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14 May 14:34

Essential Science Fiction Novels for Understanding the Economy

by Charlie Jane Anders

Our economy is huge, incomprehensible and potentially deadly if you take a wrong step — just like space, in fact. So when it comes to understanding the fundamentals of economics, you need to read some classic and recent science fiction novels. Luckily, Paul Krugman and Noah Smith have provided a reading list.

Smith started the meme off with his own blog post about SF for economists:

Really, most science fiction is about economics. What makes most future visions interesting is not just the technical particulars of the cool new Stuff, but the social ramifications. Here are some of the sci-fi books that I thought dealt with important economic issues in the most insightful and interesting ways. I also chose only books that I think are well-written, with well-conceived characters, engaging plots, and skillful writing.

Smith's selections also happen to be all excellent books, with a heavy emphasis on Vernor Vinge, Charles Stross, Cory Doctorow, Ursula K. Le Guin and Neal Stephenson.

Paul Krugman followed up with his own suggestions, not surprisingly including his favorite books, Asimov's Foundation series. But he also put in a passionate plug for "any Iain Banks Culture novel; Use of Weapons was my gateway, but Consider Phlebas, or actually any of them, will do. Banks is terminally ill, so his work should be especially treasured now."

And then over at Forbes, Tim Worstall came out with some fantasy suggestions, most notably Terry Pratchett:

Although Terry Pratchett has rather left “genre” behind and is simply writing extraordinarily good novels that just happen to take place in a fantasy universe. Making Money is one of the best refutations of goldbuggery that you’ll find. And hugely amusing to boot. It even has a hydraulic model of the economy along Keynesian lines which is based upon the Moniac. Although with the interesting distinction that the fictional one actually works both ways, influencing reality as well as describing it.

So which science fiction (or fantasy) novels would you recommend to someone who wanted to learn more about economics, or the ways that economies function? I haven't read all of them, but I'm still going to put in a plug for Kage Baker's novels about The Company.

14 May 14:28

BioShock Infinite ( Irrational Games, 2013 ) - “System Shock”



Available resolutions: 1920x1080 - 2560x1440

Render resolution: Custom 3:4 (portrait) and 2:1 (landscape) ~ 4K :: Antialiasing: FXAA + SMAA
Methods: Noclip, NoHUD, Custom FOV, Remove player model, Timestop
Tools: jim2point0's Cheat Engine table, InfiniTool, INI tweaks, SweetFX (screen capture and SMAA only)
27 Apr 18:23

The real actors who provided references for Disney animators

by Lauren Davis

For many of its early hand-drawn animated features, Disney would film real actors performing the the roles of the various cartoon characters. The animators would watch these performances as references for their drawings. Technicolor Disney has collected several images from these performances, and spliced in the animated characters each actor portrayed.

You can see the full set of images at Technicolor Disney.

And to see how the performances actually looked alongside the animation, here is a sequence from Alice in Wonderland, with Alice voice actress Kathryn Beaumont acting out the role of Alice:

[Technicolor Disney via Wil Wheaton]

26 Apr 16:49

Batman villains captured in 1940s mugshots are fantastically dapper

by Meredith Woerner

These digitally painted Batman villain mugshots are oddly mesmerizing. We just can't stop dreaming up a Gangster Squad batman.

Inspired by the dapper men in the 1920s Australian mugshots, artist Jason Mark re-created these scenes with famous Batman villains. Between this and the Rockabilly Batman series, a very solid case is being made for a vintage Batman cartoon or (well done) webseries. Frankly, we'll take both.

Edit: Earlier we said these were 1920s mugshots but the dates on the images imply that they were "taken" in the 1940s. Sorry about the mix up.

[via Geekologie]

21 Apr 16:30

How to raise cloned children without totally screwing them up

by Lauren Davis

We've been thoroughly enjoying Orphan Black, BBC America's show about a young woman who discovers, to her shock, that she's a clone. But what if, instead of being an orphan with no knowledge of her genetic heritage, Sarah was raised by loving parents? How might they try to ensure she grew up to be a happy and fully autonomous person?

Photo Credit: Dan Foy.

Let's put aside for a moment whether it is ethical to clone a human being. It's easy to assume that a person who decides to clone themselves is an egomaniac who doesn't want to mix their genes with another person's. But there might be other reasons a parent might seek reproductive cloning: perhaps they have a child who needs a bone marrow transplant and a cloned child would provide the best match; perhaps they had a child with a partner who has since died and now want to have another child who combines their genes with their late partner's; perhaps they are unable to have a genetic child any other way. (Of course, improvements in biological technology, including for blood banking and the ability to create gametes and tissue from adult stem cells, could render some of these reasons moot.) But even assuming that a person decides to clone themselves for no reason other than to have a child who is solely genetically theirs, let's assume that they aim to be the best parent that they can be, and that they want to raise their child to be an autonomous person who doesn't feel stigmatized by being a clone.

What to Tell Cloned Children and When

One of the key questions that the biological and/or social parents of a cloned child might ask is when to tell children about their genetic background and what to say. Patrick Hopkins, Professor and Chair of the Philosophy Department at Millsaps College who specializes in ethical issues related to science, medicine, and technology, suggested that we look at research into what to tell children who were adopted, birthed by surrogates, or conceived through in vitro fertilization. He specifically adds that, for example, when IVF first became available, there were concerns that the children conceived through IVF would somehow feel "artificial," and it might be especially valuable to see if social science research indicates how such concerns were counteracted.

"The Pediatrician’s Role in Supporting Adoptive Families," a clinical report from the American Academy of Pediatrics, offers some significant insight into how children have different understandings of their familial relationships at different ages. The report states, "From the time a child is adopted, it is appropriate for families to use adoption language...on a routine basis. Using adoption language early helps to lay the groundwork for children to later understand these abstract concepts." Until they are three years old, however, most children don't understand the difference between being adopted and being raised by a biological family. At three, they begin to ask questions about their adoption and what it means, and at five, when many children enter school, they begin to realize that most of their peers are not adopted. As they get older, some time during ages six through 12, they understand that, in addition to gaining an adoptive family, they lost a biological one, and this realization can dredge up a host of emotional responses.

This clinical report serves as a good reminder that telling a child about their cloned status isn't a one-time deal; a child's understanding of what it means to be a clone will shift and change with time, as will their feelings about being conceived through cloning. Even if you start early to get your child accustomed to the abstract concept of cloning, they will need different kinds of information and emotional support over time.

When talking to children conceived through IVF, donor assistance, or surrogacy, the Center for Adoption Support and Education suggests offering age-appropriate explanations to children as they ask where babies come from. After explaining the basics of reproduction, the child's parent or parents might explain their particular story, explaining, for example, that sometimes a person's eggs or sperm don't work properly (or, in the cases of same-sex parents, aren't both available), or that the mother's body wasn't able to carry a baby, and that the parents sought a doctor's help. C.A.S.E. also suggests emphasizing that children born through IVF and surrogacy were born—just like everyone else is born.

For cloned children, the narrative would be a bit different, but the discussion would likely follow a similar script. It's difficult to explain genetics to a small child, but a parent could certainly explain that mommy or daddy's DNA was placed inside an egg, the egg placed inside a uterus, and the child was born just like any other child is born. The most important thing, bioethicist Linda MacDonald Glenn told us, is to reinforce for any child, no matter the circumstances of their entry into a family, that they are part of their family because they were very much wanted and are loved. "Certainly what you would want to avoid, though," she adds, "is saying something along the lines of 'Oh, you were made just in the image of me or Mom or Dad and so we're going to make sure you're just like them.'"

As cloned children grow older and better able to understand what it means to be cloned, it becomes important to let them know that DNA does not equal destiny. Glenn points out that we now know so much about how epigenetics, the microbiome, and other biological aspects impact our development. As cloned children grow up, it would be important to impress upon them that identical twins, for example, are distinct people despite sharing not only DNA but also a womb. Of course, parents of cloned children must also remember that as well.

C.A.S.E. adds that every child is different and that every child will have different responses to and emotional needs regarding their genetic background, and that it's important for parents to acknowledge they're children's feelings at all stages of their development:

Confusion, sadness, and pain are appropriate responses. Just as an adopted child may wish he had been born to his adoptive parents, a child conceived with donor assistance may experience a sense of loss that he is not biologically/genetically related to both parents. Rather than protecting children from painful feelings through secrecy, parents who disclose information need to believe that children can be helped to cope with painful feelings. Parents can convey to their children that they experienced similar feelings and that they can be counted on to understand and to help their children cope with these feelings.

C.A.S.E. also notes another issue for children conceived through IVF that might also apply to cloned children: the stigma of their conception. The nonprofit's guidelines on raising and supporting children conceived through IVF notes that parents should talk to their children about which adults are aware of their IVF status, and discussing together whom the child might want to tell about being conceived through IVF.

Value Children as Individuals—Whether or Not They're Clones

In 1990, Marissa Ayala was born. Anissa Ayala, then a teenager, suffered a rare form of leukemia and required a bone marrow transplant. When no suitable donor emerged, her parents decided to have another child, in the hopes that that child would be a match. When she was 14 months old, Marissa donated bone marrow to her older sister, and now, more than two decades later, Anissa remains cancer-free.

It was a controversial decision at the time: parents deciding to bring a child into the world for the express purpose of treating another child's illness. But in recent years, Marissa Ayala has spoken about her experience and her gratitude for being a part of her family. In a 2011 interview with the TODAY Show, Marissa Ayala said, "I believe that the people who are critical, the people who are judgmental don't know my family."

One of the striking things about the Ayala case was the sense that, even though the Ayalas were conceiving a child as a means to an end, in press articles from the time, they always seemed to regard Marissa as an end in and of herself as well. While the Ayalas may have had a curious preference for rhyming names, they also telegraphed a commitment to raising and loving their youngest child, regardless of the outcome for Anissa. Critics may have blasted the Ayalas for conceiving a child to serve as a bone marrow delivery system, but once she was born, they treated her as their beloved daughter. She wasn't merely spare parts; she was a child who would grow up to have her own personality, whims, and dreams.

Regardless of why a child was conceived through cloning—for therapeutic purposes, to maintain a specific genetic lineage—it would be important for their parent or parents to keep in mind that they are raising an individual child. Glenn reminds us that this isn't a problem limited to the parents of cloned children; parents are forever comparing their children to their siblings or themselves. "Actually, from my observation as a parent and also as a former divorce lawyer, it's a mistake biological parents make all the time," Glenn says. "You know, 'Oh, I like this,' or 'I have an affinity in this, so you should, too,' instead of necessarily recognizing that this is an individual who has their own likes or dislikes."

Researchers Barbara Prainsack and Tim D. Spector attempted to explore the impact being genetically identical to another person might have on a cloned child by interviewing a handful of identical and fraternal twins. They published the results of these interviews in their 2006 paper "Twins: A cloning experience," published in Social Science & Medicine. Identical twins reported that they felt their similar genetics had less bearing on their sense of identity than being raised together and being treated similarly by their parents. Similarly, they did not themselves feel that similar genetics hindered their sense of individuality, but they were keenly aware that other people saw them each as one part of a pair. The researchers concluded that cloned children would likely feel their own individuality as keenly as any other individual, but that they may suffer from the preconceptions of others, who might not recognize their individuality. Parents would have to be aware of how their own conceptions of individuality—and the conceptions of the other people—might affect their cloned children.

How Research Could Make Individuality Clearer for Us All

Human reproductive cloning is, however, likely a ways off, and every day, we learn more and more about all of the elements that go into making us the individual people we are. Glenn cited the value of epigenetics and microbiome research as key to our growing understandings of individuality, but she was especially excited about President Obama's BRAIN Initiative. "Really hope that it helps us confirm the worth of an individual," she says, "and I hope that it lets us recognize not only our differences, but our similarities—genetic or not."

Perhaps, by the time we get around to reproductive cloning, we'll think of the biological relationship between a person and their clone as being not so different from the relationship between any biological parent and child.

21 Apr 16:29

Sailor Moon grows up and joins a bōsōzoku biker gang

by Lauren Davis

In Babs Tarr's "Bōsōzoku Sailor Scouts" illustration, Sailor Moon and her fellow princesses get inked and become a candy-colored biker gang. Now we just need Tuxedo Mask in a leather coat and tails.

Bōsōzoku Sailor Scouts [Babs Tarr via Betty Felon]

19 Apr 23:54

This is what a dolphin call looks like

by Robert T. Gonzalez

Ever wish you could see sounds? Now you can.

The picture above is the call of a white beaked dolphin. Below is the song of a humpback whale.

Sounds like these – being sounds – are obviously usually heard, not seen; but the notes and tones seen here have been converted into a visual medium by Mark Fischer, a computer programmer and expert in marine acoustics, using a tool known as a wavelet transform.

Historically, wavelet transforms have been used to convert time-series data like acoustic pressure signals (some of them at frequencies outside the range of human hearing) into more analyzable, and therefore useful, forms. Recently, they've been used to this end in research surrounding whale communication and the calls of birds and insects. Above, the sound of crickets chirping has been converted into a burst of violet. Below, the song of a Northern Cardinal forms a looping vortex of yellow and purple.

Often these audible → visible conversions result in a black and white image. Here, they're beautifully color-coded. Violets correspond to high frequencies, greens and blues to medium ones. Low frequencies are depicted in red, as they are in the baritone song of the Northern minke whale, pictured here.

Via Fischer's website, Aguasonic Acoustics:

The intriguing sounds made by the orders Cetacea and Avia invite us into a universe ripe for our exploration. Focusing upon the interconnection between the two formerly distinct realms of sound and image, the artist aspires to let the sound itself tell the story of what it may look like. A sound can be seen as a multi-dimensional energetic expression, and is given the freedom to emerge through highly tuned ‘lenses’ designed using mathematics. A wide spectrum of color mapping lends contextual representation suggesting each sound’s intrinsic character. Once immersed in this domain, we confront deeper mysteries still. Are these merely patterns, or could they also prompt the beginning of a new perception of sound that challenges previous notions about its origin, structure and meaning?

See more of Fischer's work on his website.

[FYFD | New Scientist | Daily Mail]

19 Apr 19:15

How to Build an Artificial Womb

by George Dvorsky

Artificial wombs are a staple of science fiction, but could we really build one? As time passes, we’re inching closer and closer to the day when it will finally become possible to grow a baby entirely outside the human body. Here’s what we’ll need to do to pull it off.

Top image by Mondolithic Studios.

More than just an incubator

A fully functional artificial uterus will be substantially more complex than a modern incubator, a clunky (and somewhat obtrusive) device that provides a preemie with oxygen, protection from cold, hydration and nutrition (via intravenous catheter or NG tube), and adequate levels of humidity.

Even in the best of cases, the current state-of-the-art doesn’t allow for viability outside of the womb until mid to late second trimester. Prior to that, a mother’s womb is the only option. Quite obviously, future incubators, or a full-blown artificial uterus, will push the limits of viability further and further until the entire gestational cycle can happen external to the body.

We’re still several decades away, but the two primary areas that need to be developed include biotechnology (for things like personalized genomics and tissue engineering) and nanotechnology (to facilitate micro-scale interactions and growth through artificial means). Smart computer systems and monitoring devices should also be developed to track the progress of the fetus’s growth, while automatically adjusting for changing conditions.

In terms of specifics, these are the broad components that will be required:

Artificial endometrium

The inner lining of the artificial uterus should resemble the real thing as much as possible.

Actually, for the first generation of artificial wombs, it would be prudent to mimic every gestational process as much as possible (we are producing a biological organism, after all). Later versions can then build upon what nature designed, and be optimized accordingly.

To that end, an artificial endometrium should not be made from glass or metal, but instead consist of a glandular layer made of real tissue. A blastocyst conceived via in vitro fertilization could then be implanted about 3 to 4 mm into the endometrium where it would take root and proceed to grow.

Work in this area has already been conducted by Cornell University’s Hung-Ching Liu. Many years ago, she prepared a co-culture system that combined epithelial and stromal cells (for ethical reasons these experiments weren’t extended beyond six days). Hung-Ching’s work is considered the first real attempt towards the development of an a-womb.

In addition to providing a physical starting point and enclosed space for the fetus, the artificial endometrium could also spawn and host a real placenta (e.g. by coaxing the growth of pluripotent stem cells), though it doesn’t necessarily have to come about this way.

Artificial placenta

And indeed, the growing fetus will also need a placenta, the organ which connects it to the uterine wall (via umbilicus) allowing for the delivery of nutrients, the elimination of waste, and gas exchange through the mother’s blood supply. Depending on the technologies available, the a-placenta could either develop “naturally” on the endometrial wall, or it could take the form an external device (or devices) that performs the same function. For example, a dialysis machine could actually help with waste disposal.

But a fully functional placenta will be crucial to the baby’s development and eventual good health. For example, the placenta is responsible for transferring the mother’s igG antibodies to the fetus — an important mechanism that provides protection to the infant while its immune system develops. Placental hormones also control fetal growth. During the early stages of pregnancy, the placenta provides the fetus with serotonin, which helps with brain development. And as noted, the placenta also regulates the way nutrients are delivered to the fetus, including the delivery of amino acids, fatty acids, and glucose.

The delivery of nutrients to the fetus should also reflect the way a mother would normally eat during the course of the pregnancy, both in terms of timing and composition of food.

If not designed and managed correctly, the fetus could experience problems, both in terms of growth restriction or overgrowth.

Getting an a-placenta to perform all these functions won’t be easy, but advances in personalized genetics and regenerative medicine will go a long way to make it happen. If our bodies can do it, so can a machine.

Fascinatingly, work on an artificial placenta has already begun. Goats have been kept alive for up to 237 hours in amniotic tanks through a process called extracorporeal membrane oxygenation (ECMO). It’s also a technique used in some neonatal wards to treat infants with medical problems involving gas exchange and the lungs.

Synthetic amniotic fluid

Dismissed as unimportant by biologists for many years, the fluid that fills the amniotic space is a complex and dynamic milieu. It changes as the pregnancy progresses (both in terms of its amount and composition) and it’s critical to fetal well-being. Producing and managing this ever-changing mixture will be just as critical as all the other gestational elements.

For example, amniotic fluid contains nutrients and growth factors that facilitate fetal growth. At first it consists of water and electrolytes, but it eventually contains proteins, carbohydrates, lipids, antimicrobial agents, and urea. It also protects and cushions the fetus. Image: Washington Times.

Amniotic fluid is also “inhaled” and “exhaled” by the fetus, an important process that’s essential to the development of healthy lungs. A fetus will also swallow the fluid, which creates the urea and meconium.

Temperature regulation

The incubator, if it can be called that, will also need to operate at just the right temperature. The fetus develops 0.3 to 0.5 degrees Celsius higher than mother’s, so typically about 37 degrees Celsius.

Proper stimulation

The fetus will also need to be stimulated across a number of sensorial domains. And indeed, the maternal womb has been called “an optimal, stimulating, interactive environment for human development.”

Ideally, the a-womb should move the unborn baby in a way reminiscent to how a mother moves, including standing, walking, and lying down positions. The incubator should be set to a 24-hour clock in which waking and sleeping hours are simulated. Basically, activity should never cease, nor should the fetus ever feel physically “isolated”. A sense of touch will also need to be simulated.

Fetuses are also active listeners. This is very important from a developmental perspective, both in terms of exciting the neural areas required for hearing, and for the unborn baby to bond with its caregivers in advance. Sounds should definitely be a part of the artificial uterus, including the steady swish-swishing of a heart beat.

Microbiome stimulation

It will also be important to kickstart a healthy gut microbiome. During vaginal birth, a baby is exposed to cocktail of microbes. This mixture ends up inside the baby’s gut where it helps them digest food, regulate bowels, develop their immune systems, and protect against infection.

To simulate this effect, biologists will have to recreate this mixture, ideally from biological samples derived from the mother (or grown externally). Image: Science Photo Library.

Final thoughts

An artificial womb will likely be the result of iterative attempts to push the limits of exosomatic viability. These days, the earliest that preemies can survive is around the 21 to 22 week mark. As time passes we can expect to see this number get smaller and smaller — and eventually to the point where a fetus can survive exclusively outside the womb. This will, of course, raise some thorny issues in the U.S. abortion debate.

Once in use, and after some time has passed, scientists will undoubtedly study the long term effects on babies born in an a-womb as compared to those born naturally. Initially, the health of a-womb spawned babies will likely be inferior to those grown in a real womb. Refinements will undoubtedly improve these results over time. And in fact, I wholly expect that an artificial womb will someday bring a baby to term in a way that’s even superior to the real thing.

Indeed, unlike a mother, an artificial womb is not susceptible to disease or malnourishment, nor will it be prone to drinking or smoking. And with the assistance of powerful computers, advanced biotech, and even microscopic machines, the gestational process will be further optimized.

It’s also interesting to consider how this technology will be received, and how many people will opt into it. It’s safe to say that many prospective parents will react negatively to it, arguing that natural will always be best. But for those who need or want it, the advent of artificial wombs will certainly herald an unprecedented stage in human history.

Additional reporting by Joseph Bennington-Castro.

Source not cited: The Artificial Womb (2011).

19 Apr 16:32

These animated gifs are some of the coolest we've ever seen

by George Dvorsky

Webdesigner Depot has put together a mesmerizing collection of innovative GIF art from three vastly different designers.

The first batch comes from Croatia's Paolo Ceric, a digital artist who began his creative work by watching coders and trying to replicate their work. Check out his blog, Patakk.

The second set of gifs are from Brooklyn's Skip Dolphin Hursh, a designer, illustrator, animator, artist and "thing-maker." His website is here.

And the last batch were produced by Hungary's Davidope (David Szakaly) is a designer and creative director. Check out more of his work here.

Plenty more at Web Designer Depot.

17 Apr 14:54

Watch this woman's face shapeshift with a simple trick of the light

by Robert T. Gonzalez

In film, photo and video, lighting is everything. The arresting visual effect showcased here illustrates why.

This hypnotic clip was directed by filmmaker Nacho Guzman, and is a teaser for an upcoming music video by French electronica group OPALE. In the video, a woman's face can be seen appearing to morph dramatically as the camera lighting turns in circles before her face. The constantly shifting angle of illumination, in combination with actress Stella Stocker's own subtle movements (not to mention the annular path of the LED bulbs, visible in her eyes), gives rise to a phantasmagoric effect that is remarkably effective, in spite of its technical simplicity.

In the video's comment section, Guzman confirms that the project is an homage to French film director Henri-Georges Clouzot, who used the technique to great (and psychedelic) effect in his unfinished 1964 film L'Enfer:

According to Guzman, the remainder of the final version of the video will incorporate a unique twist, unlike anything in Clouzot's original implementation of the technique. We look forward to seeing what he has in store.

[Vimeo]

H/T Keith!
16 Apr 21:14

Intense graphic novel about insects is like Dr. Seuss meets Darwin

by Annalee Newitz

The gorgeously illustrated book Salsa Invertebraxa, by Paul "Mozchops" Phippen, is like nothing you've ever seen before. Written in crazy, Dr. Seuss-style rhyme, it's the half-fantasy, half-hard science story of a jungle full of insects who will do anything to survive. Including go to war.

I stumbled across Phippen's work some time ago, and immediately fell in love with this book, which takes us on a dizzying tour of natural selection among some of the fiercest warriors on the planet: bugs. Though it can be read as a children's book, Salsa does not shy away from depicting the violence of insect life, full of egg-stealing, genocide, and mandible-to-mandible combat. The illustrations are astonishingly gorgeous, rippling with all the vivid colors of the tropical ecosystems near Phippen's Cambodian home.

The story itself is a fragmented tale of the jungle's ecosystem, the insects that prey on each other and the carnivorous plants that lurk below.

Here's how Phippen begins, as we watch a dragonfly fighting a spider:

A constant din
of witless nits, and
saps whose senses lapse
a host of jokers
and chokers,
of scrotes who
idly scratch
their sacs,
and croakers who collapse
All will pay their tax
Taxpayers emit a
familiar scream
that rolls around the photosynthescene
Give thanks
for Darwin's
de-selected
they take one
for the team.

It's pretty dark stuff, but also funny. I also love this rhyme, which goes along with a scene of war between beetles, seen above:

Flowing beneath is a river of teeth,
their inflexibility
we mock and tease
they are eyeless and cantankerous,
marching to the beat of an unseen boss
No time to waste, no time to
slow, groomed and tuned to
kamikaze radio,
headlong to where it happens,
the fodder towards the cannons.

Paul Phippen told io9:

I was inspired to do the book from a casual insect sketch I did years ago, and thought it made for a good subject for a graphic novel, I kept it to myself for 15 years, slowly incubating the story and doing a lot of research into insects. I discovered there was way more design innovation and color than I had imagined, they're like tiny robots, evolved/self-designed over the span of 400 million years. There's so many variations, and jaw dropping ideas, for example, they utilize extreme camouflage, they can resemble bird poops or snakes or dead leaves or more dangerous species than themselves. Invertebrates are a bottomless well of inspiration.

And then I thought, why just copy insects, why not twist them further in some way, so they're still credible, they can still function correctly, but they have small mannerisms, behavior quirks, they could float with lighter than air bubbles attached to their thoraxes, or they could co-operate with other species and steal eggs.

The art morphed towards a realistic style, I really wanted to give people a book that delivered on the promise of its cover art, that what you see on the cover is what you get in the book. To achieve that I had to spend 6 years putting digital paintbrush to digital paint. I think I gave myself a bout of cabin fever in the process. And not to mention raising my two girls too!

We've got more art from the book below, which despite its invertebrate-vs-invertebrate plot, has a happy ending.

You can learn more about Paul Phippen on his website, and you can also buy a copy of this rare and amazing book from Pecksniff Press.

14 Apr 17:27

At last, a dating simulation that lets you go on a date with a T-Rex

by Lauren Davis

If you're weary of the same manga pretty boys and girls who inhabit most dating simulation games, then take a toothy stab at Jurassic Heart. This brief dating sim lets you go on a date with a truly unusual beau: a ukelele-loving Tyrannosaurus Rex.

Created by writer and programmer Thongrop Rodsavas and artist Piti Yindee, Jurassic Heart is a silly twist on dating sims. You're on a date with Taira, a dinosaur musician—and oddly, putting a meat-shaped clip in your hair doesn't inspire him to snack on your scalp.

It's extremely cute, but I can't help but wish this game had you date various dinosaurs, and that your success in dating them was based what we know about each species.

Jurassic Heart [via MetaFilter]

14 Apr 13:08

The Strangest Tradition of the Victorian Era: Post-Mortem Photography

by Vincze Miklós

After the invention of daguerrotype, the memorializing habits of people have changed: they've chosen the cheap, higher quality photographs instead of expensive and not so lifelike paintings. Painting dead people was common for centuries, so it's no surprise that, in the Victorian Era, post-mortem photos also came into fashion. Here are some of the strangest ones.

Infants and children

Because of the high childhood and infant mortality rate, this was a significant way to memorializing lost family members. In some cases, this was the only photograph that depicted the entire family together.

Family portraits

Serious illnesses (left: Down syndrome)

Adults

King Ludwig II of Bavaria – the true Wagnerian hero.

The enbalmed body of John O'Connor, a recluse from Nebraska, two and a half years after his death (Feb. 1916):

With coffin

But how do these bodies stand?

(via: Taringa, desveladoyaburrido, pbase, klyker, cvltnation, mourningportraits, cpanet, ucoz and listverse)

14 Apr 13:06

These brilliant Walking Dead posters find zombie faces everywhere

by Lauren Davis

Michael Rogers' trio of posters for The Walking Dead puts zombies front and center, while highlighting the key visual elements from each season. He captures the all-encompassing death of the show's post-apocalyptic setting by always turning the moon into a zombie's looming eye.

Rogers sells these posters at his Etsy shop, BigBadRobot, along with other silhouette posters. He also has a Daryl Dixon poster, complete with crossbow and chopper, but it's not quite as visually striking as these season-by-season posters.

The Walking Dead - Set of 3 Posters [BigBadRobot via Ghost in the Machine]

07 Apr 11:54

Brilliant and bejeweled prostheses designed to stand out instead of blend in

by Lauren Davis

While many prosthetic limbs are either purely functional, or designed to somewhat resemble the limbs they replace, the prostheses designed by Sophie de Oliveira Barata for her Alternative Limb Project celebrate their artificial nature. This design studio creates personalized limbs that offer a beauty very distinct from their flesh-and-blood counterparts.

The Alternative Limb Project does offer realistic prosthetic limbs, but for the client looking for something a little different, de Oliveira Barata offers "unreal" and "surreal" limb options. It's delightful to page through her gallery and read the testimonials for clients who opted for unreal prostheses. For some, creating a novel limb was a very personal way for them to take back their bodies and feel comfortable their own skin (and absence of skin). For others, these limbs are a fashion choice, simply another form of self-expression that happens to be available to them.

[The Alternative Limb Project via Laughing Squid]