Jeff

Un clip qui défonce !

Invasion - Judgment day remix - Ugly Mac Beer

Le champagne Cristal, de la maison Roederer, a été élaboré en 1876 spécialement pour le Tsar Alexandre II. La bouteille n'a pas de cul car le Tsar avait peur des attentats et craignait qu'on puisse y cacher un explosif.

pocoperro:

ERWIN WURM

parasiteprogram:

Sturt’s Desert Pea 

perched on the shore's dunes, the timber clad structure exists in harmony with its surroundings, blending into the landscape.

The post timber hut on sleds by crosson clarke carnachan architects appeared first on designboom | architecture & design magazine.

helping to raise awareness about water sanitation, the 'praia' workshop created a place for people to swim, hang-out and party along the river.

The post bureau A floats swimming pool along polluted capibaribe river in recife appeared first on designboom | architecture & design magazine.

Found by leibal

reusing debris of millenarian olive tree wood, the individual components are adjusted onto a custom-made metallic structure.

The post maximo riera manufactures the millennial console collection from ancient trees appeared first on designboom | architecture & design magazine.

upcycling an old digital console he found on the side of the road, allemann has reclaimed the keyboard and built it using various LEGO bricks.

The post fully functional computer keyboard is made out of LEGO appeared first on designboom | architecture & design magazine.

Creative Review has an interview with Annie Atkins, the designer who worked on creating all of the props from Wes Andersen’s newest film, The Gran Budapest Hotel. She, along with production designer Adam Stockhausen, worked to create the imaginary world of Zubrowka and all the items that might inhabit it.

CR: Can you talk us through the process for creating the various graphic props in the film? How closely was Wes Anderson involved in this?

Wes is completely involved in every aspect of his filmmaking, and I worked very closely with him and the production designer, Adam Stockhausen, every day. This film was particularly fun, I think, from a graphics point of view, because we were creating this entirely fictional country that Wes had written – the State of Zubrowka. It meant that every little detail had to be made from scratch – flags, banknotes, postage stamps, everything. Adam had already collected a huge amount of reference from 1930s Eastern Europe when I joined them, and I would start each graphic prop by showing Wes a real artefact from the time. I would show him redrafts of designs sometimes 20 times a day. Wes has a very graphic sensibility – that’s evident in all his films, of course.

You can see more of Annie’s work by clicking here.

the unlikely marriage of man and machine becomes evident on a penny farther, an image lost by the ubiquity of conventional bikes.

The post high-wheeled bicycles by standard highwheels for modern-day penny farthing appeared first on designboom | architecture & design magazine.

Bianca Luini is a 22-year old fashion design student in Milan and she’s created one of my favourite Tumblrs: Where I See Fashion. The concept is really simple, Bianca finds fashion photos and pairs them with other images she finds on Tumblr. It could easily be a forgettable project but the way she matches compositions and colours is fantastic.

See more of my favourite pairs below!

View the whole post: Tumblr of the Day: Where I See Fashion over on BOOOOOOOM!.

Found by neha

Found by neha

Le bout de la muraille de Chine

Estonian photographer Kaupo Kikkas has found and documented an old abandoned cinema in the middle of Egypt's Sinai desert. According to the photographer, the place was built by a crazy Frenchman with money to spare, but sadly no film was ever shown there - on opening night the generator cut out.

While tours do pass close by to the abandoned space, it seems as though the cinema is going to be left alone and unused for a while to come. You can take a look at it using Google Maps as well.

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referenceartgallery:

Willem Van Hächt

The Gallery of Cornelis van der Geest, 1628

the three-and-a-half-meter wide cut within the woodland landscape intends to recreate the physical experience of something being taken away, and to reflect the abrupt and permanent loss of those who died on utoya island.

The post jonas dahlberg slices memory wound into utoya island in norway appeared first on designboom | architecture & design magazine.

thegirlwiththelittlecurl: