The world’s billionaires—only 3,311 individuals—represent almost $11.8 trillion in wealth. The global billionaire population continued to grow in 2021, increasing by 3%. Over the same period, billionaire wealth also increased by 18%.
This map uses data from the Wealth-X Billionaire Census to visualize where the world’s billionaires live and breaks down their collective wealth.
Billionaires by Region
We’ll begin by zooming out to look at how various continents and world regions rank in terms of their billionaire population.
North America is home to most billionaires, worth $4.6 trillion. The U.S., unsurprisingly, accounts for the majority of this wealth, with 975 billionaires and a collective net worth of $4.45 billion.
In regional terms, Europe’s billionaire wealth is growing the fastest, up 22% year-over-year in 2021. In contrast, the year-over-year change in the Middle East was -12.5%.
Asia is inching towards Europe, holding almost a quarter of all billionaire wealth worldwide, compared to Europe’s 26.5%.
Wealth in Africa will also be important to watch in coming years. Although only home to 46 billionaires currently, the change in billionaire wealth increased by almost 17% year-over-year. Additionally, while they no longer live there, a number of the world’s billionaires hail from African countries originally.
Billionaires by Country
Now, let’s look at the ranking broken down by the top 15 countries:
China is an obvious second in billionaire wealth to the United States, with famous billionaires like Zhang Yiming ($44.5 billion) of TikTok and Zhong Shanshan ($67.1 billion), whose wealth primarily comes from the pharmaceutical and beverages industries.
That said, Chinese billionaire wealth actually decreased 2% last year. It was India that came out on top in terms of growth, seeing a 19% increase in 2021.
Billionaires by City
Looking at cities, New York is home to the most billionaires—with 13 added billionaire residents last year—followed by Hong Kong.
Billionaire Wealth in 2022
Billionaires have significant power and influence, not in the least because their collective wealth is equivalent to about 11.8% of global GDP.
In recent billionaire news, Gautam Adani’s wealth has been soaring, most recently hitting the $145 billion mark, making him the third-richest person in the world according to Bloomberg’s Billionaire Index. However, not all billionaires are holding on to their wealth. Patagonia founder, Yvon Chouinard, recently transferred ownership of his company to an organization that fights climate change.
Over the last decade, billionaires have been grown their fortunes considerably, with wealth increasing at a faster rate than the growth in the number of billionaires themselves. According to Wealth-X, collective billionaire net worth grew by an astonishing 90% in the last 10 years.
But in the shorter term, the situation is often more volatile. With markets reeling in 2022, Bloomberg reported that billionaires lost a record $1.4 trillion over the first half of the year. Once the year is over and the final numbers are in, it will be interesting to see how the billionaire landscape shapes up in comparison to the more long-term trend.
It is difficult to understand the ease with which we have accepted a major proportion of the Australian population getting infected with COVID in just a matter of months. Many have been infected multiple times, potentially exposing them to long COVID and other problems we are only beginning to understand. In the past 75 years, only the second world war has had a greater demographic impact on Australia than COVID in 2022.
As of September 12, Australia had reported more than 10 million cases of COVID. Of those, 96% were reported in 2022, coinciding with a succession of various Omicron sub-variants and the removal of most protective measures. What’s more, the number of reported cases is probably an underestimate.
While the midsummer wave of Omicron led to the highest number of reported cases since the pandemic began, the subsequent winter waves have killed thousands more people.
Between January 5 and March 16 this year, 3,341 Australians died with COVID, compared with 8,034 between April 4 and September 16, with August being the most deadly month of the pandemic for Australia. One often forgotten impact of these deaths is that an estimated 2,000 Australian children have lost at least one parent as a result of the COVID pandemic.
Rather than national cabinet looking at pandemic leave and under pressure to cut isolation periods, what’s needed is a shared vision and a strategic COVID plan that acknowledges it is not “just like the flu”.
The deadly July-August wave happened despite greatly increased immunity from third- and fourth-dose vaccination, natural infection, and lifesaving therapies introduced in April this year.
In other words, Omicron has evolved faster than the tools we are using to combat it. So far in 2022, more than 12,000 Australians have died with COVID, six times the number of deaths in the previous two years.
This is a disease so significant it has reduced global life expectancy, one of the best measures of human development.
No other war or disease has done that in more than 65 years, not even the HIV pandemic. The global estimates have been reinforced in several countries, including the United States, where life expectancy has fallen by almost three years since 2019.
Changes in life expectancy only happen when very large numbers of people die “before their time”. In Australia there were 17% more deaths reported this year to the end of May by the Australian Bureau of Statistics than the five-year average. This does not count our most recent and lethal BA.5 wave.
The ABS report shows two things. First, COVID is killing large numbers of people both directly and indirectly. At this rate, we can expect to lose many more lives by year’s end. Second, people are dying earlier than they otherwise would have, meaning our life expectancy trajectory will take a hit.
Then there is all we know about long COVID and its effects on the lungs, heart, brain, kidneys and immune system. It affects at least 4% of those infected with Omicron, including those vaccinated and those with mild initial illness.
We are being warned to prepare for what is effectively a mass disabling event with no known cure or end point.
How did we come to this point? A key reason we have become so complacent is the common narrative comparing COVID to influenza – in the sense that we should live with COVID in the same way we do with the flu.
The statistics demonstrate a different picture. From the start of this year to August 28, there had been just under 218,000 reported cases of flu and 288 deaths this year. There have been 44 times as many COVID cases and 42 times as many related deaths. (It is worth noting here authorities are urging caution when comparing this flu season to previous years, given COVID measures and changes in health behaviour.)
Around 1,700 people have been hospitalised with the flu this year. Yet on just one day in July, 5,429 COVID patients were in hospital.
In Australia, we have just had our worst COVID wave in terms of the number of deaths and people admitted to hospital, a wave that is ongoing with thousands still in hospital and around 360 people dying each week.
Government health advisers are warning of another COVID wave in the coming months. Independent MP Monique Ryan is calling for a national COVID summit and more transparency regarding planning. In contrast, this year’s influenza wave looks to be over.
This has been a devastating year for older Australians. More than 3,000 residents of aged care facilities have died of COVID, triple the combined number who died in 2020 and 2021. As things stand, these lives appear invisible and expendable.
The most important discussion now is not about changes to any one intervention. It is one of overall strategy, one that focuses on reducing the spread of the virus.
Immunity from infection is, of course, real. It’s why people usually recover from infection, why waves disappear, and indeed what drives viral evolution to “escape immunity”.
But the more important questions are how much protection it offers, for how long, and at what cost? We now know immunity from Omicron infection is relatively poor and short-lived and is outpaced by rapid viral evolution, even in the face of vaccination.
Although vaccination vastly reduces the risk of serious illness, waves of infection continue to sweep through large populations, with many susceptible to reinfection within months. This continues to damage our short and long-term health, our health system, and our society.
COVID is nothing at all like the flu. It is causing a vastly worse scale of damage. We must change our tactics to dramatically cut transmission. In addition to a more vigorous campaign to increase vaccine booster coverage, we need to invest in indoor ventilation and actively promote the benefits of wearing high-quality masks in crowded indoor settings.
And we need a powerful messaging campaign to wake us from our “just like the flu” slumber.
Michael Toole receives funding from the National Health and Medical Research Council.
Brendan Crabb and the Institute he leads receives research grant funding from the National Health & Medical Research Council of Australia and other Australian federal and Victorian State Government bodies. He is the Chair of The Australian Global Health Alliance and the Pacific Friends of Global Health, both in an honourary capacity. And he serves on the Board of the Telethon Kids Institute
by Kathleen Frydl, Sachs Lecturer, Johns Hopkins University
People wait in line for a free morning meal in Los Angeles in April 2020. High and rising inequality is one reason the U.S. ranks badly on some international measures of development. Frederic J. Brown/ AFP via Getty Images
The United States may regard itself as a “leader of the free world,” but an index of development released in July 2022 places the country much farther down the list.
In its global rankings, the United Nations Office of Sustainable Development dropped the U.S. to 41st worldwide, down from its previous ranking of 32nd. Under this methodology – an expansive model of 17 categories, or “goals,” many of them focused on the environment and equity – the U.S. ranks between Cuba and Bulgaria. Both are widely regarded as developing countries.
As a political historian who studies U.S. institutional development, I recognize these dismal ratings as the inevitable result of two problems. Racism has cheated many Americans out of the health care, education, economic security and environment they deserve. At the same time, as threats to democracy become more serious, a devotion to “American exceptionalism” keeps the country from candid appraisals and course corrections.
‘The other America’
The Office of Sustainable Development’s rankings differ from more traditional development measures in that they are more focused on the experiences of ordinary people, including their ability to enjoy clean air and water, than the creation of wealth.
So while the gigantic size of the American economy counts in its scoring, so too does unequal access to the wealth it produces. When judged by accepted measures like the Gini coefficient, income inequality in the U.S. has risen markedly over the past 30 years. By the Organization for Economic Cooperation and Development’s measurement, the U.S. has the biggest wealth gap among G-7 nations.
These results reflect structural disparities in the United States, which are most pronounced for African Americans. Such differences have persisted well beyond the demise of chattel slavery and the repeal of Jim Crow laws.
Scholar W.E.B. Du Bois first exposed this kind of structural inequality in his 1899 analysis of Black life in the urban north, “The Philadelphia Negro.” Though he noted distinctions of affluence and status within Black society, Du Bois found the lives of African Americans to be a world apart from white residents: a “city within a city.” Du Bois traced the high rates of poverty, crime and illiteracy prevalent in Philadelphia’s Black community to discrimination, divestment and residential segregation – not to Black people’s degree of ambition or talent.
More than a half-century later, with characteristic eloquence, Martin Luther King Jr. similarly decried the persistence of the “other America,” one where “the buoyancy of hope” was transformed into “the fatigue of despair.”
To illustrate his point, King referred to many of the same factors studied by Du Bois: the condition of housing and household wealth, education, social mobility and literacy rates, health outcomes and employment. On all of these metrics, Black Americans fared worse than whites. But as King noted, “Many people of various backgrounds live in this other America.”
The benchmarks of development invoked by these men also featured prominently in the 1962 book “The Other America,” by political scientist Michael Harrington, founder of a group that eventually became the Democratic Socialists of America. Harrington’s work so unsettled President John F. Kennedy that it reportedly galvanized him into formulating a “war on poverty.”
Kennedy’s successor, Lyndon Johnson, waged this metaphorical war. But poverty bound to discrete places. Rural areas and segregated neighborhoods stayed poor well beyond mid-20th-century federal efforts.
Camp Laykay Nou, a homeless encampment in Philadelphia. High and rising inequality is one reason the US rates badly on some international development rankings.
Cory Clark/NurPhoto via Getty Images
In large part that is because federal efforts during that critical time accommodated rather than confronted the forces of racism, according to my research.
Across a number of policy domains, the sustained efforts of segregationist Democrats in Congress resulted in an incomplete and patchwork system of social policy. Democrats from the South cooperated with Republicans to doom to failure efforts to achieve universalhealth care or unionized workforces. Rejecting proposals for strong federal intervention, they left a checkered legacy of local funding for education and public health.
Today, many years later, the effects of a welfare state tailored to racism is evident — though perhaps less visibly so — in the inadequate health policies driving a shocking decline in average American life expectancy.
Declining democracy
There are other ways to measure a country’s level of development, and on some of them the U.S. fares better.
The U.S. currently ranks 21st on the United Nations Development Program’s index, which measures fewer factors than the sustainable development index. Good results in average income per person – $64,765 – and an average 13.7 years of schooling situate the United States squarely in the developed world.
Its ranking suffers, however, on appraisals that place greater weight on political systems.
The Economist’s democracy index now groups the U.S. among “flawed democracies,” with an overall score that ranks between Estonia and Chile. It falls short of being a top-rated “full democracy” in large part because of a fractured political culture. This growing divide is most apparent in the divergent paths between “red” and “blue” states.
Although the analysts from The Economist applaud the peaceful transfer of power in the face of an insurrection intended to disrupt it, their report laments that, according to a January 2022 poll, “only 55% of Americans believe that Mr. Biden legitimately won the 2020 election, despite no evidence of widespread voter fraud.”
Election denialism carries with it the threat that election officials in Republican-controlled jurisdictions will reject or alter vote tallies that do not favor the Republican Party in upcoming elections, further jeopardizing the score of the U.S. on the democracy index.
Red and blue America also differ on access to modern reproductive care for women. This hurts the U.S. gender equality rating, one aspect of the United Nations’ sustainable development index.
I believe that, when paired with structural inequalities and fractured social policy, the dwindling Republican commitment to democracy lends weight to the classification of the U.S. as a developing country.
American exceptionalism
To address the poor showing of the United States on a variety of global surveys, one must also contend with the idea of American exceptionalism, a belief in American superiority over the rest of the world.
Both political parties have long promoted this belief, at home and abroad, but “exceptionalism” receives a more formal treatment from Republicans. It was the first line of the Republican Party’s national platform of 2016 and 2020 (“we believe in American exceptionalism”). And it served as the organizing principle behind Donald Trump’s vow to restore “patriotic education” to America’s schools.
In Florida, after lobbying by Republican Gov. Ron DeSantis, the state board of education in July 2022 approved standards rooted in American exceptionalism while barring instruction in critical race theory, an academic framework teaching the kind of structural racism Du Bois exposed long ago.
With a tendency to proclaim excellence rather than pursue it, the peddling of American exceptionalism encourages Americans to maintain a robust sense of national achievement – despite mounting evidence to the contrary.
Kathleen Frydl ne travaille pas, ne conseille pas, ne possède pas de parts, ne reçoit pas de fonds d'une organisation qui pourrait tirer profit de cet article, et n'a déclaré aucune autre affiliation que son organisme de recherche.
Clive is a big proponent of "rewilding" our attention and offers serendipity searches into weird old books as part of that noble effort. — Read the rest
Unless you’ve been avoiding the internet entirely, you’ve probably heard about people buying and selling non-fungible tokens — or NFTs — unique data tokens that link to digital files, including artworks and other types of copyrightable works.
CC has been following how people are creating and trading NFTs, and how the marketplace of creative works is transforming. We keep seeing NFTs linked to works published with CC’s open licenses or the CC0 public domain dedication — so often that CC0 NFTs have their own hashtag: #cc0summer. We know that there are many in the CC community trying to figure out how CC tools interact with NFTs — as are many others who are hearing about CC for the first time as they explore NFTs.
While we always welcome contributions to the public commons, we want to ensure everyone understands how these new tools and practices might align with our legal tools and the global open commons that CC legal tools enable. Having spoken with some NFT artists and platform team members, we know there is widespread misunderstanding about what a CC license or CC0 dedication means. When a CC license or CC0 is used to share a work, the rights to reuse that work are widely or completely shared, with limited or no rights reserved.
To help clarify how NFTs are already leveraging CC legal tools, we have added a new section to our FAQ on using CC licenses and the CC0 public domain dedication with NFTs. This FAQ is intended to provide basic guidance for those who are already using NFTs and want to know how to use CC licenses and legal tools with NFT projects. We will continue to update our FAQ as our understanding and interpretation develops.
CC’s licenses and legal tools are intentionally general-purpose: we designed them to be applicable to a wide variety of contexts and works. While some may believe NFTs are a special case that call for new copyright licenses, we believe CC licenses and CC0 work well to contribute works to the public commons when used with NFTs. NFTs may introduce new relationships around who holds the rights to related works and how such rights are transferred as NFTs change hands, but those are contractual questions best handled outside open licenses or a release to the public domain.
If your creative work is linked to an NFT, you may apply one of the existing CC licenses or CC0 to let others know how they may share and reuse your work, separate from the ownership of a related token. And where this is used with intention, there are many possibilities for vibrant sharing and reuse where these works are in the public commons, with the ownership of the rights completely removed from the ownership of the token.
We are aware of other efforts in the space, including some that say they are inspired by CC’s work but are incompatible with the material already available in the commons. (In particular, some of the licenses recently produced by a16z, which claim direct inspiration but were not developed in consultation with CC.) While the approach may be similar, the effect is different: the terms of most of these licenses are incompatible with the CC licenses and with most other free and open content licenses; users of these terms will find that their works are remixable only within the narrow space of others using the same terms, rather than the much broader spectrum of works using the CC licenses and compatible licenses. This is not true of all other licensing efforts: some simply add terms about the sale and transfer of the token as an addition to a CC license or public domain release.
NFTs, and the distributed web movement they are a part of, are new and still evolving. NFTs are also hotly debated. We know many in the CC community embrace NFTs as a new way to support and enable creators. Many others offer strong and convincing criticism. Whatever your opinions about NFTs, CC licenses and the CC0 dedication are being used widely in conjunction with NFTs and works they reference. CC has a responsibility to our mission and our community to clarify how our work connects to these emerging tools and practices. At CC we are watching closely, focused on how NFTs may help or hinder better sharing: sharing that is inclusive, just and equitable — where everyone has wide opportunity to access content, to contribute their own creativity, and to receive recognition and rewards for their contributions.
Please read and share the more detailed discussion in our FAQ.
In countries such as the UK, US and Canada, ultra-processed foods now account for 50% or more of calories consumed. This is concerning, given that these foods have been linked to a number of different health conditions, including a greater risk of obesity and various chronic diseases such as cardiovascular disease and dementia.
Ultra-processed foods are concoctions of various industrial ingredients (such as emulsifiers, thickeners and artificial flavours), amalgamated into food products by a series of manufacturing processes.
Sugary drinks and many breakfast cereals are ultra-processed foods, as are more recent innovations, such as so-called “plant-based” burgers, which are typically made of protein isolates and other chemicals to make the products palatable.
The intense industrial processes used to produced ultra-processed foods destroy the natural structure of the food ingredients and strip away many beneficial nutrients such as fibre, vitamins, minerals and phytochemicals.
Many of us are well aware that ultra-processed foods are harmful for our health. But it’s been unclear if this is simply because these foods are of poor nutritional value. Now, two new studies have shown that poor nutrition may not be enough to explain their health risks. This suggests that other factors may be needed to fully explain their health risks.
The role of inflammation
The first study, which looked at over 20,000 health Italian adults, found that participants who consumed the highest number of ultra-processed foods had an increased risk of dying prematurely from any cause. The second study, which looked at over 50,000 US male health professionals, found high consumption of ultra-processed foods was associated with a greater risk of colon cancer.
What’s most interesting about these studies is that the health risks from eating a diet high in ultra-processed foods remained even after they had accounted for the poor nutritional quality of their diets. This suggests that other factors contribute to the harms caused by ultra-processed foods.
It also implies that getting the right nutrients elsewhere in the diet may not be enough to cancel out the risk of disease from consuming ultra-processed foods. Similarly, attempts by the food industry to improve the nutritional value of ultra-processed foods by adding a few more vitamins may be side-stepping a more fundamental problem with these foods.
So what factors may explain why ultra-processed foods are so harmful to our health?
The Italian study found that inflammatory markers – such as a higher white blood cell count – were higher in groups that ate the most ultra-processed foods. Our bodies may trigger an inflammatory response for any number of reasons – for example, if we catch a cold or get cut. The body responds by sending signals to our immune cells (such as white blood cells) to attack any invading pathogens (such as bacteria or viruses).
Usually, our inflammatory response resolves quite quickly, but some people may develop chronic inflammation throughout their body. This can cause tissue damage, and is involved in many chronic diseases – such as cancer and cardiovascular disease.
Many studies have found that poor diets can increase inflammation in the body, and that this is linked to higher risk of chronic diseases. Given that signs of inflammation were seen in participants of the Italian study who ate the most ultra-processed foods, this could suggest that inflammation may contribute to why ultra-processed foods increase disease risk. Some food additives common in ultra-processed foods (such as emulsifiers and artificial sweeteners) also increase inflammation in the gut by causing changes to the gut microbiome.
Ultra-processed food products may even change our gut microbiome.
nednapa/ Shutterstock
Some researchers have theorised that ultra-processed foods increase inflammation because they are recognised by the body as foreign – much like an invading bacteria. So the body mounts an inflammatory response, which has been dubbed “fast food fever”. This increases inflammation throughout the body as a result.
Although the US colon cancer study did not establish if inflammation increased in the men consuming the most ultra-processed foods, inflammation is strongly linked with an increased risk of colon cancer.
Research shows that other mechanisms – such as impaired kidney function and toxins in packaging – may also explain why ultra-processed foods cause so many dangerous health problems.
Since inflammatory responses are hard-wired in our bodies, the best way to prevent this from happening is by not eating ultra-processed foods at all. Some plant-based diets high in natural, unprocessed foods (such as the Mediterranean diet) have also been shown to be anti-inflammatory. This may also explain why plant-based diets free from ultra-processed foods can help ward off chronic diseases. It’s currently not known to what extent an anti-inflammatory diet can help counteract the effects of ultra-processed foods.
Simply reducing your intake of ultra-processed foods may be a challenge. Ultra-processed foods are designed to be hyper-palatable – and together with persuasive marketing, this can make resisting them an enormous challenge for some people.
These foods are also not labelled as such on food packaging. The best way to identify them is by looking at their ingredients. Typically, things such as emulsifiers, thickeners, protein isolates and other industrial-sounding products are a sign it’s an ultra-processed food. But making meals from scratch using natural foods is the best way to avoid the harms of ultra-processed foods.
Richard Hoffman is the author of three books on the Mediterranean diet: The Mediterranean Diet: Health and Science (2011), More Healthy Years - Why a Mediterranean Diet is best for you and for the planet (2020) and Implementing the Mediterranean diet (2022).
Alongside death and taxes, one of life’s great certainties is a constant flow of absurd copyright claims. Here’s one from the world of live videogame streaming on the popular Twitch platform, owned by Amazon. A group of Spanish-speaking streamers organized a gaming event featuring “Project Zomboid“, a zombie survival role-playing game. TorrentFreak explains how copyright spoilt their fun:
The issue was first raised by Menos Trece, who has over a million subscribers on Twitch and over two million on YouTube. After streaming Project Zomboid gameplay to tens of thousands of viewers, Twitch informed him that he had broadcasted copyright-infringing audio.
As it turns out, there was no problem with copyrighted music. Instead, a police or ambulance siren sound effect used in the Project Zomboid game was the culprit. This sound was claimed by an entity named “Dr. Sound Effects,” who apparently own the rights to a police car siren.
As the TorrentFreak post explains, the company that created the Zomboid game, The Indie Stone, insists that the siren sound effect under discussion is theirs, not someone else’s. The current copyright claim isn’t an isolated problem. The NME site reported in 2020:
The sounds effects that have reportedly violated DMCA regulations include grandfather clock chimes from Emily Wants To Play, gusts of wind in World Of Warcraft, police sirens in Persona 5, and bird and insect noises in Hitman: Blood Money.
Leaving aside the absurdity of the Digital Millennium Copyright Act (DMCA) being invoked for sound effects such as these, which are hardly shining examples of artistic creativity that copyright is supposed to protect, the underlying problem is the following, reported here by TorrentFreak:
Twitch uses the third-party filtering tool Audible Magic to spot infringements and can’t easily make changes to that. Instead, it advised affected users to challenge the takedown.
Audible Magic is one of the few upload filtering systems that is available and relatively well established. In the light of the EU Copyright Directive’s requirement that larger sites allowing user-uploaded material will need to adopt filtering, it is likely that some, perhaps many, will turn to Audible Magic. The problems already encountered by Twitch will inevitably be replicated on other platforms, because of the inherently imperfect nature of upload filters.
The quotation above notes that it is not easy to make changes to Audible Magic’s filter, which means that people in the EU will be subject to unjustified blocks of legitimate material. Moreover, it is likely that the only option will be to “challenge the takedown” – something that few ordinary users will have the time or energy to do.
When Columbus landed in 1492, the Americas had been settled for tens of thousands of years. He wasn’t the first person to discover the continent. Instead, his discovery was the last of many discoveries.
In all, people found the Americas at least seven different times. For at least six of those, it wasn’t so new after all. The discoverers came by sea and by land, bringing new genes, new languages, new technologies. Some stayed, explored, and built empires. Others went home, and left few hints they’d ever been there.
From last to first, here’s the story of how we discovered the Americas.
In 1492, Europeans could reach Asia by the Silk Road, or by sailing the Cape Route around the southern tip of Africa. Sailing west from Europe was thought to be impossible.
The ancient Greeks had accurately calculated that the circumference of the Earth was 40,000 km, which put Asia far to the west. But Columbus botched his calculations. An error in unit conversion gave him a circumference of just 30,000 km.
This mistake, with other assumptions born of wishful thinking, gave a distance of just 4,500 km from Europe to Japan. The actual distance is almost 20,000 kilometres.
So Columbus’s ships set sail without enough supplies to reach Asia. Fortunately for him, he hit the Americas. Columbus, thinking he’d found the East Indies, called its people “Indios”, or Indians. He ultimately died without realising his mistake. It was the navigator Amerigo Vespucci who realised Columbus had found an unknown land and in 1507 the name America was applied in Vespucci’s honour.
6. Polynesians: AD 1,200
Doubled hulls gave Polynesian canoes more stability on the open ocean.
NYPL/wikimedia
Around 2,500 BC, a seafaring people sailed from Taiwan to find new lands. They sailed south through the Philippines, east through Melanesia, then out into the vast South Pacific. These people, the Polynesians, were master navigators, reading wind, waves and stars to cross thousands of kilometres of open ocean.
Using huge double canoes, the Polynesians settled Samoa, Fiji, Tonga, and the Cook Islands. Some went south to New Zealand, becoming the Maori. Others went east to Tahiti, Hawaii, Easter Island, and the Marquesas. From here, they at last hit South America. Then, having explored most of the Pacific, they gave up exploration and forgot South America entirely.
But evidence of this remarkable voyage remained. The South Americans acquired chickens from Polynesians, while the Polynesians may have picked up South American sweet potatoes. And they shared more than food. Eastern Polynesians have Native American DNA. Polynesians didn’t just meet Native Americans, they married them.
Around AD 1,021, Erik’s son Leif established a settlement in Newfoundland. The Vikings struggled with the harsh climate, before war with Native Americans ultimately forced them back to Greenland. These stories were long dismissed as myths, until 1960, when archaeologists dug up the remains of Viking settlements in Newfoundland.
Just before the Vikings, the Inuit people travelled from Siberia to Alaska in skin boats. Hunting whales and seals, living in sod huts and igloos, they were well adapted to the cold Arctic Ocean, and skirted its shores all the way to Greenland.
Curiously, their DNA is closest to native Alaskans, implying their ancestors colonised Asia from Alaska, then went back to discover the Americas again.
The Inuit descend from an earlier migration: that of speakers of the Eskimo-Aleut languages. These are distinct from other Native American languages, and might even be distantly related to Uralic languages such as Finnish and Hungarian.
This, with DNA evidence, suggests the Eskimo-Aleut was a distinct migration. They came across the Bering Sea from present-day Russia to Alaska, perhaps 4,000-4,500 years ago, partly displacing and mixing with earlier migrants: the Na-Dene people.
Another group, the Na-Dene, crossed the Bering Sea to Alaska around 5,000 years ago, although other studies suggest they settled the Americas as long as 10,000 years ago.
DNA from their bones links them not to modern people in the Eskimo-Aleut group, but to Native Americans speaking the Na-Dene language family, such as the Navajo, Dene, Tlingit, and Apache people. Na-Dene languages are closest to languages spoken in Siberia, suggesting again that they represent a distinct migration.
Almost all Native American tribes – Sioux, Comanche, Iroquois, Cherokee, Aztec, Maya, Quechua, Yanomani, and dozens of others – speak similar languages. That suggests their languages evolved from a common ancestor tongue, spoken by a single tribe entering the Americas long ago. Their descendants’ low genetic diversity suggests this founding tribe was small, maybe less than 80 people.
How did they get there? Before the last ice age ended 11,700 years ago, so much water was locked up in glaciers that sea levels fell. The bottom of the Bering Sea dried out, creating the Bering Land Bridge. America’s first people just walked from Russia to Alaska. But the timing of their migration is controversial.
Some of these dates could be incorrect, but with each new discovery it seems increasingly unlikely that they’re all wrong.
Geographic distribution of pre-Clovis sites. Numbers provided are ‘years ago’.
Nicholas R. Longrich/Google Earth, Author provided
An early migration would neatly solve a major mystery. 13,000 years ago, a vast glacier, the Laurentide Ice Sheet, buried Canada in ice up to three kilometres thick. If people arrived in North America then, how did they cross the ice? Southeast Alaska’s rugged coast, full of glaciers and fjords, was likely impassible, and early Americans probably lacked boats. But 30,000 years ago, the ice sheet hadn’t fully formed.
Before the ice spread, people could have hunted mammoths and horses east from Alaska into the Northwest Territories, then south through Alberta and Saskatchewan into Montana. Remarkably, humans may have settled the Americas before western Europe. Yet that might make sense. Alaska’s Arctic is harsh, but Europe had potentially hostile Neanderthals.
The end of discovery
1492 was the last discovery of the Americas. Following the voyages of Columbus, Magellan, and Cook, the scattered descendants of humanity’s diaspora were finally reunited. Aside from a few uncontacted tribes, everywhere was known to everyone. Discovery was impossible.
Captain Cook’s ships, Resolution and Discovery, off the coast of Tahiti.
Samuel Atkins/wikimedia
But the story of the Americas’ settlement is still being written, and our understanding is evolving. The Eskimo-Aleut may have been two different migrations, not one. Genes hint at the possibility of other, early founding populations. And given how little evidence the Polynesians and Norse left of their visits, it’s conceivable there were other migrations, ones of which we have little evidence.
There’s so much we don’t know. No one can discover the Americas anymore, but there’s a lot left to discover about their discovery.
Nicholas R. Longrich does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Doomscrolling can be a normal reaction to living through uncertain times. It’s natural to want to understand dramatic events unfolding around you and to seek out information when you’re afraid. But becoming absorbed in bad news for too long can be detrimental.
A newly published study has found that people with high levels of problematic news consumption are also more likely to have worse mental and physical health. So what can you do about it?
We spoke to Australians in the state of Victoria about their lengthy lockdown experiences and found how they managed to stop doomscrolling. Here are some tips to help you do the same.
Doomscrolling – unhelpful and harmful
“Doomscrolling” describes what happens when someone continues to consume negative news and information online, including on social media. There is increasing evidence that this kind of overconsumption of bad news may have negative impacts.
Research suggests doomscrolling during crises is unhelpful and even harmful. During the early COVID-19 pandemic, consuming a lot of news made people feel overwhelmed. One study found people who consumed more news about the pandemic were also more anxious about it.
Research into earlier crises, like 9/11 and the Boston Marathon bombings, also found that sustained exposure to news about catastrophes is linked to negative mental health outcomes.
During the peak of COVID-19 spread, many found themselves doomscrolling. There was lots of bad news and, for many people, lots more spare time. Several studies, including our own, have found that limiting news exposure helped people to cope.
Melbourne, the state capital of Victoria, experienced some of the longest-running lockdowns in the world. Wanting to know how Victorians were managing their news consumption during this time, we launched a survey and held interviews with people who limited news consumption for their own wellbeing.
We found that many people increased their news consumption when the lockdowns began. However, most of our participants gradually introduced strategies to curb their doomscrolling because they realised it was making them feel anxious or angry, and distracted from daily tasks.
Our research found these news-reduction strategies were highly beneficial. People reported feeling less stressed and found it easier to connect with others. Here are some of their strategies, which you might want to try.
1. Make a set time to check news
Rather than checking news periodically across the day, set aside a specific time and consider what time of day is going to have the most positive impacts for you.
One participant would check the news while waiting for her morning cup of tea to brew, as this set a time limit on her scrolling. Other participants preferred saving their news engagement for later in the day so that they could start their morning being settled and focused.
2. Avoid having news ‘pushed’ to you
Coming across news unexpectedly can lure you into a doomscrolling spiral. Several participants managed this by avoiding having news “pushed” to them, allowing them to engage on their own terms instead. Examples included unfollowing news-related accounts on social media or turning off push notifications for news and social media apps.
3. Add ‘friction’ to break the habit
If you find yourself consuming news in a mindless or habitual way, making it slightly harder to access news can give you an opportunity to pause and think.
One participant moved all her social media and news apps into a folder which she hid on the last page of her smartphone home screen. She told us this strategy helped her significantly reduce doomscrolling. Other participants deleted browser bookmarks that provided shortcuts to news sites, deleted news and social media apps from their phones, and stopped taking their phone into their bedroom at night.
4. Talk with others in your household
If you’re trying to manage your news consumption better, tell other people in your household so they can support you. Many of our participants found it hard to limit their consumption when other household members watched, listened to, or talked about a lot of news.
In the best cases, having a discussion helped people come to common agreements, even when one person found the news comforting and another found it upsetting. One couple in our study agreed that one of them would watch the midday news while the other went for a walk, but they’d watch the evening news together.
Staying informed is still important
Crucially, none of these practices involve avoiding news entirely. Staying informed is important, especially in crisis situations where you need to know how to keep safe. Our research shows there are ways of balancing the need to stay informed with the need to protect your wellbeing.
So if your news consumption has become problematic, or you’re in a crisis situation where negative news can become overwhelming, these strategies can help you strike that balance. This is going to remain an important challenge as we continue to navigate an unstable world.
James Meese currently receives funding from the Australian Research Council and Meta. He is also a member of the Australian Communications Consumer Action Network.
Kate Mannell does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Since Amazon announced actors of colour among the cast of its new series The Rings of Power in February this year, criticisms of their inclusion have gained media attention.
The coverage typically positions criticisms of The Rings of Power as “backlash” from true, “diehard” fans resisting so-called “wokeness”.
This misrepresents the situation. There are also fans who welcome the increased diversity over what is seen in Tolkien’s novels and previous adaptations.
Racist abuse of actors of colour and a “review bombing” campaign against The Rings of Power suggest that there is more going on than just fan disagreement about Tolkien’s world.
As Tolkien researcher Craig Franson explains, far-right political actors are whipping up the controversy, weaponising it to help get fascist talking points into the mainstream. Franson shows that the right-wing “outrage machine” stirred up “a massive hate mob” through mainstream right-wing press.
Fans who feel they are defending Tolkien’s legacy are being used as pawns to serve dangerous anti-democratic and anti-egalitarian agenda and siding, whether they mean to or not, with racist extremists.
Fascist appropriation of Tolkien’s work may seem surprising given his anti-Nazi statements, which include calling Hitler a “ruddy little ignoramus.” It is not new, however. In the 1970s, the books became a favourite of Italian fascists who even held a Camp Hobbit festival to promote their politics.
In the early 2000s, the now former extremist Derek Black Jr started a chat forum dedicated to the Lord of the Rings on a major white supremacist website when Peter Jackson’s films came out. He told The New York Times:
I figured you could get people who liked with such a white mythos, a few turned on by white nationalism.
Not all racism is fascist (a specific political ideology), but the far-right always has racist elements in its ideologies.
Ismael Cruz Córdova, who plays Arondir, a Silvan Elf in The Rings of Power.
Matt Grace/ Prime Video
Why do racists like Tolkien and Middle-Earth?
Tolkien made statements against Nazis and also apartheid, but this is not the same as being anti-racist or pro-equality. His condemnation of Hitler, he wrote in the same letter, was for
ruining, perverting, misapplying, and making forever accursed, that noble northern spirit, a supreme contribution to Europe, which I have ever loved, and tried to preserve in its true light.
The comment shows that he believed that some people were essentially different to and better than others. This notion is foundational to racism.
Tolkien’s belief in racial difference translated to Middle-earth. Within the imaginary species (elves and humans in particular) there are hierarchies. Some humans are inherently better than others; we see this when Faramir talks about “High, Men of the West… the Middle Peoples, Men of the Twilight… the Wild, the Men of Darkness” in The Two Towers.
Individuals from “High” races may have moral failings and become evil, but collectively they do not serve it. Physical characteristics (like hair and skin colour) are linked to non-physical traits in ways that reflect the logics of real-world racism.
There are traces of evidence that Tolkien did not imagine “good” peoples as exclusively white. The ways these are expressed still sometimes reinforce racial hierarchies. In The Return of the King, some people who fight against Sauron are counted as
men of Gondor, yet their blood was mingled, and there were short and swarthy folk among them" because some of their ancestors are not “High, Men of the West.
"Good” species and races in Middle-Earth are constructed through references to European cultures (especially northwestern Europe), and the “bad” races are constructed through orientalist stereotypes. Tolkien’s letters show the ways that real-world ideas about race influenced Middle-Earth. He wrote “I do think of the ‘Dwarves’ like Jews: at once native and alien in their habitations.”
In a 1958 letter about a film treatment of The Lord of the Rings he wrote:
Orcs are … squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes; in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol types.
There is evidence that he revised his representation of Dwarves between The Hobbit and The Lord of the Rings to try move away from anti-Semitic stereotypes. There is no such evidence for Orcs even though he wrestled with the moral problem of a purely “evil” species of beings.
The combination of racial stereotypes and hierarchies built into Middle-Earth make Tolkien’s work appealing to racists and a useful political tool for the far-right. There is, however, more to the world and stories he created.
Being troubled by racism is also not just a new “woke” reading of Tolkien’s writing. C.S. Lewis wrote a review in 1955 of Lord of the Rings that reported some readers “imagine they have seen a rigid demarcation between black and white people” draw along clear moral lines.
Given Lewis was Tolkien’s friend, it’s not surprising that he defended the books. A letter in the fanzine Xero from 1963 expressed concern about “subtle racism,” hierarchies within humanity, and “monochromatic” representation of elves and orcs in Middle-Earth.
The contradiction in Tolkien’s world
The need to overcome differences to form alliances and make the world better is a central theme in Tolkien’s writing. Evil is defeated only when different peoples of Middle-Earth, such as Elves, Dwarves and Humans, fight against it together.
The prosocial values of cooperation and acting for the good of others are embedded in Tolkien’s stories of Middle-earth. They are also at odds with racism and fascism which see “others” as not only different but inferior, dangerous, not to be trusted, that is, as enemies.
Tolkien’s racial prejudices are implicit in Middle-Earth, but his values – friendship, fellowship, altruism, courage, among many others – are explicit, which makes for a complex, more interesting world.
Protecting Tolkien’s legacy
Casting actors of colour to play Elves, Dwarves and Harfoots in The Rings of Power does not insert beings who are not white into the imaginary world of Middle-Earth. They were already there, constructed through out-dated (even for Tolkien’s time) concepts of racial difference among humans and false stereotypes about real peoples.
Tolkien’s imagination was vast and varied, but it was not without limits. The world he created reflected some of the worst aspects of reality with its racist stereotypes and hierarchies.
All adaptations, including of Tolkien’s writings, change their source material in ways that reflect the time and place in which they are made.
With The Rings of Power, Amazon, the Tolkien Estate (headed by his grandson Simon) and their partners have decided to protect the positive, humane aspects of Tolkien’s legacy which represented the best, rather than the limits, of his imagination.
Helen Young does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Meet Big Tex, the "World's Tallest Cowboy," who stands at 55 feet and is the mascot of the State Fair of Texas—he's greeted visitors entering the fairgrounds in Dallas since 1952. The State Fair of Texas website has a terrific overview of Big Tex, which provides information about his history (he was created in 1949 to play the role of the 'world's largest Santa Claus' in Kerens, Texas), his silver screen fame (he was in the 1962 remake of the film "State Fair," which was shot in 1961), his outfitters (his clothes were sewn in the original Dickies plant in Fort Worth, and his boots were designed by Lucchese), and his size and measurements (he has a 33-foot, 9-inch chest; his jeans are sized 434 waist x 240 inseam; his hat is 95 gallons; his belt is 33 feet long; his boots are size 96). — Read the rest
Last month, a study published by The Galaxy examined the top 25 most valuable NFT projects and found that, despite many understanding that NFTs transferred either the copyright or the license in the original work, only 1 in 25 of those projects even attempted to do as such.
However, now the venture capital firm Andreessen Horowitz (a16z) is hoping to change that. In a blog post published last week and covered by Adi Robertson at The Verge yesterday, the firm is introducing what it calls “Can’t Be Evil” (CBE) licenses, a series of licenses that can be affixed to NFTs to clearly indicate what rights the NFT creator transfers to the buyer.
The project is patterned heavily after the Creative Commons approach, providing a series of six licenses, each marked by an abbreviation and a series of rights that are either granted or not.
While the system looks simple and promising, once you dig down, there are a series of difficult problems with the approach that could frustrate both NFT artists and their buyers.
To understand those problems, we have to first look at how they work and the issues that the licenses are trying to solve.
Understanding the “Can’t Be Evil” Licenses
Though the licenses are, at first blush, very similar to the Creative Commons system, these licenses are ultimately very different both in terms of how they work and what they cover.
For a start, Creative Commons licenses are between a creator and the public at large. Anyone can exploit a work licensed under a Creative Commons license. The point is to avoid the requirement of each individual user asking for permission separately and, instead, give a blanket license to everyone.
CBE licenses are between the creator of the NFT and the person who purchased it. No one else is involved. Any rights or permissions granted under a CBE license only apply to the NFT purchaser and holder.
To that end, there are six licenses, each with slightly different permissions and requirements.
Exclusive Commercial Rights (ECR): This one is the most straightforward. The NFT creator grants the purchaser (or holder) the exclusive rights to copy, display, modify and distribute the work for commercial purposes. The original creator retains no exploitation rights.
Non-Exclusive Commercial Rights (NECR): Similar to the ECR license, but the original creator retains their rights as well. This means that both the creator and the purchaser can exploit those rights.
Non-Exclucive Commercial Rights + Termination for Hate Speech (NECR-HS): The same as the NECR license, but the purchaser’s license is terminated if the work is used for hate speech.
Personal Use License (PR): This license grants no commercial rights to the buyer and only allows them to copy, display and distribute the work for personal purposes.
Personal Use License + Termination for Hate Speech (PR+HS): Similar to the PR license but with a termination clause should the work be used in hate speech.
Creative Commons 0 (CC0): This is essentially the Creative Commons Zero license, which is seen as largely a public domain dedication. This means that anyone, not just the buyer, is free to use the media connected with the NFT is any way that they want.
The idea is fairly simple. The creator of an NFT attaches one of these licenses to their NFT and, as a result, they clearly communicate what rights they are and are not granting the buyer.
This is designed to solve the issue of NFT sellers either not addressing copyright or using bespoke licenses that are confusing, incomplete or otherwise may be problematic.
However, this approach has its own problems, and it’s not difficult to spot at least some of them.
Some of the Problems with Can’t Be Evil Licenses
The first problem is that there is no “All Rights Reserved” option. While normally that would just be the default and not need to be spelled out, with NFTs there’s often an assumption of SOME rights transfer, making it more necessary.
If the goal is to be completely clear about what rights are and are not being transferred, an All Rights Reserved option is likely necessary.
First, as pointed out by Robertson, all the non-CC0 licenses are sub-licensable. This means, for example, a buyer of a Bored Apes NFT could license the media to be featured to a film studio or another visual artist to make new works based upon it (with certain licenses).
While that is fine and not unusual, if the NFT is sold or otherwise transferred, all the sublicenses terminate immediately. Given that NFTs can be sold (or even stolen) on a whim, this creates a great deal of uncertainty for those trying to obtain and exploit those sublicenses.
In short, their sublicenses could literally be terminated at any point and there is nothing that they can do under these terms. While many sublicenses can be revoked, there are usually terms and conditions about such a revocation. This license imposes no such conditions.
Another is the issue of hate speech. First, the hate speech revocation clause doesn’t just cover hate speech, in addition to speech that is, “unlawful, defamatory, harassing, abusive, racist hateful or cruel” it also covers language that is, “vulgar, fraudulent, illegal or obscene.”
Obviously, it’s very possible for speech to be seen as fraudulent or vulgar, but not hate speech. This makes the hate speech clause something of a misnomer.
But the bigger issue is that all of these terms are very subjective. This raises the question of who makes the determination of what is “hate speech” under this license.
According to the terms, that decision is “as determined in Creator’s sole discretion.” In short, the creator and the creator alone determines what is hate speech under this clause. Though these licenses are generally irrevocable by creators, this is a crucial exception that could, theoretically, be triggered at any time.
Finally, these licenses are limited to copyright only. This means that other, connected, rights may not transfer. For example, if an NFT contains trademarked media, that trademark would not be covered. Likewise, if people are featured in the media, there may or may not be publicity rights.
These issues are shared between CBE and Creative Commons licenses. However, one gaping hole in the CBE license structure is the lack of handling of moral rights.
In most countries, moral rights are a set of rights that a creator has in a work beyond the ones granted by copyright. They include the right to be attributed, right to object to derogatory treatment of the work (including destroying it) and others.
Creative Commons actually addresses moral rights in their licenses, requiring signers to wave their moral rights as it pertains to the license. However, the CBE licenses don’t mention moral rights at all. This raises serious questions about what happens when and if moral rights and the rights granted by a CBE license collide.
There is no obvious answer to that question at this time.
Bottom Line
The big idea here is both very interesting and potentially good. The idea of providing Creative-Commons-style licenses to NFTs to clearly indicate what rights are being transferred is, in general, positive.
However, this kind of licensing is extremely difficult. In its 20 years of existence, Creative Commons has gone through four different versions of its licenses. Simply put, it’s difficult to draft copyright licenses that are easy to understand, international in application and can be applied to a wide variety of works.
To that end, the CBE licenses fall short. Though their goal is to create greater certainty for buyers and sellers of NFTs, the licenses, through both omissions and choices, actually create less certainty in many areas, especially for sublicensees.
This isn’t to say that many of these issues can’t be fixed in future updates of the licenses. Instead, this points to the complexities that one faces in trying to deal with copyright and NFTs.
Simply put, licensing and transferring copyrighted works is hard under the best of circumstances and, when you mix the complexities of NFTs into the process, things get even more challenging.
The intellectual diversity survey was a piece of a larger Gov. Ron DeSantis reelection campaign strategy disguised as a weapon defending free speech. SPECIAL TO THE ORACLE/WIKIMEDIA COMMONS
Gov. Ron DeSantis’ HB 233 created the Intellectual Diversity Survey in July 2021 with the goal of protecting conservative viewpoints on campuses. The results of this survey were published Aug. 11, disproving DeSantis’ highly publicized thesis that Florida colleges discourage conservatism.
The characterization of college campuses — in addition to public schools — as liberal indoctrination factories was negated by the results of the study, a thesis pushed by the governor as a reelection strategy in time for the 2022 gubernatorial elections.
Priorities for the bill have been made clear, with DeSantis as emphasizing patriotism in civics instruction and fighting “indoctrination in education,” according to a legislative session from April 30, 2021.
Of the over 368,120 students in the Florida public university system that received the survey, less than 2.4% took it, according to the Florida State University System’s Draft. Those that did respond paint a very different picture from DeSantis’.
In the survey, 85% of students either agreed or strongly agreed that their university allowed for free expression of ideas, opinions and beliefs, with 19% responding neutrally. Of those surveyed, 58% agreed or strongly agreed that their university encouraged students to consider a wide variety of viewpoints, with 16% responding neutrally.
These pithy results are no great loss to DeSantis, who merely used the survey as a stepping stone in his anti-liberal propaganda campaign leading up to the 2022 gubernatorial election. Among his greatest hits thus far are the Don’t Say Gay bill, the Anti-Critical Race Theory curriculum and the Stop Woke Act, to name a few.
He positions these laws as “curriculum transparency” in his 2022 reelection ads, the undertones suggesting there is something insidious hidden in modern public school curriculum, and he expands on this idea in the media.
“We believe in education, not indoctrination,” DeSantis said in an April press conference.
By preaching that there is critical race theory being taught at their kid’s school or that gay instructors are teaching about their sex lives with no evidence, DeSantis is fearmongering conservatives and moderates into voting for him this fall.
Florida voters should see through DeSantis’ disingenuous scheme and instead look for a leader who focuses less on optics and more on the issues that genuinely affect Floridians.
A creepy and toxic orange animal with bad hair has returned to Florida. According to the Fish & Wildlife Foundation of Florida, "Puss Caterpillars," frequently found in the fall and spring, should be avoided as the insect's fur contains "extremely toxic spines." — Read the rest
by Rosemary Rochford, Professor of Immunology and Microbiology, University of Colorado Anschutz Medical Campus
Critical-care patients in the emergency polio ward at Haynes Memorial Hospital in Boston in August 1955. Associated Press photo
Fears of polio gripped the U.S. in the mid-20th century. Parents were afraid to send their children to birthday parties, public pools or any place where children mingled. Children in wheelchairs served as a stark reminder of the ravages of the disease.
To prevent polio outbreaks, government officials used tactics now familiar in the era of COVID-19: They closed public spaces and shut down restaurants, pools and other gathering places.
In 1952, two years prior to the introduction of a trial polio vaccine, there were an estimated 58,000 cases of polio and 3,145 deaths due to polio in the U.S.. These cases included children who were paralyzed for life. But those numbers dropped dramatically following a widespread vaccination campaign against polio, beginning in 1955.
By the 1970s, there were fewer than 10 cases of paralysis due to polio in the U.S., and the polio virus was considered eliminated from the U.S. by 1979. Since then, collective fear of the virus has been mostly lost to history – many people alive today are lucky enough not to know someone who has experienced polio.
So when news broke in July 2022 that an unvaccinated adult man in New York had contracted polio – the first case in the U.S. since 2013 – and developed paralysis from the disease, it sent a ripple of fear throughout the public health community and raised the question of whether an old foe was making a comeback.
Health experts are urging unvaccinated Americans to get vaccinated against polio.
Life cycle of the poliovirus
Polio – or poliomyelitis – the disease, is caused by the poliovirus, which is passed from person to person through the mouth. And while no one would knowingly ingest a virus, touching a contaminated object like a spoon or a glass or accidentally swallowing contaminated water can unknowingly lead to infection.
In August 2022, New York State Health Commissioner Mary Basset said that the state health department is “treating the single case of polio as just the tip of the iceberg of much greater potential spread.”
“Based on earlier polio outbreaks,” she added, “New Yorkers should know that for every one case of paralytic polio observed, there may be hundreds of other people infected.”
A single case of polio reflects a larger potential spread of the virus because most people infected either don’t show any symptoms or have a very mild illness with symptoms similar to the flu. But even without symptoms, an infected person is still excreting virus in their feces, which means they can be a source of infection to others.
The virus, which is very stable in the environment, is easily spread through surface contamination. For this reason, hand-washing is a critical prevention tool. Although many disinfecting agents, such as alcohol or diluted Lysol, fail to inactivate the virus, chlorine bleach does destroy it. This is why public health officials started chlorinating swimming pools decades ago in order to inactivate the polio virus.
Typically, the human body uses stomach acid to protect against ingested viruses. But poliovirus can survive stomach acid to travel to your gastrointestinal tract. There, the virus reproduces itself to establish an infection.
What is paralytic polio?
Unfortunately, one person out of about 200 people infected with poliovirus will develop paralysis. Scientists still don’t know why one person is susceptible to the paralytic disease while most are not.
In the small subset of people that get paralytic polio, the virus can attack the lower motor neurons found in the brain stem and spinal cord, which are important for controlling muscles. Infection of those neurons leads to the muscle paralysis that is characteristic of paralytic polio. The legs are typically affected – often on only one side of the body – and paralysis can range from mild to severe. Other muscle groups can also be affected.
In the worst cases of paralytic polio, the virus can damage the centers of the nervous system that control breathing. Respirators known as “iron lungs” were early medical devices that aided those with damaged respiratory muscles, helping them breathe until their muscles healed enough to work on their own. Patients could die when the paralysis was severe and sustained.
Anti-vaccination sentiments and an overall drop in routine vaccination rates during the COVID-19 pandemic have likely contributed to the resurfacing of the poliovirus in the U.S.
Levels of severity
Although polio can be devastating for those who contract the severe form of it, most people’s immune systems are well-equipped to combat it. When someone recovers from polio, researchers can detect poliovirus-fighting antibodies in the blood.
The decline in polio in the U.S. and globally is a direct result of the introduction of vaccines and the willingness of the public to accept them. In 1988, the World Health Organization, in partnership with Rotary International, the Centers for Disease Control and Prevention and other national governments, launched the Global Polio Eradication Initiative with the goal to wipe out polio worldwide, as is the case with smallpox.
Two types of polio vaccine are in use worldwide. The one used in the U.S. since 2000 is an injection made from inactivated poliovirus. Inactivation kills the virus and prevents it from spreading. Children in the U.S. get this shot at 2 months, 4 months and between 6 to 15 months of age, and it essentially provides lifelong protection from polio.
The second vaccine type, still in use in many parts of the world, is an attenuated – or weakened – form of the virus that is taken orally. In places where community transmission remains significant, like Pakistan, the oral vaccine is preferred because it prevents people from getting polio and also stops person-to-person transmission. In the U.S., where person-to-person transmission of the poliovirus has been virtually nonexistent for decades, the inactivated vaccine is preferred since the focus is on preventing disease in the vaccinated person and there’s less concern about spreading the virus.
But in extremely rare cases, the vaccine virus mutates after it’s been excreted in feces. And if immunization levels fall below a critical threshold – as is the case in some areas of the world – this poliovirus can cause disease. The recent New York polio case has been traced back to a mutated vaccine-derived poliovirus thought to be acquired overseas.
Most people in the U.S. are vaccinated through routine childhood vaccinations. Because immunity to polio following vaccination is lifelong, the CDC is not recommending booster vaccinations for the general population for people who completed the full series. However, the CDC does recommend that anyone who has not been vaccinated against polio virus get vaccinated, including adults.
In my office, I keep a painting of Dr. Jonas Salk, the virologist who developed the first polio vaccine. It serves as my reminder of the importance of biomedical research to help eliminate human suffering caused by infectious diseases.
Rosemary Rochford receives funding from National Institutes of Health.
The loss of urban green space leads to increases in urban heat and flooding, which are amplified by climate change, and can threaten human health and well-being, and property. They also degrade natural ecosystems and the biodiversity they support.
Tree-lined street in a residential neighbourhood.
(Rebecca Rooney)
Although many Canadians consider a detached house to be their dream home, conventional residential development may worsen climate change. Most residential developments, whether infill or in previously open spaces, remove existing vegetation. This process releases stored carbon into the atmosphere and undermines future carbon storage potential.
A recent study found that each year, Canadian urban forests remove over 660 kilotonnes of carbon from the atmosphere. These climate change mitigation benefits are reduced when urban trees and green spaces are removed. Even when new landscaping is put in place, young trees and lawns do not provide the heat mitigation, flood protection and biodiversity support of more mature landscapes.
New residential developments often replace green spaces with roads, sidewalks and other sealed surfaces.
(Digital Maples/Pexels)
The manicured lawns surrounding houses do not help much, and may contribute runoff polluted with fertilizer, pesticides and sediment. Runoff from sealed surfaces and lawns often flows into creeks, rivers and lakes, where it decreases water quality.
Tree cover distribution in Toronto in 2018. Greenness in Toronto has decreased from 68 per cent in 2001 to 65 per cent in 2019.
(City of Toronto), CC BY
Municipal governments are accountable for their financial expenditures to their local residents, and residential development is a business that needs to generate a profit. But while improved green spaces may generate small premiums for environmentally oriented home buyers, land developers are not compensated for the public goods these green spaces provide.
Cities need new ideas that go beyond green infrastructure checklists that incentivize developers only to fulfil minimum expectations and do not take the future climate change performance of these natural assets into consideration.
Research must help cities fight climate change
To address this problem, we need better data on the impact of residential developments on the natural environment. We need to create carefully and rigorously designed studies that address the wicked problem of the housing, climate and biodiversity crises.
These studies must assess residential developments, vegetation changes, water flows, greenhouse gas emissions and biodiversity impacts — all integrated into one complex system. They must assess building sites before and after development, projecting and comparing future environmental conditions. And they must support the development of reasonable and economically feasible residential plans that incentivize developers to choose designs that minimize environmental impacts or enhance the urban natural environment.
To drive change toward more environmentally friendly residential developments, we must go beyond typical scientific studies and instead present results in formats that are useful for municipal decision-makers, developers and future home buyers. Cities can then work with developers to identify the best elements of landscape design to implement into the development of the site.
Tools that show how natural assets such as trees and green spaces will perform in the future will highlight those developments that will make strong environmental contributions. This will provide progressive developers with a marketing and reputational edge.
This approach gives municipalities the evidence they need to argue for more environmentally friendly landscape designs. It gives developers the opportunity to innovate. And it gives future home buyers the chance to choose houses that help them lead more sustainable lives.
As a society, we should not solve the housing crisis by amplifying the climate and biodiversity crises. We can and must do better.
Michael Drescher receives funding from the Social Sciences and Humanities Research Council of Canada, Environment and Climate Change Canada, and the Municipal Natural Assets Initiative.
Dawn Parker has received related funding from the Chesapeake Watershed Cooperative Ecosystem Studies Unit/National Park Service (US), US National Science Foundation, and the Social Sciences and Humanities Research Council of Canada.
Rebecca Rooney receives funding from the Natural Sciences and Engineering Research Council of Canada and Environment and Climate Change Canada.
by Shoshanah Jacobs, Associate Professor, Integrative Biology, University of Guelph
Used masks threaten urban wildlife. (Shutterstock)
Throughout the COVID-19 pandemic, masking has been one of the key public health measures put in place to combat the disease. Since March 2020, billions of disposable surgical masks have been used around the world, raising the question: What happens to all those used masks?
As researchers in single use plastic and microplastic pollution, the onset of a global wave of plastic debris pollution became evident to us in the early days of the pandemic — we could see the evidence even during lockdowns when exercise was limited to short daily walks in the neighbourhood. Masks and gloves were on the ground, fluttering in the wind and hanging on fencing.
As ecologists, we were also aware of where the debris would end up — in nests, for example, or wrapped around the legs or in the stomachs of wildlife.
There’s a cartoon circulating on the internet that goes like this: a rat comes home carrying bags of groceries to see two rats laying in bunk beds made from medical grade masks. The rat in the bottom bunk exclaims, “Free hammocks, all over town. It’s like a miracle!”
We shared this cartoon with our colleagues at the beginning of the pandemic, while we were conducting surveys of PPE litter around Toronto streets and parking lots.
We found that within the area that we were surveying — which covered an area of Toronto equivalent to about 45 football fields — over 14,000 disposable masks, gloves or hand wipes accumulated by the end of the year. That’s a lot of rat hammocks.
We set out to understand the breadth of the harm that PPE is doing to wildlife. What we learned is just how many other people were equally concerned.
Jarring images
We conducted a global survey using social media accounts of wildlife interactions with PPE debris. The images are jarring: A hedgehog wrapped in a face mask, the earloops tangled in its quills. A tiny bat, with the earloops of two masks wrapped around its wing. A nest, full of ivory white eggs, insulated with downy feathers and a cloth mask.
Many of these animals are dead, but most were alive at the time of observation. Some were released from their plastic entanglement by the people who captured the photo.
In total, we found 114 cases of wildlife interactions with PPE debris as documented on social media by concerned people around the world. Most of the wildlife were birds (83 per cent), although mammals (11 per cent), fish (two per cent), invertebrates such as an octopus (four per cent) and sea turtles (one per cent) were also observed.
The majority of observations originated in the United States (29), England (16), Canada (13) and Australia (11), likely representing both the increase in access to mobile devices and our English-language search terms. Observations also came from 22 other countries, with representation from all continents except Antarctica.
N95 masks have been essential in reducing the transmission of COVID-19 and, although they are more environmentally harmful than cloth masks, the benefit to health is demonstrably superior.
So, what could we have done better? One thing we noted during our PPE litter surveys is the abundance of discarded masks and gloves in close proximity to public garbage bins.
We hypothesize that a lack of clear messaging from municipalities and provinces about safe ways to dispose of PPE, along with our reluctance to gather near sources of discarded PPE, may have contributed to this global pollution event.
Developing better ways for people to get rid of their PPE waste may help prevent used surgical masks from ending up in the environment.
(Shutterstock)
These are lessons that can still be implemented as we continue to cycle through waves of this pandemic; the use of masks is not yet behind us. Our surveys continue as we track an accumulation of PPE debris that will likely find its way into more nests and tangled around the bodies of more animals.
The rise of single use plastic use due to COVID-19 may not have been avoidable. But the rise in plastic pollution could have been mitigated with some investment in public outreach and modifications to waste management infrastructure to allow for masks and other PPE to be disposed of and processed correctly with minimal leakage to the environment.
The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.
by Helen Parish, Professor of History, University of Reading
The Obelisk, adorned with communist star, was torn down in Riga, Latvia. Ints Vikmanis/Alamy
In the Latvian capital of Riga, an 80-metre concrete obelisk came crashing down in late August to the loud cheers of a nearby crowd. It was created to commemorate the Soviet Army’s capture of Latvia in 1944. Days earlier in Estonia, another Soviet monument, this time of a tank adorned with the communist red star, was removed and taken to reside in a museum.
Such scenes are happening all over central and eastern Europe – in Poland, Lithuania and Czechia. The removal or destruction of Soviet-era monuments is a powerful reminder of the complex relationship that exists between history, memory and politics.
Monuments are powerful instruments of propaganda, making the events of the past visible in the present. Public art of this type defines the heroes of history and writes the story of a nation’s identity. But these objects being removed reflect (and create) conflicting histories and interpretations of the aftermath of war. Public memory is not uniform or static.
Statues and memorials erected in the years after the second world war are prime examples. Intended to commemorate liberation from Nazism, they were also symbols of Soviet power and presence in eastern Europe and political and military occupation.
As a result, memorials, statues and monuments that appear to propagate communism or commemorate the Soviet past have also been subject either to government-sanctioned removal or, more commonly, defacement, marginalisation or repurposing. Their removal is not a destruction or an erasure of history, but a creation of a new way of remembering.
De-communisation of public space
In Ukraine, the “de-communisation” law passed in April 2015 prohibited the use of communist symbols and propaganda in monuments, places and street names. More than 2,000 monuments to Ukraine’s communist past were removed between 2015 and 2020, following the Russian annexation of Crimea.
An updated law on de-communisation in Poland in 2017 enforced the removal of monuments and memorials to individuals and events that symbolised communism or other forms of totalitarianism. Driven by the Russian war in Ukraine, the Polish Institute of National Remembrance intensified its efforts to de-communise public spaces. In March 2022 its head, Karol Nawrocki, called for swift action to remove symbols that might promote communism from public spaces.
Soviet-era monuments have also been removed from public places in Estonia, to ensure – in the words of the prime minister, Kaja Kallas – that Russia would be denied any opportunity to “use the past to disturb the peace”.
In Latvia’s capital, Riga, as the Soviet war memorial was demolished, The city’s mayor, Mārtiņš Staķis, argued that the monument had glorified Russian war crimes, and should be demolished physically and “in the hearts as well”.
But the removal of visible memorials to the Soviet era has been divisive. Such monuments and imagery were a prominent part of the landscape, and their removal has fuelled arguments about national identity and history. For some observers, de-communisation was necessary to prevent the rise of oppressive regimes.
For others, the disappearance of statues and military monuments was a visible, forceful and unjustified attempt to erase a nation’s past, however troubled it was. Among them was a spokesman for the Russian president, Vladimir Putin, who condemned the removal of Soviet-era monuments as a “war against history”.
The condemnation of memory
When statues are toppled and monuments are torn down, we witness a physical assault on both the object and the people and events that it symbolises. Destruction is intended to break our link with the past, defacement shows the object – and what or who it symbolises – to be powerless, unable to defend itself.
The destruction of public monuments has a long history. “Damnatio memoriae” (the condemnation of memory) summarises the practice of the Roman world, in which the emperor, Senate or wider populace could act to condemn the actions and memory of previous rulers.
Statues were pulled down, coins melted, and written records destroyed. In the Panegyrici Latini, the writer and philosopher Pliny the Elder describes participants’ delight when vengeance was enacted upon the hated dead.
But were the condemned dead forgotten, their memory and history “wiped out” by such actions? Or do we remember them, just in a different interpretation of the past?
We can observe such competing narratives in the interpretation of the ruins of medieval monasteries that remain visible on the English landscape. For many Protestant reformers of the 16th and 17th centuries, these “bare ruined choirs” were a monument to the successful suppression of “false religion” (Catholicism) in England. But opponents of religious change viewed those same ruins with nostalgia, and mourned the lost monastic life.
Pulling Down the Statue of King George III by Johannes Adam Simon Oertel.
Wikimedia
Likewise, the statue of King George III, installed by the British in Bowling Green park in New York, was toppled and melted in 1776 after the reading of the Declaration of Independence. But the empty plinth and surrounding fence remain as a monument to a different historical narrative, that commemorates the revolutionaries’ successful defeat of an oppressive British state.
“De-communisation” in Ukraine created new physical and mental spaces, with some monuments destroyed and others replaced with religious figures, flowers, or left empty. Dust and rubble remind us of what once stood on that same spot.
Statues and monuments commemorate the past for a present and future audience. They build a landscape and environment that is made up of layers of human culture and memory, which can be both created and destroyed. But empty spaces left by statues communicate a message that is as powerful as the propaganda of the statue itself.
The destruction of material objects and the destruction of human memory are not the same. History, memory and politics are, and always have been, closely intertwined and the link between remembering and forgetting is stronger than we might think.
Helen Parish does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
The history of abortion in the U.S. guided some of Supreme Court Justice Samuel Alito’s arguments in the Dobbs v. Jackson Women’s Health Organization decision. Alito argued that abortion has never been a “deeply rooted” constitutional right in the United States.
But as a historian of medicine, law and women’s rights, I think Alito’s read of abortion history is not only incomplete, it is also inaccurate.
Alito argued in the opinion that abortion has always been a serious crime, but there were no laws about abortion at all in Colonial America. Beginning in the 19th century, most states barred it only after “quickening,” when a pregnant woman can first feel the fetus move, typically around the fourth to sixth month of pregnancy.
Abortion is indeed deeply rooted in the American experience and law. American women have always tried to personally determine the size of their families. Enslaved Black women used contraception and abortion as specific strategies of resistance against their physical and reproductive bondage.
The very passage of the 13th and 14th amendments, which ended slavery and guaranteed citizenship for all, is evidence that the Constitution actually does protect bodily autonomy. The 14th Amendment’s due process and equal protection clauses have long been the legal basis for gender equality cases. If, as the Supreme Court’s ruling suggests, the right to abortion is not constitutionally protected via the 14th Amendment, it opens up the possibility that other settled law concerning gender and racial equality also has the potential to be reversed.
Instead of examining abortion through the lens of past cases of gender law, however, Alito instead refers to the opinions of 17th-century male legal theorists, who believed in witches and the right of husbands to rape their wives. He also cites as evidence the passage of 19th-century state abortion laws by all-male legislatures, which criminalized abortion and birth control. The Comstock Postal Act of 1873 also made possessing or selling all sexual information and contraceptive items a federal crime.
Meanwhile, Alito’s opinion does not discuss the women’s rights movement in the 1800s or women’s ordinary, daily perspectives on abortion at the time. In this landmark decision, the court has skipped one of the biggest parts of U.S. history on abortion, creating a glaring gap in an understanding of how abortions and abortion law in the country worked in the past.
Considering how suffragists like the Black journalist and activist Ida B. Wells and other prominent women’s rights activists in the 19th century thought about rights to their own bodies is an overlooked part of this history.
Suffragists in the 19th century focused on a woman’s right to vote – and did not openly support legalizing abortion or birth control.
The reason why reproductive rights were omitted from the suffragist campaign is complex.
Suffragists argued that legalizing birth control and abortion would hurt women, who already had few legal rights at the time. They said that men would then use these legal freedoms to further abuse and control women.
Instead, suffragists embraced an idea they termed “voluntary motherhood.” This meant that women had the right to reject unwanted sex and could choose if and when they had children.
Even in happy marriages, many women in the 1800s could not necessarily control the number of pregnancies they had. Marital rape was legal, and enslavers had total control over enslaved women’s bodies.
The idea of voluntary motherhood – meaning that women should have full control over their own bodies – was a powerfully radical idea.
This notion appealed to women across race and class lines, and it helped drive the emergent women’s rights movement, beginning in the 1840s.
Suffragist reformers recognized that the right to vote meant little if they did not have control of their bodies or reproductive lives. Black suffragists like Wells and Frances Ellen Watkins Harper, for example, spoke eloquently about the constant dangers Black women faced from white men raping and assaulting them.
They and White women suffragists like Lucy Stone argued that gaining the right to vote would help women have more power to combat these problems.
These activists recognized that women turned to contraceptives and abortion to control their own reproduction. But they also said that unscrupulous manufacturers and people who performed abortions sometimes took advantage of women, by selling them ineffective or harmful contraceptives or charging them large sums for abortions. Substances used to induce abortion, or abortifacients, also often contained harmful and poisonous ingredients that killed women, while surgical abortions were incredibly risky in an era where germ theory and understandings of infection were rudimentary at best.
Reformers also openly blamed harsh anti-abortion laws for contributing to these problems – driving women to desperate measures while still allowing men to have sex freely and shirk their responsibilities of fatherhood.
Suffragist Matilda Joslyn Gage agreed, writing in a suffrage newspaper in 1868 that “this crime of … abortion … lies at the door of the male sex.”
Using history for today’s arguments
Today, some anti-abortion rights women’s groups look to the suffragist movement to make the case that abortion should be limited or banned.
Feminists for Life and Susan B. Anthony Pro-Life America, for example, have long rested their funding and advocacy campaigns on attempting to prove that suffragists were “pro-life.” But research shows that their argument is an incomplete reading of suffragists’ complex views of abortion, while also falsely presuming that suffragists would have supported current laws banning abortion today.
There is ample primary source evidence in suffrage newspapers like “The Revolution” or in the private letters of the suffragists showing that they repeatedly insisted that anti-abortion laws punished women, without actually eliminating the practice of abortion.
White suffragists like Anthony held overtly racist and eugenic views, and their support for women who sought abortions often incorporated ideas of eliminating disability and what they deemed undesirable offspring. They prioritized rights for white, middle-class women and ignored or outright rejected Black reformers’ urgent pleas for reproductive justice.
But that messy, complex past nonetheless remains central to understanding Americans’ experiences with abortion and abortion law.
Alito wrote that women’s role in abortion history is too “conflicting” to be useful. Yet considering women’s historical attitudes about reproductive rights – and the reasons behind these views – was a critical omission in the court’s historical considerations of the role of abortion in Americans’ lives.
Lauren Thompson does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
by Rebecca Rozelle-Stone, Professor of Philosophy, University of North Dakota
As the war continues in Ukraine, a grandmother helps her grandchild light candles in a church in Lviv. AP Photo/Emilio Morenatti
When Vladimir Putin launched a full-scale invasion of Ukraine by land, air and sea on Feb. 24, 2022, the images of war were conveyed to dismayed onlookers around the world. Far from the action, many of us became aware of the unprovoked aggression by reading online coverage or watching TV to see explosions and people running from danger and crowding into underground bunkers.
Half a year later, the violence continues. But for those who have not been directly affected by the events, this ongoing war and its casualties have been shifting to the periphery of many people’s attention.
This turning away makes sense.
Being attentive to realities like war is often painful, and people are not well-equipped to keep a sustained focus on ongoing or traumatic occurrences.
As the philosopher-psychologist William James asked, “Does not every sudden shock, appearance of a new object, or change in a sensation, create a real interruption?”
Ongoing tragic events, like the assault on Ukraine, can recede from people’s attention because many may feel overwhelmed, helpless or drawn to other urgent issues. This phenomenon is called “crisis fatigue.”
The McKinney Fire burned more than 60,000 acres in Northern California this summer, killing four people and destroying 90 residences. Drought conditions enabled the fire to spread quickly.
AP Photo/Noah Berger, CC BY
Roots of crisis fatigue
Malevolent actors and authoritarians like Putin are aware of public fatigue and use it to their advantage. “War fatigue is kicking in,” the Estonian prime minister, Kaja Kallas, said. “Russia is playing on us getting tired. We must not fall into the trap.”
In a speech to marketing professionals in Cannes, France, the president of Ukraine, Volodymyr Zelenskyy, asked them to keep the world focused on his country’s plight. “I’ll be honest with you – the end of this war and its circumstances depend on the world’s attention …,” he said. “Don’t let the world switch to something else!”
Unfortunately, many of us have already changed the channel. The tragic has become banal.
I became interested in the phenomenon of fatigue as a result of my scholarly research into moral attentiveness. This idea was articulated by the 20th-century French philosopher and social activist Simone Weil.
Simone Weil, a French philosopher, joined the Durruti Column in 1936 during the Spanish Civil War. Her scholarly work of social justice focused on the oppressed and marginalized in society.
Apic/Hulton Archives via Getty Images, CC BY
According to Weil, moral attention is the capacity to open ourselves up fully – intellectually, emotionally and even physically – to the realities that we encounter. She described such attention as vigilance, a suspension of our ego-driven frameworks and personal desires in favor of a Buddhist-like emptiness of mind. This mindset receives, raw and unfiltered, whatever is presented without avoidance or projection.
Not surprisingly, Weil found attention to be inseparable from compassion, or “suffering with” the other. There is no avoiding pain and anguish when one attends to the afflicted; hence, she wrote that “thought flies from affliction as promptly and irresistibly as an animal flies from death.”
The sensitivity involved in attending to crises can be a double-edged sword. On one hand, attention can put people in touch with the unvarnished lives of others so the afflicted are truly seen and heard. On the other, such openness can overwhelm many of us through vicarious trauma, as psychologists Lisa McCann and Laurie Pearlmanhave noted.
The difficulty of sustained focus on events like the war is due not only to the inherent fragility of moral attention, however. As cultural critics like Neil Postman, James Williams and Maggie Jackson have noted, the 24/7 news cycle is one of many pressures clamoring for our attention. Our smartphones and other technology with incessant communications – from trivial to apocalyptic – engineer environments to keep us perpetually distracted and disoriented.
Why audiences tune out
Aside from the threats to people’s attention posed by our distracting technologies and information overload, there is also the fact of crisis fatigue leading readers to consume less news.
This year, a Reuters Institute analysis showed that interest in news has decreased sharply across all markets, from 63% in 2017 to 51% in 2022, while a full 15% of Americans have disconnected from news coverage altogether.
According to the Reuters report, the reasons for this differ, in part, with political affiliation. Conservative voters tend to avoid the news because they deem it untrustworthy or biased, while liberal voters avoid news because of feelings of powerlessness and fatigue. Online news, with its perpetual drive to keep eyes trained on screens, is unwittingly undermining its own goals: to provide news and keep the public informed.
Taking a new tack
How might we recover a capacity for meaningful attention and responses amid incessant, disjointed and overwhelming news? Scholars have made a variety of recommendations, usually focused on reining in digital device usage. Beyond this, readers and journalists might consider the following:
Limiting the daily intake of news can help people become more attentive to particular issues of concern without feeling overwhelmed. Cultural theorist Yves Citton, in his book “The Ecology of Attention,” urges readers to “extract” themselves “from the hold of the alertness media regime.” According to him, the current media creates a state of “permanent alertness” through “crisis discourses, images of catastrophes, political scandals, and violent news items.” At the same time, reading long-form articles and essays can actually be a practice that helps with cultivating attentiveness.
Journalists can include more solutions-based stories that capture the possibility of change. Avenues for action can be offered to readers to counteract paralysis in the face of tragedy. Amanda Ripley, a former Time magazine journalist, notes that “stories that offer hope, agency, and dignity feel like breaking news right now, because we are so overwhelmed with the opposite.”
Weil, who was committed to the responsibility of moral attentiveness but did not romanticize tragedy, wrote, “Nothing is so beautiful and wonderful, nothing is so continually fresh and surprising, so full of sweet and perpetual ecstasy, as the good.”
Rebecca Rozelle-Stone does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Stop us if you’ve heard these: piracy is driving artists out of business. The reason they are starving is because no one pays for things, just illegally downloads them. You wouldn’t steal a car. These arguments are old and being dragged back out to get support for rules that would strangle online expression. And they are, as ever, about Hollywood wanting to control creativity and not protecting artists.
When it comes to box office numbers, they’ve remained pretty consistent except when a global pandemic curtailed theater visits. The problem facing Hollywood is the same one that it’s faced since its inception: greed.
From the fever-pitch moral panic of the early 2000s, discussions about "piracy" disappeared from pop culture for about a decade. It’s come back, both from the side explaining why and the side that wants everyone punished.
Illegal downloading and streaming are not the cause of Hollywood’s woes. They’re a symptom of a system that is broken for everyone except the few megacorporations and the billionaires at the top of them. Infringement went down when the industry adapted and gave people what they wanted: convenient, affordable, and legal alternatives. But recently, corporations have given up on affordability and convenience.
The Streaming Hellscape
It’s not news to anyone that the video streaming landscape has, in the last few years, become unnavigable. Finding the shows and movies you want has become a treasure hunt where, when you find the prize, you have to fork over your credit card information for it. And then the prize could disappear at any moment.
Rather than having a huge catalog of diverse studio material, which is what made Netflix popular to begin with, convenience has been replaced with exclusivity. But people don’t want everything a single studio offers. They want certain things. But just like the cable bundles that streaming replaced, a subscription fee isn’t for just what you want, it’s for everything the company offers. And it feels like a bargain to pay for all of it when a physical copy for one thing costs the same as a month’s subscription.
Except that paying for every service isn’t affordable. There are too many and they all have one or two things people want. So you can rotate which ones you pay for every so often, which is inconvenient, or just swallow the cost, which is not affordable. And none of that guarantees that what you want is going to be available. Content appears and disappears from streaming services all the time.
Disney removed Avatar from Disney+ because it is re-releasing it in theaters ahead of the sequel. Avatar is a 13-year-old movie, and rereleasing it in theaters should be a draw because of the theater-going experience. Avatar shouldn’t have to be removed from streaming since its major appeal is what it looks like on a big screen in 3D. But Disney isn’t taking the chance that the moviegoing experience of Avatar alone will get people to pay. It’s making sure people have to pay extra—either by going to the theater or paying for a copy.
And that’s when the content even has a physical form.
After the Warner Bros. merger with Discovery, the new owners wasted almost no time removing things from the streaming service HBO Max, including a number of things that were exclusive to the streaming service. That means there is no place to find copies of the now-removed shows. People used to joke that the internet was forever—once something was online it could not be removed. But that’s not the case anymore. Services that go under take all of their exclusive media with them. Corporate decisions like this remove things from the public record.
It’s a whole new kind of lost media, and like lost media of the past, it’s only going to be preserved by those individuals who did the work to make and save copies of it, often risking draconian legal liability, regardless of how the studio feels about that work.
When things are shuffled around, disappeared, or flat out not available for purchase, people will make their own copies in order to preserve it. That is not a failure of adequate punishment for copyright infringement. It’s a failure of the market to provide what consumers want.
It’s disingenuous for Hollywood’s lobbyists to claim that they need harsher copyright laws to protect artists when it’s the studios that are busy disappearing the creations of these artists. Most artists want their work to find an audience and the fractured, confusing, and expensive market prevents that, not the oft-alleged onslaught of copyright infringement.
Hollywood Cares About Money, Not Artists
There’s a saying that, in various forms, prevails within the creative industry. It goes something like “Art isn’t made in Hollywood. Occasionally, if you get very lucky, it escapes.”
Going back to Warner Bros. and HBO Max: another decision made by the new management was to cancel projects that were largely finished. This included a Batgirl movie, which had a budget of $90 million. The decision was made so that the studio could take a tax write-off, against the wishes of its star and directors, who said, “As directors, it is critical that our work be shown to audiences, and while the film was far from finished, we wish that fans all over the world would have the opportunity to see and embrace the final film themselves. Maybe one day they will insha’Allah.”
The point is that Hollywood isn’t in the art business. It’s in the business business. It is never trying to pay artists, it’s always trying to find a way to keep money out of artists’ hands and in the corporate coffers. There’s a reason “Hollywood accounting” has a Wikipedia entry. It’s an industry infamous for arguing that a movie that made a billion dollars at the box office actually made no money, all to keep from paying the artists involved.
Traditional movie making is a unionized endeavor. Basically everyone involved save the studio has a guild or union. That means that there are minimum standards for the employment contracts that studios have to meet. New technology is attractive to studios because it isn’t covered by those union agreements. They can ignore the demands of labor and then, if the unions threaten to refuse to work with them, they get to negotiate new terms. That’s why the Writers Guild went on strike in 2007.
The new streaming landscape also allowed studios to mistreat their below-the-line workers; everyone who is not an actor, producer, writer, or director. So, most people. IATSE, the union that represented most of those workers, overwhelmingly authorized a strike over working conditions. They particularly called out how streaming projects paid them less, even if they had budgets larger than that of traditional media.
Streaming has ruined the ability of writers to make a livable wage off of a job, and has all but eliminated mentoring and on-set experience, contrary to the desires of the actual people who make the shows. Instead of investing in writers, studios push for more “efficient” models that make writing jobs harder to get and producing experience nearly impossible.
So when Hollywood lobbyists argue for draconian copyright laws “for artists,” it should ring especially hollow.
What they want is exclusive control. That includes the ability to constantly charge for access, which means preventing people from having their own copies. Hollywood has fought against audiences having their own copies for as long as the technology has existed. They sued to eliminate VCRs and when they lost, then they started selling tapes. They sued the makers of DVRs, and when they lost again they opened up to video-on-demand. And now, streaming has given them what they’ve always wanted: complete control over copies of their work. No one owns a copy of the material they watch on a streaming service, they get only a license to watch it for a temporary period.
This way, the studios can make you pay for something every month instead of once. They can take it down so you can’t watch it at all. They can edit things post-release, losing some of the history of the creation. And without copies available to own, they prevent creative newcomers from exercising their right to make fair use of it. All of this is anti-artist.
Studios want to point to an outside reason for their actions. Copyright infringement is convenient that way. And when they endorse draconian legislation like the filter mandates of the Strengthening Measures to Advance Rights Technologies Copyright Act, that is why. But when infringement happens, it’s a symptom of a market not meeting demand, not the cause of the problem.
Preparing meals in bulk and reheating is a great way to save time in the kitchen and can also help to reduce food waste. You might have heard the myth that you can only reheat food once before it becomes unsafe to eat.
The origins of food myths are often obscure but some become embedded in our culture and scientists feel compelled to study them, like the “five second rule” or “double-dipping”.
The good news is that by following some simple steps when preparing and storing foods, it is possible to safely reheat foods more than once.
Why can food make us sick?
There are many ways bacteria and viruses can end up in foods. They may occur naturally in environments where food is harvested or contaminate foods during processing or by food handlers.
Viruses won’t grow in foods and will be destroyed by cooking (or proper reheating). On the other hand, bacteria can grow in food. Not all bacteria make us sick. Some are even beneficial, such as probiotics in yoghurt or starter cultures used to make fermented foods.
However, some bacteria are not desirable in foods. These include bacteria which reproduce and cause physical changes making food unpalatable (or spoiled), and pathogens, which cause illness.
Some pathogens grow in our gut and cause symptoms of gastroenteritis, while others produce toxins (poisons) which cause us to become sick. Some bacteria even produce special structures, called endospores, which survive for a long time – even years – until they encounter favourable conditions which allow them to grow and produce toxins.
While cooking and reheating will generally kill pathogenic bacteria in foods, they may not destroy toxins or endospores. When it comes to reheating foods, toxins pose the greatest risk of illness.
The risk increases in foods which have been poorly handled or cooled too slowly after initial cooking or reheating, since these conditions may allow toxin-producing bacteria to grow and proliferate.
The food ‘danger zone’ is between five and 60 degrees.
ella olsson/unsplash, CC BY
Bacteria that cause foodborne illness typically grow at temperatures between 5°C and 60°C (the “temperature danger zone”), with fastest growth occurring at around 37°C.
Foods that are best able to support the growth of these bacteria are deemed “potentially hazardous” and include foods or dishes containing meat, dairy, seafood, cooked rice or pasta, eggs or other protein-rich ingredients.
A common culprit of food poisoning linked to reheated foods is Staphylococcus aureus which many people carry in their nose or throat. It produces a heat-stable toxin which causes vomiting and diarrhoea when ingested.
Food handlers can transfer these bacteria from their hands to foods after cooking or reheating. If the contaminated food is kept within the temperature danger zone for an extended period, Staphylococcus aureus will grow and produce toxins. Subsequent reheating will destroy the bacteria but not the toxins.
To limit the growth of bacteria, potentially hazardous foods should be kept outside of the temperature danger zone as much as possible. This means keeping cold foods cold (less than 5°C) and hot foods hot (above 60°C). It also means after cooking, potentially hazardous foods should be cooled to less than 5°C as quickly as possible. This also applies to reheated foods you want to save for later.
When cooling foods, Food Standards Australia New Zealand recommends the temperature should fall from 60°C to 21°C in less than two hours and be reduced to 5°C or colder in the next four hours.
In practice, this means transferring hot foods to shallow containers to cool to room temperature, and then transferring the covered containers to the fridge to continue cooling. It’s not a good idea to put hot foods straight into the fridge. This can cause the fridge temperature to increase above 5°C which may affect the safety of other foods inside.
If food has been hygienically prepared, cooled quickly after cooking (or reheating) and stored cold, reheating more than once should not increase the risk of illness. However, prolonged storage and repeated reheating will affect the taste, texture, and sometimes the nutritional quality of foods.
If food has been hygienically prepared, cooled quickly, and stored cold, reheating more than once should not increase the risk of illness.
ello/unsplash, CC BY
When it comes to safely reheating (and re-reheating) foods, there are a few things to consider:
always practice good hygiene when preparing foods
after cooking, cool foods on the bench either in small portions or in shallow containers (increased surface area reduces cooling time) and put in the fridge within two hours. Food should be cold (less than 5°C) within the next four hours
try to reheat only the portion you intend to immediately consume and make sure it is piping hot throughout (or invest in a thermometer to ensure the internal temperature reaches 75°C)
if you don’t consume reheated food immediately, avoid handling it and return it to the fridge within two hours
err on the side of caution if reheating food for vulnerable people including children, elderly, pregnant or immunocompromised people. If in doubt, throw it out.
With the ever-increasing cost of food, buying in bulk, preparing meals in large quantities and storing unused portions is convenient and practical. Following a few simple common sense rules will keep stored food safe and minimise food waste.
Enzo Palombo receives funding from the Fight Food Waste CRC.
Sarah McLean does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
by Jennifer Ann McDonell, Associate professor, University of New England
Scold's bridle, a torture device used to prevent women speaking. Wikimedia commons, CC BY-SA
An earworm has gnawed its way into my brain, looping the same melody over and over. It is Italy’s most famous resistance song, Bella Ciao, which I recently heard played as a high-decibel dance remix in an exclusive Balinese bar overlooking the Indian Ocean. Well-heeled patrons of diverse nationalities bopped to the catchy tune in the glow of a glorious sunset and, fuelled by exotic cocktails, chanted the chorus. I wondered how a sacred anthem of radical credentials could have strayed so far from its original meanings and contexts.
Bella Ciao began as a partisan anthem, possibly with roots in folk laments sung by exploited workers in the north of Italy. It is associated in Italian minds with the resistance of 1943–45.
The song’s popularity peaked when it was used as a soundtrack for the popular Netflix series Money Heist (2017). It was sung from balconies in Europe during the pandemic; it is de rigueur at political rallies by groups of all political leanings. It is used to sell burgers in Korea and to celebrate quashing an opponent in football matches (“Messi Ciao”). Unanchored from its local habitation as a protest folk song, Bella Ciao is now a tune that can travel anywhere and represent everyone and everything.
The less benign phrase “cancel culture” (and its cognate “cancelling”), which has roots in oral Black vernacular traditions, has suffered a similar semantic drift.
“Cancelling” originally referred to a practice among the disempowered of “calling out” socially unacceptable behaviour and discrimination. It has now become a catch-all phrase, imprecisely applied to all manner of people, places and things. It is used to signify everything from vigilante justice, hostile debate, intimidation and harassment, to levelling statues and de-platforming books and lectures in universities and school syllabi.
Cancel culture is often conflated with adjacent phenomena such as outrage culture, boycotts and backlashes. It is linked to debates about censorship, free speech, decolonising the curriculum, “wokeness” and “political correctness”. The noisy doxxing and bad faith piling-on feels, to many, like a rudderless surrogate of the judicial process, at once chaotic and ritualised, and has invited comparisons by some commentators to ancient, ritualised practices of scapegoating.
A real phenomenon
While cancel culture may be a hot topic among journalistic and intellectual elites, a recent UK YouGov survey found that only around a third of Britons (35%) think they know what “cancel culture” means. Of the two-thirds who don’t know what it means, close to four in ten claimed never to have heard the expression in the first place (38%).
That many people have not heard of “cancel culture” doesn’t mean the phenomenon isn’t real. On August 19, the NSW Minister for the Arts, Ben Franklin, demanded that Sydney’s Festival of Dangerous Ideas cancel a talk about bestiality by eminent historian Joanna Bourke. After being contacted for comment by 2GB talkback radio host Ben Fordham, Franklin’s office said he was
deeply concerned by the contents of Bourke’s scheduled talk entitled “The Last Taboo”, and is demanding festival organisers remove it from their program.
Festival curator and Ethics Centre director Simon Longstaff refused to comply with the request, stating Bourke’s views have been misunderstood. “If somebody was to provide a history of cannibalism or slavery,” said Longstaff, “does that mean they are therefore encouraging us to eat each other or enslave our fellow man?” As a result of this media attention, he added, Bourke has been “trolled by lowlifes”.
In 2019, the Macquarie Dictionary committee named “cancel culture” Word of the Year, noting it captured an important aspect of the zeitgeist. According to its definition, it describes community attitudes that
call for or bring about the withdrawal of support from [for] a public figure, such as cancellation of an acting role, a ban on playing an artist’s music, removal from social media, etc., usually in response to an accusation of a socially unacceptable action or comment.
Franklin’s attempt to cancel Bourke falls squarely within this circumscribed definition.
Is this attempt to “cancel” Bourke simply another example of the anti-intellectualism evident across the political spectrum? Is vitriolic misinterpretation really replacing thoughtful debate?
Attempts at “cancelling” often aim to inflict maximum reputational or economic damage to otherwise out-of-reach public figures and celebrities. But as the case of author J.K. Rowling suggests, the more famous you are, the more difficult you are to topple. Rowling appears to have suffered no significant career setbacks following calls for her cancellation after she tweeted controversial views on gender identity and biological sex.
Cancelling, in this sense, is a bit like executing the strikethrough option in the keyboard: a function that enables you to draw a line through a word while allowing it to remain legible and in place.
Cancel culture is not always discerning in its targets. The transnational #MeToo movement, to cite one example, has contributed to the exposure of high-profile sexual predators such as Bill Cosby and Harvey Weinstein, leading to criminal convictions. But other cancellations enact a more casual cruelty on ordinary, innocent people. I am reminded of the US writer Shirley Jackson’s story The Lottery (1948), in which a member of a small American community is selected by chance and stoned.
Origins in social justice
The idea of cancelling or calling out transgressions has its origins in the creative spaces occupied by marginalised groups. Exemplified by hashtag-oriented social justice movements such as #BlackLivesMatter and #MeToo, the strategy has been successfully deployed by activists to call out real harms and demand accountability.
Journalist Aja Romano notes the idea of cancelling a person, place or thing has long circulated within Black culture, and traces it to Nile Rodgers’s 1981 single “Your Love Is Cancelled”.
Writer and researcher Meredith D. Clark argues that “calling out”, which begat cancelling, is “an indigenous expressive form” of “useful anger” perfected by Black women. The practice was colourfully deployed to name individual transgressions. In its networked forms, it became a critique of systemic inequality.
It developed into a socially mediated phenomenon with origins in queer communities of colour. In the early 2010s, Black Twitter – a meta-network of culturally connected communities – made the language of being “cancelled” into an internet meme.
The term “cancel culture”, however, has become unmoored from its history and its original significations. In its clamorous current form, it has no coherent ideology: cancellations come just as steadily from the right as the left. Reframed by the dominant culture, and amplified by the media, it has come to be used as a term of approbation wielded against minorities to maintain the status quo.
In the attention economy of the 24-hour news cycle, journalists routinely extract and decontextualise rich traditions of collective resistance (or in Bourke’s case, scholarly research) to meet the demand for attention-grabbing content. In doing so, they often fail to explain why these debates should or shouldn’t be part of mainstream public discourse.
Franklin is on record as championing freedom of expression and diversity of opinion. Earlier this year, he stated an artist’s boycott of the Sydney Festival was “censorship” and that it risked silencing diverse voices and important perspectives to the “great detriment” of society.
Given free speech is a sovereign human right many liberals and conservatives claim to hold dear, attempting to cancel a reputable academic seems an awkward spot to be occupying. Bourke is a prizewinning author of 14 books and a Fellow of the British Academy. She is an expert on the history of violence in British, Irish, US and Australian societies. Her work includes histories of rape, fear and killing. Her most recent book, Loving Animals: On Bestiality, Zoophilia and Post-Human Love (2020), has been widely reviewed in scholarly journals.
How is it that the most ardent defenders of free speech and diversity are often the same people who seek to silence those with whom they do not happen to agree, without a sound knowledge of the ideas on which they are passing judgement?
Let’s be clear. Platitudes about freedom of expression, in the contexts we are discussing, are not about the abstract principle of free speech as such. They are about the greyer areas of where we draw the boundaries. What kind of discourse and actions are considered acceptable? Which are morally out of bounds? And, crucially, who gets to decide?
All societies place some limits on the exercise of speech, because it always takes place in a context of competing values. And in the case of cancel culture, this exercise of free speech is mediated by commercially owned social media platforms such as Twitter – the main arena of cancel culture – which, while free, thrives on the scandal that generates profit.
In this respect, it is useful to remember that the kinds of speech and actions that society deems acceptable are historically contingent and an effect of power relations.
Societies evolve; norms change; attitudes progress; the boundaries of moral acceptability are redrawn over time. It is also in the nature of linguistic meaning to be fluid and provisional, not fixed or rigid. As Judith Butler explains in Excitable Speech: A Politics of the Performative (1996), speech acts are constrained by a larger set of discursive rules. Those rules are negotiable. In this sense there is, strictly speaking, no such thing as free speech, in the sense of unlimited and decontextualised speech.
An idea deeply embedded in liberal democracies is that people are equally empowered to engage in debate and freely express their ideas. But is this really so? The public sphere is a fractured space of competing elites. Idealistic visions of equal access fail to acknowledge disparities of knowledge and resources between social elites and disempowered groups.
Right-wing politicians and commentators have claimed in recent years that a progressive cancel culture has silenced alternative perspectives and stifled robust intellectual debate. The pejorative label “cancel culture” has been misappropriated to discredit social justice movements like #BlackLivesMatter and #MeToo.
The question that remains to be answered is why, even as pundits condemn cancel culture as the mob running amok, the injustices and systemic inequalities that cancelling strategies evolved to name remain largely in place. The example of Franklin and Bourke suggests hypocritical censoriousness remains part of the dominant political culture.
Understanding the genealogy of “cancel culture”, and how its language has been reframed and mobilised, may help us see such moral condemnations for what they really are: a reactive rearguard reflex by those in power, who are no longer congruent with the progressive liberal culture that dominates a fractured public sphere.
Jennifer Ann McDonell does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
As statewide primaries continue through the summer, many Americans are beginning to think about which candidates they will support in the 2022 general election.
Voters must navigate angry, emotion-laden conversations about politics when trying to sort out whom to vote for. Americans are more likely than ever to view politics in moral terms, meaning their political conversations sometimes feel like epic battles between good and evil.
But political conversations are also shaped by, obviously, what Americans know – and, less obviously, what they think they know – about politics.
In recent research, I studied how Americans’ perceptions of their own political knowledge shape their political attitudes. My results show that many Americans think they know much more about politics than they really do.
Voters arrive to cast their primary ballots at a polling place on Aug. 9, 2022, in Oconomowoc, Wisconsin.
Scott Olson/Getty Images
Knowledge deficit, confidence surplus
Over the past five years, I have studied the phenomenon of what I call “political overconfidence.” My work, in tandem with other researchers’ studies, reveals the ways it thwarts democratic politics.
Political overconfidence can make people more defensive of factually wrong beliefs about politics. It also causes Americans to underestimate the political skill of their peers. And those who believe themselves to be political experts often dismiss the guidance of real experts.
Political overconfidence also interacts with political partisanship, making partisans less willing to listen to peers across the aisle.
The result is a breakdown in the ability to learn from one another about political issues and events.
A ‘reality check’ experiment
In my most recent study on the subject, I tried to find out what would happen when politically overconfident people found out they were mistaken about political facts.
To do this, I recruited a sample of Americans to participate in a survey experiment via the Lucid recruitment platform. In the experiment, some respondents were shown a series of statements that taught them to avoid common political falsehoods. For instance, one statement explained that while many people believe that Social Security will soon run out of money, the reality is less dire than it seems.
My hypothesis was that most people would learn from the statements, and become more wary of repeating common political falsehoods. However, as I have found in my previous studies, a problem quickly emerged.
The problem
First, I asked respondents a series of basic questions about American politics. This quiz included topics like which party controls the House of Representatives – the Democrats – and who the current Secretary of Energy is – Jennifer Granholm. Then, I asked them how well they thought they did on the quiz.
Many respondents who believed they were top performers were actually among those who scored the worst. Much akin to the results of a famous study by Dunning and Kruger, the poorest performers did not generally realize that they lagged behind their peers.
Of the 1,209 people who participated, around 70% were overconfident about their knowledge of politics. But this basic pattern was not the most worrying part of the results.
The overconfident respondents failed to change their attitudes in response to my warnings about political falsehoods. My investigation showed that they did read the statements, and could report details about what they said. But their attitudes toward falsehoods remained inflexible, likely because they – wrongly – considered themselves political experts.
But if I could make overconfident respondents more humble, would they actually take my warnings about political falsehoods to heart?
Poor self-assessment
My experiment sought to examine what happens when overconfident people are told their political knowledge is lacking. To do this, I randomly assigned respondents to receive one of three experimental treatments after taking the political knowledge quiz. These were as follows:
Respondents received statements teaching them to avoid political falsehoods.
Respondents did not receive the statements.
Respondents received both the statements and a “reality check” treatment. The reality check showed how respondents fared on the political quiz they took at the beginning of the survey. Along with their raw score, the report showed how respondents ranked among 1,000 of their peers.
For example, respondents who thought they had aced the quiz might have learned that they got one out of five questions right, and that they scored worse than 82% of their peers. For many overconfident respondents, this “reality check” treatment brought them down to earth. They reported much less overconfidence on average when I followed up with them.
Finally, I asked all the respondents in the study to report their levels of skepticism toward five statements. These statements are all common political falsehoods. One statement, for example, asserted that violent crime had risen over the prior decade – it hadn’t. Another claimed the U.S. spent 18% of the federal budget on foreign aid – the real number was less than 1%.
I expected most respondents who had received my cautionary statements to become more skeptical of these misinformed statements. On average, they did. But did overconfident respondents learn this lesson too?
Those who believe themselves to be political experts often dismiss the guidance of real experts.
IvelinRadkov/iStock/Getty Images
Reality check: Mission accomplished
The results of the study showed that overconfident respondents began to take political falsehoods seriously only if they had experienced my “reality check” treatment first.
While overconfident respondents in other conditions showed no reaction, the humbling nature of the “reality check,” when they realized how wrong they had been, led overconfident participants in that condition to revise their beliefs. They increased their skepticism of political falsehoods by a statistically significant margin.
Overall, this “reality check” experiment was a success. But it reveals that outside of the experiment, political overconfidence stands in the way of many Americans’ ability to accurately perceive political reality.
The problem of political overconfidence
What, if anything, can be done about the widespread phenomenon of political overconfidence?
While my research cannot determine whether political overconfidence is increasing over time, it makes intuitive sense that this problem would be growing in importance in an era of online political discourse. In the online realm, it is often difficult to appraise the credibility of anonymous users. This means that false claims are easily spread by uninformed people who merely sound confident.
To combat this problem, social media companies and opinion leaders could seek ways to promote discourse that emphasizes humility and self-correction. Because confident, mistaken self-expression can easily drown out more credible voices in the online realm, social media apps could consider promoting humility by reminding posters to reconsider the “stance,” or assertiveness, of their posts.
While this may seem far-fetched, recent developments show that small nudges can lead to powerful shifts in social media users’ online behavior.
For example, Twitter’s recent inclusion of a pop-up message that asks would-be posters of news articles to “read before tweeting” caused users to rethink their willingness to share potentially misleading content.
A gentle reminder to avoid posting bold claims without evidence is just one possible way that social media companies could encourage good online behavior. With another election season soon upon us, such a corrective is urgently needed.
Ian Anson does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
There, we noticed several patterns. The majority of cases were self-represented, a plurality of them involved photographic/visual works, and most dealt with infringements that were ongoing.
However, one pattern stood out from the rest. Though several cases featured large companies as prospective respondents, all the claimants were either small-to-medium sized companies or individuals.
So while names like, including Disney, Turner Broadcasting and Warner Chappell Music, etc. appeared in the respondent column, none appeared as a claimant.
That is, until August 24. That was the date that Paramount Pictures became the first large media company to file a claim with the CCB. However, their target wasn’t a suspected pirate of their movies, but an organization that specializes in pop up restaurants.
It’s an interesting case and one that highlights the potential ways the CCB can be used by not just smaller organizations, but the bigger ones as well.
Understanding the Case
Paramount filed the case against a company named JMC Pop Ups LLC (JMC). According to the claim, JMC infringed on two of their films, the 1988 film Coming to America and its 2021 sequel Coming 2 America.
Both films feature a restaurant named McDowell’s, a knock-off of McDonald’s that the film’s protagonists get a job at in order to be closer to the film’s romantic interest.
According to the filing, in February 2021, as the second film was preparing to be released, JMC announced that it would host a “McDowell’s” themed pop up in April. However, before the event happened, Paramount learned of the event and sent a cease and desist letter to JMC requesting that they cease the event.
Initially, JMC responded saying that they were within their rights to host the event, but later said that they were seeking to accommodate Paramount’s requests. The two sides went back and forth, but Paramount said that there was no legitimate way for the event to go on.
Nonetheless, JMC hosted their event between April 16-25, 2021. The restaurant not only featured the McDowell’s name but, according to Paramount, featured other elements such as identical product names, similar menus and even promised to bring to life both characters and sets from the first film.
However, no action was taken after the first pop-up and, in February 2022, JMC began promoting a second event, starting with a series of Facebook posts. Paramount says that they became aware of this event in April 2022 and a similar exchange took place, with Paramount once again saying that they were not interested in the event moving forward.
That second event was held May 20 – June 5, 2022, in Virginia and featured many of the same issues as the first one.
This resulted in Paramount filling the case with the CCB, where they are seeking damages, either statutory or actual damages up to $30,000, as well as attorneys’ fees.
(Note: Attorneys’ fees can only be claimed in CCB cases where one side acted in bad faith)
But, while the facts of the case may not be particularly interesting, this has the potential to be one of the most important copyright cases in some time, in particular one of the most important for the CCB.
Why This Case is Important
The case is important for one simple reason: It easily could have been a “normal” copyright infringement case.
Paramount has no issues with filing a full copyright infringement lawsuit. They do so semi-regularly. When you factor in that the damages are capped at $30,000 and there are issues involved in this case that the CCB can’t even hear, in particular potential questions of trademark, the decision to file with the CCB is an interesting one.
To make matters worse for Paramount, the CCB is almost completely untested. The board has handed down no verdicts yet as none of the cases have been completed. Also, respondents have the option of opting out, which would force Paramount to file with a federal court if they wanted to continue pursuing this case.
Right now, no one knows why Paramount made this choice. However, there are several possible reasons.
First, they might not feel that there’s a reasonable chance of collecting damages beyond the $30,000 cap. This could be because the damages themselves may not be higher than that, or they don’t think JMC is capable of paying more than that. Either way, $30,000 is likely not enough to justify a copyright infringement case in federal court.
If that’s the case, then it makes sense to roll the dice on a much less expensive and more streamlined system, even if the damages are capped.
Second, they may be concerned that their case isn’t as strong as it seems at first blush. Heather Antoine analyzed the case for Forbes, and she described the claims as “shaky.”
The reason for that is McDowell’s was, itself, a parody of McDonald’s, and she argues that the JMC pop-ups are much in the same spirit of parody. She hypothesized that McDonald’s may actually have the stronger claim in this case.
This, in turn, raises questions of fair use and those types of cases are often long, drawn out, expensive and difficult to predict. In short, fair use is largely subjective and there is a great deal of uncertainty when heading into such a case.
If Paramount does see the case as risky, once again, it makes sense to go the CCB. Even if damages are limited, you avoid a long and expensive legal battle with an uncertain outcome.
Admittedly, this is all pure speculation. No one outside of Paramount and their lawyers know why they chose this route. However, it could still be an indicator of what is to come.
Bottom Line
The CCB was designed to give small creators and rightsholders a new tool to protect their copyright. Everything about the system, from the low costs, the lack of a need for lawyers and the streamlined presentation of evidence, was designed to make it more accessible to individuals and small businesses.
However, even large companies face situations where filing a full lawsuit doesn’t make sense. Paramount clearly feels that this is one of those cases.
However, as of right now, the CCB is still very untested. We don’t know how many respondents are going to opt out, we have no indication on how the board itself will rule, what kinds of damages it will award and so forth.
These things will become clear over time, but we are still very early in the CCB process, and the claimants in all the 138 cases that have been filed are taking a risk.
Luckily, the CCB makes it so that risk level is fairly low. But until we hear more from both the respondents and the board itself, no one really knows what is likely to happen with these cases.
I mean, I can appreciate a carpet of grass from an aesthetic perspective, but only because I find its unnatural smoothness and homogeneity both pleasing and unsettling. If the Uncanny Valley has plants, they are all putting green grass.
When we purchased this place, we also become responsible for several thousand square feet of lawn. I should probably put lawn in scare quotes, because it’s less “lawn” than it is an amalgamation of grasses and weeds that look just enough like grass from a distance. The “Hello, fellow kids” of grass, if you will.
Grass is also a major drain on the local environment here. While its vital to areas like the African savannah, keeping it lawn-perfect requires too much water, fertilizer, pesticide, and either gas or electricity to mow. I say “too much,” because grass gives virtually nothing back when it’s confined to a postage-stamp of lawn. You can’t eat it, it’s too short to weave into anything useful, and mown grass is too tiny and insubstantial to make decent fuel. Lawns aren’t even good at feeding wildlife. If grass were allowed to go to seed, it could feed birds, but maintaining a lawn means cutting it short long it before it gets to that point. All lawns do is take, take, take. In a place where droughts are likely to become both more severe and commonplace, and habitat loss drives away native species, lawns can suck it.
Shown: The only useful purpose for a lawn.
Besides, all grass lawns are are socio-economic symbols. The ability to use a property for aesthetics and leisure alone signifies a certain level of economic security, which, back in History Times, was pretty much a form of rich people gloating. Turning the land around your fancy estate into an immaculate green carpet meant that everyone could see and marvel at your fancy estate. Having a grass lawn around your house, as a concept, is pretty new.
“But j,” you might be saying, “Flowers are grown for aesthetics, too!” This is true, but not entirely. Flowers are pretty, but they also feed pollinators. Grass is wind-pollinated, so it barely even feeds bugs. Flowers are also often the precursor to edible fruit. Even roses fruit, and they’re good for you!
I have a patch of soil at my disposal, so it feels more responsible to use it for the production of either food (if not for humans, than for wildlife) or native habitat. I don’t have a homeowner’s association, so nobody can tell me what to do with the dirt and I am free to create the habitat my wretched little goblin heart desires.
I also have very specific feelings regarding the stewardship of a yard. It’s land that was taken, carved into a suburb, had all of the native flora scrubbed off of it, and made to grow a boring, repetitive lawn. It just feels more respectful to the people, plants, and animals who once called it home to turn it back into something… I don’t know. More nourishing. Less sterile. More diverse. Abundant. Comfier. Sustainable, and sustaining in turn. Even if I live here until I die, this place will outlast me. I gotta do right by it.
I’m fortunate that not everything here is grass, though. On the margins of the property, you can see where the people who lived here before made a mark. There’s a rose bush, rue, a potted sedum, crape myrtle, and azaleas. Tucked away, there are some blueberries, an apple tree, a young persimmon, and a red maple. Like islands in squares of lawn, there are two tiny, tiny Japanese maples.
All of this is to explain why most of my front yard is currently a black tarp. Even if we’d needed to have a grass lawn for some reason, the front yard is about 50% actual grass, and 50% other kinds of plants (mostly invasives) that just kind of moved in when the intense light and heat killed off patches of the grass. Doing anything useful with the grassy areas pretty much involves going scorched earth — literally.
This is the gardening equivalent of having a rusted-out truck up on blocks in your driveway.
I spent a lot of time researching different ways to get rid of — and subsequently replace — an entire lawn, and this is the solution that seemed to be the best for our situation. A black tarp, when placed over closely cropped grass, captures a lot of heat. This, coupled with the deprivation of moisture and sunlight, kills the plants under it. They break down over a period of weeks, and you get a nice, nutritious patch of soil for growing better plants on. Right now, the plan is to replace everything with a mixture of sun-loving local groundcovers and plants that can pull double-duty as ornamentals and sources of food — Passiflora incarnata, for example, which produces these amazingly alien-looking blooms followed by tasty fruit. I’d also like to adopt the custom of growing edible plants near front gates and fences for passers-by. Even if people don’t want them, the birds will.
The tarp thing is just one method of grass assassination (or grassassination, if you would). We’re also using the “lasagna method” in other areas, which entails mowing the grass short, covering it in layers of paper and cardboard, and smothering that in compost, mulch, and soil. The grass dies, it and the paper break down, and you’ve got the foundation for a very fancy raised bed. (So far, this method is working very well for some bee balm and elderberry plants I put down in one corner of the yard, but more on that another time.)
So, if you’ve been reading here and wondering why I haven’t been posting, it is not because I’ve been kept busy with paid writing or have abandoned society and gone on a bender in a forest. I have been battling one of my greatest foes: LAWNS.
This is for that summer you made me spend on prednisone, you little green S.O.Bs.
Anyone who has driven around Tampa has 100% caught a glimpse of the Sulphur Springs Water Tower. The structure looks like a castle built for Rapunzel and stands tall over a gorgeous park. It’s visible from the highway akin to a Disney attraction. A local group is looking to raise funds to preserve and restore parts of the tower. This is the main influence behind the always fun “River Tower Festival.” The event takes place November 12 from 2pm-10pm at 401 E Bird St.
The festival will include live music, DJ performances, arts vendors and food vendors. Gates open at 1 pm. Tickets for the event are $15 in advance and $20 at the door. We are also offering VIP tickets for $50 which include access to our covered VIP viewing area, 3 drink tickets, a River Tower Festival T-shirt, and parking within the venue.
Celebrating the the wild structure at River Tower Park
There will be a variety of local live music ranging from Rock, Americana, and Reggae. The very talented all girl teen band, Boycott, will kick us off and then other talented Tampa performers include The Resonance, Rebekah Pulley, Navin Ave, Tribal Style, Will Quinlan, and our headliner Have Gun, Will Travel. There will also be music by DJs, Chris Preston and Gabe Echazabal.
Sulphur Springs Park was an amusement park established in the early 1920’s about 7 miles north of the city on the Hillsborough River. It could be reached by trolley. The central features of the park, according to a 1924 Tampa Tribune article, were “the famous flowing spring and bathing pool; and the alligator farm with thousands of live alligators of all ages on display. Canoes were available for journeys up the beautiful Hillsborough River.
Tampa history stands tall
The Sulphur Springs Water Tower has been a part of Tamp’s history since 1927. It stands 214 feet tall and was built on top of an artesian well. It was designed by Grover Poole and commissioned by Josiah Richardson, the owner and developer of the Sulphur Springs Arcade. Richardson’s dream was to build an entertainment empire featuring a Ferris wheel, a hardwood dance floor, swimming pool and a gazebo amid the area’s Sulphur Springs. He started the Springs Hotel and Arcade, which was featured in Ripley’s “Believe it or Not” as a city under one roof. The first indoor mall housing a hotel, barber, pharmacy, etc. His dream was well on its way and near completion when Richardson realized he didn’t have the drinking water needed to supply the area.
Richardson mortgaged his property and borrowed the $180,000 needed to build the tower. Tower construction was announced in January of 1927 and took one year to complete with around the clock construction. In January of 1928 a powerful revolving searchlight was placed on the new tower with a light that had a radius of 5 miles.
In 1933 the TECO dam broke during heavy rains and destroyed much of the resort area. Richardson could no longer pay the interest on his loan and lost much of his property in foreclosure. Sulphur Springs never recovered. In 1976 the arcade was destroyed and replaced by a parking lot. The Sulphur Springs Water Tower is one of the few remaining structures from this important time of history that was so instrumental in the development of Tampa.
Sulphur Springs Water Tower through the decades
The Tower was used a water source until 1971 when the city became the main water supplier to the area. From 1952 until 1985, the 12-acre tower site became the home to the Tower Drive-In Theater. The theater was demolished in 1985 after being condemned by the city. The Tower became forgotten and taken for granted. It became a sight of graffiti and deterioration for the next decade.
In 1989 the tower was repainted in preparation to sell the property to developers. After interference by preservationists, the developer abandoned their goal of developing the property and in 2005 the City of Tampa purchased the property and installed lighting. This was the last time that the Tower received any sort of attention.
In 2019 the River Tower Festival was born in an effort to bring attention to the neglected tower and create a revenue stream for its preservation. It was the hope of the newly formed River Tower Foundation that the festival would grab the attention of the City of Tampa and bring the need to preserve this historic icon to the forefront. We were successful in 2019! Although the festival was held on a rainy and cold day, we managed to bring folks together and raise funds for the cause. The city is now working with the Foundation to make improvements with a vote going before City Council soon to budget funds for pressure washing and painting the tower.
You can learn more, and get tickets on the River Tower Festival’s website.
With a current overpopulation issue in Hillsborough’s foster care system, the abortion ban will only accelerate its issues. SPECIAL TO THE ORACLE/100DAYSINAPPALACHIA/BRYNN ANDERSON
After HB 5 went into effect July 1, concerns have come up as to whether it will have a negative effect on Tampa’s already overwhelmed and chaotic foster care system.
While Gov. Ron DeSantis’ attempts to provide reforms to help foster kids and encourage more parents to raise them, it will not be enough to remedy the disorder that already exists and mitigate further chaos that will result from the abortion ban.
As of this year, Hillsborough County was estimated to have 3,100 children in foster care, making it the county with the most in Florida, according to a Feb. 11 Tampa Bay Times article.
Hillsborough has repeatedly failed them, with reports of abuse, neglect, child endangerment and uncontainable overcrowding from its former child welfare service Eckerd Connects.
The agency, which had been tasked with providing safe homes for these children, came under criminal investigation for its maltreatment in November. In a press conference addressing the investigation, Pinellas County Sheriff Bob Gualtieri called the children’s living situation “deplorable conditions” in a Nov. 4 interview with the Tampa Bay Times.
There were reports of overcrowding, with one caseworker reported having to take care of 154 children when they are encouraged to only have no more than 17 at a time, according to the Tampa Bay Times.
Eckerd Connect’s contract with Hillsborough ended July 30 and transitioned to the new child welfare agency Family Support Services (FSS). But with so many children in the system, concerns have been brought up as to whether FSS will really be able to remediate the foster system’s long history of inadequacy.
Angela Hart, the mother of a former Eckerd Connects foster child who died of an overdose, said in an August interview with WFLA, “Everything is the same. If your service providers and case managers are still the exact same, what changed?”
Parents are worried that despite the new name for the agency, its practices will stay the same and will not be any more equipped to handle the overabundance of foster children. But in this reality of the post-Roe world, Tampa must prepare for the foster care system to get even more crowded.
Contrary to the belief that adoption will be the cure-all for abortion, over 90% of these women actually choose to raise the child themselves, according to the National Library of Medicine.
DeSantis signed SB 7034 on March 12, which gives subsidies of $200 a month to relatives and non-relatives who serve as caregivers to foster children, as well as bolstering tuition and fee-waiver programs to help prepare foster kids for state colleges.
While financially supporting education is a good step, throwing more money into an already broken system is not enough to solve the issue. It seems like DeSantis is putting a bandaid over the gaping wound that is Tampa’s rampant overpopulation in the foster care system.
Florida’s Department of Children and Families received at least 1,000 referrals about abuse in foster homes in 2020, including 800 cases of neglect and 100 cases of molestation, yet terminated only 29 caregiver’s licenses, according to studies found in USA Today.
The fact that the foster care system is continuing to place children in unsafe homes is despicable and shows the corruption of a system that is meant to protect our most vulnerable. If Florida’s system cannot find the resources to provide safe homes for children now, they are definitely not equipped to handle this issue once the overcrowding worsens as a result of HB 5.
Improper care inside foster homes and by social workers contributes to the shocking statistics, like how 25% of youth leaving foster care will be incarcerated within a few years of turning 18, according to Georgetown Law.
While HB 5 highlights the importance of adding more foster parents into the system, it is evident it is not just a quantity issue, but a quality issue. The mental and physical health of these children have been overlooked in both the agency and the foster home, and we can only imagine how the system will bear under the pressure of taking in more children.
The foster care issue is one that is pervasive on all angles, and we will not see a solution until leadership tackles it from the roots.
More attention needs to be paid as to why so many children are being separated from their parents in the first place. More mental health services must also be provided for these children in order to ensure their well-being.
While SB 7034 is important in getting the ball rolling to help foster kids, it will not be strong enough to contradict the negative effects that DeSantis has brought by banning abortion. We can only hope that Florida Support Services and DeSantis are prepared to handle this, and will work hard to overcome the long history of abuse and neglect in Tampa’s foster care system.