Corey

You've all seen "T he Greatest Wedding Photo in the History of the World " (in which the bride and groom are running from a T-Rex). Well, Jeff Goldblum just one-upped that photo. Visual proof that no matter what the occasion, Photoshop finds a way.

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I like Amy Armstrong's novel hobo nickel design that mimics the famous movie poster for Jaws. The shark has already had a meal, but he's ready for more.

-via Hobo Nickel Art

(Photo: Foodspotting)

Redditor thr111 performed a great public service while he purchased lunch at a Burger King. Although he has deleted the text, much of it remains at Consumerist. He purchased every apple pie at the restaurant to punish a rude child who wanted one. Harken to his tale of justice:

“When behind me comes this woman yapping on her cellphone with a little monster of a child,” he writes. “This kid was out of control, screaming, punching his mother throwing around a gameboy whenever something didn’t go right in the game.”

He says the mom paid more attention to her phone than to her kid, who was screaming about how much he wanted an apple pie.

The customer says his already bad headache got worse and so he asked the mother nicely to quiet her kid down.

“Immediately she gets up in my face telling me I can’t tell her nothing about raising her child and to mind my own business,” recalls the customer, who says the mom rubbed it in by calling her kid “sweety” and assuring him that he’d get his pie.

By the time the customer got to the front of the line, he says he could only think about how the loudmouthed brat and his mom had spoiled this little trip to BK.

“I then decide to ruin their day,” explains the customer who ordered all 23 pies the store had in stock.

“I take my order and walk towards the exit,” he recounts. “Moments later I hear the woman yelling, ‘What do you mean you don’t have any pies left, who bought them all?’ I turn around and see the cashier pointing me out with the woman shooting me a death glare.”

As the father of two young children, I have great sympathy for the parents of children who misbehave in public. But parents must act to either change the behavior or remove the children. That's the only way you get pie.

-via Iowahawk

Kim Jong-Un is apparently quite easy to entertain, and he was all smiles and eyes full of wonder when he visited the Chonji Lubricant Factory and got to watch machines squirt out piles of lubricant:

(Image Via Telegraph)

This incredibly meme worthy photo of the delighted Kim Jong-Un spawned a Reddit PsBattle called  Kim Jong-Un at a lube factory, and the Redditor creations were most glorious!

Here are some of the gloriously hilarious creations featuring the most handsome glorious leader:

The true origin of Slurm= North Korea!!!

(Image Via Dolphinmx)

Kim mans the Skil-Crane game, hoping to win a Minion army to help him with his despicable plans:

(Image Via idealspace)

North Korea is a major producer and exporter of one terribly toxic substance- Toon dissolving Dip!

(Image Via thejook)

And last but not least Kim Jong-Un oversees the making of Scott Tenorman's Parents brand chili, now with extra horse!:

(Image Via jdickison904)

There are sure to be more Kim Jong-Un memes to come, because say what you will about the guy there's no denying he's photogenic!

-Via Cheezburger

Soccer fans, soccer haters, and everyone in between can agree on one thing: fake American coach Ted Lasso is the shit. Since his “debut” last year for NBCSN’s soccer coverage. We all know that Jason Sudekis‘ Ted Lasso got canned at the fictitious end of lasts season, but now he’s in the booth, where he’s able to REALLY run his mouth. Where was he when we needed him for the World Cup?

For those unfamiliar with this devil of a character, here’s the original as well:

If he continues this trajectory, he’ll be head of the U.N. by this time next year.

“Secretary General Lasso.” That sounds right.

 

 

The post Welcome Back Jason Sudekis’ Ted Lasso, Clueless American Soccer Coach appeared first on Screen Junkies.

If you drag Pegman (the yellow street view icon in Google Maps) over Area 51 in Nevada he turns into a UFO.

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"The IV Doc" in New York City will come to your house and cure your hangover with a hydrating IV treatment.

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Office Safari

Earlier in May, the one and only Action Bronson a.k.a. Bronsollini announced that his forthcoming, highly-awaited debut studio album would be called Mr. Wonderful, giving the new King of New York yet another nick name. We’ve been waiting to hear a studio quality song from said album since (Consequence of Sound recently shared a new track he premiered live) and now, we finally have it. To make matters more wonderful, it’s produced by chum/frequent collaborator Party Supplies, with whom he worked on Blue Chips and Blue Chips 2. Check out a radio rip of the track below, which Bronson premiered on Peter Rosenberg’s Hot 97.

Action Bronson – Easy Rider (Radio Rip)

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There’s been much talk of the Wu-Tang Clan recently, with their one-of-a-kind $5 million album, beefs between RZA and other clan members, and their other upcoming, regularly-priced album, A Better Tomorrow, but we haven’t actually seen them all together in a room, until now. Last night on The Daily Show with Jon Stewart, all nine members of the Wu Tang Clan reunited: Raekwon, GZA, RZA, Ghostface Killah, Method Man, Inspectah Deck, U-God, Masta Killa, and Cappadonna, premiering the first single from A Better Tomorrow, “Ron O’Neal.” During their appearance, they took a moment to remember fallen member Ol’ Dirty Bastard, and even gave Stewart a Wu-Tang shirt. Today, a studio version of “Ron O’Neal” has been made available online for your listening pleasure, see below. It’s not a standard, hard-hitting Wu anthem, which could be why there was beef between the collective to begin with, but you be the judge:

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Iron Man by Daniel Norris

The Fall

Check-splitting, that most mysterious of restaurant activities. How many cards is too many? Is it better to split using cash or credit? How is check-split formed?! How waitress get coin change?!

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Thanks to Marvel, post-credit sequences are not just a nice surprise, but now they’re a cinematic prerequisite. They have evolved from extra perks to a completed story, to world-building links that piece seemingly disparate movies together. Even when they take a completely different approach, like Guardians of the Galaxy does, it’s in the interest of showing Marvel’s reach, rather than nodding to the magic of the film in question.

Being the glue to future films is always a risky proposition. Movies like Masters of the Universe and Young Sherlock Holmes used these sequences to tease a future that would never come. And some, like Dogma, portray promises not delivered, like Alanis Morissette’s God in that movie literally closing the book on the View Askewniverse.

Will we get to a future where superheroes fall and a post-credits sequence nods to a Marvel future never realized? I don’t know. But one thing is sure: There is a great world and history of post-credits sequences outside of Marvel’s spandex and space travel – one generally dominated by comedy. We covered some a few years ago, but here are some more excellent post-credits sequences to delight in.

Ghost World

Not all comic book movie end-credits deal with superheroes. After the credits roll in Ghost World, the boys return, with Seymour, Josh and Doug brawling in the convenience store. It’s a perfectly ludicrous outtake that offers laughs while playing to the tone of the film as a whole. It snarks on the usual macho movie world of man-fighting and profanities as Seymour rages, punching and kicking Doug and Josh before laying down some f-bombs that remind us of Steve Buscemi’s early days as Mr. Pink.

Empire Records

If teen movies are guilty of one thing, it’s taking themselves too seriously. Everything must be epic as the hormones rage, and few films really acknowledge this. But Empire Records does in their post-ending scene that plays during the credits. When all is said and done, Mark and Eddie sit and debate the merits of Henry Rollins, The Pixies and Primus. They are so focused on their ultimately pointless and inconsequential discussion that they don’t notice a car squealing by and crashing. They just keep talking as the scene fades and the credits continue to roll. The emotions may have been wildly overwrought throughout the film, but Allan Moyle and crew want you to take it with a grain of salt.

Airplane!

Post-credit sequences aren’t a new invention. In fact, one of the best happened 34 years ago in the absurdist spoof Airplane! If you’ll remember, Ted Striker was a cabbie, and he just left his car on the curb, turning the meter on before running into the airport for “a minute.” After the credits wrap, the film returns to the cab, where the businessman is in the backseat still waiting. He looks at his watch and swears that he’ll wait another 20 minutes, “but that’s it!” It nicely nods to a random loose end, and it makes our impatience for sitting through credits seem a little wimpy by comparison.

Happy Christmas

Post-credit sequences are usually the realm of the mainstream, but they can be well-utilized in indie film. In this summer’s Happy Christmas, Anna Kendrick plays an angst-ridden drunk who convinces her sister-in-law (Melanie Lynskey) that penning a steamy romance novel is a good idea. The pair, along with Lena Dunham, collaborate on the book through the film, but writer/director Joe Swanberg decides to bookend with more brainstorming. It’s just audio, but it’s some of the funniest discussions the trio have about their novel, which leaves the film on a great note.

I’m Gonna Git You Sucka

Eighties parodies might just be the kings of the post-credits sting. After Airplane! made its mark, Keenen Ivory Wayans’s I’m Gonna Git You Sucka followed suit. Long after Wayans’s Jack and his army take down Mr. Big, and the credits roll, an injured Kung Fu Joe finally gets to the battle, crawling on his hands and knees. He’s had a bad day, getting the crap kicked out of him, getting fooled by one of those jerky answering machine messages, and now, with a heap of false, macho bravado, he arrives ready to fight. When a security guard tells him that he’s too late, however, he finally cracks and gets real – by asking for a Band-Aid.

Zombieland

One of cinema’s biggest scene-stealing moments came in the form of Bill Murray’s faux zombie in Zombieland. His all-too-brief moments are easily the most memorable of the film, not merely because of his presence, but because he has fun with the fervently loving nostalgia his career has built. In the film, he plays Ghostbusters with Woody Harrelson and Emma Stone (feeding into the ever-rampant desire for a sequel), and after the credits roll, he gives fans one more taste of his comedic legacy, nodding back to one more of his comedy classics, Caddyshack.

Wayne’s World

Wayne and Garth can’t fit inside the neat confines of one ending. When the first film wraps, they give a nod to Clue and offer not one, but three endings. There is a sad ending, a happy one and a Scooby-Doo ending just to keep things entirely random. But even that isn’t enough. Once all that storytelling is over and the credits begin to roll, Wayne and Garth sit on their couch and face their audience once again. The lingering scene exemplifies their reluctance to leave and let their movie end, but it also pokes fun at the very idea of post-credits sequences. The end has happened, and the story is wrapped. Anything more might be fun, but it’s also a dangling remnant after a finished story.

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"7 Fantastic Non-Marvel Post-Credit Scenes" was originally published on Film School Rejects for our wonderful readers to enjoy. It is not intended to be reproduced on other websites. If you aren't reading this in your favorite RSS reader or on Film School Rejects, you're being bamboozled. We hope you'll come find us and enjoy the best articles about movies, television and culture right from the source.

WorldStar! WorldStar! WorldStar! WorldStar! Worldstar! WorldStar! WorldStar! WorldStar! Worldstar!

Seriously, everything below the headline could just be the WorldStar chant (WorldStar! WorldStar!), and the point would come across the same. But just for fun, here are a few words that aren’t synonymous with street beatings and portrait mode:

Paramount is making a WorldStarHipHop movie. Well, not just Paramount, but Insurge Pictures, a division of Paramount dedicated to microbudget features, which is the ideal format for blurry phone videos of awkward slap-fights and public sex. Thanks to Deadline, we know who to blame for the WorldStar movie: Ian Edelman, writer/creator of How to Make it in America. Edelman pitched a WorldStar movie to Insurge, was somehow given a green light and is now writing the screenplay and may even direct.

Budget-wise, the mission statement for Insurge is to shoot films at around $100,000 each, but the studio’s best known films, Katy Perry: Part of Me and Justin Bieber: Never Say Never, each set the studio back a cool $13m. So who even knows what “microbudget” really signifies in the context of a WSHH movie.

And before anyone tries to say “Well, there was a Facebook movie,” let’s go ahead and preemptively prove that statement stupid and inaccurate. WorldStarHipHoptheMovie is not The Social Network. One, because I’m fairly sure David Fincher has never yelled rap lyrics while bashing someone’s head in with a shovel (and all while recording it on video — truly, we live in an age of multitaskers). And two, because The Social Network isn’t so much a Facebook movie as it is a movie about Mark Zuckerberg.

WorldStar is not the story of Lee “Q” O’Denat, who first founded WorldStarHipHop.com in 2005 as a music site but was immediately beset upon by hackers, who brought WorldStar down like a pack of hyenas, then sat around contentedly chewing scraps of its carcass. Eventually, O’Denat realized what the online community really needed, not another music site, but a site where regular folks like you or I could punch or have sex with each other in public.

That might be an interesting story. But the Worldstar movie will not be that story. Per Deadline, it’ll be “akin to Ferris Bueller’s Day Off in tone,” so expect a couple of precocious youths who have a long, adventurous day, and any time anything even remotely interesting happens, they’ll whip out their phones and upload a video onto WorldStar. Which will probably neuter any kind of dramatic momentum as soon as it starts to build.

Come on, we all know seeing Matthew Broderick lip-sync “Twist and Shout” to the Von Steuben Day crowds would be so much more joyful if no one in the crowd was singing. Or dancing. Or moving. Instead, all would be statue-still, eyes reflecting the glowing “record” button on their smartphones (actually, if you pitch it that way, WorldStar might make a decent Body Snatchers type of horror movie).

WorldStar could be a turning point in the film industry. Right now, it’s a close race between “action figures” and “snack foods” for the subject that least deserves a movie yet still has a movie. “Video Site” might just take the crown. And if a WorldStarHipHop movie is even the slightest bit successful, we’re done for. Instagram: The Movie. Hulu Plus: The Movie. Samsung Galaxy S5: The Movie.

Decide for yourself which is worse: the oncoming horde of “this is a thing that can play videos” movies or the idea that WorldStarHipHop is so totally going to have a sequence shot in Portrait Mode.

"Behold, the Death of All Cinema: A WorldStarHipHop Movie" was originally published on Film School Rejects for our wonderful readers to enjoy. It is not intended to be reproduced on other websites. If you aren't reading this in your favorite RSS reader or on Film School Rejects, you're being bamboozled. We hope you'll come find us and enjoy the best articles about movies, television and culture right from the source.

In a movement that threatens to make a total farce out of the dignified, respectful celebration of music that is the Super Bowl halftime show, a petition has been launched calling for “Weird Al” Yankovic to headline next year. “For decades Weird Al has entertained fans, young and old, with his popular clever parodies and unique sense of humor. Having him headline the Super Bowl XLIX Halftime Show would not only be overly accepted by the millions of views, but it would remain true to the standards and quality of the show business we have come to love and respect out of this prestigious event,” reads the Change.org call to action, using language that may be a tad tongue-in-cheek. It goes on to suggest that Yankovic’s performance could also feature guest appearances from “well-known actors and actresses,” and that he could be joined by the many musicians whose ...

After his performance as Peter J. Quill, aka Star Lord, in Marvel's Guardians Of The Galaxy, Chris Pratt is being hailed by some as the "next Harrison Ford". Well, one fan (if you know who, please tell us and we'll credit him/her) has chosen another iconic Ford role to model this manipped image on, using a recent still from Jurassic World. Can you see Pratt as the next Indiana Jones? Sound off below. Guardians Of the Galaxy is out now, Jurassic World hits June 11, 2015, and we can expect another Indiana Jones movie...sometime over the next few years. Probably.

It’s almost impossible to get the nine surviving members of the Wu-Tang Clan in one room together, especially if that’s where they’re supposed to be. (I once saw a Wu-Tang festival set with four guys.) But on last night’s Daily Show, Jon Stewart somehow got everyone (Cappadonna included) to assemble on the set, getting them to sit for a long interview, in which they claim that the much-awaited new album A Better Tomorrow will be out in November. (I like Stewart’s aside about how they weren’t sure Ghostface would show up. Jon! I waited four hours at a video shoot for 10 minutes with that guy! Feel lucky that he’s even there!) They also took to the stage, debuting their new elegiac and horn-laced new single “Ron O’Neal,” named for the guy who played the lead role in Super Fly. Good song! Main takeaway: Whoo, that RZA verse. (Also, what does Method Man’s A$AP hoodie mean?) They stuck around to do the deathless Wu-Tang Forever classic “Triumph.” Watch the interview and the “Ron O’Neal” performance below.

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(click to listen) I told you this was Guardians of the Galaxy day, didn’t I? There’s a lot to love about the movie, but it’s easy to overlook the soundtrack in the face of all the great performances within it. Chris Pratt’s Star Lord left Earth in the ’80s, and as a result, that’s the […]

Design Crush

The Marvel Cinematic Universe, with its now de rigueur post-credits “hidden” scenes, has kept legions of viewers’ asses plopped firmly in their Fanta-stained seats well after the final credits start rolling. The latest MCU post-credits scene, following the conclusion of Guardians of the Galaxy, is too good to ruin here, but I’ll say two spoiler-free things about it: It fit in perfectly with the tone of the movie itself, and it will likely go over the heads of most people under age 30.

For any teenaged readers who thought Marvel was the progenitor of this post-credit-scene business, think again — it’s been going on for decades. Early on, though, it was a rare and unexpected thing that most people found out about only after someone said, “Did you stay until the very end??” Because there was no YouTube, people either had to pay to see the film again in theaters or wait until it came out on VHS to see the scene.

Some of the best post-credits sequences tease sequels (some of which never happened), put a little cherry on top of the material you just saw, or feature an outtake or off-script riffing (which happen more commonly during end credits these days). Some of our favorite post-credits scenes on this list are simply ones that make me reminisce on my childhood.

Which reminds me: YouTube Powers That Be, how can you NOT have a video sequence of Raul Julia’s M. Bison sticking his hand out of the rubble after the credits of 1994′s Street Fighter?!?? That’s classic stuff!

Kill Bill (2003) – This quickie scene is an outtake of Uma Thurman’s Beatrix Kiddo ripping an eyeball out of a member of the Crazy 88 army, clearly delighting in it. It should get fans excited for the rumored upcoming release of both Kill Bill films combined.

Anchorman: The Legend of Ron Burgundy (2004) – This 45-second sequence is just as irreverent as the movie that preceded it; while it worked back then, it now serves as a reminder that the Ron Burgundy schtick is kinda played out after a decade. Raise your hand if you actually *loved* Anchorman 2. Thought so.

The Fast and the Furious (2001) – This scene shows Vin Diesel’s Dominic driving through Baja, having successfully escaped the cops in the states. It set the pace for a franchise continuity that’s 13 years and running. Fast and Furious films are awesome. More please.

Lethal Weapon 3 (1992) – Because this is footage of an actual building being demolished, I am pretty sure the filmmakers didn’t pay for it considering it’s a scene that few people would see, because people didn’t stay past the credits in 1992. My guess is the building was being blown to bits anyway, so they filmed it and had Mel Gibson and Danny Glover dubbed talking in character over the video. Pretty lazy, if you ask me.

Iron Man (2008) – Since the original Iron Man was the first movie from the Marvel Cinematic Universe (and arguably still the best), its post-credits scene introducing Samuel L. Jackson as (black!) Nick Fury is still the most memorable, as it left nerdboys salivating for what MCU had to offer. With few exceptions, it hasn’t let us down.

Crank (2006) – Made when people were still funding Jason Statham-led films, Crank wasn’t very memorable in general. But its post-credits sequence — a 16-second recap of the film reimagined as a 16(ish)-bit video game — is cool mainly because it’s so unique.

Ferris Bueller’s Day Off (1986) – An awesome film from the roota to the toota that aged remarkably well, Ferris Bueller’s Day Off kept viewers watching throughout the end credits roll, only for Ferris to tell everyone to shove off. If there’s an earlier post-credits scene that matters, I know nothing about it.

Masters of the Universe (1987) - Every little snot-nosed ’80s kid loved He-Man, and the live-action movie was extra-awesome. For little boys, that is. Everyone else hated it, which means Skeletor was never able to make good on his Ahnuld-esque “I’ll be back” post-credits promise.

The post The Eight Coolest Post-Credits Scenes in Movies appeared first on Screen Junkies.

In 2010, Toyota promoted its Sienna minivan by dubbing it the “Swagger Wagon,” complete with a music video that featured two WASPy suburban parents boasting about their vehicle in forced hip-hop slang. Last Friday, the company revived the “Swagger Wagon” concept (and the strained euphemism “motherfather”) with a new white nuclear family, new imitation-DJ-Mustard production, a very elaborate neighborhood dance number, and a guest verse from Busta Rhymes. It’s quite a thing to see:

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On their four previous studio albums, the New Jersey rockers the Gaslight Anthem have charted a steady course away from the earnest trad-punk of their 2007 debut Sink Or Swim, toward the grandly triumphant festival-rock of Handwritten, without really altering their hardscrabble tough-but-wounded personality. The band’s new album album Get Hurt attempts to push that curve even further into what would’ve been called “mainstream rock” 10 or 20 years ago. Parts of the album sound a bit like Kings Of Leon or the Killers, while also sounding like the Gaslight Anthem, more or less. I’m still trying to decide how I feel about it, but the album definitely has some jams. We’ve posted their songs “Rollin’ And Tumblin’,” “Get Hurt,” and “Stay Vicious,” and now the whole album is streaming at iTunes.

Get Hurt is out 8/16 on Mercury.

Google is working on a new cell phone with detachable and replaceable parts, so you can upgrade and repair without ever having to buy a new phone again.

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You love Guardians of the Galaxy, we love Guardians of the Galaxy, pretty much everyone loves Guardians of the Galaxy. After a massive, massive opening weekend to go along with stellar reviews (currently 93% fresh on Rotten Tomatoes), the Guardians of the Galaxy have officially become a piece of popular culture. How do you cement that? You get celebrities behind the film.

Dozens and dozens of comedians, directors and various other famous people took to Twitter over the weekend to praise James Gunn‘s film and you can check out a bunch of their wildly positive Guardians of the Galaxy celebrity tweets below.

First up, these are my two favorites, for reasons that are obvious if you’ve seen the movie:

You don't wanna get mixed up with a guy like me. I'm a loner, Dottie. A rebel. So long, Dott. #GuardiansOfTheGalaxy

— John Stamos (@JohnStamos) August 2, 2014

Hey @JamesGunn Just out of #GuardiansOfTheGalaxy it's nothing short of #Super IMHO

— Kevin Bacon (@kevinbacon) August 2, 2014

And here are a few directors, both of Marvel movies and others:

@JamesGunn Congrats on your stellar film/weekend, JG! Finally the world gets to see what we already know! A long way from our XBox shorts :)

— James Wan (@creepypuppet) August 2, 2014

Good luck to Mr @JamesGunn this weekend. Truly one of the good guys x

— edgarwright (@edgarwright) August 1, 2014

what a great job done on #gotg – huge world building. congrats to @marvel, @JamesGunn, and huge cast.

— darren aronofsky (@DarrenAronofsky) August 3, 2014

Buying my tix for #GuardiansOfTheGalaxy. This film is gonna rock! So psyched for my boo, @JamesGunn.

— Elizabeth Banks (@ElizabethBanks) August 1, 2014

You know, @prattprattpratt, @zoesaldana and @JamesGunn can Guard my Galaxy anytime. So, so Good.

— Marc Webb (@MarcW) July 30, 2014

I'll see GUARDIANS OF THE GALAXY at least once more for myself, and at least three more times with my boys. #InstantClassic @JamesGunn

— Scott Derrickson (@scottderrickson) July 29, 2014

Brilliant work, @JamesGunn! That's a high bar, my friend. I'm officially not sleeping for a year.

— Peyton Reed (@MrPeytonReed) August 4, 2014

And here are a bunch of hilarious actors/actresses/famous personalities:

Hey, @JamesGunn, Guardians of the Galaxy was FUCKING FANTASTIC

— Andy Richter (@AndyRichter) August 2, 2014

#GuardiansOfTheGalaxy is the fucking best. Awesome job @JamesGunn & @prattprattpratt. Interspecies friendships FTW. Everyone go see!

— Mindy Kaling (@mindykaling) August 4, 2014

Update: I now think a raccoon is hot

— Mindy Kaling (@mindykaling) August 4, 2014

Guardians of the Galaxy. Best Marvel movie yet RT @CENARULES4EVER: @RandyOrton ANY MOVIE YOU WATCHED RECENTLY THAT YOU WOULD RECOMMEND ?

— Randy Orton (@RandyOrton) August 4, 2014

Wow. Just got out of one of the most enjoyable 2 hours I've ever sat through. Thank you, #GuardiansOfTheGalaxy. Thank you indeed!

— Scott Porter (@ScottPorter) August 4, 2014

If there's one thing u do this weekend, help the poor. If there's two things–go see @prattprattpratt in @Guardians pic.twitter.com/dASofIe4Pa

— Joel McHale (@joelmchale) August 1, 2014

Who knew @JamesGunn was the basterd son of George Lucas and Tarantino!? Guardians of the Galaxy was EPIC. #GOTG #THICKE

— RainnWilson (@rainnwilson) August 3, 2014

Guardians of the Galaxy is Indiana Jones in space. This is the highest compliment I can ever give anything.

— Kumail Nanjiani (@kumailn) August 2, 2014

Did you notice any others? Good, bad or indifferent? Tweet the links at me, @GermainLussier, and I’ll add them to the list.

The post Filmmakers and Actors Praise ‘Guardians of the Galaxy’ appeared first on /Film.

This Beer Briefcase looks like an ordinary briefcase on the outside, but once you open it, the party can get started. There’s beer inside instead of business. Why use a flimsy cardboard carrier to bring a six pack to the party, when you can arrive in style? This briefcase keep your safe and incognito. This […]

Steve Martin began his career in Disneyland… as a magician.

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