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16-year-old faces assault, hate crime charges in beating of motorist who hit child Detroit Free Press A 16-year-old has been charged with ethnic intimidation in connection with brutal beating of Steven Utash, the motorist attacked in Detroit last week when he got out of his pickup truck to check on the 10-year-old he hit when the child stepped into the street. Boy, 16, charged as juvenile in mob beating of Clinton Twp. motoristThe Detroit News Teen charged with hate crime in attack on driverPetoskey News-Review all 103 news articles » |
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16-year-old faces assault, hate crime charges in beating of motorist who hit child - Detroit Free Press
TileWindows
TileWindows is a window management tool developed to provide a quick and practical way to rearrange and resize windows as and when required.
In addition to the programs preset window layout options, it includes also standard functions such as half-sizing a window to the left or right of the screen, cascading windows or switching to full screen mode. Customizable shortcuts can be used instead of the menubar.
Amazon Buys Comixology
Harvard Professor Uses Manga To Teach Students About Steve Jobs
Harvard Business School
A manga about the partnership and subsequent falling out between Apple founders Steve Jobs and Steve Wozniak is a big hit. At Harvard Business School, at least.
And this isn’t Caleb Melby’s The Zen of Steve Jobs or the Japanese manga titled Steve Jobs, either. This is a 32-page graphic novel titled Apple’s Core that was developed specifically to offer students a cautionary tale about how business relationships can go bad.
The comic is currently in use in Professor Noam Wasserman’s class, and his students seem to be eating it up. Wasserman didn’t have the idea for the comic, though.
That distinction falls to Professor Thomas Alexander, who came up with the idea when he was teaching a business class in the Philippines. Many of his students weren’t native English speakers, so Alexander decided to offer them something more visual. He wrote a comic script, hired an artist, and taught his students with it. Afterward, it eventually caught Wasserman’s attention.
Apple’s Core is available digitally on Harvard Business Review‘s website (students bought all 20 print copies Wasserman made), but be warned: It’s got a college textbook price. For 32 pages, it’s $7.
Artists And Designers Pay Tribute To Steve Jobs
[Via The Wall Street Journal]
Justice Dept faults Albuquerque police on excessive force - Reuters
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Justice Dept faults Albuquerque police on excessive force Reuters ALBUQUERQUE, New Mexico (Reuters) - The U.S. Justice Department cited the Albuquerque police department on Thursday for engaging in what federal civil rights investigators call a pattern of excessive force, some of it deadly, against residents of New ... Justice Department faults Albuquerque police over excessive forceGlobalPost all 162 news articles » |
Boeing moves 1K customer support jobs to SoCal - News 10NBC
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Boeing moves 1K customer support jobs to SoCal News 10NBC SEATTLE (AP) — Boeing is moving about 1,000 of its customer support jobs out of Washington and into Southern California. The company said Thursday that it is centralizing its customer support to its engineering design center in Southern California. Boeing Realigns Engineering to Enhance Customer SupportNewsroom America all 17 news articles » |
Classic Sci-Fi Movies Get the Vintage Movie Poster Treatment
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On eve of PAX East, organizers promise to start the rebuilding of trust in Penny Arcade
firehose'"I really do believe we're done with these incidents," says Robert Khoo, the business manager for Penny Arcade, whose expositions are a uniquely populist force in video gaming.
"These incidents" would refer to the two firestorms co-founder Mike Krahulik set off last summer: a transphobic-fueled Twitter argument over gender identity, and Krahulik's reignition of a four-year-old rape joke made by Penny Arcade's titular comic strip. Both matters provoked intense outrage and indignation, particularly within the independent games development community that Penny Arcade's expos have steadfastly supported.'
...
"The publicity the Indie Megabooth gets every year is really, really good," said Elizabeth Sampat Shoemaker, an independent designer and one of the voices last year saying her colleagues should abandon PAX. "The people who run the Megabooth are fantastic, and want to support indie games. But the problem is the booth is going to PAX. The problem is you're at PAX. ... The problems with Mike are when he is under the gun, and in the spotlight. When he has a chance to compose himself, or he has distance from the situation, he can sort of say the right thing. What I would like to see is, when Penny Arcade fans are being horrible, threatening, misogynist, transphobic people, then I want him to be the Mike he is in his apologies."
Penny Arcade Expo, once a place where people could go to revel in the shared interests of board games, table-top games and video games, doesn't feel as welcoming as it once did.
The show and the brand was tarnished last year by a series of social media storms sparked by insensitive and transphobic remarks by a founder of the more-than-a-webcomic brand.
Penny Arcade's fifth east coast expo, which kicks off tomorrow in Boston, is their first chance to publicly start trying to repair the damage they caused to their brand and community.
"I really do believe we're done with these incidents," says Robert Khoo, the business manager for Penny Arcade, whose expositions are a uniquely populist force in video gaming.
"These incidents" would refer to the two firestorms co-founder Mike Krahulik set off last summer: a transphobic-fueled Twitter argument over gender identity, and Krahulik's reignition of a four-year-old rape joke made by Penny Arcade's titular comic strip. Both matters provoked intense outrage and indignation, particularly within the independent games development community that Penny Arcade's expos have steadfastly supported.
Krahulik himself promised to change in a New Year's resolution he made public. PAX East is the first, best opportunity to rehabilitate Penny Arcade's image with deeds and not words. It will also be an expo that feels the weight of Krahulik's misdeeds; with so many public calls for developers to distance themselves from a show that is seen to have a voice endorsing the kind of base insensitivity by which video gamers are often stereotyped.
Some of these developers are still going. But they have misgivings.
'I really do believe we're done with these incidents.'
"The publicity the Indie Megabooth gets every year is really, really good," said Elizabeth Sampat Shoemaker, an independent designer and one of the voices last year saying her colleagues should abandon PAX. "The people who run the Megabooth are fantastic, and want to support indie games. But the problem is the booth is going to PAX. The problem is you're at PAX."
The problem's tendrils reach all the way to Australia, and back to 2010. Last June, the forthcoming PAX Australia was to host a panel discussion on the scrutiny of video games' depictions of race and gender norms. Its defensively worded description ticked off a lot of people. "Any titilation gets called out as sexist or misogynistic," read the panel's original wording (later changed) "and involve any antagonist race other than Anglo-Saxons and you're a racist."
It read like a flippant excuse for institutional racism or sexism, and a lot of people tweeted that at Krahulik. The resulting Twitter conversation swiftly devolved, with Krahulik adding some supremely inflammatory thoughts on gender identity, seemingly missing the point that the original talk came off as an echo of the much bigger industry issue of institutional marginalization.
It was a mess.
The Fullbright Company, makers of the acclaimed Gone Home, publicly declared it would not exhibit its game in Seattle at Penny Arcade's main expo in September (PAX Prime), citing "long-held reservations" about Penny Arcade. Some of those misgivings stemmed from a controversy in 2010, the name of which is absurd to say aloud.
That is a joke the duo behind Penny Arcade made in a 2010 strip. The Dickwolves are monsters whose victims are "raped to sleep." Making sexual assault into a punchline.
Their response was a seemingly insincere apology, and then to create and sell Dickwolves-branded merchandise on the site. That only made matters worse. Penny Arcade soon removed the items and the issue eventually cooled off.
Until PAX Prime in September 2013, that is. Asked an open-ended question by Khoo, Krahulik offered that taking the merchandise down was "a mistake." Their audience roared with approval.
'The problem is you're at PAX.'
To some, the moment sent two messages, the first being that Penny Arcade isn't really sorry for any offense it causes, even if it officially expresses regret for doing so. The second, and stronger of the two, was endorsing those who would make the resentful provocation of wearing a Dickwolves t-shirt to PAX.
"PAX is one of the better conventions," said Shoemaker, noting things like a policy against "booth babes" who are a feature of other industry-led expos. "But the stuff that makes it feel unsafe is the shit that Mike does, like being in the largest auditorium at PAX Prime where he said he regrets pulling the Dickwolves merchandise.
"Where there's a culture or a community that springs up around the art that you make and the person you are, that community can end up valuing both the art and the person," Shoemaker said. "That's the good and the bad. When it's cool for Mike to say 'Yeah, I wear my Team Rapist' shirt, and one in six women are [victims of sexual assault] that makes it pretty unconfomfortable and unsafe."
Shoemaker excoriated Penny Arcade and Krahulik after that panel, demanding that anyone of conscience, particularly developers, stop attending any PAX.
"You are giving them something more valuable than money: legitimacy," she wrote. "You are providing the content that people are giving Penny Arcade money for."
Yet PAX East 2014 is an expo where, when asked, indies often say they know someone who is not going on principle, and then either that person is unreachable or none want to talk about it, not wishing to appear shrill or rehashing an old controversy.
Still others are going, despite strong reservations.
"Unfortunately, the show is pretty much the best way to get one's game in front of press and fans," said Christine Love, a writer and visual novelist. "What sucks is that PAX is my only big opportunity to talk to my queer fans. I feel bad about being in the middle of it, but at the same time, I'd feel worse about not being able to see those people. I'm one of a small number of visibly queer women devs showing games there, and I hope that visibility is something that offsets the bad of supporting an otherwise hostile show like PAX."
'The stuff that makes it feel unsafe is the shit that Mike does.'
Fullbright Company, which pulled out of PAX Prime 2013, isn't attending PAX East 2014 but then, it didn't attend PAX East last year. When contacted by Polygon, Steve Gaynor of Fullbright Company declined to comment.
"I don't think you can get away with a protest like Fullbright's unless you're actually Fullbright," said Love. "They're kind of in a unique position where they don't need the press, but basically anyone else of a smaller scale kinda does."
Miguel Sternberg of Spooky Squid Games last September wrote that "it's clear that PAX is also providing community and an accepting space for some pretty toxic views." Spooky Squid attended PAX East in 2013 but won't this year, though not out of protest.
To Polygon, a marketer of several indie games who asked not to be named, admitted to "bringing them to PAX because it is what the game needs, not what I feel is right.
"It's a shitty position to be in, I won't lie, and we will see how I do."
The Indie Megabooth offers a kind of buffer. It began as a collective of 16 developers pooling resources to buy exhibitor space at PAX East 2012. It has since grown to more than 90 participants at the last show.
After PAX Prime, Indie Megabooth offered that it would continue to attend despite its misgivings — and its exhibitors' — in the spirit of a sit-in rather than a boycott. "By increasing your presence rather than boycotting, you force the conversation to happen where it's not," the Megabooth wrote on its official site.
"Every person who shares our ideals, that we remove from the conversation, weakens our position," it said. "In an extreme case, we run the risk of creating an echo chamber for those people who act as a proponent for exclusionary tactics and further isolating ourselves in the process."
There are more exhibitors at PAX East 2014 than there were in 2013, but there are plenty who were at the show last year who have not returned. There could be many reasons for this other than the controversies, chiefly that someone with a game to exhibit last year is working on something they're not ready to show this year.
One person is going to PAX East 'because it is what the game needs, not what I feel is right.'
"We haven't heard exhibitors dropping out because of the controversy, but that's not to say it hasn't happened," Khoo conceded to Polygon. "Publishers drop in and out all the time, and with multiple PAXes throughout the year, they have more options to choose from."
The expo still has tried to project a more welcoming tone with the so-called "Diversity Lounge."
Conceived as a means of highlighting the participation of minority and marginalized persons — lesbian, gay, bisexual and transgender persons particularly — instead it came off to some like a further marginalization rather than a statement of inclusion to the main attendance of PAX.
The lounge has been met with countercriticism that it is a band-aid, more about publicity than fixing the problem.
"At best, it's spectacularly missing the point," Love said, "failing to acknowledge that the entirety of PAX needs to be safer, more inclusive, more welcoming. Not only is it not a helpful approach, it's not even a step in the right direction.
"I'm not here to offset a diversity quota, I'm here to show off my games," she said.
Khoo said the PAX administration felt the lounge "would celebrate rather than marginalize, and I think the high traffic area we're giving it will do just that." He noted that between 10 and 15 percent of the show's panel sessions are dedicated to diversity topics, and that the lounge would feature literature directing people to them. "We're not trying to marginalize people," he said. "We're not trying to do harm here. If it doesn't work, we can certainly adjust it in the future."
But on some level, both sides understand that recovering PAX's spirit as an expo for all gamers is a long term process, and that the sincerity behind that change will be visible only after consistent action, not instant apologies, policies, or diversity lounges.
'I want him to be the Mike he is in his apologies.'
Krahulik, who declined to comment for this story, offered contrite words after 2013's incidents, adding to them a donation of $20,000 to The Trevor Project, a foundation providing crisis intervention and suicide prevention services to LGBTQ young persons. On Jan. 1, he published an essay in which he said "I realize what I am is a bully," and acknowledged that PAX's diversity lounge could be seen "as a stunt of some kind."
Khoo believes, however, that "the new leaf has been turned.
"As his friend I've seen his own personal struggles firsthand," Khoo said. "With that post on Penny Arcade, I feel he now understands the gravity and repercussions of not only his actions and behavior, but also digging even deeper and looking into why he makes the outbursts he does."
Shoemaker does not doubt Krahulik's contrition, but it's clear she and others expect him and Penny Arcade to be a more proactive voice, and a better angel to video gamers' nature..
"The problems with Mike are when he is under the gun, and in the spotlight," Shoemaker said. "When he has a chance to compose himself, or he has distance from the situation, he can sort of say the right thing. What I would like to see is, when Penny Arcade fans are being horrible, threatening, misogynist, transphobic people, then I want him to be the Mike he is in his apologies."
Different Games, An Annual Conference on Diversity and Inclusivity in Games
Different Games is an annual conference on diversity and inclusivity in games hosted in New York City and led by students and volunteers. The conference is presented by the NYU School of Engineering’s Integrated Digital Media Program in partnership with the Georgia Institute of Technology’s Digital Media Program, and will be held April 11th and 12th at the NYU MAGNET Center. Registration for the event is currently open on their website.
As game designers, academics, journalists and players operate in separate spheres, we see Different Games as an opportunity to share across and outside of professional boundaries. By presenting games, scholarship and hands-on workshops engaged with issues of diversity and inclusion we seek to build new connections and foster a unique dialogue between artistic, academic and commercial practice.
via Anthony Volodkin
The Lego Movie Makers Pledge to Do Better on Female Characters in Sequel
I’m not sure our movie passes the Bechdel test entirely and I think that it's important. We have a lot of producers [who] were female who had concerns and we were always constantly saying to ourselves: 'Are we just a bunch of white guys sitting here making this movie from our own myopic point of view?' We were constantly responding to that question and that helped us make Wyldstyle a better character and Unikitty a more interesting character. I think it's forcing us to look at how we make a sequel and turn that into something that's more powerful and special. -- Chris McKay to The Daily Mail.
Heartening words from the co-director of The Lego Movie and sole director of its greenlit sequel!
Previously in The Lego Movie
Don't Always Believe | The Classical

I was at a bar when a friend told me that the Ultimate Warrior, born James Hellwig but known legally as Warrior since 1993, had passed. Of course we were in denial; we asked our bartender about the Ultimate Warrior, and he believed we were speaking of Saturday’s Hall of Fame induction, or maybe his appearance on RAW a little over 24 hours earlier. Of course, we also might have been talking about our childhoods, when the be-tasseled wild man briefly became a legitimate hero to us all.
Said friend and I had, just minutes before, discussed the Ultimate Warrior’s “retirement match” against Macho Man Randy Savage from WrestleMania VII. As the storyline went, Savage lost to Warrior, but reunited with his former valet (and then-wife) Miss Elizabeth after Sensational Sherri attacked Savage -- an admittedly complicated storybook ending to what was already a memorable match. It was a little bit before we realized that Warrior was the last of the four people in that match left alive.
I did not watch Warrior’s Hall Of Fame speech when it first aired. That was less because of his known anti-gay point of view, and more out of sheer fatigue after listening to Mr. T rhapsodize at length about his mother. I can only assume Warrior was at once sincere and self-serving during this speech, as he generally was; what I have seen of it confirms such. I did, however, tune in to this Monday’s RAW, where Warrior made what was to be his final public appearance.
Even as an adult, there remains a stubborn habit of imagining your childhood heroes to be immortal. I was not even thinking about physical mortality that night, so much as my disappointment when Warrior did not run to the ring, as he did to promptly dispatch Intercontinental Champion Honky-Tonk Man during SummerSlam ’88. I knew Warrior was in his mid-fifties, and like most wrestlers of his age not in peak physical form, but still held out hope that at least he would be wearing his warpaint, and not some souvenir mask that could have been cut out of a cereal box. But Warrior, for better or worse, wasn’t wearing that costume anymore, though he did sport a nifty black denim jacket with his likeness on it.
***
I remember at the age of seven or eight, getting a WWF coloring book. It was already out of date. Several wrestlers in it were, by the time it got to me, either retired or had died or had left the sport on other terms -- Randy Savage, Kerry Von Erich, and the Ultimate Warrior. Still, there were their cartoon bodies in cartoon form, ready for America’s children to fill what were already apparitions.
This was near the end of my first period of wrestling fandom; I’d started to learn that wrestling was fake, but had no idea exactly what that entailed. It was also during a part of my childhood where I could sense I was different, yet already imagined myself to be different in so many other ways as to almost completely ignore my attraction towards my own gender.
It took me years to completely realize that I was gay, but even then I realized that something about these cartoonish bodies that made me feel different, and that this was especially true about the Ultimate Warrior’s. Nothing further came of these thoughts at the time, but upon hearing Warrior’s later opinions on LGBT rights, including his bizarre anti-eulogy of Brokeback Mountain star Heath Ledger, I could only frown at what a former childhood hero believed in, and then laugh at the sheer irony of one of my formative early crushes being a rampant, raving homophobe.
Warrior’s official blog, which appears to have been dormant since at least 2009, still includes a longform post describing a visit to DePaul University. It mostly rails against the “queer” attendees disagreeing with his political platform, deems a Catholic university that has an LGBT studies program to be hypocritical, and consistently tries to take back the term “queer” as something to mock non-heterosexual individuals. It’s hard to take someone too seriously who takes himself too seriously, and so it’s easier to sigh than seethe with rage upon reading this article.
As I near 30, I appreciate pro wrestling in different ways than I did growing up. To wrestle is to risk shortening your life in order to perform dramatic yet supremely childish acts; it is, often, to take drugs which will screw your body and your mind while still having to cut promos about the dangers of cigarette smoking. There are heroes, and there are survivors, and by the end of the Ultimate Warrior’s life, he seemed to me more a survivor than a hero.
It makes sense, in a way, that it would be a professional wrestler -- a man who was outsized and overstuffed for a living -- who so well embodied the vast hypocrisies within ourselves as individuals and as a nation, and who showed how, within this hypocrisy, we all find ways to be truly alive. This is a good way to eulogize Jim Hellwig, the man, the warrior, The Ultimate Warrior. Walt Whitman’s line about containing multitudes would’ve sounded both great and strange in Warrior’s booming voice. But it would’ve been something if we could have heard him say it. It might have helped us to understand just what these words truly meant. At least until he asked about Whitman’s wife, at which point it would be time to change the subject.
How to Take Inventory and Calculate Pour Cost

Ever since I wrote on How To Price a Cocktail Menu like a million years ago, I’ve gotten requests from bartenders, bar managers, and bar owners for some guidance on how to perform inventory and calculate pour cost. Which is, like, super surprising to me since there are few tasks more reviled in our business than the dreaded monthly inventory. Regardless, I figured it was high time I shared.
I never would have admitted it at the time, but I feel pretty lucky for the rude awakening I had back in 2001. I’d just come off of working in the clubs, and was immediately thrown into managing a little cocktail program at a new restaurant. It was awesome until about two weeks in, when my bosses informed me that I would be taking inventory every two weeks, and that there would be a sit-down meeting once a month to discuss my numbers. My what, now? I didn’t know the first thing about numbers, other than getting girls’ phone numbers. But I did it, respectfully yet begrudgingly, because it was my job.
Usually performed late at night after the end of a busy service, or early in the morning before service begins, inventory is a necessary chore that allows us to understand how a bar is performing financially, once we calculate pour cost. That pour cost number paints a very real picture of the bar’s financial health and reveals things like theft, poorly-priced menu items, and pouring accuracy. Without it, you have absolutely no idea what is going on in your bar.
But first you’ve got to know a few things:
- How much you spent during some time period
- How much you sold during that time period
- How much booze you started with at the beginning of the period
- How much booze you’ve got on hand at the end of the period
Items 1 and 2 you should either know already, or be able to find easily. If not, stop reading now; there’s no point in doing this if you have no idea how much you bought or sold. Items 3 and 4, I will help you find.
First you’re going to need to put together a list of every single bottle you carry at your bar. I’ve given you a head start by providing you with a simple spreadsheet I created just for this purpose. We’ll pretend this is from an imaginary bar with the world’s worst liquor selection ever.
![]()
Download my inventory spreadsheet and pour cost calculator here.
Get every bottle you carry entered into that spreadsheet, along with each bottle’s price. Note that the size of the bottle isn’t needed here, just the name and the price. Do it now.
Okay. Now we’ve got to get a beginning inventory so that we have a place to start from. Inventory numbers are worthless without a beginning and ending inventory so you’re going to have to go through this shit twice, once at the beginning of the period, and once at the end. The bigger your back bar is, the more you’re going to hate it. Trust me on this one.
The simplest method that doesn’t involve weighing bottles or whatnot is to visually take note of how much liquid is in each bottle. Now, sure. This isn’t the most accurate system in the world, but it’s the quick-and-dirty method that’s used by bars all over the world that aren’t huge corporate establishments. If you want to weigh your bottles and do it that way, be my guest. You’re going to have absolute accuracy, and that’s pretty rad. The rest of you, come this way.
Take a look at your bottle and break it down into tenths in your mind. Decide where the liquid line falls and make an educated guess about the contents. Here’s a picture to illustrate what I’m talking about:

Make your decision and enter that number into your spreadsheet. Repeat until you’ve recorded every single bottle in your bar.
So, over the course of the next, say, month, you’re hopefully going to sell a bunch of booze, and probably buy a few bottles as well. Keep a record of every penny you buy and sell from the moment you finish that initial inventory until the moment you begin your ending inventory. Oh, and don’t buy or sell anything while you’re actually doing that inventory. This should go without saying but doing so will screw up your numbers. Which means you’ll have to do this while the bar is closed. Sorry, sucker! You’re the one who wanted to own or manage a bar in the first place, so don’t blame me.
Do inventory again at the end of the period, and enter those numbers into the spreadsheet I gave you. Now you’re coming to the table armed with all four numbers you need: beginning inventory, ending inventory, total alcohol sold, and total alcohol purchased.
Okay. Now that you’ve got all the numbers you need, it’s time to calculate your pour cost (I’m such a nice guy I’ve even included this in the spreadsheet I’m letting you download, but I’m going to show you how it’s done anyway)

Pour cost is calculated thusly: it’s how much booze you had when you started, plus how much you spent, minus how much you have on hand, divided by how much you sold. Multiply that number by 100 and throw a percent symbol at the end of it, and you’ve got your pour cost. Now keep in mind that this post only tells you how to get that number. What number you’re supposed to be at, what you’re supposed to do with that number, and so on, is the topic of a much lengthier article.
At any rate, I hope this spreadsheet is of some help to at least a few of you out there. If there’s enough interest in this boring topic perhaps we can get a conversation going in the comments section about what to do once you’ve actually figured out what that number is. You know, in the interest of service to our fellow bar managers everywhere. Thanks for reading, as always.
Post from: Jeffrey Morgenthaler. Follow me on Twitter.
How to Take Inventory and Calculate Pour Cost
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silvermoon424: Source Hey, guys, here’s a list of the major...



SourceHey, guys, here’s a list of the major websites that were impacted by the Heartbleed bug and what their current status is (this was created only a few hours ago so it’s up-to-date). Thankfully, the most important site of all (meaning, the site that would really fuck you over if it was hacked into), PayPal, was never vulnerable in the first place, so if you use PayPal, your credit card and bank account information has always been safe.
Fox Wants To Make Mystique, Gambit and Deadpool Spin-Off Movies
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Now that Marvel has shown how to make a massive but unified cinematic superhero universe, everybody wants to get in the game. While Sony is ready to churn out Spider-Man movies and spin-offs, Fox is finally ready to do the same with X-Men. First on their wishlist? Solo films for Mystique, Gambit and Deadpool.
Movie Review: Jim Jarmusch’s Only Lovers Left Alive is a vampire hangout movie
firehoseJarmusch 'has crafted something truly special this time out: a funny, deeply romantic hangout movie that treats art not just as a reason to live, but also as a rejuvenating force in a relationship. (For once, Jarmusch’s namedropping and promotion of his own good taste feels wholly relevant.)'

Movies about immortality tend to see more curse than blessing in the prospect of an endless existence. It would be so lonely, these films insist, to endure while those around you wither away, the eons grinding by without closure or meaning. There would, of course, be certain benefits to having no expiration date. With Only Lovers Left Alive, a stylishly droll twist on vampire lore, writer-director Jim Jarmusch posits eternal life as a kind of indefinite bohemian holiday—a supernatural opportunity to bone up (and stay current) on the essentials. Cast for their ethereal swagger, Tom Hiddleston and Tilda Swinton play Adam and Eve, ageless undead spouses. He’s a cult musician laying low in Detroit, his apartment a museum of rare instruments acquired by an accommodating “rock ’n’ roll kid” (Anton Yelchin). She’s a world traveler living in Tangiers, her long evenings spent in the company of Christopher ...
Andra Brings Magnetic Mocap Follow-Focus to NAB
firehosesay goodbye to your jobs, focus pullers!
The Dallas Cowboys are rescheduling preseason games because of One Direction

A boy band concert at AT&T Stadium is making the Cowboys change their preseason plans.
The Cowboys Defense is used to having "One Direction" imposed on them- backwards. *drops mic*
But this year the entire team will be inconvenienced by the British boy band. They're planning a concert at AT&T Stadium on August 24th, which coincides with the Cowboys week three preseason game that is traditionally played at home. Per SportsDayDFW:
Since the Cowboys conduct training camp in Oxnard, Calif., the team normally likes to play their first two pre-season games on the West Coast before breaking camp to return to Valley Ranch. That’s not possible this season because One Direction will perform at AT&T Stadium on Aug. 24.
The Dallas Cowboys have their training camp in Oxnard, California to escape the stifling North Texas heat. But along with the nice weather comes some scheduling complications in regards to the teams' home preseason games. You wouldn't think that "teenage girls invading their turf" would be one of those issues unless Mark Sanchez came back to town, but here we are.
This leaves the Cowboys in an interesting spot. They can either end their training camp a week earlier than normal before their week two home game against the Ravens, or a week later before they play the Broncos in week four. The former would put the rookies at a disadvantage, while the latter would likely irk some veterans. But hey, Jerry Jones has to pay off the rest of the $1.3 billion note somehow, and postseason ticket sales haven't made a dent.
The Ultimate Guide To Solving iOS Battery Drain
firehosethese are all the same tips Overbey was making fun of Android for two years ago
Here's Some Stunning And Unexpected Good News About Obamacare
firehosere: the 7.2 million previously uninsured people who accepted insurance from their employer.
"Although CBO projected that ESI would stay steady, there's been a lot of chatter about the likelihood of employers dropping coverage thanks to Obamacare. But that sure doesn't seem to have happened."





