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02 Feb 17:47

Saw It For You: Godzilla (2014)

by kris


Godzilla (2014)

Synopsis. Nuclear testing awakens an undersea beast that threatens the city of Tokyo, California. The creature is dubbed “Godzilla’s Monster” for its discoverer Dr. Lloyd Godzilla (Bryan Cranston).

Trivia

  • Director Gareth Edwards expressed a lot of enthusiasm in remaking Godzilla, saying “I could make a way better Godzilla movie than those stupid old ones. I mean, the first one wasn’t even in color. I turned it off.”
  • The original screenplay included the twist ending that the monster intended no harm, and just happened to be walking near buildings being demolished for safety reasons.
  • The motion capture for the monster was provided by Greg Waterford, a 500-foot-tall actor.
  • Director trademark. Character looking up and accidentally swallowing their cigarette to indicate awe.
  • To cut costs, many of the destruction shots were recycled from 2013′s Pacific Rim. This is why the university research facility looks exactly like Gipsy Danger.
  • Slide whistle sound effects and comical horn honks were added to each on-screen death to help avoid an R rating.
  • Director trademark. Character quipping “That’s gonna leave a mark” after witnessing the trampling death of 80,000 civilians.
  • The monster’s only spoken line, “What hath God wrought,” was voiced by Anthony Hopkins in an uncredited role.
  • Director trademark. Protagonist’s ability to draw a 140-meter-tall monster’s attention by shouting “Hey, down here!”

Mistakes

  • The University of Phoenix does not offer a Leviathanic Sciences doctorate program.
  • Plot hole. The attempt to explain how a creature of this size could move when out of the ocean is nonsensical: air is not ”another kind of water.”
  • Having been in hibernation for “millions of years” and never having encountered homo sapiens before, it seems unlikely that the creature would come to a populated area specifically to eat children’s brains.
  • Remiss ratio. Even with its size, the creature does not possess the arm span necessary to punch the moon from the sky.
  • It would take more flour than currently exists on Earth to bake the giant croissant scientists use to lure the creature onto the booby-trapped ferris wheel.
  • Motivation mistake. In the attack helicopter, Sgt. Griff Maximum (Hugh Jackman) shouts “Looking for me, ugly?” The monster was not looking for him.
  • A 30,000-square-foot rope net would be much too large and heavy to fire from the barrel of an L96A1 sniper rifle.
  • The monster has an impossibly huge stride, as indicated by it standing in London, then taking one step to reach New York. Yet somehow Elle Brody (Elizabeth Olsen) is able to outrun the monster, saying “It’ll never catch up to us, thanks to the 2014 Honda CR-V’s superior traction control.”
  • To ensure racer safety, ESPN would have likely cancelled the motocross event rather than continue the race on the monster’s back after it walked through the X-Games.
  • An animal would have no reason to evolve hit points.
  • Crossover confusion. Dr. Lloyd Godzilla uses an Aperture Science portal gun to safely escape debris from the collapsing hospital. The portal gun is never mentioned again.
  • The scientists never settle on a classification for the creature, based on dialogue like “it’s like a gecko, it’ll just regenerate forever” and “time to show that giant fucking bird who’s boss.”
  • It is never explained how it was possible to stop Godzilla by uploading a computer virus.
  • After-credits scene. It would be physically impossible for Godzilla to mate with a household iguana.

Memorable Quotes

Dr. Lloyd Godzilla. This is like the line from the Bhagavad-Gita, times ten billion. “I am become Ultra-Vishnu, destroyer of giga-worlds.”

Sgt. Griff Maximum. Maybe we can kill that thing from the inside.
Elle Brody. You’re insane. We have no idea of that thing’s internal structure –
Sgt. Griff Maximum. I saw that thing gobble my hometown and fart out my high school. If it can fart… that means it has a butthole. If it has a butthole, then it has a tummy. And if it has a tummy… we can give it a tummyache.
Dr. Lloyd Godzilla. He’s right. By God, he’s right.

Otherling Elder. We call ourselves the Otherlings. We are the Men who came Before. Thousands of years ago, this beast laid waste to our civilization. But our surviving ancestors hid on its back, and built new cities. There, we were able to thrive.
Dr. Lloyd Godzilla. So that’s what happened to the neanderthals.

Elle Brody. There’s enough meat here to feed the world’s population ten times over. And its corpse is full of enough healing compounds to usher in a new age of medicine.
Dr. Lloyd Godzilla. Sounds like it was worth it losing the moon.

20 Jan 01:29

New Maleficent Trailer With Tons Of New Footage Of Angelina Jolie’s Disney Villain

by Linda Ge

Whoa. This new teaser (h/t Up and Comers) may be short, but it’s got tons of new footage from Maleficent.

Intercut with the same scenes from the animated Disney version of Sleeping Beauty, it gives us a nice contrast to how these characters have been translated into Robert Stromberg’s directorial debut.

You get a much better look at Angelina Jolie‘s crazy getup as Maleficent – especially in motion – as well as Elle Fanning as Prince Aurora, Sharlto Copley’s King Stephan and even Brenton Thwaites as Prince Philip.

Click here to view the embedded video.

Maleficent will be released on May 30th in the UK and US (and actually a couple days earlier in some other countries).

New Maleficent Trailer With Tons Of New Footage Of Angelina Jolie’s Disney Villain

19 Jan 20:03

Austrian TV Created A ‘Game of Thrones’ Style Intro For The Conference Title Games And It’s Fantastic

by Christmas Ape
cyrus.mortazavi

FUCKING awesome!

Worth noting that man behind the actual series, George R.R. Martin, says the Patriots are the Lannisters, so keep an eye out for treachery and brother-sister sex on their sideline today.

[via]

16 Jan 20:11

Why Miracleman Matters, Thirty Years On

by Rich Johnston

This morning I talked to a shop assistant at Orbital Comics who was reading Miracleman for the first time.

Because, today sees the publication of Miracleman #1, by Alan Moore and Garry Leach. Originally published as Marvelman in the pages of Warrior Magazine, it was a revival of the believed-abandoned British ripoff of Captain Marvel from the fifties, created to fill a gap in the cancellation of Captain Marvel reprints after Fawcett lost their legal case against DC’s Superman.

It was born out of a legal issues, revived out of legal issues and abandoned when no one could quite work out who owned what. Well, Marvel, after spending a significant seven figure sum, paid everyone off or lawyered them. And now can publish the comic again, specifically the Alan Moore/Garry Leach/Alan Davis/Chuck Austen/Rick Veitch/John Totleben/Neil Gaiman/Mark Buckingham run that everyone really cares about, as well as continue it to its conclusion, finishing off The Silver Age arc and concluding with The Dark Age.

But why do people care so much? Well, for all the superhero deconstruction that’s been going on since the eighties, Marvelman was really the one that did it first. It paved the way for everything that came – all the credit and blame that Watchmen gets, Marvelman has a strong claim to. Written by a nobody, Alan Moore was Dez Skinn’s third choice to write the comic, Warrior magazine itself formed by Dez Skinn as a way to recreate the success he’d had at Marvel UK, but doing it independently. Marvelman was his Captain Britain, V For Vendetta his Night Raven. And it soared, telling a proper adult superhero comic story, and making everyone sit up and go “oh”. This was the comic that got Alan Moore noticed by America.

It is seen as one of the first superhero comics to deconstruct itself, take all the juvenile elements and make them something very real and very scary. This was the superhero comic that grew up. And this was my favourite moment from that first issue, now coloured in a way that stands up to the original black and white art.

But it became far more than that. Through its publication, it revealed itself as the story of one superhero who, by his very existence, and the world’s reaction to him, utterly changes the world into something unrecognisable. Just from one small event that you take for granted. You’ve seen that in Dollhouse, you’ve seen that in Fringe, busting out of the genre’s trope and doing something that actually changes the reality the story is told in. It rejected the constraints of the shared universe, and showed the flaws in every other superhero story being told. And still being told. It rejected the reset button and went for broke.

It’s back. Alan Moore’s story will be told over one and a half years, Neil Gaiman’s follow up over the next one-and-a-half. For people who have read the previous Miracleman, we have a long wait.

But for the shop assistant I talked to, ahead of their Garry Leach signing at 5pm, it’s a rather wonderful narrative that she’s only just started.

I do hope it holds up.

Miracleman #1 is published today by Marvel Comics. Comics courtesy of Orbital Comics, London, who are today holding a Miracleman signing with artist and co-writer Garry Leach from 5pm.

 

Why Miracleman Matters, Thirty Years On

16 Jan 20:02

More Star Wars Episode VII Plot And Cast Details – Michael Fassbender, Hugo Weaving, Adam Driver In Contention

by Brendon Connelly

There’s one Star Wars rumour in particular that seemed to be picking up a bit of credibility in the shadows, and The Hollywood Reporter have gone ahead, stuck their neck out and put their name to it.

The gossip says – and if THR have sources good enough to trust on this, I’m buying it – that one of JJ Abrams central missions in rewriting the script for Episode VII is to give Luke, Leia and Han bigger roles, making the film “a proper send off” for the characters.

Michael Arndt’s original focus for the screenplay was on a next generation of characters that included, as many have been expecting,  the children of Luke, Leia and and Han. The same children as featured in the Expanded Universe? Well, that’s still a mystery but the very existence of The Story Group seems to suggest so.

It’s worth noting that, if Episode VII really does constitute a “send off,” then we shouldn’t expect Luke, Leia and Han to carry over to Episode VIII, let alone IX. So perhaps the shift in focus wasn’t motivated by Abrams, per se, but by a need to close out the story arcs of “The Big Three”? Did Mark Hamill, Carrie Fisher or Harrison Ford set this particular agenda?

Also of note in the same story is the new list of names that JJ Abrams would like to meet or is otherwise considering for roles in the film. The list is getting long now, but you should also add Michael Fassbender, Hugo Weaving and Adam Driver.

Driver has been put in the frame for franchise shenanigans with both Star Wars and Superman-Batman. I wonder if he’s also been earmarked by Marvel?

As Abrams and Lawrence Kasdan continue their rewriting, several roles are being changed up considerably and a number of actors that might have been contention until now are no longer appropriate. Not only are the ages of the characters changing, but the very characteristics of their personalities too.

And new characters appear to have been added to, including a young woman, described as “mixed race or black” who may, apparently, be the daughter or granddaughter of Obi Wan Kenobi. Perhaps.

Things are hotting up again for Star Wars casting. Expect a lot more news in just the next week or so.

More Star Wars Episode VII Plot And Cast Details – Michael Fassbender, Hugo Weaving, Adam Driver In Contention

16 Jan 19:55

Company mulls paying Peyton for audibles

by Darren Rovell
After hearing Peyton Manning yell "Omaha" more than 40 times at the line of scrimmage during Sunday's victory over the San Diego Chargers, an official with Omaha Steaks says the company is considering offering the star quarterback an endorsement deal.
15 Jan 19:58

A Death Blow To Net Neutrality?

by Andrew Sullivan

Andrew Leonard outlines the effects of a Tuesday court ruling that invalidated the FCC’s net neutrality rules:

In a decision widely seen as a victory for the big telecommunication companies and a defeat for defenders of the “open” Internet, the D.C. Court of Appeals struck down the FCC’s “net neutrality” rules on Tuesday. The decision in Verizon v. FCC effectively gives providers of Internet access the right to discriminate in favor of particular Internet services —  to create “express lanes” on the good old information superhighway. … But the decision is not necessarily a clear-cut ruling that net neutrality is unconstitutional. The court based its decision on a more technical issue: whether or not the broadband companies could be classified as “common carriers” that are not allowed to give special preferences to any users of their network infrastructure. Since the FCC had previously decided that broadband ISPs are not common carriers, the court ruled that the FCC could not then turn around and regulate the ISPs as common carriers.

Juan Cole warns that the ruling could allow “the corporatization of the Internet”:

The reason readers of Informed Comment can reach it as quickly and conveniently as they can reach a multi-billion dollar corporate web site is the principle of internet neutrality, built into the system by Tim Berners-Lee and other architects of the World Wide Web, which went live in 1991. Large private corporations that have been allowed to build out the pipes through which internet traffic flows have long wanted to introduce a different system, of net metering. In essence, if a corporation paid the internet provider a million dollars a year, readers could get to that site immediately. But for a site like Informed Comment without those sorts of bucks, service would be deliberately slowed and readers would have to wait a minute or two for the site to load. Studies have showed that most people won’t wait that way. So the entire independent cybersphere would be made invisible and more or less swept away. A similar thing happened to radio, which was a grassroots medium at the beginning and then was corporatized with government help.

Marvin Ammori isn’t giving up:

Those of us who had been involved with the net neutrality debate knew that, without reclassification, the flawed FCC order would never stand. But there were 100 ways it could have fallen. I thought that the court’s decision would be a baby-splitting half-loss that could enable the FCC to wipe its hands of network neutrality and pretend everything was A-OK. I was wrong on that point. The loss was so definitive, the powers granted to cable and phone companies so outrageous, that the FCC has a live grenade in its lap.

Now, every side is settling on its narrative. AT&T, Verizon, and their allies will argue that the decision means network neutrality is illegal, full stop, and the FCC can never adopt an order. They will also argue that the FCC needs to go to Congress to get more authority. Both arguments are wrong, of course. The FCC has all the power it needs to clean up the mess, simply by doing what [former FCC Chairman Julius] Genachowski—who, it must be said, is a very nice guy—knew he had to do but lacked the spine for.

Drum peers into his crystal ball:

The next step might be an appeal to the Supreme Court or it might be an FCC decision to reclassify the internet as a common carrier. But that’s what it’s come down to. If the Supreme Court upholds this decision (or refuses to hear an appeal), net neutrality is dead unless the FCC or Congress decide to reclassify broadband internet as a telecom service regulated as a common carrier. If they don’t, it will up-end the internet as we know it, with carriers free to provide, say, Amazon or Google with preferred service in return for higher access fees. That could be a big problem for startups—or anyone the telecom providers consider a competitor—who would have to contend with slower service as they tried to build their businesses. The big telecom companies say that’s not what they have in mind, and maybe they don’t right now. But they will. It’s only a matter of time.

Pethokoukis calls the ruling a victory for consumers and the free market:

The FCC rules were meant to impose one-size-fits-all price controls on Internet service providers and force them to treat, as The Wall Street Journal describes, “similar content on their broadband pipes equally.” Sounds innocent enough. Sounds fair. Sounds neutral. But at its core “net neutrality” really is nothing more than an attempt at rent seeking by content providers who want the ISPs to pay the tab for future network upgrades. It’s kind of like Apple lobbying for price controls on shippers like FedEx when transporting iPads from China to America. Whenever the transport firm bought new planes, it would have to eat the cost or pass it downstream to some other customers. In this case, the customers would have been regular consumers.

Bret Swanson agrees:

The court’s basic finding is correct and good for the Internet economy. Common carriage style regulation is not appropriate for the Internet. The Internet is a fast changing, multipurpose network, built and operated by numerous firms, with many types of data, content, products, and services flowing over it, all competing and cooperating in a healthy and dynamic environment. Old telephone style regulation, meant to regulate a monopoly utility that used a single purpose network to deliver one type of service, would have been a huge (and possibly catastrophic) step backward for what is today a vibrant Internet economy.

11 Jan 19:58

"Star Wars" Comics Move to Marvel in 2015 [UPDATED]

Marvel has announced that it will begin publishing new "Star Wars" comics in 2015, following the expiration of Dark Horse Comics' licensing contract. UPDATED with statement from Dark Horse.
11 Jan 16:17

Rick Remender Hits A New Low – His New Comic With X-Force Teammate Greg Tocchini Announced At Image Expo

by Rich Johnston
cyrus.mortazavi

Interesting premise

Rick Remender and Greg Tocchini, who last worked on Marvel’s Uncanny X-Force together, are announcing a new Image comic book at Image Expo today.

It’s called Low.

It is a sci-fi comic, set on a solar radiation-battered Earth, with humanity relocated under the sea. And a probe returning with information about a possible alternative planet to live on. But it’s crash landed on land, rather than the ocean. And the remaining warring human communities are in a race to get the information first across the most deadly of lands…

The comic was inspired by a sketch by Tocchini of an astronaut removing her space suit and Rick Remender took it from there – the look of that sketch becoming a source for the whole project.

But which came first? The science or the art? I asked Remender from his hotel room,

The idea for Low was born a number of years ago as I was reading an issue of National Geographic that was discussing the inevitable destruction of our solar system as the sun will inevitably expand and consume everything. I realized that this was a fact I had become aware of when I was about seven or eight years of age. And it reminded me of all of the scenarios that I imagined as a kid revolving around mans struggle to survive as the sun expanded. I remember it made me think how insignificant and useless every single thing we do is if one day the sun is going to consume everything. This series revolves around people facing that dilemma and finding the strength to remain optimistic throughout.

Remender has had strong success at Image Comics with the launches of Black Science and Deadly Class. Looks like he’s about to add an easy third to that.

Rick Remender Hits A New Low – His New Comic With X-Force Teammate Greg Tocchini Announced At Image Expo

09 Jan 18:17

Steven Moffat On Sherlock: “We’ve Plotted Out Series Four And Five”‏

by Brendon Connelly

The last episode of Sherlock series 3, His Last Vow, has just premiered at BAFTA and a Q&A panel including Steven Moffat, the episode’s writer, and Sue Vertue, the producer, is underway now.

A little while back, Moffat repeated that a fourth season is definitely coming. That wasn’t news. Just now though, he’s said that:

we’ve already plotted out series four and five.

Does that mean they’ll go into production? No. Of course not. But if the ratings and audience approval scores remain as high as they are at the moment, I’m sure the BBC and Hartswood Films will do everything in their power to ensure they do.

And isn’t it fun to think that some set-up for series five might be worked into series four?

Steven Moffat On Sherlock: “We’ve Plotted Out Series Four And Five”‏

09 Jan 18:12

Lucasfilm Have Convened A Star Wars Story Group And They’re Working On Defining A Single, Coherent Canon

by Brendon Connelly

George Lucas said that the Star Wars universe exists, essentially, in two versions. There’s his one, and then there’s the one everybody else can play with.

In effect, this meant that anybody writing Star Wars outside of the six main movies (to date) was expected to adhere to one another’s work and create story lines that were consistent with one another.

And then, whenever Lucas himself went on to create a new “core” story for the Saga, he had permission to overwrite or ignore anything from that “Expanded Universe.”

But now, Lucasfilm are looking to rework the system and destroy this hierarchy.

Leland Chee is employed by the company on their Story Team and has been answering questions on Twitter about how it all works.

Here’s the thrust of what he was saying, in quotes from his feed, and folding a question into the answer:

Star Wars Canon is now determined by the Lucasfilm Story Group which [Pablo Hidalgo] and I are both a part of.

Story Group has a hand in all facets of Star Wars storytelling, including movies, TV, games, and publishing. More so than ever, the canon field will serve us internally simply for classification rather than setting hierarchy.

[Disposing of the hierarchy and having one cohesive canon is] definitely a primary goal of the Story Group.

What will this mean in practice? Well, tossing out the hierarchy isn’t necessarily the same as scrapping the Expanded Universe. Not necessarily. And if it was that simple, then Story Group would have a very easy job and might only need five minutes to accomplish it.

Last summer, I was repeatedly hearing fairly strong rumours were that Episode VII pays absolutely no attention to the Expanded Universe. That’s why I’ve never been pushing the notion that our new, young leads would include Mara Jade or Jaina or whoever else the EU gave rise to.

Now… now I’m wondering if, perhaps, they might. That kind of weaving of EU in the main movies would certainly explain the purpose of Story Group, anyway.

Anyway, it’s clear that Lucasfilm and Disney want to tie all new Star Wars anythings into the same continuity, and I can’t say I blame them.

Lucasfilm Have Convened A Star Wars Story Group And They’re Working On Defining A Single, Coherent Canon

09 Jan 03:42

News Post: Resolutions

by gabe@penny-arcade.com (Gabe)
cyrus.mortazavi

For Katherine

Gabe: I’m not always a very good person. I’m mean and I recognize that. I know exactly where it comes from too. As a kid I moved schools a lot. I was always the new kid and I was a weird looking new kid which made it worse. There was no nationwide movement to stop bullying back then. The advice I got from teachers was to “ignore them” or “try and make friends with them”. It is hard to ignore or become friends with someone who literally sets your hair on fire on the bus. So what I did is decide at a young age that no one else’s opinion of me mattered. I had to in order not to kill…
29 Dec 21:26

New, Final FABLES Cover Artist Hopes to Add To & Respect Legacy

cyrus.mortazavi

Pertinent info: Fables to end with #150 in 2015.

Nimit Malavia is taking over the FABLES cover duty as the final artist on the series, and tells us what it means to him.
29 Dec 15:46

Happy Trails to Mr. Football

by Bryan Curtis
The end of an era for Mack Brown and the Texas Longhorns.
29 Dec 15:36

public works, in conjunction with instagram

by kris

20131227-walk

a beautiful sentiment, maybe not always applicable

28 Dec 21:14

The Raid 2 Set For March 28, 2014 Release

by Linda Ge

First, it will play at the Sundance Film Festival. Then, The Raid 2 will hit US theaters on March 28, 2014, it was announced today by Sony Pictures Classics, who also released Gareth Evans’ first ultra-violent action film.

The sequel takes place right after the events of the first film, with Iko Uwais’s Rama going undercover in order to take on the crime syndicate involved with police corruption and threatening the safety of his family.

In case you missed the trailer, with a nice sample of the more creative and violent ways Rama will be taking on and taking out his enemies, here it is below.

Click here to view the embedded video.

The Raid 2 Set For March 28, 2014 Release

25 Dec 19:51

Anime Series Kill la Kill Keeps Killing Clichés – Look! It Moves! by Adi Tantimedh

by Hannah Means Shannon

Adi Tantimedh writes:

The anime series getting the most buzz this season is Kill la Kill, new studio Trigger’s postmodern deconstructionist action comedy.  You may have heard of this plot before: tomboy street brawling tough girl Kyoko Matoi transfers to the elite private school Honounji Academy armed only with her fists and giant scissor blade sword in search of the killer of her scientist father, but has to fight through the fascistic student council led by its president Satsuki Kiryuin, who rules over the school and the city with an iron fist.  Their uniforms grant them superpowers based on their skills and interests, and to fight them, Kyoko ends up with a superpowered uniform of her own, a living weapon invented by her father, who may have had a hand in creating the student council’s uniforms as well.

 

Click here to view the embedded video.

That’s right. School uniforms.  Not for children and NSFW.

And when Kyoko transforms into fighting mode, her uniform becomes a ridiculously skimpy costume that leaves nothing to the imagination. The elite students with their starred uniforms also transform into various forms of armor and costuming depending on their favorite pastimes or obsessions. Ryoko has to fight the president of the tennis club, the boxing club, the swimming club, all the while half-naked. And when she defeats them, she destroys their costumes and strips them naked.  She still has to get to Satsuki Kiryuin herself, who also has a living costume that renders her the most powerful fighter on the schoolyard battlefield.  It’s all about the clothes. And the shredding of clothes.

Click here to view the embedded video.

It’s all gloriously stupid, gleefully absurd, cheesy, sleazy and lunatic, and it knows it. This is a show that wants its fanservice and eats its postmodern deconstructionist commentary cake at the same time.  The show makes fun of the ridiculous skimpy costumes of female characters in superhero and fantasy stories while also making fun of how we’re expected to leer at them, then turns it around again to comment on the female characters controlling and owning their sexuality and half-nakedness, then having her strip her enemies naked. Even her homeroom teacher, who’s really an undercover agent from an organization called Nudist Beach , is an itinerant exhibitionist.  They know just how phallic the swords and weapons are. No pervy obsession is left untouched. Male gaze is indulged in and made fun of.

Click here to view the embedded video.

The layers of deconstruction, pop references and silly slapstick satire run deep in this show. Each episode is named after a song from the Showa era.  The characters’ dialogue is culled from decades of cheesy and melodramatic lines in pulp and action movies. There’s the cheerfully silly best friend. There’s the tough guy posturing right out of Japanese tough guy movies. It takes the piss out of the dominance of high school in Japanese pop culture.  And it’s all served up as manic slapstick farce.  The art style goes from straight action grimness to Chibi cuteness to the chaotic rough sketchiness reminiscent of Go Nagai. This is comedy by smart people making stupid jokes as stupid as possible, wrapped up in a manic superhero spoof.

Click here to view the embedded video.

And where else are you going to find Marxist critique in a comedy anime?  Honouji  Academy dominates the city and the lives of everyone who lives in it. Families’ social status is determined by how many stars the high schoolers have at the academy, with the no-star students relegated to the status of plebs and cannon fodder. Only starred uniforms give them superpowers, and their families better homes and income.

School council president Satsuki Kiryuin believes people are pigs to ruled over and dominated by an upper class elite led by her and her council.  As far as she’s concerned, the masses are easily intimidated and then lulled into placid obedience by promises of rewards in Hunger Games-style contests.  Except this is Hunger Games by way of Monty Python and Benny Hill. This is high school life as an allegory for class warfare with the heroine as revolutionary fighter. There’s even an episode about Kyoko trying to subvert the school’s system only to become an alienated laborer fighting to keep her best friend’s family in a luxury lifestyle as they get assimilated into the system rather than overthrowing it.  This is like if Bertolt Brecht was a horny otaku animator living in Tokyo.

Click here to view the embedded video.

This is really par for the course for director Hiroyuki Imaishi and writer Kazuki Nakashima, whose previous worked included FLCL and absurdist Science Fiction Gurren Lagann.  The feel is like punk rock, anarchic, manic and with a short attention span, yet fully in control of their themes and ideas as they mix metatextual references to pop culture, movies and anime with social and political commentary. It’s a throw-everything-to-the-wind approach to genre storytelling where they decide they can ignore any pretense at scientific naturalism or accuracy and just make up whatever the hell they want to support their themes even as they follow the superhero fantasy of empowerment and push it so far over the top it goes into orbit.  They want you to be in on the jokes.

Click here to view the embedded video.

Where FLCL and Gurran Lagann were allegories about a boy’s coming-of-age, Kill la Kill is also about a teenage girl’s coming-of-age. The sexual symbolism of her shedding blood to transform into a half-naked warrior is overt, and the story is full of allusions to her quest for identity and purpose.  Even the sedate end credits sequence shows her wandering the city streets pondering the various gender roles society pushes for women and ends with her angry, rebellion gaze as she turns her back on it all.  More proof that Japanese anime and manga are miles ahead of the US sophistication, even at its silliest.

Click here to view the embedded video.

 

Kill la Kill is currently simulcast streaming on Crunchyroll, Hulu Plus, Daisuki in the UK and Wakanim.co.uk in the UK.

Wearing it all on the sleeve at lookitmoves@gmail.com

Follow the official LOOK! IT MOVES! twitter feed at http://twitter.com/lookitmoves for thoughts and snark on media and pop culture, stuff for future columns and stuff I may never spend a whole column writing about. 

Look! It Moves! © Adisakdi Tantimedh

Anime Series Kill la Kill Keeps Killing Clichés – Look! It Moves! by Adi Tantimedh

23 Dec 16:53

NFC East crown to be decided Sunday night

by Associated Press
cyrus.mortazavi

Goddamnit

The showdown between Philadelphia and Dallas for the NFC East title is being moved to prime time next Sunday night.
20 Dec 16:36

not in my future (nimf)

by kris

20131210-camerafuture

i looked like human garbage when i pulled into the drive-thru. you know what i saw in front of the menu board? a camera and a screen featuring an excited go-getter of a cashier, and in the lower left corner, […] ↓ Read the rest of this entry...
09 Dec 02:56

Rush Limbaugh Knows Nothing About Christianity

by Andrew Sullivan

756px-Hoffman-ChristAndTheRichYoungRuler

[Re-posted from earlier today.]

Well, after Sarah Palin, another scholar of Catholicism has weighed in on Pope Francis. Rush Limbaugh has a truly gold-star hathos alert in a recent diatribe, brilliantly titled:

It’s Sad How Wrong Pope Francis Is (Unless It’s a Deliberate Mistranslation By Leftists)

Does it get more awesomely hathetic than that?

In some ways, of course, Limbaugh is onto something. The Pope of the Catholic Church really is offering a rebuttal to the Pope of the Republican party, which is what Limbaugh has largely become. In daily encyclicals, Rush is infallible in doctrine and not to be questioned in public. When he speaks on the airwaves, it is always ex cathedra. Callers can get an audience from him, but rarely a hearing. Dissent from his eternal doctrines means excommunication from the GOP and the designation of heretic. His is always the last word.

And in the Church of Limbaugh, market capitalism is an unqualified, eternal good. It is the ever-lasting truth about human beings. It is inextricable from any concept of human freedom. The fewer restrictions on it, the better. In that cocooned, infallible context, of course, Pope Francis is indeed a commie:

Listen to this.  This is an actual quote from what he wrote.  “The culture of prosperity deadens us.  We are thrilled if the market offers us something new to purchase.  In the meantime, all those lives stunted for lack of opportunity seem a mere spectacle.  They fail to move us.”  I mean, that’s pretty profound.  That’s going way beyond matters that are ethical.  This is almost a statement about who should control financial markets.  He says that the global economy needs government control.  I’m telling you, I’m not Catholic, but I know enough to know that this would have been unthinkable for a pope to believe or say just a few years ago.

Really? Limbaugh specifically invokes the great anti-Communist Pope, John Paul II, as an alleged contrast with this leftist gobbledegook. So let us look at John Paul II’s discussion of capitalism and communism in his 1987 Encyclical, Sollicitudo Rei Socialis:

The tension between East and West is an opposition … between two concepts of the development of individuals and peoples, both concepts being imperfect and in need of radical correction … This is one of the reasons why the Church’s social doctrine adopts a critical attitude towards both liberal capitalism and Marxist collectivism.

My italics. The church has long opposed market capitalism as the core measure of human well-being. Aquinas even taught that interest-bearing loans were inherently unjust in the most influential theological document in church history. The fundamental reason is that market capitalism measures human life by a materialist rubric. And Jesus radically taught us to give up all our possessions, to renounce everything except our “daily bread”, to spend our lives serving the poverty-stricken takers rather than aspiring to be the wealthy and powerful makers. He told the Mark Zuckerberg of his day to give everything away to the poor, if he really wanted to be happy.

Limbaugh has obviously never read the Gospels. He has never read the parables. His ideology is so extreme it even trashes, because it does not begin to understand, the core principles of capitalism, as laid out by Adam Smith. Market capitalism is and always has been a regulated construction of government, not some kind of state of nature without it. Indeed without proper regulation to maintain a proper and fair and transparent market, it is doomed to terrible corruption, inefficiency, injustice, and abuse.

But let us return to Limbaugh’s hero, John Paul II, this time in Centesimus Annus, written in the wake of Soviet Communism’s demise:

The Marxist solution has failed, but the realities of marginalization and exploitation remain in the world, especially the Third World, as does the reality of human alienation, especially in the more advanced countries. Against these phenomena the Church strongly raises her voice. Vast multitudes are still living in conditions of great material and moral poverty. The collapse of the Communist system in so many countries certainly removes an obstacle to facing these problems in an appropriate and realistic way, but it is not enough to bring about their solution.

Indeed, there is a risk that a radical capitalistic ideology could spread which refuses even to consider these problems, in the a priori belief that any attempt to solve them is doomed to failure and which blindly entrusts their solution to the free development of market forces.

My italics again. Could anyone have offered a more potent critique of current Republican ideology than John Paul II? Could anything better illustrate John Paul II’s critique of radical capitalist ideology than the GOP’s refusal to be concerned in any way about a fundamental question like access to basic healthcare for millions of citizens in the richest country on earth?

Sorry, Rush, but if you think this critique of capitalism is something dreamed up by the current Pope alone, you know nothing about Catholicism, nothing about John Paul II, and nothing about Christianity. But I guess we knew that already, even though the ditto-heads still believe, like that particularly dim bulb Paul Ryan, that Ayn Rand and Jesus Christ are somehow compatible, when they are, in fact, diametrically opposed in every single respect.

Notice, however, as I noted yesterday, that the Church in no way disputes the fact that market capitalism is by far the least worst means of raising standards of living and ending poverty and generating wealth that can be used to cure disease, feed the hungry, and protect the vulnerable. What the Church is disputing is that, beyond our daily bread, material well-being is a proper criterion for judging human morality or happiness. On a personal level, the Church teaches, as Jesus unambiguously did, that material goods beyond a certain point are actually pernicious and destructive of human flourishing. I hesitate to think, for example, what Limbaugh would have made of Saint Francis, the Pope’s namesake. Francis, after all, spurned the inheritance of his father’s flourishing business to wash the bodies of lepers, sleep in ditches, refuse all money for labor, and use begging as the only morally acceptable form of receiving any money at all. In the Church of Limbaugh, there is no greater heretic than Saint Francis. Francis even believed in the sanctity of the natural world, regarding animals as reflecting the pied beauty of a mysterious divinity. Sarah Palin, in contrast, sees them solely as dinner.

Which gets to the deeper issue of materialism.

Nothing better demonstrates the antipathy of the current Republican right to Christianity – indeed its constant, relentless war on Christianity – than the following refreshingly candid confession of spiritual barrenness from Limbaugh:

I want to go back to this quote from the pope again, from his — there’s the name for the document.  I can’t think of it and I don’t have it in front of me.  “The culture of prosperity deadens us.  We are thrilled in the market offers us something new to purchase.  In the meantime, all those lives stunted for lack of opportunity seem a mere spectacle.  They fail to move us.”  I’m not even sure what the connection there is.

We are thrilled if the market offers us something new to buy?  I guess there’s something wrong with that.  We’re not supposed to be thrilled if there’s something new to buy.  That’s how I interpret it.  Now, let me give you a fascinating stat I just learned today.  The iPhone 5S, which is the top-of-the-line iPhone, was announced way back in September, and has been in shortage ever since.

They have been unable to meet the demand, for whatever reason.  They have just recently caught up, and would you like to know how they did it?  They have put one million people on different assembly lines, 600 employees per assembly line at the factory in China at the one factory, where they are making 500,000 iPhones a day, and they still haven’t caught up to demand.

That’s a lot of people who are thrilled with something new to buy.

Er, yes, Rush. But the Pope is not making an empirical observation. In so far as he is, he agrees with you. What he’s saying is that this passion for material things is not what makes us good or happy. That’s all. And that’s a lot for Limbaugh to chew on. And if the mania for more and more materialist thrills distracts us from, say, the plight of a working American facing bankruptcy because of cancer, or the child of an illegal immigrant with no secure home, then it is a deeply immoral distraction. There’s something almost poignant in Limbaugh’s inability even to understand that material goods are not self-evidently the purpose of life and are usually (and in Jesus’ stern teachings always) paths away from God and our own good and our own happiness. Something poignant because it reveals a profound ignorance of one of the West’s deepest cultural inheritances in Christianity.

Limbaugh’s only recourse when faced with actual Christianity is to conspiracy theories about translations of the Pope’s words. Perhaps it’s the commies who have perpetrated a massive lie through their control of the media. That was Sarah Palin’s response to, when confronted with, you know, Christianity for apparently the first time. But you sense that even Rush is beginning to realize there is something more to this, something that could be very destructive to his sealed, cocooned, materialist ideology of one. Hang on a minute, you almost hear him saying to himself …

Yes, Rush, hang on a minute. Christianity is one of the most powerful critiques of radical market triumphalism. And it’s now coming – more plainly and unmistakably in our lifetimes – to a church near you.

(Painting: “Christ and the Rich Young Man” by Heinrich Hofmann.)

04 Dec 23:09

"Fast & Furious" Actress Gal Gadot Cast as Wonder Woman in "Man of Steel" Sequel

The film commonly referred to as "Batman vs. Superman" has added Wonder Woman, to be played by "Fast & Furious" actress Gal Gadot.
02 Dec 01:55

Vernon Davis Falls Prey To The Dick Tackle

by Christmas Ape
cyrus.mortazavi

Not cool, dude!

dicktackle

Rams safety T.J. McDonald was a little insistent on bringing down Vernon Davis by his penis. That’s gotta hurt. Guess it’s up to Vontae to produce the children for that family.

Vernon ended up like this and the guys watching got real squeamish.

vern
02 Dec 01:53

Does Original Killing Joke Artwork Reveal Greater Sexual Intent For Batgirl?

by Hannah Means-Shannon
cyrus.mortazavi

Well that's disappointing to see.

Billy Hynes, a former employee of Gosh! Comics in London, has been posting photos of original comic book artwork on Twitter today that he’s been sifting through and in which he’s been finding surprises. But for many fans, this find will be the most surprising yet.

It appears to be an original page from Alan Moore and Brian Bolland’s The Killing Joke from DC Comics which differs from the final print image in the comic. Brian Bolland, when shown this Twitpic, has confirmed to Bleeding Cool that it is genuine artwork and that he was, indeed, asked to rethink the central panel on this page.

Hynes tweeted:

Did they really rethink this’d get into an issue of Batman? “Love that Joker” pic.twitter.com/g6KGKNaAgH

— Billy Hynes (@BillyHynes) December 1, 2013

And Hynes included the following image (censored to be less NSFW):

Whereas the page that appeared from DC Comics compares thus:

This original page shows a much more sexualized element to Barbara Gordon’s torture by the Joker than has previously been assumed. Contention over the sexualized element surrounding Gordon’s torture has oft cited the fact that purely physical violence is shown the final comic and not sexually explicit content.

This original panel shows otherwise, however, it obviously proved too explicit for DC. If intent is significant to interpreting the rest of the scenes concerning Batgirl in The Killing Joke, here we have original intent of sexualized violence, and this provides us with another piece of the puzzle for interpreting a highly controversial comic.

Hannah Means-Shannon is Senior New York Correspondent at Bleeding Cool, writes and blogs about comics for TRIP CITY and Sequart.org, and is currently working on books about Neil Gaiman and Alan Moore for Sequart. She is @hannahmenzies on Twitter and hannahmenziesblog on WordPress. Find her bio here.

Does Original Killing Joke Artwork Reveal Greater Sexual Intent For Batgirl?

02 Dec 00:52

The Complete Top 100 Comic Book Storylines of All-Time!

We collected your votes and now here are your complete choices for the Top 100 Comic Book Storylines of All-Time.
01 Dec 19:17

“The Porn Gap”

by Andrew Sullivan

Drawing on data from the site Pornhub, David Holmes considers how income affects porn-viewing habits:

The most pronounced differences were observed when comparing time-on-site and page views per capita. In wealthier communities, the average visit duration was 9 minutes and 54 seconds, whereas in less wealthier communities, the average was 11 minutes and 5 seconds. However, the pageviews per capita in high income cities was 9.44 while in low income cities it was only 6.74. It could be that high-earning pornhounds are simply more efficient in their consumption. More likely this is due to faster Internet connections and higher Internet penetration in high-income communities. In other words, the income gap has led to a porn gap.

As for porn preferences, while subtle differences exist between high- and low-income cities, the top categories and search terms bear striking similarities.

In fact, the top five search terms are the same across high-income and low-income cities, although the order is different. In high-income cities, the top five are 1. Gay 2. Ebony 3. Teen 4. Lesbian and 5. MILF, while in low-income cities they are 1. Teen 2. Lesbian 3. MILF 4. Ebony 5. Gay.

Other differences: “Asian” makes the top 10 in six high-income cities but in no low income cities. “Big Dick” makes the top 10 in all 10 low-income cities but only two high-income cities (Washington, DC and Trenton, NJ). Meanwhile, “Squirt” makes the Top 10 in seven low-income cities, but only one high-income city (Hi, New York City). Finally, the highfalutin’ folks in San Jose, Boulder, Thousand Oaks, Stamford, and Napa, like their porn in HD.

01 Dec 19:15

The World’s First Trillionaire

by Andrew Sullivan

Elliot Hannon wonders who it will be:

The two industries are best positioned to take a billionaire to the next level are technology and retail, for the same reason: Both use a global labor pool to make affordable products, inexpensive enough that workers can soon become the consumers of the products they are making. Of course, the tech industry is building on Internet infrastructure to create billionaires faster than ever. In October 2010, photo-sharing social network Instagram came into being; less than two years and a mere 13 employees later, Facebook snapped up the company for a cool billion.

A look at the Forbes list of the world’s wealthiest shows that the rise of technology and telecommunications has made a big impact:

Mexico’s Carlos Slim, who vies with Gates for the top spot on global-richest lists, made the bulk of his fortune in telecom. Lurking just below these technology magnates are Amancio Ortega, the founder of Zara; the Walton family and their ubiquitous Walmart chain; the Mars family of candy fame; Stefan Persson, chairman of H&M; and Jeff Bezos of Amazon. The rise of these individuals and families is perhaps more surprising than that of Gates, Slim, and their peers—and may be revealing about the clearest sustainable path to 10 figures. These magnates are best positioned, in different ways, to find and use available labor no matter where it is. That will help them sell their products at prices that a wealthier world will be able to afford most quickly. For that to happen, they’ll need emerging markets to continue emerging, creating not only employees but customers, too. If that happens, in two generations – about 60 years – Credit Suisse predicts there could be as many as 11 trillionaires walking among us.

Of course, forecasts can be way off; in 1999, Wired predicted that Bill Gates would reach the trillion-dollar mark by August 2015. He’s currently about $928 billion short.

01 Dec 18:40

Sci-Fi Impressionism

by Andrew Sullivan
cyrus.mortazavi

Alright, that's just cool.

Swedish artist Anders Ramsell has produced a 35-minute version of Blade Runner made up of watercolor drawings, frame by frame:

It took him a year and a half to create the film:

Ramsell expressed his reimagining of the film through the medium of Aquarelle, a type of drawing done with transparent watercolors. He created 12,597 tiny paintings by hand and strung them together into a dreamy 35-minute video that manages to capture both the despair and beauty of the subject matter. The washed-out setting the process creates is mesmerizing to watch as the scenes flow together. The characters are impressionistic hints of themselves, but still completely recognizable. Because Ramsell edited the film down to 35 minutes, he calls it a “paraphrase” rather than a remake. “It was never my intent to make an exact version of the movie; that would fill no purpose,” he wrote. “Instead I wanted to create something different and never before seen.”

Amanda Kooser is astounded:

The original dialogue from the film plays over the scenes like a ghost. It builds up to the haunting final scene and leaves you with the feeling you just dreamed your way through the movie. It may be one of the most spectacular works of fan art ever created.

01 Dec 06:00

Healthcare Socialism 1; Healthcare Capitalism 0

by Andrew Sullivan

ihp itl L

The Commonwealth Fund quietly eviscerates America’s medical system with some basic facts. Two of the more remarkable ones:

In 2013, more than one-third (37%) of U.S. adults went without recommended care, did not see a doctor when they were sick, or failed to fill prescriptions because of costs, compared with as few as 4 percent to 6 percent in the United Kingdom and Sweden.

Roughly 40 percent of both insured and uninsured U.S. respondents spent $1,000 or more out-of-pocket during the year on medical care, not counting premiums. High deductibles and cost-sharing, along with no limits on out-of-pocket costs, may explain why even insured people in the U.S. struggled to afford needed health care, the researchers said.

I’m sympathetic to the ideas of Ponnuru and Levin, and if they had been seriously proposed by the GOP at some point, would have been open to them. But I can’t see them truly changing the core equation – where the US pays far more and gets far less in healthcare than any other comparable country.

When a private sector system means you have ten times as many people failing to get basic treatment as in Britain’s uber-socialized NHS, you realize just how great the market failure is. I’m all for markets, but the facts seem to me to reveal that in healthcare, they are toxic to most people’s actual, you know, health. In what other area does socialism work so much better than capitalism? Isn’t that a first order question conservatives should address?

30 Nov 07:54

Leaner, Meaner Optimus Prime Revealed In New Transformers: Age Of Extinction Image

by Linda Ge

Above is the cover of the latest Empire magazine, featuring the first look at our favorite alien robot, Optimus Prime as he will appear in Michael Bay’s sequel/reboot Transformers: Age of Extinction.

Gone are the (overtly patriotic?) bright red and blue, as the image above shows a grittier, leaner and meaner Autobot leader alongside his new human companions Mark Wahlberg, Jack Reynor and Nicola Peltz.

I’m also not used to seeing such an angry glare on Optimus’ face. To counteract this new darker, bleaker look, Bumblebee better be twice as adorable as he was in the first trilogy.

Transformers: Age of Extinction will be released on June 27, 2014.

Leaner, Meaner Optimus Prime Revealed In New Transformers: Age Of Extinction Image

30 Nov 07:49

Casting On Star Wars, Terminator, Ant-Man And More Hot Properties Heat Up

by Linda Ge

Every year around this time, studios begin meeting with various actors needed for big movies that will begin filming early in the new year for summer releases the following year. THR have a breakdown of what’s going on with Star Wars Episode VII, the Terminator reboot, a new Judd Apatow movie and more.

Star Wars Episode VII’s casting process has been pretty well documented and THR unfortunately doesn’t dig up anything we didn’t already know: an international open casting call is on for two young leads: a teenage girl and a slightly older guy. But they do add that JJ Abrams and company are also looking for a 40-something military type a la Matt Damon in Elysium, which confirms Brendon’s initial report on casting breakdowns of the lead roles.

Edgar Wright is still searching for his Ant-Man, while THR confirms recent rumors that Paul Rudd has emerged as the frontrunner for Hank Pym. Now the search is on for his leading lady, Janet Van Dyne. While recent rumors have pegged Rudd’s frequent co-star Rashida Jones for the part, THR stays mum on names, saying only that the actress will be “30-ish.”

Terminator 5 is testing actresses for Sarah Connor, with previously reported names like Brie Larson and Emilia Clarke now joined by a new contender that is sure to be welcome news for a lot of fans: Orphan Black’s Tatiana Maslany. Director Alan Taylor and producers will likely cast Sarah before finding a Kyle Reese and John Connor to play off her.

• Nothing new on Batman vs. Superman, as the female lead role is still between Olga Kurylenko, Elodie Young and Gal Gadot, though rumors suggest Gadot has the edge right now.

Judd Apatow has given a big break to comedienne Amy Schumer by casting her as the lead in his next comedy, Train Wreck (in which she’ll play a train wreck), and will next seek to cast supporting roles around her. Among those up for grabs include her boyfriend, a best friend/co-worker and a parent, all sure to be wacky and scene-stealing, I’m sure. No names just yet.

Casting On Star Wars, Terminator, Ant-Man And More Hot Properties Heat Up