Shared posts

19 Jul 23:08

Riddick has never been more terrifying than in this bloody new trailer

by Rob Bricken

Holy shit. Not only is this incredibly R-rated new trailer for Riddick delightfully violent, it's also genuinely scary. It's like a blood-soaked reminder that "Hey, sure Riddick was kind of the hero of the last movie, but you might want to remember he's also an amoral killing machine who is very, very good at his job."

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19 Jul 18:45

The Great Blues Migration, 1916-1921.



The Great Blues Migration, 1916-1921.

19 Jul 16:39

The Conjuring proves horror movies don't have to be heartless dreck

by Charlie Jane Anders

The Conjuring proves horror movies don't have to be heartless dreckThe Conjuring, out today, isn't just a strong contender for scariest movie of the year — it's also a surprisingly sweet, even dorky story about a husband-and-wife team of paranormal investigators, and how their love saves them. It's a great antidote to your standard dehumanizing horror movie.

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19 Jul 13:28

The New Shadowrun Is Just Around the Corner. So Here's A Trailer!

by András Neltz

Time for one last glance at Shadowrun Returns before its long-awaited release next week. On July 25, Jordan Weisman's $1.8 millioncyberpunk RPG will finally hit the shelves, ready to immerse us in the grim universe of Shadowrun once again. I'm thinking a mage for my first playthrough. What about you?

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18 Jul 17:28

20 Great Insults from Science Fiction and Fantasy Books

by Charlie Jane Anders

20 Great Insults from Science Fiction and Fantasy Books

Suppose you really need to put people in their place? Consult the great works of science fiction and fantasy! You need a lot of imagination to concoct a truly bracing put-down, so it's probably not surprising that speculative fiction writers cook up the best burns. Here are 20 great insults from SF and fantasy novels.

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18 Jul 15:46

How will humans cope with boredom on their first missions to Mars?

by Robert T. Gonzalez
Jmical

By planning to build a perfect anarchist society, duh.

(Seriously, go read Red Mars, it's awesome.)

How will humans cope with boredom on their first missions to Mars?

A human mission to Mars will last more than 8 months, each way. Ship quarters will be sardine-esque. Communications will be laggy and intermittent. And, despite the thrilling nature of the larger mission, astronauts en route to the Red Planet will likely struggle with psyche-crushing boredom. So how might an astronaut occupy her time on such a venture?

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18 Jul 15:25

The Birds: Stand

by Robin D. Laws
17 Jul 22:25

The Bizarrely Beautiful World of Relics in Catholic History

by Vincze Miklós

The Bizarrely Beautiful World of Relics in Catholic History

One of the more controversial aspects of the Catholic religion is its history of preserving "relics," or pieces taken from the bodies of saints. Here are some of the most unusual examples of these macabre objects of veneration.

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17 Jul 17:18

‘Vampire Grave’ Discovered at Polish Construction Site

by George Dvorsky

‘Vampire Grave’ Discovered at Polish Construction Site

Archaeologists in Poland believe they have found a vampire grave near the town of Gilwice in southern Poland. The skeletons were found with their heads removed and placed between their legs — a ritualistic practice designed to keep the dead from rising up.

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17 Jul 16:57

Beyond the Mountains of Bigotry

by Jeff_Grubb
Here’s my problem.


I like the stories. I really want to see the movie. But the original writer of the stories is a stone-cold bigot, and I detest many of the ideas he endorses and espouses.


Oddly, I am not talking about Orson Card Scott and Ender’s Game. I am talking about HPLovecraft and the oft-proposed Mountains of Madness.


[OK, talking about OSC for a moment. I never read Ender’s Game – it came out in the mid-80s, when I was busy with a lot of other stuff, and I never caught the wave. I did read some of his Worthing Sagafrom the 70s and found that its central conceit (skipping through time by recorded memory) to be interesting but the delivery to be heavy-handed in its moralizing. That’s about it for me.]


Back to Lovecraft. I enjoy the sense of despair he evokes with an uncaring universe, his “Cosmicism” – that not only we are not the center of the universe; we don’t even matter to it. I also love his “Yog-Sothery” – his created world of strange gods that he hangs on his best tales, a universe which has expanded through other creatives into a greater creation – one of the first modern shared worlds.


But let’s face it – the man was a racist. Not just a creature of his times. Not a youthful indiscretion. Not just viewed with a modern lens. Not just misinformed. A barking mad racist. To him, pretty much all peoples who are not rock-ribbed white New Englanders were inferior, and the less you resembled Lovecraft, the worse you looked to him. His dark mutterings of subhumans and mongrel races permeates his text, and once he gets rolling, his is a most odious and repellent form of bigotry.


I like the man’s work (the parts where he not being barking mad), and I deeply love what he created, but to be honest, after five minutes in his presence, I would likely come across the table at him. He is petty and venal and a bigot.


And others have had to deal with this bigotry on a deeper level than I – talented writers of color who have been recognized for their work by awards with the Noted Racist’s head on it. The stalwart representative of Weird Tales, of that curious creation that is American Fantasy as a separate entity from its European forebears, is a poster boy for intolerance. What can be done?


Ignoring it is a mistake, a white-washing of the past, a denialism that does nothing for confronting the racism of its age and its metamorphed descendants in the present. Bowdlerizing his more offensive statements and pushing them to the back of the closest is dishonest to both him and ourselves. But how to accommodate the talent of the work with the failings of the author?


I think we simply say no. We tell him that this is not yours anymore.


This comes to me via the Call of Cthulhu RPG, where I have told numerous stories set in the Lovecraftian universe, a universe of the '20s, when overt racism (sexism, and any number of other isms) was more acceptable. So I have run adventures that have a strong racial or gender or nationalist component. Which means I and my players can choose what we want to talk about regarding those matters in the adventures.


[Indeed, this is something that CoC, with its limited Player Character empowerment and its deadly combat system does well. In CoC, you CAN bully the character around with hostile NPCs or a hateful universe. In D&D, you can have an Elf Warrior being refused service in a tavern, but if the Elf is 14th level, the tavern will likely not last long].


Many years ago, I ran the Beyond the Mountains of Madness campaign from Chaosium, a huge and recommended campaign that is a sequel to the story by Lovecraft. And one player wanted to run and African-American polar explorer.


OK, how to handle it? Saying no didn't work for me – there is a history of African American Arctic Explorers, and besides, player agency, the ability to do as they see fit within the parameters of the story, is part of the game. Instead I did the research and tried to treat the character accurately, but without frustrating the hell out of the player (it is a game, and he is a protagonist).


As a result, the institutional racism of the time kept hitting him with a thousand small cuts and the occasional two-by-four to the forehead, particularly in the “civilized” world. When the funders of the expedition first meet him, they are taken aback by his presence. Indeed, his character is interviewed last, left in the waiting room while the rest of the team gets the story pitch. One of the leaders of the expedition was an obvious racist, and barely concealed his disdain.  In NYC, the character is asked to used the service entrance, is initially denied access to the expedition’s hotel, and suffers from suspicion and latent hostility.


And when they get clear of New York, when the expedition heads south, that drops away, as the coherence of the team overwhelms the societal roles. I was actually pretty happy with the result (though in the adventure, they later meet Nazis (spoilers) and while I wanted to include an overly earnest German officer who “Really, really admires your Jesse Owens”, I never had the chance).  The comparison between the mores of larger society and the smaller expedition was marked. It was a good story, remained true to the era, and none of the challenges were squamous or tentacled.


In this I and the players have taken it all away from Lovecraft. We have said. “No. This is not solely yours anymore. We recognize your creation, but all like creations, it has gone beyond you.”


This should not be a surprise, I suppose. Creations, once they leave their originators, often evolve into new forms, forms that those originators would hardly recognize. Moving to a new media, be it games or movies, changes the substance of  the creation, and allows reinvention, for better or for worse.  O course, this is based on the assumption that the movie will be an exact representation of the book and the author’s original intentions. I mean, hasn't every new media adaption treated the works of, say, Frank Herbert (the David Lynch version of Dune), Ursula K. LeGuin (the Syfy Earthsea) or Alan Moore (just about everything) with respect and an eye towards the author's original intent? No. It is beyond the original creator when it gets to that stage.


And it is more than just a corporate control issue. Look at Star Wars. Lucas may have controlled the IP for many years, and his original three movies hold a deep place in the hearts of many of us, but his return to the universe for three more films elicited strong pushback from the very people who embraced his earlier work so dearly. The fans, in effect said “No. This is not yours anymore. Not yours alone.”


I think that is where I stand on Lovecraft. I want to haul out into the light of day his inherent and detestable racism, and to take this creation from him and make anew. Let us not sugar coat it. Let us take the ideas and press forward. The author, the artist, the original creator controls his or her vision, but as that vision passes through others (particularly in a large operation as a motion picture, or a shared universe as created with other creatives, or in RPGs), then the provenance is both weakened and broadened. It becomes part and parcel of our larger universe.


In effect, the same process that allowed OSC to re-imagine Hamlet as a hateful homophobic screed in turn allows others to influence, develop, and evolve his work. And will be the same process that will turn At the Mountains of Madness: The Movie, should it ever happen, into something that reflects other sensibilities than those of the author.


And I think I will go see that movie. And I will leave poor Howard, impoverished and barking mad, at the door, letting him howl and moon and wet himself publicly in whatever afterlife that would admit him. Let him rage against the presumption of those who work to get beyond his odious attitudes. I’m good with that.



More later, 

17 Jul 16:00

Hubble Snaps Breathtaking New Picture of ISON, “Comet of the Century"

by Robert T. Gonzalez

Hubble Snaps Breathtaking New Picture of ISON, “Comet of the Century"

When Comet ISON's trajectory brings it scorchingly close to the Sun later this year, astronomers believe it could emerge from its close encounter as one of the brightest cometsever seen from Earth. Now, Hubble has captured a stunning image of the approaching ice-ball in flight, against a backdrop bursting with nearby stars and distant galaxies.

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17 Jul 13:52

Social Media

The social media reaction to this asteroid announcement has been sharply negative. Care to respond?
16 Jul 16:58

Adorable Calvin And Hobbes documentary scores a distribution deal

by Meredith Woerner

Bill Watterson's enchanting 10-year run on Calvin and Hobbes is the high-water mark of comics. And now the Kickstarter-based documentary Dear Mr. Watterson, which centers around the creation and influence of this masterpiece of childlike wonder, is coming to your television screen.

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16 Jul 16:57

The Avengers can take on dungeons and dragons in this awesome fan art

by Rob Bricken

The Avengers can take on dungeons and dragons in this awesome fan art

Do Avengers LARP? I doubt it — probably because they're busy saving the world, although trying to explain the rules to Cap also sounds like a chore — but if they did, they'd do well to pick costumes based on DeviantArtist TheDurrian's amazing high fantasy versions of Earth's Mightiest Heroes. Check 'em out!

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16 Jul 16:05

Episode 910: Bend it Like Starkiller

Episode 910: Bend it Like Starkiller

If a player messes up a crucial die roll that will change the entire outcome of the adventure for the worse, you can always give them a chance to recover the situation. Just come up with some plausible reason why they might be able to modify what they've done in time for it to make a difference.

It doesn't even have to be all that plausible. The players will go for it.

Actually, 90% of the time they'll be all too happy to come up with the excuses for you. All you need to do is listen to them try to justify why their cockamamie ideas might conceivably work if you tilt your head sideways and squint at them for long enough. Then pick whichever sounds the least ridiculously unlikely and ask for another die roll.

(You don't have to do this, of course, if you'd rather the real drama and tension of the adventure literally hanging on the outcome of one die roll. Which is also a valid approach in some circumstances.)

16 Jul 16:04

Hubble has spotted a previously undiscovered moon orbiting Neptune

by Robert T. Gonzalez

Hubble has spotted a previously undiscovered moon orbiting Neptune

It's been a decade since astronomers last spied a moon orbiting Neptune. Now, the Hubble Space Telescope has spotted a new satellite circling our solar system's most far-flung planet.

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15 Jul 22:57

Why, Yes—Redhook and Hilliard's Made a Beer Celebrating Legalized Marijuana

Insert "spark it up" joke here. Photo via Redhook and Hilliard's.

First there was a lot of talk about fancy pot brownies. Then marijuana-fed pork. Now Redhook and Hilliard’s have come together to announce a something so oddball that I felt compelled to send multiple confirmations that this wasn’t a way belated April Fool’s (or April 20th?) joke. 

Redhook, as you may know, began in Ballard in 1981, in the very same neighborhood currently experiencing quite the brewery boom

Sooo…the two breweries joined forces to create a collaboration beer that celebrates Washington’s new status as weed-legal state. It’s called Joint Effort (of course it is) and is brewed with hemp seeds, as well as lots of hops, specifically the Zeus, Cascade, and Summit varieties. The breweries say the hemp imparts a nutty, earthy flavor. And yes, the suggested pairing is munchies. The tagline: "A dubious collaboration between two buds."

Hemp beers have been around for a while, but what makes this one a bit more notable is the unapologetically bong-shaped tap handle. Which you might see dispensing Joint Effort on draft around town starting this week. Look for 22-ounce bottles this fall. Hilliard's partner Adam Merkl says the brewery might eventually release it in cans, too.

Try it at the official release party this Saturday, July 20, at Hilliard’s, starting at 4pm. The bong taps will be on sale for $42 apiece (You could convert it to a gearshift and pray you never get pulled over) and there’s talk of live music and pot pies to snack on as well.

And, do I really need to say this? This beer will not get you high; the beer was tested to confirm there's no THC. And at a sessionable 5.6 percent ABV, you can even throw back a few before legitimate drunkenness kicks in.

 

For more on Seattle bars and booze, sign up for Seattle Met’s weekly newsletter Nosh Pit News, subscribe to our RSS Feed, follow us on Twitter @SeattleMet, and visit our Seattle Bars & Nightlife page.

 

15 Jul 22:09

Three Rules for Parenting the Adult Teen

by David Stanley

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Respect and temperance are key in maintaining a good relationship with your adult teenaged child

Throughout my working life, I have coached and taught teens. I have coached soccer, at the high school and elite club level since 1990. I have taught high school since 1999. I found that the marginalized high school kids and I so bonded and resonated with each other that my colleagues used to say that I ran “Stanley’s Lost Boys Club.” In working with the jocks and the misfits, I have developed three rules.

  • Teen Rule #1 – Do Not Engage. Teens know how to push buttons. Even if they don’t know they know it, they know it. Do not join in. The louder and more agitated they get, the calmer and quieter you must get it. The more egotistical the teen’s conversation gets, the less focused on your “power base” you must become. Leave Your Ego in the Other Room.
  • Teen Rule #2 – Stay Focused. Teens are exceptionally good at ‘divide & conquer.” If you are the sort of guy who has a laser-sharp, task-oriented focus, your teen is the attentional equivalent of the laser light show at a Rush concert.
  • Teen Rule #3 – Know When to Desist. Being a teen sucks. Being an adult teen seems to suck even more. Remember that. Know when to walk away and leave the kid some dignity. As you walk away, you know the odds are good the kid is either flipping you off or cursing you under his breath. Who cares? Are you creating self-efficacy or instilling fear?

Managing adults, I found nearly every situation could be handled with one rule.

  • Adult Rule #1: How Can I Help You be Successful?  Everything about business management comes down to you, the manager, asking this question of your staff.

When you spend the majority of your interactions with your adult teenager in the Adult Rule #1 sector, the two of you have done some good work. You didn’t get there by accident. Like a marriage, working with the Adult Teen requires work and self-awareness. You, Dad, must have the willingness to relax your grip. Trust that you did a good job of instilling solid values, a good work ethic, a sense of morality in your teenager. Your adult teen must have the willingness and courage to relax the grip on adolescence and move into an adult role. He must also trust you – trust that your skills as a parent are solid enough so that when it’s time to launch, orbital velocity will be reached.

You get there together. Pat yourselves on the back. Hug it out.

—photo by pupismyname/Flickr

14 Jul 23:48

View of McMurdo Station from above



View of McMurdo Station from above

14 Jul 23:47

The Zimmerman Verdict: The Message to Our Sons

by Marie Roker-Jones

Screen Shot 2013-07-14 at 9.08.42 AM

Marie Roker-Jones wonders how we explain to our sons that Stand Your Ground Law gives an adult the right to kill a teen boy?

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My son told me the verdict in the Zimmerman trial. Three simple words: “Mom, not guilty”.  My 15 year old who has been watching this trial from the beginning. At first I tried to register if he was joking just to see my reaction. As I turned on the news, I stood quietly for such a long time, he had to ask me if I was ok.

Painting by*S-Daniels

My first thought was, “Are you ok?” I was shocked, disappointed and slowly became outraged. Until I looked at my son and realized that this wasn’t about me. It was about the countless “Trayvon Martins” who have died because of gun violence.

Let’s be honest, most of these deaths were black on black crimes and the growing crime rate in Chicago sheds light on the fragility of the life of young black males. As the mom of two boys: a teen and a toddler, I have a visual daily reminder of the developmental stages of black boys.  While most adults coo and play with my toddler, they’re apprehensive about my 5’10 teen son.  I look at my son through society’s eyes, I wonder if he will be approached by the NYPD for Stop and Frisk?  At what point will women clutch their handbags and men shift uncomfortably when he steps on an elevator? At what point will he start thinking less about his comfort level and more about making others feel safe around him?

Jonathan Lethem asks in his book, The Fortress of Solitude, “What age is a black boy when he learns that he is scary?” Last night the bigger question became, “What age is a black boy when he learns the value of his life?” My son learned the answer to this question at 15 years old.  When I asked him what he thought and felt about the verdict, he simply responded “I’m shocked”.  As an adult, I was barely able to process the information, so I knew that he was still trying to make sense of it all.  He summed up his thoughts in a simple Facebook post: “I guess Florida doesn’t care about the life of teenagers”.

His post made me look at the verdict through his eyes. He wasn’t thinking about the complexities of the judicial system or why the jury acquitted George Zimmerman.  He was thinking about the value of his life. I thought about how Zimmerman’s defense attorneys gloated about their victory as if they’ve just won an NBA Championship. There was little remorse or respect for the life of Trayvon Martin.

Children are polarized thinkers until they become teenagers. At this point, the world is no longer black and white, so they start to question the areas of gray that don’t make sense to them.  They start to question the integrity, intelligence and common sense of adults.  How can we tell them to be fair and to think before you act, when we are guilty of doing these things.

How do we explain to them that Stand Your Ground Law gives an adult the right to kill a teen boy? How can we tell them that they are the future but we do little to protect that future?

 

Originally appeared at Raising Great Men

 

Image of painting courtesy of Raising Great Men

14 Jul 14:16

PDF4Kindle Converts PDF Files to Native Kindle Books

by Shep McAllister

PDF4Kindle Converts PDF Files to Native Kindle Books

I love reading on my Kindle, but the screen is just too small and blurry to be useful for PDF files. While it's lacking in customizability, PDF4Kindle solves this problem pretty well by converting PDF files into Amazon's native .mobi format, all while being completely web-based.

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12 Jul 19:23

Pacific Rim and Star Wars

by Jeff_Grubb
The gang at the office went out yesterday for an early viewing of the Guillermo del Toro movie Pacific Rim. I liked it a lot, and it reminded me of the original Star Wars from back in 1977.

OK, bear with me. I know a lot of you weren't even alive in 1977, and the thirty-five years since deposited an accretion of sequels, prequels, expanded universes, tech manuals, and a holiday-special-no-one-may-speak of on the film that obscures the heart of the franchise. But watching Pacific Rim, I got that smiling-despite-myself vibe of something new and exciting, and being there at the near-start.

Back in 1977, Star Wars was not expected to do much. The studio had banked on a much more traditional movie, a film with Jackie Gleason called Mr. Billion, to carry it through the summer, and Star Wars was a genre film, a space opera, that Sci-Fi stuff. There were radio ads, and Time Magazine ran an article talking about the special effects (because that was the only reason to go to a Sci-Fi picture), but there were no great expectations, and the film opened in all of 32 cinemas. In Pittsburgh, it was way the heck out in Monroeville in one of those new-fangled multiplexes.

Yeah, I couldn't resist
There are similarities and differences between the environments that the two films emerged into. Feuding between the distributors for Pacific Rim has resulted in leaked predictions of a horrible opening weekend. But to those paying attention, the trailers had a sense of wonder that hit an particular audience. And in this Internet world, those relinked, passed-along, peer-to-peer recommendations carry weight.

[As an aside, I first heard about Star Wars at the Pizza Keg in Purdue, where another member of the SCA, John M. Ford, was talking about this new SF movie that was coming out, where the BAD guys wear white space armor.]

The comparisons between the two films go deeper. Pacific Rim, like the original Star Wars, is a very straight-forward story. Very much the hero's journey. Luke Skywalker and Raleigh Becket are cousins. Here are the fun droids, and over here are the whacky scientists, one of which evokes C3P0 in his fussy mannerisms. Here's the hot-shot pilot with the funky name - am I talking about Han Solo or Hercules Hansen?  Princess Leia and Mako Mori both had their worlds destroyed, and yeah, you could see Carrie Fisher in a jaeger. Gipsy Danger, meet Millenium Falcon. The characters are not deep, but have that feeling that there is more to them than what we are being shown.

Ditto the universe. Original Star Wars did not name the aliens in the cantina - that would come later with the lateral development in the West End game. The kaiju are no more the stars of this film than the Death Star. The center of the film is with the humans, not their tools. Yeah, we have the desktop backdrops of the jaegers and the monster posters and someone HAS to have the RPG rights (or maybe not - they didn't think of that for Star Wars), so all the filling-in of the universe is already engaged. And it is all set dressing, assuring us there is a world behind this movie. But for right now, before the universe expands, we are standing at the first few moments of creation.

There is more than enough room for criticism and analysis, and it will come. It paces through a three-act structure - Act 1 (Chase the Hero up a tree) resolves before the opening credits, Act 2 (Throw rocks at him) is the bulk of the picture, and Act 3 (Get him down) kicks in with a St. Crispin's Day speech. This film fails the Bechdel test spectacularly. Mori demonstrates her fighting prowess early, but Becket has to fight for her honor. Threatening Hong Kong is aimed at the Chinese market, echoing such other films like Looper. Despite the diverse population of pilots, this ends up an American show. Plot holes will yawn wide over time with continual examination.  And I probably am already late to party comparing kaiju to terrorist attacks. But that is yet in the future - for the moment it is shiny and new and as yet unspoiled.

I think that's what made me smile. It was an original thing, a new universe. Yeah, I can see all the antecedents in Godzilla films and anime (and really, Ron Perlman is pretty much an anime character to start with). It is a beautifully-shot film that misses all the visual chaff we see with a lot of CGI - it actually has focus and continuity in almost all its shots. Hearing that most of the battle sequences were to be at night, in the rain gave me fears of the American Godzilla of 1998, but here it creates a feeling of menace and super-powered threat. It is not some road-tested and comfortable Intellectual Property of the past that is sold with the idea of a guaranteed audience, an audience they then cheese off by ignoring its previous core ethos. This is a good thing, and like the original Star Wars, feels complete in and of itself. I don't doubt that as I write this someone is threading the continuity needles to gin up a sequel, but for the moment, it stands alone. Enjoy that moment. And go see the film.

More later,

12 Jul 18:38

Four Lessons to Teach Kids the Value of Work

by Scott Behson

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The attitude you have as a parent is what your kids will learn from, more than what you tell them. They don’t remember what you try to teach them. They remember what you are. –Jim Henson

Our job as parents is to equip our children to have productive, happy and meaningful lives. The best way to do so is by role-modeling the values, priorities and actions to which we hope they will aspire.

Someday, and sooner than we think, our kids will be making choices about their careers, spouses and lives. I hope my son learns:

  1. To choose a career that makes enough money for his life to be comfortable and so he can take care of his future family.
  2. To choose a career he enjoys, finds interesting and meaningful, and through which he can make a larger contribution.
  3. To understand the importance of balancing his career with that of his future life partner
  4. To understand the relative importance of work and family and of working towards a balanced set of priorities. 

I once heard a great quote that “the best way to teach your son to be a man, is to be a good man and let him watch.”

I am very mindful about sending signals to my son about the importance of both work and family. These are hard things to teach directly in words, but I try to get the following four lessons through by my actions and by how I talk about work when he is around.

1. Work is for money, and money is important.

That’s why they call it work. And providing financially for our families is something that dads are still primarily responsible for (despite recent headlines, dads are the primary/sole income-earners in 85% of US dual-parent families). While we need to keep money in its proper perspective, neither do I want to minimize its importance.

Our kids need to know (age-appropriately) about money, and to understand that their parents’ work is how we can buy the things we need. One of the ways we show our love for our kids is through our paid work. That’s hard to explain directly to a kid, but there are ways we can help them eventually understand.

For example, Nick recently began getting an allowance, and he has to do a set of chores each week to collect his $4. This has been a great way to teach him about money. He now better understands what things cost, and how he needs to save up for things he wants.

Since we started the allowance, Nick has started asking how much cars and houses and other stuff costs. I answer his questions honestly, and I try to make the point that one of the important reasons I work is so we can afford the things we need- and a few extra things we want. And this sometimes means I have to sacrifice some time that I would otherwise spend with him.

Young kids don’t fully understand why we sometimes have to be away from them and at work. They know they miss us, and they can get resentful- it’s only natural. In response, it is easy to say that we work only for money- to buy them things- and that we’d rather not work and just be with them.

It’s a comforting story in the moment, but I bet it is not entirely true for most of us- and I think it actually sends a very different signal than what we should be sending.

I’d rather Nick understand that work is not JUST a chore, and not JUST about money. Right now, he wants to be a Jedi, baseball player, geologist, waiter, astronaut and circus performer. He doesn’t aspire to these jobs just because of earning potential. He cares about doing fun, fulfilling tasks. I want to continue to encourage that because…

2. Work can be a source of meaning and fulfillment and an opportunity to help others

While Nick knows that my wife and I work for money, he also knows that we really enjoy many aspects of our work. I make sure to tell him when I have a particularly good day at work, and I try not to bring too much work stress home with me.

I talk to him about what I do- at age 7, he can understand that, as a college business professor, I’m a teacher for older kids in college who are studying how to be good managers. He also understands that I write on the internet about trying to be a good dad, and I occasionally do projects for companies.

He sometimes asks why I like my work so much, and I tell him that teaching is rewarding, the world needs more good managers, and writing about fatherhood is both satisfying and can help dads think about important things. I hope that, over time, he comes to see my work as at least somewhat fulfilling, important and helpful—and that he’ll seek out a fulfilling important helpful career for himself.

Nick’s been to my campus a few times to see what I do and meet the people I work with. Last year, Nick and my wife Amy came to a campus ceremony when I received a teaching award, and he thought it was pretty cool. I’m glad he sees at least a little of my work, and maybe this gives him an idea of what a positive workplace looks like.

But mine isn’t the only workplace my son sees—he’s a big fan of his mother’s career as well.

 Behson wife

3. My wife’s career is as important as mine

One day, I hope Nick will get married, and I want him to value not just his own career, but also the career of a future spouse. This is not a lesson that is taught effectively through words. I hope that, by seeing how supportive I am of Amy (and she is of me), he will seek out a supportive partner and that he will value his spouse’s career as much as his own.

My wife’s idiosyncratic career as a theater actress poses some interesting work-family challenges. But I do my best to support Amy in her career because I love her and want to support her, but also because I want to signal to Nick that both our careers are to be equally valued (Sheryl Sandberg would be proud).

So, when Amy is rehearsing a new show and working really long hours, I pick up the slack at home; Amy does the same for me when my work spikes. On the rare occasions she travels for work (for example, to Boston this past holiday season for How the Grinch Stole Christmas!), I make sure that Nick and I travel out to see her. When it is age-appropriate, Nick sees his mom perform (Grinch, Peter Pan, etc.); when Amy directs youth theater, we see those shows (Nick enjoys seeing her mom get flowers from the cast as a thank-you on closing night!).

I’ll often help Nick make something for Amy’s dressing room before a new show, so he can be involved in supporting her. Finally, I will take him to visit mom before or after shows backstage and in her dressing room. Being backstage at a big Broadway theater is really exciting, and I’m really happy Nick gets to experience this.

Of course, our work-family juggle is not for everyone. I hope Nick and futurespouse figure out a balance that works for them, and that he understands that successful families can have many different divisions of labor (more traditional, single-earner households are obviously fine, as long as they are consciously chosen). Nick also gets to see successful marriages with different arrangements than ours through our friends and extended families.

No matter which career he chooses, I want Nick to properly value work and his future family. (As a work-family balance advocate and professional, I’d be remiss if I didn’t try to impart this lesson). I hope that, by seeing how I try to juggle work and family, he sees a role model for himself- just like I did when observing my father.

4. Work has its place, but is never more important than family

My father worked for many years in important capacities for the Office of Child and Family Services of New York State. His job was demanding, and very important- helping troubled kids and getting them back on the right track. For several years, he ran a number of juvenile delinquent group homes throughout NYC and was on call 24/7 in case of emergencies.

But my father was a very active, involved dad. He supported my mother as she went to college and grad school part time and became a teacher. He managed my little league teams, and we regularly took family vacations. He made a good living, but we would never be considered rich.

 

My dad (back middle) was a constant positive presence in my (bottom left) childhood.

My dad (back middle) was a constant positive presence in my (bottom left) childhood.

But I had all I needed—no matter how demanding or inconvenient his work, I knew my dad was there for me. He never had to tell me about his work-family priorities. His actions made them very clear.

I am lucky to have had a great role model. I hope I can be the same for Nick. I try to signal the importance of family through my actions. My flexible job gives me the opportunity to arrange my schedule to spend a lot of time with Nick; in that, I know I am far more fortunate than most dads.

But I have definitely turned down opportunities so that I could be present for Amy and Nick- I no longer teach in EMBA programs, limit my consulting and other work opportunities, and attend fewer conferences and professional networking events.

While I’m not the coach, I help out with a lot with Nick’s little league teams, and try to spend as much unstructured time with him as I can. Wii LEGO Star Wars, backyard light-saber battles, bike rides, pretending to have an interest in Minecraft, doing everyday errands together, just hanging out and talking- these are all parts of my everyday. I fight the impulse (although I sometimes fail) to let work time bleed into family time and get sucked into work through emails and smartphones. Everyday time is so important.

♦◊♦

I think if we are asking the right questions, pursuing the right goals, and are mindful about how our actions will be perceived by our children, we are doing the most important work of being good fathers. And I can’t think of a better thing to be.

I hope my son learns that work can bring fulfillment, meaning and opportunities to help others- not just money. I also hope he learns that work-family balance means family first and that his career priorities should take his future spouse/family’s needs into account. To get there:

  • I try to spend quantities of quality time with my boy.
  • I try to put work aside during family time.
  • I am trying to build a childhood of memories for Nick in which he will remember the unconditional love of his dad.
  • I try to be a good role model. Especially for the values I feel are important.

Life and work sometimes get in the way. I don’t always succeed. None of us can. But we can all try. And the trying is the most important part.

I guess most of all, I hope Nick sees that I am trying. If he does, I think he may absorb these lessons.

—photo by Schmarty/Flickr

For more from Scott, see:

The Challenges and Opportunities of Fathers, Work and Family, All in One Awesome Graphic

Taking My Own Advice on Fatherhood, Work and Family (or, helping my wife Lean In)

Being a Father Makes You Better at Your Job

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Last week on KS!! Hop on board!

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