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25 May 17:50

Robert De Niro Tells Graduating NYU Arts Grads, “You Made It… And You’re F*cked”

by Josh Jones

I’ve attended my share of graduations and hence my share of graduation speeches—from politicians more interested in stumping than inspiring their audience; to local TV personalities assuring graduates they too could become local TV personalities; to the real Patch Adams, who wasn’t nearly as funny as Robin Williams in his less-than-funny turn as Patch Adams. My experience has taught me that graduation speeches generally suck.

But not for the most recent batch of graduates of NYU’s Tisch School of the Arts, who got both bracing honesty and career validation from a speaker most likely to give it to you straight. With his trademark foul-mouth gruffness, De Niro told the graduating class what every aspiring artist needs to know: “You made it,” he said, “and you’re f*cked.” The world, De Niro told his audience, is not opening its arms to embrace art school grads. For all our pop cultural celebration of creativity, the so-called “creative class”—as we’re told again and again—is mostly in decline.

Of course it’s never been an easy road for artists. De Niro knows this full well not only through his own early experiences before superstardom but from his upbringing: both his mother and father were bohemian painters with turbulent, fascinating lives. And so he also knows of what he speaks when he tells the NYU grads that they “didn’t have a choice.” Where pragmatic accounting grads may be “passionate about accounting,” De Niro says, “it’s more likely that they used reason and logic and common sense to reach for a career that could give them the expectation of success and stability.”

Not the arts grads, the famous actor says: “You discovered a talent, developed an ambition and recognized your passion.” Their path, he suggests, is one of self-actualization:

When it comes to the arts, passion should always trump common sense. You aren’t just following dreams, you’re reaching for your destiny. You’re a dancer, a singer, a choreographer, a musician, a filmmaker, a writer, a photographer, a director, a producer, an actor, an artist. Yeah, you’re f***ed. The good news is that that’s not a bad place to start.

Maybe not. And maybe, for those driven to sing, dance, paint, write, etc., it’s the only place to start. Granted, NYU students are already a pretty select and privileged bunch, who certainly have a leg up compared to a great many other struggling artists. Nevertheless, given current economic realities and the U.S.’s depressing aversion to arts education and funding, these grads have a particularly difficult road ahead, De Niro says. And who better to deliver that hard truth with such conviction and good humor?

h/t @sheerly

Related Content:

David Byrne’s Graduation Speech Offers Troubling and Encouraging Advice for Students in the Arts

Jim Carrey Commencement Speech: It’s Better to Fail at What You Love Than Fail at What You Don’t

‘This Is Water': Complete Audio of David Foster Wallace’s Kenyon Graduation Speech (2005)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

23 May 00:16

One Hundred Dogs — Ito Jakuchu

by Biblioklept

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Tagged: Art, Dogs, Ito Jakuchu
02 Mar 19:09

‘Great Depression Cooking’, A Video Series Featuring Budget-Conscious Recipes From a Great-Grandmother in Her 90s

by Lori Dorn


Eggplant Parmesan

In 2007, Filmmaker Christopher Cannucciari and his great-grandmother Clara partnered together to create “Great Depression Cooking,” a video series that ran from 2007-2013 and was based on Clara’s experience living through the Great Depression in the United States. The series, which led to subsequent recipe books and a DVD, brought Clara’s history, her talent for cooking, and her wonderful storytelling to thousands, if not millions, of followers until her death in 2013 at the age of 96. An emotional Christopher eulogized Clara beautifully.

Here are some of Clara’s wonderful budget-conscious recipes, each made rich with Clara’s wonderful personality.


Pasta with Peas


Twice Baked Potato


The Poorman’s Meal


Depression Breakfast


Fried Mushrooms

via reddit

14 Feb 19:43

Cool Stuff: Lego’s Massive Ultimate Collectors Series Star Wars Tie Fighter

by Germain Lussier
Annie Ronan

TWO HUNDRED DOLLARS!?!?!?!??!?!

Lego Tie Fighter UCS header

For fans who find themselves in the cross section between Star Wars and Lego, an Ultimate Collectors Series announcement is an event. One or twice a year Lego reveals a massive set, aimed at adult collectors, with the kind of detail worthy of the Jedi. The most recent one was the Boba Fett Slave 1. Before that? The Sandcrawler. Saturday, Lego announced the Ultimate Collector’s Series Tie Fighter, a 1685 piece behemoth of a set that’ll be out in May. Below, read more about the new Star Wars Lego Tie Fighter, see photos and a video.

Here are photos of the Lego Ultimate Collector’s Series Tie Fighter via The Brick Fan.

Star Wars UCS Lego Tie Fighter

Lego Tie Fighter UCS 2 Lego Tie Fighter UCS 1 Lego Tie Fighter UCS 3 Lego Tie Fighter UCS 4 Lego Tie Fighter UCS 5 Lego Tie Fighter UCS 9 Lego Tie Fighter UCS 10 Lego Tie Fighter UCS 8 Lego Tie Fighter UCS 7 Lego Tie Fighter UCS 11 Lego Tie Fighter UCS 12 Lego Tie Fighter UCS 13 Lego Tie Fighter UCS 6

And the specs:

75095 TIE Fighter, 1,685 pieces

US $199.99 – CA $229.99 – DE 199.99€ – UK £169.99 – DK 1799.00 DKK

Presenting the Ultimate Collector Series TIE Fighter – the iconic Imperial starfighter!

We proudly present the Ultimate Collector Series LEGO Star Wars TIE Fighter. As featured in many of the action-packed Star Wars battle scenes, including the decisive battle that led to the destruction of the first Death Star, this large-scale LEGO-brick rendition of the classic Imperial starfighter has intricate detailing, as well as an opening top hatch and an exclusive TIE Fighter Pilot minifigure with a blaster pistol. And when you want to keep it safe from Rebel attack, mount the model on the display stand and keep yourself updated with all the key facts and figures on the included fact plaque. The Ultimate Collector Series TIE Fighter is the perfect addition to your Star Wars collection!

Includes a TIE Fighter Pilot minifigure with a blaster pistol
Features an opening top hatch
Includes a display stand and informative fact plaque
The perfect flagship model for fans of Star Wars and LEGO brick building
Collect one of the most iconic starships in the galaxy!
TIE Fighter measures 18.5” (47cm) high, 12” (30.6cm) long and 12.2” (31cm) wide

And then the video announcement.

So what’s the next Ultimate Collector’s Series set? Rumor has it it’s a Hoth Base, but that’s unconfirmed. We’ll see.

The post Cool Stuff: Lego’s Massive Ultimate Collectors Series Star Wars Tie Fighter appeared first on /Film.

22 Jan 19:30

Whitney Museum Puts Online 21,000 Works of American Art, By 3,000 Artists

by Colin Marshall
Annie Ronan

YES YES YES YES YES
The Hoppers alone are RIDICULOUS! http://collection.whitney.org/artist/621/EdwardHopper?page=1

soir bleu

Soir Bleu by Edward Hopper, 1914.

The trend has now become delightfully clear: the world’s best-known art institutions have got around to the important business of making their collections freely viewable online. We’ve already featured the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Rijksmuseum, and the National Gallery (as well as new, internet-based institutions such as the Google Art Project and Art.sy). Today, we bring news that the Whitney Museum of American Art has joined in as well.

the steerage

The Steerage by Alfred Stieglitz, 1907.

“Last week, the Whitney Museum massively overhauled its online database,” writes Hyperallergic’s Becca Rothfeld. “The museum of American art expanded its online collection from a paltry 700 works to around 21,000. The digital reserve now includes over 3,000 pieces by Edward Hopper, in addition to offerings from a wide swathe of art from the United States, including the likes of Mike Kelley and Martin Wong.” Rothfeld also notes that all this digitization has happened during the museum’s physical move, currently underway, to a building in the Meatpacking District with 63,000 combined square feet of indoor and outdoor gallery space.

morning sky

Morning Sky by Georgia O’Keeffe, 1916.

We non-New Yorkers have, of course, already booked our flights to experience the Whitney’s new digs. But since the building won’t actually open to the public until May, all of us, no matter where we live, will have to content ourselves for the moment with what the museum has put online so far. Fortunately, it has put a lot online: you can browse their digital collections by artist here; you’ll notice a great deal of Jackson Pollock, Georgia O’Keeffe, Edward Hopper, and Andy Warhol already available for your browsing pleasure.

via Hyperallergic

Related Content:

Where to Find Free Art Images & Books from Great Museums, and Free Books from University Presses

The Metropolitan Museum of Art Puts 400,000 High-Res Images Online & Makes Them Free to Use

LA County Museum Makes 20,000 Artistic Images Available for Free Download

The Rijksmuseum Puts 125,000 Dutch Masterpieces Online, and Lets You Remix Its Art

The National Gallery Makes 25,000 Images of Artwork Freely Available Online

The Getty Puts 4600 Art Images Into the Public Domain (and There’s More to Come)

40,000 Artworks from 250 Museums, Now Viewable for Free at the Redesigned Google Art Project

Colin Marshall hosts and produces Notebook on Cities and Culture as well as the video series The City in Cinema and writes essays on cities, language, Asia, and men’s style. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall or on Facebook.

Whitney Museum Puts Online 21,000 Works of American Art, By 3,000 Artists is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

The post Whitney Museum Puts Online 21,000 Works of American Art, By 3,000 Artists appeared first on Open Culture.

15 Jan 17:45

Discovery Channel: Now With More Facts, Fewer Snakes Eating Humans

by James West

In the first public admission that its reality television shows have strayed into the land of bizarre fakes and fabrications, the new boss at Discovery Channel has pledged to restore the network's documentary credibility with viewers—saying fake programming has "run its course," and is "not right for us."

The move is a major change for Discovery Communications, owner of the Discovery Channel. The group also owns a host of other networks, including Animal Planet and TLC, which have attracted criticism for the mistreatment of animals and for elaborately staging reality programs.

During a recent press conference in Pasadena, California, new president Rich Ross addressed the controversy surrounding a series of outlandishly scripted programs.

Rich Ross, Discovery Channel's new president, speaking at the Television Critics Association winter press tour on January 8 Discovery Communications

One example: Megalodon: The New Evidence, screened during 2014's "Shark Week," which claimed that the largest predatory shark that ever lived is still alive (it's not—some scientists were portrayed by actors). Another show, Eaten Alive, promised to show a man being swallowed whole by an anaconda (he eventually wasn't—he called off the eating part in front of the cameras). It was widely slammed by critics for making false claims about the show's content, and by wildlife advocates for harassing the snake and promoting fear.

At the Pasadena event, Ross was just 72 hours into the job, but he wasted no time in outlining his new priorities: "If there was one word, it would be 'authentic,'" which would be a filter for "everything we have on the air," he told reporters last Thursday.

Discussing Discovery programming like Megalodon—and a similar show on Animal Planet that purported to find evidence of real life mermaids—Ross said it was time for his channel to switch gears: "It's not whether I'm a fan of it. I don't think it's actually right for Discovery Channel, and it's something that I think has, in some ways, run its course," he said, according to a transcript.

In the question-and-answer session, Ross was challenged to address concerns that Discovery programming has directly misled the public. One journalist asked, "Do you have plans to try to repair relationships with scientists, educators, and other people who felt like those shows were—besides the fact that they were betraying Discovery's mission, were giving false information to people?"

Ross pointed to his recent appointment of a distinguished 17-year veteran of HBO and multiple Emmy Award-winner, John Hoffman, as executive vice president of documentaries and specials, calling it a commitment to returning to the land of truth-telling documentaries.

And what about Eaten Alive? "I don't believe you'll be seeing a person eaten by a snake during my time," he said, to laughter. Ross also wants to distance the channel from shows like Skyscraper Live With Nik Wallenda, which drew 10.7 million viewers to watch live as a man tightrope-walked between two Chicago skyscrapers. "We can do things that are live, but we don't have to make it as much of a sideshow [type] event," Variety reported him as saying.

Ross declined to be interviewed for this article.

His comments were welcomed by some outspoken critics of Discovery's scientific programming, including David Shiffman, a marine biologist, who has made a name for himself on social media by campaigning publicly for years to get Discovery to change its ways.

"It's exciting that they're finally listening to concerns that have been expressed by so many people," Shiffman said in a phone interview. "By scientists, by conservationists, by educators who have had to deal with the consequences of the completely made-up documentaries."

But Shiffman warned there's still along way to go across the entire organization. "There are lots of other problems with recent Discovery shows," he said, including "fear-mongering instead of facts" and "a promotion of wildlife harassment." He said he'll be watching the lineup for 2015's Shark Week closely to see if Ross's promises have been implemented.

The issue of faked and fraudulent shows is not limited to Discovery Channel. For Mother Jones, I've written a series of investigative articles about Call of the Wildman on Animal Planet, Discovery Channel's sister station. My reporting documented evidence of the show's mistreatment of animals, including the drugging of a zebra, and the deliberate trapping of wildlife for elaborately staged and scripted scenes; the reporting called into question the show's legality under federal and state animal welfare laws, and has since attracted an ongoing probe by USDA officials. At the time of my reporting into Call of the Wildman, Discovery Communications representatives and production staff fervently defended Animal Planet's treatment of animals, denying any harm was done.

It will be an uphill battle for reform inside Discovery, both the channel and its parent organization, says Chris Palmer, the director of the Center for Environmental Filmmaking at the American University School of Communication. Ross "will face a lot of internal opposition because the drive for ratings is still there in the culture of the organization," he said. Previously, Palmer says, "the senior people have defended vigorously what they've done and have painstakingly ignored criticism."

While the channel has "burned a lot of bridges, I am cautiously optimistic for the future," said Shiffman, the marine biologist. "But they have a lot more that they need to do to earn back our trust and respect."

15 Jan 14:53

‘Boys Latin’, A Trippy Computer Animated Music Video by Animal Collective Member Panda Bear

by Brian Heater
Annie Ronan

Love the song, love the video.

“Boys Latin” is a trippy new computer animated music video by founding Animal Collective member Noah “Panda Bear” Lennox that’s directed Isaiah Saxon and Sean Hellfritsch, following a young woman’s fantastical hike across a tide pool.

Her encounter with a sea anemone triggers a phantasmagorical reaction. She meets a man who seems to be in a similar predicament, and together they start a family of sorts.

Boys Latin

image via Isiah Saxon

via Ronen V

05 Jan 04:33

GIFs That Made Our Year

by Paddy Johnson and Whitney Kimball

tumblr_nbe7klcTVe1qdmmiqo2_r1_500

Horse costume guy: because 2014 was the Year of the Horse. Zach Scott, Renaissance Fair Centaur. 

At this point, 2014 is still a wash; trending words included “asphyxiation” and “misogyny”, but the most-typed phrase was an emoji heart. Naturally, we turn to GIFs. Here are the year’s “GIF of the Day” highlights, in creative standouts, minor cultural milestones, and mostly, things we couldn’t stop thinking about because they were so weird.

giphy-4

Evidence that 2o14 was the year of the horse: we were able to assemble an entire post of people wearing horse head costumes.  -PJ

FZvIlWg

Pandawank (and other adorable pandas), to close out a year packed with pandas, from start to finish, and into the next. – WK

tumblr_mpypcvAlsO1spc06no1_250

If only we could find more of these strange GIFs. We’ve dubbed this GIF, “The rubber neck lady“. PJ

MikeandClaire_GymBoyandtheDevil

For us this has also been a year filled with Mike and Claire. Since we posted GIFs of them back in early spring, we featured them as rising stars and asked them to pose in our panda calendar. We are fans. – WK

Jaimie

Jaimie Warren sent us this GIF over email once. We exhausted this GIF in the following months by posting it at every opportunity. – WK

johnnyWoods_SoupV1.gif
Johnny Woods,  Not the Soup I Ordered. A massive improvement from the cinegifs of yore. – WK

dollfloatA suite of Dolly Parton heads made by Anthony Antonellis, and featured in this year’s “GIF of the Day” series, might be my all-time favorites to date. So weird. So good. PJ

 

0620LETTERS-articleInline

 

2014 was the first year we spent knowing the full extent to which the NSA spies on American Citizens. Unsurprisingly, there’s been a lot more interest in surveillance. Above is one of our favorite GIFs on the subject, by one of our favorite GIF makers, Peter Burr. -PJ

chan

Watch this GIF in combination with Spice Girl’s “When Two Become One”. This work was produced for the GIFbites exhibition. From Johnson’s review on artnet: On its face, the GIF is simply a literalization of the Spice Girl song title: an image associated with world peace iconography and ancient spiritual healing sites, replicated and reflected. At the same time, though, it is contrasting the new and the old, sameness and difference, and even how we see ourselves. As Chan tells it, our identity is built on shared stories, interests, and even clichés. And, unlike so many other artist in this show, who took a conventional approach to noise, technology, and abstraction, Chan began with something literal, and ended with a meaningful work of art. – PJ

MiamiSpan-CyberHustle-1440-v5-Dither640

Giselle Zatonyl produced this mezmorizing GIF in response to Cyber Monday and the beginning of Art Basel Miami. -PJ

BlackFriday02-Eva_-Papamargariti

BlackFriday01-Eva_-Papamargariti

Eva Papamargaritis produced these two GIFs for us in response to Black Friday.  We love them. PJ

proceduralcroydon

 

Unlike Anthony Paletta over at the Awl, I can do without brutalism. And yet, I find the above animated GIFs of Brutalist architecture strangely compelling. Perhaps 2014 is year I started to have a more open mind about certain kinds of aesthetics? Ha! More where that came from here. PJ

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This here is a detail of Nicolas Sassoon‘s Studio Visit because the actual gif is too big to post on the blog. Gulp. – PJ

 

tekken-volleyball

 A beautiful GIF from the Japan-only video game Rival Schools 2. This isn’t an art GIF, but it’s included because a) the video game aesthetic dominates a lot of GIF making, and b) it looks like it could be an art GIF. It’s a good loop, it’s got grace and elegance. Hear hear! – PJ

fc91689ccfaf05fc483adde774a639ce

Whitney Kimball failed to include this GIF by Dave Townes in her list of outstanding GIFs for 2014.  I had to step in. – PJ

JUMP

Probably the only good thing that came out of the Motion Photography Prize sponsored by Saatchi and Google Plus.  This GIF is called “Jump“, by Cosimo Nesca

Antlers_WiFi_2011_5_13

Beautiful. From Rick Silva’s En Plein Air series. – PJ
the_creation

Seriously, this Francoise Gammas GIF is the creepiest thing I’ve ever seen. It belongs in a scene from the Exorcist. – PJ

shape_tween
Is this a shrimp or a ring? A Dada-type GIF by Tom Moody and deaniebabie satisfying for its disintegration and resolve. The comments in this post are worth a read. – PJ

Meowl

Why isn’t Chantal Rousseau a superstar? Her GIF drawings are incredible. Cats + Owls = Meowls. What could be better than this? – PJ

peer_review

The never ending cycle of Peer Reviews by Sally McKay. PJ

all-cure

I’ve never found Andrew Rosinskis’s “Talker” to be particularly anthropomorphic, but slow opening and closing of this slit is mesmerizing. And so it makes our list. PJ

1

When I’m asked what a GIF looks like, this eyeball by Claudia Mate comes to mind. It’s totally gross, but bizarrely iconic. – PJ

fish-drunk-animal-clubDo fish in aquariums serve any different purpose than art? Looking at this fish behind a viewing rope suggests that the answer to this question is “no”. The fish does not look happy about it. Fish GIF by Jasper Elings.  – PJ

tumblr_n6oqucVymj1qh65ano1_r1_500

Popular GIF iconography: Palm trees. Nothing else we’ve posted in this round up evidences that, so I guess you’ll just have to trust us. They are everywhere. Anyway, here’s a GIF island by Alfredo Salazar that’s formed by a woman’s face. There are palm trees on the side of her face.-PJ

champagne-pop-large1

We posted this GIF back in July, but it may not surprise regular readers to know that we’ve thought about posting this GIF a hundred times over since then. There’s always a good occasion. -PJ

 

jesus-on-an-inflatable-thing

James Kerr’s Jesus on an inflatable tube man is one of the best animated GIFs we’ve seen all year. No explanation necessary. – PJ
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Because we’ve all been there. Scott Gelber’s Fire Escape.
Marc-Lee-1
Well, we are a blog.

BONUS: Emblems of the Times

promo7From the Art F City Art World Roast and Auction Awards (which feels like a lifetime ago), Arjun Srivatsa made a series of GIFS to announce our winners. Had Marina Abramovic been able to attend, she would have taken home a giant gold-tipped dildo for “Best Self-Promotion”, our biggest honor. WK

EscapePod_Monaghan

Still have no idea what the hell this golden deer in a couch is about, but we’re blaming this on the art market. WK

 

 

31 Dec 04:45

“The work is the thing. It don’t matter who wrote it” — William Faulkner

by Biblioklept
Annie Ronan

William Faulkner letting you off the hook for still enjoying Bill Cosby stand-up albums, Rosemary's Baby, Annie Hall, and all that other good stuff made by terrible people.

Unidentified participant: Sir, concerning individuality you were discussing a moment ago, you’ve often said—been quoted that you’re a literary man—I beg your pardon, you are not a literary man. By implication one might think that you’d prefer the author who is so to speak spontaneous and not always steady against one who’s read all the literature in his culture and [gives] a steady effort to produce, and works on his style. Is that correct […]?

William Faulkner: How do you mean prefer the author, to spend an evening with him or the work he does?

Unidentified participant: The work he does […]

William Faulkner: Now you—

Unidentified participant: […] clear up: do you mean by implication that you prefer the man who writes so to speak spontaneously or the man who studies his style, reads and learns techniques and works out something [totally] […]?

William Faulkner: I would say first that—the the author is not—is of no importance at all, it’s what he writes. It don’t matter who wrote it. If—and—to—if you mean prefer him as an individual, then I will take the former because the intellectual man and I wouldn’t have anything to talk about. But the man has—has very little to do with his work in my opinion. The work is the thing. It don’t matter who wrote it.

Unidentified participant: Well then let’s say it’s work, [which type of work do you prefer]?

William Faulkner: Well, I think that some people must be intellectual, must be interested, immersed in—in his craft, in literature, to write, to do the work. Other people must be immersed in something completely different. They must in a sense lead a Jekyll and Hyde existence to do the work. It’s the work that matters. It’s not how he did it.

More/audio.


Tagged: Literature, William Faulkner
10 Dec 06:13

mp3: download more unreleased music from CHROMATICS + Johnny Jewel

by Chris

Download another unreleased gem from CHROMATICS + some cinematic, 7 movement, 30+ minute, “Electronic Wall Paper For Your Dreams” from Johnny Jewel:

10 Dec 06:07

Single Serving: Father John Misty – Chateau Lobby #4 (in C for Two Virgins)

by Matthew Hickey

father-john-misty-honeybear-02

I really, really like Father John Misty (a.k.a. J Tillman). He puts on a hell of a great live show. And his “debut” under that name was simply fantastic. I played the crap out of that record when it first came out. But, to be entirely honest, the first single “Bored In The USA” from his new album I Love You, Honeybear didn’t resonate with me (the laugh track felt a little heavy handed).

But you know what? This new single “Chateau Lobby #4 (in C for Two Virgins)” more than makes up for it. It’s a grandiose jam with brassy horn blasts, Spanish acoustic guitar riffs, and a bouncing rhythm. And it’s real as hell: this is a glimpse into the man’s love life. In fact, the video to accompany it was recorded by Tillman and his wife during their wedding anniversary. Unfortunately, no kittens appear in the video. Read Tillman’s dubious explanation for the sadly feline-free vid below.

You can nab this on vinyl, CD or MP3 from Amazon. Tillman says of the video:

“A few months ago, I had an idea for a music video. I was going to rent a wedding chapel, get a dozen kittens and stage a kitten wedding, over which I would preside and intercut with performance footage of me lip-syncing the song which you’re hearing today, “Chateau Lobby #4 (in C for Two Virgins)”. Sounds great, right? It may have even gone viral because kittens. If a video goes viral, that means you’re reaching a wider audience, and you might even get on a chart. If you get on a chart that means you’re streaming more records, and the more records you’re streaming the more money you supposedly have for hiring kitten wranglers.

Aside from the fact that kitten wranglers are considerably more expensive than you may realize and that said-kitten wranglers all informed me there was no way we were going to be able get the outfits I had mocked up onto said-kittens, there was another extenuating factor involved in the decision to abort this music video concept and ruin the slim likelihood that I might ever get to see the Huffington Post entertainment headline “EX-FLEET FOXES DRUMMER WEDS CATS”.
That reason is that the song actually means a great a deal to me.

It’s got the #4 on it because this iteration Chateau Lobby was the 4th attempt at arranging and producing the song that did not turn out perversely sentimental. Sentimentality brutalizes emotion. Much like ironic music videos.
I don’t care all that much if you like the music video or not. The label isn’t crazy about it. Management isn’t crazy about it. I have been informed I’m basically kissing an MTV “Woodie” award goodbye forever. I made it on an iPad on my wedding anniversary with the one I love. We ate pancakes.

I love you,
Josh.”

03 Dec 15:02

College Hilariously Defends Buying $219,000 Table

by Hamilton Nolan
Annie Ronan

Article completely ignores the fact that it's clearly all those extravagantly overpaid professors who are raising the cost of higher education. Shame on them.

College Hilariously Defends Buying $219,000 Table

New Jersey's Kean University got some free publicity recently when its wise administrators saw fit to purchase a $219,000 conference table . Those administrators? Still busily defending that table. May this hilarious table talk never die.

Read more...








02 Dec 16:28

Anthropologie Is Selling a $36 Spool of Twine

by Kate Dries
Annie Ronan

If you want the twee-est twine you must pay the fine.

Anthropologie Is Selling a $36 Spool of Twine

As you're planning where to purchase the necessary components to gift wrap all your holiday presents, consider Anthropologie, a store where you can buy some practical and well-priced items , like a "large" spool of Baker's Twine for $36. Looks like a previously sold version of this twine was quite popular, though the reviews are not in on this stunning beige decorative rope.

Read more...








19 Nov 21:10

Angry Ram Destroys Punching Bag

by twistedsifter
Annie Ronan

Annie, what does it feel like like to write a dissertation?

angry-ram-punching-bag-video

 

Remember the angry ram that took down the motorcyclist last year? His name is Rambro and he’s back! This time he takes on his toughest challenger yet, a punching bag.

You can see the original angry ram vs motorcyclist videos here and here.

 

see more videos button Angry Ram Destroys Punching Bag

twistedsifter on facebook Angry Ram Destroys Punching Bag

 

17 Nov 14:44

Selections from One-Star Amazon Reviews of Chinua Achebe’s Things Fall Apart

by Biblioklept
Annie Ronan

"some sort of infatuation with yams..."

[Ed. note: The following citations come from one-star Amazon reviews of Chinua Achebe’s novel Things Fall Apart. (See also: Mary Shelley’s Frankenstein, Thomas Pynchon’s Gravity’s RainbowGeorge Orwell’s 1984, Herman Melville’s Moby-Dick, James Joyce’s Ulysses and David Markson’s Wittgenstein’s Mistress). I’ve preserved the reviewers’ own styles of punctuation and spelling].

There were too many details

no plot, lousy tales, and distant characters.

Gnerally, I am extremely open-minded about other cultures,

Don’t buy this unless you need it for some reason out of your control.

DOES THIS GUY EVEN KNOW WHAT THE FUDGE HE IS TALKING ABOUT!

I read two chapters and quit It was horrible, and I say BAH!!!!!!!!!BAH!!!!!!!and a BOOOOOOOO!!!!!

This is one of those “politically correct” books they force you to read in school, in hope of “broadening our horizons” and “opening our minds.”

The main character had a lot of mental problems, including violence, chauvinism, and overambition to become the ‘model citizen’ of his tribe. I had no sympathy for him, neither should you.

Throught the book the auther keeps bringing in new charecters that have almost the identicle spelling of another and it gets very confusing

While Chinua Achebe claims to be an African freedom activist, her(? I can never figure out these new-fangled names) style of writing is stereotypical of the reactionary Brench and their quest to retain Africa.

The author seems to have some sort of infatuation with yams, because the entire book revolves around idiotic descriptions of yams and characters struggling with their declining yam output.

I found this story went no where, there were no real accomplishments done by the main character, his could have check in to an asylum for a year, dealt with his tribal issues, what he missed out on as a kid, came back to his tribe and really made a difference with his people. Instead, we just see some ones life that just gets worse.

This story could have been told in about 20 pages, but streches out into a full book that finally makes a point in the very last pages. Achebe’s work needs some fine tuning.

Why coudln’t they just at least change the names you could at least pronoucne it, ne ways if you plan on reading it, your want lots of time, so u can understand it.

“THINGS FALL APART” IS LIKE ABOUT A GUY WHO GROWS YAMS AND BEATS HIS FAMILY, AND IT JUST TALKS ABOUT THAT THE WHOLE TIME ITS A TERRIBLE HORRIBLE BOOK!

Almost nothing happens for the first 100 pages except we find out that he has three wives and he beats his kids. GREAT, That took 100 pages to say!!

If your looking for a good novel about African people by an African writer, it’s not here. Try Toni Morrison.

Anyone with sense would be rooting for the imperialists by the end of this book.

the writer is only famous because he is a minority.

the story have no point at all.

It draged on and on.

It was like reading a quick obituary.

the names are way too hard to pronounce.

All you never wanted to know about yams… and other such things

This book is way too confusing for the average reader (I am an honors student) and even the more advanced reader would find difficulty reading this book.

Better by far to have young atudents enjoy ayn rand tom woods and john allison milton friedman and peter schiff adn be poastive free neterpirse and successful.

the only thing you’ll enjoy is saying Okwonko over and over again

This makes Africa look worse, not better….

No one cared about Okonkwo’s yams!

How DARE we let children read this book.

it just SUXED

In retrospect, the story lived up to it’s name.


Tagged: Books, Chinua Achebe, Literature, one-star Amazon reviews, Reviews, Things Fall Apart
04 Nov 17:00

LADIES: Jon Hamm Really, Really Loves Cats

by Kelly Faircloth

Last night, Jon Hamm appeared on Comedy Central's @Midnight wearing a cat sweatshirt and publicly declared his enthusiasm for the Internet's mascot: "Dogs may be man's best friend, but cats are clearly man's best snuggle buddy."

Read more...








02 Nov 18:08

The Best Halloween Costume You’ll See This Year: Restaurant Dresses Up As ‘That Trendy Restaurant’ - Restaurant Dresses Up As 'That Trendy Restaurant'

by Marcy Franklin

It’s a restaurant already familiar with Halloween trickery; last year, Chicago’s Real Kitchen restaurant dressed up as Alinea. (Touché, friends.) Back for a second go-round, Real Kitchen decided to spoof once again and dressed up as “that trendy restaurant that just opened.”

The “restaurant,” named Veritable & the Scullery, has all the necessities to be a trendy restaurant that just opened. That includes: a staff with matching tattoos of cuts of a pig, “blacksmithing aprons from the 1400s” (bought by sacrificing “comfortable and functional chairs”), a “staggeringly expensive” cocktail list and handmade ice cubes, and a foraged menu. (And yes, that foraging includes Pringles and Skittles.)

On point with all the criticism of a trendy restaurant, Real Kitchen. You’ve got to see it for yourself. (Although we think someone like April Bloomfield or Chris Cosentino may take offense to the jab at their aprons.)

Real Kitchen as Veritable & The Scullery – Halloween 2014 from Ready Freddy Films on Vimeo.

[Vimeo]

RELATED: Mark Bittman Nails Why the Word ‘Foodie’ Is So Infuriating in New York Times Op-Ed
The New York Times Sees Your Newfangled Food Trends and Raises You One Fried Calamari
Paula, Guy, Mario, Padma: How to Dress Like Your Favorite Celebrity Chef This Halloween

29 Oct 13:33

Modern Art Was Used As a Torture Technique in Prison Cells During the Spanish Civil War

by Colin Marshall
http://www.youtube.com/watch?v=jJZ-fmjDQRw

We’ve all got those friends or family members who consider “modern art” a form of torture. Next time they complain about an exhibition you bring them to, just tell them how relieved they should feel that they didn’t fight in the Spanish Civil War — not just for the obvious reasons; they could have found themselves subject not just to actual torture, but torture directly inspired by modernist aesthetic principles. “A Spanish art historian has found evidence that suggests some Civil War jail cells were built like 3-D modern art paintings in order to torture prisoners,” reports BBC News. “The cells were built in 1938 for the republican forces fighting General Franco’s Fascist Nationalist army, who eventually won power.” The finding comes from historian Jose Milicua, who discovered references to these modern-art cells among court papers from “the 1939 trial of French anarchist Alphonse Laurencic, a republican, by a Franco-ist military court.”

modernartastorture

 

“During the trial,” the BBC article continues, “Laurencic revealed he was inspired by modern artists, such as surrealist Salvador Dali and Bauhaus artist Wassily Kandinsky” to create the six-foot-by-four-foot cells placed secretly in Barcelona (see a re-creation above), which featured “sloping beds at a 20-degree angle that were almost impossible to sleep on,” “irregularly shaped bricks on the floor that prevented prisoners from walking backwards or forwards,” walls “covered in surrealist patterns designed to make prisoners distressed and confused,” and lighting effects “to make the artwork even more dizzying.” Evidence also indicates that, elsewhere in Spain, Nationalist prisoners “were forced to watch Salvador Dali and Luis Bunuel’s film Un Chien Andalou,” especially an endless loop of its “graphic sequence of an eyeball being cut open” (at the top of the post).

Ironically, those imprisoned in such cells would have wound up there in the name of their fascist cause, which like the Franco-backing Nazi regime in Germany, considered modernism “degenerative.” Presumably, they didn’t leave their imprisonment with any more sympathetic idea of modern art than the one they’d gone in with. “A subcurrent of shock and provocation has always lurked within avant-garde art, which deliberately sets out to challenge bourgeois convention and to elicit a strong response” writes the New York Times‘ John Rockwell. “My own experience has been that opponents of new art are much too quick to presume provocation, let alone provocation intended literally to torture. Still, there can be no doubt that outrage was and is a goal of some artists, even if they rarely pushed it to the logical extreme that Laurencic took it.” You can learn more about this unusually artistic form of warfare in this All Things Considered interview with art historian Victoria Combalia. (Listen below.) And do try to suppress those fantasies of throwing your more Philistine acquaintances in there for an hour or two.

Related Content:

Restored Version of Un Chien Andalou: Luis Buñuel & Salvador Dalí’s Surreal Film (1929)

The Nazi’s Philistine Grudge Against Abstract Art and The “Degenerate Art Exhibition” of 1937

How the CIA Secretly Funded Abstract Expressionism During the Cold War

Colin Marshall hosts and produces Notebook on Cities and Culture and writes essays on cities, language, Asia, and men’s style. He’s at work on a book about Los Angeles, A Los Angeles Primer. Follow him on Twitter at @colinmarshall or on Facebook.

Modern Art Was Used As a Torture Technique in Prison Cells During the Spanish Civil War is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

The post Modern Art Was Used As a Torture Technique in Prison Cells During the Spanish Civil War appeared first on Open Culture.

16 Oct 13:53

“All art constantly aspires towards the condition of music”

by Biblioklept
16 Oct 02:22

1-Star Yelp Reviews of National Parks

by twistedsifter
1 star yelp reviews of national parks (9)

 

Mashable’s Max Knoblauch compiled a funny series of 1-star Yelp reviews of famous US National Parks, turning the best snippets into image macros. If you’ve used online reviews to help make travel decisions you already know people’s experience of the same place can be wildly different.

The lesson? Take individual reviews (especially those on extreme ends of the spectrum) with a grain of salt and look for an overall pattern or sentiment instead. Happy travels!

[Mashable via GallowBoob]

 

1. Yosemite National Park

1 star yelp reviews of national parks (8)

One-Star Review by Bill G. | Photograph by John Lemieux
Image macro by Mashable

 

 

2. Yellowstone National Park

1 star yelp reviews of national parks (7)

One-Star Review by Mike M. | Photograph by For the Rock
Image macro by Mashable

 

 

3. Joshua Tree National Park

1 star yelp reviews of national parks (5)

One-Star Review by David W. | Photograph by Milo & Sylvia in the World
Image macro by Mashable

 

 

4. Crater Lake National Park

1 star yelp reviews of national parks (2)

One-Star Review by D L. | Photograph by Cyril FLuck
Image macro by Mashable

 

 

5. Denali National Park and Preserve

1 star yelp reviews of national parks (3)

One-Star Review by Jamie M. | Photograph by Hbarrison
Image macro by Mashable

 

 

6. Sequoia National Park

1 star yelp reviews of national parks (6)

One-Star Review by Alex G. | Photograph by Dcrjsr
Image macro by Mashable

 

 

7. Zion National Park

1 star yelp reviews of national parks (9)

One-Star Review by Bob P. | Photograph by Stuseeger
Image macro by Mashable

 

 

 

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highly recommends:

 

 

when panoramas go wrong 1 Star Yelp Reviews of National Parks

 

 

dads at one direction concert 1 Star Yelp Reviews of National Parks

 

 

logos with honest slogans 23 1 Star Yelp Reviews of National Parks

 

21 Sep 21:34

The Walmart Heirs Give a Measly Amount To Charity

by Josh Harkinson

The Walmart heirs are infamous for their wealth and penny-pinching. Christy, Jim, Alice, and Rob Walton wouldn't be the sixth, seventh, eighth, and ninth richest Americans, respectively, if not for Walmart's relentless exploitation of its low-wage workers. But Waltons' stinginess also extends to their philanthropy. According to a new analysis by the union-backed Making Change at Walmart campaign, the Walton scions give way less money to charity than other über-rich Americans. In fact, the six other richest Americans have each donated many times more money to philanthropic causes than all four Walton heirs combined:

Making Change at Walmart

Typically, the extremely wealthy give a higher portion of their incomes to charity than middle and upper-middle income Americans. After all, you can only buy so many yachts, vacation homes, and Teslas before you start to look for other ways to spend money. But that doesn't seem to be true for the Waltons, who've redefined what it means to be a Scrooge. Americans' average net worth is about $650,000 per household (the median is only about $70,000) and the average annual charitable donation is about $3,000 per household. Meanwhile, the average Walton has a net worth of $36 billion and gives about $730,000 to charity each year. This means that the four richest Waltons have, on average, a net worth that's 55,000 times higher than that of the average American household, yet give, as a percent of that wealth, about 1/230th as much to charity in a typical year:

09 Sep 19:23

No. 2, Main Control Panel, Nerve Center of Ship — Jacob Lawrence

by Biblioklept


Tagged: Art, Jacob Lawrence
09 Sep 14:26

Thomas Pynchon Edits His Lines on The Simpsons: “Homer is my role model and I can’t speak ill of him.”

by Dan Colman

pynchon simpsons edit

In 2002, the elusive novelist Thomas Pynchon made two cameo appearances on The Simpsons. Of course, we didn’t actually get to see Pynchon. His cartoon depiction wore, rather humorously, a bag over his head. But, we did get to hear Pynchon’s voice. And apparently that, alone, was a first.

This past week, Matt Selman, an executive producer for The Simpsons, shed some more light on those playful cameos. On Twitter, he posted a copy of the script Pynchon edited and faxed back to the show’s writers. (Click on the image above to see it in a larger format.) In some cases, Pynchon, always the writer, tweaked the language to make it flow as he liked. In other cases, he added his own material to the script — new sound effects, jokes, and puns. (The word “Scrumptious” gets turned into Vi-licious.) And, in one case, he removed a joke. Deleting the words “No wonder Homer is such a fat ass,” Pynchon scrawled the comment: “Sorry, guys. Homer is my role model and I can’t speak ill of him.” Finally, Homer gets some respect.

Pynchon-simpsons

via The Wall Street Journal

Related Content:

Before The Simpsons, Matt Groening Illustrated a “Student’s Guide” for Apple Computers (1989)

Before The Simpsons: Homer Groening Directs a 1969 Short Film, The Story, Starring His Kids Maggie, Lisa & Matt 

Take a Cinematic Journey into the Mind of Thomas Pynchon and His New Book, Bleeding Edge

 

Thomas Pynchon Edits His Lines on The Simpsons: “Homer is my role model and I can’t speak ill of him.” is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

The post Thomas Pynchon Edits His Lines on The Simpsons: “Homer is my role model and I can’t speak ill of him.” appeared first on Open Culture.

07 Sep 22:36

Lobstermen in Maine Catch Two Rare Albino Lobsters in One Week

by Kelly Conaboy
Annie Ronan

Obviously a sign of the apocalypse. http://gph.is/XK3kAk

Lobstermen in Maine Catch Two Rare Albino Lobsters in One Week

Uh-oh, did someone accidentally say too many albino lobster prayers? According to the AP, two lobstermen in Maine caught two rare albino lobsters within the same week!

Read more...








23 Aug 21:46

I Was Wrong to Defend Marina Abramovic

by Reid Singer

Post image for I Was Wrong to Defend Marina Abramovic

Marina Abramović Institute Main Performance Space, first draft rendering ⓒ OMA / Courtesy Marina Abramović Institute

Marina Abramović Institute Main Performance Space, first draft rendering ⓒ OMA / Courtesy Marina Abramović Institute

Last week, the performance artist Marina Abramovic posted ads for four jobs, with no compensation, on the web site of the New York Foundation for the Arts. I’m really glad I’m not one of the applicants.

I might have been, up until a few months ago, as an unemployed young person who scoured NYFA daily for anything that looked remotely like a job lead. A career counselor had told me that the NYFA site was a great place to start if you were looking for work in fields related to art or art history, and even if your lifelong ambitions don’t quite track with, say, a secretarial gig at a gallery, the advice still holds. NYFA has lots of great offerings for applicants who are bright and ambitious, but don’t quite know what to pursue. Some live at home, as I did in my mid-20s, and quite a few are willing to work for little or no pay if the job leads to whatever ephemeral accomplishments are implied by “getting one’s foot in the door.”

This is the demographic the Marina Abramovic Institute has targeted in its recent job posts. Applicants looking to help out with administrative tasks, research, tech, and special projects should expect to work three days a week, with additional hours required on occasion; while prerequisites include “prior experience working in a fast-paced arts non-profit,” and a “college-level background in art history,” these are not, in their minds, prerequisites for getting paid. Lots of people have pointed to the listings as the latest example of exploitation of labor in the art world. Others have cited it in support of the notion that Marina Abramovic, who has lately been positioned as a matron saint of performance (in the HBO documentary The Artist is Present, Klaus Biesenbach claimed that she was “in love with the world”) is, in fact, monstrously callous and cold.

Back in 2011, I was more forgiving. On AFC, I even defended the performance Abramovic conceived, under the direction of Jeffrey Deitch, for a donor gala at LA MoCA. The plan was for hired performers to pose nude, for hours, with their heads stuck through the center of the dining tables, slowly rotating on lazy susans. After hearing about the performance, the legendary choreographer Yvonne Rainer had written a letter to Deitch, calling it “degrading,” and using other terms I thought were self-righteous and hyperbolic.

In this case, the performers were being paid (albeit modestly). Rainer visited a rehearsal, where she grumbled to one of the performers that “prostitutes also get paid.” While the gala didn’t sound like a party I would ever want to go to, I agreed with Paddy Johnson’s point that, like sex workers, it is important to let people decide if and how their work is degrading, without an outsider electing herself to save the day. Abramovic’s work featured nudity and some serious endurance (during the three-hour gala meal, participants were prohibited from moving their bodies), but this was hardly new to her oeuvre. In other words, the people who work in a Marina Abramovic project understand the sacrifices they’re making. They still do, even if Abramovic, herself, does not.

When I applied to NYFA jobs (and when I first emailed Paddy, telling her how much I wanted to write for her blog), I was willing to make these kinds of trade-offs, and found myself pretty much inured to the thought of working for organizations who are, themselves, strapped for cash. But this is not an apt descriptor for Marina Abramovic, or the nascent institute that bears her name.

Over the summer, models wearing smocks with the institute’s monogram on it appeared in “Work / Relation 2014,” a video expounding on the merits of teamwork, which Abramovic made for the folks at Adidas in honor of the 2014 FIFA World Cup. This might be generously called a “commercial-film,” or a progressive step forward in the history of business sponsorship of the arts. More sensible critics might call her the definition of a sell out; if, weeks later, she still isn’t paying her employees decently, then the compromise hardly seems worth it.

Last year, Abramovic ran a successful Kickstarter campaign to fund the institute building’s initial design process, with a stated goal of raising $600,000. The Institute pulled out all the stops, even releasing a bizarre teaser video of Lady Gaga practicing the “Method” nude. Within a month, MAI exceeded its goal, ultimately raising over $660,000. Incidentally, if Abramovic wrote the promotional copy for her Kickstarter campaign, instead of having someone do it for her, then I will eat a handful of dirt.

It is a grotesque fact of life that most arts organizations assume they will attract people who are willing to accept less pay than they’re really worth, and that this is systematically figured into their budgets. The market has never been more flooded with capable, well-educated people who are trying to work in contemporary art, and it isn’t much to ask Abramovic to reciprocate at least some of their idealism and goodwill. If she feels entitled to having four qualified applicants under her employ, then she should recognize that they have entitlements of their own. Not all of the organizations with postings on NYFA offer salaries and benefits appropriate for an able-minded college graduate. Marina Abramovic can.

22 Aug 19:22

Rediscovering the First Color Photographs of the United States

by twistedsifter
first color photographs of the united states taschen an american odyssey (3)

 

An American Odyssey is a new 612 page book published by Taschen that revisits photochrom and photostint postcard images from the private collection of Marc Walter. Originally produced by the Detroit Photographic Company between 1888 and 1924, these images were created using a photolithographic process that predated the autochrome by nearly 20 years, offering people the very first color photographs of the United States.

Below you will find some fascinating images from An American Odyssey as well as excerpts from an informative FAQ by Taschen

[via Wired]

 

first color photographs of the united states taschen an american odyssey (8)

MARC WALTER / COURTESY OF TASCHEN

 

What exactly is a photochrom?

A photochrom is a color proof obtained by transferring a black and white photographic negative on numerous lithographic stones: one for each final wanted color. This was done using a specific new process, “the Photochrom process”, invented in 1889 by the Swiss Hans Jakob Schmidt, chief lithographer at the Orell Füssli printworks in Zurich. [source]

 

first color photographs of the united states taschen an american odyssey (3)

MARC WALTER / COURTESY OF TASCHEN

 

Can you explain the Photochrom process?

The Photochrom process allowed a color proof to be obtained from a black-and-white negative. It is a planographic method of reproduction : each color required the use of a different lithographic stones and therefore a minimum of four: red, blue, yellow, and black. The stone was coated with transparent ink, which was then transferred to photographic printing paper. [source]

 

first color photographs of the united states taschen an american odyssey (6)

MARC WALTER / COURTESY OF TASCHEN

 

first color photographs of the united states taschen an american odyssey (1)

MARC WALTER / COURTESY OF TASCHEN

 

Were the photochroms colored by hand?

No, they were not: the lithographic stones were inked with colors. The engravers were marvellous technicians and their work is phenomenal. They worked to restitute the true colors of their subjects by inking as many different stones as necessary to restitute the colors of nature, clothes, buildings, etc. If you examine a photochrom through a magnifying glass, you realize that it often consists of more than 10 ink colors. In some cases, as many as 14 different tinted stones were used. [source]

 

first color photographs of the united states taschen an american odyssey (2)

MARC WALTER / COURTESY OF TASCHEN

 

first color photographs of the united states taschen an american odyssey (4)

MARC WALTER / COURTESY OF TASCHEN

 

When were the photochroms made?

The American photochroms reproduced in this book were all made between 1895 and 1910. The ones reproduced here are original ones belonging to Marc Walter’s collection.
However the black-and-white negatives used to print these photochroms often date from much earlier, as early as the years 1870 for many of them. [source]

 

first color photographs of the united states taschen an american odyssey (7)

MARC WALTER / COURTESY OF TASCHEN

 

first color photographs of the united states taschen an american odyssey (9)

MARC WALTER / COURTESY OF TASCHEN

 

first color photographs of the united states taschen an american odyssey (5)

MARC WALTER / COURTESY OF TASCHEN

 

first color photographs of the united states taschen an american odyssey (10)

MARC WALTER / COURTESY OF TASCHEN

 

 

 

 

 

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highly recommends:

 

 

historic black and white photos colorized 3 Rediscovering the First Color Photographs of the United States

 

 

vintage mugshots black and white 17 Rediscovering the First Color Photographs of the United States

 

12 Aug 13:38

Still Life with Watermelons and Apples in a Landscape — Luis Meléndez

by Biblioklept
Annie Ronan

SUCH EPIC WATERMELON!


Tagged: Art, Luis Meléndez
08 Aug 04:54

Amalfi Coast: Positano, Capri, & Ravello, Italy

by Sonja

Last month we shared photos and recipes inspired by our trip to Greece. After Greece, we set out for Italy just the two of us: to Rome & Naples, and then the Amalfi Coast. Here are the highlights of the Amalfi Coast — and we have a few more Italian recipe inspirations coming your way. 

The Amalfi Coast has been etched in our memory since we visited seven years ago on our honeymoon. The vibrant blue water, dizzying cliffs, and quaint lemon and olive groves make it hard to forget. Much as we love travelling to new places, we were dying to go back. So we returned seven years later, ready to see whether it was as good as we remembered.

The Amalfi Coast: Positano | A Couple Cooks

Spoiler alert: it was. This gem is Positano. On this trip, we stayed in a small village right above it (Montepertuso), and got to see this view every morning when we walked into town. We felt a little spoiled.

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The view from one of the best meals we had in Italy, at restaurant Da Vincenzo. The Linguine alla Napoli was delicious: the pasta cooked to perfect al dente. (Our best meal? Outside of Rome at our Italian friend’s mom’s place, here.)

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

Our favorite secluded beach in Positano.

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

A certain peach gelato from our honeymoon stuck out in my mind, which I had bought on our last visit near the main beach in Positano. We went back to the same place and sure enough, they had the gelato. It was just as I remembered, cool and refreshing with little chunks of frozen peaches throughout. It was such fun to relive one of the memories that inspired my love of food in the first place!

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

Our favorite part of the Amalfi Coast is the hiking. There are hundreds of trails, most of them the old “roads” before new highways were cut into the hillside. The vistas are amazing, and you can end up in someone’s olive or lemon groves if you aren’t careful. Each time we’ve come, we’ve brought a book that helps navigate the trails (though it’s still easy to get lost!).

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

This time, one of our favorite hikes was up to a huge, round hole in the mountain that towers above Positano. There were no other people in sight, and we sat looking down on Positano below, listening to the traffic and boat horn barely echo up frrom the beach below.

 

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

We took a few day trips; the first was a 30-minute boat ride to the island of Capri. This was one of our favorite spots on our honeymoon, so we couldn’t wait to go back. The day was a bit cloudy at first and looked like it was going to pour, but luckily the sun surfaced for the majority of the day.

The Amalfi Coast: Capri | A Couple Cooks

Arco Naturale, a natural arch.

The Amalfi Coast: Capri | A Couple Cooks

Insalata caprese (or, Capri Salad) on Capri. I had been looking forward to this the entire trip, and it tasted quite refreshing after a day of hiking.

The Amalfi Coast: Capri | A Couple Cooks

Capri also has some amazing lemon and orange granitas.

The Amalfi Coast: Capri | A Couple Cooks

The best known sight in Capri is Il Faraglione, a formation of three iconic rocks. We were looking forward to photographing them, but were worried the weather wouldn’t cooperate. Luckily, we were able to get a bit of blue sky to snap these shots (and hope to have a print to hang our our walls soon!)

The Amalfi Coast: Capri | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

The Amalfi Coast: Capri | A Couple Cooks

Leaving Capri to head back to Positano…

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

The Amalfi Coast: Positano | A Couple Cooks

On our final day, we took a day trip to Ravello, a town high up in the cliffs.

The Amalfi Coast: Ravello | A Couple Cooks

Villa Cimbrone is a villa in Ravello built in the 1900’s, with gorgeous gardens open to the public. We came back to see one special place…

The Amalfi Coast: Ravello | A Couple Cooks

This! The Terrace of Infinity. It’s an extraordinary place, the blue sea stretching for miles. It makes you feel both insignificant and special, all at once.

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

Here’s a shot you see on the cover of all Amalfi Coast guidebooks (if you’ve never seen one, you’ll recognize it now). It’s in a different villa called Villa Rufolo, which sits just around the corner.

The Amalfi Coast: Ravello | A Couple Cooks

After the villas, we hiked down from Ravello to catch a ferry back. Steps like these are everywhere on the Amalfi Coast – and they’re much better going down than up.

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The evening of our last day, we decided to hike all the way from the beach at Positano to our favorite “hole”, towering above the town. After squeezing through tiny paths and steep inclines, we made it to the top and gazed over Positano one last time.

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast: Ravello | A Couple Cooks

The Amalfi Coast is absolutely stunning, and we are so grateful to have been able to take another trip there.  It was so special for us to revisit a culture and place that meant so much to us early in our marriage. We left feeling rested and relaxed, though we’d been on our feet constantly!

It was a whirlwind trip – from Greece to Rome to Naples to the Amalfi Coast, each place beautiful and unique in its own way. Thank you so much for letting us share these memories with you!

Have you ever been to the Amalfi Coast, or thinking of taking a trip there? Let us know your thoughts or questions!

Where we stayed: We’d recommend where we stayed on our honeymoon, Punta Civita. It’s between Ravello and a smaller village called Atrani so it’s slightly inconvenient to get to, but the views are to die for.

Positano Restaurant Recommendations:
Da Vincenzo (Positano)
La Terra (Montepertuso) – Great views here!
Donna Rosa (Montepertuso) – a little pricey, but family owned

Other tips:
Hiking guide book
Go to Pompeii! (We went the first trip and it is amazing.)

22 Jul 19:21

If You’re Feeling Down, Just Watch This Guy Dance

by twistedsifter
old man with two canes dancing

 

If you’re ever feeling down just watch this video of an elderly gentleman grooving out. The video was originally posted to Facebook by Edgard Eleuterio Daza where it has been shared over 600,000 times! The video (embedded below) is captioned, “Forever Young” :)

 

 

see more videos button If Youre Feeling Down, Just Watch This Guy Dance

twistedsifter on facebook If Youre Feeling Down, Just Watch This Guy Dance

 

18 Jul 18:49

Sentences That Appeared in Blake Lively's New Vogue Interview, Ranked

by Callie Beusman
Annie Ronan

1. "Not many women can wear denim overalls, strappy Louboutin stilettos, and a Navajo-blanket poncho and get away with it, but Blake Lively can. "

Sentences That Appeared in Blake Lively's New Vogue Interview, Ranked

Blake Lively is on the cover of Vogue for the third time. In the accompanying interview, we learn a lot about her burgeoning lifestyle brand ("Preserve" ), as filtered through the lens of the magazine's sense of smug and slightly inscrutable fashion-whimsy.

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