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25 Sep 10:45

Mister Organ Review: A Darkly Funny, Highly Disturbing Documentary About A Pathological Liar [Fantastic Fest]

by Chris Evangelista

Who is Michael Organ? He's royalty. He's a lawyer. He's a genius; the smartest guy in any room. At least, that's clearly what he thinks. But those who have run afoul of the New Zealander have a much different impression. According to seemingly everyone, Michael Organ is a pathological liar. We're not talking little white lies here; Organ appears to lie about literally everything, to everyone, at all times. Worse: he allegedly obsessively zeroes in on people he deems to be weak and systematically ruins their lives. 

To be clear: Organ isn't physically harming anyone. But his modus operandi seems to be a sick desire to somehow bore people into submission. Organ likes to talk. And talk and talk and talk. He can talk for hours and never let anyone get a word in edgewise. He's like the living embodiment of energy vampire Colin Robinson on "What We Do in the Shadows." Speaking of "Shadows," Organ also talks and behaves like a Matt Berry character come to life, which sounds funny in theory, but would probably be exhausting in reality. And he won't stop, ever. He's like the Terminator of talking. 

What motivates Michael Organ? Where did he come from? And why won't he ever own up to his actions? These are the many questions raised by "Mister Organ," David Farrier's darkly funny, frequently horrifying documentary that attempts to solve the mystery that is Michael Organ. Like Farrier's doc "Tickled," "Mister Organ" starts off as one thing before slowly transforming into a completely different, and far more disturbing story. As "Mister Organ" begins, it tells the tale of an Auckland antique shop, Bashford Antiques, and the strange scandal that resulted in the shop being closed down. 

The shop's owner, Gillian Bashford, took the parking spots in front of her store very seriously. So seriously, in fact, that she heavily cracked down on anyone who dared to park there when the shop was closed. To enforce this, Bashford hired a tow truck driver who went above and beyond the call of duty. The driver would either put a boot on a car's tire and wait for the owner to show up, or would deliberately block drivers with his truck. Then he would proceed to talk to them — for hours. Or perhaps talking to them isn't correct. It's more like he talks at them, prattling on and on and on, establishing his dominance in the process. And oh yeah, to get their cars back, the drivers would have to fork over $700. Farrier, a journalist who specializes in writing about these strange sorts of true stories, set about writing a series of articles all about this, and the articles resulted in a full-blown scandal that went all the way to Parliament. But that was just the beginning. 

Who Is Mister Organ?

Eventually, Farrier ended up in court, sued by Gillian Bashford for stealing property from her closed shop (it was a sign, which Farrier says he found in the trash). The man who showed up to represent Bashford in court was none other than the tow truck driver involved with the parking scandal — Michael Organ. And unfortunately for Farrier, Organ was very persuasive in court, so much so that Farrier lost the case. It didn't help that the sign vanished from Farrier's property. 

But wait, there's more. In a strange twist, Organ and Bashford agree to sit down and speak with Farrier, and over the course of several years, the filmmaker films long, rambling conversations with Organ. Bashford is usually there, too, but she sits silently for the most part and lets Organ do all the talking. And how could she not? He loves to talk. Now, right about now, you're probably asking, "What's so disturbing about a guy who talks a lot?" And indeed, part of the Organ's insidious nature seems to be the way he grinds people down over a period of time without them even realizing it. If you deal with this sort of person day to day, you might grow accustomed to the way they operate, and not even realize it's happening. But when you see it all cut together, back to back, as it is here, a clearer picture begins to form.

Indeed, there's an unsettling moment in the movie where Farrier has an epiphany that he's spent years talking to Organ without actually getting any answers — and since he's making a movie, he has to keep talking to Organ until he gets somewhere. This realization is so horrifying to Farrier that his face crumples for a moment, as if he's about to cry. And he has a right to be concerned — Organ keeps talking about nefarious plots, and at one point reveals he somehow has a key to Farrier's house (Farrier tries the key and confirms it is indeed legit). 

A Black Hole

And through it all, Organ keeps popping up, prattling away like a blowhard and saying absolutely nothing. He sounds like he's speaking intelligently, but if you really start to listen, you realize he's not saying anything of any meaning. He's just talking, mostly about himself. And almost everything he's saying appears to be a lie.  As the film progresses, Farrier keeps talking with people from Organ's past — primarily old roommates who all share similar stories about how they were all but driven slowly insane by being in proximity to the man. Many of them describe him as a kind of black hole who sucks in all light and energy. Farrier also tries to speak with Organ's family, all of whom give him the brush-off. You could argue that they have every right to do that, and they do. At the same time, it paints a portrait of Organ as a mysterious figure who perplexes everyone. 

The banal insidiousness of it all began to fill me with a type of nameless dread. Backed up by a droning, unsettling score, "Mister Organ" begins to seem like a horror movie. Organ himself seems harmless, at least physically. But he exudes a certain temperament that appears slightly off. Why is he doing any of this? Does he even realize he's doing it? Or does he believe his own stories?

All of this is told completely from Farrier's perspective, and I'm sure Organ would argue that that makes the entire film biased and unfair. That's his right. But as Farrier plays one droning, maddening conversation with Mister Organ after another, it's hard not to believe that the people telling disturbing stories about Michael Organ are all telling the truth, and truth isn't something you can easily ascribe to Michael Organ himself. 

/Film Rating: 7.5 out of 10

Read this next: The Best Movies Of 2022 So Far

The post Mister Organ Review: A Darkly Funny, Highly Disturbing Documentary About a Pathological Liar [Fantastic Fest] appeared first on /Film.

25 Sep 10:45

Remember when FaceMetaZuckBook threw a huge tantrum about having to allow iPhone users to opt out of being tracked? Yeah, they just built secret workarounds and kept on tracking anyway [Asinine]

25 Sep 10:43

MotorStorm: Pacific Rift Looks Gorgeous and Smooth at 4K@60FPS with RPCS3

by Alessio Palumbo

MotorStorm: Pacific Rift

MotorStorm: Pacific Rift is one of those titles that, despite not having been a huge hit, easily remained in the minds of its fans many long years after they had stopped playing it.

The game launched in late 2008 for the PlayStation 3, delivering heart-pounding off-road action through sixteen original tracks featuring a healthy mix of locales such as jungles, beaches, caves, and mountainsides. MotorStorm: Pacific Rift also added a new gameplay feature related to the traversal of rivers and waterfalls: water would cool engines, but going in too deep inevitably slowed down racers. There were also plenty of vehicle types to choose from, ranging from the likes of Buggies and ATVs to Monster Trucks and Bikes, and each of them was fun to drive around. There really hasn't been as good of an arcade off-road racing game since, at least in this author's opinion.

Having been developed by the defunct Evolution Studios as a PS3 exclusive, it's a bit hard nowadays to experience the game, especially after the online servers were closed around ten years ago by Sony. However, the development team of RPCS3 has greatly improved the PC emulator's compatibility with the game recently. To demonstrate it, they published a stunning MotorStorm: Pacific Rift 4K@60FPS gameplay video showing how gorgeous and smooth this game can look once it is unburdened by hardware constraints.

The RPCS3 team even developed a few additional patches to support variable FPS and disable dynamic resolution scaling and motion blur effects. If you wish to emulate MotorStorm: Pacific Rift yourself, there's a dedicated page on the wiki that includes all of the recommended settings and tweaks. Have fun!

The post MotorStorm: Pacific Rift Looks Gorgeous and Smooth at 4K@60FPS with RPCS3 by Alessio Palumbo appeared first on Wccftech.

25 Sep 00:57

Rebel FM Episode 554 - 09/23/2022

We're here! We're tired! But we're talking about games! Games like Return to Monkey Island, and Modern Warfare II (the new one)'s beta, and God of War, and a bunch of other stuff!  This week's music:  Bring Me The Horizon - sTraNgeRs
24 Sep 17:34

Windows 11’s First Big(ish) Update Is Now Available

by Boone Ashworth
Plus: Framework has a new ultra-repairable Chromebook, there's a cheaper Google Chromecast, and Amazon refreshes its Fire HD tablets.
24 Sep 17:33

AMD Ryzen 9 7950X CPU Showcases Its Efficiency Prowess With 6.5 GHz Overclock & Just 270W Power Consumption

by Hassan Mujtaba

AMD Ryzen 9 7950X CPU Consumes Just 270 Watts of Power With Overclock of 6.5 GHz Across All Cores 1

The AMD Ryzen 9 7950X flagship CPU continues to score impressive overclocking feats ahead of its launch next week. The CPU was recently pushed to 7.2 GHz with LN2 overclocking and also showed some fantastic results with a standard liquid cooler.

AMD Ryzen 9 7950X CPU Consumes Just 270 Watts of Power With Overclock of 6.5 GHz Across All Cores

The new benchmarks have once again been published by US overclocker, Sampson, who used the AMD Ryzen 9 7950X and overclocked it up to 6.5 GHz across all cores using LN2 cooling. The CPU achieved this overclock under LN2 cooling which allowed the Sampson to achieve the higher clock frequencies. The ASRock X670E Taichi and ASUS ROG Crosshair X670E GENE motherboards were used to score the world record.

AMD Ryzen 9 7950X CPU Consumes Just 270 Watts of Power With Overclock of 6.5 GHz Across All Cores 2

In Cinebench R23, the CPU scored 48,235 points in the multi-core benchmark test, running at 6.45 GHz (1.4V) with a max wattage of 271W (74.12% load). The second benchmark was carried out in Cinebench R20 where the chip scored 18,605 points while running at 6.5 GHz (1.40V) & with a max power draw of 270W (68.40% load). The wattage is very impressive here considering the Intel Core i9-13900K requires 1.5V and consumes around 400W of power to achieve an overclock of 6.2-6.3 GHz across all cores.

amd-ryzen-9-7950x-cpu-overclock-ln2-cooling-_1
amd-ryzen-9-7950x-cpu-overclock-ln2-cooling-_3
2 of 9

An additional result has also been shared by Videocardz which shows the AMD Ryzen 9 7950X CPU running at an overclocked speed of 6.7 GHz achieved on the Gigabyte X670E AORUS Xtreme board and the CPU scoring over 50,000 points in Cinebench R23. All of these results were carried out with LN2 cooling and the temperatures were sub-zero all of the time during the tests.

AMD Ryzen 7000 Cinebench R23 Performance (Multi-Core)
MT
0
10000
20000
30000
40000
50000
60000
0
10000
20000
30000
40000
50000
60000
Ryzen 9 7950X (6.7 GHz LN2)
50.4k
Ryzen 9 7950X (6.5 GHz LN2)
48.2k
Ryzen 9 7950X (5.4 GHz Air)
40.5k
Core i9-13900K (Unlimited Power)
40.2k
Ryzen 9 7950X
39k
Core i9-13900K (Limited Power)
35.7k
Core i7-13700K
28.9k
Core i9-12900K
27.5k
Core i5-13600K
24.4k
Ryzen 9 5950X
24.2k
Core i7-12700K
23k
Ryzen 9 5900X
21.1k
Ryzen 7 7700X
19.8k
Core i5-12600K
17.9k
Ryzen 7 5800X
15.4k
Ryzen 5 7600X
14.8k
Ryzen 5 5600X
11.3k
AMD Ryzen 9 7950X breaks 50K barrier in Cinebench R23 CPU benchmark with a 6.7 GHz all-core overclock on LN2 cooling. (Image Credits: Videocardz)
AMD Ryzen 9 7950X breaks the 50K barrier in the Cinebench R23 CPU benchmark with a 6.7 GHz all-core overclock on LN2 cooling. (Image Credits: Videocardz)

This goes off to show just how extremely efficient the AMD Zen 4 core architecture is and we aren't even talking about undervolting yet which will prove to be a game changer not only for desktops but also for mobile platforms. Following is a comparison between the two flagships:

  •  7950X at 6.5 (1.4V) = ~270W Power
  • 13900K at 6.3 (1.5V) = ~400W Power

AMD Ryzen 9 7950X 16 Core "Zen 4" Desktop CPU

Starting with the flagship of them all, we have the AMD Ryzen 9 7950X which retains its healthy 16 core and 32 thread count from the previous two generations. The CPU will feature an impressive base frequency of 4.5 GHz and a boost clock of up to 5.7 GHz (5.85 GHz F-Max) which should make it 200 MHz faster than Intel's Alder Lake Core i9-12900KS which has a boost frequency of 5.5 GHz on a single-core. The CPU will have a price of $699 US at launch.

AMD Ryzen 9 7950X CPU Gets A Perfect 10/10 Rating In Pre-Launch Review By SiSoftware 1

AMD Ryzen 7000 'Raphael' Desktop CPU Specs (Official):

CPU Name Architecture Process Node Cores / Threads Base Clock Boost Clock (SC Max) Cache TDP Prices (TBD)
AMD Ryzen 9 7950X Zen 4 5nm 16/32 4.5 GHz 5.7 GHz 80 MB (64+16) 170W $699 US
AMD Ryzen 9 7900X Zen 4 5nm 12/24 4.7 GHz 5.6 GHz 76 MB (64+12) 170W $549 US
AMD Ryzen 7 7700X Zen 4 5nm 8/16 4.5 GHz 5.4 GHz 40 MB (32+8) 105W $399 US
AMD Ryzen 5 7600X Zen 4 5nm 6/12 4.7 GHz 5.3 GHz 38 MB (32+6) 105W $299 US

These are really strong figures and we can't wait to see the AMD Ryzen 7000 chips hit retail on the 27th of September so users can enjoy some huge uplifts in the single and multi-core workloads.

Which AMD Ryzen 7000 Desktop CPUs are you most interested in?
  • AMD Ryzen 9 7950X (16 Core / 32 Thread)
  • AMD Ryzen 9 7900X (12 Core / 24 Thread)
  • AMD Ryzen 7 7700X (8 Core / 16 Thread)
  • AMD Ryzen 5 7600X (6 Core / 12 Thread)
  • I'll wait for the 3D V-Cache parts
Poll Options are limited because JavaScript is disabled in your browser.

Thanks to Joshua Ortego for the tip!

The post AMD Ryzen 9 7950X CPU Showcases Its Efficiency Prowess With 6.5 GHz Overclock & Just 270W Power Consumption by Hassan Mujtaba appeared first on Wccftech.

24 Sep 17:31

Smile Is The Best Kind Of Pretty Good Horror Movie [Fantastic Fest]

by Jacob Hall

My wife and I have a Friday-night-at-home ritual: we get drunk and watch horror movies. And we have rituals within the ritual. She's a trained singer, and alcohol loosens her pipes. When a horror movie utilizes a menacing drone shot to establish a location, she sings "Drone shot! Everybody loves a drone shot! A drone shot!" When a character finally busts out their laptop to google the problem at hand and learn what supernatural force is menacing them, she sings, beautifully, "Internet research part of the movieeeee." These little songs are our inside jokes, but they didn't emerge from nowhere. And they are not and were never intended to be mean-spirited. We just watch enough horror movies to see the trends, internalize the cliches, and respond accordingly. I write on the internet. She sings over a glass of whiskey.

We never do this with "great" horror movies. Those deserve our attention. Our sobriety. And we never do it with truly terrible horror movies — at least not a first. Those come at 3:00 in the morning, when we're plastered and daring the other one to suffer. The sweet spot, the movie that plays the best one drink in, is the sturdy, familiar, well-made horror movie that's built out of component parts. Or recycled parts. Either way, nothing feeds our Friday nights quite like the B+ horror movie, the scary film where you're always one step ahead of the plot and can predict certain elements and reveals like clockwork, but it's well-done enough that you just don't care. It's a familiar ride, but one made by talented people who know how to push the right buttons. The pretty good horror movie.

Enter "Smile."

Pretty, Pretty, Pretty Good

Look, I don't think anyone dedicates years of their life to making a horror movie and is happy to see some schlub on the internet write an article calling it "pretty good." But when I say "Smile" is pretty good, this is a weird form of high praise from my Friday night self. This is the best kind of pretty good, a horror movie that follows a well-trod formula but follows it so well that its predictability acts as a comfort. It's like going on a horseback-riding excursion, and the horse has done the trail so many times that it follows the path no matter what inexperienced tourist is in the saddle. Trust the horse. It knows where it's going.

And I don't mean to compare "Smile" writer/director Parker Finn to a horse. Sorry. But surely he knows his film is a collision of "The Ring," "It Follows," and every email urban legend that used to haunt your inbox back when everyone used AOL. He's clearly a talented filmmaker, as "Smile" is dripping with dread and tension, with stretches of slow-burn building to effective, creative jump scares designed to freak out a theater full of rowdy horror fans. Or in my case, designed to cause me to spill vodka all over my couch and say I'll clean it in the morning before forgetting and regretting it later.

The point is this: there's real skill involved in making an overly familiar dish taste great. Just when you think this is just yesterday's mac 'n' cheese, you encounter distinct flavor and chew thoughtfully, carefully. There's real satisfaction in something predictable that knows just how and when to push your buttons and surprise you.

How It's Coming

If you've seen enough horror movies, you'll probably be 20 minutes ahead of "Smile" at all times. As the lead character finds herself cursed by a viral entity that forces its victims to die by suicide, a seasoned genre buff will call every major reveal, predict the twists, and know the basic structure of the third act in advance. So the real fun comes not from getting lost in the plot — a "Ring"-esque procedural, which, like every horror movie these days, is about trauma — but from seeing how the familiar gets remixed.

Yes, you know exactly how a conversation scene is going to go down, but the exact details of the conversation can jolt you. Because I can say "Smile" didn't surprise me, but it sure as hell scared me. Finn is a hell of a technical filmmaker, knowing when to accelerate and when to tap the brakes. He's the designated driver I want during one of my Friday night horror movie drinking sessions. "Smile" lulls you in by playing by rules, only the break them in key split-second sequences that catch you off guard. Even if goes from A to B to C on a well-trod flowchart, it showcases a mean streak, a gnarly sense of unease that makes it all feel just unsafe enough.

I'm not ashamed to say there are at least five or six scenes in "Smile" that made my ass leave the chair. I'm not ashamed to say its scenes of violence made me wince and shudder. And I'm certainly impressed by how the movie buries its sterling creature design, hiding it until it's ready to deploy it with maximum effectiveness.

Yes, I saw it all coming. But I didn't see how it was coming.

Formula, Refreshed

"Smile" doesn't have the thematic complexities of "Nope," the raw and rotten humanity of "Pearl," or the WTF factor of "Barbarian," but in a field of 2022 horror heavy-hitters, it does something I can't help but celebrate. It's freshened up the formula and proved that the old tricks still work when the folks behind the camera care enough. I'm not always in the mood for a movie like "Nope," Pearl," or "Barbarian," but I'm always in the mood for a movie like "Smile."

So let's celebrate the pretty good horror movie, the horror movie that doesn't reach for the sky, but instead chooses to fill the room. You will see more ambitious horror movies this year, but you won't see one that will leave a sold-out crowd screaming and chattering like this one. In fact, I think newer and younger horror fans, the ones who won't be able to predict the beats as effectively, will turn "Smile" into TikTok sensation — key shots and moments are made for WTF reaction videos.

But me? I'll grumble about it being familiar. But then I'll pour my drink on Friday night and watch "Smile" again. And my wife will sing the drone shot and internet research songs a half dozen times each, because yes, it's exactly that kind of movie. And I wouldn't have it any other way.

"Smile" opens in theaters on September 30, 2022.

Read this next: The Saddest Character Deaths In Horror History

The post Smile is the Best Kind of Pretty Good Horror Movie [Fantastic Fest] appeared first on /Film.

24 Sep 17:30

Blood Relatives Review: A Sweet, Slightly Clumsy Vampire Dramedy [Fantastic Fest]

by Chris Evangelista

"Blood Relatives" is a movie with a lot of heart. And blood. Lots and lots of blood, because this is the story of a pair of vampires. But it's also a father-daughter bonding flick; a road trip movie; and a surprisingly non-stop delivery system for Yiddish words. Written, directed by, and starring Noah Segan, "Blood Relatives" is clearly a passion project for the actor (who you probably primarily know from his frequent collaborations with Rian Johnson), and as is often the case with passion projects for actors-turned-filmmakers, it's a little clumsy. There are scenes that feel awkwardly long, in dire need of some trimming — a mid-movie sequence shot day-for-night goes on seemingly forever and robs the movie of serious momentum, for instance.

And yet, "Blood Relatives" is so unapologetically warm — especially for a vampire flick — that it's hard not to be charmed by it all. You'll notice the clunky bits that need some fixing. But you'll also likely be taken with the undead drama of it all. Segan is Francis, a guy who looks young but is actually old. Very old. He's a vampire who lived through World War II, and he's not originally from America, as he's prone to throwing out Yiddish words whenever he can (this is a running bit that sometimes works and garners big laughs, and sometimes falls flat; so it goes). 

Francis lives a nomadic lifestyle, driving through the countryside in his 1969 Barracuda Fastback and wearing an outfit that, as one character aptly points out, is akin to someone dressing like the Fonz for Halloween. When the sun comes up, Francis either checks into motels or covers his car in a tarp to hide from the sun. It's not clear if he enjoys this lifestyle, but it's all he has, and it's seemingly all he's known for decades. And then everything changes when teenager Jane (Victoria Moroles) tracks him down and tells him she's his daughter. 

Family Matters

Part of the fun of "Blood Relatives" is how Segan plays around with established vampire mythology. Yes, vampires are undead; yes, they drink blood (of humans and sometimes animals, but animals don't taste as good); and yes, they can be killed by sunlight. But Francis also loves to chug bottles of booze — something Count Dracula, with his aversion to spirits, would gag at. And, even though he's technically dead, Francis can also sire a child. Years ago he rolled into a town and got a one-night stand pregnant. Now, that woman is dead, and Jane, her daughter, has arrived to reveal to Francis she's his long-lost child. And because her dad is a vampire, she's a half-vampire herself. She has a thirst for blood, has superhuman strength, and can sprout fangs. But she's also technically alive, ages naturally, and can move about during the day without bursting into flames. 

Because Jane has no one, she wants to stay with Francis. Francis, as you'd imagine, thinks this is a terrible idea. But father and daughter reluctantly hit the road together, and it's not going to be an easy journey. Jane is consistently angry in that sulky teen sort of way, and that's part of the film's problems. While Moroles sells the angst of the character, she's stuck with the type of smarmy, sardonic, rat-a-tat dialogue that never, ever sounds right coming out of the mouth of a kid. Kids don't talk like this — screenwriters do. And as such, I had trouble getting used to Jane as a character. You could argue that her nature is all an act; she's a hurt, lonely kid and she's lashing out and trying to sound wiser beyond her years. But I don't quite buy that, and I don't buy her dialogue. 

But I did buy the conflicts that arise between father and daughter, two characters who are both very alike and very different. And I bought into the way these two lonely people ultimately realize they need each other, because each other is all they've got. There's something charming about the way Francis learns to change in order to raise his daughter. Even though he's already an old man, he's finally being forced to grow up, something that doesn't come easy to anyone — even vampires. However, there are darker, somewhat unspoken things lurking in the background — the idea that eventually, Jane will get older and older while Francis stays the same. That's bleak and disturbing — I was reminded of "Let the Right One In," which had similar tragic vampire/human dynamics — but "Blood Relatives" plays them for laughs. But perhaps that's just the reality of the situation — we find humor in the macabre all the time. We have to laugh, or else we'll cry. "Blood Relatives" gets that, and that's part of what makes the film so affable, even if it does trip over its own Dracula cape from time to time. 

/Film Rating: 6 out of 10

Read this next: The Horror Movies We Can't Wait To See In 2022

The post Blood Relatives Review: A Sweet, Slightly Clumsy Vampire Dramedy [Fantastic Fest] appeared first on /Film.

24 Sep 10:26

Kids Vs. Aliens Review: A Charmingly Simplistic Monster Movie [Fantastic Fest]

by Chris Evangelista

Sometimes you just need a simple monster movie. Look, I watch a lot of horror and genre pics, and I love it when they stretch themselves beyond the boundaries of the genre. I love when filmmakers attempt to use the building blocks of horror and rework them into new, unique shapes. But I also love it when someone says, "You know what? I'm gonna make a simple monster movie." And that's what makes the silly, unhinged "Kids vs. Aliens" so enjoyable.

Directed by "Hobo With a Shotgun" helmer Jason Eisener, "Kids vs. Aliens" will no doubt draw comparisons to "Stranger Things" with its story of kids butting up against the supernatural (there's even a scene when they all get on their bikes!). But as enjoyable as "Stranger Things" can be, it's sanitized. That can't be said for "Kids vs. Aliens," which gleefully embraces gore and danger to emulate the type of old-school monster movie kids would gleefully devour late at night during sleepovers. 

None of this is to say "Kids vs. Aliens" gets away unscathed. The film, which clocks in at a wonderfully brisk 75 minutes, takes a long time to get to the whole "aliens" part of the "Kids vs. Aliens" set-up. And while I wouldn't dream of giving away spoilers, let's just say the film's final minutes all but obliterate everything that came before, so much so that you might wonder what the hell the point of it all was. But perhaps there really isn't a point. Perhaps this is just a monster movie with no other goals, and perhaps there's nothing wrong with that. 

Alien Mythology

Teenager Sam (a very likable Phoebe Rex) has seemingly no friends her age and spends all her time hanging out with her little brother Gary (Dominic Mariche) and his two friends Miles (scene-stealer Ben Tector) and Jack (Asher Grayson Percival). The four of them all appear in Gary's manic, confusing, wrestling-adjacent movies that he films with all the gleeful enthusiasm of a budding auteur. But then one day, Sam meets Billy (Calem MacDonald), a ridiculously handsome teen — "I know," he confidently says when Sam marvels at his shirtless torso — who takes an interest in Sam seemingly out of nowhere. 

Now all Sam wants to do is impress Billy and his mean friends and ignore her nerdy brother. Halloween is approaching — a fact highlighted with great atmospheric shots of pumpkins sitting on walls overlooking lakes, and orange-tinted sunsets — and Billy talks Sam into throwing a party at her big house while her parents are out of town. He promises the party will be small, but it becomes clear rather quickly that Billy's motives are not pure. In fact, he might be a psychopath. But that discussion will have to wait for another time, because wouldn't ya know it, a bunch of aliens have invaded and are targeting the kids. 

I loved the aliens in this film. I loved that they seemingly have no motive other than to torture and murder people. The aliens also seem to have some kind of cult-like religion going on, and I dug that concept — you don't really see that sort of thing in alien invasion movies. Little ideas like that can go a long way, and I could've used a little more alien mythology to spice things up. 

Kids Acting Like Kids

The back half of "Kids vs. Aliens" packs the most punch, unleashing practical effects in the form of the aliens and their weird world full of goopy liquids that melt off people's skin, and experimentations that can morph a human being into a monster. Does any of it make sense? No, but it looks friggin' cool, as does one of the aliens who is wearing a red veil and some sort of weird, spiky crown. Is this an alien queen? Some sort of alien priest? No idea! And I don't need this stuff explained — just give me more of it and let my imagination run wild. 

I appreciated how realistic the kids are here. These are not the typical movie kids — you know the kind, who all talk like adults, constantly uttering lightning-fast quips. No kid talks like that, and whenever I see that sort of thing in a movie — and it happens a lot — I immediately lose interest. That's not a kid talking — that's a screenwriter who forgot what kids actually sound like. Here, the kids say and do dumb stuff, because that's what kids do. They curse like sailors, talk trash, and act like little monsters. But they also care about each other, and that rings true, too. You're never as close with anyone as you are with the weirdo outcast friends of your youth. 

"Kids vs. Aliens" achieves what it sets out to do. Like the best junk food, it doesn't offer you anything nutritious, but you'll still enjoy the meal. You just might feel a little gross the next day, but hey, that's okay, too. Those in search of a gooey monster movie with not much on its mind are bound to love "Kids vs. Aliens." Shame about that ending, though.

/Film Rating: 6 out of 10

Read this next: Horror Roles That Changed Actors Forever

The post Kids vs. Aliens Review: A Charmingly Simplistic Monster Movie [Fantastic Fest] appeared first on /Film.

24 Sep 03:54

James Earl Jones Has Stepped Away From Voicing Darth Vader

by Joshua Meyer

James Earl Jones is 91 years young, and after voicing the character for 40 years, it sounds like he has finally moved on from the role of Darth Vader. By now, "Star Wars" fans have gotten used to seeing actors digitally resurrected or de-aged, as in the case of Peter Cushing and Carrie Fisher in "Rogue One: A Star Wars Story" and Mark Hamill in "The Book of Boba Fett." What you may not know is that the voices of some legacy actors are also being digitally recreated via A.I.

Vanity Fair has a new report out about the Ukrainian origins of the new/old Darth Vader's voice, and in the context of that, the magazine mentions that Jones has officially "stepped back from the role" of Darth Vader. 

Vader played a big part in the recent Disney+ series "Obi-Wan Kenobi," and you may have noticed that his voice sounded different in that series, more like his old self than it did in "Rogue One," where the effects of Jones' age made the character's voice sound a bit more tremulous. It turns out this is because Lucasfilm brought in a Ukraine-based company called Respeecher to synthetically construct new Vader dialogue for "Obi-Wan Kenobi" based on archival recordings.

'He Had Mentioned He Was Looking Into Winding Down'

Respeecher is the same company that was behind Luke Skywalker's voice in "The Book of Boba Fett," so it already had an existing relationship with Lucasfilm, but Russia's invasion of Ukraine earlier this year severely complicated matters when it came to "Obi-Wan Kenobi." Its synthetic-speech artists were still wrapping up work on the series even as Russian soldiers were crossing over into Ukraine on February 24, 2022. Needless to say, this serves as a sobering reminder of real-world events playing out not only in tandem with but behind the very scenes of the entertainment we consume.

Matthew Wood, the supervising sound editor for Skywalker Sound, said Jones acted as "a benevolent godfather" overseeing Respeecher's work on Vader's voice for "Obi-Wan Kenobi." "He had mentioned he was looking into winding down this particular character," Wood said. According to the report, however, they made sure to "inform the actor about their plans for Vader and heed his advice on how to stay on the right course."

Jones famously overcame a childhood stuttering impediment to develop one of the most well-known voices in movie history. He also voiced Mufasa in "The Lion King," in addition to playing live-action roles in films like "Coming to America." Some "Star Wars" fans may have already consigned themselves to him retiring from the Darth Vader role due to his age, but now we have official confirmation that Jones is passing the baton, and all that remains to be said is: may the Force be with you, sir.

Read this next: The Most Brutal Moments In The Star Wars Franchise, Ranked

The post James Earl Jones Has Stepped Away From Voicing Darth Vader appeared first on /Film.

23 Sep 20:28

Star Trek: Strange New Worlds Is Treating Season 2 As If It Will Be Their Last

by Witney Seibold

Back in 2005, when "Star Trek: Enterprise" was canceled, it seemed that "Star Trek" was, as an institution, kind of at an end. After three previous "Star Trek" shows that lasted seven seasons apiece, the cancelation of "Enterprise" after only four seemed like a clear indicator that the franchise was over and done with. Additionally, "Star Trek: Nemesis" had bombed in theaters just a few years before, so it looked like Trekkies would have to make peace with the fact that Trek would only be seen in the rear-view mirror. 

In 2006, Viacom — the parent company of Paramount and CBS — split into two different companies, with Trek movies belonging to one arm, and Trek TV belonging to another. The split further took away hope from Trekkies of seeing any further adventures aboard a Starfleet vessel. The split did, at the very least, lead to widespread home video and streaming licenses from the Viacom TV arm — CBS — and Trek was, all of a sudden, quite widely available across most platforms and formats. Trek would live on, albeit only as nostalgia. There was no longer an assumption — like back in the glory days of the mid-1990s — that Trek was a cure thing and would be allowed to continue indefinitely. 

In the Paramount+ era, the operational ethos has certainly changed. Since the launch of the service, six new Trek shows have debuted, and at least two others are in currently development. Trek, it seems, will live on for as long as Paramount continues to feed it, overexposure be damned. 

The Advantages To Episodic Storytelling

The people behind the newest Trek show, "Star Trek: Strange New Worlds," however, are teaching themselves not to take their presence in the Trek canon for granted. Showrunner Henry Alonso Meyers said as much in a recent interview with TrekMovie. He is, perhaps wisely, not thinking beyond the show's second season. "Strange New Worlds," it should be mentioned, is presented as a series of one-off, hour-long episodes rather than as a series of enormous, season-long story arcs. The classic episodic storytelling has allowed "Strange New Worlds" to capture the traditional spirit of "Star Trek," which always functioned better as a bunch of miniature morality plays. 

As such, "Strange New Worlds" is freer to explore the things the showrunners want to do, rather than be beholden to long-term storytelling plans. The first season of "Strange New Worlds," which concluded on July 7, worked just fine. Meyers said that he would like to continue in the same tradition. 

"I want to [do] more of what's worked. But I would also say, in some ways, it's different. We were trying to take what worked and really amplify that. And then try to correct where we weren't happy with it. But the biggest thing we tried to do was not hold back stuff. We were really like, 'Okay, let's pretend this is our last season. And let's absolutely go for everything that we wanted to do.'"

While "Star Trek: Discovery" and "Star Trek: Picard" may have their fans, it may be to both those shows' detriments that they adhere so closely to larger story arcs. As such, plot supersedes all else, and there will be little time for the trademark optimism, idly philosophizing, and workplace camaraderie that are Trek's signatures. 

Bigger Comedy! More Drama!

The first season of "Strange New Worlds" ended on a cliffhanger. The Enterprise's first officer, Cmdr. Una Chin-Riley (Rebecca Romijn) had been, she confides, lying about her species. She is, in fact, a genetically enhanced Illyrian, and genetic enhancements are verboten in the world of "Star Trek." Cmdr. Chin-Riley was, at last check-in, arrested by Starfleet and taken away for lying on her Starfleet applications. The second season of "Strang New Worlds" will have to address the cliffhanger. Given the episodic nature of the show, however, the setup could conceivably pay off in a single episode. 

Additionally, the fate of Capt. Pike (Anson Mount) is known (see: the two-part Trek episode "The Menagerie"). It seems that Pike's worries about his fate were handled and kind of brought to a meaningful close in the final episode of the first season. Lingering plot threads are tied up quickly on the show. 

Meyers was far more concerned with ratcheting up the successful elements of "Strange New Worlds" than he was in discussing specific arcs. He was seemingly fond of the show's lightness and frequent sense of humor. That, it seems, he would like to play up in the upcoming season: 

"I would say we tried to do comedy, and we were like, 'Let's go for bigger comedy. Let's make things bigger and crazier.' We tried to do drama, so we wanted to really kind of go to the gut of stuff and make episodes that were going to make you cry."

In the truest theatrical sense, Meyers is presenting the most vital elements of a great show. Laughter. Tears. Curtain. See you next week. 

Read this next: 13 Box Office Bombs That Are Truly Worth A Watch

The post Star Trek: Strange New Worlds Is Treating Season 2 As If It Will Be Their Last appeared first on /Film.

23 Sep 20:27

Wildfire Smoke is Unraveling Decades of Air Quality Gains, Exposing Millions of Americans To Extreme Pollution Levels

by msmash
Wildfire smoke now exposes millions of Americans each year to dangerous levels of fine particulate matter, lofting enough soot across parts of the West in recent years to erase much of the air quality gains made over the last two decades. From a report: Those are among the findings of a new Stanford University study published Sept. 22 in Environmental Science & Technology that focuses on a type of particle pollution known as PM2.5, which can lodge deep in our lungs and even get into our bloodstream. Using statistical modeling and artificial intelligence techniques, the researchers estimated concentrations of PM2.5 specifically from wildfire smoke in sharp enough detail to reveal variations within individual counties and individual smoke events from coast to coast from 2006 to 2020. "We found that people are being exposed to more days with wildfire smoke and more extreme days with high levels of fine particulate matter from smoke," said lead study author Marissa Childs, who worked on the research as a PhD student in Stanford's Emmett Interdisciplinary Program in Environment and Resources (E-IPER). Unlike other major pollutant sources, wildfire smoke is considered an 'eexceptional event' under the Clean Air Act, she explained, "which means an increasing portion of the particulate matter that people are exposed to is unregulated."

Read more of this story at Slashdot.

23 Sep 20:27

One Of Mork & Mindy's Strangest Episodes Was A Window Into The Mind Of Robin Williams

by Christian Gainey

It's no secret that great comedy often comes from pain, and as much as his fans would have liked it to be otherwise, Robin Williams' comedic genius seems to be no exception. The late comedian and Academy Award-winning actor lit up the screen in the '90s in iconic films like "Mrs. Doubtfire" before moving on to more serious movies like "Good Will Hunting" and "What Dreams May Come."

Williams was one of those rare comedians who could slip in and out of funny man characters effortlessly and make audiences feel real, true, and deep emotions in dramatic roles. After entering the public consciousness as a stand-up comedian, he spent decades in the film industry, proving himself to be as talented as any other A-list thespian in Hollywood. Unfortunately, along with accolades and pats on the back, Williams also had to deal with the isolation that comes with fame. Predictably, Williams decided to share his pain in a creative way and acted it out in front of the world in a strange "Mork & Mindy" episode.

Mork & Mindy & Robin

After some time as a stand-up comedian, Williams got his big break into television portraying Mork from Ork in "Happy Days." The weirdo extraterrestrial was such a hit on the popular show that Williams got his own spin-off show, "Mork & Mindy." In a typical episode, Mork would study a random aspect of humanity and report back to his boss, Orson, with what he learned. Usually, the show relied heavily on William's unique humor and silliness, and the formula made Williams a television superstar. However, one episode in the show's third season took a serious turn.

According to Dave Itzkoff in his autobiography, Robin, the episode titled "Mork Meets Robin Williams," took a break from goofy antics to focus on real life. In the episode, Williams still played Mork, but also portrayed himself, which allowed audiences a glimpse into the pitfalls of celebrity.

Williams spends the entire episode stalked by fans, and Mork is frequently mistaken for the TV star, which is a tongue-in-cheek way of criticizing fans' tendencies to equate actors with their characters. Mork doesn't understand why humanity is so obsessed with celebrities and attempts to understand why they put such a huge importance on it by talking with Robin Williams.

When Mork finally gets the chance to speak with Williams, he explains that comedy helped him through a lonely childhood where his dad's job forced him to move around a lot. He reveals that the characters he made up made him feel freer than he ever was in his real life. He admits, "It got to the point where I realized that the characters could say and do things that I was afraid to do myself." Williams also reveals he feels smothered by fame, unable to say no to others, and no longer liberated by comedy.

Victims Of Fame

Most of the time, "Mork & Mindy" episodes end with Mork sharing his humorous observations about humanity with Orson, but "Mork Meets Robin Williams" chose not to fall back on humor. Instead, Mork's time with Robin Williams had taught him a valuable and tragic lesson, which is not to assume that fame or money equals happiness.

In his ending conversation with Orson, Mork struggles to explain Williams' loneliness and isolation:

"When you're a celebrity, everybody wants a piece of you, sir. Unless you can say no, there'll be no pieces left for yourself. To get that, you have to pay a very heavy price. You have responsibilities, anxieties, and to be honest, sir, some of them can't take it."

Orson can't understand why a superstar like Williams would be so depressed because he's preoccupied with the fact that the actor is rich and famous. Orson dismisses Mork with, "I'm not buying it, Mork. It sounds to me like they have it made."

With teary eyes, Mork acknowledges that there are perks to fame, but also points out that the pressures of being a celebrity have led to the deaths of very talented people like "Elvis Presley. Marilyn Monroe. Janis Joplin. Jimi Hendrix. Lenny Bruce. Freddie Prinze. And John Lennon."

Instead of laughs, the episode ends in somber silence and a fade to black.

'I Couldn't Spark'

Prior to his passing, Robin Williams was diagnosed with Parkinson's disease, a brain disease that can cause tremors, stiffness, and affect speech. Williams was devastated by the diagnosis and his mental health deteriorated quickly. After his death from suicide, an autopsy revealed that he was suffering from Lewy body disease, which has similar symptoms to Parkinson's.

Robin Williams, known for his comedic genius and quick humor, couldn't stand the idea of losing these talents. In Marina Zenovich's 2018 HBO documentary about Williams, Come Inside My Mind, Williams talks about his biggest fear. He said, "I guess I fear my consciousness becoming, not just dull, but a rock. I couldn't spark." Luckily for fans, there are countless films of Williams' unforgettable spark, but I can't help but suspect his talents led to his depression and tragic death. You have to wonder if he was actually afraid of losing his spark or if he was truly concerned about being unable to spark for others.

Read this next: 13 Box Office Bombs That Are Truly Worth A Watch

The post One Of Mork & Mindy's Strangest Episodes Was A Window Into The Mind Of Robin Williams appeared first on /Film.

23 Sep 14:58

Free PC Games This Week (Sep 23rd 2022)

by Tonci

Want some free PC games to play today? This week you can get multiple new free games to download on Steam, ARK: Survival Evolved and Gloomhaven at Epic. Plus, you can still get Assassin's Creed: Origins on Amazon Prime.

The post Free PC Games This Week (Sep 23rd 2022) appeared first on Indie Game Bundles.

23 Sep 12:27

"Left and Right of Boom" - Having a Winning Strategy

by Torsten George

As security practitioners are painfully aware, it is not a matter of if but when their organization will come under cyberattack. Given this year’s geopolitical events, the likelihood of falling victim to an attack has exponentially increased. And while the cybersecurity landscape will continue to evolve; many organizations seem to be holding on to the belief that deploying more preventive security tools will result in greater protection against these threats. 

read more

23 Sep 02:22

Cobra Kai Season 5 Recalls An Awesome Movie You Probably Haven't Seen

by Ben F. Silverio

Who doesn't love a good team-up? From the Avengers and the Justice League to Dominic Torretto's family and the Expendables, action movies tend to feature some seriously badass collections of people that unite to take down the bad guys. We may even see them team up in some pretty major ways from time to time like in "The Suicide Squad" or "Spider-Man: No Way Home." But most recently, we've seen it happen in the latest season of "Cobra Kai."

Long after they were pitted against Daniel Larusso in the first two "Karate Kid" movies, Johnny Lawrence (William Zabka) and Chozen Toguchi (Yuji Okumoto) have joined Daniel-san's fight against Terry Silver's new iteration of Cobra Kai in the fifth chapter of Netflix's sequel series to the beloved 1980s martial arts films. In the episode titled "Ouroboros," Johnny and Chozen march right up to the new and improved Cobra Kai dojo to throw down with Silver and his goons. This exhibition of brute force doesn't work out the way the duo had planned, but they're able to regroup and fight another day.

However, the idea of Okumoto teaming up with other memorable villains isn't new. This seems like a well that the actor goes back to from time to time with equally awesome results. And that's very appropriate since the name of the last project he did this in is called "Awesome Asian Bad Guys."

We Need Them As Much As They Need Us

Before Hollywood actually committed itself to presenting more diverse stories on the big screen with projects like "Crazy Rich Asians" or "Easter Sunday," Asian and Asian American filmmakers thrived on YouTube. Without major studio backing, these crafty creators adopted a DIY attitude, told their own stories, and released them online. Plus, with the help of film festivals around the country like CAAMFest and the New York Asian Film Festival, there was a chance that their passion projects could actually make it to the big screen. So back in 2014, that's exactly what Patrick Epino and Stephen Dypiangco did.

Known collectively as the National Film Society, the duo decided to try their hand at making a feature-length film. But they didn't just want to honor the Asian American experience that was barely represented in mainstream media at the time. Epino and Dypiangco also wanted to irreverently pay homage to the '80s and '90s action movie villains that always happened to be Asian. Performers like Okumoto, Al Leong from "Die Hard," "Lethal Weapon," and "Big Trouble in Little China," or George Cheung from "Rambo 2," "Robocop 2," "Lethal Weapon 4," and "Rush Hour" didn't always get their flowers for being so awesome.

But with "Awesome Asian Bad Guys," which assembled a crew of these bad guy actors to take down a nefarious mob boss, NFS would finally give them said flowers and more. And in addition to the directors themselves and their team, their movie also features other prominent stars like Randall Park, Tamlyn Tomita, and Dante Basco who continued to grind and blaze the trail for the next generation of Asian American Hollywood to thrive.

Where To Watch Awesome Asian Bad Guys

While action movie fans have likely seen every movie referenced in this article so far, "Awesome Asian Bad Guys" probably isn't the sort of thing that every film fan might have seen or heard of on their own. That's why community support and word of mouth are so important in independent cinema. Personally, I saw it at the Philadelphia Asian American Film Festival during the movie's initial festival run and it was definitely a lot of fun to watch, especially with all the "Hey look! It's that guy!" moments. 

If you're interested in checking it out yourself, it's currently available for free on the National Film Society YouTube channel. But if you're looking for another way to show support, you can also rent or buy the movie on Prime Video.

Read this next: The Best TV Shows And Movies Coming To Netflix In September 2022

The post Cobra Kai Season 5 Recalls an Awesome Movie You Probably Haven't Seen appeared first on /Film.

23 Sep 00:49

Trailer for M. Night Shyamalan's KNOCK AT THE CABIN

While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

From visionary filmmaker M. Night Shyamalan, Knock at the Cabin (which is based on the book "Cabin at the End of the World") stars Dave Bautista (Dune, Guardians of the Galaxy franchise), Tony award and Emmy nominee Jonathan Groff (Mindhunter), Ben Aldridge (Pennyworth), BAFTA nominee Nikki Amuka-Bird (Old), newcomer Kristen Cui, Abby Quinn (Landline) and Rupert Grint ( [Continued ...]
22 Sep 21:52

Takashi Miike Auditioned Eihi Shiina For Audition Without Her Even Realizing

by Anya Stanley

Takashi Miike's 1999 Japanese horror film "Audition" recently earned the title of the scariest foreign horror movie of all time. The film tells the story of a faux audition held to find a new bride for a widower, and stars Eihi Shiina as the mysterious potential wife. Speaking with Asian Movie Pulse (AMP), Shiina credits "Audition" as "an extremely" important role for me." Indeed it was —  prior to, Shiina's sole film credit was Isao Yukisada's 1998 drama "Open House," but the role of the psychotic Asami earned her international recognition. AMP reveals that the former Benetton model's road to "Audition" was similar to Asami's, sans the torture. What she thought was a simple meeting and deep conversation turned out to be a tryout for the lead role, much to her surprise. She tells AMP:

"I heard that Miike wanted to see me, so I thought to myself that I want to meet him. When we met and talked, it was nothing like the experience of the audition. He asked me what I think about love between men and women. It was, in a way, a philosophical conversation. I simply spoke my mind, without really paying any attention to any of what I said. Before I realized it, a few hours had passed. Suddenly, the person in charge of the audition interrupted our conversation and said that we ran out of time. I concluded that the audition seems to be a lot of fun and I went back home without even thinking that I would end up in the film. The next day, I received a message from the director, saying that he wants me to play Asami. I did not even think that it was possible. I was really surprised."

Shiina, thankfully, handled the news better than her onscreen counterpart did.

After All, My Job Is To Express A Certain Form.

This article contains spoilers for the film "Audition."

In Miike's adaptation of Ryu Murakami's 1997 novel of the same name, the role of Asami Yuzumaki is a memorable one. A young, aspiring actress whose beauty and mystique enthrall widower Aoyama, she hints at a dark past that emerges in jealousy and violence. Starting as a potential romance story and quickly descending into a male nightmare of a seductive, retaliatory woman, the movie contains the sort of form of destruction Miike would revel in with past works like his 2001 surrealist horror-musical "The Happiness of the Katakuris" and the hyperviolent manga adaptation "Ichi the Killer."

Following "Audition's" success at film festivals in Vancouver and Rotterdam, it became one of the first of Miike's extensive filmography to get far-reaching Western distribution and word of mouth further cemented it as one of the most frightening features ever, even ranking at #11 on Bravo's 100 Scariest Movie Moments for the jump-scare spectacular scene depicting a large burlap sack in Asami's apartment – you know the one. Sinister devil woman to some, retributive angel to others depending on whom you ask, Asami's rage towards mostly men is in part the product of a devastating abusive childhood, from which she still bears the burn scars on her inner thighs. 

In the same AMP interview, Shiina considers her job as an actor to be "to express a certain form," similar to sporting designer brands as a fashion model. In "Audition," that form is a controlled rage, balancing the scales in her personal landscape of justice and making lying men atone for any transgression that falls under her rather wide umbrella definition of dishonesty and betrayal.

Read this next: Actors Who Died In 2021

The post Takashi Miike Auditioned Eihi Shiina For Audition Without Her Even Realizing appeared first on /Film.

22 Sep 20:46

G.Skill Delivers DDR5-6800 & DDR5-6400 Extreme Speed Trident Z5 RGB Memory Kits

by Hassan Mujtaba

G.Skill Delivers DDR5-6800 & DDR5-6400 Extreme Speed Trident Z5 RGB Memory Kits 1

G.Skill has announced the launch of its latest extreme speed Trident Z5 RGB memory kits coming in DDR5-6800 & DDR5-6400 flavors.

G.SKILL Announces DDR5-6800 CL32 2x16GB and DDR5-6400 CL32 2x32GB Trident Z5 RGB Memory Kits

Press Release: G.SKILL International Enterprise Co., Ltd., the world’s leading brand of performance overclock memory and PC components, is excited to announce two new extreme overclocked performance DDR5 memory specifications to its flagship Trident Z5 RGB series: DDR5-6800 CL32-45-45-108 32GB (2x16GB) and DDR5-6400 CL32-39-39-102 64GB (2x32GB). These memory kits come with Intel XMP 3.0 memory overclocking profiles and have been validated on the latest 12th Gen Intel Core desktop processor and Intel® Z690 chipset platform.

We’re thrilled to announce two new extreme overclocked performance DDR5 memory specifications to its flagship Trident Z5 RGB series: DDR5-6800 CL32-45-45-108 32GB (2x16GB) and DDR5-6400 CL32-39-39-102 64GB (2x32GB). These memory kits come with Intel XMP 3.0 memory overclocking profiles and have been validated on the latest 12th Gen Intel® Core™ desktop processor and Intel Z690 chipset platform.

G.Skill Delivers DDR5-6800 & DDR5-6400 Extreme Speed Trident Z5 RGB Memory Kits 2

Ultra-High Frequency - DDR5-6800 CL32-45-45-108 2x16GB

Dedicated to developing extreme overclock speed memory kits, the G.SKILL Trident Z5 RGB DDR5-6800 CL32-45-45-108 2x16GB memory kit is the ideal choice for overclocking enthusiasts to experience extreme DDR5 frequency performance. The screenshot below shows the DDR5-6800 kit validated with Intel Core i7-12700K desktop processor and ASUS ROG Maximus Z690 Hero motherboard.

G.Skill Delivers DDR5-6800 & DDR5-6400 Extreme Speed Trident Z5 RGB Memory Kits 3

Extreme Speed with High-Capacity – DDR5-6400 CL32-39-39-102 2x32GB

On the high DRAM module capacity front, G.SKILL is raising the bar for a maximum speed of 64GB (2x32GB) kit capacity to DDR5-6400 CL32-39-39-102. This high-capacity overclocked memory kit is a great choice for those who want to take advantage of high memory capacity without compromising on memory speed. This ultimate kit can be seen validated with an Intel Core i7-12700K desktop processor and ASUS ROG Maximus Z690 Hero motherboard.

Availability

Both the DDR5-6800 CL32 2x16GB and DDR5-6400 CL32 2x32GB DDR5 memory kits will be available in October 2022 via G.SKILL worldwide distribution partners.

The post G.Skill Delivers DDR5-6800 & DDR5-6400 Extreme Speed Trident Z5 RGB Memory Kits by Hassan Mujtaba appeared first on Wccftech.

22 Sep 20:45

RTX Remix Could Revolutionize Modding, Even If It’s Not Compatible with DX10+ Yet

by Alessio Palumbo

RTX Remix

One announcement made at NVIDIA's GeForce Beyond presentation received universal acclaim, and it was RTX Remix. While the new GeForce RTX 4000 series graphics cards were deemed by some to be too pricey (especially the RTX 4080 12 GB) and others were disappointed to see DLSS 3 wouldn't be available on previous RTX GPUs (although that might change in the future), RTX Remix impressed everyone from the get-go, and for good reason.

During a behind-closed-doors presentation hosted by NVIDIA for the press, we learned a lot more about this exciting tool that could very well revolutionize modding on PC.

NVIDIA's Product Manager of Modding Nyle Usmani started by highlighting the importance of PC game mods, whether they are just graphics enhancements, full-on remasters or even fan-made expansions, sandbox environments like Garry's Mod, or total conversion mods that end up making gaming history like Dota 2, PUBG, or Counter-Strike.

Data shows that both the number of active modders and the estimated mod downloads have doubled in the last couple of years, pointing to further growth. Indeed, we often cover mods of all kinds on Wccftech.

However, modders are constantly facing a series of issues, chiefly:

  • game files that are hard to access;
  • complicated toolchain, as modding each game requires learning many entirely different toolsets;
  • time-intensive work required to improve the original low-resolution assets of old games;
  • legacy renderers limit the ability to introduce modern rendering techniques such as ray tracing.

RTX Remix was designed to get around all these problems. Its goal is to become by far the easiest way to remaster classic games.

Usmani then moved on to explain how this new tool aims to fix each of the aforementioned issues. Arguably one of the most impressive parts is how RTX Remix captures assets. With the press of a single hotkey, the tool can intercept draw calls and see the assets (textures, geometry, lighting, and cameras), which at that point are converted to the USD (Universal Scene Description) open framework format. Modders can then load the assets in RTX Remix and/or any other creation app, including NVIDIA Omniverse, which allows for great collaboration within modding teams.

The modders' work is immediately synchronized, so they can move props or lights around and witness the changes right away.

Regarding the reworking of old game assets, RTX Remix features built-in AI tools that can upscale textures by 4x, delivering 4K textures from 1080p assets. The AI also infers material properties to deliver PBR-like textures, adding normal and roughness maps where it would make sense. This also includes ensuring the new surface textures react correctly to newly added effects like ray tracing, but more on that later. Of course, the tool also supports loading new assets.

The legacy renderers problem is solved thanks to the RTX Remix Runtime. This custom runtime intercepts the original draw calls and does a series of conversions (mostly thanks to the DXVK translation slayer originally created to play DX9/10/11 games on Linux's Wine distro) to get the game ready for the new RTX renderer.

At this point, modders can load their assets, manage the scene's lights, cameras, textures, and geometry, and decide to apply a great number of cutting-edge features such as ray tracing, RTX DI, ReSTIR GI, DLSS 3, Reflex, and even the 4000-exclusive Opacity Micro-Maps (OMM) and Shader Execution Reordering (SER). As such, Usmani reckons mods made with RTX Remix could potentially be even more advanced than most recent games when it comes to the ray tracing feature set.

As a bonus, both modders and end users will be able to tweak the mod's look in real time with an interface similar to ReShade's. Many parameters can be tuned, such as material properties, scene lighting, post-processing, and heuristic tools.

The NVIDIA team used RTX Remix to make Portal RTX and Morrowind RTX, though the latter is only a technical showcase that won't be released to the public.

At the end of the presentation, Usmani and Technical Engineer Alex Dunn answered a few questions about the tool. To begin with, downloading and installing an RTX mod will be practically the same as with any other PC mod: users will have to get the package and extract it into the game's main folder. NVIDIA won't be hosting the mods, but they are talking to Nexus Mods and ModDB to find the best way to organize them on these popular mod sites.

Sadly, for the time being, RTX Remix will only work with DirectX8 or DirectX9 games that use fixed function graphics pipelines. Usmani said there are certain limitations with which pipelines are receptive to the interception process. Dunn added that the scene information NVIDIA is currently relying on becomes much more abstracted in DirectX10 (and later) games. That said, the team is investigating whether anything else can be done, but it's nothing that can be announced right now.

Certainly, if RTX Remix could someday work on DX10/DX11/DX12 games, it would be absolutely incredible for PC gamers of all kinds. Still, even at launch, both modders and users should have plenty of cause to rejoice thanks to the ability to remaster masterpieces like The Elder Scrolls III: Morrowind to a much greater degree than what was previously possible.

Lastly, beware that an RTX GPU will be required to create mods with RTX Remix. However, RTX mods can run on any Vulkan RT-capable GPU, AMD and Intel included. Additionally, NVIDIA confirmed during the Q&A that it is technically possible to use the tool only to tweak textures and other aspects without adding any of the actual RTX features like ray tracing or DLSS.

The post RTX Remix Could Revolutionize Modding, Even If It’s Not Compatible with DX10+ Yet by Alessio Palumbo appeared first on Wccftech.

22 Sep 20:37

IT Security Takeaways from the Wiseasy Hack

by noreply@blogger.com (The Hacker News)
Last month Tech Crunch reported that payment terminal manufacturer Wiseasy had been hacked. Although Wiseasy might not be well known in North America, their Android-based payment terminals are widely used in the Asia Pacific region and hackers managed to steal passwords for 140,000 payment terminals. How Did the Wiseasy Hack Happen? Wiseasy employees use a cloud-based dashboard for remotely
22 Sep 20:36

Interview With The Vampire Review: Anne Rice's Novel Gets Modernized, For Better And Worse

by Erin Brady

Anne Rice's rich world of the "Vampire Chronicles" has barely been scratched. This might seem strange given how often the 1994 adaptation "Interview With The Vampire" is still considered a queer cult classic. However, it's important to understand that that film did everything but acknowledge in words the absolutely messed up love story between Lestat de Lioncourt and Louis de Pointe du Lac. It was the early 1990s after all, and in the immortal words of Norm MacDonald, it was just not gay enough.

If you thought that the queerbait gods or stuffy AMC executives would have this "are they aren't they" dynamic repeat once again in the series adaptation of "Interview With The Vampire," think again. It finally turns all of the book and movie's subtext into actual text, making it arguably the queerest show currently on television right now. Of course, that's not all it centers around — several years after first encountering him, dying journalist Daniel (Daniel Bogosian) agrees to one last interview with the century-old vampire Louis (Jacob Anderson). During the interview, Louis recounts the most important moments of his time as a vampire, as well as the lessons and heartbreak he learned from his mentor, Lestat (Sam Reid).

It's a premise that still sounds as promising and intriguing as it was back when the original novel was published in 1976. Unfortunately, besides its overt queerness and eye-catching aesthetics, there's not much in "Interview With The Vampire" to really sink your teeth into.

In Droves Of Increasing Wonder

As apropos, the relationship between Louis and Lestat remains the focal point of this series. However, that doesn't necessarily mean it's for the best. Although Lestat has always kind of been The Worst, his characterization and development here seem like an afterthought. As a result of this shallow writing, along with Reid's rather bland performance, he doesn't seem like the regal yet constantly animated vampire he is described to be outside of some admittedly funny bits scattered throughout the series. 

It also doesn't help that the changes made to Louis' story make their romance even more awkward. Instead of being the owner of two late 18th-century indigo plantations, the show fashions him as the executor of his family's estate, a fortune they accrued despite the racism they faced in areas other than New Orleans. The handling of this retcon is questionable at best, and the creepy and lowkey racist comments made by Lestat when he and Louis first meet will make you cringe rather than swoon. It doesn't help that reminders of Lestat's ignorance hang over the rest of the series, making for one pretty uncomfortable experience since the show can't seem to decide whether they think they're a good couple.

On the bright side, Anderson gives a nuanced and interesting performance as Louis. He is a constantly-changing actor on screen, effectively conveying every complex feeling that his character goes through during his 112 years of vampirism. It's just a shame he has a pretty terrible but pivotal romance to act through.

A Love Not Worth Fighting For

"Interview With The Vampire" is pretty interesting from an aesthetic perspective. The alleys of New Orleans, Louis' eerie Dubai apartment, and the nightclubs that Louis and Lestat stalk their prey in feel wholly lived in. While perhaps not reaching the extravagance of film's sets, the show's sets feel appropriate for the timeline changes made to the story. The show's drab and flat lighting does dampen these locations at times, though. One scene in the show's third episode is lit so darkly that it's hard to make out what's even happening. This lighting ends up being the worst part of the show visually as makes the sets look cheaper and obscures a lot of the vampiric goodness as the story progresses.

And perhaps that is the perfect encapsulation of "Interview With The Vampire." While there are quite a few great things about the show, it ultimately does not amount to anything deeper. It is a hollow retelling that attempts to modernize its central concept to reflect our current society, only for it to actually feel regressive at times. Fans of "The Vampire Chronicles" might be entertained, but anyone not familiar with the source material likely won't find a reason to continue watching. If it can't achieve that, despite being made to bring in new fans with an updated story, then what's the point?

"Interview With the Vampire" premieres Sunday, October 2 at 10 pm ET/9 c on AMC.

Read this next: The 12 Best Vampire Movies Of All Time

The post Interview With The Vampire Review: Anne Rice's Novel Gets Modernized, For Better and Worse appeared first on /Film.

22 Sep 20:34

A New Linux Tool Aims to Guard Against Supply Chain Attacks

by Lily Hay Newman
Security firm Chainguard has created a simple, open source way for organizations to defend the cloud against some of the most insidious attacks.
22 Sep 20:00

15-Year-Old Python Vulnerability Present in 350,000 Projects Resurrected

by Eduard Kovacs

Researchers at threat detection and response company Trellix have resurrected a 15-year-old Python vulnerability, showing that it’s more serious than initially believed and that it could affect hundreds of thousands of applications.

read more

22 Sep 19:58

How Organizational Structure, Personalities and Politics Can Get in the Way of Security

by Marc Solomon

Cyberattacks and data breaches continue to rise year-over-year and another so-called silver bullet technology isn’t going to stop that trend. The reality is the bad guys are looking at the entire playing field, but we are not because organizational structure, personalities and politics get in the way.

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22 Sep 19:57

4-Day Workweek Brings No Loss of Productivity, Companies in Experiment Say

by msmash
More than 70 companies in Britain are undergoing a six-month experiment in which their employees get a paid day off each week. So far, most companies say it's going well. SpzToid shares a report: Most of the companies participating in a four-day workweek pilot program in Britain said they had seen no loss of productivity during the experiment, and in some cases had seen a significant improvement, according to a survey of participants published on Wednesday. Nearly halfway into the six-month trial, in which employees at 73 companies get a paid day off weekly, 35 of the 41 companies that responded to a survey said they were "likely" or "extremely likely" to consider continuing the four-day workweek beyond the end of the trial in late November. All but two of the 41 companies said productivity was either the same or had improved. Remarkably, six companies said productivity had significantly improved. Talk of a four-day workweek has been around for decades. In 1956, then-Vice President Richard M. Nixon said he foresaw it in the "not too distant future," though it has not materialized on any large scale. But changes in the workplace over the coronavirus pandemic around remote and hybrid work have given momentum to questions about other aspects of work. Are we working five days a week just because we have done it that way for more than a century, or is it really the best way? Some leaders of companies in the trial said the four-day week had given employees more time to exercise, cook, spend time with their families and take up hobbies, boosting their well-being and making them more energized and productive when they were on the clock. Critics, however, worried about added costs and reduced competitiveness, especially when many European companies are already lagging rivals in other regions. More than 3,300 workers in banks, marketing, health care, financial services, retail, hospitality and other industries in Britain are taking part in the pilot, which is one of the largest studies to date, according to Jack Kellam, a researcher at Autonomy, a think tank that is one of the organizers of the trial.

Read more of this story at Slashdot.

22 Sep 17:18

According To Neil Gaiman, This Is Why The Sandman Hasn't Been Given A Second Season ... Yet?

by Ryan Scott

Neil Gaiman spent years (and years!) trying to bring his beloved comic book series "The Sandman" to life on screen, for much of that time as a movie, which consistently kept falling apart at every turn. But that dream was finally realized thanks to Netflix this summer as the heralded comic was adapted as a big-budget TV series, one that drew a huge audience for the streaming service. So, one might wonder, what is going on with a potential second season? Why hasn't anything been announced yet?

The man himself recently addressed that very question on Twitter, with Gaiman addressing fans who are begging Netflix to make an announcement. Gaiman, keeping it classy, decided to give us a peek behind the curtain, explaining that the company is only just now starting to put together the data and crunch the numbers to see if "The Sandman" season 2 would make business sense.

"Sandman Season 1 dropped Aug 5th. The data harvesting has only just finished - and is complicated by a lot of people not binge-watching it, but spreading it out, letting episodes sink in before watching the next. Telling Netflix to hurry up won't make decisions happen faster."

Yes, the show has topped the charts on Netflix for weeks and drew millions of viewers but, as Gaiman also previously explained, the show is tremendously expensive to produce. As such, it will take a lot of viewership to justify a second season.

A Complex System Of Measurement

The math for Netflix is somewhat mysterious but it all comes down to viewership versus dollars spent. Netflix doesn't make any money from ads (at least not yet) and doesn't really generate revenue that a traditional network or studio would. The company relied purely on subscriber dollars, and that makes the math tricky for determining a show's actual value. It's not like box office for a movie where you can weigh ticket sales against a budget and get there somewhat easily. Or like traditional viewership for TV that leads to ad sales, which can put together a logical equation on paper for a show's renewal chances.

To complicate matters further, Netflix has had a very rough year, losing subscribers for the first time in years, facing stock drops, and dealing with increased competition as a result of the ongoing streaming wars. That means, they are probably less likely to just roll the dice on an expensive endeavor these days. The math really has to check out. So, we'll see what the number crunchers come up with now that all of this data has been assembled.

"The Sandman" season 1 is currently streaming on Netflix.

Read this next: What These DC Villains Really Look Like Under The Makeup

The post According To Neil Gaiman, This Is Why The Sandman Hasn't Been Given A Second Season ... Yet? appeared first on /Film.

22 Sep 17:12

She-Hulk Finally Fulfills The Promise Of That Iron Man Post Credits Scene

by Rafael Motamayor

The first "Iron Man" changed everything. It revived Robert Downey Jr.'s career, and launched what has become the biggest movie franchise of all time. But as big and successful as the Marvel Cinematic Universe has become, and as good as it is at bringing comics to the screen, it is easy to forget just how grounded that first "Iron Man" really was. Like most comic book movies of the '00s, it desperately wanted to appear as if it was set in the real world, and not in a comic book world, it was serious with a capital S, it placed a big importance on making sure the suit felt "realistic" and avoided the weirder and more fantastical aspects of the comics. Sure, it starred a billionaire playboy with a metal suit that could fly, but it didn't really telegraph that it was set in a world that would one day be conquered by a purple alien guy.

That all changed with the film's post-credits scene, when Nick Fury revealed that there was a bigger universe of superheroes out there, except it wasn't, not really. We have seen plenty of heroes and villains rise, but it's mostly been set in the years after that fateful scene, with people with powers only really joining the Avengers, or fighting them. That's not exactly a universe full of heroes.

Thankfully, that is changing with "She-Hulk: Attorney at Law," a show that truly feels like it is set in a larger world filled with people with powers, not just big heroes and villains, but unimportant people, dweebs, idiots, jerks, and just bystanders.

A Whole New World

Like every Marvel Disney+ show so far, "She-Hulk" has brought something new to the table that we haven't seen before. "WandaVision" brought meta commentary and sitcom tropes, "Ms. Marvel" brought a Disney Channel series tone, "Moon Knight" brought psychological horror, now "She-Hulk" is bringing the workplace sitcom to the MCU. Aside from the many MCU Easter eggs and references, the show brings a funny, bright, low-key vibe to this franchise that sets it apart from the other titles.

But while most of the attention has gone to big cameos like Bruce Banner, Wong, and the gift that is Madisynn, what really makes the show unique is its introduction of smaller people with powers, like Titania or Mr. Immortal. These are not some grand villains to be taken down by the end of the season, or characters with a deeper connection to the protagonist, but simply small-scale side characters with powers. Where did their powers come from? Who cares, what matters is that "She-Hulk" is making its world, and therefore the MCU, feel larger by showing us that there are more superpowered individuals than just the Avengers and their villains. Iron Man was not the first superhero, we just haven't seen the rest of the superpowered people yet.

Part Of Something Larger

Jennifer Walters' position as the head of a superhuman law division provides an unique opportunity for "She-Hulk" to introduce a side of superheroes we haven't seen before in the MCU: the mundane. A big loss since the early days of the MCU has been the lack of downtime for the Avengers, the lack of low-key moments when our heroes just get to hang out in-between saving the world. It's only been with these Disney+ shows that we've got to see how people like Sam Wilson go about they day. "She-Hulk" takes that idea a step further by showing the legal troubles and shenanigans that people with powers get into, like Mr. Immortal's commitment issues. This makes the world of "She-Hulk" feel bigger and more like the comics, where thousands of people with superpowers just go about their day, most of whom we don't really see in the big stories.

"Ms. Marvel" showed us a world in response to the existence of the Avengers, one with entire conventions dedicated to Earth's mightiest heroes and where teenagers dressed up as their favorite heroes. Now, "She-Hulk" is fulfilling the promise of the first "Iron Man" by inhabiting its world with superpowers both big and small.

"She-Hulk" is streaming on Disney+.

Read this next: Every Pre-MCU Marvel Movie Ranked

The post She-Hulk Finally Fulfills The Promise of That Iron Man Post Credits Scene appeared first on /Film.

22 Sep 09:35

Tackling Your First Ship in Hardspace: Shipbreaker

by Sean Storey, Lead Game Designer, Blackbird Interactive

Is this your first day at work?

Don’t worry at all, working in zero-gravity salvage isn’t nearly as scary or difficult as people say. Besides, LYNX Corporation has all your genetic data on file in case there are any first day slip-ups. If you happen to blow yourself up tearing down a difficult ship, we’ll bring you right back, no fuss at all. You’ll have to pay for it of course; safety and security always come with a price! 

Still, everyone’s first day can be tricky, so we’re going to walk you through salvaging your very first ship in Hardspace: Shipbreaker, the zero-gravity deep space salvage workplace simulator from Blackbird Interactive and Focus Entertainment. We want to keep the death and dismemberment to a minimum as you get used to the thrill of salvaging every last material and piece of equipment on the ships you work on, so please read carefully as we share some of the best advice we can give a Shipbreaker who is just starting out. 

Space may be cold and lonely, but profit will always keep us warm! 


Get Used to Moving Around in Zero-Gravity


The salvage bay is just like any office, just without air, gravity, or basic safety precautions. Let your guard down or get overwhelmed and panic? You’re as good as gone. It’s been zero days since we’ve had an accident, and that number hasn’t moved in years.   

Hardspace Shipbreaker

Why is it so dangerous out here? Without practice, it’s easy to lose control of your own movement only to end up slamming into a solid object, drifting into the furnace, wasting salvage, or even causing your own death. If you want to save on the cost of a new body, practice your movement until space becomes your playground. So strap on your thrusters, take a deep breath of canned air, and let’s get started. 


Use Your Scanner to Make a Plan and Your Cutting Tool to Put it into Action


The first ship you’ll find yourself salvaging is a Mackerel, a relatively small transport ship. Think of each ship you’re salvaging as a chicken wing: the goal is to get as much of the tissue off the bone as possible for the most profit. Anything wasted will be counted against you; deep-space salvage is a business in which efficiency and precision are everything. 

So when you’re presented with your first ship, you’ll want to use your scanning tool to get a look at the ship’s layout, and get an idea of where the cut points – the structures marked in yellow on the scanner that hold the ship together – are located. For now, you’ll want to search for an open airlock or remove the thruster cap from the rear of the ship. 

Hardspace Shipbreaker

Once you’re inside, use the laser cutter in the stinger configuration for maximum safety to melt each cut point, being careful not to overheat the laser cutter. The heat meter for the tool is located on the side of the hardware, and you’ll also hear a warning tone if you’re close to overheating – which would cause your suit to catch on fire, and any flammable objects around you to also burn or explode. More importantly, this can also kill you, and even if it doesn’t, it hurts quite a bit.


LYNX Counts Every Dollar but You Shouldn’t


The more time you can spend salvaging, the more efficient you’ll be, so keeping an eye on your supplies will always pay off, both for LYNX and for you!! 

Everything you do in Hardspace: Shipbreaker during a shift in the campaign costs resources. You need to keep your thrusters fueled, your air supply topped off, your suit in good condition, and your consumables loaded up. You can sometimes find supplies inside the ships you’re salvaging, but don’t bet on that; it’s important to pay attention to the levels of each of your resources so you don’t suddenly find yourself fighting for breath because you were too focused on your cutting. 

Hardspace Shipbreaker

Luckily, LYNX thought ahead and provided you with a kiosk attached to your living quarters that will dispense all these supplies and more, as long as you can pay for them. This isn’t the time to be tight with your money; dying and having to pay for a new body is a lot more money than investing in a safe and smooth shift. Remember that each shift in the campaign mode lasts for 15 minutes, so it’s important to keep an eye on the clock in order to make the most money possible to repay your debt to LYNX.

Your attention is, in many ways, the most precious resource of them all. Spend it wisely! Follow this advice and you’ll have a great first day with Hardspace: Shipbreaker – now available on Xbox Series X|S and included with Xbox Game Pass.

Xbox Live

Hardspace: Shipbreaker

Focus Entertainment

☆☆☆☆☆ 213
★★★★★
$39.99
Xbox Game Pass
Welcome to LYNX, the solar system’s leader in spaceship salvaging! We offer you the privilege of helping turn humanity’s past into its future by salvaging ships in zero-g. Each one is a puzzle, and how you solve it is up to you! Carve your way in, salvage everything, and maximize your profit. Our cutting-edge LYNX tech helps you do the job. Slice metal with the laser cutter and use the grapple tool to move salvage with ease. Earn upgrades, such as demo charges, sensors, and safety gear. Careful where you point those tools! Hazards include explosive decompression, fuel, electricity, and radiation. Your life is protected by our EverWork™ technology, but our profits aren’t. Your LYNX adventure starts now! Account balance owing is: 1,252,594,441.92 Credits Start paying that debt! Good luck, shipbreaker! • Experience daily life as a blue-collar spaceship salvager • Cut and destroy at will in a next-gen physics sim • Salvage through a compelling campaign, relax in freeplay, or compete in timed challenges • Explore a variety of ship types with unlimited variations • Upgrade tools and gear to take on bigger and harder ships
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22 Sep 02:39

Bad Dreams in Middle Age Could Be Sign of Dementia Risk, Study Suggests

by msmash
People who experience frequent bad dreams in middle age may experience a faster rate of cognitive decline and be at higher risk of dementia as they get older, data suggests. If confirmed, the research could eventually lead to new ways of screening for dementia and intervention to slow the rate of decline. From a report: Most people experience bad dreams from time to time, but approximately 5% of adults experience nightmares -- dreams distressing enough to wake them up -- at least once a week. Stress, anxiety, and sleep deprivation are all potential triggers, but previous research in people with Parkinson's disease has also linked frequent distressing dreams to faster rates of cognitive decline, and an increased risk of developing dementia in the future. To investigate whether the same might be true of healthy adults, Dr Abidemi Otaiku at the University of Birmingham turned to data from three previous studies that have examined people's sleep quality and then followed them over many years, assessing their brain health as well as other outcomes. This included more than 600 middle-aged adults (aged 35 to 64), and 2,600 people aged 79 and older. Their data was analysed using statistical software to find out whether those who experienced a higher frequency of distressing dreams were more likely to go on to experience cognitive decline and be diagnosed with dementia. The research, published in eClinicalMedicine, found that middle-aged people who experienced bad dreams at least once a week were four times more likely to experience cognitive decline over the following decade than those who rarely had nightmares. Among elderly participants, those who frequently reported distressing dreams were twice as likely to be diagnosed with dementia in subsequent years.

Read more of this story at Slashdot.