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26 Mar 19:00

Want A New York Comics Job Where You Can Just Mess About On The Internet All Day?

by Rich Johnston

You know, if I wasn’t happily ensconced as Head Writer at Bleeding Cool, my CV would have gone off to Midtown faster than you can say “collywobble”.

And then another CV half an hour later when I’d fixed all the typos.

Because the store is advertising for a full time marketing professional for the New York store. And I could do that job in my sleep. Which is handy because I’d live in a different time zone.

I mean, telecommuting must be an option, right? Here’s the ad…

We’re looking for a full time marketing professional who can help us continue to achieve a multitude of goals in the areas of branding, social media, and events planning and execution.  You should have two to five years experience in the field, and knowledge of SEO and paid search would be helpful.  You should love comics and have an understanding of the industry.Your duties will fall under these categories:

Social media manager

  • Creation and implementation of strategies and tactics that will grow Midtown’s social media reach. You should have experience monitoring, responding to, and communicating with the online community.

E-Mail marketing:

  • Managing email campaigns from start to finish, including content creation, planning, testing, evaluating, and reporting.

Events planning:

  • Negotiate events for Midtown and facilitate them from A-Z.

Blog manager:

  • Be ready to obtain and manage content provided by others, and create some yourself.

Skills required:

  • The ability to communicate on social platforms in a consistent, on-brand voice.
  • Marketing skills specifically with Facebook, Twitter, Instagram, Youtube and more.
  • Experience using social media analytics tools and the ability to tweak social strategies based on findings.
  • Creating and evaluating social media strategies.
  • Exceptional writing and editing skills, as well as the ability to adopt the style, tone, and voice of Midtown’s various types of content.
  • Ability and passion for managing events and working with people.

Please email your resume and any questions to me at gerry@midtowncomics.com with the subject line “Marketing Job.”

Want A New York Comics Job Where You Can Just Mess About On The Internet All Day?

25 Mar 20:35

Feminists Take To Twitter To Explain That Rape Culture Is Alive And Well

end rape culture

CREDIT: Chase Carter via Flickr Creative Commons

Increasingly, feminist activists are using the social media tools as their disposal to have broader conversations about gender-based violence and victim-blaming. On Tuesday, hundreds of people took to Twitter to emphasize the fact that rape culture — a society that assumes it’s women’s responsibility to protect themselves from an inevitable assault, and places the blame squarely on their shoulders if they do get raped — is alive and well.

Rape culture, a term once relegated to the feminist blogosphere, has recently entered into the national consciousness. After a string of high-profile rape cases garnered widespread media coverage, victims of sexual assault in the military began speaking out, and students at dozens of colleges demanded that their administrations stop sweeping sexual assault under the rug, Americans began connecting the dots. Now, it’s not uncommon to see “rape culture” in more mainstream outlets. BuzzFeed even has a comprehensive explainer on the topic.

But the term still inspires some controversy. Earlier this month, the Rape Abuse & Incest National Network (RAINN) — one the largest and most influential sexual assault prevention groups in the country — cautioned against relying too heavily on the rape culture framework. “In the last few years, there has been an unfortunate trend towards blaming ‘rape culture’ for the extensive problem of sexual violence on campuses,” the group wrote in its policy recommendations to the White House’s new task force on campus rape, encouraging federal officials to focus not on cultural factors, but on the individuals who choose to commit sexual assault.

That provided convenient fodder for the individuals who refute the existence of rape culture altogether. “It’s Time to End ‘Rape Culture’ Hysteria,” the American Enterprise Institute’s Caroline Kitchens wrote in TIME earlier this week, arguing that this approach ends up vilifying the average guy. “College leaders, women’s groups, and the White House have a choice. They can side with the thought police of the feminist blogosphere who are declaring war on Robin Thicke, the Sports Illustrated Swimsuit Edition, male statues, and Barbie. Or, they can listen to the sane counsel of RAINN,” Kitchens concluded.

On Tuesday, hundreds of people on Twitter reclaimed the conversation.

That shift began when feminist activist and writer Zerlina Maxwell, who frequently speaks out about rape culture, started tweeting under the hashtag #RapeCultureIsWhen in response to Kitchens’ piece:

#Rapecultureiswhen you go to friends for support and they ask you what you were wearing.

— Zerlina Maxwell (@ZerlinaMaxwell) March 25, 2014

#Rapecultureiswhen you report your rape and the nurse at the hospital asks you why it took you so long to report. #TRUESTORY

— Zerlina Maxwell (@ZerlinaMaxwell) March 25, 2014

#Rapecultureiswhen the media mourns the end of a Steubenville rapists' football careers & doesn't even mention the survivor.

— Zerlina Maxwell (@ZerlinaMaxwell) March 25, 2014

#Rapecultureiswhen people tell you to get a gun in order to prevent rape but then don't mention you could end up like Marissa Alexander

— Zerlina Maxwell (@ZerlinaMaxwell) March 25, 2014

“I started the hashtag organically after reading the TIME Magazine article. Instead of pulling my hair out, I just started tweeting with the hashtag, hopeful that others would join in and help educate the masses, in response to both the TIME article but also RAINN claiming that rape culture is not to blame for gender-based violence,” Maxwell told ThinkProgress in an email exchange.

Her hopes were realized. Within the span of two hours, hundreds of other people on Twitter had joined in, using the hashtag to share their own experiences related to sexual assault, victim-blaming, and rape culture. #RapeCultureIsWhen became a trending topic.

“I am really happy to see survivors and allies joining in and adding in their own personal stories to help spread the information around to the most people,” Maxwell noted. “I hope that folks who don’t have a full understanding about rape culture — what it is, why it’s a problem, and how to solve it — can learn from the information on the hashtag.”

Other feminists have also critiqued RAINN’s statements, pointing out that acknowledging society’s pervasive rape culture doesn’t mean absolving individual rapists from their decision to commit a crime. Jezebel noted that although RAINN put forth some valuable proposals, the group simply doesn’t see tackling rape culture as a “viable, easily implementable solution to the campus rape epidemic.”

But in Maxwell’s view, taking steps to address rape culture isn’t necessarily insurmountable or unrealistic. “I’ve been lecturing at colleges all Spring to teach young people about rape culture. By the end, everyone is on the same page,” she told ThinkProgress. “Rape culture is impossible to not see, if you know what to look for… I think if we start with consent, then we can make a real impact. We can all be a part of the process by always asking for consent, by being active bystanders, and by believing survivors who come forward to report.”

College activists on the ground are already putting much of that into practice. Across the country, students are organizing creative campaigns to encourage a culture of consent, and to challenge the societal assumptions that there are any blurred lines when it comes to sexual activity. Activist groups are identifying the best policies to support survivors and implementing programs to encourage more bystander intervention. And the advocates who have been working on this issue were heartened when President Obama announced his new White House Task Force with a speech that placed the responsibility for ending the college sexual assault crisis on potential rapists, not on their potential victims.

The post Feminists Take To Twitter To Explain That Rape Culture Is Alive And Well appeared first on ThinkProgress.

25 Mar 20:27

New Season of ‘The Boondocks’ Excludes Its Creator Aaron McGruder

by C. Edwards
It was recently announced that, after a nearly four-year hiatus, the Adult Swim animated series "The Boondocks" would be returning on April 21st for its fourth and final season. However, any excitement that fans of the show experienced when hearing the news was cut short when they learned that the show’s creator, Aaron McGruder, would not be involved.
25 Mar 19:46

Disney’s ‘Frozen’: The Acting and Performance Analysis

by Ed Hooks
kate

Interesting read, I definitely don't agree on certain points but certainly worth mulling over.

Disney's Frozen will soon merit its own chapter in the entertainment industry Big Book. The 2014 Oscar winner for best animated feature has earned over US$1 billion at the box office, currently the second highest-grossing animated feature in history, behind "Toy Story 3." The movie’s phenomenal financial success has obscured under-the-hood examination of its performance engine. As an acting teacher, I am an artistic purist; grosses and popularity awards don’t mean much to me. My standard of measurement is the emotional impact a movie has on its audience and its elegance as a work of art. "Frozen" is beautiful to see, fun to sing along with and is a modern day marketing marvel, but the script has structural and performance issues that are worth examining because they impact directly on acting.
25 Mar 18:11

In the Future, Home Appliances Will Be as Smart as Your Phone

by Matthew Harwood and Catherine Crump
kate

"the Internet of Things"

This story first appeared on the TomDispatch website.

Estimates vary, but by 2020 there could be over 30 billion devices connected to the Internet. Once dumb, they will have smartened up thanks to sensors and other technologies embedded in them and, thanks to your machines, your life will quite literally have gone online.

The implications are revolutionary. Your smart refrigerator will keep an inventory of food items, noting when they go bad. Your smart thermostat will learn your habits and adjust the temperature to your liking. Smart lights will illuminate dangerous parking garages, even as they keep an "eye" out for suspicious activity.

Techno-evangelists have a nice catchphrase for this future utopia of machines and the never-ending stream of information, known as Big Data, it produces: the Internet of Things. So abstract. So inoffensive. Ultimately, so meaningless.

A future Internet of Things does have the potential to offer real benefits, but the dark side of that seemingly shiny coin is this: companies will increasingly know all there is to know about you. Most people are already aware that virtually everything a typical person does on the Internet is tracked. In the not-too-distant future, however, real space will be increasingly like cyberspace, thanks to our headlong rush toward that Internet of Things. With the rise of the networked device, what people do in their homes, in their cars, in stores, and within their communities will be monitored and analyzed in ever more intrusive ways by corporations and, by extension, the government.

And one more thing: in cyberspace it is at least theoretically possible to log off. In your own well-wired home, there will be no "opt out."

You can almost hear the ominous narrator's voice from an old "Twilight Zone" episode saying, "Soon the net will close around all of us. There will be no escape."

Except it's no longer science fiction. It's our barely distant present.

Continue Reading »

25 Mar 16:32

March comes in like a lion wins Tezuka Prize top award

by Heidi MacDonald

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The 18th Annual Tezuka Osamu Cultural Prizes, given out to notable manga, were announced yesterday. he grand prize went to March comes in like a lion by Chica Umino. The story is described thusly:

The story of the manga follows a solitary shōgi player named Rei and his relationships with a neighboring family. He becomes acquainted with Akari, and two young girls, Hinata and Momo, who also have have a large number of cats.


OH MY GOD CAN SOMEONE PLEASE PUBLISH THIS HERE.

Other winners:
New Birth Prize
Mitsuami no Kami-sama and other works by Machiko Kyō

Short Work Prize
Onnoji and other works by Yūki Shikawa

Special Prize
Manga Michi, Ai…Shirisomeshi Kei ni by Fujiko Fujio A

Reader Prize
Space Brothers by Chūya Koyama

25 Mar 16:30

how we talk about social justice

by david brothers
kate

I am really trying to work on this myself!

In pretty much every social justice debate, once things have flared up and we’re off at the races, someone in the conversation is going to say something about how people are just mad to be mad, something something lynch mobs (with varied or veiled phrasing), blah blah the negativity of the internet, and yada yada some people are just looking to be offended. Sometimes they mean well, sometimes they want to defend their friends, and sometimes they’re just jerks. It happens. This commenter always frustrates me, because those remarks work to undermine the point of the argument, and the burgeoning movement, in what feels like very dishonest and cruel ways.

This kind of semi-support often acknowledges that harm was done and mistakes were made, but then positions the person who did the harm as the victim of an angry, lying mob, and the mob’s sin as greater than the original offender’s sin. The problem becomes the (so-called) mob and not the person who actually did the thing that kicked off the whole conversation.

We treat the concept of racism as this awful, verboten thing that’s defined largely by cartoonishly bigoted historical figures and anecdotes. The problem with that is that when it’s time for someone to acknowledge the iota of poison that might have been instilled in them by a poisonous status quo, they reject the idea entirely. Racism is strictly defined as something without, not within. And nobody wants to be a bigot, so we sympathize when someone gets hit with that brush and our first instinct is to prove that they aren’t racist, irrespective of whether or not they did a racist thing.

Treating the application of the racist label as being worse than the original offense is a problem. It removes the responsibility and attention from the person who did the thing and pushes it onto the people who reacted to the thing. The conversation becomes “Is this guy racist or nah?” instead of “Was this hurtful, and why?” It’s a fine point, but one worth standing your ground on. It paints the people as folks looking to smear someone’s reputation instead of anything approaching the truth of the matter, and once you pair that with the idea that they’re just a mindless mob looking for trouble, you’re in even hairier territory.

The idea that people are really into dog piling, with the implication that they receive some type of cred for getting at somebody, is the part of this phase that grates the most. I can only speak to my lived experience and my time writing about this stuff at excruciating length, but being offended? Getting mad at somebody for saying or doing something? It sucks. It’s not fun. It doesn’t get you any cred. Being offended is like having something really frustrating happen to you, and every choice you can make in that situation to make yourself feel better—to answer the offense, to ignore the offense, to even acknowledge the offense—has a psychic toll that is positively draining. If there is an upside to being upset, I definitely missed a memo.

Are there people out there going super hard for dubious or nebulous reasons? Sure, anything can happen. But why would you assume disingenuous motives with no proof at all? Why would you attempt to discredit, instead of accepting and rejecting? “I disagree, here’s why” is one thing. That’s a discussion worth having. “You made this up,” no matter how many layers of faux-politeness it’s buried in, could and should get you slapped.

The vast majority of people believe we should all be treated equally and that the various -isms should be eradicated. But when we are faced with a situation where an acquaintance or someone we like has messed up, we’ve got to be careful. Our first instinct is to defend and deflect instead of examine, but in something as complex and important as social justice, that’s not the best route.

We’ve got to be more compassionate. We’ve got to try to be understanding about where people are coming from and why they might be hurt, especially if it’s utterly baffling to us. You don’t have to agree or like what they’re saying, but please respect it. Be very careful with the words you choose and what they imply. If you disagree, disagree with words and thoughts of substance, instead of throwing veiled stones about “social justice warriors” and “lynch mobs” in an attempt to discredit them.Similar Posts:

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25 Mar 16:19

Florida Judge Rejects IP Address As A Valid Identifier in Copyright Infringement Lawsuit

by james_fudge

A Florida judge may have set a precedent when she threw out a case filed by Adult film company Malibu Media this week. Malibu filed a bulk lawsuit against an IP address and was seeking to have the courts subpoena the cable operator Comcast to turn over records on the individual connected to it.

read more

25 Mar 15:08

oh guess what I finished playing. I looooooooooved it....



oh guess what I finished playing. I looooooooooved it. Especially the ending.

This was supposed to be a digital comics test (all drawn on the cintiq), but it got entirely out of hand. Oh well, enjoy!

25 Mar 15:04

What If Everything You Knew About Poverty Was Wrong?

by Stephanie Mencimer

Blond and midwestern cheerful, Kathryn Edin could be a cruise director, except that instead of showing off the lido deck, she's pointing out where the sex traffickers live off a run-down strip of East Camden, New Jersey. Her blue eyes sparkle as she highlights neighborhood landmarks: the scene of a hostage standoff where police shot a man after he'd murdered a couple in their home and abducted their four-year-old; the front yard where a guy was gunned down after trying to settle a dispute between his son and two other teens.

Edin, 51, talks to every stranger we pass. She chirps hello to some guys working on a car jacked up in their front yard, some dudes selling pot, and a little girl driving a pink plastic jeep on the sidewalk. Most of them look at her like she's from another planet—which in a way, she is.

A sociologist at Johns Hopkins University, Edin is one of the nation's preeminent poverty researchers. She has spent much of the past several decades studying some of the country's most dangerous, impoverished neighborhoods. But unlike academics who draw conclusions about poverty from the ivory tower, Edin has gotten up close and personal with the people she studies—and in the process has shattered many myths about the poor, rocking sociology and public-policy circles.

10 Poverty Myths, Busted

1. Absent dads are the problem. Sixty percent of low-income dads see at least one of their children daily. 

2. Single moms are the problem. Only 9 percent of low-income, urban moms have been single throughout their child's first five years.
 
3. Handouts are bankrupting us. In 2012, total welfare funding was 0.47 percent of the federal budget.

Read the rest

For three years Edin lived with her family in a studio apartment smack in between the two crime scenes we just passed and a few blocks from one of the city's largest and most notorious public housing projects. Here she spent years doing intensive fieldwork for her latest book, coauthored with husband and Johns Hopkins colleague Tim Nelson, on low-income, unwed fathers. Doing the Best I Can: Fatherhood in the Inner City is a complicated portrait of a group of people all but ignored by statistics-driven social-science research—in large part because there's little ready-made data about them.

Disconnected from a welfare system that historically has helped researchers track single moms, these men are also often untethered from traditional institutions such as schools and churches. The places where you can find clusters of them—prisons and drug rehab programs—give you a skewed sample. And there's a more basic problem, well documented in research: When sociologists ask whether they have kids, some men don't know—or lie.

To get around these issues, Edin spent years getting to know low-income fathers, drawing them out to talk about their love lives and use of birth control, their reaction to pregnancies, and other intimate details. The result goes beyond the welfare-queen-style anecdotes that drive headlines and policy discussions, and instead gleans truth from ordinary experiences.

"Conventional wisdom is that the moms are the only ones who care about the kids and the dads want to flee responsibility," Edin says. But she and Nelson found that the reviled "absentee father" isn't quite so absent, nor does he want to be, and that whether he's a deadbeat depends a lot on which of his kids you're talking about.

Sociologist William Julius Wilson, one of the nation's foremost chroniclers of inner-city poverty, heralds Edin's work as groundbreaking. "I do research in those neighborhoods, and I found those stories quite revealing," he says. "She uncovered things I hadn't even thought about. I thought there would be some apprehension or concern that [the men] got a girl pregnant, but these guys were happy that they'd fathered a child. A child represented a life preserver for some of these guys."

In the book, Edin and Nelson take as a starting point the public freak-out about the rise in unwed parenthood, a problem first highlighted by Sen. Daniel Patrick Moynihan (D-N.Y.) back in 1965 with the infamous report "The Negro Family: The Case for National Action." Then an assistant labor secretary in the Johnson administration, Moynihan warned that the black family was on the verge of a "complete breakdown"—at the time, 1 in 5 black children was born out of wedlock. Today, it's more than 1 in 3.

Unwed black fathers continue to be singled out for special scorn by everyone from conservative gadfly Gary Bauer (who blames them for crime among NFL players) to President Obama, who in 2008 told black churchgoers in Chicago that "what makes you a man is not the ability to have a child" and pledged to address the "national epidemic of absentee fathers."

Over the past two decades, such views helped unleash a torrent of punitive policies aimed at raising the cost of unwed fatherhood. Yet the share of those having kids out of wedlock has continued to soar. In 1990, 28 percent of American births were to unmarried women. Today, it's a record 41 percent, with much of the increase coming among low-income whites. More than a third of all children with single mothers live below the poverty line, four times the rate of those with married parents.

Conservatives have blamed the shift on cultural decay, immorality, and welfare benefits. Liberals have flagged the disappearance of well-paying manufacturing jobs. But when Edin started her research, it was clear that none of these explanations told the whole story. The disappearance of marriage was a true social-science mystery.

So she and Nelson decided to embed with their subjects. In 1995, while teaching at Rutgers University, Edin, Nelson, and their three-year-old daughter moved into a studio apartment near 36th and Westfield in Camden, one of the poorest cities in America. It was the beginning of two years of intensive fieldwork, followed by another five years of interviewing—or, as Edin puts it, "a rich opportunity for learning. Some social scientists will rent an office building and bring people in and interview them. But experiencing what other people are experiencing while you're studying them is just critical."
 

Once a thriving industrial center, home of RCA Victor and the Campbell Soup Company, Camden saw decades of white flight as the manufacturing sector disappeared. By 2000, five years after Edin arrived, 53 percent of Camden's residents were black, 39 percent were Hispanic, and 36 percent lived below the poverty line. The year she moved in was the city's bloodiest on record, with 58 murders among 86,000 residents.

About a block away from the blue clapboard Victorian where Edin lived is the former Presbyterian church where she taught Sunday school—one of the ways she got to know people in the community, along with volunteering at an after-school program. On the warm fall day I visited, the voice of a holy roller bellowing at his flock rang clear across the street.

Teaching Sunday school wasn't just a research ploy. Edin hails from rural Minnesota, where she "grew up in the back of the van" that her mother drove for a Swedish Lutheran church. She worked there with needy families whose kids often cycled in and out of jail and foster care. "The religious tradition I came up in was very focused on social justice," Edin says, citing Micah 6:8 ("To act justly and to love mercy and to walk humbly with your God").

White's daughter Janasia plays in front of Urban Promise, the nonprofit where her dad met Edin as a teen.

She attended North Park University, a small Christian college in Chicago with a social-justice focus. There, she took extra-credit assignments working in the notorious Cabrini-Green public housing project. In her free time she did things like watch Brother Sun, Sister Moon, Franco Zeffirelli's film about St. Francis of Assisi, and walk around campus barefoot in the winter to emulate the saint.

Sunday school in Camden was different. One day, Edin recalls, she drew on a common evangelical trope, asking the kids what one thing they would save if their house were on fire. The answer is supposed to be "the Bible," but for these kids the question was not a hypothetical. Most of the kids had actually been in that situation and could tell her exactly what they took. (Sometimes it was the Bible.)

Tragedy was endemic to her small class. In the space of a month, the fathers of two of the five students were killed in gun violence. Trauma made the kids "very vigilant," she says. "They notice everything about you." Some of their comments yielded unexpected insights for her research on low-income women's attitudes toward marriage, which they tended to view as hard work more than a source of pleasure. "One girl said to me, 'You white women are really into your husbands,'" she says with a laugh. "Watching people respond to you reveals a lot."

Not long after she and Nelson moved in, a teenager avoiding pursuers jumped through an open bathroom window, then raced out their front door. She recalls the time she put her baby's empty car seat down in the front yard while unloading groceries. When she turned around, it was gone. She ran down the street to a garage that served as the neighborhood's unofficial flea market, and found it already for sale.

Edin says her willingness to put up with the same routine annoyances as her neighbors helped persuade them to open up. "Lots of people said, 'We know you're the real thing. You're not here just to study us, because you live here, too.'"

She had some other things working in her favor, namely her family—which, in a way, was also a product of her research. In 1992, she was studying residents of a public housing project in Charleston, South Carolina, and volunteering at a food bank, where she befriended an African American woman who lived with her children in a tarp-covered shack with no running water. The woman asked Edin and Nelson to adopt her youngest child; they were about to go through with it when the child's father stepped in to take custody. The wrenching loss inspired Edin and Nelson to formally pursue adopting.

They were incensed by ads in the local paper from white couples looking for a white baby. So they placed their own, reading, "white couple looking to adopt your black or biracial child." The newspaper told Edin the text was illegal because it mentioned race, but eventually published it anyway. They received four calls within an hour and soon adopted a baby; their second child came via the New Jersey foster care system.

Raising young children in Camden, where nearly 75 percent of kids are born out of wedlock, proved to be a sociological study in itself. One day, she was out doing fieldwork when she spotted her three-year-old crossing Route 130, a major highway, trailing behind her teenage babysitters without anyone holding her hand. "It's just an expectation of maturity that middle-class parents do not expect their kids to have," she says. "When you're poor and you're a single mom, you have to raise your kids to be tougher and more savvy sooner."
 

Edin came of age at a time when the country was engaged in a heated debate about whether the government should provide cash benefits to help single mothers and their children. Ronald Reagan had helped set the stage with his attacks on the "welfare queen," and writers like conservative Charles Murray and liberal Mickey Kaus insisted that benefits made women lazy and encouraged them to have babies out of wedlock. Kaus and Murray didn't base their arguments on any significant fieldwork. Murray went so far as to create a fictional couple to illustrate his argument. But their conclusions were shaping public policy nonetheless.

Edin stepped into this fight in the late 1980s while working on her master's degree at Northwestern University. Sociologist Christopher Jencks had hired her to reinterview some of his subjects in a study on welfare. She'd been moonlighting by teaching college courses to welfare recipients, and one day Jencks asked what she was learning from her students. "Everyone cheats," she said. Jencks perked up and said, "Can you prove it?"

Edin spent the next six years taking a deep dive into welfare home economics, pestering poor mothers in Chicago, Boston, San Antonio, and Charleston about how they managed to survive on benefits that averaged $370 a month. In 1997, she published her findings in a book called Making Ends Meet: How Single Mothers Survive Welfare and Low-Wage Work. It came on the heels of the Clinton-era welfare reform that overhauled the entitlement system to force single mothers into the workplace.

But Edin documented that most moms on welfare were already working under the table or in the underground economy, and that lovers, friends, family, and the fathers of their children were pitching in to help. They didn't get legal jobs because of a straightforward economic calculus: Low wages drained by child care, transportation, and other expenses would have left them poorer than they were on welfare.

In a foreword to the book, Jencks notes that this simple math had been kept out of the political debate for years, as conservatives refused to admit that welfare benefits couldn't support a family, and liberals were reluctant to acknowledge the extent of the deceptions. Edin's work forced that discussion out into the open. "I don't think we realize how difficult it is for low-income families living on minimum wage or less than minimum wage to survive," says William Julius Wilson. "That's why that book was so important—it documented what we should have known."

Continue Reading »

25 Mar 14:50

Anime Japan 2014 Part 2: Good Smile Company

by Boke Nasu
kate

NSFW.

But sharing for the super cool Attack on Titan replica houses.

Giant anti-aircraft guns would normally send us running for cover, but Rensouhou-chan was off-duty today as he waved people into the Good Smile Company booth. With a face that innocent you know he's only capable of friendly fire. And every shot fired by Good Smile that weekend was a direct hit!

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The combined forces of the KanColle fleet dominated the cosplay area and Good Smile booth. If the Nendoroids, Figmas and scale figures didn't offer enough options as it was, we can expect regular and battle-damaged versions of the girls as well. Start learning your ship girls now so the boat doesn't leave without you when the anime starts this summer.

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Kill la Kill had the most impressive display with this Honnouji Academy diorama. It's nice to know that they have a scale figure of Satsuki in production and one of Ryuko in the pipeline, but where's our Bancho Mako?

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Mikasa is so godlike that the other characters don't even try to compete. I mean, if she wants to go out there and exterminate all the titans so Eren doesn't break a nail, who are we to stop her?

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The ladies of the Anglerfish Team keep the Girls und Panzer war machine well-oiled so the franchise doesn't tank. It's only a few short months before the new OVA hits Japanese theaters in July!

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I was about to remark how nostalgic these Fate/stay night characters are when I remembered that the remake is due for the fall! The longer you've been in the fandom, the more often you get anime deja-vu.

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It's all about customization! The new line of Nendoroids up top have either exchangeable faces or pajamas, while the Attack on Titan Piku Tamu rubber straps have changeable expressions. Swap 'em, trade 'em, give 'em googly eyes--the choice is yours.

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As the cherry blossoms bloom outside, Sakura Miku blooms inside the showcase! We can't wait to get our hands on this little flower and her other Good Smile buds. 

Home Anime Japan 2014 Part 5: Booths Anime Japan 2014 Part 4: Idols Anime Japan 2014 Part 3: Patlabor Anime Japan 2014 Part 2: Good Smile Company Anime Japan 2014 Part 1: Intro and Cosplay
25 Mar 14:32

Fated Worlds For Roleplaying In The New Bundle of Holding

by Hannah Means Shannon

By Christopher Helton

The Bundle of Holding is an ongoing, curated collection of PDFs and digital formats (with no DRM on any of the files) of tabletop role-playing games. Writer and game designer Allen Varney started the Bundle of Holding project in September 2012. Inspired by the book-bundle site StoryBundle, he commissioned web programmer Laura Dean (a fellow juggler in the Texas Juggling Society) to create the site. After decades in the adventure gaming hobby, Allen knew many designers, and more than a few who had written novels. Ten designers contributed their self-published novels to the first Bundle of Holding, which had a successful 18-day run in February-March 2013 and was recently resurrected for a four-day encore.

The Bundle of Holding site has run nearly three dozen offers. Two September offers were each record-breakers. The November 2013 Indie Cornucopia offer raised $28K, and the December 2013 Family-Friendly RPGs collection drew praise from Wil Wheaton. More bundles are already lined up almost continuously through spring. One of the best parts of each Bundle of Holding, besides the games, is that 10% of the money raised from each Bundle is given to charities picked by the designers/publishers whose titles are in the Bundle. For the Bundle of Fate, ten percent of each purchase goes to the Somaly Mam Foundation and War Child International.

The total retail value of the games included at launch is over US$80. Pay what you want (minimum $7.95) to get the core collection of games; if you pay more than the current threshold (average) price, you also receive all the bonus games. (All purchasers also get the free Fate Core and Fate Accelerated rulebooks.) When games are added after launch, all previous purchasers receive them automatically. There will also be surprise additions to the Bundle of Fate which will be announced before the Bundle ends. These additions will automatically be given to anyone who pays an amount over the threshold.

Back in January of 2013, Evil Hat Productions ended a successful Kickstarter to launch a new edition of their Fate system, which had previously appeared from them in their Spirit of the Century and Dresden Files RPGs. Asking for $3000 to fund art and layouts, the project ended up raising $433,365 and funded a series of additional books in the line, including the Fate Accelerated Edition and two volumes of Fate Worlds. Released under the open game license and a creative commons license, the Fate system has been used by a number of designers as the engine for their own games, many of whom are also in the Bundle of Fate. One of the great things about this Bundle is that there are games covering a wide variety of genres from science fiction to Victorian super-heroes to fantasy to pulp adventure.

In the core collection (for a minimum purchase of $7.95), there is Fate Core, Fate Accelerated Edition, Spirit of the Century, Bulldogs!, Full/Moon and Ehdrigohr.

Where Fate Core is the robust, full-flavored current version of the game, with all of the bells and whistles, the Fate Accelerated Edition is a streamlined version of the game that strips down the rules to their bare necessities. Both of these games are generic and allow for play in any number of genres. Spirit of the Century is the previous edition of the rules, customized for pulp adventure in the 1930s and 1940s. Fans of Warren Ellis’ Planetary comics, or Kings Watch or any of the pulp comics published by Dynamite Comics will find Spirit of the Century to be a roleplaying game that would pique their comic reading interests.

Bulldogs! is a rollicking science fiction adventure game based on the Spirit of the Century rules that should appeal to fans of Flash Gordon or Mark Millar’s Starlight. Star Wars fans will probably find Bulldogs! to an interesting game as well.

Full/Moon has probably the most focused of the settings of these games, dealing with prospectors and others on a Moon base. Fans of Duncan Jones’ Moon will probably be able to see how the movie inspired this game, and may find it an entry into roleplaying. Full/Moon uses a streamlined version of the Fate rules that appeared in Spirit of the Century.

Ehdrigohr is dark fantasy game that draws inspiration from the myths and legends of the Lakota people to create a fantasy world that is startlingly different from those of more traditional fantasy games. Fans of comics like Jason Aaron’s Scapled may be interested in the rich mythology behind this game and its setting.

If you pay over the threshold, you receive the following DRM-free PDFs as well: Diaspora, The Kerberos Club, Starblazer Adventures and Legends of Angelerre. The threshold is determined by coming up with the average price that people are paying for the bundle. Those who pay over the threshold also receive the mystery PDFs that are going to be announced on Monday and Tuesday.

For fans of British comics, the name Starblazer should be familiar. This game, based on the Spirit of the Century rules and extensively expanded to cover a number of science fiction genres, is based upon the D.C. Thompson comics magazine of the same name. A number of British comic writers, including Grant Morrison did their early works for Starblazer. This behemoth of a game allows you to play in any of the worlds that were brought to life in the pages of Starblazer magazine. The Legends of Angelerre game is the fantasy version of the game, inspired by the many imaginative fantasy setting that appeared in the pages of Starblazer magazine. The Bundle of Fate is also the last place that you will be able to get these two games, because at the end of the month publisher Cubicle 7 will end their licensing agreements to publish these games.

Diaspora is a harder science fiction game than the previous Starblazer Adventures or Bulldogs! games. Everything that you need to create characters, solar systems and spacecraft can be found in these rules. Fans of Star Trek or Firefly will find that Diaspora could be the gateway to gaming in those worlds for them.

The Kereberos Club is a super-hero roleplaying game setting in the later Victorian era of English history (although there are some nods to other parts of the world in the write-ups) that can easily be hacked into super-hero games for almost any time period. This game is also based upon the rules from Spirit of the Century, like many of the games in this Bundle. Fans of steampunk literature and the Legenderry comic from Dynamite will probably find The Kereberos Club contains things of interest to them.

The Bundle of Fate lasts until Wednesday, March 26rd after which the next Bundle of Holding will be launched.

Christopher Helton is a blogger, podcaster and tabletop RPG publisher who talks about games and other forms of geekery at the long-running Dorkland! blog. He is also the co-publisher at the ENnie Award winning Battlefield Press, Inc.  You can find him on Twitter at @dorkland and on G+ at https://plus.google.com/+ChristopherHelton/ where he will talk your ear off about gaming and comics.

Fated Worlds For Roleplaying In The New Bundle of Holding

25 Mar 13:58

‘Alice In Arabia’s Cancellation Shows We’re Ready For Real Portrayal Of Arabs And Muslims

shutterstock_129358142

CREDIT: Shutterstock

In the space of about seven days, ABC Family’s new pilot Alice In Arabia went from one-paragraph blurb to leaked script to being cancelled over overwhelming outrage. That’s a great sign that we’re not willing to accept tired stereotypical stories about Arabs and Muslims wrapped in a veneer of sensitivity — and that we should soon have shows by Arab and Muslim writers that ditch these tired formulas.

TV and movies often try to get away with negative stereotypes by including “good” stereotypes as a false balance. It’s made far worse when writers try and portray people of a community they aren’t a part of, inevitably projecting their own concerns about that community instead of creating realistic, whole characters. Alice seemed to be on track to commit all of these faux pas.

The show got off to a bad start — the short summary released by ABC Family featured kidnapping, a royal patriarch, repression of Muslim women, and the phrase “behind the veil.” That was enough to provoke a backlash and trending topic on Twitter, and concerned statements from the Council of American-Islamic Relations and the American-Arab Anti-Discrimination Committee. ABC Family and the pilot’s writer, Brooke Elkmeier, responded predictably, with assurances that the show would be a “nuanced and character-driven” take, without disputing that the central conflict would be “backwards East” versus “liberated West” as implied in the blurb.

But then someone involved with the show leaked an early script to BuzzFeed, and reporter Rega Jha found it “likely to confirm early fears.” After Alice, an American 16-year-old, loses her parents in a car crash, she is trapped in Saudi Arabia by her long-lost grandfather, and forced to give up her formerly free and equal life. In Jha’s description of the episode, Alice is heavy on assurances that Muslim women are just like us — “even under the drabbest of veils” — and are humanized and sexualized by their interest in Western lingerie and Desperate Housewives. Some of the women embrace norms like engagement at age 14, while others rebelliously insist on education over marriage, which is presumably supposed to be the nuance on gender equality.

The fact that these questions are the focus is the problem. Shows don’t go to such lengths to remind us that white characters are human, and it’s unclear where it would leave Alice‘s women if they didn’t happen to like American pop culture. Similarly, TV shows manage to depict white men and women in all sorts of scenarios where they aren’t defined by political struggles over gender equality or their race or religion, even though those are pressing issues. But Arab women can’t be anything but props in an argument about oppression.

American media has virtually no characters of Arab or Muslim background who aren’t defined by stereotypical political issues. As expressed in a tweet from Khaled Bey:

Hollywood Depictions of Muslims: 1) Terrorists 2) Oppressed Women 3) Racist Immigrants 4) Oil Sheiks 5) Religious Zealots #AliceInArabia

— Khaled Bey (@KhaledBeydoun) March 18, 2014

In that way, the debacle over Alice has served to highlight how absent realistic depictions of Arabs and Muslims are from TV. It makes sense to ditch a rare show-length treatment of Arabs and Muslims if it’s just going to repeat the same old cliches without any nuance.

Alice‘s writer, Eikmeier, responded to critics on Facebook by saying the show “is meant to give Arabs and Muslims a voice on American TV.” It’s worth wondering why that voice would be best-expressed by a member of the armed forces whose experience with the Middle East comes from occupying a nation rather than say, a member of one of these communities.

Dean Obeidallah makes the convincing case that this is the heart of the problem. A project about Arabs and Muslims that isn’t made by Arabs and Muslims is likely to gravitate towards reductive tropes, to the issues that the rest of the world associates with them, rather than the ones they deem important. Maybe the outcry over Alice will help fuel that effort.

Obeidallah also called for a “fair” portrayal of Arabs and Muslims, a “show that features the good and bad in our community,” but I’d say that’s exactly what Alice was ineptly trying to do. We’ve got enough shows that assume Muslim and Arab characters can only be approached by pitting good versus bad, fundamentalism versus liberalism, violence versus peace, or in the case of shows like 24 or Lost violence against the good guys versus violence to help them. One of the best things about the current boom in TV is the willingness to recognize that realistic characters can’t be reduced to good or bad. Now we need the same freedom for Arab and Muslim characters, and it starts when Arabs and Muslims are the ones writing them.

The post ‘Alice In Arabia’s Cancellation Shows We’re Ready For Real Portrayal Of Arabs And Muslims appeared first on ThinkProgress.

25 Mar 13:56

Regarding his friend's comic purchase...

by MRTIM

25 Mar 13:54

Boys-Love Game DRAMAtical Murder Gets TV Anime This Summer

Nitro+Chiral works with anime studio NAZ on show
25 Mar 13:52

Creationism Is Not Being Ignored On ‘Cosmos’ — It’s Actually The Focus

Neil DeGrasse Tyson

CREDIT: Frank Micelotta/Invision for FOX/AP Images

Danny Faulkner, a “scientist” working for the same group that runs Kentucky’s creation museum was complaining last week that Neil deGrasse Tyson’s Cosmos: A Spacetime Odyssey doesn’t address creationism.

From Mashable:

Faulkner claimed the 13-episode series has a distinct “evolutionary bias,” and agreed with Mefferd’s concern that Cosmos doesn’t even present creationism as an alternative theory.

“That was struck in the first episode where [Tyson] talked about science — how everything’s up for discussion, it’s all on the table — and I thought to myself, ‘No, consideration of special creation is definitely not open for discussion’,” he said.

This seems to be the prevailing sense on the other side as well. Over at iO9, Jason Shankel writes “Rather than hand the microphone over to the usual crowd of mountebanks and charlatans and give them some freebie air time to sell their defective product, Tyson dedicates this episode to the telling of a single story in the history of science that provides the strongest counter-argument to creationism or any other mystical explanations for reality.”

Actually, Tyson is deliberately and straightforwardly giving a whole lot of time to creationism. Why did we have to sit through the history of the eyeball? Creationists love to argue that the complexity of the eyeball disproves evolution. Note how he talked specifically about how the eyeball isn’t actually this perfect mechanism, but something that works well enough for what we need it for, but not as well as it does in fish — the whole idea that the eyeball is a perfect, too-complex thing is a creationist argument.

Another example: Why did Tyson spend so much time explaining the similarities and differences in how polar bears have evolved through natural selection vs. how dogs have changed in the time we’ve been breeding them for certain traits? Because creationists acknowledge that changes within species happen. They just like to pretend like one kind of organism couldn’t really have brought forth another kind of organism.

Tyson isn’t ignoring creationism. Creationists wish Tyson were ignoring creationism. Tyson is instead standing on creationism’s home turf and playing by their rules. (Every episode we’ve seen so far has contrasted the Church’s approach to these issues with science’s approach. I’ve read some complaints that Cosmos is too much in love with that old story where everything happens in Europe until white people arrive in the Americas and then some stuff gets to happen here too. But I think that complaint also misunderstands that the history of Christianity as its taught to American Christians is, by and large, that story — everything happens in Europe until some stuff starts to happen here). Tyson is taking creationists’ claims deadly seriously, and showing all the ways they’re wrong.

I mean, people, he literally said “This is the greatest story ever told” — about science! You think Tyson doesn’t know that’s practically American Christianity’s slogan? I don’t know what more he could do to make it clear that he’s directly critiquing creationism. Is he supposed to come out and say, “Excuse me, Danny Faulkner, I’m talking to you.”?

If the ways he’s critiquing creationism weren’t so interesting, his focus on just going through their arguments, dismantling them one after the other, would be tedious. But let’s not lose sight of the fact that this is an incredibly thorough discussion of creationism. Creationists are getting the discussion they claim to wish to be having.

What creationists are upset about is that it’s not a discussion that bothers to treat their ideas like they have any scientific merit. After all, any good scientific question should eventually lead to an answer that generates more questions. Creationism short-circuits that process, instead arguing that there’s an end to questions — that, eventually, you can drill down enough to get to God — God did it or God willed it to be. No more questions needed.

That just can’t be a valid scientific approach. And, so far, week after week, that’s been the subtext to Cosmos.

The post Creationism Is Not Being Ignored On ‘Cosmos’ — It’s Actually The Focus appeared first on ThinkProgress.

25 Mar 13:50

Middle School Girls Protest Sexist Dress Code: ‘Are My Pants Lowering Your Test Scores?’

Distracting leggings

Distracting leggings

CREDIT: Shutterstock

Earlier this month, Haven Middle School administrators notified parents that female students are no longer allowed to wear shorts, leggings, or yoga pants because those articles of clothing might be “too distracting” for their male peers. That’s sparked a protest among parents and students in the Evanston, Illinois area, who are arguing it’s not girls’ responsibility to accommodate the boys in their classes.

More than 500 students have signed onto a petition protesting the new dress code policy, which they say is sexist because it’s only targeting girls’ clothing. Some female students have chosen to defy the ban and are wearing leggings and yoga pants to school in protest. A poster plastered in Haven Middle School reads, “Are my pants lowering your test scores?”

“Not being able to wear leggings because it’s ‘too distracting for boys’ is giving us the impression we should be guilty for what guys do,” one of the students participating in protest, 13-year-old Sophie Hasty, told the Evanston Review. “We just want to be comfortable!”

It’s not just the students who are getting involved, either. Two parents, Juliet and Kevin Bond, sent a letter to the school principal arguing that this approach toward the dress code is furthering unhealthy attitudes about sexuality. Targeting tight pants rests on the assumption that girls must work to prevent themselves from being ogled, rather than teaching boys they should work to avoid objectifying their female peers. The policy also links girls’ clothing to boys’ inability to control themselves.

“This kind of message lands itself squarely on a continuum that blames girls and women for assault by men. It also sends the message to boys that their behaviors are excusable, or understandable given what the girls are wearing,” the parents wrote. “We really hope that you will consider the impact of these policies and how they contribute to rape culture.”

Haven Middle School isn’t the first institution to struggle with these issues. Last year, a junior high school in Northern California banned tight pants to prevent girls from distracting the boys. More recently, a Boston-area high school enacted the same policy. And across the country, school dress codes regulate girls’ hemlines and necklines without putting equal restrictions on boys’ clothing — sending girls the message that their bodies are an invitation for sexual aggression unless they properly cover up.

This approach toward female bodies persists into adulthood, where society continues to punish women for outward displays of their sexuality. Women are simultaneously encouraged to strive to be objects of men’s desire and criticized when they look or behave in a way that’s deemed too “promiscuous.” Some women have lost their jobs because their bosses decided that their presence was too big of a “temptation.”

The dress code at Haven Middle School is still up for review. The principal’s advisory team will meet on Tuesday to discuss the policy.

The post Middle School Girls Protest Sexist Dress Code: ‘Are My Pants Lowering Your Test Scores?’ appeared first on ThinkProgress.

25 Mar 13:45

GaymerX2 Crowd-Funding Campaign in its Final Stretch

by james_fudge
kate

Didn't hit the $30,000 stretch goal but still good to see this did well.

Organizers of last year's first gay gaming and geek culture convention launched a Kickstarter crowd-funding campaign in mid-February for GaymerX2. Now with less than 12 hours to go before the crowd-funding campaigns, organizers are trying to hit a final stretch goal of $30,000. Hitting that milestone will allow them to bring on The Super Soul Bros! to play live music during the event. Previous stretch goals included adding an additional $1,500 cash prize to the cosplay contest being held at the event, color programs, and pronoun sticker add-ons for badges.

read more

25 Mar 13:42

MoCCA Festival announces programming schedule and new advance tickets for two panels

by Heidi MacDonald

IMG_1735.JPG

The programming for this year’s MoCCA Festival (April 5-6) just went up. Designed by Bill Kartalopoulos, it’s a masterclass in comics with participants from around the world. This is grad school level stuff and I can’t wait!

And neither can many others. For the first time, two of the panels, Art Spiegelman & Joost Swarte in conversation and Alison Bechdel and Howard Cruse in conversation, will require advance tickets which you can register for free at the links above. I’m a little surprised the Fiona Staples Q&A wasn’t also a ticketed event — she’s the artist on the most popular comic in the is right now, and I can guarantee that you will need to get there EARLY to get in.

One of the panels I’m really looking forward to is Tad Suiter’s presentation on the Armory Show of 1913, one of the most momentous events in the history of art that took place right there. While the Lexington Armory has come in for a lot of shade over the years it has hosted MoCCA, it is a storied venue, and it’s nice to get some historical perspective.

Other panels include Carousel, a spotlight on Israeli comics, Chip Kidd and Françoise Mouly talking design, a spotlight on World War 3, a Q&A with Robert Williams, and more more more. Heck all of these panels are going to be crowded. The only problem is seeing everything and still having time to buy comics. LUCKILY, they will be taped and eventually uploaded to the SOI website.

Remember it’s only $5 a day to get to this year’s festival. You have no excuse!

SATURDAY

12:00pm___________________________________________________________________

ROOM ONE
R. Sikoryak Presents: CAROUSEL for KIDS!
Acclaimed cartoonist R. Sikoryak brings a special KIDS’ edition of CAROUSEL, his long-running series of live comics readings and other projected pictures, to the MoCCA stage.  FeaturingJames Kochalka (Johnny Boo, The Glorkian Warrior Delivers a Pizza), Trade Loeffler (Zig and Wikki, Zip and Li’l Bit Funnies), Neil Numberman (Do NOT Build a Frankenstein! Joey Fly: Private Eye), Melissa Mendes (Freddy Stories, Lou), and Colleen AF Venable (Guinea Pig, Pet Shop Private Eye) and more!  Stories, gags, audience participation, and more, for kids of all ages. 

ROOM TWO
The Katzenjammer Kids go to the Armory Show: Cartoonists and Modern Art, 1913
The 1913 Armory Show was a watershed event—the first exposure for many Americans to the new European modernist avant-garde. While the press focused on European art in the exhibit, American artists made up the majority of the show, and a fascinating subset of these were early newspaper comic strip cartoonists. The cartoonists represented at the Exhibition included George Luks, Rudolph Dirks, Denys Wortman, and several others. Tad Suiter (George Mason University) will reveal this little-examined history and explore how these artists used their work as a way of gaining cultural capital.

1:00pm___________________________________________________________________
 
ROOM ONE
Comics and Protests Movements
Protest movements arise from Protest movements arise from communities marginalized by political institutions and mainstream media. Artwork has often given voice to underrepresented points of view, and can document grassroots social action overlooked by authorized histories. Comics artists Christopher Cardinale (Which Side Are You On?), Mike Dawson (Angie Bongiolatti), Seth Tobocman (War in the Neighborhood), and Sophie Yanow (War of Streets and Houses) have all represented and documented contemporary and historical protest movements in their comics. They will discuss the issues at stake with writer and documentary filmmaker Annie Nocenti.
 
ROOM TWO

Robert Williams Q+A
Robert Williams has enjoyed a diverse and profoundly influential career expressing a singular artistic vision. Emerging from the West Coast hot rod scene (where he produced graphics for Ed “Big Daddy” Roth), Williams produced some of the finest underground comix of his era in the pages of Zap. Williams proceeded to produce a body of intense, phantasmagorical paintings and jumpstarted the so-called “lowbrow” art movement, founding the influentialJuxtapozMagazine in 1994. He will discuss his career in comics and fine art with critic and curator Carlo McCormick (Paper Magazine).
 
2:00pm___________________________________________________________________

ROOM ONE
Drinking Ink: Art Spiegelman and Joost Swarte in Conversation
Art Spiegelman and Joost Swarte have a long association, dating back to the earliest days of Spiegelman and Françoise Mouly’s RAW Magazine, to which Swarte was a frequent contributor. Both artists have distinguished themselves with artwork both witty and profound, both have produced expressive comics and striking single images, and both have worked in multiple media including architecture and performance. Together, the pair will discuss their careers, their shared histories, comics and more in a conversation moderated by Bill Kartalopoulos. (90 minutes)
* This event is free attend but due to limited space tickets must be reserved beforehand.Click here to reserve tickets.  
 
ROOM TWO

2:00 How Comics Are Queer
As long as there have been comics there have been queer cartoonists. Comics that authentically engaged queer experience in America emerged in the radical underground comix milieu of the 1960s and ’70s, fueled by the social liberation movements of the era. Comics’ status in American culture echoes queer experience: once marginalized, now accepted, but still contested—while some of the most acclaimed comics of the day speak to and from queer experience. Howard Cruse, Edie Fake, Justin Hall and L. Nichols will consider the historical and contemporary intersections of queer experience and comics with moderator Margaret Galvan (The Graduate Center, City University of New York).
 
3:30pm___________________________________________________________________
 
ROOM ONE
Drew Friedman Presents Old Jewish Comedians
 
Drew Friedman is an iconic cartoonist and illustrator whose intensely rendered, caricatural work first gained notice in the pages of publications including RAW and Spy, and whose illustrations regularly appear on the front page of the New York Observer. His upcoming book,Heroes of the Comics, will feature portraits of cartooning legends. Currently the subject of an exhibit at the Society of Illustrators, Friedman will discuss his Old Jewish Comedians series of books in this special presentation, revealing the concept and process behind these books, as well as their reception among the “Old Jewish Comedians” themselves.

ROOM TWO
Comics and Design
As traditional media move into a digital space, the future of publishing remains unpredictable. Rapidly changing realities increasingly demand that books published on paper exhibit aesthetic physical qualities to justify their status as objects. Balancing aesthetic quality with accessibility, well-designed graphic novels may model the future of print. From RAW Magazine to TOON Books, Françoise Mouly has pioneered the presentation of comics as beautiful objects. Iconic graphic designer Chip Kidd helped usher in the current graphic novel era, editing and designing landmark graphic novels at Pantheon Books. Together, they will discuss the responsibilities and pleasures of designing comics with moderator Bill Kartalopoulos.
 

SUNDAY

12:00pm___________________________________________________________________

ROOM ONE
Fiona Staples Q+A
In a few short years, Canadian comics artist Fiona Staples has gained acknowledgement as one of the most distinctive stylists and storytellers in her field. Her work as artist and co-creator of the phenomenally successful comic book series Saga, written by Brian K. Vaughan, has won multiple awards, high praise, and an enormous following. Staples will discuss her art and process with Nathan Fox (cover artist for FBP and chair of SVA’s MFA in Visual Narrative program).
 
ROOM TWO
Form, Materials and Expression
Over the last several years, comics have experienced a broadening of aesthetic approaches beyond the conventions that derived from prior craft traditions and technical constraints. Increasingly, comics are produced using a wide range of materials including new digital media, while digital technology has promoted the broad dissemination of handmade work that might be otherwise difficult to reproduce. Sam Alden, Frederic Coché, and Michael DeForge will discuss how their preferred art media interact with comics form to serve their individual expressions in a conversation moderated by Bill Kartalopoulos.

1:00pm___________________________________________________________________
 
ROOM ONE
Comics, Illustration and the Conceptual Image
What does it mean to express an abstract idea in a concrete drawing? What is the difference between an idea that can be expressed in a single image and one that requires sequential exposition? Internationally acclaimed artists Marion Fayolle (In Pieces), Joost Swarte (Is That All There Is?), and Brecht Vandenbroucke (White Cube), work in both comics and illustration, addressing subtle emotional and intellectual concepts in each form. They will consider these questions and more in conversation with New York Times Art Director Alexandra Zsigmond.
 
ROOM TWO
What Kids Learn From Making Comics
Comics have increasingly entered curricula as subjects of study, and evidence shows that comics can be a powerful tool in helping early readers acquire literacy. But what lessons do students learn from actually making comics? How does making comics supplement and enhance traditional education? Beth Brooks from The Comic Book Project will discuss that organization’s comics workshops with children. Tracy Fedonchik and Roxanne Feldman will share their experience working with grade school students to adapt fiction into comics at the Dalton School. Josh Bayer, who has taught adults and children at institutions including the 92nd Street Y will discuss his teaching and lead the conversation.
 
2:00pm___________________________________________________________________

ROOM ONE
Alison Bechdel and Howard Cruse in Conversation
Alison Bechdel is the acclaimed author of the comics memoirs Fun Home and Are You My Mother? Prior to these, she gained a devoted audience for her biweekly comic strip Dykes to Watch Out For, published in alternative newspapers between 1983 and 2009. Bechdel was inspired to write about queer life by Gay Comix, edited by Howard Cruse between 1980 and 1983. Cruse began publishing in the underground comix scene in the 1970s and went on to draw the comics series Wendel for The Advocate through the ’80s. In 1995 he published his award-winning graphic novel Stuck Rubber Baby. We are delighted to present a very special conversation between these two influential artists, moderated by Hillary Chute (Graphic Women). (90 minutes)
* This event is free to attend but due to limited space tickets must be reserved beforehand. Click here to reserve tickets. 
 
ROOM TWO
World War 3 Illustrated: From 1979 to Now
Join World War 3 illustrated to celebrate their 35th anniversary of publication and the release of a retrospective collection premiering at MoCCA. Launched in 1979 by Peter Kuper and Seth Tobocman, World War 3 Illustrated is a radical, collectively-organized magazine of comics, text and graphics. WW3 has consistently engaged issues of the day and challenged political, social and economic hierarchies and the regimes that enforce them. Kuper, Tobocman, and WW3 co-editors Sandy Jimenez, Sabrina Jones, and Kevin Pyle will discuss the past, present and future of the longest running political comic in history in a conversation moderated by Calvin Reid (Publishers Weekly).
 
 
3:30pm___________________________________________________________________
 
ROOM ONE
Live Drawing: Comics in Concert
Finnish cartoonist Ville Ranta and musicians Niko Kumpuvaara (accordion) and Aleksi Ranta (guitar) bring their internationally successful “Comics in Concert” musical live drawing event to MoCCA. Ranta will be joined by North American cartoonists Scott Campbell, Miriam Katin, andDanica Novgorodoff,who will all create new, projected drawings to festive, live musical accompaniment before your very eyes. 

ROOM TWO
Israeli Comics Today
Israel has a small but burgeoning comics culture, which has gained international notice through the works of the Actus Tragicus group and the break-out success of cartoonist Rutu Modan. Today, the Israeli Cartoon Museum in Holon exhibits work by Israeli and international artists, and a growing number of artists and publishers are working to cultivate the Israeli comics industry. Nimrod Reshef, cartoonist and spokesman for the Israeli Cartoonists Association, will discuss his work publishing comics for children and older readers in Israel, joined in conversation by Keren Katz and Alina Gorban, Israeli artists currently living and working in the US. Moderated by Karen Green (Graphic Novels Librarian, Columbia University).
 

25 Mar 13:19

Francesca: Girls Be Ambitious TV Anime Project Green-Lit

kate

I . . . what??? That subtitle description is amazingly WTF.

Multi-media project personifying Hokkaido as zombie includes anime, MMD module, snacks, more
25 Mar 12:58

Seven Seas Licenses No Game, No Life Manga

kate

Well okay now there is no way this anime is even amusing, IT WILL BE HORRID.

Company confirms it cannot publish more Blood Alone manga due to publisher change
24 Mar 20:20

Yes, "Cosmos" Fans, Creationists Also Deny the Science of Comets

by Chris Mooney

Last night, Fox's Cosmos series yet again waded into a bizarre politico-scientific controversy. This time, though, it wasn't about evolution, or climate change, or even the Big Bang.

No. This time, it was about comets.

The Cosmos episode was about what comets are, and why they are not, as humanity believed until quite recently, evil omens. Before the age of science, explained host Neil deGrasse Tyson, "comets were portents of doom" across cultures. Tyson also pointed out that the word "disaster" itself means "bad star" in Greek. The show then dove into the history of science to tell the story of Edmund Halley, who realized how comets work and that the comet that now bears his name returns roughly every 75 years (most recently in 1986; next up, 2061). Halley also inspired Sir Isaac Newton to publish what may be the most important book ever in the history of science, the Principia Mathematica.

So why does the science of comets irk some creationists?

Edmund Halley and Isaac Newton hanging out on Cosmos Fox

To understand that, you first need to understand that Young Earth creationists don't just deny the science of evolution; they deny all science that suggests that either our planet or anything else in the universe is more than a few thousand years old. That includes comets, of course, many of which are not exactly young.

On the latest Cosmos, Tyson explained that some comets come from the Oort Cloud, an extremely distant region of icy bodies far beyond Pluto, but still in orbit around our sun. There are as many as 2 trillion of these frozen objects, and occasionally, one will get knocked off its course and travel on a very long journey into the inner part of the solar system. As an object nears the sun and heats up, the sublimation of ice and gases give it a tail, and if it is close enough to Earth, we see it as a comet. Other comets, meanwhile, come from the Kuiper Belt, the neighborhood of Pluto, which also contains a huge number of icy bodies.

But here's the problem for creationists: According to NASA, "The objects in the Oort Cloud and in the Kuiper Belt are presumed to be remnants from the formation of the solar system about 4.6 billion years ago." The Oort Cloud extends from about 5,000 to 100,000 astronomical units (AU) from the sun, according to NASA, where each AU is equal to the distance between Earth and the sun, or 93 million miles. That means that it also takes these comets very long periods of time to travel into the inner solar system, earning them the name of "long-period comets."

Comets that are vastly older than creationists believe all of creation to be present a bit of a problem. Hence, if you visit the website of creationist Ken Ham's Answers in Genesis and search for "Oort Cloud," you will find multiple articles providing a creationist take on the origins and nature of comets. In one of them you will find the assertion that there is "zero observational evidence that the Oort cloud exists," followed later by this observation: "but if the solar system is only thousands of years old, as God's Word clearly teaches, there is no problem." In another article, you get this:

Actually the Oort cloud, like Peter Pan's Neverland, has never been observed. The Oort cloud was imagined to provide a birthplace for new comets, since comets like ISON could not exist in a billions-of-years-old universe without some renewable source. The Oort cloud is thus a convenient fiction, but a fiction nonetheless.

In other words, the problem for creationists is the idea that comets are ancient and are sometimes traveling vast distances, from the Oort Cloud, into the inner solar system, a journey that would take a huge amount of time. Now you see why the Oort Cloud is such a threat to their worldview.

Fox

But of course, creationists are wrong, wrong, wrong. If you want an extensive rebuttal of creationist claims about comets, go here. The gist: We have plenty of evidence for the existence of both the Oort Cloud and, especially, of the Kuiper Belt. The Oort Cloud is more distant and dark, and not easily observed. However, notes one NASA site, it is "the best theory to explain how long-period comets exist."

Anyway, it's not as if creationists are denying the existence of the Oort Cloud after a careful consideration of the evidence. Rather, they start from an impossible theory, and then dismiss evidence inconsistent with it. What's truly sad is the smallness of the universe that therefore results.

UPDATE: We got a comment from astronomer and Slate blogger Phil Plait about creationists and comets (and how wrong the former are about the latter). Here it is, in its entirety:

One of the funny things about believing the Earth is young is that sometimes there's a consistent internal logic to it. That doesn't mean it's right, just that it's self-contained. In this case, astronomers see comets coming in every few months from deep space. We assume there has to be a repository of billions or trillions of them out there, or else we would've run out of them long, long ago — that's because we assume the Earth is old, billions of years old. So the Oort Cloud is where we think those comets are. If you assume the Earth is 6000 years old, you don't need an Oort cloud to supply you with comets, so some creationists deny it exists.

Problem is, if the Oort cloud is there, then the physics of it demands there should be an intermediate population, out just past Neptune; thousands or millions of icy bodies a few miles across. And lo, we found it: the Kuiper Belt. Quite a few denizens of it have been seen.

So once again, science was right, and creationism wrong. The Earth is old, the Kuiper belt exists, and the Oort Cloud must as well. But somehow I don't think this rock-solid proof of science will change any creationists' minds, any more than the thousands of other such pieces of evidence routinely denied by those who feel that reality must bend to belief, and not the other way around.

On a recent episode of the Inquiring Minds podcast, we were thrilled to host Cosmos' Tyson, who explained why he doesn't debate science deniers; you can listen here (interview starts around minute 13):

24 Mar 20:09

It Saves Millions To Simply Give Homeless People A Place To Live

A homeless man in Louisiana huddles to stay warm during a cold spell.

A homeless man in Louisiana huddles to stay warm during a cold spell.

CREDIT: AP Photo/Gerald Herbert

It is cheaper to give homeless people a home than it is to leave them on the streets.

That’s not just the opinion of advocates working to end homelessness, nor is it the opinion of homeless people themselves. It is a fact that has been borne out by studies across the country, from Florida to Colorado and beyond.

The latest analysis to back up this fact comes out of Charlotte, where researchers from the University of North Carolina Charlotte examined a recently constructed apartment complex that was oriented towards homeless people.

Moore Place opened in 2012 with 85 units. Each resident is required to contribute 30 percent of his or her income, which includes any benefits like disability, veterans, or Social Security, toward rent. The rest of the housing costs, which total approximately $14,000 per person annually, are covered by a mix of local and federal government grants, as well as private donors.

In the first year alone, researchers found that Moore Place saved taxpayers $1.8 million. These savings comes from improvements in two primary areas: health care and incarceration.

Residents of Moore Place collectively visited the emergency room, an expensive but not uncommon way homeless people access health care, 447 fewer times in the year after getting housing, the study discovered. Similarly, they spent far less time running afoul of the law, with the number of arrests dropping 78 percent.

Though opponents worried that homeless people would cause problems in the subsidized apartments, only 15 tenants have gotten in trouble and been asked to leave Moore Place.

Due in large part to the complex’s success, the Charlotte City Council unanimously approved appropriating $1 million to Moore Place in order to expand to 120 units.

The post It Saves Millions To Simply Give Homeless People A Place To Live appeared first on ThinkProgress.

24 Mar 20:07

Apple’s Proposed Deal With Comcast Could Mean Bigger, More Widespread Data Breaches

apple

CREDIT: Shutterstock

Apple is planning on joining forces with Comcast to ensure smooth, fast connections as it expands its television streaming service. But while talks between the two companies are largely preliminary, a marriage between the two billion-dollar companies could mean more data privacy and security problems for customers.

Apple’s main objective is to stream live and on-demand TV content customers can access through a “cloud.” Teaming up with Comcast — the nation’s largest cable TV and Internet provider — gives Apple it’s own private Internet access to customers to prevent buffering problems that come with using the existing pathways as everyone else. Instead of streaming services with public Internet traffic, Comcast would build and transmit Apple’s traffic through a separate pipeline for the “last mile,” a stretch of cables that connect to customers’ homes.

While the tech company’s deal, if it materializes, would give customers yet another option to watch TV on their terms, it also raises several privacy and security concerns. One of the biggest kinks threatening a finalized agreement is which company gets to own the customer data. Apple wants Comcast’s customers to use their login IDs to access streaming, while Comcast would rather keep control of customers data, The Wall Street Journal reported.

Both Comcast and Apple have struggled to protect customers’ personal information safe. Last month, 34 of Comcast’s servers were hacked through an unpatched vulnerability, exposing much of its 50 million customers’ usernames, passwords and other personal data. Comcast kept the breach quiet and didn’t publicly address the issue or alert customers until after the hackers took down a post with stolen passwords. That sort of breach could get worse if Comcast’s deal with Time Warner goes through, adding another 28 million customers.

Apple’s history with privacy issues runs the gamut from security flaws in its mobile operating system to reading customers’ emails. The company has had several bouts with keeping data safe in mobile apps, including unauthorized access to contacts. In 2011, Apple had to fend off reports that it collected users’ GPS data — without giving customers a way to opt-out — and stored it indefinitely.

A partnership between the two companies means that, regardless of which login is used, both companies would have access to customer data. That means Comcast’s customers with Apple TV devices are subject to any potential hacks or security vulnerabilities on Apple’s servers unless both companies take strict precautions to prevent them. And depending on how intertwined that dual access is, Comcast customers who don’t have Apple TV could have their data stolen through security flaws in Apple’s systems.

Apple can be “clumsy with security issues,” Wired reporter Brian Chen told Bloomberg. “We have to take a giant leap of faith when it comes to trusting for profit companies that make billions of dollars,” he said. The company also keeps data from Siri’s voice-commanded messages and Internet searches.

News of Apple’s talks with the cable giant comes on the heels of Netflix’s deal, which caused a stir over fair and equal Internet access. Netflix agreed to pay Comcast to make sure customers could have uninterrupted access to video-streaming. The move signified the start of a precedent that content providers, and subsequently customers, would have to start paying Internet companies for reliable high-speed access — something that was prohibited under net neutrality rules. Apple’s proposed deal differs in that it’s asking Comcast for its own hardwire connection to customers rather than for faster access over other online services.

The post Apple’s Proposed Deal With Comcast Could Mean Bigger, More Widespread Data Breaches appeared first on ThinkProgress.

24 Mar 19:52

Square-Enix Theatrhythm Static Arts mini adds more characters

by Natalie Kipper

We have been tracking the Final Fantasy Theatrhythm Static Arts mini series since the first figures were spotted at last year's Tokyo Game Show. At that point, the only characters to be seen were Final Fantasy VII's Cloud, Sephiroth, and Tifa. More than a few Final Fantasy fans were disappointed to not have heroes from other entries in the series represented. Well, your prayers have been answered (sort of)!

Three new characters have been revealed in a Facebook album: Final Fantasy VIII's Squall plus series mainstays, the Moogle and Chocobo. I kind of enamored with both the Moogle and Chocobo but I will admit that more protagonists would have been nice. No price nor release date has been revealed for this trio as of yet.

[via Hidemi Matsuzuka's Facebook]

Square-Enix Theatrhythm Static Arts mini adds more characters screenshot

Read more...
24 Mar 19:01

BRHBRBL Also on Tapastic!

24 Mar 18:55

New York Times recommends bootleg manga apps

by Brigid Alverson
kate

*facepalm*

New York Times recommends bootleg manga apps

The New York Times this week ran an article (accompanied by a video) titled “Comic Books Zap to Life” that recommends three digital comics apps: comiXology’s Comics, the Dark Horse app, and Manga Rock. That last one is problematic, although writer Kit Eaton gives it a rave review: Manga Rock, free on iOS and Android, […]
24 Mar 18:33

/v/ on Banking

by Steve Napierski
First National Bank of GameStop If only there was a way to collect interest on your reservations, this would be a perfect banking solution. I wonder if GameStop accepts bitcoins? And if so, what about dogecoins?



See more: /v/ on Banking
24 Mar 16:01

"Bleach" Manga Author and Editor Judge WeLoveFine T-Shirt Contest

by Scott Green
kate

: / Every other contest they have ever had produced some really cool shirts, this is just disappointing.

Fan t-shirt site WeLoveFine is presenting its first Bleach Design Contest, where you can release your inner Bankai and create designs that will have a chance of becoming officially licensed Bleach t-shirts / merchandise. One winner will be flown to California to attend Anime Expo 2014. Beyond that, special judges include manga author Tite Kubo, editor Yujiro Hattori, Hot Topic, and a little company know as Crunchyroll.

 

The submission deadline is April 8th, so you have 18 days left to work.

 

Current entries include

 

Prizes:

 

Grand Prize Winner (1): One (1) winner will receive a 2 night / 3 day paid trip to Anime Expo 2014 (Domestic Flight Only) + lodging near the convention.  Plus being interviewed by the Viz media team, and hangout with the WLF team!

 

Guest Judge Picks (3): Three (3) winners will each receive Three Hundred Dollars ($300.00) Cash Prize.

 

Hot Topic Pick (1): One (1) winner will receive Three Hundred Dollars ($300.00) Cash Prize and have their design sold exclusively to Hot Topic.

 

Crunchy Roll Pick (1): One (1) winner will receive Three Hundred Dollars ($300.00) Cash Prize and have their design sold exclusively at Crunchyroll.com

 

Runner Ups (1): One (1) Runner Ups will receive One Hundred Fifty Dollars ($150.00) Cash Prize!

 

*All winning designs will be put into consideration for t-shirt printing (Subject to Licensor Approval)

*All winning artists will be put into consideration to be a part of the Mighty Fine Artists (”MFA”)

*Prizes won is the compensation for the art.  No Commission will be given per shirt sold.

 

Enter and vote at http://contest.welovefine.com/contest/79-bleach-design-contest#.UyyXPvldXTr

 

 

via @debaoki

24 Mar 15:59

Japan’s Content Overseas Distribution Association to Work With MPAA to Protect Anime and Manga

by Scott Green
kate

God, why did they have to link this to "Cool Japan?"

The cultural products of "Cool Japan" are viewed as a key economic engine for Japan, and anime and manga is viewed as a key element of "Cool Japan" intellectual property. So, to protect them, Japan’s Content Overseas Distribution Association (CODA) and the Motion Picture Association of America (MPAA) have concluded a new agreement to work together. 

 

The efforts to protect IP include plans for the two organizations to exchange information on the piracy of movies and anime, as well as collaboration in litigation and administrative procedures related to the infringement of rights.

 

During a Washington press conference on Thurday, CODA's senior managing director Takero Goto pointed to the value of anime and manga to the Cool Japan initiative  and stressed their vulnerability to online violations of copyright.

 

via JapanTimes

 

  -------
Scott Green is editor and reporter for anime and manga at geek entertainment site Ain't It Cool News. Follow him on Twitter at @aicnanime.