
Azealia Banks l 1991






Caldwell Tanner has struck once more and illustrations created with a small kennels eyes. This time he interpreted as a super hero Internet companies, including description, super strength and opponent.
Of course, the Internet giants like Google, Facebook and Amazon are represented, but also services like Reddit or Huffington Post, which has not necessarily on the list have, after his artistic interpretation of Super Power.
Google has been interpreted as wonderfully ironic +. Once again, excellent work, Mr. Tanner.
Daria Nifontovaпоследнее фото ок




121-1:Michal Pudelka lives and works in Prague. The young photographer captures the beauty of Slavic girls and hints at the stereotypes of the Eastern Bloc: gymnasts, track suits, headscarves.
In addition to photography, Michal is an advocate for gay rights in the Czech Republic and Slovakia.
Daria Nifontovaсмотрю на левую часть и испытываю эмоции слишком сильные для того, чтобы быть appropriate.
Daria Nifontovaкомментарий пирожка: "ссыт, но идет. мужик"

bitch why you cryin? you better be crying out of happiness that you’re wearing that smalto suit.
^^^
Daria Nifontovawell, I AM my scars so fuck you please.
Daria NifontovaThe ATTITUDE.
Don’t like:

BASICALLY I COOKED PENNE UNTIL IT WAS AL DENTE, FILLED IT WITH PRETZEL STICKS, THEN BAKED IT INSIDE SOURDOUGH ROLLS. IT’S AMAZING.
ARE YOU CARB LOADING FOR A MARATHON?
NO, JUST FOR HAPPINESS.
Daria NifontovaВсё Так™
Daria Nifontovaыыыыыы
Reblog me like one of your French girls
Daria Nifontovaэто была я
once i scraped my knee in 3rd grade and a weird girl who was obsessed with horses was like “hold on” then she started crying and dropped tears on my knee then she was like “pegasus tears heal wounds”
Daria Nifontovaпржк..






ARTIST GUIM TIÓ
“The artist offers “pictographic” portraits in some sort of pantheon of “avatars”, those famous virtual replicas from the various social networks in which friendships, preferences, desires and memories are intertwined. These avatars are a reflection of the users’ personal identities, that they spread on the net in an overt and shameless way. Guim Tió observes this “digital territory” while demonstrating some corrosive irony and reveals, at the same time, the fragility and ambiguity of human condition, unique to our time, that is to assert oneself through image instead of content.” - Original text of Massimo Cova