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09 Oct 15:00

Weekly Round-Up, 1-7 October 2025: Not Your Idol Returns, NANA Anniversary Cover, and Crunchyroll’s Worsening Subtitles

by Anime Feminist

AniFem Round-Up 2025 Fall Premiere Reviews All the fall premiere reviews in one easy-to-find place. Yano-kun’s Ordinary Days – Episode 1 If “sad wet cat and his protective love interest” is your thing, this is a good time. It just needs to develop beyond the one joke. My Awkward Senpai – Episode 1 Azusa is […]

The post Weekly Round-Up, 1-7 October 2025: Not Your Idol Returns, NANA Anniversary Cover, and Crunchyroll’s Worsening Subtitles appeared first on Anime Feminist.

10 Jan 15:08

2-Pack: TravelSmart by Conair All-in-One Adapter with USB 2 for $14.99

  • Charge your stuff, even in Europe
  • One for you and on for a friend (or just two for you)

A Resolution Meh Solution

The angel on your shoulder says:

“It’s great to resolve to see more of the world. It’s not so great to see the world and realize you can’t charge any of your stuff.”

14 Oct 13:06

Guest Post! Feminist & Queer Horror Recs

Posted by: [personal profile] helloladies

Spooky Business text in a stylized font where the serifs look like bat wings and the empty spaces have cobwebs



Hey, Booktube! Chelsea, TheReadingOutlaw here to do a video that I have been meaning to do for you guys for forever.

First of all, can we take a moment to appreciate the evolution of the setup here? We always love a good rainbow bookshelf. I finally hung my skull wreath that is also in all the bright rainbow colors. This corner of my office just makes me so flipping happy, you guys. Which is, I guess, a little ironically keeping in spirit with the theme of today's video. This video is also going to be cross-posted to Lady Business. They are doing their Halloween week a little earlier than actual American Halloween but that's super great because it's October! It's spooky month. I think the whole month should be Halloween month. It basically is, who're we kidding? So I have been meaning to do this video on my channel for a very long time, and this seemed like the absolute perfect opportunity to do so!

I'm here today to talk about horror books that are queer and female/femme friendly. One of the things that I hear the most from people who want to read more horror is that they like horror, but they really don't want to read books where people's consent is violated, where violence against the female body is the norm or like a plot hinge that is frequently used. Because here's the thing, guys—that happens a lot in horror, thrillers, that kind of thing. So I'm here today to give you guys some titles and some recommendations for books in which that is not the case, in which female agency is respected and which queer identity and queer bodies are respected. In which all of the things that we normally love to see in all of the rest of our fiction still happen—but they're scary! Which is personally what I want most from horror.

To start off this list, I feel like it always behooves us to kind of go back to the "beginning", or at least some of the most foundational texts in whatever subject area that we're looking at. In this case, the first one I want to talk about is Drawing Blood by Poppy Z. Brite. Poppy is a trans man who lives under the identity of Billy Martin but continues to publish under his pseudonym of Poppy Z. Brite. This is a queer twist on a classic haunted house story in which Trevor, whose father went insane and killed his entire family—leaving only Trevor alive—returns to the house in which this tragedy happened to see if that jogs any kind of memory or reason why this has happened. And while there he meets Zach, who is a bisexual computer programmer on the run from the law, stumbling into this house that's a little bit out in the middle of nowhere looking for a place to crash. And lo and behold, Trevor and Zach meet and the intersection of the storylines of the development of their relationship, coupled with these two very thrilling storylines of Zach being hunted by the FBI and also what the hell is going on with this haunted house, really intertwined and mesh and overlap in a way that is really satisfying to get to the end of as a reader. Poppy Z. Brite has written a lot of horror books with queer content. They are one of the central pillar authors to queer horror. If you search for the genre you will find Poppy Z. Brite's name. This just happens to be one of my favorites and also happens to be one of the earliest in their publication. So that's Drawing Blood by Poppy Z. Brite.

Next up I want to talk about another foundational texts in the queer and female/femme-friendly horror canon, which is Affinity by Sarah Waters. Affinity by Sarah Waters is not as queer as Fingersmith, but more queer than some of the other Sarah Waters books that exist. In Affinity, we watch as a Victorian woman who has survived her attempts at death by suicide goes to begin to kind of try and find meaning in her life by visiting some of the inmates at a local asylum, where she meets another woman who is there being held as a mystic, basically, as a witch. And the intertwining of whether or not this woman is actually a mystic, like she claims, along with the very forbidden romance of Victorian London and this jailed setting that keeps them physically apart as they grow more emotionally close, is very, very interesting. If your horror stuff goes more like room-temperature, than keep it in the freezer, which I should probably say, is a rating scale that I got from the Books in the Freezer podcast, which I will link to below. I was a guest for their episode on queer horror, where we talk even more about queer friendly titles, but it's also just a really great podcast. If you like horror fiction, they use basically a rating system of room temperature, keep it in the refrigerator, and keep it in the freezer—which is a reference to the Friends episode, where Rachel is reading The Shining and it's so terrifying that she has to keep it in the freezer. But if you like your horror a little bit more on the room temperature side, then this is definitely one that I would suggest checking out. I think it falls more in the psychological thriller/light light horror category, but still. It really pulls along at what I think is a really great pace but it's still very much so a book that operates in a deep sense of foreboding, which can go really nicely along with the colder weather this time of year.

Then I want to go ahead and talk about some short stories. Short stories are a publication style that are really popular in lots of genres, but are specifically very popular in horror. There's a tradition of horror operating in a short, suspenseful driven format, sometimes even better than they do over the course of a longer novel. So I want to go ahead and recommend Ghost Summer by Tananarive Due. This is a collection of ghost stories set primarily in the American South. I know that for some of you that might be a little bit of a turnoff, but Tananarive does a really, really great job as a black horror writer of intertwining these ideas of oppression, slavery, bodily autonomy, the violation of all of those things, and the deep horrors and roots and legacies that go down into almost the fabric of the earth on which those things happen. And the ways that they continue to interact with current modern occurrences. This is another book, Tananarive is another name that if you search for horror, especially more like inclusive female/femme friendly horror, this is a name that will pop up. I do think that it's important to understand that because Tananarive sets most of her work largely in the South, there are some times in which violence against women or violence against the queer body can occur, but it is never in a way that is gratuitous.

Next up we have a couple of more recently published titles. The first one is a YA book. This is Daughters Unto Devils by Amy Lukavics. I just want to talk about YA in general for a second—Amy Lukavics, Dawn Kurtagich, these are names of people who are publishing truly horrifying and transcendent books within the genre. I think that we can discount young adult frequently, for many reasons, across many genres—but specifically in horror as thinking that they won't be as frightening, or that because they're written for younger and younger readers, that they are somehow going to be more sanitized or not as horrifying or not as whatever the thing is that we're thinking teenagers kind of "can't handle". Whereas this book—Daughters Unto Devils is one of the most horrifying books that I've read in maybe the last five years. It is unsettling. It is creepy. It may have to do with the fact that I do live in Kansas, and there are a lot of areas around here that would still qualify as the prairie. And this book is set in an 18th century prairie setting. It is about a girl who has become pregnant, and whose family has to basically leave the mountain because winter is coming and they don't have enough provisions. On the way down, they find a town that is abandoned—never a good sign! Never a good sign to find a ghost town! But they've decided to stay, and soon she's seeing things like blood on the wall. She's hearing things like baby cries from the woods. Things are devolving. Her father is slowly going more and more manic, and he's becoming more and more insistent on staying in this house even as things begin to turn for the worse for them and their family. And it's just so really, really - this book freaked me the fuck out. I'm actually thinking about reading it again because it was really good. I recommend starting with Daughters Unto Devils, if you can handle it, but anything that Amy Lukavics has written—she's written not just young adult stuff, but I really really want to push you to give young adult horror a try. Because as we've seen in a lot of other genres, there's an inclusivity and a push for diversity that is happening first and foremost in the young adult sphere.

I have two more titles. The first one is another short story collection. This is Her Body and Other Parties by Carmen Maria Machado. It is worth picking up this collection if for no other reason than you read the first story, which is "The Green Ribbon". Which is based on "The Black Velvet Ribbon" that many of you know from Scary Stories to Tell in the Dark by Alvin Schwartz. If you don't know I don't really want to spoil it for you. I guess you can Google the "girl with the black ribbon". But essentially, the story of a woman who's born with a velvet green ribbon around her neck that she cannot take off and that she will not allow her husband or her son to touch, quickly becomes not just a horror story and this slow buildup of anticipatory dread, but also a really incisive commentary on bodily autonomy and consent and what we do or don't allow our lovers and our family members to do in terms of our body and our space. And the insistence and the ownership and the righteousness that some people can feel when it comes to claiming that part of the person that they are with. It's a really deep story. Other stories in this collection kind of are hit or miss. Not all of them are horror, not all of them are thriller, or like on the darker side. Some of them are very light. Some of them get a little funny, but really I recommend picking this up if you want to look at what is happening as a current evolution and specifically like Latin American Horror, and also just with the short form of horror fiction as it develops and what potential can be had in taking those classic stories and myths and old wives tales and repurposing them to really be reflective of the current cultural moment.

Then the last book I want to recommend is a historical fiction, because historical horror or historical thriller is something that we just haven't really talked about yet. It's a sub-genre we haven't really hit on so far. This is The Spell Book of Katrina Van Tassel: A Story of Sleepy Hollow by Alyssa Palombo. For those of you who are familiar with the Sleepy Hollow myth or the Johnny Depp movie, Katrina Van Tassel is the school teacher/slash local town debutante who is in love with Ichabod Crane, who plays a really key kind of integral part in figuring out the reason why the Headless Horseman is continuing to attack this town. But this book, as is really interesting to see done with this kind of historical fiction lens, switches the story around and tells it from Katrina's point of view as to why her new lover is there, why her new lover is acting as suspicious as he's acting, and she too comes to realize and have to give attention to the reasons that her family has contributed to this horror that is now wrecking the small town. Because the narrative is flipped, and we are hearing it from the female lens and point of view, it is automatically imbued with far more agency, personality, and perspective that we see in the original Sleepy Hollow myth, but still continues to maintain some of those classic New England, cold-night-horror roots. You know what I'm saying? There's almost a locationary genre of horror that this book really pays homage to in a beautiful way.

So there you have it! There are plenty more titles that you can go and pick up, many by these authors, many if you just search for popular list of feminist and queer horror titles. But I really wanted to highlight these ones specifically, as I think they represent some really interesting things for the sub-genres of horror in which they lie.

So yeah! If you liked this video, and you're watching via Lady Business, please feel free to hop over to my YouTube and follow me, like, subscribe—do all of the YouTube things over there. If you're watching this on my Booktube channel—hi guys! Welcome. You've already done most of those things. If you want to scroll down and leave me a comment, an emoji, just something to let me know that you stopped by, I always really love to see who's watching. Keep in mind that I am currently on a not-so-whisper campaign to get to 3000 subscribers by my 31st birthday in November, so if you're watching and you have not subscribed yet and you would feel kind enough to do so, please hit the button, you know where it is.

Otherwise friends—until next time, have fun reading all the spooky books! Take care of yourselves, take care of each other, and we'll see you next time. Bye!

★ Chelsea is a Booktuber and a co-host at Not Now, I'm Reading. You can find her on Twitter at [twitter.com profile] anoutlawlife.


[Ed. note: transcript lightly edited for clarity.]

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17 Jun 01:38

How to Lift the Aisle Armrest on an Airplane

by Emily Price

Plane seats are small and sometimes getting in and out of them can be a bit of a challenge. If you’re sitting in the meddler window seat, putting up the armrests can make your entrance and exit go a bit smoother. If you’re sitting in the aisle you might think that you’re stuck having to climb over that aisle armrest;…

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23 Dec 21:24

Use This AI Tool to Quickly Remove the Background in Images Without Photoshop 

by Emily Price

Removing the background in an image typically involves knowing how to use photo-editing software or enlisting the help of someone else who does. Now there’s another solution: using AI.

Read more...

28 Sep 17:27

I Went To Kavanaugh’s Alma Mater, Georgetown Prep, And It Was A Case Study In Misogyny

by Will Menarndt

When you believe you are superior and untouchable, the least moral commit heinous crimes.

The allegations against Brett Kavanaugh have been careful to include not only his age at the time of his alleged assault, but the fact that he was a student at Georgetown Prep. Assaults are a pandemic in our culture today, but his alleged actions speak beyond toxic masculinity and the general rape culture that holds all women hostage today. Brett Kavanaugh is a symptom of something worse. He is the fullest expression of elitism blended with misogyny that is cultivated and groomed at private, all-male institutions like Georgetown Prep.

I know because I went there.

I was proud when I was accepted as a freshman. I loved that the school dated back to 1789—  just two years after the signing of the Constitution—making our school older than modern France. Coming from a brand new public school, I marveled at the marble columns of the chapel that was built with an anonymous donation during the Great Depression.

It is a potent brew of pride that is heady stuff for a 15-year-old, and it meant the world to me to be included. I was coming from a public middle school in rural Maryland, and I loved my teachers and had an incredible education, but I had been bullied every day for my bookishness. I believed Prep’s story about itself—I was so excited to be a part of such a noble institution of scholars and athletes “committed to justice.”

As part of our orientation, we were told what an honor it is to be a “Man for Others.” I was in awe of the access to power being a Prep grad might secure for me.

I remember Justice Scalia spoke at our annual Father-Son Dinner. We sat in the gym and feasted on steak as he addressed us. He pointed out that he attended Xavier High School, which was still in our network of esteem and familiarity as a Jesuit school like ours. He laughed about his decision in determining the course of the election of George Bush over Al Gore, and said “Well, I got that right,” to thunderous applause. Brett Kavanaugh worked for George Bush during that very campaign.

I wonder at what point in his career Brett Kavanaugh felt that he would someday serve on the Supreme Court. Kavanaugh was two years ahead of Justice Gorsuch at Prep. They would have passed each other in the halls. Did they already feel confident even then that would rise to such prominence?

As a teacher now , I truly believe in the power of the growth mindset. Rather than telling a student “you are smart” or “you are good,” you should praise the effort a student invests. My education at Prep had a different tenor however. Teachers offered intermittent, lukewarm constructive feedback on our behavior, but the general message of the school was that we were already fully actualized as “Men for Others.” Largely by virtue of our parents’ being able to pay the admission ticket, we were Prep students. We were the best. We hated our rival schools and looked down on everyone else.


Kavanaugh was two years ahead of Justice Gorsuch at Prep. They would have passed each other in the halls. Did they already feel confident even then that would rise to such prominence?
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No one should walk with the certainty of their own innate goodness, least of all unformed, adolescent boys. As many lessons as we learned about how special we were, we learned even more from the lack of response to our worst behaviors.

I remember a young woman who substituted for my English class weeping as she erased “I want to fuck Ms. ________ in the ass” from the blackboard. If the boy who wrote it was disciplined, I never heard about it; his actions were never condemned. I also remember our class president getting elected on the slogan “Bleachers,” because he had “fingered” a girl beneath them. Before big games against rival schools, the “Boosters” (an elected group of cheerleaders who would get the fans going before and during games) would paper the hallways with posters with such slogans as “Beat the Pagans” when we played schools that were not religious, and “Hoya Saxa,” etc. One popular poster was a cartoon of a rabbit’s head that on closer inspection revealed a woman parting her legs. It would appear alongside other posters praising certain players or generally hyping the team. It served no other purpose and had no other meaning.

When you believe you are superior and untouchable, the least moral commit heinous crimes. The same lack of accountability that led to the rampant abuse finally being called out by the #MeToo movement, the rape of children in the Catholic Church by priests, rapes in the military and abuses by the police force—these all stem from the same corrupting sense of superiority.

I don’t think a day went by that I didn’t see a penis scrawled on a chalkboard or a desk. Everyday in the hall I would regularly see guys punch each other in the groin. I would often find myself doubled over in pain having just been punched out of nowhere. On two separate occasions I was choked until I almost blacked out. This was normal, everyday behavior. That is the culture enabled by the dangerous and passive permissiveness of “boys will be boys.” I have never been a fighter and in truth, I’m not particularly quick with words. I had very little defense. The idea of telling a teacher never crossed my mind. I’m not even certain who I would have told.  

When I was a sophomore, I was taught math by a very old priest. He was a big fan of the football team, and he would let football players sleep in class because they needed rest. He hated me, presumably for my lack of athleticism and my preference for extra-curricular activities which he deemed unmanly. He made a point of telling me that, “we get men ready for college, not art.” A student chimed in in agreement that “if I didn’t like it, I should just leave.”


No one should walk with the certainty of their own innate goodness, least of all unformed, adolescent boys.
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On another occasion, when I took exception to his taking additional points he’d taken off of one of my tests, he called me a “pussy” and punched me in the head.

I wonder how Kavanaugh, a star athlete at the school, would have been treated. I wonder what he would have said if he had been in that class with me. The image of his yearbook page that is now circulating indicate that he was inculcated in and upholding of this same cruel and misogynistic culture.

We did not have a comprehensive sexual health education at Prep. Freshmen were required to take physical education, and we had a rigorous program of units on weightlifting and other sports. One day out of every class cycle, we met with a coach who styled himself as “Doctor.” There was no textbook or curriculum. He simply shared amusing anecdotes and gave us words of wisdom such as:

“Boys, the first time you have sex, you’re not going to last long. So you should probably be drunk so you’ll last a little longer.”

There were high fives around the room. Everyone laughed. There was no discussion of how to use contraception and there was certainly no attempt to discuss what consent was.

During freshman orientation at college, I remember we were having a water balloon fight. I had gotten to know a student named Charles, and I picked him up and went to throw him in the kiddie pool of water and balloons. He cried out for me to stop, and he looked so upset and scared, I realized that I had crossed a line and I needed to rethink how to interact with other men. I felt awful—I saw in Charles a brief glimpse of the hurt and humiliation I’d felt throughout all of high school.

As an educator now, I am horrified at my memories of high school. It took me years to learn about healthy sexual relationships and healthy relationships in general. I worry about how our failures of education are perpetuating rape culture. The  statistics for sexual assaults are staggering. One in five women will be raped in their lives and more than 90% of sexual assault victims on college campuses do not report the assault. We spend more time articulating the honor code and investigating claims of plagiarism and cheating than we do the health and safety of our students, especially that of the girls and young women attending our schools.

At all-boys’ schools, when students stand shoulder to shoulder with their classmates and hear that they are called to greatness, they also internalize the absence of women from their position of privilege and power. Women are not part of the club. They are separate. They are for conquest; they are for dating; they are for marriage. Women are not peers. Some boys graduate and go on to unpack and unlearn these lessons. Others find new clubs with guarded access. They join fraternities. They go on to business schools and law firms and seek out institutions with disproportionately more men than women. Look at the gender breakdown of boardrooms everywhere. Look at the Supreme Court.

The question of the quality of sex education is vital for our schools now, and also in considering what education our current leaders have had. Has Brett Kavanaugh ever attended a course on sexual health? When would he have learned about consent? I don’t believe he learned about it at Prep. I wonder what curriculum he might have had at Yale. The world is different now than it was in ‘70s and ‘80s yet we are letting men with largely unchanged attitudes from those decades literally pass judgement on cases that define our lives and our society.


We've internalized the absence of women from their position of privilege and power. Women are not part of the club. They are separate. They are for conquest; they are for dating; they are for marriage. Women are not peers.
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Court cases demand that crimes be proven beyond a shadow of a doubt, and institutions like Georgetown Prep have honed their ability to cast shadows for almost three centuries. I will never know exactly what happened to some of the victims at my school, and we will similarly never have conclusive evidence proving guilt. That is no accident. We learned implicitly which victims were not valued by the community and therefore expendable.

The new teacher here only temporarily? Graffiti desks in her room with threats of sexual assault. The librarian who just wanted to create a quiet space for study? Mock him every day and make his life miserable. Attack the isolated and the vulnerable, but be sure to do it when there are no witnesses. It’s safe to do anything in front of your classmates and your Prep brother, of course—they will always have your back and laugh about it later.  All the while we were confident that we were “Men for Others,” confident in our goodness and the promise of great futures.

The burden of proof should not be on the victim, but sadly it is. While the legal system remains imperfect and we cannot hope for immediate change, surely we could stop rewarding alleged predators and abusers. We don’t need to know whether or not Kavanaugh is definitively guilty of any one of the many allegations being leveled against him now.

He is not a man for others; he’s a man for other men, and the women of our nation deserve better.