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25 May 03:09

An Oral History of Prune’s Brunch

by Joshua David Stein
Photo: Mark Peterson/Redux/Mark Peterson/Redux

For New York’s anniversary, we are celebrating the history of the city’s restaurants with a series of posts throughout the month. Read all of our “Who Ate Where” stories here.

For 20 years in the early aughts, Saturdays and Sundays in the East Village meant a line of people along 1st Street, stretching back from the mauve awning outside of Prune. The menu — Dutch babies, eggs Benedict, Bloody Marys of extravagant accoutrement — never changed. Neither did the crowd, really. All 14 tables would be filled from the moment the restaurant’s doors were unlocked until service ended at 4 p.m. It could be chaotic, but the person bumping your elbow at the next table might have been Cameron Diaz. “The rule was that this is where the brunchers and Joe Schmoes could sit next to some very famous people and you wouldn’t bother them,” says Kat Robinson, who worked as a host. “The people of New York got it. They knew the rules.”

Gabrielle Hamilton, chef and owner: Going out to brunch was an aspirational activity. Brunch is the meal equivalent of people in catalogues, lounging in their perfect white robes. I loved brunch so much that, like an idiot, instead of going to brunch myself, I decided to make brunch at Prune.

Shaina Loew-Banayan, cook: Clearly it was legendary for people coming in to eat because we were so fucking busy every weekend, but it was also legendary to work. I still meet new friends now in my career and life who also worked brunch at Prune, and everyone is like, Holy fuck. Did we really do that?

Hamilton: When we started brunch, the East Village wasn’t yet as gentrified. It was trucker-hat city. But gradually, as the demographic of the East Village shifted — and our brunch became increasingly famous — the crowd changed, too.

Mashama Bailey, sous-chef: Prune had been written up in a Japanese guidebook, so there was always a large Japanese contingency. They’d always order a Pancake Benny — that is, a Dutch baby and eggs Benny. The rest, as I remember, was a mix. Some people rolled in wearing their pajamas, then you had people who’d traveled to New York just for brunch. The crazy part is that no one complained about waiting in line.

Karla Riccobuono, bartender: We would keep the door locked and watch the crowd line up around the corner. It was pure chaos right at the beginning. They’d all sit at the same time. Half of us were just waking up. It was nonstop.

Dara Tesser, chef de cuisine: During brunch service, there were only three people on the line: the egg, the grill, the expo. You’re with your team. You go down and everybody goes down together.

Bailey: You rotated through every station, and if you could do brunch at Prune, you could probably do anything.

Tesser: Working in the kitchen was like a sprint. As soon as you set foot in the building, you were running, just going and going with no lulls. You didn’t take a breath until service was done.

Loew-Banayan: It was definitely different from dinner service. At dinner, if something wasn’t perfect, you’d have to remake it or replate it. At brunch, if something was 95 percent, send it. But within that mind-set, everything was really attentive. It was like a machine, and the prep was insane. There was a brunch prep shift on Friday that was just brutal. After Friday-night dinner service, all of the staff would gather. One person would go to the walk-in in the basement. Every single person would stand on the stairs and pass up supplies — eggs, toasters, everything — and the kitchen completely changed for service in the morning.

Michele Vedernack, bartender and manager: Gabrielle’s instructions were, We throw a party.

Hamilton: We started opening bottles of Cava around noon. Free Cava for the staff. I think they were all drunk, but I’m fine with that.

Lauren Kois, host: It’s the first place that I ever worked where you got free unlimited shift drinks. GH did that even when money was really tight.

Kendra “Boo Boo Darling” Lansing, manager: I definitely abused the free Cava. We started calling them salads. I’d be like, “I could go for a nice healthy salad.” And the bartender would get me a shot of Cava.

Vedernack: We had regulars, of course. Jake Gyllenhaal came for years. One time I sat him at our communal table, next to a mother and daughter who were visiting from the Midwest. The daughter came up to me afterwards gushing. “This is my first trip to New York City,” she said. “I’ve never seen anyone famous before!”

Kat Robinson, manager: One time, Gwyneth Paltrow was celebrating her birthday. Her assistant gave a couple of the staff tickets to see Beyoncé in Central Park that weekend. Those were some cool perks of the job.

Kois: No one got waxed — special treatment — because they were famous. I was told, You did not acknowledge that someone was famous. It wasn’t out of respect for them. It was because it didn’t fucking matter. There were no reservations at brunch except in freakishly rare circumstances. The only exception I can remember is that Bette Midler could get a reservation.

Sammy Tunis, server: Bette Midler came in all the time. Ryan Murphy and his husband came in constantly.

Bailey: Damon Dash used to come in a lot. He lived in the neighborhood and no one knew who he was. But I did.

Riccobuono: I’m a huge Game of Thrones fan and used to host watch parties. The day after the wrap party, Maisie Williams came in. I had to go to the staircase and silently scream to be normal. Mandy Moore was a regular, too. That was cool because “Candy” was one of our brunch songs.

Tunis: I feel like the average time people were sitting for brunch was 35 minutes. We made it very clear at brunch that you needed to eat your eggs and get out. Not in a rude way. We were perfectly kind, but we were also going to drop a check on your table and clear the plates.

Bailey: It was fast and dirty and greasy and fun. You got there at 7 a.m. and you left at 5 p.m. and hung out the whole time. You laughed and listened to really loud music and sang along to the playlist. You were in it until it was over.

Riccobuono: There was a deep clean after service, and then the entire brunch team would go to the Boilermaker on First and 1st and have burgers and beers and lots of shots.

Hamilton: We were always in shock. Five hours in a 30-seat restaurant, 236 covers. That service paid our bills for years.

Riccobuono: The last day of brunch was March 15, 2020, the day before the lockdown went into place. Gabrielle called an emergency staff meeting right after brunch. We stayed and had a little toast of Champagne and sat there in shock. Because all the vendors were still delivering, we got emergency kits: eggs, rice, potatoes, toilet paper. I came back with another girl the next week and delivered these boxes to all the staff.

22 Jul 14:51

improvartvice: -Neil W. Casey



improvartvice:

-Neil W. Casey

17 Jul 16:13

A View From the Queue

by Sarah Zabrodski
by Sarah Zabrodski

People waiting in line for cronuts.

During my past-life as a student in New York City, I used a flexible schedule to my advantage, waiting for six-hour stretches to obtain discounted tickets to shows like “The Book of Mormon.” New York may be a city for the wealthy, but it also has a place for those bereft of cash, but rich in time.

The sheer volume of New Yorkers with irregular schedules means epic mid-week, mid-day lines are a reality that never fails to amaze. Compound the length of the line for each of the following factors: 1) discounted price 2) free 3) limited quantity or engagement of a product/event.

I recently spent two weeks in NYC housesitting for my friend’s boss. This arrangement entailed an abundance of free time during which I committed myself to a series of queues. Was each one worth it? Does time spent in line correlate with the quality of experience? Even more pressingly, did I really save any money?

Cronuts

If you follow any form of popular social media, you should already know about Cronuts—the half croissant half doughnut pastry that’s become a phenomenon. Imitations have cropped up, but the original is the genius creation of Dominique Ansel, celeb pastry chef, and his Soho bakery makes only 300 a day. The bakery opens at 8:00 a.m., but people line up as early as 5:00 a.m. If this doesn’t seem insane enough in and of itself, know that a black market for these delicacies exists on Craiglist with a reputed 500 percent markup.

Total time: 2.5 hours (6:30 a.m. – 9:00 a.m.)

Total cost: $10 (two Cronuts) + $0.50 (obligatory ‘I ate a Cronut™” postcard) + $7 (cab fare when I realized the 1 train was massively delayed and my line anxiety started rising) = $17.50

Worth the wait?
Everyone who tasted the Cronuts who DIDN’T endure the line with me deemed them absolutely divine. I thought my Cronut was merely fine. The takeaway: Cronuts taste better without a 5:30 a.m. wake up call and two-hour wait preceding their consumption.

Cronuts.

 

Shakespeare in the Park

Shakespeare in the Park, performed annually in the Delacorte Theater in Central Park, has been a longstanding item on my NYC bucket list. Tickets are free (each person in line is entitled to two tickets) and distributed at noon on the day of the performance. Advance research revealed that line skipping is forbidden and the rule strictly enforced. I love a well-organized queue and the Shakespeare in the Park one was exemplary. That being said, the number of times the staff cautioned us against getting in fights with our fellow line neighbors made me wonder what prompted this warning to become an issue worth emphasizing.

Total time: 4.5 hours (8:00 a.m. – 12:30 p.m.)

Total cost: $8 (breakfast bagel and coffee for the line) + $0 (free admission!) + $20 (treats for the actual performance) = $28.00 (for purely food and beverage related purchases)

Worth the wait?
Yes, yes, a million times yes! The current play “A Comedy of Errors’” was a riot. There’s mistaken identities, slapstick humor, dancing, singing, and even confetti. If you were among my group, there was also boxed wine.

Queue for Shakespeare in the Park.

 

Outdoor Movie in Bryant Park

Admittedly, this event does not require a line so much as the stamina to arrive early and stake out a spot on the lawn. This was a particularly anxiety-inducing event as the lawn (which typically opens at 5:00 p.m.) stayed off limits until six to allow further drying post mid-afternoon rain shower. Thus, the gravel area around the lawn became packed with people with a Hunger Games-esque determination to claim their space when the clock struck 6. I would have filmed the rush for posterity had I not been elbowing people aside in my own picnic blanket panic.

Total time: 4 hours (5:00 to movie start time at 9:00pm)

Total cost: $13 (salad and savory snacks) + 7 (candy, because a movie without candy is no movie at all) + $0 (free movie!) = $20.00 (again, all for edible refreshments)

Worth it?
Absolutely. I especially love the camaraderie that builds among the audience, which exhibits itself in cheers, jeers, and catcalls at appropriate points throughout the film.

The lawn before the movie in Bryant Park.

 

Mighty Quinn’s Barbeque at Smorgasburg

We chose this purveyor of barbequed meats solely based on the fact that it had the LONGEST LINE of all the food vendors at the giant Williamsburg-based market. Therefore, it must be the best?

Total time: 40 minutes (1 p.m. – 1:40 p.m.)

Total Cost: It’s difficult to estimate final cost based on my group of friend’s general methodology at Smorg, which involves throwing various denominations of bills onto the table until the exact amount is reached. Therefore, I paid some percentage of $14 (one large sandwich at $9 and one small at $5).

Worth it?
No doubt, the pulled pork and beef brisket sandwiches were tasty. But maybe not as memorable as the no-line-up-required sandwiches of the ice cream variety purchased shortly thereafter.

Mighty Quinn's BBQ.

 

The Rain Room

The Rain Room currently stands in a vacant lot adjacent to The Museum of Modern Art (MoMA). It involves mechanized rain that, in a feat of technical and technological virtuosity, stops falling wherever you step. Thus, you stay completely dry in the midst of a downpour. Needless to say, the queue for MoMA’s Rain Room is up to eight (!) hours, as there is no limit to the length of time each person can spend inside.

I emailed my friend who works at the museum to advise on my best course of action. Her response: “Don’t even bother.” I pressed on, however, and was told to show up at 8:30 a.m. for a “chance” to get in the same morning. My friend and I arrived at the appointed time, joined the line, waited an hour…and then discovered we were in the wrong line. We’d accidentally joined the members only line (museum members have early entry from 9:30 to 10:30am). Before the full weight of despair could fully descend upon us, the woman to our right said she had an additional members card we could use. Who says New Yorkers aren’t nice?

Total time: 1.5 hours (due to sheer luck) (8:30 a.m. – 10:00 a.m.)

Total cost: $0 (because we’re even luckier—regular MoMA admission is $25)

Worth it?
Although I avoided it, I would unequivocally commit myself to several hours wait and an exorbitant admission price to experience the Rain Room. I have a feeling all line-induced emotions of rage or frustration dissipates as soon as one takes his or her fist tentative step into the magically parting falling water of the exhibit.

The Rain Room.

 

Sarah Zabrodski is Alberta born, New York trained, and California bound. She publicly writes about art and secretly blogs about everything else.

Bryant Park movie photo by bfountain. Mighty Quinn’s photo by JC Medina.

6 Comments
16 Jul 16:16

Mike Schur Says 'Parks and Rec' Won't Acknowledge Chris Pratt's New Superhero Body

by Bradford Evans
by Bradford Evans

Parks and Recreation actor Chris Pratt is preparing to star in the new Marvel superhero movie Guardians of the Galaxy, and last week, he tweeted this photo of his absurdly muscular new superhero body after six months of working out and not drinking beer. TV Guide asked Parks and Rec showrunner/co-creator Mike Schur how they're going to explain why Pratt looks this way in the new season, and he said they might not even address it.

"I was as shocked as everybody," Schur says. "I obviously knew he was getting in crazy good shape for this movie. He had already started by the time we wrapped last year. We'd been through this once before when he did Zero Dark Thirty, but not like he is now. That picture was insane."

That's not the only thing the new season will have to explain. Chris Pratt will be missing a handful of episodes in the first half of Parks and Rec's new season due to filming Guardians, but he'll be back after that. Schur told Splitsider in May, "We're gonna have to explain his absence for a few episodes, but hopefully, it won't be that disruptive." Schur jokes to TV Guide, "The only possible explanation for why someone looks that good is that they're planning to play a superhero in a summer blockbuster. There is a joke that I wrote in the premiere that I think we'll probably shoot that is a little tiny acknowledgement or nod to the fact that he looks very different to the way he normally looks. I don't think beyond a little joke about it that we'll end up doing anything significant. We're not going to suddenly say that Andy became a fitness nut because that doesn't ring true."

He adds, "If [Pratt's character's FBI alter ego] Burt Macklin were a real person, that's probably what he'd look like. Maybe we'll do a Fight Club thing where some of the scenes will be Andy looking like he normally does and some of the scenes will be Burt Macklin looking like he currently does." Even though Schur was just joking, that idea actually sounds pretty awesome.

0 Comments
11 Jul 14:44

Enhance Your Mood by Drawing Food

by Jia Tolentino
by Jia Tolentino

The Wall Street Journal starts with a shocker:

Eating so-called comfort foods with large amounts of fat and sugar has been shown to vastly improve people's moods.

And then goes on to say:

 A report in the Journal of Behavioral and Brain Science suggests that drawing pictures of unhealthy food can also have positive effects on mood.

Oh really! Here is how this knowledge rained down. In a very small study, researchers in upstate New York took 61 mostly "slightly overweight" college students and had them draw, not literally on an empty stomach but while in a state of relative hunger, pictures of four specific things: pizza (high-fat, low-sugar), cupcakes (high-fat, high-sugar), strawberries (low-fat, high-sugar), and peppers (low-fat, low-sugar).

Drawing pizzas improved the subjects' mood by 28%, while sketching cupcakes and strawberries boosted spirits by 27% and 22%, respectively. Mood in the pepper group improved by only 1%. There were no significant differences in hunger or excitement levels between the groups.

This morning, before I ate breakfast, I gave it a whirl. Either the study had primed me or it really is way more awesome to draw delicious, soul-nurturing pizza/cupcakes/strawbs than boring, virtuous peppers, because I too reported around 25% increase in happiness when I drew the first three and actually a decrease with the last one because I was like, what am I doing, what am I even doing.

41 Comments
01 Jul 22:20

Janelle Monáe, "Dance Apocalyptic"

by Emma Carmichael


"Dance Apocalyptic" is the second single off of Janelle Monáe's new album (and her first in three years), The Electric Lady, which is due out in September. Billboard called it "the album that will turn the singer from iconoclast to icon," and the Atlantic Records COO told Julianne Escobedo Shepherd it will have "a lot of songs that can get played on mainstream radio." With that poppy guitar riff, this certainly qualifies.

The first Electric Lady release was "Q.U.E.E.N.," a track with Erykah Badu (go watch the video if you haven't yet). In it, Monáe sings, "Am I a freak for dancing around? Am I a freak for getting down?" From Shepherd's story:

With "Q.U.E.E.N.," she says, "I feel like there are constant parallels with me as a woman, being an African-American woman, to what it means for the community that people consider to be queer, the community of immigrants and the Negroid-the combination between the 'N' and the android. All of us have very similar fights with society and oppressors, with those who are not about love, who are more about judging. There are two different types of people: Some people come into this world to judge, some people come into this world to jam. Which one are you? It's a question we should all ask ourselves. My job is to create art that starts a dialogue, to create songs and lyrics that ask society these questions, by using myself as a sacrificial lamb."

[PitchforkBillboard excerpt]

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14 comments

01 Jul 21:21

Listicles: New York's Cheap List Includes $16 Pizza, $14 Ramen

by Greg Morabito

2013_cheap%2B_list12.jpgThe Robs have bestowed their annual list of cheap eats upon the people of New York City. The New York critics declare that Bunker in Ridgewood is the best new cheap eats restaurant of the year, while the best overall inexpensive bite is the bagel with lox and cream cheese from East River Bread's stand at Smorgasburg. Georgian food gets a nod for "best new cheap-eats cuisine," and the Robs also offer guides to cheap new fast-food style burgers, barbecue, and crazy sandwiches.

18 restaurants are listed as $25 and under picks, including Nightingale 9, Hybird, Pok Pok Phat Thai, Mama Joy's, and Zizi Limona. Although the issue profiles many dirt-cheap dishes, the critics also recommend the $14 ramen at Ganso, a $16 meatball pizza for one at Tufino, and the $16 chicken entree at Glasserie, which does not come with a side. And for the sweet freaks out there, Rob and Robin give their list of the year's best donuts.
· Cheap Eats 2013 [NYM]
[Photo: NY Mag]

01 Jul 20:21

The UCB Improv Manual Is Finally Here

by Elise Czajkowski

The long-awaited UCB improv manual has arrived! At Friday's opening press conference for the 15th Del Close Marathon, a mysterious box joined the UCB 4 on stage and quickly upstaged its famous co-stars; each time Ian Roberts held it above his head, chants of "Box! Box! Box!" filled the small basement theater. When someone finally asked the now-annual question about the progress of the group's book, the box (which had been joined by three brother boxes) was ripped open to triumphantly reveal The Upright Citizens Brigade Comedy Improvisation Manual.

Written by Matt Besser, Ian Roberts and Matt Walsh, the book was years in the making due to the busy schedules of the group's members. The trio made a point to meet up and write together, often from 7 to 10 in the morning, Roberts said later at a press event. "And it took a long time because we really worked hard to make sure that you could read it and understand it as someone completely uninitiated to improv," he added. "So we would challenge ourselves: 'Ok, but they've never been to a class. They've never seen an improv show. Would they understand that?' And you had to proof everything that way. So it was a long process." The first 200 books were sold at DCM over the weekend, and the book will officially be released later in July, presumably at UCB theaters and its online store. Roberts said they have no plans to go on a book tour or do much publicity. "We think that most people that'd be interested in this would know about us and just come to us for the book."

Photo courtesy of UCBTheatreNY's instagram. 

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27 Jun 14:32

"It was maybe DCM 2 or 3, and Mother was the current Cagematch champ and was automatically in the DCM..."

Allison Heim

Always wondered how this tradition got started!

“It was maybe DCM 2 or 3, and Mother was the current Cagematch champ and was automatically in the DCM Cagematch. Scot [Armstrong] had… talked [Matt] Walsh, Horatio [Sanz] and Amy [Poehler] into sitting in with us. Apparently, on the way [to the theater], Horatio ordered pizza and wings from Domino’s. There we are having a great time playing with these improv idols, and the Domino’s pizza guy walks in. Horatio pays for it all and starts passing out pizzas to the crowd. Then he holds up the box of chicken wings. The crowd goes nuts. Horatio drop-kicks the wings into the audience. After the show, I saw Amy trying to appease an irate woman who’d gotten covered in awful, greasy chicken wings. Ever since then, it’s been part of the pre-show [Cagematch] announcement [forbidding players from kicking chicken wings into the crowd].”

- James Eason, in this excellent piece on the history of DCM, drops some knowledge on a Cagematch rule.