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It goes from 0 to 60 in 4.1 seconds, and it has fatter tires and updated aerodynamics to match.

A stunt pilot killed during a routine at the 2016 Cold Lake Air Show was in the middle of a low-altitude roll when the nose of his plane pitched toward the ground, a new report states. 

The Transportation Safety Board of Canada (TSB) on Friday released an investigation brief detailing the July 17, 2016 crash that killed Calgary pilot Bruce Evans. 

Evans was flying a T-28B — a propeller plane built in 1954 to train U.S. navy pilots — when it slammed into the ground at Canadian Forces Base Cold Lake. 

The report makes no mention of pilot error or mechanical issues and is “not meant to assign fault or determine civil or criminal liability.” It does not make any findings about what caused the crash. 

Evans took off at around 1:40 p.m. for the 12-minute demonstration, which included a total of 15 stunts, the report states. The day was clear with low winds. 

About halfway through the flight, Evans substituted a slow roll for a lazy eight, followed by a “half-reverse Cuban” manoeuvre to reverse his position, the report states. It notes that it is “not unusual” for an aerobatic performer to change the order of their demonstration during flight.

The plane was flying right to left at about 500 feet — the minimum altitude at which Evans was certified to perform — and was entering a roll just before the centre of the performance airspace.

“As the aircraft reached the inverted position, the roll stopped and the nose began to pitch toward the ground,” the report states. “The aircraft elevator was seen to move to full-up deflection as the aircraft continued toward the ground in an arc until its collision with terrain, in a near-vertical position with a slight right roll.”

Witnesses reported hearing a bang and seeing a plume of dust as the plane hit the ground. Emergency crews were on scene in one minute and 34 seconds, while spectators were told to remain calm and stay in place. The remainder of the air show was cancelled shortly after. 

Based on the wreckage and photos and videos of the crash, as well as examination of the wreckage, investigators believe the plane’s engine and flight controls had been operating normally prior to impact.

The buildings near the crash site housed precision approach radar equipment and a backup power generator, as well as two 1,000-gallon propane tanks. There was no fire and none of the buildings were significantly damaged, although debris penetrated the wall of the backup generator building.

The Cold Lake Air Show was Evans’ first of the 2016 season, the report notes. Evans was an experienced pilot, with more than 4,000 hours of flying time, 461 hours of which were on the T-28B. 

A 59-year-old professional geologist, Evans had performed at air shows in Alaska, British Columbia and Edmonton during the 2015 season. A colleague remembered him as a careful flyer who kept an “immaculately” maintained aircraft.  

jwakefield@postmedia.com

My wife had a business meeting in Seattle and, having never been there myself, we decided to make it a mini-family vacation. After a tumultuous plane ride with a three-year-old, we landed in the birthplace of Starbucks.

Annie didn’t wrap up work at the convention center until 3:00 PM so I oversaw entertaining Natalie in the mornings. So, on Friday, I strapped Natalie into her stroller and carefully walked down the Seattle’s steep hills down to the Pike Street Market and bought breakfast. As I sipped my coffee I scanned my smartphone for kid friendly things to do.

“Do you want to go to the playground?” I said. “Ride the train?”

“Yep,” Natalie mumbled through a mouthful of bagel.

“Then away we go.”

Unfamiliar with the area I went old school and asked a policeman for directions. “I want to go to the playground by The Space Needle,” I said.

“She’s going to love that place,” the cop said, winking at my daughter. “Just walk over to the Westlake Center and take the elevator up to the monorail station. The Space Needle’s the only stop. You’ll see the playground as soon as you get off.”

When Natalie saw the gigantic playground from the monorail her eyes lit up with joy. “Oh wow!” she squealed delightedly. “I want to play! I want to play.”  My heart, however, sank. The playground featured a massive rope climbing structure with two large slides at the top. I knew instantly that my daughter was small to climb up.  I decided to let her try anyway.

As I feared, Natalie couldn’t get past the first level and rapidly became frustrated. “I want to go on the slide!” she wailed.

“I’m sorry, Natalie,” I said. “You’re too small.”

“Take me up!” she demanded. “Take me up!”

Adults were not allowed on the ropes and, even if they were, there was no way I could climb to the slides with Natalie under my arm. “Sorry, honey.” I said. “We’ll come back when you’re older.” The ensuing meltdown was predictable.

As Natalie cried in her stroller I walked around searching for a bathroom. Finding a public building, I took care of my daughter’s potty needs, cleaned her face and then tried figuring out what to do. I had hours to kill and an upset kid on my hands. Luckily, the building I was in contained the answer to my prayers – The Seattle Children’s Museum.

“That’ll be $22 dollars,” the cashier said when I asked for two tickets.

“No problem,” I said, gladly handing her my money. Whatever angst my daughter was suffering from the playground debacle evaporated the moment she ran into the museum. Whoever designed this place knew what they were doing. It’s a wonderland for small children and, if you’re ever in Seattle with little tykes, I cannot recommend it enough.

The first exhibit Natalie found was called “Cog City,” a room filled with gears and magnets, pneumatic tubes that shot ping pong balls out of a Rube Goldberg looking gizmo and a machine that levitated a plastic ball on a cushion of air. My daughter went crazy with delight and, after forty-five minutes, had to be dragged out of there.

“I want to play with the toys!” she cried. “Toys!”

“But there’s more to see, Natalie.”

“I don’t want to go!”

“Trust me, Natalie,” I said. There’s more fun around the corner.”

The next exhibit was called “Fort Adventure” a place where kids could build structures out of foam blocks and blankets, play in tee-pees and let their imaginations run wild. Natalie forgot about “Cog City” in two seconds. And, after an hour, I had to drag her our again.

“I want to play!” she cried, again. “I want to play.”

“Look!” I said, pointing to the other exhibits. “There’s a fire truck! A grocery store! A movie theatre!”

Natalie was now in kiddie Valhalla. She played grocery store with some kids, danced like a ballerina on the movie stage, pretended she was a chef in a restaurant, rode a fire truck, a bus, donned goggles and played scientist with plastic beakers and test tubes, pretended to be a doctor, a construction worker and a cave explorer. Sitting down on a bench with some other wiped out parents, I smiled as my daughter ran around laughing and shouting with joy. I had never, ever seen Natalie so happy.

Three hours ticked by and Natalie showed no signs of slowing down. “I’m hungry,” I eventually told her. “Let’s go upstairs and get something to eat.”

“No,” Natalie said.

“We’ll come right back.”

“No.”

“Oh brother,” I said to a mother sitting next to me. “I’m never getting out of here.”

“That’s the hardest part of this place,” the woman said. “Leaving.”

My wife texted to tell me she had left the convention hall and to meet her at the Pike Market. “Give me another hour,” I wrote back. “Natalie’s having a blast here.”

That’s when I began prepping Natalie to leave. “We have to meet Mommy. One more hour and then we have to go.” If Natalie heard me she gave no clue. She just played and played and played. By three o’clock I was ravenous with hunger and very tired. All I wanted was a sandwich and a cold beer but Natalie was in no mood to leave.

“We have to meet Mommy,” I said. “Let’s go. Say bye-bye.”

“NOOOOOOOOO! I WANT TO PLAY! TOYS! TOYS!”

“Sorry, Natalie,” I said, picking her up. “Time to go.”

When I finally got Natalie out of the building she was the angriest I had ever seen her. “I want to go back, Daddy. Go back!” she screamed. Then she smacked me in the face and sent my glasses flying.

Shocked, I wrestled Natalie into her stroller and belted her in. When I finished, an old woman handed me my glasses. “You lost these,” she said.

“Thank you,” I said. “I’ve never seen her like this.”

“I have grandchildren,” the old woman said, smiling. “I understand.”

“I was afraid of this,’ I said, “She was having such a good time in the museum.”

“How old is your daughter?”

“Three and a half.”

“They get like that at this age,” the woman said. “Don’t worry.”

“I know,” I said, tears suddenly stinging my eyes. “But I feel like a failure anyway.”

“This is normal stuff,” the old woman said, putting her hand on my shoulder. “And you’re not a failure. Failures don’t take their children to do fun things like the museum.”

“Thank you.” I said, grateful but surprised at my sudden vulnerability with a total stranger.

When we got back on the monorail, I knelt next to Natalie and wiped away her tears. “I’m sorry we had to go, honey,” I said. “I know you were having fun.”

“Toys,” she whimpered. “Toys.”

“Daddy loves you,” I said. “And I promise we’ll do fun things like this again. Okay?”

“Okay.”

“Do you want to watch Ben and Holly?”

“Yes, please.”

I fished my smartphone out of my pocket, fired up You Tube, and let my daughter watch her favorite children’s show. Within minutes she fell asleep but I was still felt discombobulated.

A few days ago, I read an obituary for Peter Berger, a Protestant theologian who was famous for fighting the whole “God is dead” thing back in the Sixties. He wrote that there was an “otherness which lurks behind the fragile structures of everyday life” and that one could find “signals of transcendence” in common experiences. “A mother’s reassuring a frightened child that all is well,” he wrote “suggests a confidence in a trustworthy universe,” and “A mortal’s insistence on hope in the face of approaching death implies a conviction that death may not be final.”

I think that theologian was right. Ever since I was a child I felt there was more to the world than I could see, touch and measure –  that the greatest reality is hidden, lurking, as Berger said, just beneath the surface. And Natalie’s fury that her fun had to come to an end revealed something about that otherness to me. I’m almost fifty. The odds are good my death is still a long way off but, like Mount Rainer hovering over Seattle in the distance, I can see it on the horizon. I know the party is going to end but guess what?  – I still want to play.

I have seen many people die. Some of them were in shock and had no idea they were slipping away, others went peacefully, and quite a few cried pitifully as Death came for them. Natalie’s upset over leaving the museum made me think about my death – that I wouldn’t want to go when the time came; that I would cry and scream, upset that I wasn’t finished playing – not wanting to leave life for some unknown place.

When that moment comes, I thought to myself, would someone carry me and whisper, “Don’t worry, there’s more to see. Trust me, there’s more fun around the corner?” Were the words I said to my own daughter a glimpse of what was waiting for me on the other side? And what about that old woman comforting me in my moment of fragility – telling me that I wasn’t a failure as a Dad?  She was just being nice, but perhaps, just perhaps, she was speaking with reassurance of the ages.  Maybe I caught a bit of that commonplace transcendence Berger was talking about. Who knows?

When I finally met my wife for lunch and that cold beer, I told her about our time in the museum. “Natalie was in heaven,” I said. “I felt bad for ending it.”

Nodding towards our sleeping daughter Annie said, “She’ll forget all about being upset. If she remembers anything at all, she’ll remember being happy with her Dad.”

“I hope so.”

As we ate lunch I thought about my child’s wild joy in the museum. She had fun playing, as all children should. And Berger said that there was a lesson in that too, another revelation hidden in the everyday. Laughter and play, he wrote, affirms “the triumph of all human gestures of creative beauty over the gestures of destruction.” Natalie gave me a glimpse into the bliss often hidden within the reality of earth.  Sipping my beer, I remembered that the world, despite all its sorrow and pain is still a very beautiful place. There is still time for me to play.

Thank you, Natalie.

The post I Still Want to Play appeared first on Waiter Rant.

“I just had to sit down because I got short of breath. I was at a restaurant earlier where the manager had to seat me at the counter because I couldn’t fit in the booth.  I have pain in my knees and my joints. I sleep with a breathing apparatus at night.  And I’m a great candidate for a heart attack.  I hate it.  I hate the way I feel.  But I’ve been overweight for so long that people assume I don…’t want to lose weight.  Friends and family wonder why I don’t just stop eating.  But it’s an addiction for me.  When I walk past a bakery, I feel the same way that an alcoholic must feel when he walks past a bar.  But people seem to think that the alcoholic is unable to quit.  And they think I choose not to.”

You might think that some men are braver than others, but what makes them really brave is something you probably don’t expect, a little like the brain-controlling parasitic fungus that can control ants.

I shall protect you, my darling!

Have you noticed that the mustache has a small mustache? That’s pretty badass. Like, badass squared.

[Source: Things in Squares Comics | Like “Things in Squares” on Facebook]

The post What Makes Men Brave [Comic] appeared first on Geeks are Sexy Technology News.

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