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11 Dec 19:14

Juxtapoz Magazine - Best of 2014: Drawings of Men Farting from the Japanese Edo Period (1603-1868)

by djempirical
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djempirical

click through for gallery

Originally published on January, 22 2014

These images, taken from scrolls produced during the Japanese Edo period (1603-1868), depict he-gassen or "farting competitions." Yes, that's right, farting. According to the website Naruhodo, "Similar drawings were used to ridicule westerners towards the end of the Edo period, with images depicting the westerners blown away by Japanese farts." 

Original Source

11 Dec 19:11

Women Who DJ and the Men Terrified of Them

by djempirical

By Terry Matthew -

We’ll call her “DJ Emily”, because that’s not her name and she really doesn’t deserve to be slandered again like she was slandered that day.

About ten years ago, I was talking with a friend about Emily one of her records which you’ve probably heard before.

Emily had put quite a career together, to the point where she made a living exclusively from music. That’s really the most that people in this business can ask for, right? She had the same opportunities many of her peers in Chicago had, with the key difference that she didn’t piss most of those opportunities away.

“But do you know how she learned how to DJ?” my friend asked me. “I do. I was there. See, she dated a guy who DJ’d, learned everything she could from him. And when she couldn’t learn anything more, she just threw him away. Can you believe it?”

I could, actually. I didn’t know any better. I didn’t know that a fair percentage of the industry basically viewed women through the lens of the clip art on their shitty Beatport records – big boobs, wind-swept hair, long legs – and their heads often cropped entirely out of frame.

Over the years I would hear this story over and over again, applied to each and every female DJ and producer from Chicago that achieved significant renown or credibility. Can you believe it? Every single female in this industry met a guy, sucked his talent through a straw and threw him over her shoulder like an empty beer can when she was through.

No, I really couldn’t believe it anymore. This isn’t some cosmic coincidence. This is what institutionalized misogyny actually looks like. The story kept being repeated – I heard it over and over again through the years, applied to people who weren’t even on the scene back when I first heard it applied to “Emily”.

I really need to emphasize that I’m not taking artistic license here. The same story has been fitted over nearly female Chicago House Music DJ like a straightjacket custom cut for dangerous women.

I also don’t mean to imply that this is a “Chicago thing”. It’s just conceivable that having been on the cutting edge of electronic music for three decades, we were trailblazers in being misogynist assholes too.

 

SO IT HAS NOW BECOME a rite of passage for a woman in this industry to tolerate groundless slander that she slept her way to the top. I can’t even imagine how irritating it is to be asked in interviews “how it feels to be a woman in this industry” and yet being unable to address this particular aspect of it without giving credibility to a slur.

Take Krewella. The sisters in the group, Jahan and Yasmine Yousaf, recently parted with their third (male) member. Suits and countersuits are flying back and forth. Immediately the knives came out: they’d grown too big for their britches, and their egos had gone so out of whack that they had cast out the actual “brains” behind the band (one that one of the sisters had a relationship with).

 
krewella-tweet5
 

See, this is what underlies the toxic slander: the idea that a woman can’t do what a man can. The misogynist looks for a man behind her pulling the strings and – the ratio of men to female being what it is – eventually he’ll find one. The “real” talent identified, he can now piece together for himself the story of how a female artist managed to leech off their Pygmalion like an insect.

The misogynist can now assure himself that women still can’t DJ, produce music or do anything really other than sing and dance and look nice on the headless clip art of their shitty Beatport releases.

Jahan Yousaf held her own “Mean Tweets” segment, posting just a handful of the dozens (if not hundreds) of comments suggesting the sisters should quit the industry and go into porn because they weren’t good for anything else.

 
krewella-tweet1
 

Maybe that sort of public airing is what it takes to burn this out of the scene, and frankly she should be congratulated for having the courage to do so. This is why I’m writing about this, despite not really giving much of a fuck about Krewella’s music. You could change the name “Krewella” to any of a vast number of females in this industry and you bet it’s been said about them before. Hell, it’s probably been said about them TODAY.

And while we’re at it, let’s be honest about who’s saying it too. Not everyone who talks shit is an anonymous troll or 19 year old candy raver with molly-curdled eyes that’s going to look back at this portion of their life with equal amounts of confusion and regret. I’ve heard the same slander directed at female DJs and producers from people who ought to know better. People with decades in the game. People who are all smiles to their faces. People who might not be able to survive if their name were hung with these words.

If you agree this is a problem – again, I’m not sure you can know female talent in the industry and not heard this story told at least once – I’m not sure what we can do about it. Call it out? Shut it down? All good things.

On an industry level? This isn’t a fair playing field, it never has been, and that’s without insinuating that every female in the business built her career on casual sex and the craven manipulation of clueless men.

Original Source

11 Dec 06:14

A No-Holds-Barred Feminist Critique Of Silicon Valley

Silicon Valley is "a sexist and racist wealth distribution mechanism that relies on cronyism, corruption, and exclusion to function."
11 Dec 06:13

How The KKK Helped Create The Solid GOP South

Researchers present evidence that the Klan, in the 1960s, effectively moved working-class Southern whites into the Republican column.
11 Dec 06:08

Man Always Wanted To Raise Family In Kind Of Place Where White People Greet Each Other On The Street

CINCINNATI—Saying it’s been his dream for as long as he can remember, local man Richard Jensen, 37, told reporters this week that he wants nothing more than to raise his family in the kind of place where white people greet each other on the st...






11 Dec 06:07

Newswire: Actors from The Wire and True Blood join Showtime’s Happyish

by Rob Dean

Carrie Preston (True Blood), Molly Price (Third Watch), and Andre Royo (Super, The Spectacular Now... just kidding, you know him as Bubbles from The Wire) have all joined Showtime’s comedy Happyish. They add to an impressive list of cast members that already includes Bradley Whitford, Kathryn Hahn, and Steve Coogan, who replaced the late Philip Seymour Hoffman.

The show centers around a middle-aged ad executive (Coogan) who is thrown for a loop when his new boss turns out to be much younger and more talented than he. His wife (Hahn) must deal with this existential pondering, which Preston, as a similarly senior lawyer for the same company, finds herself dealing with as well. Royo and Price will play divorced couple Barry and Bella, with Barry being a former corporate lawyer who found family law even more depressing than working for the suits, while Bella is struggling to redefine herself ...

11 Dec 06:07

Newswire: Macaulay Culkin’s Pizza Underground made an actual video

by David Anthony

Mere days after Macaulay Culkin quipped that he plans on starting a cat-themed Billy Joel tribute act named Pussy Joel, his current joke band, The Pizza Underground, released its first video. The video, which director Adrian Arredondo tells Vice is based on the visual aesthetic of The Velvet Underground’s “I’m Waiting For The Man,” was filmed on VHS, allowing for tracking bars to cut across walls adorned with pizza slices and pepperoni pieces, as the band works through a section of its 9-minute medley of Velvet songs with the lyrics altered to be about pizza.

Vice—which compiled a surprisingly thorough behind the scenes reportclaims that the video shoot was rather grueling, noting that all those day-old pizza slices affixed to the walls made the room “smell like ass.” But apparently, even being repulsed by pizza is not enough to stop The Pizza Underground. The band ...

11 Dec 05:58

Mikki Kendall On The Weird Fetishization Of Black Twitter

Kendall tweets about systemic racism and inequality, but she also tweets about all sorts of other fare, from her addiction to banh mi to rape culture. And that variety, she says, is exactly what the media misses about Black Twitter when reporters swoop in for race-related soundbites.
11 Dec 05:58

The 24-Hour Struggle To Get A Protest T-Shirt To NBA Stars

It started with Derrick Rose and a simple black T-shirt.
11 Dec 05:57

Roger Moore

Moore was diagnosed with Type 2 diabetes in 2013, which has left him unable to drink martinis.

Link (Thanks, Luke)

11 Dec 05:38

Interactive Chart of Hard Drive Prices 1950-2010 | That Data Dude

by macdrifter
It's no secret that the cost of electronic storage has gotten much cheaper over the years. The IBM hard drive from 1956 cost a hefty $50,000, which is real
11 Dec 05:36

Meet Sugar Bob: Oregon's Pot Eating Deer

11 Dec 05:36

Watch the Only Live Recording of John Coltrane Playing 'A Love Supreme'

by Jamilah King
Watch the Only Live Recording of John Coltrane Playing 'A Love Supreme'

From Esquire:

John Coltrane recorded A Love Supreme 50 years ago, December 9, 1964, with Elvin Jones, McCoy Tyner, and Jimmy Garrison. The album, a four-part suite widely considered to be one of the greatest in jazz history, was released in 1965. As NPR notes, Coltrane presented this record as "a spiritual declaration that his musical devotion was now intertwined with his faith in God." Coltrane performed the album in its entirety but a single time, in Antibes, France, on July 26, 1965. Watch the first 14 minutes of that performance below.

11 Dec 00:09

Google's new Hangouts app introduces clever location sharing

by Vlad Savov

The Android Hangouts app is getting a major update today. 16 new sticker packs and a selection of classic video filters are the most visible of the new changes, but the addition of smart suggestions based on your location may end up being the most important. When a contact asks "where are you," a new prompt now appears to let you share your location directly with a single tap. This contextual awareness saves a lot of hunting around and marks "the start of something new", according to Google's Rhett Robinson, who hints at a series of further smart suggestions based on the information you're already sharing with Google.

You can now also associate your phone number with your Hangouts account, so that others can find you even if they don't have your Google contact details, and a "last seen" timestamp will let your friends know when you were last available on Hangouts. There are also a few Easter egg surprises scattered in throughout this update, but Google's leaving it to users to find out what they are. The new Hangouts app is rolling out to the Android Play Store over the next few hours and all of the freshly introduced features will be making their way to the iOS version soon.

hangouts

hangouts

11 Dec 00:08

Margaret Hamilton – Developed on-board flight software for the Apollo space program, coined term “software engineering”

by adafruit

Margaret In Action 1

Margaret Hamilton (scientist) – Wikipedia, the free encyclopedia.

Margaret Hamilton (born 1938) is a computer scientist and mathematician. She was Director of the Software Engineering Division of the MIT Instrumentation Laboratory, which developed on-board flight software for the Apollo space program.

In 1986, she became the founder and CEO of Hamilton Technologies, Inc. in Cambridge, Massachusetts. The company was developed around the Universal Systems Language based on her paradigm of Development Before The Fact for systems and software design.

At NASA Hamilton was responsible for helping pioneer the Apollo on-board guidance software required to navigate to/from and land on the moon, and its multiple variations used on numerous missions (including the subsequent Skylab). She worked to gain hands-on experience during a time when computer science and software engineering courses or disciplines were non-existent.

In the process, she produced innovations in the fields of system design and software development, enterprise and process modelling, preventative systems design, development paradigm, formal systems (and software) modelling languages, system-oriented objects for systems modelling and development, automated life-cycle environments, methods for maximizing software reliability and reuse, domain analysis, correctness by built-in language properties, open-architecture techniques for robust systems, full life-cycle automation, quality assurance, seamless integration (including systems to software), distributed processing systems, error detection and recovery techniques, man/machine interface systems, operating systems, end-to-end testing techniques, and life-cycle management techniques.

These in turn led her to develop concepts of asynchronous software, priority scheduling, and man-in-the-loop decision capability, which became the foundation for modern, ultra-reliable software design.

11 Dec 00:08

Female codebreakers reunited at Bletchley Park – helped crack Hitler’s secret codes with Colossus computer

by adafruit

Adafruit 3920

Female codebreakers reunited at Bletchley Park – Telegraph. Story is from May but we just saw this on Twitter now…

They may be fewer in number and older in years, but the pride in their expressions is undimmed by the passing years.
Some of the last of the band of women who helped to crack Nazi codes as part of Britain’s war effort have been reunited for the first time in 70 years.
The women, who were then only in their late teens, used Colossus, the world’s first electronic computer, to decipher messages exchanged by Hitler’s generals.

Now, after a photograph of their team of codebreakers appeared in the Telegraph, they have been reunited at Bletchley Park for the first time since the end of the war.

The photograph, which broke secrecy rules, was kept hidden in a desk draw for decades by Joanna Chorley. She discovered it shortly before the 70th anniversary of Colossus, in February.

11 Dec 00:08

Data sent between phones and smartwatches wide open to hackers

by Dan Goodin

The growing number of smart devices that interoperates with smartphones could leave text messages, calendar entries, biometric data, and other sensitive user information wide open to hackers, security researchers warn.

That's because most smart watches rely on a six-digit PIN to secure information traveling to and from connected Android smartphones. With only one million possible keys securing the Bluetooth connection between the handset and the smart device, the PINs are susceptible to brute-force attacks, in which a nearby hacker attempts every possible combination until finding the right one.

Researchers from security firm Bitdefender mounted a proof-of-concept hack against a Samsung Gear Live smartwatch that was paired with a Google Nexus 4 running Android L Preview. Using readily available hacking tools, they found that the PIN obfuscating the Bluetooth connection between the two devices was easily brute forced. From that point on, they were able to monitor the information passing between the watch and the phone.

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11 Dec 00:07

Instagram is now bigger than Twitter

by Sean O'Kane

Instagram now has a bigger active user base than Twitter, according to a blog post written today by CEO Kevin Systrom. The photo and video sharing platform has over 300 million active users, more than Twitter's 284 million but a far cry behind parent company Facebook's 1.3 billion. Systrom also says that those users are uploading more than 70 million photos and videos per day.

Not only does Instagram now have more users, it's also growing at a faster rate than Twitter. Instagram has doubled the amount of its active monthly users since last fall, when the service passed the 150 million mark. Twitter reached 200 million active monthly users in December of 2012, but it has seen its growth slow since then while also being passed by services like WhatsApp and Facebook Messenger — both of which have over 500 million.

Aside from the numbers, Systrom also talks about renewing Instagram's focus on authenticity in the face of spam accounts — something the service has had problems with recently. "Keeping Instagram authentic is critical—it’s a place where real people share real moments," he writes. To curb these problems, he announced that Instagram will soon be rolling out verified badges for celebrities, athletes, and brands. It's a logical step after the company added a "People" search tab to the Explore section of the app last month.

11 Dec 00:06

Amazon.com warehouse employees hosed by Supreme Court

by David Kravets

Warehouse workers for Amazon.com can be forced to spend as much as 25 minutes off the clock to undergo security screenings at the end of their shift, the Supreme Court declared Monday.

The justices ruled [PDF] 9-0 against the workers at two Integrity Staffing Solutions warehouses in Nevada, locations where Amazon merchandise is shipped and processed. According to the class-action, workers at the Amazon contract facility claimed they were not paid for the nearly half-hour screening process in which they had to pass through metal detectors and remove their belts, wallets, keys and other metal objects.

Hundreds of millions of dollars were at stake, and the decision bolsters employers such as Apple, too, legal filings in the case said. Amazon disputed the allegations and said the screening process took only 90 seconds.

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11 Dec 00:06

Nokia's map app for Android is no longer a Samsung exlcusive

by Micah Singleton

After launching in October as an exclusive for Samsung Galaxy devices, Here for Android is now available in the Google Play Store. Along with the expanded rollout, Here is also adding 18 more voice-navigable countries, bringing its total to 118.

All of the features you would expect from a top-tier mapping service are available on Here for Android, including voice-guided navigation, public transit information, offline maps (including offline turn-by-turn navigation), and the ability to share your location privately with friends and family.

Here still has plans to bring its mapping service to iOS, noting that Apple users have "expressed interest" in the app. That's something that Here should prioritize, as the opportunity to become a leading mapping services seems greater on iOS than it does on Android. The competition is stiffer on Android — Google Maps is installed by default and well-respected — and while Apple's Maps app has made great strides since it experienced major issues during its launch in 2012, there are probably still lingering trust issues in the minds of some consumers. Here says its development team is working and it plans to "officially launch Here for iOS in early 2015."

You can download Here for Android in the Google Play Store.

11 Dec 00:05

How the NYPD is using social media to put Harlem teens behind bars

by Ben Popper
the mountains of digital media posted online are a tangled web of connections

In November of 2011, the crew life caught up with them. Asheem was arrested on conspiracy charges as part of gang raid that targeted the Goodfellas. Five months later, Jelani was arrested and charged with a double attempted murder charge following a shooting in the neighborhood. Social media evidence was at the center of the older brother’s case, and the the family says online activity figured into the arrest of the younger brother as well.

The story of the Henry brothers highlights a new reality for teenagers growing up at the intersection of social media, street gangs, and mounting law enforcement surveillance. For those coming of age in gang-saturated areas, the mountains of digital media posted online are a tangled web of connections that can be used to lock up violent perpetrators—but can also ensnare the innocent along with them.

Harlem crews updated

Harlem crews updated

Alethia Henry raised her boys as a single mother, maintaining a steady job as a case manager for an organization supporting people with developmental disabilities. She made sure her two sons had a good education and wore the latest clothes. Her home was a welcoming place, and Asheem and Jelani’s friends would gather at the Henry house to play video games and get a full meal. "My mom, she always opened the door to other kids," says Asheem. "She kind of made our place a safe space to hang."

As kids, the brothers felt comfortable walking the streets of their neighborhood—Asheem played pick-up basketball games at courts all around Harlem. But as the brothers turned 12 and 13, they became increasingly aware of a violent map of territories and rivalries. Jelani says that sometimes he was afraid to go to the grocery store. Certain friends the boys had known for years suddenly became enemies because of where they were from.

The brothers became increasingly aware of a violent map of territories and rivalries

New York City’s murder rate has been falling for two decades, recently hitting lows not seen since the 1960s. But that trend isn’t true in Harlem, where gun violence began climbing during the boys’ teenage years. At the heart of this violence was a back and forth cycle of vengeance between youth crews that exploded in number during the Henry boys teenage years.

Harlem, like many poor urban areas, had experienced its shares of notorious gangs like the Bloods and Crips. But the crews that the Henry boys grew up with were mostly small and local in nature, with no connection to a larger, national organization. Like an increasing number of such groups across the country, these crews consisted of a loose group of a dozen or so teens from the neighborhood. Sometimes they controlled nothing more than a single corner. "You could live on the east side of a project, and have problems with them dudes on the west side, one block away," says Asheem.

"You roll up to a spot with your boys, you wanna feel safe, you wanna impress the girls," he explains. Goodfellas was never meant to be a criminal organization — more of a neighborhood clique. But over time, the crew found itself in violent rivalries with other crews in the area. "The first time someone robbed me for my jacket, I let it happen," Asheem says. "The second time, I fought back and got my ass whooped. The third time, I got a weapon to defend myself."

More so than his younger brother, Asheem fell deeply into the Goodfellas crew and its conflicts. Jelani, meanwhile, managed to stay removed from these local struggles. As a young teen, he began attending Leake & Watts, a special needs school based in Yonkers, outside the city. But as Asheem’s younger brother, Jelani remained a background member of the crew by default.

"I knew them all my life, and we always had each other’s back. Somebody mess with you, they mess with all, that was my perspective. Just friends hanging out, chasing after girls," says Jelani. "I didn’t think of it as a gang, I thought of it as family." He was aware of the violence that the crew was involved in, but says he never participated, save a few scuffles in the street. For the most part, Jelani says, "what they was doing, I wasn’t doing."

Harlem Goodfellas 2

Harlem Goodfellas 2

The Goodfellas. Jelani can be seen at top right

Like many teens, the Henry boys were avid users of social media, posting content about themselves and their crew. They appeared in Goodfellas rap videos on YouTube, and had accounts on MySpace and Facebook where they appeared in Goodfellas jackets or in images tagged with "Goodfellas" and "GF." It was clear to both of them that the reputation they projected online was not just fun, but as critical to their safety as not walking alone at night.

"The streets be watching, you know that saying?" says Asheem, echoing the words of Jeff Lane, an assistant professor at Rutgers University in the School of Communication and Information who came to know the Henry boys well. Lane spent several years living in Harlem, working on violence prevention and writing about street life. Even good kids who prefer to spend time with family and in the classroom often find it necessary to act "hard," says Lane. In tough neighborhoods, displays of violence and bravado are not a choice, but a survival tactic. "Teenagers these days need to worry not just about how they act in real life, but also how they are perceived on the digital street."

For those not deeply involved in crews but who, like Jelani, were connected by family and proximity, the same kind of scrutiny applied. "People are looking to see how you respond," Jelani explains. There might be a fistfight, for example, and a video would be posted online to Facebook or YouTube. "If you don’t ‘like’ that post," he says, "people are gonna ask you why."

As crime in New York City has fallen, law enforcement has focused on the pockets of violence that remain. Over the last five years, the New York City police department and Manhattan prosecutors office have ramped up their efforts to understand, oversee, and infiltrate the digital lives of teenagers from crime-prone neighborhoods like Harlem. They track the activity of kids through services like Twitter, Facebook, YouTube, and Instagram, going so far as to create fake accounts and spark online friendships to sidestep privacy settings. A recent indictment discusses activity of crew members as young as 10, and arrested several 15-year-olds following a four and half year investigation.

"We are coming to find you and monitor every step you take," Joanne Jaffe, the department’s Housing Bureau chief, told The New York Times in 2013. "And we are going to learn about every bad friend you have."

A music video by The Goodfellas

In Harlem, the social media busts emerged around 2011 with a crack down on a group of 14 crew members. Asheem’s case followed shortly thereafter, with 19 defendants. In April of 2013, another Harlem raid took down 63 crew members. Many of these operations have been organized under the rubric of Operation Crew Cut, a police strategy combining a focus on crews and social media in an effort to curb gun violence.

The most recent Crew Cut raid took place this past June, just after dawn. Helicopters circled low over the Grant and Manhattanville housing projects in West Harlem. Hundreds of officers swarmed into the buildings as members of the press, tipped off beforehand, watched from the wings. In all, 103 defendants, many between the ages of 15 and 20, were indicted. (The word "Facebook" appears more than three hundred times in these indictments.) It was the largest gang raid in the history of New York City, part of an escalating pattern of mass arrests that used social media evidence and conspiracy statutes to arrest larger and larger numbers of defendants.

The district attorney leading the case accused rival crews who lived in the housing projects of two homicides and 19 non-lethal shootings, pointing to a wealth of evidence gathered from reviews of over 1 million social media pages where feuds played out.  "IM GOOD BRO THEY SHOT ND MISS WE SHOOT TO KILL" read one Facebook message. "NOW IMAA REALII KILL SOMEONE" read another.

"The mix of social media and conspiracy statutes creates a dragnet that can bring almost anybody in"

Though the New York City Police has declined to comment for this piece, in the past the department has touted Operation Crew Cut as a success. "Strategic enforcement and proactive policing combined with strong prosecutorial partnerships, including attention to the new battleground of social media, have resulted in lives being saved in New York City, mostly young minority men," former police commissioner Raymond Kelly said in a 2013 press release. The NYPD says statistics show that during the first year of Operation Crew Cut, homicides among young people ages 13 to 21 fell 50.6 percent in the areas targeted by the operation.

But critics say that while violence may have fallen, the number of arrests during each raid has not. "The mix of social media and conspiracy statutes creates a dragnet that can bring almost anybody in," says Andrew Laufer, a New York City attorney who has worked on numerous cases involving teenagers wrongly arrested by police. "It’s a complete violation of the Fourth Amendment and the worst kind of big brother law enforcement." To build the case for the Harlem raid, police had begun social media surveillance of children well before they had built up a serious criminal record.

Affiliation with a crew, even a tangential one, can be a deciding factor in getting locked up. "I find it disturbing and scary," says Christian Bolden, a professor of criminology at Loyola University. "In many states, if police see you together with someone three times — and this can be in real life or in a picture they find online — that is enough to prove conspiracy. That puts the onus on young people to be smart and careful about who they are with and what they post. And if we know one thing about teenagers, it’s that they are rabidly social and often quite reckless." It was this exact mix of neighborhood affiliations and social media that entangled the fates of the Henry brothers.

Harlem crews updated

Harlem crews updated

In 2008, Asheem was arrested for weapons possession. He had never fired the gun in question—the indictment showed that it didn’t even work—but he admits to obtaining the weapon illegally. When I visited him at Elmira Correctional Facility, a maximum security facility four hours northwest of New York City where he was serving his sentence, he wore a dark green prison uniform and clean white sneakers. His hair was still in the stylish waves he was known for in Harlem. "I was running around with a gun because—not because I was a gangbanger," he says. "You get caught out your neighborhood, you get jumped."

"You need to come home," his mother told him. "The police are looking for you."

Asheem pleaded guilty to the charge and got five years probation. Determined to fly straight, he kept a clean record after that, graduating high school and heading off to college at William Paterson University in New Jersey. As a freshman, Asheem had finally put some distance between himself and his troubled neighborhood. But in the week of his first midterm exams, his mother called him. "You need to come home," she told him. "The police are looking for you."

The 129th street indictment was one of the earliest in a string of cases that the Manhattan DA has brought against 16 crews in the last four years. These operations have leveraged the potent combination of social media evidence and conspiracy statutes. Asheem was charged with conspiracy in the third degree. The evidence was the gun charge to which he had already pled guilty, and photos, which he says dated back to the time when he was 14 and 15, showing him and other boys under the banner of Goodfellas.

Harlem 3 Good Fellas

Harlem 3 Good Fellas

The Goodfellas. Jelani can be seen top right

One image showed Asheem and friends at an older girl’s Sweet Sixteen party — their arms draped over one another’s shoulders. Alethia says the picture was used as evidence to show participation in a criminal conspiracy. His mother had been at the party as a chaperone. "I didn’t see gangsters," she says, "I just saw some kids."

But even though these photos were posted online when Asheem was still a minor, they were fair game for the prosecutor when bringing charges against him as an adult. Along with his previous confession to the gun charge, it was enough to prove he belonged to a violent crew. "So I asked them, ‘Yo, is that no form of double jeopardy?’ And they said, ‘No, because you pled guilty to the weapon, it opens up [the conspiracy charge]," recalls Asheem. "And because you got pictures with these other guys, they’re saying you guys all knew what was going on."

"I didn’t see gangsters," his mother says. "I just saw some kids."

"We were just young dumb kids running around, and we just happened to run under the one name," he tells me. "There wasn’t no hierarchy, there wasn’t order." But the nature of some conspiracy statutes, especially when defendants are identified as gang members, doesn’t require that teens be aware of a specific plan or crime in order to be found guilty.

According to Chris Lawson, a prosecutor in San Diego, three ingredients must be present to bring a conspiracy charge against gang members in his state: knowledge of a gang’s criminality, active participation in the gang, and intent to further the gang’s overall goals. Prosecutors can glean evidence for all of this off social media. "If you go out and represent yourself as a members of the Crip killers, and if shortly after you make threats online, a Crip is killed—even though we don’t know who pulled the trigger—we can hold you legally responsible for conspiracy to commit those murders."

Alethia says that in Asheem’s case, the judge told him he was looking at a possible sentence of 15 to 30 years. It was a frightening length of time that convinced Asheem to take a plea deal that could range from 16 months to 4 years instead. While he was incarcerated, the police matched his DNA to another gun recovered near the scene of a gang altercation. Though this gun was operable and loaded, it had not been used in a murder or violent conflict. But Asheem, knowing his record would look bad before a judge, decided to take another plea, adding six more years onto his current sentence. He is now scheduled for release in 2017.

Harlem Sweet 16

Harlem Sweet 16

Photo taken by local event company at a Sweet Sixteen party. Asheem is farthest left

Had it not been for the social media evidence, it’s likely Asheem would not have been pulled into the conspiracy indictment. California has introduced a new law that would allow teenagers to wipe clean their online presence when they turn 18, erasing youthful indiscretions. And in Europe, major governments have forced Google to remove links that users feel keep them unfairly associated with their past. But for now, in most US states, social media creates a time capsule that can come back to haunt you. Asheem was a minor during the period when the pictures were taken. But when the conspiracy indictment came down, he was old enough to be charged as an adult.

In most US states, social media creates a time capsule that can come back to haunt you

Individuals who work closely with at-risk youth in Harlem and strive to keep them out of the prison system admit that the surveillance of social media and operations like Crew Cut are a necessary response to gun violence among youth. "Nobody wants to see 14- and 15-year-old kids getting locked up," says Chris Watler, Project Director at the Harlem Community Justice Center. "But if a kid is picking up a gun, or shooting other kids, we need to stop them from doing that. If you have a kids posing online with a gun, what is the obligation of law enforcement? There is a legitimate public safety concern."

To his family and friends, Asheem’s case is tragic. They saw a a high school graduate and aspiring college freshman, a young man who had pled guilty to his crime and then tried to leave that life behind. But belonging to the Goodfellas was also a crime—and Asheem was admittedly guilty of it. He would become among the earliest of more than 300 crew members who have been convicted over the past four years by the Manhattan DA on conspiracy charges.

But what happened next came as a shock: the police came for Jelani as well.

Line Up Cropped

Line Up Cropped

A line up of suspects in Jelani's case. Jelani is at bottom right.

Five months after Asheem’s indictment, in April of 2012, the police arrested Jelani at his girlfriend’s home in the Bronx. At first he thought it was for something minor: he had jumped a subway turnstile earlier that year and failed to show up in court for his summons. But he quickly learned that he was under arrest for two counts of attempted murder and other charges.

A few weeks prior, a girl had been spit on by members of a local Harlem crew. The next day, someone shot the spitter and his friend in retaliation. The gunfire broke out in front of Kings Deli on 129th Street and Frederick Douglass Boulevard, two blocks west of the Henry household. Jelani, the police said, matched an eyewitness description of an individual fleeing the scene: a tall, light-skinned black male.

In the interrogation room, two detectives grilled Jelani about Goodfellas gang rivalries in the area. "All my friends are in jail," he told them. "I don’t hang out with nobody."

"All my friends are in jail," Jelani told the police. "I don’t hang out with nobody."

Jelani had never been convicted of a crime, but at the arraignment, the District Attorney’s office described him as a known member of a violent gang. As evidence, Jelani and Alethia say, she pointed to posts about Goodfellas that he had "liked" on Facebook. The judge denied Jelani bail, instead sending him to Rikers Island, one of the nation’s most notorious jails. The district attorney offered him 20 years if he pled guilty, but Jelani refused. He was certain that a trial would prove his innocence. Days went by, then weeks, months, a year. The trial never came.

During the time he was imprisoned, the DA refused to share almost all the evidence with Jelani or his lawyer. He had no access to the testimony or physical evidence against him and therefore no way to argue that his indictment and detention should be overturned. What little his lawyer did know showed the case to be a shaky one. Two men were seen running from the scene of the shooting. One eyewitness said the dark skinned man held the gun. Another said it was the light-skinned man. An eye witness picked Jelani out of a lineup, but another failed to do so.

Harlem Trial Times

Harlem Trial Times

"Because of them pictures, the DA said I was affiliated, that I know what’s going on in the hood," Jelani remembers. On Facebook, Jelani had appeared in pictures with the crewmembers, and he had liked images linked to Goodfellas on Facebook. Again and again, Jelani says, the district attorney pressed him to take a plea bargain, pointing to the evidence on social media. But he refused. "Those are people I would call my friends, but what they was doing, I wasn’t doing. To her, I’m part of them. I’m a monster."

In a bit of Kafka-esque arithmetic, 19 months became 83 days

Every so often Henry would be shuttled to the courthouse in Manhattan, and every time, the district attorney delayed the start of the trial. In New York, a defendant is entitled to a trial, and a felony suspect is supposed to be freed on bail after six months without one.

But the district attorney convinced a judge that most of the time Jelani spent in jail shouldn’t count towards that release. She argued that days spent gathering more evidence, delays in testimony by a police officer who was on vacation, or instances where she was unprepared to make her case did not figure into the six-month period. The judge agreed. In a bit of Kafka-esque arithmetic, 19 months became 83 days. Instead of finishing trade school, Jelani celebrated his 20th and 21st birthdays in a cell.

Because of the serious charges and the assertion that the crime was gang-related, Jelani was kept in the George R. Vierno Center, among the most violent housing facilities at Rikers Island. There he was forced into close proximity with inmates from rival areas of Harlem, leading to several fights. The violence changed him. "My experience on Rikers Island, that’s when I had to show, like not just be myself," he says. "I had to turn into a beast."

Harlem crews updated

Harlem crews updated

Jelani fought with other inmates and was was punished with solitary confinement. "I did nine months straight in the box," he remembers. That meant 23 hours a day in a 6 x 8 foot cinder block room, his meals pushed through a slot in the door. "For a while, I kind of lost my mind in there."

Henry said he struggled at times to avoid taking the guilty plea. "I’m like, God’s not listening to my prayers." Thinking of his brother’s plea helped him to stay strong. "I knew sooner or later, [God’s] gonna be like, aight, you suffered enough."

Meanwhile, the district attorney kept dragging her feet. "She definitely thought we would crack if she kept him up in Rikers long enough," says Alethia. But Jelani and his mother refused to cut a deal. "They took one of my boys, but you can’t have them both," she says.

Alethia finally convinced her lawyer to file a speedy trial motion and in November of 2013 Jelani was given bail. Four months later, with no move by the DA to proceed, his case was finally dismissed, almost two years to the day it began. The DA has refused to share the document that outlines the reason for dismissing Jelani’s case with him or his lawyer. To day, there has been no explanation and no apology for Jelani’s detention.

"They took one of my boys, but you can’t have them both."

After leaving Rikers, Henry moved in with his grandmother in West Harlem. He has tried to steer clear of old neighborhood conflicts. "My head is all over the place these days," he says, walking along Harlem River Drive.

Gone is the skinny kid who appears in Goodfellas group photos on MySpace. He is a young man now, with a mustache goatee and a layer of muscle he put on in prison. "I want to be a DJ, a bartender, maybe write a book. I just feel like I’m making up for the lost time, and there is a million things I could do." He hopes to return to school, this time for a degree in automotive repair.

Harlem crews updated

Harlem crews updated

As for social media, and socializing in general, he says he mostly avoids it. "I prefer to just be in the house, not do nothing, be bored out my mind, instead of being outside and being a part of something, which I’m not really." He is hypervigilant about what he posts and what pictures he appears in, but says he doesn’t think the big takedowns of crews have changed the behavior of the average Harlem teenager. "People post things just to get likes to be popular," he says.

Because Jelani’s case was dismissed, the Manhattan District Attorney legally cannot discuss it in any way. But the office stands by the work it has done on social media and the cases it prosecuted based on Operation Crew Cut raids.

"When we first start, a crew might have hundreds of people in it. We then start to narrow, and we focus, like a laser, the worst of the worst," says Chief Assistant District Attorney Karen Friedman Agnifilo. "We are very careful to make sure that we have evidence that we can prove at trial, that these weren’t just kids who like to hang out with the gang [but] members who are really a part of the violence."

Harlem crews updated

Harlem crews updated

Jelani’s case wasn’t caught up in one of the big conspiracy indictments — his was one ripple farther out from those takedowns. While she wouldn’t discuss Jelani directly, Agnifilo spoke in broad terms about the risk-and-reward dynamic of this new style of policing. "With big gang raids, there is collateral damage that spills over and affects the families," she says. "The criminal justice system is not the answer. This is a social and economic issue. But when there is violence, we are prosecutors, and there are only so many options."

Unfortunately, Henry’s troubles from the arrest aren’t over. He is now facing assault charges stemming from a fight in prison. "He was innocent when he went in there, and now he might come out with a charge for defending himself," says Alethia. His family plans to sue the city over his arrest and to have the charges stemming from his time in Rikers dropped.

Alethia is committed to getting his story out there because she believes the policies of police and prosecutors have to change. "Jelani was brought in over nothing. Because he was Asheem’s brother. Because he was friends with people from the hood on Facebook." Well before the arrest of either boy, she had gone to the local police, begging them to intervene in the deadly neighborhood conflicts. "We asked for help, and we got an indictment instead," she says sitting in her kitchen, tears wetting her eyes. "People don’t understand why it’s so dangerous to put yourself out there on social media. You know what my son is guilty of? Being born on 129th Street."

Photography by Bryan Derballa

Map by Ryan Mark and Josh Laincz

11 Dec 00:05

Doctor Who, Sherlock, and Top Gear set to become theme park attractions

by James Vincent

In a move straight out the Hollywood playbook, the BBC has licensed its most popular franchises to be "brought to life" at a theme park in south-east England. Rides inspired by the likes of Doctor WhoSherlock, and Top Gear are all expected to be on show when the £2 billion ($3.14 billion) London Paramount opens its doors in 2020.

Paramount films like Star Trek are also expected to play a part

The project is being built in Kent (an hour's train ride from London) with the help of US film studio Paramount Pictures. Developers plan to lure foreign tourists away from the capital with hotels, theatres, and rides based on a mixture of BBC shows and Paramount films with currently-licensed titles including Star TrekMission: Impossible, and The Godfather.

Licencing some of the nations most "iconic and cherished characters" to sell roller-coaster rides and hotel rooms might seem like an unusual move for a public service broadcaster such as the BBC, but the intellectual property involved is being sold by BBC Worldwide - the corporation's commercial arm.

It's another sign that the BBC's properties have graduated to Hollywood-sized marketing, joining the ranks of big budget blockbusters like Harry Potter, Star Wars, and more in getting the theme park treatment. Many of the BBC's hits already attract sizeable foreign audiences that dwarf those at home. The third series of Sherlock, for example, is estimated to have attracted some 69 million viewers in China alone and with Chinese tourists estimated to spend $1.57 billion in the UK by 2017, it's no wonder the BBC are keen to join the dots of fandom and tourism.

An artist's impression of the London Paramount theme park.

An artist's impression of the London Paramount theme park.

An artist's impression of the London Paramount theme park.

The project is also being funded by foreign coffers, with money for the overseeing body (the London Resort Company Holdings or LRCH) supplied by the Kuwaiti European Holding Company (KEH) — a holding investment firm run by Kuwait's rich Al-Humaidi family. In a press statement regarding the project David Testa, director of the LRCH, hailed the BBC's "iconic and cherished characters" before promising that the resort will "combine the glamour of Hollywood with the best of British culture." All at a price.

10 Dec 23:35

Marshawn Lynch: 'I'm going to get mine before I get got'

by James Dator

This is the most perfect Marshawn Lynch quote captured on camera. His full interview on NFL Total Access is definitely worth a watch. He didn't answer everything with one word either!

10 Dec 19:34

mauve-alert: I feel like I’m at a point in my life where I know I need to advance the main quest,...

mauve-alert:

I feel like I’m at a point in my life where I know I need to advance the main quest, but instead I faff about doing side quests because the main quest is intimidating and I don’t feel like I’ve leveled up enough to be able to handle it.

10 Dec 19:22

Art Arm

by Geoff Manaugh
firehose

via Jakkyn

[Image: "Untitled #13," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

San Francisco-based designer and architect Andrew Kudless is always up to something interesting, and one of his most recent projects is no exception.

For a new group of small works called "Scripted Movement Drawing Series 1" (2014), Kudless is exploring how robots might make visual art—in this specific case, by combining the instructional art processes of someone like Sol Lewitt with the carefully programmed movements of industrial machinery.

[Image: The robot at work, from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

In Kudless's own words, "The work is inspired by the techniques of artists such as Sol Lewitt and others who explored procedural processes in the production of their work. The script, or set of rules, as well as the ability or inability of the robot to follow these instructions is the focus of the work. There is almost a primitive and gestural quality to the drawings created through the tension between the rules and the robot’s physical movement. Precisely imprecise."

[Image: "Untitled #16," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

These giant robot arms, he continues, "are essentially larger, stronger, and more precise version of the human arm. Made up of a series of joints that mimic yet extend the movements of shoulder, elbow, and wrist, the robot has a wide range of highly control[led] motion. The real value of these robots is that, like the human arm, their usefulness is completely determined by the tool that is placed in its hand."

So why only give robots tools like "welding torches, vacuum grippers, and saws," he asks—why not give them pencils or brushes?

[Image: "Untitled #6 (1066 Circles each Drawn at Different Pressures at 50mm/s)," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

The results are remarkable, but it's specifically the unexpected combination of Lewittian instructional art with industrial robotics that I find so incredibly interesting. After all, Kudless ingeniously implies, it has always been the case that literally all acts of industrial assembly and production are, in a sense, Sol Lewitt-like activities—that conceptual art processes are hiding in plain sight all around us, overlooked for their apparent mundanity.

It's as if, he suggests, every object fabricated—every car body assembled—has always and already been a kind of instructional readymade, or Sol Lewitt meets Marcel Duchamp on the factory floor.

With these, though, Kudless throws in some Agnes Martin for good measure, revealing the robot arms' facility for minimalist lines and grids in a graceful set of two-dimensional drawings.

[Image: "Untitled #7 (1066 Lines Drawn between Random Points in a Grid)," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

Kudless explains that "each of the works produced in this series was entirely programmed and drawn through software and hardware":
None of the lines or curves was manually drawn either within the computer or in physical reality. Rather, I created a series of different scripts or programs in the computer that would generate not only the work shown here, but an infinite number of variations on a theme. Essential to the programming was understanding the relationships between the robot and human movement and control. Unlike a printer or plotter which draws from one side of the paper to the other, the robot produces the drawings similarly to how a human might: one line at a time. The speed, acceleration, brush type, ink viscosity, and many other variables needed to be considered in the writing of the code.
Various drawing styles were chosen to showcase this.

[Image: "Untitled #15 (Twenty Seven Nodes with Arcs Emerging from Each)," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

[Image: "Untitled #3 (Extended Lines Drawn from 300 Points on an Ovoid to 3 Closest Neigh[bor]ing Points at 100mm/s)" (2014) from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

[Image: "Untitled #12," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

[Image: "Untitled #14," from "Scripted Movement Drawing Series 1" (2014) by Andrew Kudless].

There are many more drawings visible on Kudless's website, and I am already looking forward to "Scripted Movement Drawing Series 2."

You can also purchase one of the prints, if you are so inclined; contact the Salamatina Gallery for more information.

(Very vaguely related: Robotism, or: The Golden Arm of Architecture).
10 Dec 19:20

A Harvard B-school professor's $4 spat over spicy chicken

by gguillotte
firehose

followup

“Should small businesses get a free pass?” Edelman asked Poets&Quants, when contacted about the Sichuan Garden dispute. “I wonder if that really makes sense. The restaurant at issue knew the website prices had been ‘out of date for quite some time.’ At what point should they do something about it? “We all rely on trust in our daily lives – that when sales tax is added, it actually applies and equals the specified amount; that the meter in a taxi shows the correct amount provided by law and measures the actual distance; that when you order takeout, the price you see online matches the amount you pay in the restaurant. “We all take most of this for granted. It would be a lot of trouble to have to check these things day in and day out. That’s exactly why we should be concerned when folks fall short – because hardly anyone ever checks, so these problems can go unnoticed and can affect, in aggregate, large amounts. “I’m pleased to have at least gotten the problem fixed for the benefit of others.”
10 Dec 19:20

An inconvenient truth about ride-sharing - Metro - The Boston Globe

by gguillotte
Shannon Liss-Riordan, a Boston labor lawyer with a proven track record, says drivers for Uber as well as city taxis are misclassified as independent contractors, unfairly denying them benefits due as employees. “If we win, the whole system is going to change,’’ she said. If Uber likes disruptions, it may love what happens if Liss-Riordan and her clients prevail. It would produce an economic mushroom cloud that obscures even bright-and-shiny objects like Uber.
10 Dec 19:20

roachpatrol: continuing with this post about ancient egyptian...



roachpatrol:

continuing with this post about ancient egyptian socks!

this pattern seems to be 36 stitches across for everything to line up right. one register has four diamonds, counting on a diagonal, and the next has five. it might have just been a mistake on the knitter’s part but i included it in case it wasn’t. 

this is totally free to download, upload, share around, whatever you want. 

10 Dec 19:19

kingcheddarxmas: my kinda game

firehose

be nice to the duck



kingcheddarxmas:

my kinda game

10 Dec 19:19

hestmord: thevirginmarysue: IM CRYING ive never seen...









hestmord:

thevirginmarysue:

IM CRYING

ive never seen photorealism in manga before