data or information that Users provide about themselves or their campaigns and projects.
Further still, Kickstarter can't guarantee the identity of users you interact with, nor can it guarantee the receipt of pledged amounts. Indiegogo matches that language in its own documentation, asserting that "Indiegogo has no fiduciary duty to you." The legal responsibility for ensuring that a given project isn't fraudulent or otherwise illegal falls squarely on the funder's shoulders:
Indiegogo doesn't guarantee that Contributions will be used as promised, that Campaign Owners will deliver Perks, or that the Campaign will achieve its goals. Indiegogo does not endorse, guarantee, make representations, or provide warranties for or about the quality, safety, morality or legality of any Campaign, Perk or Contribution, or the truth or accuracy of content posted on the Service.
Of course, legal language tends to be overreaching by default, and neither Indiegogo nor Kickstarter take the potential for malfeasance lightly. Kickstarter banned product renders in late 2012 — demanding instead that prototypes be photographed in their current form — in an effort to improve transparency and to ensure that there's something concrete underpinning a project pitch. Indiegogo identifies "trust" as one of its three central pillars for improving the user experience, and the company claims to have a "comprehensive fraud-prevention system to protect [its] users."
Familiarity breeds complacency
Whether the Healbe GoBe is a legitimate product or not is less important than the circumstances of its campaign. A company without any track record has accumulated close to a million dollars from people willing to believe its claims, and at least part of that trust has been built on the fact that it's advertised on a recognized platform. This is a case where familiarity may very well breed complacency, with Indiegogo users operating on the assumption that the website can protect their interests. That's what Indiegogo wants to do, but it's far from certain that it's what the company is capable of doing.
Indiegogo has a low threshold for listing projects for funding, as illustrated by the distinctly dubious No More Woof campaign built around a supposed mind-reading headset for dogs. Moreover, the platform’s flexible funding option — where a project collects all contributions whether it achieves its target funding or not — and the fact you’re charged before campaigns have run their course make it inherently more risky than supporting someone via Kickstarter. The latter service has already seen bad products vetted and debunked by the community during campaigns that would otherwise have been successful.
Making a million dollars shouldn't be this easy
At the same time, the all-or-nothing absolutism of Kickstarter funding also ensures that you only pay if production can realistically be achieved. In the case of the Healbe GoBe, you could spend $199 expecting to get one for yourself, but if the product isn’t popular enough, the company might take your money without delivering any tangible return. And that's not a rare occurrence, given that only 10 percent of Indiegogo projects are fully funded.
The great irony of crowdfunding is that it ultimately boils down to a direct one-to-one relationship between a project’s creator and individual backers. Indiegogo is the middleman in that relationship: it connects, it facilitates, but it doesn’t actually assume any of the legal responsibility. The full terms and conditions of using the service articulate that point repeatedly, however the warm and friendly presentation, plus highly visible crowdfunded successes like the Oculus Rift, may well lull potential backers into a false sense of security. In the end, Indiegogo’s greatest risk may be to itself — if it doesn’t evolve to provide better tools for assessing projects and real checks and balances to weed out the dubious ones, it may lose the one indispensable contribution from all of its users: their trust.
NPR’s simple but brilliant April Fools prank on overconfident, hypocritical “readers”
NPR’s prank this past Tuesday took a creative mind to come up with, but it was so simple it probably only took about 10 minutes to execute. They simply wrote an article titled “Why Doesn’t America Read Anymore.” You may have seen it floating around Facebook.
But here’s the twist: It wasn’t a real article…
After publishing the “article,” they posted it to Facebook…
…and the earnest comments of hundreds bemoaning the state of America’s lack of reading began pouring in, proving that these would-be saviors of the American intellect didn’t even read the article they were commenting on…
(via Gawker)
Good times, NPR. Thank you.
Newswire: Alan Partridge to get a sequel, another TV show, and a webseries
Alan Partridge hasn’t been released in the U.S. yet, but a sequel to the feature film is already in the works. Of course, that speaks less to anticipation that American audiences’ will embrace Steve Coogan’s fame-crazed character, and more to the fact that Alan Partridge has been a comedy staple in England for over two decades now. The film—released in the UK last summer under the title Alan Partridge: Alpha Papa‚ has—has earned enough there to warrant not only a follow-up, according to The Guardian, but also a new UK TV show and a the return of the webseries “Mid Morning Matters.”
While this is the first feature film for the character—and his first major exposure to American audiences—Coogan has been playing Partridge on British radio and TV since John Major was Prime Minister. (That’s 1991.) And while stateside comedy-nerds have long ...
DC adds single issues to Google Play store
‘Tokyo Reverse’, A Nine-Hour Film Featuring a Man Walking Backwards Through Tokyo, Japan
Tokyo Reverse is a nine-hour film starring 28-year-old Ludovic Zuili where Zuili walks backwards through Tokyo, Japan. The film, which is considered an example of the Slow TV genre, makes it appear as if everyone around Zuili is walking backwards by showing the footage in reverse. According to newspaper Le Monde, Zuili took dance classes in order to make his walking backwards appear more natural when shown in reverse. Tokyo Reverse was aired in full by French public television channel France 4 on March 31st.
via New York Post, BBC News, Colossal
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Grade Board
firehose'What about the giant, public output?
It’s fullfilling one of the dystopian goals of the fascist society in which the story takes place, which is that might makes right. Carl is a bully (even if Jonny’s friend) and in the culture of Starship Troopers, if he wants to increase Johnny’s public humiliation, why not? Johnny needs to study harder, take it on the chin, or make Carl stop. In this regard, the interface satisfies both the students’ task and the culture’s…um…values.
I originally wanted to counter that with a strong statement that, "But that’s not us." After all, modern federal privacy laws in the United States forbid this public display as a violation of students’ privacy. (See FERPA laws.) But apparently not everyone believes this. A look on debate.org (at the time of writing) shows that opinion is perfectly split on the topic. I could lay out my thoughts on which side is better for learning, but it’s really beyond the scope of this blog to build a case for either side of Lakoff’s Moral Politics.'
When students want to know the results of their tests, they do so by a public interface. A large, tiled screen is mounted to a recessed section of wall in a courtyard. The display is divided into a grid of five columns and three rows. Each cell contains one student’s results for one test, as a percentage. One cell displays an ad for military service. Another provides a reminder for the upcoming sports game. Four keyboards are situated below the screens at waist level.
To find her score, Carmen approaches one of the keyboards and enters some identifying data. In response, the column above the screen displays her score and moves the data in the other cells up. There is no way to learn of one’s test scores privately. This hits Johnny particularly hard when he checks his scores to find he has earned 35% on his Math Final, a failing grade.
Worse, his friend Carl is able to walk up to the keyboard and with a few key presses, interrupt every other student looking at the grades, and fill the entire screen with Johnny’s score for all to see, with the failing number blinking red and white, ridiculing him before his peers. After a reprimand from Johnny, Carl returns the display to normal with the press of a button.
Is ANSI the right input?
The keyboard would be a pain to keep clean, and you’d figure that a student ID would be a unique-and-memorable enough token. Does an entire ANSI keyboard need to be there? Wouldn’t a number pad be enough? But why a manual input at all? Nowadays you’d expect some near-field communication, or biometric token, which would obviate the keyboard entirely.
Are publicizing grades OK?
So there are input and interaction improvements to be made, for sure. But there’s more important issues to talk about here. Yes, students can accomplish one task with the interface well enough: Checking grades. But what about the giant, public output?
It’s fullfilling one of the dystopian goals of the fascist society in which the story takes place, which is that might makes right. Carl is a bully (even if Jonny’s friend) and in the culture of Starship Troopers, if he wants to increase Johnny’s public humiliation, why not? Johnny needs to study harder, take it on the chin, or make Carl stop. In this regard, the interface satisfies both the students’ task and the culture’s…um…values.
I originally wanted to counter that with a strong statement that, "But that’s not us." After all, modern federal privacy laws in the United States forbid this public display as a violation of students’ privacy. (See FERPA laws.) But apparently not everyone believes this. A look on debate.org (at the time of writing) shows that opinion is perfectly split on the topic. I could lay out my thoughts on which side is better for learning, but it’s really beyond the scope of this blog to build a case for either side of Lakoff’s Moral Politics.
You’re Doing More Than You Think You’re Doing
But it’s worth noting the scope of these issues at hand. This seems at first to be an interface just about checking grades, but when you look at the ecosystem in which it operates, it actually illustrates and reinforce a culture’s core virtues. The interface is sometimes not just the interface. Its designers are more than flowchart monkeys.
how to follow the prime directive, by leonard h. mccoy, md "I...
firehoseI just love that McCoy is carrying all his future tech in an old-timey black physician's house-call bag
how to follow the prime directive, by leonard h. mccoy, md
"I will prescribe regimens for the good of my patients according to my ability and my judgment… In every house where I come I will enter only for the good of my patients…”
What was the line? “Captain, there are some things which transcend even the discipline of the service.”
'Top Gun 2' will feature Tom Cruise versus drones, says Jerry Bruckheimer
The long-rumored Top Gun 2 is almost certainly happening, at least according to producer Jerry Bruckheimer. In an interview with The Huffington Post last week, Bruckheimer expressed how determined he is to make a follow-up to the 1986 classic, and hinted at what themes the movie will explore. In the sequel, Tom Cruise will reprise his role as Pete "Maverick" Mitchell, and face off against drones to prove just how essential volleyball-loving airmen are.
John Henry with fighter pilots
During the interview on HuffPost Live, Bruckheimer said he thinks "we're getting closer and closer" to making the sequel a reality. Talk about the movie has been bubbling for years, especially after Paramount tapped Bruckheimer and director Tony Scott to return for another outing in 2010. The Pirates of the Caribbean producer said that Scott had figured out a way to tell the story right (in what sounds like an action movie take on the John Henry tall tale) but his suicide in 2012 almost scuttled the project. "The concept is, basically, are the pilots obsolete because of drones," said Bruckheimer. "Cruise is going to show them that they're not obsolete. They're here to stay."
Neither Cruise nor a director have signed on for the film, so there's no telling when it will be made. However, an announcement of production kicking off seems like the logical next step, however far-off it may be.
- Source The Huffington Post
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